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Welcome to the Great Detectives of Old
Time Radio from Boise, Idaho. This

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is your host, Adam Graham.
Got any comment, send them to me

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Box thirteen at Great Detectors dot net. Please cast your vote for the show

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on podcast Allie podcast Alley dot Great
Detectors dot net, and remember become a

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fan on Facebook, Facebook dot Great
Detectors dot net. Andrew Rons has helped

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us get a voicemailbox, so if
you've got a comment on the show and

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you would like to call in your
comment, you may do so. If

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you've got the app, then you
just need to hit the contact button and

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click the call button. Otherwise you
can dial two eight four seven eight three.

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That's two O eight nine one Great
d g R eight D so two

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eight nine one four seven eight three. Keep messages probably under thirty seconds if

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you can, uh, certainly no
more than a minute. Andrew Ron's decided

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to go ahead and kick us off
with the first voicemail, so we'll listen

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to that and then come back.
Well, Adam, that was one heck

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of an intest. Is Andrew from
OTR Westerns dot com just thought i'd be

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your first voicemail caller and tell you
that I really enjoy the show. Have

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a great day, and I'll calculator. Thanks so much for the comment,

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Andrew. And yeah, if if
you want to send a comic, just

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send it in just like that.
Actually, I've been getting quite a few

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emails through the app. Makes it
pretty easy for folks to send their feedback

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into the show. I had to
get used to it first because the subject

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line that's inserted is I have something
to say, and when I see that

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type of subject heading, I get
a little bit nervous. But it's just

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the topic, the subject that is
sent out from the app. We got

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one question here. This one comes
from Wesley, who ask could it be

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possible to have Dragnet and Great Detectives
all included with your Dragnet app. You

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know, that's a good question.
I think that the big problem we'd run

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into is basically, we've already committed
with Wizard Media to doing two separate apps,

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and we've already had some people buy
both apps. So I don't see

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how we could fairly and reasonably change
that at this point. But it's a

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good suggestion. Thank you very much
for for conducting the show. I've got

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a few more just general things for
app users, but I'm going to save

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that for after the after the show, So those of you who have got

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some other device or just don't have
the app, that basically we get to

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the it'll basically there won't be anything
else further to discuss or to come up,

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so you can go on to whatever
you have on your media device.

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Before we get into this week's episode
of Johnny Madaro, I do want to

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remind you that Dragnet, the movie
from nineteen fifty four, is available on

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the big screen for the first and
only time. See Joe Friday on the

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big screen, played by Jack Webb. The film tells a it tells an

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astonishing tale from the intelligence Intelligence Department. It's tough actions. It's written by

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Richard Breen, who wrote Pat Novak. So you enjoyed that type of writing,

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you'll enjoy this film. Just go
to Great Detectives dot net, purchase

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00:04:05,840 --> 00:04:12,800
the purchase the video, and let
universal know that through your purchase that we

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would like to see more of the
nineteen fifties drag Net released to the public.

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Well, let's go ahead. We're
going to get into today's episode of

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Johnny Madero. This one is actually
just the week after last week's episode.

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This is from June twenty sixth of
nineteen forty seven. And one thing I

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didn't notice here because I've added to
my categorization. I've begun categorizing by what

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network these is on, the shows
are on, and the next these three

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days of programming, all three three
straight episodes in a row, Tuesday,

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Wednesday, Thursday. All of these
were shows from the Mutual Network. So

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all right, just a fun factor. Let's go ahead and get in into

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it. This one is called the
Fatal Auction. Let's sit back, relax,

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and then we'll come back. Yeah, I'm Johnny Madero here twenty three.

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You know, it doesn't pay to
buy a fast car in San Francisco,

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because most of the time you gotta
be in low gear. The town

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is laid out like the profile of
a chorus line, and the only time

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it flattens out is where it runs
into the bay. The waterfront goes from

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south of the Ferry Building up past
the China Docks, and on a clear

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day you can see him batting baseballs
over on Alfitraz. Here twenty three is

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over toward the left field sign.
Not far from there you'll find Johnny Madero's

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boat shop right place. Oh,
I rent boats and I do anything else

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that means long odds in short hours. It's a way to make a living.

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And if you never save enough to
get married, at least he got

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enough to leave the town. Maybe
I should have left time. Monday afternoon,

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I bought a paper and I read
about a build up on a heavyweight

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fight in la I stopped in at
Lofties and the boy said, neither one

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of those fighters could beat an egg
with a power drill. About three o'clock

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I started down Post Street when I
spotted a new auction. The house was

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small, with enough dough changing hands
to buy back Manhattan Island. Inside it

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was packed and up on a wooden
stand, a ball headed guy was selling

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everything but his suspenders. So I
sat on and back, and I noticed

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a girl standing up against the wall. She was wearing dark green sunglasses that

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the rest of her was just about
as secret as a plow in the bathroom

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floor. Her hair was the color
of half past midnight, and her dress

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was made of the kind of goods
you buy from spiders. After a while,

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she walked over to me. Right
away she started to getting nervous.

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But when you look like her,
you get a right to me mind if

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I sit down? O your legs, lady. If you want to rest

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him, wrest him. Thanks.
You seem to like the view, just

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temporary. I'm leaving. Will you
get excited if I ask you to stay?

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Oh? You're going to be proud
if I do. I want you

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to do me a favor. It
won't take long. It'll be a small

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one. They're gonna auction off a
black leather suitcase in a few minutes.

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It belongs to me. I must
have it back. You speak the language,

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do your own bidding. I don't
want someone to know I'm here.

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It's important. I'll pay you fifty
dollars a bid for Did you tired me?

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Just start bidding and keep on bidding, and you get that suitcase.

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I want it at any price.
Oh, ladies and gentlemen, here's a

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special item of interest, A black
leather suitcase. A right yesterday? Haunt

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tense, n No, it's handsome, it's beautiful, it's never been open.

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Now, who's got spoiling blood?
The letter alone is worth at least

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twenty five bucks. And it's heavy. It's heavy. It could be full

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of bricks, and it could be
full of gold. That's what makes it

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interesting. Now, who's gonna start
the bidding. Who's gonna start it off

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with everyone? Two bucks? Come
on, come on that connso two dollars

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won't get fifteen ten by ten,
don't get thirty ten, won't get thirty

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dark pitch, mister twenty five busday
Thursday. Double it one hundred, one

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hundred. The man in the carriage
fits one hundred. You heard them pops

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one hundred, will get pool two
hundred. Pool You got competition, lady,

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I got you keep double four hundred, four hundred. That's the man

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in the carriage. The second visions
he knows what the suit takes his worth.

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That think four hundred, we'll give
eight hundred four o'kia. Hey,

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al right, the man is f
here, says hey, hook of a

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thousand, I'll be te hundred hundred
of thousands head surprise. The man won't

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like this. You're working for me. Now make it a thousand. A

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thousand, thousand fits a thousand dollars, we'll get fifteen hundreds. A thousand

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we'll get for three hundreds, all
right, A thousand months, a thousand

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planks, a thousand for the thirsd
worst time oh, through Biggs. Tell

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to the men in the gallery,
my god, but tis price. Now,

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here's the money? Taken up and
come back. I'll be waiting.

