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Hello, folks, Welcome to this
episode of Superhero Ethics. Today we are

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talking about June Part two, and
I'm so happy to say this is probably

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gonna be the first of a number
of episodes we're doing about this movie and

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story and all the many aspects to
it. And I can't think of anyone

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better to kick off our conversations with
than Professor Matthew Kapell. As we have

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learned by the many times Matthew has
been on this podcast, Professor Capell is

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an expert in anthropology, mythology,
basically anything athology. We seem to be

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able to find some expertise from the
good Professor, and as it seems that

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your campus is one of the few
in this country that's not currently being torn

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apart by protesters, go protesters,
Netphew, I'm so glad to have you

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here. Oh, thank you,
Matthew. It's really nice to be here.

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This is an incredibly important book and
I think a great so I'm kind

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of excited. Awesome, awesome.
Well, and so let me start just

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by saying maybe the again, Well, let me start just by asking before

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we even talk about the movie.
As I know you have read this book,

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and I think the book series many
many times, tell me more about

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your your why you love this book, why you think it's so important.

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So sometimes you think books are really
important because of where they fall in your

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own life. I would say,
and I first read Dum when I was

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in sixth grade and probably didn't understand
a word of it. It was very

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much over my head. And every
single time I've read it since then,

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I've been more knowledgeable about Islam.
And every single time I've read it since

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then, I've been more aware of
how much Islam is in this book,

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and it makes it just an amazingly
good book. To me. It's it's

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and it manages to pull it off
quite well, even though it more or

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less plagiarizes a number of sources.
I think it's an utterly fantastic novel and

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also the same novel that has my
I think I'm going to say all time

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favorite final line of my novel.
So so it means a lot to me.

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I can see that. I can
see that well, and that's great

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because you know, with superherothics now
we're trying to move away from just doing

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like reviews and overall views and really
trying to dig down on specific topics,

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and with this one, we're gonna
be digging down on a couple of different

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directions with with this movie and this
book, and I imagine that every episode

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we're gonna, you know, cover
some of the same ground. But Matthew,

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I especially wanted to get you on
because, like I know that you

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have put so much thought into and
we had so many great discussions about religion,

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about mythology, about destiny and the
way those things play out, and

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that is obviously a huge part of
this movie and this story, and at

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a point that I think often gets
you know, there's a lot of controversy,

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not even controversy, but a lot
of a discussion about what does Robert

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mean and how does the movie convey
it and all that kind of stuff.

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So let me just start by for
those who have not been lucky enough to

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hear you before, can you just
give like the thirty second you know your

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background in questions of mythology and religion
and all that sort of thing. Certainly

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so. My name is Matthew Cappell. I'm an anthropologist and a historian.

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My PhD is in American studies,
though and the area I've studied mostly from

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myth is contemporary stories. My PhD
work, which can get published is about

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the myth of the frontier in the
nineteen sixties, so it's about NASA and

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Vietnam and Star Trek so very much. I'm a historian, and when I

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look at June, I think history
as much as mythology. But I've looked

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at everything from Star Trek and Star
Wars as myth to Batman as myth,

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and thinking about the way we use
myth to create meaning in our lives is

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the area I'm mostly interested. Yeah, And I think that's so interesting because

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I think that one of the key
elements of this book and something of the

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second part of the movie really drives
home, is that not only is it

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like I think, a lot of
times you get a story where there just

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is existing mythology and the characters are
figuring out how they respond to that.

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This one, though, is going
a lot deeper, because you know,

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one of the central themes is okay, but where is mythology? You know,

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instead of just saying like, oh, you know, the Chosen One

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will come or whatever it is,
there's a real discussion over some of the

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characters in this book fully believe and
in the movie fully believe in prophecy.

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Some of them are aware that prophecy
and mythology were not just you know,

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naturally occurring, but were very intentionally
seated in some ways, and some characters

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therefore want to act on it,
and some characters are very hesitant about that.

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How do you feel about this kind
of book taking that like second step

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into these questions. I think that's
name strength of the book. We are

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really good in our culture, and
we have been for more than a century

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at doing savior narratives, and this
is because of the broad influence of Christianity

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and this book. Well, adhre's
to a quote from Frank Herbert that he

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makes much later, which is I
wanted people to be afraid of charismatic leaders.

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And I think that's exactly what both
films are about a charismatic leader becoming

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charismatic and becoming not the good guy
as a result. And it does a

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great job in discussing that. At
the same time, it does a great

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job at discussing from almost a Marxian
perspective, how myth is a tool used

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to control people. And if you're
I would say, here's a quote for

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my PhD. The Unexamined myth is
not worth believing. M say more about

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that we all have myths. Let's
define myth is an ideology, a point

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of view, and a story,
so an ideology and narrative form. And

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if we don't think about them,
if we just accept them, suddenly we

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are just accepting all of the things
that myth reinforces, like gender roles,

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like class systems, like notions of
good police forces as being heroic in their

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activities even when they break the rules. And when we think about myth,

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think about stories that give us points
of view, we have to think about

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what that means to us, or
we don't change anything in our contemporary society.

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Considering how many people are camping out
on campuses right now, trying to

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change things in our contemporary society is
very much about myth. Yeah, you

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know, I think that makes a
ton of sense. And you know,

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one of the things that I've often
thought about on it kept striking me how

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incredibly relevant this book is today and
this movie is today. And to me,

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that's one of the best things I
can say about a lot of great

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science fiction. And you know,
I think, like a lot of books

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from its time, there are parts
of it that haven't aged as well,

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and that I think that the movie
did a much better job of updating.

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And we'll talk about more of that
in a different episode, but you know,

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just the way that the book shows
that the Harconins are, you know,

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horrible and terrible, pretty homophobic and
fat shaming, and they kind of

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make it a lot better, I
think, in the movies, but but

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still just the like you know,
if you think about all of the myths

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that are today being challenged, the
myths about what does gender mean, and

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the myths about you know, what
is America and was America great in the

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past or can it be great in
the future. I know I've spoken with

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a lot of my Jewish relatives who
were you know, people who were born

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and came of age in the forties
and or fifties, and they learned the

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myth of Israel. It's this wonderful, shining beacon. And maybe there was

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a lot of truth to it at
the time, maybe there wasn't, but

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there certainly is a lot of people
wrestling with it now. And our whole

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country I think is wrestling now with
how do we see you know, brave

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little Israel and things like that,
And I think the way that happens all

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over the place. You know.
I love how you point out, like

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the myths of Star Trek and things
like that. You know, every time

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you get a character who's cast in
a new way, you know, there's

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the myth of well, but wait, Star Trek is supposed to always have

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been this, whether it's it was
always the most liberal thing in the world,

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and so we can't critique it.
Or no, it was always all

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about straight white men, and so
why are all these women running around or

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stuff like that. I completely agree. And so here's where we stand in

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America right now, where in the
middle some social upheople that might change the

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outcome of an election pretty soon.
And most of that social upheople is revolving

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around the way we think of Israel
and Palestine and human rights and the inalienable

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human rights and what a shining city
on I know, actually means. And

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these are things that need to be
examined. My undergraduate degree is from the

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University of Michigan at Dearborn. In
Dearborn, Michigan, which is the most

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Arab American city in the United States. It is incredibly diverse in its Arab

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population, but it is full of
Arabs and Palestinians and Egyptians and some Persians

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very soon a lot of Shia too. And the University of Michigan Dearborn is

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not having protests right now because because
they don't feel they need to. Everybody

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knows what they think. Yeah,
so well, and and I probably,

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I promise we'll get back to Dune
in a second. I just want to

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add one more thing that I think, certainly I am going through, and

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I think a lot of other people
who are the children of people who were

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in college and the sixties are going
through. I grew up with the mythology

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of the sixties, you know,
and of you know. I know my

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mother was at Columbia the last time
they had protests like this, and she

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always told me, you know,
and growing up, I remember saying to

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her like, oh, you know, I wish I was living through a

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time like that, and she'd be
like, you know, be careful.

