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Alone. Welcome to Mythic Mind.
We would pursue wisdom of the past between

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primary secondary worlds. I'm your host, Andrew Snyder, and I'm always grateful

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for your company. Today, I'm
gonna talk a bit about Tolkien's great poem

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Mythepia. During my conversation with John
Carswell a while back, he suggested that

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I needed to cover this at some
point in the series, and he was

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right. But before I get to
it, I want to thank all of

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my current patrons in by name,
my super patrons and hire, and so

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many thanks to Mark, Nick,
Paul, Aaron Aaron, Andrew Brandon,

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Emmy Harrison, Ian, Jamie Jeremiah, Joscelyn, Joshua, Matthew, and

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William As I'm relying on the throws
of adjunct work right now, I truly

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cannot keep this up without you.
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mythic Mind to join this growing and really

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meaningful community. But now onto Mythipia. To briefly give some background, this

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is a poem written by Tolkien after
having a conversation with not yet Christian C.

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S. Lewis about the value of
myths, which at the time Lewis

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described as lives breathed through silver.
And so in this poem, Tolkien is

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addressing the value of myths and myth
making. And I'm going to skip some

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parts of the poem, not for
lack of importance, but for the sake

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of brevity, and also because I
admit that I don't really know how copyright

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laws apply here. But in any
case, I'm gonna be going back and

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forth of it between reading some stanzas
and providing some reflections. Okay, so

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Tolkien says you look at trees and
label them just so for trees or trees

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and growing is to grow. You
walk the earth and tread with solemn paste.

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One of the many minor globes of
space. A star's a star,

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some matter in a ball, compelled
to courses mathematical amid the regimented cold inane,

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where destined atoms are each moment slain. See this is a profound problem

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with the modern scientific worldview, namely
that it is no worldview at all,

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serving rather as a curtain hiding the
true man pulling the levers, who himself

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is not very scientific at all.
You see, as I've discussed before,

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science is not a worldview. It
is a tool for empirically investigating the material

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world, but it is incapable of
operating in the realm of meaning. Science

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can tell us what kind of rock
we live on, and it can tell

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us something of our trajectory in the
vastness of space. Yet it can tell

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us nothing of what any of this
means, let alone what it means for

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us, or how we ought to
live upon it. Science, therefore,

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is but a tool, the value
of which depends on its intended use and

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the skill of wielder in using it
for an aim beyond itself. There's no

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life beyond the mere world of what
is, and even calling scientific facts alone

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a world of what is is likely
a misnomber because it existence itself is suspended

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and more of a mythic metaphysical understanding. What kinds of things exists in this

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world? And for what purpose?
If we, proud people of science make

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no room for such questions, and
we come to find that there's no longer

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any room for any of us either, just a world of cold facts interpreted

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by cold facts, because an essence, that's all that we would be.

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Yet everything about the history of human
experience screams against us. Why would we

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even be driven to pursue science if
not for some value, for some response

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to the world that continually presents itself
to us as significant, that is,

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with a significance that science itself can
ever reveal, but can serve to amplify

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if carried out with proper wonder.
And so it's not merely that the scientific

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way of seeing the world is wrong. It's actually disingenuous to even phrase it

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that way, because the world itself
is suspended in narrative, it's an attempt

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to make human experience something that it
is not and never could be. We

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and by extent the cosmos itself,
as it is revealed to us, are

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bursting with life. I've recently been
reading, or at least listening to C.

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S. Lewis's Ransom trilogy, and
if you have not made this journey

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yourself, I would highly recommend that
you do so. In any case,

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Ransom, the protagonist on a less
than desirable interplanetary journey, arrives at the

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following beautiful realization concerning what we are
trained to call space in Out of the

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Silent Planet, Lewis writes. But
Ransom, as time or on, became

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aware of another and more spiritual cause
for his progressive lightning and exaltation of heart.

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A nightmare long engendered in the modern
mind by the mythology that follows in

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the wake of science, was falling
off of him. He had read of

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space at the back of his thinking
for years, had lurked the dismal fancy

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of the black, cold vacuity,
the utter deadness which was supposed to separate

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the worlds. He had not known
how much of it affected him till now

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now that the very name space seemed
a blasphemous libel for his imperian ocean of

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radiance, in which they swam.
He could not call it dead. He

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felt life pouring into him at every
moment. How indeed could it be otherwise,

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Since out of this ocean all of
the worlds and all of the life

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had come. He had thought it
barren, and now saw that it was

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the womb of worlds, whose blazing
and innumerable offspring looked down nightly, even

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upon the earth, with so many
eyes, and here and how many more.