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Yeah, and don't let him open
it. Whatever you do, don't let

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him open it. It's your party, lady. I won't even let him

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teak. There's a looking amy.
Give him, don't give him wrong.

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Here he is, and here's your
suitcase with sad Want to open it and

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tell the folks what's entire? Yeah, what's in it? It's just one

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of my relatives. There's a dope, Yes, sir, I'm sure all

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right. I haven't been a light
up there, Sorry, son, I

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was just going for the empty seat. I will wait for your blockers next

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time. Pop. Where's the girl, the brunette with the dark glasses.

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It's a jail term, son.
I don't follow him home anymore because she

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was here a minute ago. You
must have seen her leaves, no,

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think about it. She must have
walked back past you. Think about it.

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No, Son, when you get
to be my age, you don't

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even do that. I felt kind
of silly, the same way you do

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when you find a hole in your
sock at the shoe store. But it

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wasn't my dough that bought that case, so I couldn't beat much. When

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I got back to the office,
I started working on the lock with the

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key. The case was made of
plain black leather that was kicked around more

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than Minnie's gone. Then I opened
it. Shiny looking saxophone was laid out

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in three parts. For a thousand
bucks, you can buy a whole brass

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section. So I went through each
piece looking for a reason. It was

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a paper box inside the case and
had a grocer reeds in the same time

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you find on the mouthpiece of any
saxophone. I couldn't do much more,

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so I wrapped up the cats and
put it up in my closet. And

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then the door opened and the trouble
had her face. This was the way

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it looked in the morning. He
stood there in the middle of the room.

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In his eyes held me like a
fly at the end of two needles.

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He noticed his sign brows. They
were bushing and thinking, if they

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got any worse, you'd have to
hire a native guide. Hello you,

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madero, that's my story. You
got a better one. It's sadder than

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yours. I'm the guy you left
behind at the auction. Who are you

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bidding for? Who are you asking
for? Myself? I suppose we get

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real friendly. What's your name?
Don lap Lairee, Don Lamb? Now

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I introduced me to the girl who
was coaching you, all right, she

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was a souped up brunette with a
disappearing act. Now what does that prove

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unless you find it in the semitory? And they would trust a woman,

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especially Claire Underwood, But he went
from me. I would take that black

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rather suitcase. Who weren't at the
auction? Look, I saved you some

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door. I'll make a pig at
yourself. Try to be nice. I

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will. I won't kick you when
you who's that suitcase? You're making me

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nervous? So if you got an
HC A doctor? What makes you so

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big? Vid? The ones I
know all about? The Saxon man early

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belongs to me. Give it to
me or eyes start looking. You better

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have a license to sax Isn't that
important? It is to me? Maybe

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I want to start a hotshot.
I'll hold out for your girlfriend. She

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owes me fifty bucks, and I
need the dough. I'll double any thanks

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she gives you if your made money. Give me a hint. What a

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hundred bucks. Do yeah, the
saxes in the closet on top of it.

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Come on, give me a hand, give me your sure you've got

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a hand by arrow, and now
play it out. Some days you're not

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gonna make out any better than an
ice cube with a cocktail party. I'm

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done laugh hit me. I folded
up in my head, got the size

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of a social worker's heart. Well, I started tossing around on the rug.

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It took me longer to stop,
and it took hayen to quit jersey.

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I knew that sax was gone,
so there was no point in getting

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up. I started dreaming about that
day of Cleveland Bellhop gave me a key

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to the wrong room. It's going
all right too, until somebody began shaking

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me in that small room. I
didn't have to look up to know who

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it was, because Inspected Warchick of
San Francisco Homicide is the kind of guy

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you stand next to a hurricane and
wonder what happened to the wind ventilation,

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making a wish man own there it
is so it didn't come true? What

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are you collecting, Alibi? What
yours for the last night at twelve o'clock

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00:12:22,720 --> 00:12:26,639
that wasn't dead. He got a
witness. Oh you can't win them all.

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Yeah, that's the way A guy
named Charlie Riser felt. So maybe

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it's an epidemic. So maybe you
started it. Someone shot him dead.

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The guy was a musician. Try
some of the neighbors. I'll try you

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first, your reaching warchick. I
never heard of the guy. Oh that's

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a handicap. Or maybe you just
heard of his incer. All right,

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00:12:43,120 --> 00:12:46,120
let me get it was a second. You're very bride an AUCTIONNEI helped me

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trace it down to you. Now, what's the pitch? A wild one

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warcheck. A dame forced me to
do it a favor. Uh huh,

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I bet you're force easy. She
paid me to bid for the saxon,

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then took a potter after I won
it. He got an active memory.

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Does it including a name? Yeah, Claire under run it down and see

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what it gets you on. I'll
stop threateningly, Madero. I think that

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sex is tied in with a murder. Now where is it? You're a

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00:13:05,120 --> 00:13:09,440
little late. A torpedo named Larry
Dunlaft just worked in and sat me for

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00:13:09,519 --> 00:13:13,240
it. Yeah, how hard did
he sat? Mad There's a crul of

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blood behind your desk, and it
doesn't look like yours. How to get

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there? I don't know, Worschik. Maybe somebody got lost and figure it

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was a blood bank. How do
I know? Yeah? Maybe they thought

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it was a morgue too. Left
the body. I look around, yeah,

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00:13:24,720 --> 00:13:26,799
do that look under the rug too. Maybe the guy was thin?

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All right, Madero, that's a
fire in the clear. But if there's

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blood, there must be a body
close by. It'll show. When it

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00:13:35,480 --> 00:13:37,720
does, we'll turn it in for
yours. I remember like you remember that

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thousand bucks. Huh the auction house, Madero, the thousand bucks you gave

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the joint got homesick and left.
I'm broke, Worchi Eh, you'll let

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the stand on your head? Depend
this on me? Maybe I will.

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00:13:48,240 --> 00:14:01,559
Maybe you're right. I forgot about
your head. Once watch he x sticks

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00:14:01,559 --> 00:14:03,679
to you. You might as well
try to pull a mustard plaster off a

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00:14:03,759 --> 00:14:05,159
throw rug. He stood there for
a minute, blinking at the light,

205
00:14:05,200 --> 00:14:09,200
and you could see big pebbles of
sweat standing out on his forehead. He

206
00:14:09,240 --> 00:14:11,360
took a handkerchief out of his pocket. When it came down, it was

207
00:14:11,399 --> 00:14:13,840
wet enough to wash all the windows
in the Lower Manhattan After a while he

208
00:14:13,919 --> 00:14:18,000
walked down. I watched him out
of the window. I tried to figure

209
00:14:18,039 --> 00:14:20,679
how I got into this. It
was like trying to trace back a conversation

210
00:14:20,799 --> 00:14:24,399
to see what words started it.
There were lots of questions and not too

211
00:14:24,480 --> 00:14:28,360
much time while I was a saxophone
and a grocer. Reeds worth all that

212
00:14:28,480 --> 00:14:31,919
dope and who left his blood on
my rug as a deposit. A girl

213
00:14:33,000 --> 00:14:33,799
must have known what was in the
case, but why did she leave it

214
00:14:33,840 --> 00:14:37,879
with me? I couldn't make it
add up, so I looked at the

215
00:14:37,960 --> 00:14:41,960
only good guy I know, a
waterfront priest named Father Lady. He knows

216
00:14:41,000 --> 00:14:43,679
most of the bad boys around the
piers, and he's heard enough sins to

217
00:14:43,720 --> 00:14:46,840
start an art colony around Lofty's.
They got his name above the line,

218
00:14:46,919 --> 00:14:50,080
and that's a tough trick, because
along the waterfront of the Archange, we

219
00:14:50,120 --> 00:14:52,080
couldn't get a cup of coffee without
hunting a wing. I found him over

220
00:14:52,080 --> 00:14:56,759
at the Perry's house having dinners.
Hello Johnnah, you want some wine?