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It's not as pretty as it's often
made out to be, you know,

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the kind of wonder yearsifacation of that
era. And I think a lot of

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us today are like, oh,
yeah, no, this is this is

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much uglier. All right. Well, getting back to the book, then,

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let's talk about what is the role
of mythology in shaping a people,

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because I think one of the things
that is really central to this book and

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especially to part two of the movie, is the role that mythology plays for

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the Fremen in like their their identity
of themselves and of course all the ways

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they react to Paul and Jessica.
We'll get it to the specifics, but

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just talk a little bit in general, like what is it that mythology does

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in terms of you know, national
or group or whatever it is self identity.

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Well, what mythology does is it
gives you a system of shared stories

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that provide me to your group,
that the group that you're part of.

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So let's make it simple. New
York Jets fans have a mythology, and

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that mythology makes them New York Jets
fans. And when they meet other New

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York Jets fans, they have that
shared mythology which gives them much shared vocabulary,

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which gives them an instant friendship and
camaraderie. And that's what myth does.

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That is exactly the purpose of myth
and exactly the power. Yeah,

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and I don't know anything about football, but the New York Jets too.

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They're really bad, right, Yes, And he's pointing out they're pointing out

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that I am a New York Jets
fan, and that's part of the conversation

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here. But I think that's really
important. And I also think that that's

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actually a great way to get to
an essential thing is here, is that

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you don't all have to agree on
the myth. The fact is, if

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I meet a New York Jets fan
and we start talking, you know,

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we might start talking about was you
know, name the best quarterback we've ever

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had? Probably, but some people
might disagree. We might start talking about

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was Rex Ryan a good coach?
I happen to think he really was?

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Other people have different views, or
how do we remember Mark Sanchez? And

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the fact is many people may disagree
with each other. But if I start

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talking to someone who's not a Mets
uh a Jets fan, like if I

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ask you, Professor Copell, what
is your opinion on Mark Sanchez? You

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and I are gonna be able to
engage on that. And I'm guessing you

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know, and so yeah, I
think that that's a really key idea,

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is that we can share a mythology. Ere I we don't always agree on

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it. Let's put it in explicitly
religious terms. I don't know Mark Sanchez

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is, by the way, but
explicitly religious terms. And I don't mean

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to be insulting of religion. I
think of religion as a subset of myth.

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There's lots of Christians who disagree with
the exact nature with each other about

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the exact nature of the Trinity.
This doesn't mean they're not Christians. It

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means they have different interpretations of what
the Trinity is and how it worked and

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what it's about. That discussion of
what the myth does and why it's important

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that debate about what the Trinity is
amongst Christians is a way that myth reinforces

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the broader scope of Christianity. It
gives people who are Christians a thing to

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discuss, the same way people who
are Jets fans can discuss the only name

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in Jets history I know to day
and have an opinion. Yeah, and

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you know, there's been a huge
point in most of world history in which

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religious differences lead to death and destruction, But quite often it's just like casual

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debate and proofs that you're both in
the same group, and it's an in

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group outgroup kind of thing, like, I think that's so true. You

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know, many wars have been fought
over literally, you know, is the

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Trinity this, or is the Trinity
that? Or is you know, who

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is the right? Who is the
true last prophet in Islam, or or

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any of these things. At the
same time, today United Methodist Church,

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one of the largest of the global
Protestant churches, is having their annual meeting

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and and they're fighting really hard to
find a way to acknowledge that they fundamentally

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disagree on some topics, but to
still hold themselves in communion with each other

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because that's important to them. So, pulling all this back to Dune,

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what is the role of methodlogy for
the Fremen people. I'm going to answer

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that, and especially in terms of
let's let's let's focus on how it's expressed

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in the movie. I'm going to
step back from that just slightly. In

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the beginning of my answer, So
mentioned that one of the things you discussed

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in a previous episode I think with
your brother in law was the Muslim influence

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in June and how many of the
words in the in the films and the

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book are of Arabic origin, and
that is all correct. But one of

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the other places that June pulled from
really in a way that most people had

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who noticed think it was plagiarized,
but most people don't really pay attention to

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is a book that came out in
nineteen sixty called The Sabers of Paradise,

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which was by a British travel writer
named Leslie Branch And I want to call

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it a history, and it's a
history of the Chechen wars of independence in

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the middle of the nineteenth century against
the Russians. It is a history of

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the Imam Chamil fighting Bizarist Russia in
the middle for Chechen and Muslim Chechen independence,

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and the way the war was constructed
was along the lines of Muslim mythology.

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And the book itself is the plot
of Doom. I mean it has

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direct quotes from the book are in
June. In June somewhere it says wisdom

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comes from the cities, and Polish
comes from the cities, and wisdom from

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the desert. And then savors of
Paradise it says Polish comes from the cities

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and wisdom from the mountains. I
mean, it's like that direct They have

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the exact same quotes leading into the
discussion of Awadziv versus Chamil, and all

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of the words that they use that
aren't Arabic are Chechen words. The names

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of their their knives are kinjohal.
That's a Catchen Chechen kind of knife that

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that was worn. Shamil calls bizarre
in Russia, not the bizarre, tells

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00:17:18.640 --> 00:17:27.319
him to patashap the the definition of
a regional governor to the Chechen's was a

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syridar, and technically the title of
the baron harcone and is syridar baron.

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I mean, this book is just
utterly stolen from and I will I will

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put it this directly. There is
a moment when Shamil, this great Muslim

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leader who's building on a Muslim mythology
of what it means to rebel against non

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Muslims, says quite Branch says quite
clearly to understand to begin writing about Shamil,

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who says, we must first place
him in his time, the first

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half of the nineteenth century, and
his place the mountains. The beginning of

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the book Dune starts to begin your
study of the life of Muad Dib,

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then take care to first place him
in his time born in the fifty seventh

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00:18:18.440 --> 00:18:22.960
year of the Padisha Emperor on the
fourth, and then take most special care

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to that you locate Muad Dib in
his place to planet Arakis. It's basically

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the same quote. And so when
we talk about the mythology that's inherent in

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June, and I can go on
and on about all of the things that

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are pulled from this book that end
up in Dune and are in the movies.

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It's not an Arab mythology. It's
a Chechen and Dagistani mythology, which

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is different than Arab mythology. And
too many people spend a lot of time

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going, you know, this is
about the lesn al Kayev, which it's

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not really a term, and in
Arabic Islam it's a Persia Islam. In

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fact, it was used to describe
a poet from Persia. So the Arab

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influencers are great, but they're not
really as central as people keep making out.

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And the Chechen mythology is very specific. The fight against the outsiders is

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a fight against the outsiders who don't
share your religion, and in order to

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00:19:30.799 --> 00:19:38.440
win you must kill them all the
the the Chechens who fought in this this

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revolution that I think centually and were
completely destroyed by it. Though the Chechens

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00:19:45.599 --> 00:19:51.200
still talk about it. It's still
part of their national mythology. They they

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00:19:51.240 --> 00:19:55.759
add knife fights amongst each other all
the time, and exactly the way they

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00:19:55.759 --> 00:20:00.000
happen in Dune. In fact,
in the novel Dune, those those those

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00:20:00.160 --> 00:20:06.359
family fights are called canley, which
is a Chechen word for fights among clans

249
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that last three or four generations.
And so this this is an essential mythology

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00:20:11.079 --> 00:20:17.440
to the Chechens that works this way, the fight against the outside other must

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00:20:17.480 --> 00:20:23.440
be a fight for our religion,
thus making this fight a jihad or in

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00:20:23.480 --> 00:20:26.839
the words of the film, which
I think was a pretty good change,

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00:20:27.119 --> 00:20:37.720
a cruse, and that mythology works
in doing really really well because it's not

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00:20:37.920 --> 00:20:42.559
precisely a white savior narrative. It's
important to remember that Parkhead has a finished

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00:20:42.799 --> 00:20:51.519
name and Tradees, just to be
clear on its origin, is a Greek

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00:20:51.640 --> 00:20:56.880
name. Paul is described as being
olive scanned up number of times. The

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00:20:56.000 --> 00:21:02.799
name Trades is derived from the the
Greek name Atrius, who is the father

258
00:21:02.920 --> 00:21:10.200
of Agamemnon in the Iliad, and
all of Atrius's descendants are known as a

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00:21:10.279 --> 00:21:15.599
trade Day. And I should say
in later books they make clear that Leto

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00:21:17.200 --> 00:21:19.240
it is because all of this is
people from Earth, and it's made clear

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00:21:19.240 --> 00:21:25.200
that Leto that the Holy Treats line
is thought to be direct descendant of Agamemnon