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No space was the wrong name.
With this, Lewis marvelously tells us

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that there is no such thing as
dead space. This universe is teeming with

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life and with wonder, and Tolkien
continues this a bit later along these lines

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and takes a bit further, as
he says of the myth maker, he

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sees no stars who does not see
them first of living silver made that set

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in burst to flame like flowers beneath
an ancient song, whose very echo after

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music long has since pursued. There
is no firmament, only avoid unless a

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jewel tent, myth woven and elf
patterned, and no earth unless the mother's

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womb went, all have birth.
The heart of man is not compound of

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lies, but draws some wisdom from
the only wise and still recalls him.

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Though now long estranged, Man is
not wholly lost nor wholly changed. Disgraced

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he may be, yet is not
dethroned. He keeps the rags of lordship

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once he owned his world dominion by
creative act, not his to worship the

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great artifact. Man subcreat the refracted
light, through whom it is splintered from

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a single white to many hues,
and endlessly combined in living shapes that move

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from mind to mind. Though all
the crannies of the world we filled with

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elves and goblins, though we dare
to build gods in their houses of dark

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and light, and sowed the seats
of dragon tways our right used are misused.

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The right has not decayed. We've
make still by the law in which

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we're made. So the slack went
on there first. Continuing this theme of

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phenomenology, or how we experience the
cosmos, he notes that we don't initially

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see stars as these material things in
the vacuum of space, but rather as

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living silver blooming beneath a cosmic song. Our ancestors look to the stars,

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and they saw gods, and they
saw guides. The stars have been associated

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with the angelic host and of course, we have been trained to leave such

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things behind us as useless relics of
old paganism or what maybe even worse,

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medieval cosmology. Yet can we effort
actually do this? Can any of us

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look up at the stars on a
clear night and see something beyond wonder and

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a shifting perspective away from our petty
little problems to something transcendently glorious. Our

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stars mere facts among facts? Or
are they living entities calling forth a song

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that rises up in our souls and
points us to something greater and more glorious?

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Surely not. The stars are living
things that speak to living things.

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They burst, and they dance with
the music of life that reverberates through all

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glorious things. And they speak to
the hearts of men, calling us both

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to fear and to rejoice. Now, why is this now? On a

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material level? We know that stars
are material, or at least we think

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we know what that means. And
furthermore, I mean, who is to

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say, after all, that material
things must only be material? We certainly

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don't say that of us. Why
must that necessarily be the case with the

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stars? In any case? Tolkien
makes the point that we fallen into strange

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as we may be cannot help but
to draw wisdom from the wise and to

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create in the image of whom we
are created. God provides the primordial stuff

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of existence, the raw facts.
But we have the ability and the obligation

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to create, not as God does, but in imitation of God's creation.

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Just as God brought order out of
chaos to establish the created order, so

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too we take features of this created
order and established new features out of our

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ordering minds. And we do this
constantly. Every time we envisioned what could

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be, we're putting together a creation
that is different than the world that currently

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is. And so although we do
not create ex nihilo as God does,

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and thereby we are not capital see
creators, we are subcreators making why that

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creative law with which we ourselves are
made. And this is why humans across

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time are natural storytellers. This capacity
can be misused and often is misused,

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but the capacity itself is a glory
of humanity. We interpret the world through

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mythmaking, and of course not all
interpretations are equally valid, which is why

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there are good miss are bad myths. Good miss pull us into a grand

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story than what we would experience by
way of course, and Thereby they make

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our lives grander bad miss alternatively provide
myopic vision, or still worse, they

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render us blind while calling it true
vision. As Tolkien says in On Fairy

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Stories, mythology is not a disease
at all, though it may, like

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all human things, become disease.
Okay, So, skipping down a bit,

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Tolkien continues, blessed are the legend
makers, with their rhyme of things

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not found within recorded time. It
is not that they have forgot the night,

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or bid us flee to organized delight
in lotus aisles of economic bliss,

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for swearing souls to gain a circuit
kiss and counterfeit at that machine produced bogus

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seduction of the twice seduced. Such
aisles they saw far and once more fair,

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And those that hear them yet may
yet beware. They have seen death

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and ultimate defeat. And yet they
would not, in despair retreat, but

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after victory, have tuned the lyre
and enkindled hearts with legend ry fire illuminating

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now in dark hath been with light
of suns as yet by no man seen.