221
00:14:56,120 --> 00:14:58,840
No thanks, Father. That's one
of the good things about this job.

222
00:15:00,039 --> 00:15:01,639
You get wine with your mules.
Yeah, I know, except you got

223
00:15:01,759 --> 00:15:05,039
to watch out and you will die
in the seminary, like to eat between

224
00:15:05,120 --> 00:15:09,519
meals? Yeah yeah, but the
bishop fixed them. He sent him to

225
00:15:09,559 --> 00:15:11,759
a rich parish and the guy had
to throw away at his sermons. I'm

226
00:15:11,840 --> 00:15:16,159
in trouble, father. Did you
buy elevator shoes? Or is that a

227
00:15:16,200 --> 00:15:18,879
bump on your head? Somebody knocked
me down when I wasn't looking. Did

228
00:15:18,919 --> 00:15:20,399
you get the license number? It
just felt like a truck. I got

229
00:15:20,519 --> 00:15:22,440
hit with a club. That's why
I want you to help me. Father

230
00:15:22,759 --> 00:15:26,799
Johnny, you misinterpret my mission in
life. You need a policeman. I'm

231
00:15:26,840 --> 00:15:31,639
only a priest. Besides, I'm
eating. Look, Father homicide wants to

232
00:15:31,639 --> 00:15:35,960
tack a murder on me. Here
goes my appetite. Who's dead? Anybody?

233
00:15:37,000 --> 00:15:39,840
I could have helped his home as
Charlie Riser. He was a musician.

234
00:15:39,279 --> 00:15:41,720
If he's going in the right direction, he may get some work.

235
00:15:43,519 --> 00:15:45,759
How did you meet him? I
didn't. I never heard of the guy.

236
00:15:45,799 --> 00:15:48,240
It was all a surprise to me. Sounds more like a shock.

237
00:15:48,399 --> 00:15:50,080
I got a bum shake from the
start fighting. A gal with a big

238
00:15:50,159 --> 00:15:54,000
purse promised to pay me something if
I bid for a black suitcase and an

239
00:15:54,039 --> 00:15:56,799
auction. What was the matter with
her? Laryn jrivers. She was trying

240
00:15:56,799 --> 00:15:58,519
to keep somebody from noticing her,
but she must have weakened in the final

241
00:15:58,600 --> 00:16:02,679
stretch. What do you mean?
I won the bid with a thousand bucks,

242
00:16:02,840 --> 00:16:04,320
but when I came back, the
gal was gone and you were left

243
00:16:04,320 --> 00:16:07,960
holding the bag. What was in
it? A saxophone and the grocer reeds.

244
00:16:08,200 --> 00:16:11,840
You could buy the whole outfit with
a five dollar down payment. What

245
00:16:11,039 --> 00:16:14,799
makes it worth a thousand? I
don't know, father. The sacks belonged

246
00:16:14,799 --> 00:16:17,679
to Charlie Riser. A guy named
Dunlap offered me to wander bucks for it.

247
00:16:18,120 --> 00:16:21,559
All that money for a saxophone,
and they wouldn't allow me forty bucks

248
00:16:21,600 --> 00:16:23,759
on that old organ. Dunlap slug
me when my back was turned, pile

249
00:16:23,799 --> 00:16:26,919
up a lead. Did the sacks
go for free? Somebody paid for it?

250
00:16:27,159 --> 00:16:30,799
But I woke up there was a
lot of blood on the floor yours.

251
00:16:30,080 --> 00:16:33,480
It was uncleaned, But I have
an idea of body's going to turn

252
00:16:33,559 --> 00:16:36,840
up without it. You have nothing
but murder on your mind, Johnny.

253
00:16:37,240 --> 00:16:40,200
Why don't you settle down with a
good book. If wor check tags me,

254
00:16:40,200 --> 00:16:41,399
I'll have to borrow yours. Father. Right now, I need you

255
00:16:41,480 --> 00:16:44,720
to check on a few people for
me, sure, but I'll need a

256
00:16:44,759 --> 00:16:48,000
couple of names for them first.
You know a lot of the combo boys.

257
00:16:48,039 --> 00:16:49,960
Father, check up on Charlie Riser's
friends, especially as women, and

258
00:16:51,039 --> 00:16:52,600
find out where Larry Dunlap fits him. Would you do it, father,

259
00:16:53,440 --> 00:16:56,960
Yes, Johnny, I'll do it. But if I find out you're calling

260
00:16:57,039 --> 00:17:00,279
'em wrong, I'll drop over to
war Checks. Thanks father, if you

261
00:17:00,399 --> 00:17:03,559
helped me out of this, you're
a good guy, You're an angel,

262
00:17:03,720 --> 00:17:17,759
But stop pushing me. I'm not
that anxious yet. When I my father,

263
00:17:17,880 --> 00:17:19,160
Lady, I ran over my leads. You could have counted him on

264
00:17:19,240 --> 00:17:22,559
one finger and you'd still have to
cheat. The only guy was looking up

265
00:17:22,839 --> 00:17:27,119
was the auctioneer on Eddie Street.
Maybe that was all revenge. Why did

266
00:17:27,160 --> 00:17:30,119
he tell war Chick that I took
that thousand bucks back? Well, I

267
00:17:30,160 --> 00:17:33,839
figured i'd find out, so I
grabbed a cab back to his store.

268
00:17:33,519 --> 00:17:36,799
When I got there, the joint
was locked up, but a big neon

269
00:17:36,920 --> 00:17:41,000
signed blinked the name JC Cole.
There was another light coming from the back,

270
00:17:41,079 --> 00:17:45,119
so I followed it down. Inside
Cole was working over his cash registered

271
00:17:45,200 --> 00:17:48,240
tape. I didn't knock, and
right away he started making funny noises in

272
00:17:48,319 --> 00:17:51,160
his throat. I noticed he was
wearing a vest without a time, and

273
00:17:51,200 --> 00:17:53,200
his sleeves were rolled up with big
rubber bands. His elbows stuck out and

274
00:17:53,240 --> 00:17:56,319
they were red and knotted up like
a baby's face with cramps. And then

275
00:17:56,359 --> 00:18:00,319
he made his opening bid, that's
a little light, And I tell you

276
00:18:00,440 --> 00:18:03,160
miss that A straight story. Huh, the one you told headquarters at too

277
00:18:03,160 --> 00:18:07,200
many frills? Hey, wait a
minute, you're the same fellow who bought

278
00:18:07,240 --> 00:18:08,759
that suitcase. You got a good
head friend? How goods is on robbery?