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00:21:25.279 --> 00:21:27.799
in Greece, however many thousands and
thousands and thousands of years ago. Yeah,

263
00:21:30.160 --> 00:21:36.559
yeah, makes a quick showing in
the book God Emperor d and is

264
00:21:36.599 --> 00:21:41.119
just confused by what's going on,
and kind of of course, yes,

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let me let me interrupt you there, because I can see where you're going

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with other things. But there's so
much I want to talk of it here

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already. And I will say I
knew none of that going in, and

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I'm so glad you brought it up. I think it's so interesting that it's

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never talked about, especially because I
think this is important because I think some

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people in me listening and thinking a
minute, But isn't science fiction always,

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like, are often retelling of current
situations or you know, historical situations in

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00:22:07.000 --> 00:22:10.319
a new setting. And I think
that is true, and I think that

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00:22:10.400 --> 00:22:15.079
for example, you know, many
science fiction books are very clearly the Vietnam

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War but in space, or the
Iraq War in space, or what's happening

275
00:22:18.559 --> 00:22:22.880
now in Space, and I think
that would definitely not be thought of as

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00:22:22.920 --> 00:22:26.119
plagiarism. That's just part of what
science fiction does. But it's it's sort

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00:22:26.119 --> 00:22:30.279
of It would be more like if
someone did a We're gonna tell Vietnam in

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00:22:30.359 --> 00:22:33.440
Space, but this Vietnam history book
someone wrote, We're just gonna steal exact

279
00:22:33.480 --> 00:22:37.880
lines from it, and that's where
the plagiar is exactly. The Vietnam and

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00:22:37.960 --> 00:22:42.880
spacebook is the Forever War. But
Jill Holdeman, which is which is also

281
00:22:42.960 --> 00:22:49.160
in my PhD work, and it
is an amazing novel. Right now,

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00:22:49.160 --> 00:22:55.039
we have the Foundation series on the
Apple TV. It's really bad, but

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00:22:55.119 --> 00:22:59.160
that was based on the hoverse and
fall of the Roman Empire. There's some

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way this kind of stuff usually works. I don't when I say I think

285
00:23:06.319 --> 00:23:11.319
Herbert plagiarized, I don't think he
plagiarized, but not in a a truly

286
00:23:11.480 --> 00:23:17.079
horrendous way. Because when you're basing
a narrative on the resent fall of the

287
00:23:17.160 --> 00:23:22.000
Roman Empire, which is a mythic
structure, most of your readers know what

288
00:23:22.000 --> 00:23:26.799
the hell you're talking about. In
this case, June readers didn't know anything

289
00:23:26.839 --> 00:23:33.119
about this history, so just pulling
the lines actually make the lines read more

290
00:23:33.160 --> 00:23:37.200
true, and he admitted it.
So I don't think I don't think it's

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00:23:37.799 --> 00:23:41.680
I don't think it's a negative form
mode plagiarism in the way I would normally

292
00:23:41.680 --> 00:23:48.240
take somebody out to shoot them for
plagiarizing seriously, But you know, I

293
00:23:48.839 --> 00:23:52.400
but it is lines for Lyne quite
often. There are poems in both books

294
00:23:52.440 --> 00:23:59.359
that are almost identical. It's kind
of weird listeners, if you know.

295
00:23:59.599 --> 00:24:00.960
And I want to get lost in
this question, but like, I'm gonna

296
00:24:00.960 --> 00:24:04.319
do some research myself to see,
like, you know, did Herbert say

297
00:24:04.359 --> 00:24:07.000
like, oh, yeah, you
should buy this other book? You know,

298
00:24:07.160 --> 00:24:10.119
like that's where I got all this
from. Let's go back though,

299
00:24:10.119 --> 00:24:12.039
to the Fremen people themselves then,
so what do you see as the role

300
00:24:12.160 --> 00:24:15.359
that mythology is playing for them in
this movie? So let's talk about the

301
00:24:15.400 --> 00:24:19.319
Fremen religion and how it derives from
this book The Sabers of Paradise in many

302
00:24:19.359 --> 00:24:26.720
ways but not completely. The Fremen
religion is theoretically called zen Sunni, and

303
00:24:29.200 --> 00:24:36.480
well, a lot of the religions
in Doune are glomerations of existing religions on

304
00:24:36.559 --> 00:24:41.839
Earth today. So there's these zen
Sunni wanderers. Somil and the Sabers of

305
00:24:41.880 --> 00:24:45.680
Paradise is a Sufi, not a
Sunni, And then that's a different kind

306
00:24:45.680 --> 00:24:51.400
of Islam, but it's a more
mystical one, in the way that Zen

307
00:24:51.559 --> 00:24:55.359
is a more mystical version of Buddhism. So it works pretty well. And

308
00:24:55.759 --> 00:24:59.799
in the United States we tend to
think of Sunni Islam as the more t

309
00:25:00.000 --> 00:25:06.079
additional form of Islam, and Shia
Islam is not. But that's a very

310
00:25:06.119 --> 00:25:11.240
orientalist way to put it. And
Sunni Islam is a little bit more insular,

311
00:25:11.359 --> 00:25:17.759
I would say, and the freemen
are a lot more insular. So

312
00:25:17.920 --> 00:25:22.559
the way their religion works for them
is it creates a coherent sense of identity

313
00:25:22.599 --> 00:25:29.160
about who they are and why their
lives suck so bad, and why that's

314
00:25:29.240 --> 00:25:36.160
good. Why the difficulty of living
on Aracus, which is, you know,

315
00:25:36.319 --> 00:25:41.519
a planet twenty years from twenty light
years from Earth and hot and without

316
00:25:41.559 --> 00:25:48.200
water, why that is a They
say that Aracus was created to test the

317
00:25:48.319 --> 00:25:51.480
faithful is a line from the book. I think it's in one of the

318
00:25:51.480 --> 00:25:56.920
films. And so their religion becomes
a thing that helps them build a sense

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00:25:56.920 --> 00:26:02.680
of community. What's interesting about doing
two is then they split that community really

320
00:26:02.720 --> 00:26:07.160
really quickly into the Southern fundamentalist and
everybody else, which is not in the

321
00:26:07.200 --> 00:26:11.640
book. I mean, Paul,
it goes south in the book to consume

322
00:26:11.680 --> 00:26:19.039
the water of life and become the
Quizzzaderac. But there's no indication that those

323
00:26:19.119 --> 00:26:23.440
in the South are somehow more fundamentalist
than their religion. And I think it

324
00:26:23.480 --> 00:26:30.400
was a genius move to change that. It was a beautiful not just because

325
00:26:30.519 --> 00:26:36.480
Southern fundamentalists scared the hell out of
me, but because creating complexity in the

326
00:26:37.240 --> 00:26:45.359
religion of the Fremin was a good
idea because it created the ability to understand

327
00:26:45.400 --> 00:26:52.440
that religion in a less stereotyped way. I think that's really true. And

328
00:26:52.519 --> 00:26:56.240
again this is this is gonna be
the specific topic of the second episode we

329
00:26:56.279 --> 00:26:59.759
do on this, but I think
there's a lot of things, especially where

330
00:27:00.920 --> 00:27:03.680
there are points that you can get
across to writing that I think are often

331
00:27:03.759 --> 00:27:08.519
harder to get across in film.
And often that's like in writing, you

332
00:27:08.599 --> 00:27:15.039
go deep enough into a character's and
a people's you know, understanding of themselves

333
00:27:15.359 --> 00:27:19.119
that it's possible to sort of be
critical of them. But on film,

334
00:27:19.279 --> 00:27:25.039
especially when we're not specifically told these
are the bad guys. When people are

335
00:27:25.079 --> 00:27:27.920
saying, here's my ideology, like
we kind of have been taught where that

336
00:27:29.000 --> 00:27:32.359
the movie is telling us it's okay
to like these people. And I think

337
00:27:32.400 --> 00:27:37.839
that the by giving the idea that
it's not all the Southerners, not everyone

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00:27:37.920 --> 00:27:41.000
is like that, there are other
people not only as you said, does

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00:27:41.039 --> 00:27:44.559
it allow the idea that religions are
not you know, monosyllabic, not mansollabic,

340
00:27:45.000 --> 00:27:47.839
monovocal, that they don't all speak
with one voice, that there's controversy