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And so these legend makers, the
myth makers, do tell of realities,

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but not realities, bound within recorded
time. You see recorded time deals

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with changing realities. Real miss,
however, true miss reside in the world

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of being. They deal in eternal
realities portrayed in temporal terms. In this

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sense, they are ever true,
which is why I hate when fiction is

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categorically defined as being not true,
because fiction, or at least good fiction,

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is true, but in a manner
that transcends mere facts. Good miss

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therefore do not neglect reality, but
they portray it in the most meaningful manners.

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That C. S. Lewis writes
in Myth Became Fact, that myth

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is not like truth abstract, nor
is it like direct experience bound to particular

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It is rather the isthmus that connects
these two realities together. And so the

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good poets, the good myth makers, understand reality and present it in one

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of the most meaningful ways to our
experience. And I know that I find

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this to be deeply true. It's
one reason why I love Tolkien and Lewis,

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as well as their various sources for
inspiration. Tolkien has been particularly meaningful

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to me, especially during a season
of great sorrow which extends into my forever

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present. Reading Tolkien has really given
me solace as he does a remarkable job

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of interweathing love, beauty, and
sorrow in a profoundly Christian integration of hope.

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And it's not as though I didn't
already know such things on the doctrine

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roal or the abstract level. The
Tolkien's mythic telling connected these abstractions in a

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deeply existential and meaningful way that made
them more real for me, and I

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believe that he's had a similar impact
on many others as well. Because this

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is the power of good myths.
They help us to experience the things that

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we know, as well as to
experience new truths along the way. And

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Tolkien continues with a rather powerful verse
as he writes, I will not walk

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with your progressive apes, erect and
sapient before them gapes the dark abyss to

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which their progress to ends, if
by God's mercy progress ever ends, and

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does not ceaselessly revolve the same unfruitful
course with changing of a name. I

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will not treat your dusty path and
flat, denoting this and that, by

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this and that your world immutable,
wherein no part the little maker has with

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Maker's art. I bound not yet
before the iron crown, nor cast my

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own small golden scepter down in the
supposed worldview of scientific materialism with which we

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have already dealt, we are simultaneously
told that there's no meta narrative to human

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existence and that history is continually marching
toward progress. Now, this conundrum may

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be a bit of a straw man, as it pulls into competing philosophies and

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calls them one, but this absurd
outcome is a popular position. Nonetheless,

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it is behind many postmodern calls for
progress. We hear the slogans all truth

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is relative, there is no truth, live your truth. Morality is entirely

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subjective. Yet we also talk of
the right side of history, as morality

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is built into the fibers of time, and so as long as we keep

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up with the time, will be
progressing ever higher compared to our brutish ancestors.

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And there's Neanderthals who continue to oppose
progress. And again, this progress

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means abandoning meta narratives while pursuing our
glorious destiny of enlightenment. No, leave

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the notion of cold facts behind.
Do not let scientism track you beneath the

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iron bars of supposed facticity. Never
forget your homeland or your destiny, you

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still carry a small golden sceptor,
revealing that you are commissioned to create and

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to tell stories. We are storytellers, made by the original and the great

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storyteller. To deny this is to
shackle ourselves beneath the light, stealing iron,

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crown wearing tyrant. Of all those
who are by nature free, talking

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continues in paradise. Perchance the eye
may stray from gazing upon everlasting day,

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to see the day illumined, and
renew from mere truth, the likeness of

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the true. Then, looking on
the blessed land, twill see that all

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is as it it is, and
yet made free. Salvation changes not,

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nor yet destroys garden, nor gardener, children, nor their toys. Evil

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it will not see, for evil
lies not in God's picture but in crooked

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eyes, not in the source,
but in malicious choice. And not in

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the sound, but in the tuneless
voice. In paradise they look no more

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awry. And though they make anew, they make no lie. Be sure

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they still will make, not being
dead. And poets shall have flames upon

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their head, and harps wear on
their faultless fingers fall. There each shall

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choose forever from the all this is
a beautiful way to conclude, and I

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don't even want to spoil it with
commentary. If you'd like to continue on

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this concluding theme further, be sure
to listen to my episode on Leaf by

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00:15:48.639 --> 00:15:52.440
Niggle. But I think that I'll
leave it there for now as a reminder,

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welcome you to join our fellowship in
the Mythic Mind community over at patreon

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00:15:56.600 --> 00:16:00.159
dot com slash Mythic Mind. And
for now, until next time, I

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wish you many me for roads ahead.