279
00:18:08,960 --> 00:18:11,599
It was dark? I thought it
was you, so I called the

280
00:18:11,680 --> 00:18:15,599
cops and started fast. But you're
fitting in the stretch. A thousand boats's

281
00:18:15,599 --> 00:18:18,119
going. I figured you took your
money back. That's an early mistake.

282
00:18:18,160 --> 00:18:21,559
It wasn't my dough. You sound
like your man, he said, a

283
00:18:21,680 --> 00:18:23,559
gun in your pocket. Then that
makes you talk about that suitcase. I'll

284
00:18:23,559 --> 00:18:26,720
say, yes, I don't know
what you mean. I said you were

285
00:18:26,759 --> 00:18:27,839
taking your chance. It's a ton
of bricks, a ton of gold.

286
00:18:27,920 --> 00:18:30,079
Remember, I gotta make a living. You know you don't have to crowd.

287
00:18:30,119 --> 00:18:33,599
I meant, what gives a sax
a thousand dollars price? Tang I

288
00:18:33,640 --> 00:18:34,400
don't know. I tell you,
I don't know what thing. Yeah,

289
00:18:34,400 --> 00:18:37,160
well we'll go into politics later.
I think you're lied. It was just

290
00:18:37,240 --> 00:18:41,680
another suitcase, and wh another suitcase
with the sacks inside. I just tell

291
00:18:41,720 --> 00:18:44,519
you I don't know a thing.
Yeah, keep it up, fellow,

292
00:18:44,519 --> 00:18:45,359
you'll tell me everything that way.
Now, how did you know there was

293
00:18:45,400 --> 00:18:48,039
a sax in that case? If
you never opened it a lot and listened,

294
00:18:48,039 --> 00:18:49,880
mister, let's beak friends. I
got a little money, let's be

295
00:18:49,960 --> 00:18:52,559
friends go on. I was just
trying to get a little head. I

296
00:18:52,599 --> 00:18:56,599
got a wife and a kid,
a big kid. So I switched saxophones.

297
00:18:56,839 --> 00:18:59,599
I took out the original sex with
the region, put in an older

298
00:18:59,640 --> 00:19:02,119
one. I should do the original. It was a pretty nice one,

299
00:19:02,160 --> 00:19:06,680
burning So I sold it to someone, reagion all for two hundred dollars,

300
00:19:06,880 --> 00:19:10,960
slowing John who's someone a relative?
He's a thrown name bud but but Beck

301
00:19:11,000 --> 00:19:14,759
he plays Thomas Sacks at the down
Beat Club. That that original was something

302
00:19:14,839 --> 00:19:17,240
special. Yeah, you should have
held out for a thousand bucks on both

303
00:19:17,240 --> 00:19:18,519
bands. Now, listen, fell
A bunch of friends, A good friend

304
00:19:18,559 --> 00:19:22,400
on my wife's side. You I'll
send you a pine if you believe.

305
00:19:22,519 --> 00:19:26,440
Yeah, sure, sure, I'll
say that anything else huh yeah, stop

306
00:19:26,519 --> 00:19:37,839
starring. You'll give that kidd of
years a complex. When I opened the

307
00:19:37,880 --> 00:19:41,359
door, you could tell he wanted
to shake me worse than a summer cold.

308
00:19:41,640 --> 00:19:45,119
I didn't like him any better,
but he'd given me something solid to

309
00:19:45,240 --> 00:19:48,640
work on. So I got over
to the club Downbeat. It's a jazz

310
00:19:48,680 --> 00:19:52,359
seller that warms over King Oliver.
It's six bits of throw. Five piece

311
00:19:52,440 --> 00:19:55,279
combo was writing a chorus, slow
and easy, and you knew the only

312
00:19:55,319 --> 00:19:59,440
notes they ever read were on IOU's
or A dozen or so jazz fans huddled

313
00:19:59,440 --> 00:20:00,759
around the band, and if you
look real close at their faces, you

314
00:20:00,799 --> 00:20:04,920
saw something that looked like pain.
I asked the bartender who over Beck was,

315
00:20:06,000 --> 00:20:07,880
and he pointed out the blonde kid
with a face made of warm puddy

316
00:20:07,960 --> 00:20:12,240
playing a black saxophone. I walked
backstage to a small dressing room where the

317
00:20:12,240 --> 00:20:15,880
boys grabbed their second wind with a
short one. When I opened the door,

318
00:20:15,880 --> 00:20:18,279
a fair underwood stapare holding your breath? Hello, Johnny, you look

319
00:20:18,319 --> 00:20:22,720
angry? What away those daggers?
Mmm? I will baby, I'll guess

320
00:20:22,759 --> 00:20:26,160
that you killed ryser for a saxophone. Guess again, Why should I kill

321
00:20:26,200 --> 00:20:27,720
anyone for a sex? Tell me
why it's worth a grand and I'll answer

322
00:20:27,799 --> 00:20:33,160
that one too, all right,
Johnny, I'm sentimental. Say Charlie Riiser

323
00:20:33,319 --> 00:20:36,440
was my boyfriend and I wanted to
keep his sacks as a memory. Must

324
00:20:36,480 --> 00:20:38,279
have been quite a memory. Baby. You didn't meet Charlie, but I

325
00:20:38,359 --> 00:20:41,240
did meet Larry Dunlapp. He wanted
the sacks too. Why, Oh,

326
00:20:41,279 --> 00:20:44,960
what I know, Johnny. Maybe
he was taking lessons. They weren't that

327
00:20:45,119 --> 00:20:48,160
kind. He has too good a
lip. Oh, I only I use

328
00:20:48,200 --> 00:20:52,160
it differently. All right, Stop
fuckering, sweetheart. I want some sense

329
00:20:52,200 --> 00:20:53,160
now, please, Johnny. If
you leave now, I'll give you double

330
00:20:53,200 --> 00:20:56,079
what I owe you from the office
that it's not enough. Look, baby,

331
00:20:56,160 --> 00:20:57,119
cut up your bills and tell me
what a murder rapp is worth it.

332
00:20:57,240 --> 00:21:00,880
No haggle over it. Later,
Johnny, meet me at the Ajax

333
00:21:00,920 --> 00:21:03,720
Hotel, and I promise you you'll
get a better figure. You're gonna add

334
00:21:03,759 --> 00:21:07,920
some interest. Come here and I'll
show you what I mean. I'm not

335
00:21:07,000 --> 00:21:10,039
running a service. I need some
answers. Come on, come on,

336
00:21:10,119 --> 00:21:11,720
I want some action. Come on, you use your oars, Johnny,

337
00:21:12,400 --> 00:21:15,200
You've got too big a mouth.
Baby, somebody's gonna close it on you.

338
00:21:15,480 --> 00:21:22,480
Show me, Johnny, all right, music stop, Johnny? Why

339
00:21:22,519 --> 00:21:26,839
do you care? We're not dancing, Johnny? Please, you're you're squeezing

340
00:21:26,880 --> 00:21:29,960
me too tight. That's a bad
habit. Now tell me about that sax.