341
00:27:47.839 --> 00:27:51.599
internally, but it allows us the
audience to sort of be like, oh,

342
00:27:51.640 --> 00:27:53.559
okay, I wonder where I am
in this because we're seeing two different

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00:27:53.640 --> 00:27:57.640
sides represented. Matthew has to step
away from just a second, so perfect

344
00:27:57.640 --> 00:28:02.519
time to do this. We're starting
the conversation, but we want to hear

345
00:28:02.519 --> 00:28:04.400
from you. Send your thoughts,
questions, or anything else you want to

346
00:28:04.400 --> 00:28:08.319
hear us discuss to feedback at the
Ethical panda dot com or you can find

347
00:28:08.359 --> 00:28:12.079
us on Twitter, Instagram, or
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348
00:28:12.119 --> 00:28:15.160
even chat with us on discord or
Facebook. Find those link in the show

349
00:28:15.160 --> 00:28:18.559
notes or on our website, The
Ethical panda dot com and if you like

350
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353
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354
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the Ethical pana dot com or through
the link in the show notes and now

355
00:28:37.079 --> 00:28:42.279
back to our episode. Welcome back. So the last thing I was just

356
00:28:42.279 --> 00:28:47.880
gonna say about why I think this
Southern Northern break is so good? Is

357
00:28:47.880 --> 00:28:51.880
it an Also, as I know
you and I have talked about before,

358
00:28:52.279 --> 00:28:56.079
religion and mythology, especially when it
comes to your people and others, is

359
00:28:56.160 --> 00:29:00.640
directly shaped by how much contact you're
having with us. And one of the

360
00:29:00.680 --> 00:29:03.759
things that is never explicitly said,
but I think you can easily derive,

361
00:29:04.119 --> 00:29:10.119
is that all the people who are
in the South, they're not having any

362
00:29:10.160 --> 00:29:14.680
contact with harconins a that means they're
not being actively oppressed by the harcones.

363
00:29:14.720 --> 00:29:18.119
They're in a pretty terrible state in
that the world is this total desert and

364
00:29:18.160 --> 00:29:22.680
they have this dream of the greenlands
that once were and can be again but

365
00:29:22.759 --> 00:29:27.680
they're not dealing with that active right
now problem. And you know you said

366
00:29:27.680 --> 00:29:30.920
at the very beginning, and I
think this is a common theme in critique

367
00:29:30.920 --> 00:29:37.359
of religion, especially messianic religions or
religions where even it's not a messiah,

368
00:29:37.359 --> 00:29:41.440
but there's an idea of like time
being linear and that you can suffer now,

369
00:29:41.519 --> 00:29:44.799
but that a better time is coming. That's a really good way to

370
00:29:44.799 --> 00:29:47.799
get people to accept suffering. And
so it makes a lot of sense that

371
00:29:47.839 --> 00:29:49.440
the people in the more northern areas
who aren't like, they have a lot

372
00:29:49.480 --> 00:29:52.599
of these beliefs, but they're not
quite so locked into them, are a

373
00:29:52.640 --> 00:29:56.720
lot more willing to say, no, we're not just gonna like passively accept

374
00:29:56.960 --> 00:29:59.960
Harconin rule. We're not just gonna
passively accept all this. We're going to

375
00:30:00.119 --> 00:30:04.279
we're going to fight back. I'm
not sure how you want me to comment

376
00:30:04.319 --> 00:30:11.400
to that, though, that is
exactly true. But that's also the reasons

377
00:30:11.440 --> 00:30:18.319
that religions that posit a paradise in
the future work so well, right,

378
00:30:18.640 --> 00:30:26.160
right, And that's what the Fremin
hypothesize so uniquely. What's interesting compared to

379
00:30:26.319 --> 00:30:34.640
existing religions and mostly the Abrahamic traditions, but the others as well. What's

380
00:30:34.680 --> 00:30:40.000
interesting is they think they have to
work at it, which I kind of

381
00:30:40.160 --> 00:30:42.160
to wear about them. They're not
just waiting for God to show up and

382
00:30:42.200 --> 00:30:48.119
fix everything. They're capturing water and
creating big cisterns of it so that they

383
00:30:48.160 --> 00:30:53.799
can remake the face of Iracus so
that it is green. What you don't

384
00:30:53.839 --> 00:30:57.559
find out in the films or in
the first book is that the reason it's

385
00:30:57.599 --> 00:31:00.839
a desert planet is the worm and
if you make it green, you get

386
00:31:00.920 --> 00:31:06.000
rid of the worms, unless you
get rid of the spice, which is

387
00:31:06.079 --> 00:31:10.480
problematic, but I appreciate the fact
that they have to actually do the work

388
00:31:10.519 --> 00:31:15.400
themselves right and certainly, and I'm
not getting into whole religious analysis, there's

389
00:31:15.400 --> 00:31:18.359
a lot of people within Christianity at
least and in some of the traditions who

390
00:31:18.359 --> 00:31:22.160
do believe that. But that's another
one of those power schubles. So with

391
00:31:22.279 --> 00:31:26.519
a fremen though again, I think
a lot of people would just say,

392
00:31:26.559 --> 00:31:29.799
oh, yeah, so this myth, it just exists and we're not going

393
00:31:29.880 --> 00:31:32.759
to look at the origin of it
all. But of course this book and

394
00:31:33.559 --> 00:31:37.759
this part of the movie really establishes
this isn't something that just naturally occurred within

395
00:31:37.799 --> 00:31:44.279
the Fremen talk about the Benagesterate and
their role in seeding this mythology and this

396
00:31:44.319 --> 00:31:49.880
religion. So we're going to have
a a HBO. Sorry, they don't

397
00:31:49.920 --> 00:31:53.400
exist anymore. A Max show called
Sisterhood of Dune, I think, or

398
00:31:53.480 --> 00:31:57.640
Dune the Sisterhood. It should be
out next year. It is not based

399
00:31:57.680 --> 00:32:01.519
on the Frank Herbert novels. It's
based on the novels of his son and

400
00:32:01.599 --> 00:32:07.640
Kevin J. Anderson. But it
still looks good. Quick Aside, the

401
00:32:07.680 --> 00:32:13.519
producer tweeted not too long ago a
picture of all of the books he's looking

402
00:32:13.559 --> 00:32:16.319
at as he's as they're writing episodes, and one of them is The Sabers

403
00:32:16.359 --> 00:32:22.680
of Paradise, which I thought was
kind of awesome to see in the Dune

404
00:32:22.920 --> 00:32:28.480
universe. The Duniverses, people call
it the Beneges. A Rich and another

405
00:32:28.480 --> 00:32:34.200
group called the ben A tilly Lacs
show up about ten thousand years before Dune

406
00:32:34.319 --> 00:32:37.000
happens. A lot of people have
been saying this is ten thousand years in

407
00:32:37.079 --> 00:32:40.799
the future, but it's actually closer. The setting is closer to twenty thousand

408
00:32:40.839 --> 00:32:49.519
years in the future to the year
ten thousand and one ninety one is a

409
00:32:49.559 --> 00:32:54.480
different calendar than ours. It's ten
thousand years after the Butlerian Jihad and the

410
00:32:54.519 --> 00:32:59.680
founding of the Space and Guild,
and the Butlerian Jihad is when we got

411
00:32:59.759 --> 00:33:07.319
rid of all of the artificial intelligences. So at that time when interstellar travel

412
00:33:07.519 --> 00:33:12.200
but through the use of artificial intelligence, was disappearing and a new kind of

413
00:33:12.200 --> 00:33:15.559
inter centar travel had to be invented. It was invented by what became the

414
00:33:15.559 --> 00:33:21.039
Spacing Guild using the Spice at the
same moment that that's happening, because it's

415
00:33:21.039 --> 00:33:24.599
a huge sihat, it's a huge
war amongst multiple planets. It's an interesting

416
00:33:24.680 --> 00:33:30.160
side note that most of the places
in Dune are about twenty light years away

417
00:33:30.160 --> 00:33:37.319
from Earth in different directions, which
I've always appreciated. And the Benegeseret are

418
00:33:37.359 --> 00:33:49.480
founded to be a semi secret power
behind the system. Their existence is designed

419
00:33:49.880 --> 00:33:57.559
to manipulate religious beliefs for the purpose
of extending the survivability of humanity across the

420
00:33:57.680 --> 00:34:02.599
universe, and they fail spectacularly at
it. Because Paul shows up, and

421
00:34:02.720 --> 00:34:09.440
so I would like you to imagine
the benejas It as kind of a sort

422
00:34:09.480 --> 00:34:15.079
of and again I'll go to Christian
theology slash mythology. It's kind of a

423
00:34:15.159 --> 00:34:21.760
sort of Paul. That is Saul, you know, from the Bible that

424
00:34:22.239 --> 00:34:28.239
rights we're talking about Saint Paul,
the author in theory of the Epistles.