341
00:21:30,160 --> 00:21:32,519
Listen to me, Johnny. I
told you I got to see Overbeck

342
00:21:32,559 --> 00:21:33,759
first. I'll tell you everything later. Yeah, after you talk over Back

343
00:21:33,799 --> 00:21:37,119
out of his sacks. Huh?
Yes? Is it a deal you're two

344
00:21:37,119 --> 00:21:40,079
anxious to sign? I'll talked over
back myself. All right, Johnny,

345
00:21:40,640 --> 00:21:41,960
I'll help you get him here,
quicker. Yeah, what are you gonna

346
00:21:41,960 --> 00:21:52,400
do? Scream, Johnny, scream? Listen louder, baby, you'll really

347
00:21:52,480 --> 00:21:57,319
need it in a minute. What's
the matter? Was singing about Chester?

348
00:21:57,480 --> 00:22:00,720
She couldn't catch me. He was
fine to snatch my purse? Is that

349
00:22:00,799 --> 00:22:03,359
true? Mister? Call a cup
and fight out? Yeah? I will,

350
00:22:03,480 --> 00:22:06,920
No, no, please, don't
bother. Just get him out,

351
00:22:07,319 --> 00:22:08,839
Just throw him out, mister Overbeck. You heard the lady. Mister,

352
00:22:10,599 --> 00:22:12,319
Do I get rough? Save your
strength over Beck. You'll need it later.

353
00:22:22,359 --> 00:22:25,759
Claire had a nice act, if
you didn't mind playing straight man too.

354
00:22:25,799 --> 00:22:27,640
A vulture. She dragged herself on
Overbeck's arm, and she looked as

355
00:22:27,680 --> 00:22:32,160
cool as a vacation and main.
As I walked out over Beck was still

356
00:22:32,200 --> 00:22:33,400
showing his teeth, but it didn't
matter, because you got the idea he

357
00:22:33,480 --> 00:22:37,920
wasn't strong enough to fight off a
sneeze. Well, there wasn't much I

358
00:22:37,920 --> 00:22:40,880
could do except wait for Claire to
show, but it started to drizzle,

359
00:22:40,960 --> 00:22:45,079
so I figured my best bet was
her hotel in the lobby, a rose

360
00:22:45,119 --> 00:22:47,880
colored carpet with a touch of yellow. Jaunn's led to the desk, but

361
00:22:48,039 --> 00:22:49,680
clerk told me she hadn't come in
yet, but for five bucks, he

362
00:22:49,720 --> 00:22:53,000
could tell I was a friend.
He gave me her key. I went

363
00:22:53,079 --> 00:22:56,920
upstairs. When I opened Claire's door, I knew something was wrong. A

364
00:22:56,000 --> 00:23:00,039
lot of towels were thrown all over
the floor, and everything was going on

365
00:23:00,160 --> 00:23:03,079
from my closet, but the mothballs
Claire had skipped. Before I could walk

366
00:23:03,119 --> 00:23:07,079
out, Dunlap walked in. One
hand was in his pocket and the other

367
00:23:07,160 --> 00:23:08,680
had enough tape to wrap up a
mummy, and I gone in the down.

368
00:23:08,880 --> 00:23:11,640
You old enough, dune Lap,
make up your own mind. I

369
00:23:11,759 --> 00:23:15,640
am well's Claire, you're early?
I think she's still busy getting a nagazine.

370
00:23:15,680 --> 00:23:18,319
Now it'll be a long one.
I'm not hanging her und on if

371
00:23:18,359 --> 00:23:22,319
I was just beginning, sit down, Sit down, I guess I am

372
00:23:22,519 --> 00:23:27,319
tired. And this gun makes everybody
drowsy. Now what's your tie with Claire?

373
00:23:27,559 --> 00:23:30,759
Nothing that's deep rooted. Are you
riding a column? Yeah, the

374
00:23:30,880 --> 00:23:33,960
obituary and you're gonna make the morning
deadline? Yeah? Two cocky down lamp,

375
00:23:33,000 --> 00:23:36,960
don't turn your back walk. Claire
blew her chances. The best she

376
00:23:37,000 --> 00:23:40,279
could do was this odd Yeah,
you ruined my carpet when they passed your

377
00:23:40,359 --> 00:23:42,400
cover out. I'll be jealous.
In the meantime, you're gonna stick around

378
00:23:42,440 --> 00:23:45,400
until Clap brings that black saxophone.
I hope she's got some food in the

379
00:23:45,480 --> 00:23:48,200
nice box. What do you mean, Well, if you're waiting for that

380
00:23:48,279 --> 00:23:49,799
sax, we're gonna start to death. Player's not gonna show makes you were

381
00:23:49,880 --> 00:23:52,599
prophet a guy named but over Beck. He had the sacks last, and

382
00:23:52,880 --> 00:23:56,160
Claire was working him over for it. I'll work you wolver for less one

383
00:23:56,200 --> 00:23:59,559
of the rest of her plans.
She was warm. Maybe she left the

384
00:23:59,559 --> 00:24:02,319
smoke sake. All right, you're
getting too stubborn. Put away the gun

385
00:24:02,359 --> 00:24:04,000
down lat you can only use one
on hot thing the faces with his index

386
00:24:04,079 --> 00:24:07,039
finger. Pick a spot before they
don't put her up the floor. Now,

387
00:24:07,160 --> 00:24:11,359
dune Lafe. We got comed Hey, what's this the wrong row?

388
00:24:12,000 --> 00:24:15,279
Claire said, would be along?
Well, yeah, just the three of

389
00:24:15,359 --> 00:24:18,359
us? Who modo? What are
you talking about? Claire told me to

390
00:24:18,440 --> 00:24:21,519
come here. She told me to
wait for her. Let's tell I say

391
00:24:21,559 --> 00:24:23,559
you're left for another chorus. Just
tell me where she left you. I

392
00:24:23,599 --> 00:24:26,400
don't feel so good. She was
at the down Beach club. She was

393
00:24:26,480 --> 00:24:30,920
helping me put my sacks away.
I just came up here to wait.

394
00:24:30,039 --> 00:24:33,599
They were gonna be alone. No, I, fellow, I'm coming down

395
00:24:33,640 --> 00:24:37,160
the crowd. You went madero.
Now I'm leaving. Yeah, I'm going

396
00:24:37,279 --> 00:24:40,799
home too. I feel sick going
home. You'll never make it on your

397
00:24:40,880 --> 00:24:44,240
knees. What's the matter? Oh
no, I guess I gave the new

398
00:24:44,319 --> 00:24:47,400
horn too big a ride tonight.
I got a weak card. Your eyes

399
00:24:47,400 --> 00:24:49,000
aren't too strong either. You're walking
right into that closet. He told me

400
00:24:49,119 --> 00:24:52,400
not to play so hard. Maybe
I played too hard. Help me fall.

401
00:24:53,039 --> 00:24:57,799
You look familiar. I seen you
somewhere. Huh, you're fuzzy.

402
00:24:57,920 --> 00:25:03,920
Yeah, all right, I feel
sick. Someone must have slipped me something.

403
00:25:03,599 --> 00:25:14,720
I I never like this before.
Sick, real sick. U you'll

404
00:25:14,759 --> 00:25:27,079
never get any sicker. Fella over
Beck was dead even before he had a

405
00:25:27,160 --> 00:25:30,200
chance to see if Gabriel paid his
boy's scale. He hit the floor and

406
00:25:30,279 --> 00:25:33,799
turned over in his back, and
he figured he'd crossed the river Jordan with

407
00:25:33,880 --> 00:25:37,200
a backstroke. I got a good
look at him now. His face was

408
00:25:37,200 --> 00:25:40,480
all twisted up like bed sheets after
a nightmare run up near his hairline,

409
00:25:40,480 --> 00:25:44,359
A long, thin scar ran into
his scalp, and I didn't know it

410
00:25:44,480 --> 00:25:47,079
killed Overbeck. But whatever it was, he didn't get two weeks notice.

411
00:25:47,119 --> 00:25:48,720
I figured if homicide caught me here, i'd get my walking papers too.

412
00:25:48,799 --> 00:25:52,440
Right down to the last twenty feet, I started for the door, but

413
00:25:52,640 --> 00:25:55,920
Warchik opened it. Former He looked
at the body of that over to me.

414
00:25:56,279 --> 00:25:59,359
You on a scream with arrow if
you were footing the bill Archick a

415
00:25:59,440 --> 00:26:02,920
state. From now on, I'll
tell me about the guy on the floor.

416
00:26:03,079 --> 00:26:04,640
He's dead. Must have had parents. What's his name? But over

417
00:26:04,759 --> 00:26:10,000
Beck he was a musician the downbeat
club. Tell me somem on rolling more

418
00:26:10,119 --> 00:26:18,960
check. Maybe he's got a diary
wallet. All right, but how long

419
00:26:19,000 --> 00:26:22,160
you have been here? A wallet? Sam tape. Well, it's too

420
00:26:22,240 --> 00:26:23,960
bad. Your girlfriend's gonna have to
get along the last week's presents. I

421
00:26:25,000 --> 00:26:26,920
trail a guy named dun Laugh up
in this apartment. I find you and

422
00:26:27,000 --> 00:26:30,519
a dead body. Now there's a
tie. Anyway you look at it,

423
00:26:30,240 --> 00:26:33,839
that is what happened. I don't
know, war check. I didn't see

424
00:26:33,880 --> 00:26:36,680
the picture Regis tagged by for the
end. Must have been a sad one.

425
00:26:37,799 --> 00:26:40,440
He's poisoned. I like to look
in his eyes. Get the girl

426
00:26:40,480 --> 00:26:41,759
to put it there, But just
give me a hint. Ober Beck was

427
00:26:41,759 --> 00:26:45,400
playing cave man with Claire Undwood before
he came up here. What does that

428
00:26:45,480 --> 00:26:48,000
give him besides hair? Maybe a
mickey? When I left, she was

429
00:26:48,039 --> 00:26:51,079
warming up an argument for his saxophone. She got it. She didn't done

430
00:26:51,160 --> 00:26:52,319
laugh losing man urs. He just
walked out of here, and I think

431
00:26:52,359 --> 00:26:56,279
she's in his list. I'm beginning
to get an idea now myself. Is

432
00:26:56,319 --> 00:26:59,839
it hurt? You and the Underwood
girl were running some kind of a racket

433
00:26:59,880 --> 00:27:03,319
for saxophone. She left you behind
her front for her. You haven't seen

434
00:27:03,319 --> 00:27:06,519
her warchack. She doesn't need the
dunnahell, but you will when I get

435
00:27:06,559 --> 00:27:08,319
through checking. So I got a
few calls, and I want the lab

436
00:27:08,359 --> 00:27:11,440
to work over their body, but
then I'll have enough to come back and

437
00:27:11,519 --> 00:27:15,119
hold you. No, you couldn't
hold a lap dog with a suction,

438
00:27:15,519 --> 00:27:17,599
All right, big shot, I'll
go a long way to get you for

439
00:27:17,680 --> 00:27:19,880
this, A long way. You
got the drag, Yeah, it's gonna

440
00:27:19,880 --> 00:27:30,039
slow you down a little. Archik
wanted to mother the body until the corner

441
00:27:30,119 --> 00:27:32,119
came, and when I left,
he was squeezing himself into a chair.

442
00:27:32,200 --> 00:27:34,240
He fit tighter than a boil in
the crib. And you could word it

443
00:27:34,279 --> 00:27:37,279
any way you like, But the
big riddle was a saxophone. Claire had

444
00:27:37,319 --> 00:27:40,680
it, and Dunlap wanted it,
and a couple of guys died for it.

445
00:27:41,359 --> 00:27:42,920
My only alibi was dune Lamb,
but you might as well ask con

446
00:27:42,960 --> 00:27:45,599
the hole still for Lewis. I
buzzed back to the opposit, but there

447
00:27:45,640 --> 00:27:48,480
was no message from father Lady.
So I stared out the window for a

448
00:27:48,519 --> 00:27:52,079
while, wondering how to make a
cake with the dynamite charge from the phone.

449
00:27:52,119 --> 00:27:56,440
Right, yeah, Hello, Johnny, this is father Lady. What'd

450
00:27:56,440 --> 00:28:00,640
you find? Not? Father?
It's not pleasant. Johnny dot the Morgue

451
00:28:00,920 --> 00:28:03,960
a lab report on but ober Bek
just came in. He died of poisoning

452
00:28:03,640 --> 00:28:08,119
the bitter kind. Over Bek's hot
couldn't stand all that dope. M Karna

453
00:28:08,200 --> 00:28:12,119
found a used saxophone read in over
Beck's pocket. It was soaked and hot,

454
00:28:12,400 --> 00:28:15,599
So that's what made that saxophone so
big. The grocer reads, that's

455
00:28:15,680 --> 00:28:19,079
right, Johnny. Over Beck was
absorbing the stuff while he played. He

456
00:28:19,240 --> 00:28:22,119
probably never knew what hit him.
Well, what about Ryser? How does

457
00:28:22,160 --> 00:28:26,640
he figure Riser was making his pin
money peddling dope to nightclubs. He's getting

458
00:28:26,680 --> 00:28:30,279
his shipments from Mexico. How did
Claire and Dunlap figure there were a couple

459
00:28:30,319 --> 00:28:33,839
of partners who wanted to ease out
Riser and go into business for themselves.

460
00:28:34,400 --> 00:28:37,240
The idea must have gone to Claire's
heads. She's doing a solo now and

461
00:28:37,319 --> 00:28:41,640
Dunlap thinks she has the saxon or
Jack feels the same way about you,

462
00:28:41,799 --> 00:28:45,119
Johnny. He's out to tag you
for everything. He's smarter than the man.