425
00:34:28.360 --> 00:34:30.639
We're talking here about the Paul,
the Paul of the Bible, the author

426
00:34:30.639 --> 00:34:37.000
of the Epistles, and like not
paula trans And what Paul that Paul does

427
00:34:37.159 --> 00:34:42.320
is, you know, he reformulates
what Christianity is to the early believers.

428
00:34:44.119 --> 00:34:47.760
Paul is also, as an aside, a really good way to mess with

429
00:34:47.840 --> 00:34:54.239
people who tell you that they're against
the trans community because of the Bible,

430
00:34:54.599 --> 00:34:59.440
because you can just mention Saul and
they'll go, you mean Paul, and

431
00:34:59.480 --> 00:35:02.559
you can go, oh, so
people can change their names. It's perfect.

432
00:35:04.679 --> 00:35:07.599
But yeah, he reinvents what Christianity
is. He makes it a far

433
00:35:07.639 --> 00:35:12.960
more political tool. He's the reason
we have a Catholic Church. He's a

434
00:35:13.000 --> 00:35:16.519
reason we have a Roman empire that
turns to Christianity. He's a reason all

435
00:35:16.519 --> 00:35:22.039
of Europe and the circum Mediterranean world
before Islam is Christian. And that's what

436
00:35:22.039 --> 00:35:29.119
the Benejeserit are doing. They're using
the available religions to them to affect change

437
00:35:29.159 --> 00:35:34.320
in the cultural systems they want to
control because they think their ability to control

438
00:35:34.679 --> 00:35:38.519
will be the ability to save humanity. But they need to be in charge

439
00:35:38.519 --> 00:35:43.800
when they do it. And that's
where the Paul of them films and the

440
00:35:43.880 --> 00:35:49.719
novel steps out, because he's not
under their control. And I think that

441
00:35:49.760 --> 00:35:52.079
one of the real points here,
and I think this is where Herbert is

442
00:35:52.079 --> 00:35:57.800
making some really important critiques of religion, is that, as I think,

443
00:35:58.280 --> 00:36:06.039
anytime someone says I am essential to
this good thing happening, then now protecting

444
00:36:06.079 --> 00:36:09.880
yourself becomes essential, and so any
and all things you do to protect yourself

445
00:36:10.639 --> 00:36:15.119
are now morally justified. And you
know, in the movie, we see

446
00:36:15.159 --> 00:36:20.559
that the Manigestate are even if you
like, you can say that their goal

447
00:36:20.559 --> 00:36:22.880
is to protect humanity, but they're
willing to kill an awful lot of humans,

448
00:36:22.920 --> 00:36:28.400
you know, like they're perfectly happy
with this psychotic, sociopathic that these

449
00:36:28.400 --> 00:36:31.760
different terms describe him fade, you
know, as long as they can control

450
00:36:31.880 --> 00:36:37.400
him. And they're perfectly happy to
keep the horrible situation Downdoon happening as long

451
00:36:37.440 --> 00:36:40.480
as they can control it. Where
the idea being the suffering of the Fremen

452
00:36:40.599 --> 00:36:45.960
is completely justified because it allows spice
travel. And I think here's the real

453
00:36:45.039 --> 00:36:50.239
essential part, and that the movie
I think really shows and has Paul really

454
00:36:50.280 --> 00:36:53.440
driving in. We talked before about
that part of the thing that keeps the

455
00:36:53.519 --> 00:36:58.679
freemen from like, you know,
some of the Primin are open revolts,

456
00:36:58.679 --> 00:37:00.480
but some of the Frimen are like, no, we just need to wait,

457
00:37:00.519 --> 00:37:02.239
We just need to be We need
to do our part. But but

458
00:37:02.320 --> 00:37:07.000
the Moa Deeb is no. So
now the lean al Gibb is gonna come

459
00:37:07.440 --> 00:37:12.239
and bring about everything so we don't
have to do it ourselves. The Benajesorate

460
00:37:12.400 --> 00:37:15.599
told them that thousands and thousands of
years ago, and the benajestrit have continued

461
00:37:15.639 --> 00:37:21.760
to tell them that, very much
like the Catholic Church told you know,

462
00:37:22.000 --> 00:37:25.000
slaves and and and then the Protestant
churches as well, or told the people

463
00:37:25.000 --> 00:37:29.079
in any land that was colonized of
you know, don't worry about it.

464
00:37:29.199 --> 00:37:31.719
It seems like the good things are
happening to Europeans and the bad things are

465
00:37:31.719 --> 00:37:36.159
all happening to you. Don't worry
about it, because as long as you

466
00:37:36.199 --> 00:37:38.480
are good and you obey your masters, you're gonna get to go to heaven

467
00:37:39.199 --> 00:37:44.599
and that's very much what the Benajester
are doing here, and it's what what

468
00:37:44.679 --> 00:37:47.400
the nature of that control is exactly. And I love that the movie I

469
00:37:47.400 --> 00:37:51.599
think is like, compared to the
nineteen eighty five movie, this movie is

470
00:37:51.679 --> 00:37:59.239
so very clear about that what the
Bena Jester are doing. I think this

471
00:37:59.320 --> 00:38:05.679
movie actually understands what Herbert's point was
in a way that the nineteen eighty five

472
00:38:05.760 --> 00:38:13.719
movie didn't, and I think that's
important, and I also think it's why

473
00:38:14.679 --> 00:38:20.679
having a third film would be an
excellent move. There's a joke amongst Dune's

474
00:38:20.719 --> 00:38:24.440
fans that go in a number of
different ways about the book Dune Messiah,

475
00:38:24.480 --> 00:38:29.679
which is the next book which comes
out in nineteen sixty nine and is much

476
00:38:29.760 --> 00:38:34.119
shorter than all of the other books, and it's essentially a book that is

477
00:38:34.159 --> 00:38:38.440
a per my last email. Book
is a book that goes, if you

478
00:38:38.480 --> 00:38:43.280
didn't understand what Dune meant here,
let me make sure you understand what Dune

479
00:38:43.320 --> 00:38:47.440
meant, You're wrong. He's not
a hero. And it's overwhelmingly pointed in

480
00:38:47.519 --> 00:38:53.880
that and a number of people online
apparently are very upset that Paul is not

481
00:38:53.960 --> 00:39:00.320
the hero, and they've all read
Dune and it's kind of weird, but

482
00:39:00.360 --> 00:39:06.440
it does give us an indication of
how very strong that hero's narrative is in

483
00:39:06.480 --> 00:39:10.639
our culture, that people want to
see Paul like the nineteen eighty five Paul

484
00:39:12.199 --> 00:39:16.400
where he is the Krasatzider Rock bringing
freedom to the Fremen or as Luke Skywalker

485
00:39:16.480 --> 00:39:22.079
or something, and he's not that. He's a cautionary tale about why that's

486
00:39:22.159 --> 00:39:28.119
bad. And so Doune Mesaiah does
that exactly. It goes no, no,

487
00:39:28.119 --> 00:39:31.760
no, no, you didn't get
it. He's horrible now because he

488
00:39:31.880 --> 00:39:38.000
decides that he can justify whatever he
does based on it's for the greater good.

489
00:39:39.440 --> 00:39:45.239
And in the in that novel,
So, the Holocaust isn't really called

490
00:39:45.239 --> 00:39:50.559
the Holocaust into the late fifties.
It's usually called the show or the tragedy

491
00:39:50.639 --> 00:39:53.719
or something. But it starts to
become called the Holocaust in the late fifties

492
00:39:54.920 --> 00:40:00.079
because of a book called While six
Million Died, and it's a great book.

493
00:40:00.320 --> 00:40:05.559
I used to study the Holocaust a
lot. And so in nineteen sixty

494
00:40:05.639 --> 00:40:12.159
nine, when Herbert specifies exactly how
many people die in Paul's Jihad, it's

495
00:40:12.639 --> 00:40:17.440
very specifically listed as sixty billion it's
not fifty five billion, it's not sixty

496
00:40:17.519 --> 00:40:22.880
eight billion, it's sixty billion.
In the way six million died was talking

497
00:40:22.960 --> 00:40:28.719
about the Holocaust, so you were
supposed to get quite strongly through that that

498
00:40:29.039 --> 00:40:34.360
we're talking about somebody who's not on
yours, on the side of the people,

499
00:40:35.039 --> 00:40:39.360
but is justifying his behaviors by saying
he is. And I'll just say

500
00:40:39.400 --> 00:40:44.000
now again, with the movie really
doing that so much better, I'm gonna

501
00:40:44.000 --> 00:40:45.840
say a lot more about this in
the next episode. But I think it's

502
00:40:45.880 --> 00:40:50.159
why it is essential that Shawny is
against all, yes, because that doesn't

503
00:40:50.199 --> 00:40:53.000
happen in the book, but I
think it's because audiences need someone to root

504
00:40:53.079 --> 00:40:57.519
for, you know, and then
it gives the audience a surrogate of someone

505
00:40:57.559 --> 00:41:01.159
to be against Paul, not necessarily
root for, but just to see see

506
00:41:01.199 --> 00:41:07.800
that viewpoint exactly. Yeah, and
yeah, I think that's what is part

507
00:41:07.840 --> 00:41:12.800
of what is so fascinating about this
is because you mentioned before that like calling

508
00:41:12.840 --> 00:41:15.760
it a white savior narrative is entirely
accurate. And I like that they show

509
00:41:15.920 --> 00:41:22.000
great racial diversity among the fremen and
and of course you know, uh god,

510
00:41:22.000 --> 00:41:29.280
what's the name of the actor who
played Leto treats. It's Oscar Isaac,

511
00:41:30.159 --> 00:41:32.800
you know. And of course uh
Uh Timoy Schella may I think identifies

512
00:41:32.840 --> 00:41:36.760
as white. I'm not positive,
but I know that you know his father

513
00:41:37.119 --> 00:41:40.360
uh uh Duke Leto, who's portrayed
by Oscar Isaac, who's a Guatemalan.

514
00:41:43.000 --> 00:41:45.519
But if it's not a white savior, narrative is very much a colonizer.

515
00:41:45.599 --> 00:41:50.719
Narrative is very much the idea of
that person from the outside, you know.

516
00:41:50.840 --> 00:41:53.239
And I here, actually I want
I want to. I don't want

517
00:41:53.239 --> 00:41:55.840
to get too far into the church
and thing, but I'm curious, is

518
00:41:55.960 --> 00:42:00.280
there a character in that history who
is like a Russian who comes to be

519
00:42:00.440 --> 00:42:04.880
kind of like dances with wolves,
with the with the Chechens and winds up

520
00:42:04.880 --> 00:42:08.440
being a heroic figure for Nope.
And in fact, if one that again

521
00:42:08.519 --> 00:42:12.559
is if one showed up, they
would not have accepted I want to say

522
00:42:12.639 --> 00:42:16.880
him, it just they would have
killed him. In Dune Messiah and in

523
00:42:17.000 --> 00:42:22.159
the Savors of Paradise it's pointed out
that their enemies are skinned alive and drums

524
00:42:22.199 --> 00:42:27.719
are made from their skins. That's
the way they treated the Russians. The

525
00:42:27.760 --> 00:42:36.400
biggest diversions between the two books.
Is that Shamil is locally born and and

526
00:42:36.480 --> 00:42:42.199
that's where at least part of his
strength comes from. Right and and again

527
00:42:42.239 --> 00:42:46.480
you see that because yeah, left
on their own, the Fremen probably would

528
00:42:46.480 --> 00:42:49.599
have no idea of, oh,
yes, we should, we should take

529
00:42:49.679 --> 00:42:52.239
up this, you know, look
for the outsider, the one who is

530
00:42:52.280 --> 00:42:58.719
not Fremen but his Fremen. But
but of course it's again because the Benadjesterate

531
00:42:58.840 --> 00:43:02.119
have planted them. And they do
that again very specifically because they want someone

532
00:43:02.159 --> 00:43:06.039
like Paul. It's just that they
can't control Paul the way that they hold.

533
00:43:06.280 --> 00:43:09.960
Yes, so there is out there
in the world. And I can't

534
00:43:09.960 --> 00:43:15.519
give you a direct site. A
master's thesis on Dune that I read a

535
00:43:15.559 --> 00:43:16.960
number of years ago, and it's
really great, and it has there's one

536
00:43:17.000 --> 00:43:22.199
line that I remember, which was
something along the lines of what's strange about

537
00:43:22.320 --> 00:43:25.400
Dune that we have to, you
know, pay attention to is that it

538
00:43:25.480 --> 00:43:35.239
is incredibly respectful of Islam while at
the same time being an orientalist narrative and

539
00:43:35.239 --> 00:43:39.360
and and and that is a product
of when it was written, as much

540
00:43:39.400 --> 00:43:45.719
as the homophobia is a product of
when it was written. And the fat

541
00:43:45.719 --> 00:43:51.320
shaming is a product of when it
was written, Frank Herbert was a serious

542
00:43:51.360 --> 00:43:53.719
homophobic. He was a strange from
his gay son for most of that son's

543
00:43:53.760 --> 00:43:58.840
adult life. He was he was, he was an dick about it.

544
00:43:58.960 --> 00:44:07.679
Sorry, and and and in the
in the book, the baron is not

545
00:44:07.320 --> 00:44:14.920
his his size and his his sexuality
is not presented quite as violently as it

546
00:44:14.960 --> 00:44:19.880
is in the film. In either
of the films, his suspensers don't let

547
00:44:19.960 --> 00:44:23.119
him float. His suspensers let him
kind of trapes around, bouncing from tiptoe

548
00:44:23.159 --> 00:44:30.599
to tiptoe through rooms in a very
stereotypical gay kind of movement sort of way,

549
00:44:30.719 --> 00:44:36.519
is how it's described. And that's
also a product of its time and

550
00:44:36.559 --> 00:44:45.239
a wonderful thing that gets changed in
the films. So the whole point that

551
00:44:45.239 --> 00:44:51.559
that Aside started with was having Shani
becomes the most important thing about the second

552
00:44:51.559 --> 00:44:55.000
film. First off, increasingly,
I think Sandea is one of the best

553
00:44:55.000 --> 00:45:00.920
actors on Earth. Everything I've seen
her in she is just completely believable and

554
00:45:01.000 --> 00:45:06.920
not Sendea and it's kind of weird, and she was utterly fantastic in this.

555
00:45:08.079 --> 00:45:14.119
And so my absolute favorite moment of
the film, the one that drove

556
00:45:14.199 --> 00:45:16.920
it home in a way that the
message is not driven home in the novel

557
00:45:17.000 --> 00:45:22.639
is effectively is that the fact the
last moment of the film is like five

558
00:45:22.719 --> 00:45:29.199
seconds on her face, it is
the most important moment. And I let

559
00:45:29.199 --> 00:45:34.360
me go into overwhelming detail. As
I said at the beginning, my favorite

560
00:45:34.639 --> 00:45:40.119
ending line in any novel is the
ending line in Dune. Mid century American

561
00:45:40.159 --> 00:45:45.760
science fiction had this long tradition of
trick endings. I think of there's a

562
00:45:45.880 --> 00:45:51.159
Robert Heinlein short story in which a
bunch of guys in a bar are arguing

563
00:45:51.199 --> 00:45:54.239
about whether or not we should be
exploring space, and the guy who's running

564
00:45:54.239 --> 00:45:57.679
the bar is like, we definitely
shouldn't. We've got everything we need.