463
00:28:45,599 --> 00:28:48,799
I don't know him that well,
but it adds up in his book

464
00:28:48,839 --> 00:28:52,359
because he thinks you're leaving town.
Hmm. Someone's booked a passage on the

465
00:28:52,400 --> 00:28:55,759
two AM playing for Mexico this morning
in the name of Jay Madero. I

466
00:28:55,839 --> 00:28:59,119
being jockey Father, it's either Clara
Dunlap. They're both as black as sin,

467
00:28:59,319 --> 00:29:11,440
maybe so, but Warchak still thinks
you are the dark horse. Up

468
00:29:11,519 --> 00:29:14,799
until now, it was like trying
to sell a two paint or a ball

469
00:29:14,880 --> 00:29:17,200
hitted eagle. But when the turn
comes, everything happened in a hurry,

470
00:29:17,200 --> 00:29:21,000
and you began breaking more records than
a disc jockey with a hangover. If

471
00:29:21,000 --> 00:29:22,920
Father Lady was right, Clara A. Dunlap had enough dreams in that sax

472
00:29:22,920 --> 00:29:26,160
if wanted to start a Watz contest, and I knew if they both got

473
00:29:26,200 --> 00:29:27,960
out of town, archeck could be
around a tag me for the last dance.

474
00:29:29,880 --> 00:29:32,279
So I got out to Millsfield and
out on the fire end of the

475
00:29:32,279 --> 00:29:34,519
strip of twin engine plane was warming
up. Claire was standing with her back

476
00:29:34,599 --> 00:29:37,079
toward me, and even from here
you could see what a stiff tail wind

477
00:29:37,119 --> 00:29:41,039
could do to a landing gear.
When she saw me, she raised her

478
00:29:41,079 --> 00:29:44,559
eyebrows and figured her temperature was even
higher. Sorry, I had to borrow

479
00:29:44,599 --> 00:29:45,920
your name, Johnny, it's too
small for it, baby. I got

480
00:29:47,000 --> 00:29:49,200
a dig ego and that gun bolsters
it. Huh, that's my story.

481
00:29:49,319 --> 00:29:52,440
We'll tell it to homicide. They'll
take a nible one either. You were

482
00:29:52,519 --> 00:29:55,920
dune laft be thrown dunlap. I
got a date in Mexico's city. It's

483
00:29:55,920 --> 00:29:57,640
a blind one. Baby. You're
going in the wrong direction, Larry,

484
00:29:57,839 --> 00:30:00,839
what are you doing here? I
want them reads? Baby, you'll be

485
00:30:00,920 --> 00:30:03,480
telling pencils when I'm through with you. I leave the side too, Baby,

486
00:30:03,519 --> 00:30:06,839
I'll be lonely. You won't need
that kind of music where you're going,

487
00:30:06,920 --> 00:30:08,240
Larry, you're the ones that talk. Baby. I trusted you.

488
00:30:08,559 --> 00:30:11,000
We were going to do this together. I trusted you. We all make

489
00:30:11,079 --> 00:30:15,039
mistakes. You got the short end. I'll stretch it a little. You

490
00:30:15,160 --> 00:30:18,200
got another chance. Let's team up
again. Sorry, Larry, I'm crowding

491
00:30:18,240 --> 00:30:19,400
you out. You only think so
get out of my way. I gotta

492
00:30:19,440 --> 00:30:22,640
make the plane, make a grave
first. I want that stuff. I

493
00:30:22,720 --> 00:30:26,519
won't miss again. Stay away,
Larry, what time? Yeah? You

494
00:30:26,640 --> 00:30:33,079
miss again? The gun? No? I'm so hold on bull him all

495
00:30:33,440 --> 00:30:36,640
all right? Baby, you run
out of chances. It's my turned off.

496
00:30:36,759 --> 00:30:40,680
No, Please, what's the gun? Away you? I'll split it

497
00:30:40,720 --> 00:30:42,880
with you now. You win on
a flowery You win, just to show

498
00:30:42,920 --> 00:30:52,720
you why you're great. You're true. Guy got the gun. What are

499
00:30:52,799 --> 00:30:59,480
the odds am I getting away in
that plane? Seventy thirty? Maybe thanks

500
00:30:59,559 --> 00:31:02,240
are too tough with fifty to fifty, Come on out right downtown with you.

501
00:31:12,559 --> 00:31:17,000
Well, Dunlap told the whole story
don at headquarters. It seems that

502
00:31:17,359 --> 00:31:21,559
Riser, Claire and he were buying
dope from Mexico and peddling it here in

503
00:31:21,640 --> 00:31:25,640
the form of soaked up reeds.
Riser was contact man in Mexico, but

504
00:31:25,680 --> 00:31:29,240
the only way they knew him down
there was by his black saxophone. Claire

505
00:31:29,279 --> 00:31:33,119
and Dunlamp decided to narrow the profits
down to two by shooting Riser and taking

506
00:31:33,160 --> 00:31:36,759
over. Claire used the gun,
and well that started it there, thinking

507
00:31:36,799 --> 00:31:40,160
that she could do even better with
a single act. She needed that black

508
00:31:40,240 --> 00:31:42,680
sax phone. Riser got wind of
it and hid the sacks with the reeds

509
00:31:42,680 --> 00:31:47,119
in the basement his land lady founded
after he was tumbled and sold it to

510
00:31:47,200 --> 00:31:49,440
that auction house, and Claire had
me by it and followed me back to

511
00:31:49,519 --> 00:31:53,240
the office where she tried to peg
down Dunlamp the sack. She took turned

512
00:31:53,279 --> 00:31:56,839
out to be a phony because the
auctioneer had already sold the black one to

513
00:31:56,000 --> 00:32:00,920
butt Overback. The track was switched
to him, and soon enough Overbek didn't

514
00:32:00,920 --> 00:32:05,480
know the reads were loaded. After
an all night jam section, he folded

515
00:32:05,559 --> 00:32:10,880
up with a heart attack. Well
Warchick asked only one question, wasn't it

516
00:32:12,000 --> 00:32:15,480
tough luck for an innocent guy like
Overbank? I don't know. At least

517
00:32:15,519 --> 00:32:30,680
there was one time he played right
out of this World. Johnny Madero Peer

518
00:32:30,759 --> 00:32:35,000
twenty three, starring Jack Webbers.
Johnny Madero has been presented by the Mutual

519
00:32:35,079 --> 00:32:39,680
Network. Johnny Madero is written by
Herb Margolus and lou Moreheim. Gil Gordon

520
00:32:39,720 --> 00:32:45,799
played Father Light Lady and Bill Conrad
played Inspector Warcheck of Homicide. Others in

521
00:32:45,920 --> 00:32:52,319
the cast were Helene Burke, Bob
Holden, Herb Butterfield, Irvan Lee,

522
00:32:52,720 --> 00:32:57,680
and Herb Rolinson. Original music was
composed and conducted by Harry Zimmerman, and

523
00:32:57,799 --> 00:33:01,440
the entire production was directed by Natt. We invite you to listen again next

524
00:33:01,480 --> 00:33:06,200
week over most of these stations when
Mutual presents another adventure in the life of

525
00:33:06,319 --> 00:33:19,240
Johnny Madero. Here twenty three Tony
Lofrano speaking, this program came to you,

526
00:33:19,480 --> 00:33:40,000
Honeywood, this is the new world
broadcasting system. The scene with Warcheck

527
00:33:42,440 --> 00:33:46,279
welcome back. And by the way, the scene with Warcheck absolutely had me