565
00:45:57.719 --> 00:46:00.239
We need to work on what we
were all already at. And then at

566
00:46:00.239 --> 00:46:04.440
the end of the short story you
find out they're having this debate in a

567
00:46:04.480 --> 00:46:10.800
bar on the moon, thus right, Or the Arthur C. Clark short

568
00:46:10.800 --> 00:46:16.840
story The Star about the Jesuit priest
who's completely overwhelmed by his research. Jesuit

569
00:46:16.880 --> 00:46:22.119
priests have to have doctoral degrees.
Usually he's an astrophysicist, and he's on

570
00:46:22.159 --> 00:46:28.519
an interstellar mission to explore the remains
of a nova, and as he exploited

571
00:46:28.920 --> 00:46:34.920
this nova destroyed an entire alien civilization, and then at the end he realizes

572
00:46:35.239 --> 00:46:40.360
it was also the star of Bethlehem. Those kinds of trick endings are very

573
00:46:40.400 --> 00:46:46.519
common in mid century American science fiction
short stories. They don't happen in novels

574
00:46:46.519 --> 00:46:52.719
as much. But the ending of
Doone, which I cite in classes on

575
00:46:52.840 --> 00:46:55.599
that I teach on writing all the
time, is this. I'm going to

576
00:46:55.639 --> 00:47:00.960
quote it. It starts with a
Jessica quote. Think God it Shanni,

577
00:47:00.480 --> 00:47:05.719
the princess will have the name it. She'll live is less than a concubine,

578
00:47:05.920 --> 00:47:08.559
never to know the moment of tenderness
from the man to whom she's bound.

579
00:47:08.960 --> 00:47:14.480
While we Shanni, we who carry
the name of the concubine. History

580
00:47:14.519 --> 00:47:17.400
will call us wives. And that's
the last line of the novel, and

581
00:47:17.440 --> 00:47:22.119
it changes the entire meeting of the
novel. For me, it's problematic in

582
00:47:22.159 --> 00:47:28.559
that isory will call us wives is
a sexist statement about there being defined by

583
00:47:28.599 --> 00:47:32.280
who they're related to, But it
also changes the complete narrative of how you

584
00:47:32.800 --> 00:47:37.800
look at all of the women in
the novel up until that moment. And

585
00:47:37.920 --> 00:47:40.679
I was terrified that this was going
to be the thing I hated about Doom

586
00:47:40.760 --> 00:47:45.239
two. But the last two people
you see in Doom two are Jessica and

587
00:47:45.280 --> 00:47:53.280
Shanni, and they're both just looking
at their faces. And not only are

588
00:47:53.320 --> 00:47:58.679
these these last two, but the
first boys you hear is Princess Irdolus.

589
00:47:58.880 --> 00:48:01.719
And in the books, like you
get a little excerpts from the books,

590
00:48:02.000 --> 00:48:07.920
but excerpts from things that she wrote
as like chapter headings, but overall,

591
00:48:08.079 --> 00:48:13.440
like I don't know if Frank Herbert
had an X and he just like put

592
00:48:13.480 --> 00:48:16.559
all of his hatred towards that X
into Princess Erdlin. But he hates this

593
00:48:16.719 --> 00:48:22.760
character and treats her horrifically through those
books. And so to have her be

594
00:48:22.800 --> 00:48:25.440
more of that leading voice, I
think, you know, the narrative voice

595
00:48:25.480 --> 00:48:30.320
is really great. And Flance's Princess
Hugh is also at Florence Pugh is also

596
00:48:30.400 --> 00:48:32.800
amazing. The only other thing I
would say also about what you said is

597
00:48:34.519 --> 00:48:37.360
I think it's so important to know
we end with Chauni, but we end

598
00:48:37.400 --> 00:48:43.079
with her getting ready to ride a
worm, because again, this whole thing

599
00:48:43.079 --> 00:48:46.719
has been about a battle of you
know, what is what is the truth

600
00:48:46.719 --> 00:48:52.000
that defines the Fremen people? And
she is right now rejecting what everyone else

601
00:48:52.079 --> 00:48:57.199
is saying, is the true belief
of the Fremen people that they're that the

602
00:48:57.519 --> 00:49:00.280
belief that has made them a people, that holds them together, that has

603
00:49:00.280 --> 00:49:04.719
helped them to win this great war, is all the things that she's rejecting.

604
00:49:05.599 --> 00:49:09.400
And so to them, she's rejecting
being Fremen. And the first thing

605
00:49:09.480 --> 00:49:14.159
she does is what is just you
know, like the thing Paul had to

606
00:49:14.199 --> 00:49:17.360
do to become truly accepted as Fremen
writing a worm. And I just thought

607
00:49:17.400 --> 00:49:22.079
the parallel of that was so beautiful
and made so much sense to understanding,

608
00:49:22.119 --> 00:49:25.880
like the depth of the struggle over
what is the mythology of the Fremen people

609
00:49:27.880 --> 00:49:30.639
and how does it define who they
are? And it leaves open the question

610
00:49:30.679 --> 00:49:34.440
of where she's going to go right, because she can't go south to the

611
00:49:34.519 --> 00:49:42.320
fundamentalists. She's got to and seech
Tabor is destroyed. I forgot to mention

612
00:49:42.639 --> 00:49:45.800
both Seeche and Tabor are Tartar words
that the Cossacks used. Both of them

613
00:49:45.840 --> 00:49:52.480
mean camp. They're both found in
the sabers of Paradise. The Chechens are

614
00:49:52.480 --> 00:49:59.440
fighting the Tartars, the Cossacks,
the Russian Cossacks who call their camps seeches

615
00:50:00.679 --> 00:50:06.400
and call their base camps tapers.
So that's where the words come from.

616
00:50:06.840 --> 00:50:12.199
Yeah, And but she can't go
there where she knows there are some people

617
00:50:12.199 --> 00:50:16.559
who agree with her because it's gone
now. So the right the open endedness

618
00:50:16.559 --> 00:50:22.159
of where the hell is she going
to go is also a beautiful moment as

619
00:50:22.199 --> 00:50:28.719
a statement about religion. When you
realize that your face differs dramatically, who

620
00:50:28.760 --> 00:50:31.599
do you go talk to about it? Yeah? And in our bonus section

621
00:50:31.679 --> 00:50:35.079
from members, that fact that we're
going to talk about is what we we

622
00:50:35.320 --> 00:50:38.840
want to see in a third movie
and possibly more after that. We haven't

623
00:50:38.880 --> 00:50:40.880
going on for a while. There's
a lot of discussions we're going to have.

624
00:50:40.880 --> 00:50:45.159
We're definitely gonna have Professor Keppa.
We haven't had Professor Matthew back,

625
00:50:45.199 --> 00:50:49.199
as was Rob mackenzie, and as
mentioned my brother in law, Steve Cox,

626
00:50:49.199 --> 00:50:54.679
who's also quite a scholar of both
Islam and June. So Matthew,

627
00:50:54.760 --> 00:50:57.639
let me just ask you, is
there any of the last comments you want

628
00:50:57.679 --> 00:51:00.599
to make about this book, about
this movie especially, and like what has

629
00:51:00.639 --> 00:51:05.480
to say about mythology, de in
destiny and all of that. We live

630
00:51:05.519 --> 00:51:09.519
in a world in which our movies
are basically hero narratives thanks to star Wars,

631
00:51:10.239 --> 00:51:19.639
and every single really important popular film
follows the hero's journey now, depending

632
00:51:19.639 --> 00:51:23.840
on how it is chosen to be
formulated. But we're all living in a

633
00:51:23.880 --> 00:51:30.480
world of Luke Skywalker's and NEOs,
and I just want to jump in there

634
00:51:30.480 --> 00:51:31.840
for anyone who's about to say,
but wait, not all movies are adventure

635
00:51:31.880 --> 00:51:35.679
movies. There's actually been some great
writing down I'll see if I can find

636
00:51:35.719 --> 00:51:39.000
it on how even most rom coms
today or movies like that. You know,

637
00:51:39.320 --> 00:51:43.880
if it's a movie about just a
person's self actualization, it's still framed

638
00:51:43.880 --> 00:51:45.679
as a hero narrative. Here,
if it's a movie about like will the

639
00:51:45.760 --> 00:51:50.199
character get the girl or get the
guy, it's a hero narrative. So

640
00:51:50.639 --> 00:51:52.960
going on, So do to be
clear, we're not just talking about like

641
00:51:52.360 --> 00:51:55.679
the Act, you know, the
actual adventurers fighting against some bad Yeah.