528
00:33:46,480 --> 00:33:52,079
and had me in stitches. The
dialogue there did which I don't know if

529
00:33:52,119 --> 00:33:57,279
it's entirely a good thing, but
I enjoyed it. And this episode was

530
00:33:57,319 --> 00:34:00,920
actually a little better than I remembered
it. It may be that this one's

531
00:34:01,319 --> 00:34:07,559
a pretty good quality audio too.
I love the show, but I could

532
00:34:07,680 --> 00:34:13,000
kind of see that it was a
little bit it was a little bit unbalanced,

533
00:34:14,400 --> 00:34:16,920
and I think if there was a
lesson that Jack Webbing may have taken

534
00:34:17,000 --> 00:34:23,159
from Johnny Madero which lasted just about
which lasted just only twenty weeks. I

535
00:34:23,280 --> 00:34:29,440
think it was the importance of chemistry. Gail Gordon did better in this episode,

536
00:34:29,480 --> 00:34:35,679
but he still know still didn't pull
off the Tutor Owen's jock O Madigan

537
00:34:37,440 --> 00:34:43,880
role, or it came closer this
episode. I think that that's one thing

538
00:34:44,000 --> 00:34:51,880
about web because as a young actor, it was obvious that mutual believe that

539
00:34:52,320 --> 00:34:58,679
web himself was basically golden and was
going to be able to carry the show.

540
00:35:00,000 --> 00:35:04,960
I think where the chemistry wasn't as
strong. That really calls things to

541
00:35:05,079 --> 00:35:07,599
not quite work out how they had
been planning, and that's one of the

542
00:35:07,679 --> 00:35:13,440
reasons why over on the Old Time
Dragnet Show. We're in the midst of

543
00:35:13,599 --> 00:35:22,280
an almost ten month search for a
replacement for Barton Yarborough on the Dragnet episodes,

544
00:35:22,320 --> 00:35:25,239
and I think part of the reason
he took that time is web did

545
00:35:25,320 --> 00:35:30,159
have an appreciation for the importance of
chemistry, of getting all the parts to

546
00:35:30,840 --> 00:35:37,519
work together, and that there really
wasn't a one man show that he could

547
00:35:37,840 --> 00:35:43,760
carry by himself, and maybe Johnny
Madarra was part of a learning process that

548
00:35:44,000 --> 00:35:50,480
may have helped the young actor in
the long run. Email here from Jeffrey,

549
00:35:50,559 --> 00:35:53,639
who runs I enjoy the program and
a half for years, though I

550
00:35:53,760 --> 00:35:59,920
find Jack Webb's in kensedy and anti
social behavior events much would like to hear

551
00:36:00,199 --> 00:36:02,400
the other actor who performed this,
Pat Novack. I've heard him before and

552
00:36:02,719 --> 00:36:07,480
liked him a great deal. We
likeks for the email, Jeffrey, I

553
00:36:07,679 --> 00:36:12,639
have to say I've heard the other
actor, Owes Ben Morris. I've heard

554
00:36:13,960 --> 00:36:20,000
his performance, and I didn't I
didn't really quite care for him. Now

555
00:36:20,280 --> 00:36:27,800
I have to admit I was comparing
it to the UH to the Pat to

556
00:36:27,960 --> 00:36:34,719
the Pat Novack done by Jack webb
I, and I think what happened.

557
00:36:34,760 --> 00:36:38,280
What happened there is you had not
only Webbly, but you had the Writerly

558
00:36:38,599 --> 00:36:45,480
Richard Breen, and so this radio
station they thought they could just you know,

559
00:36:45,039 --> 00:36:49,280
have a new writer, have a
new star, and carry on like

560
00:36:49,400 --> 00:36:52,039
it had had before him. And
it didn't seem to work to me.

561
00:36:52,519 --> 00:36:55,639
But I can take a listen to
it. Maybe I get a little bit

562
00:36:55,679 --> 00:37:01,360
away from the Jack Web version of
Pat Novak and can evaluate this kind of

563
00:37:01,480 --> 00:37:07,199
on its own merits. I'm kind
of ready to move away from the San

564
00:37:07,239 --> 00:37:10,119
Francisco Bay for a while. That's
why next week we're gonna start on Jeff

565
00:37:10,199 --> 00:37:15,440
Reagan. But I'll take a listen
after I've been away from the web version

566
00:37:15,480 --> 00:37:20,519
of Pat Novak and see maybe I
changed my mind. Thanks for the email.

567
00:37:20,639 --> 00:37:23,800
We also got a great love the
show comment off of podcast selling.

568
00:37:24,639 --> 00:37:29,280
And that's pretty much all I've got
for the general public. I have a

569
00:37:29,400 --> 00:37:32,920
couple things for those of you who
have the app. One thing that's come

570
00:37:34,000 --> 00:37:37,840
up if you run into technical difficulties. On the bottom of the app,

571
00:37:38,119 --> 00:37:45,199
there's a contact link, and you
want to press the contact link and when

572
00:37:45,239 --> 00:37:51,039
you get there, you want to
choose the the field that's got report a

573
00:37:51,119 --> 00:37:54,960
problem, it's got an exclamation point, but by it I've gotten a few

574
00:37:55,000 --> 00:38:00,599
that have been technical issues and there's
not a lot I can do other than

575
00:38:00,960 --> 00:38:07,840
forward it on to the technical support, and me forwarding it on ends up

576
00:38:07,920 --> 00:38:09,760
taking extra time. If you got
a question about how to use it,

577
00:38:10,239 --> 00:38:15,360
contact me. If there's a technical
issue, that's that's something that support will

578
00:38:15,400 --> 00:38:17,719
want to take care of, and
the sooner you get that to them,

579
00:38:17,760 --> 00:38:22,440
the sooner we can get it taken
care of for you. Also, someone

580
00:38:22,480 --> 00:38:25,480
I had a question about how to
access the bonus content, Like if I

581
00:38:25,599 --> 00:38:31,239
say, with with the last three
episodes of Pat Novak, I was including

582
00:38:32,639 --> 00:38:37,559
a bonus episode of Dragnet. Well, there's a main episode list and you

583
00:38:37,800 --> 00:38:44,679
basically press the episode to listen to
it, and then once you're in the

584
00:38:44,760 --> 00:38:50,960
episode, there's an extras button up
in the corner and you right corner of

585
00:38:51,079 --> 00:38:54,639
your iPod or iPhone, you press
that and then the audio is going to

586
00:38:54,719 --> 00:39:00,559
be there a bonus content with a
play button and that'll play the for you.

587
00:39:00,880 --> 00:39:02,880
So just a couple of questions that
have come up with the app,

588
00:39:04,880 --> 00:39:08,079
and if you have any other type
of those navigation issues, feel free to

589
00:39:08,199 --> 00:39:12,400
contact me. All right, well
we're gonna wrap it up. Got any

590
00:39:12,440 --> 00:39:15,440
comments, send them to me Box
thirteen at Great Detectors dot net. Please

591
00:39:15,559 --> 00:39:21,159
cast your vote for the show on
Podcast Ali but from Boise, Idaho.

592
00:39:21,320 --> 00:39:22,559
This is your host, Adam Graham
signing off.