642
00:51:55.679 --> 00:52:04.280
It's not always dragons. Sometimes it's
the Devil Wears Prada yeah, and doubt

643
00:52:04.480 --> 00:52:09.599
yes. And too many of our
movies are that way. And the two

644
00:52:09.599 --> 00:52:16.079
films that we have in Dune so
far are not just criticizing religion or criticizing

645
00:52:16.159 --> 00:52:22.280
myth or criticizing the hero's journey.
They're criticizing all of contemporary film as a

646
00:52:22.320 --> 00:52:29.159
result. And I follow a number
of Facebook groups in Dune, and man,

647
00:52:29.280 --> 00:52:31.559
they're all still angry about this film, and I'm like, it's spot

648
00:52:31.599 --> 00:52:38.280
on perfect because because it made you
angry. So the last thing I would

649
00:52:38.320 --> 00:52:43.920
say is, yeah, that is
that is essentially the point to to make

650
00:52:44.000 --> 00:52:52.079
us aware that thinking we have a
chosen leader who can do no wrong is

651
00:52:52.280 --> 00:53:00.159
how we get Donald Trump. It
just is so the unexamined myth is not

652
00:53:00.159 --> 00:53:05.079
worth it. And just to add
a little about of balance, not that

653
00:53:05.119 --> 00:53:07.079
I'm saying that these two are equal
in their badness, but I think it's

654
00:53:07.079 --> 00:53:12.199
also how we get people get so
mad when we critique Obama for drone strikes.

655
00:53:12.280 --> 00:53:14.639
Yes, you know, it's the
same kind of a thing. And

656
00:53:14.639 --> 00:53:16.440
and the other thing to me that
I think is fascinating in what you're talking

657
00:53:16.480 --> 00:53:22.239
about is those people who are so
mad, it's probably because they're more invested

658
00:53:22.320 --> 00:53:25.119
in the mythology of Doune that has
been built up in their not the mythology

659
00:53:25.159 --> 00:53:29.920
in the story, but their mythology
about the book that has been built up,

660
00:53:30.000 --> 00:53:34.000
rather than the textas health. Yeah
exactly, you know, yeah,

661
00:53:34.000 --> 00:53:38.400
they see they I would go,
I would bet that he took a list

662
00:53:38.480 --> 00:53:44.119
of like the hundred most angry,
problematic, anti woke people in the in

663
00:53:44.199 --> 00:53:46.960
the Dune groups and then compared that
to a similar list from a Star Trek

664
00:53:47.000 --> 00:53:52.320
group. There's gonna at least twenty
three. Oh yes, unquestionably. And

665
00:53:52.360 --> 00:53:57.320
man, they're so mean about Zendea. It really is upsetting. The I'm

666
00:53:57.360 --> 00:54:01.360
not being racist, she's just a
bad actress statements. Yeah, it's like,

667
00:54:01.480 --> 00:54:07.440
no, no, actually, you
are being racist. And everything that

668
00:54:07.519 --> 00:54:12.519
was changed from the book is wrong
because it's not homophobic and because it's not

669
00:54:12.719 --> 00:54:17.880
sexist is problematic as well. So
the fact that Dune and especially Dune Too,

670
00:54:17.960 --> 00:54:23.280
which I think is the better of
the two films, manages so effectively

671
00:54:23.360 --> 00:54:30.960
to critique all of contemporary popular culture
is its great strength, and it is

672
00:54:31.159 --> 00:54:36.679
the reason you need to have so
many episodes on this series and why I'm

673
00:54:36.719 --> 00:54:39.679
looking forward to listening to them.
Your brother in law is really fricking smart,

674
00:54:39.840 --> 00:54:44.360
and I really I'm really looking forward
to hearing more from him. So

675
00:54:45.559 --> 00:54:50.679
that's why it's important. Because it's
not Star Wars, and Star Wars sucks

676
00:54:52.320 --> 00:54:55.639
so well that I'm going to strongly
disagree with you, but in part because

677
00:54:57.880 --> 00:54:59.760
I know, I know you did
that to trigger me a little bit,

678
00:54:59.840 --> 00:55:04.760
not trigger actually triggering, but like
I would just say, guess what when

679
00:55:04.800 --> 00:55:08.480
Star Wars took the character who'd become
most mythologized, Luke Skywalker and said what

680
00:55:08.519 --> 00:55:13.159
if he wasn't perfect, the exact
same thing happened. Oh that is such

681
00:55:13.199 --> 00:55:19.880
a good point. Yeah, like
the last Jedi did because again the mythology

682
00:55:19.880 --> 00:55:22.760
of Luke Skywalker, who can do
no wrong. So yeah, and I

683
00:55:22.760 --> 00:55:29.079
think that's important is that the next
six months are going to be some of

684
00:55:29.119 --> 00:55:34.840
the most hard political of many of
our lives. And God only knows what

685
00:55:34.840 --> 00:55:37.920
happens after November, and I can
understand that a lot of people are gonna

686
00:55:37.920 --> 00:55:40.440
want respit and escape from that,
and that's part of why they turn to

687
00:55:40.480 --> 00:55:43.679
these things. And so I want
to say, like, we're gonna mention

688
00:55:43.719 --> 00:55:45.320
that stuff, but we're not gonna
that's not gonna be the entire focus of

689
00:55:45.360 --> 00:55:50.480
this. But because in part because
I think that that's That's the other thing

690
00:55:50.519 --> 00:55:53.639
is that the lessons we're talking about
about, like be careful when you say

691
00:55:53.679 --> 00:55:57.800
a leader can do no wrong.
I don't just mean a political leader.

692
00:55:57.840 --> 00:56:01.199
I also mean Poloni or or not
Snyder or anything like that. Like,

693
00:56:01.239 --> 00:56:05.920
you know, we here like the
mythology that could build up. I think

694
00:56:05.960 --> 00:56:09.679
Felony is a phenomenal writer and a
phenomenal story builder. And I think Favreau

695
00:56:10.079 --> 00:56:15.519
on a Favreau who's the third of
the Disney apps, the one who's at

696
00:56:15.880 --> 00:56:23.079
running the MCU. It's uh Fabreau, Felony and the guy who always wears

697
00:56:23.119 --> 00:56:37.559
a hat. Yeah, yeah,
no, we're both looking it up,

698
00:56:37.599 --> 00:56:43.239
aren't we. Kevin Fikey, Fikey, Fikey, thank you so much.

699
00:56:43.239 --> 00:56:46.599
It's Kevin Fikey. You know.
They all are I think incredible and have

700
00:56:46.679 --> 00:56:51.559
done so much good in terms of
storytelling. They've all made mistakes, you

701
00:56:51.559 --> 00:56:53.920
know, and none of them are
perfect. And like more recently, when

702
00:56:53.960 --> 00:56:57.199
a lot of people have been kind
of critical of, you know, the

703
00:56:57.239 --> 00:57:00.239
more recent movies of the MCU,
I see a lot of people saying,

704
00:57:00.239 --> 00:57:02.280
no, no, no, Fabre
has never done us wrong. You have

705
00:57:02.360 --> 00:57:05.519
to just trust Fabreau. You have
to trust Fabria. You have to trust

706
00:57:05.559 --> 00:57:07.760
Fabreau. And it's a saint Frank
Herbert would say, you're just as dumb.

707
00:57:07.960 --> 00:57:10.599
You know, or you're just as
wrong. Frank Herbert would say you're

708
00:57:10.639 --> 00:57:15.800
just as wrong. So thank you
everybody. Professor Capel, thank you so

709
00:57:15.880 --> 00:57:16.880
much for being a part of this. This has been awesome. We're going

710
00:57:16.960 --> 00:57:21.079
to have more with you in the
bonus section in just a moment. For

711
00:57:21.079 --> 00:57:24.000
everybody else, thank you so much
for listening. We have spoken. Superhero

712
00:57:24.039 --> 00:57:28.480
Ethics is an ethical pan of podcast
part of the True Story FM network.

713
00:57:28.519 --> 00:57:30.320
If you enjoyed the show, please
share it and leave a rating or review

714
00:57:30.320 --> 00:57:34.280
on your podcast app if possible.
The best way to support us is by

715
00:57:34.280 --> 00:57:37.840
becoming a member. Find info and
social links in the show notes. Thanks

716
00:57:37.840 --> 00:57:37.320
for listening.

