WEBVTT

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You. Chilly Effect is sponsored by
Wall Street Window dot com and listeners like

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you Yeah now y April twenty six, twenty twenty three, allegedly according to

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that thing we call a calendar,
and this indeed is the show you were

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looking for. How do I know
that? Because you're hearing me say what

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I'm saying. Anyway, Woden's Day, Wednesday, middle of the week.

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Allegedly again here it is live on
Ocelli dot com. I've gone to air

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about twelve almost thirteen minutes late.
So if you're on the live stream,

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you're pissed at me or you left
already. But podcasters and pod catch her

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to your your fondal slab of choice, your applicable application. You don't give

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a damn because you play it on
demand. Anyway, Well, we do

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this live, so please do enjoy
and catch us on all the wonderful radio

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apps if you can. I never
mentioned that. Do I know? We're

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available on Apple Radio, We're available
on tune in, Roddy, various things

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online. No longer with FM or
AM affiliates with stay tuned because by the

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end of the year we will be
back there again, I hope. Anyhow,

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back to it, and this is
being video recorded. So yeah,

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if you're looking at my face made
for radio, then you're probably watching us

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on Rock Finn or possibly Rumble.
Not sure if we're gonna put this one

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on Rumble, but definitely going to
Rock Finn. So that's where we're at.

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And we do have channels on every
one of those video platforms out there,

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pretty much except YouTube. Anyhow,
am I gonna am I gonna talk

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about the the bud Light Cans tonight? No, I'm not. Am I

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gonna talk about things in the news. I might, I don't know,

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because it's really up to the guest. And the guest tonight is Guard Goldsmith.

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Now you have, if you're in
the circle of interesting podcasters that well,

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you know, seems to be getting
collected by our good friend Chris Graves,

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you have definitely encountered Guard Goldsmith.
Okay, if not, this ought

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to be an interesting introduction, and
I'm going to talk to him about something

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that I don't know if everybody talks
to him about it, I'm not sure,

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but it's a curious piece of his
history, and he's got an interesting

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history. So also, you're you're
you're on Rockvin too, aren't you Guard.

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Yeah, I am just started up
a few months ago, really started

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the year, and we're building nicely. I like the guys. They're real

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nice people, and you know,
the people who are creators. Big thumbs

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up to everybody. Great people.
Oh absolutely, look a lot of great

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stuff on Rock Fin. A lot
of great people on rockfn uh. By

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the way, Ricky Randez will be
coming up on the show soon, Ripple

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Effect, you know, that's his
main thing, but also the Union of

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the Unwanted. Wait a minute,
I think I've seen you on there,

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too, haven't. I haven't been
on Union of the Unwanted yet, but

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I know Billy Ray is off and
over there, and I've done stuff with

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Billy Ray on his own thing on
the Infinite Fringe. Infinite Fringe. Yeah,

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we did the Friends a couple of
weeks ago. That was great.

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You know. I just recently did
that for the first time too, and

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it was strange because Billy Ray and
I it's kind of weird that we hadn't

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run into each other earlier and done
something together. But yeah, so I

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don't even know if he put that
out yet. The well, anyway,

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whatever it is, what it is, you're out there in a lot of

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places, though, So let's get
straight to it. Tell people what they

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can find, where they can find
it before I delve into the thing that

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I want to pick your brain about. Because there's a lot of stuff you

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do out there. I see a
lot of interesting conversations. You're also active

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on Twitter, and I notice that
you and I do retweet some of the

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same people and things. So,
you know, tell people where they can

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find you, where they can reach
you. Thanks a lot, Chucks.

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This is a blast. I'm so
psyched that I get to hang out with

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you. This is really cool.
It's like being at a big liberty minded

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convention and spying this dude that you've
always heard about in your friends, like,

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oh you gotta Meeta and saw So, and then you go and get

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to hang out outside for a while, having some marshmallows or something over at

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the fire, you know. But
yeah, thanks man, I appreciate it.

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Um. Yeah. People, if
they're interested and they want to find

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what I've been doing over at ROCKFN, we'll start with that. Since January

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started up Liberty Conspiracy at ROCKFN that
broadcasts always free Monday through Friday at six

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o'clock on ROCKFIN. They can look
up Gardner Goldsmith or Liberty Conspiracy. Also

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we have a bit shoot channel,
We have a Rumble channel, we have

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a YouTube channel, and we have
an Odyssey channel. But the YouTube channel,

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I'm very selective, haven't gone live
over there yet. The Rumble channel

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we stream live over there, while
we stream at ROCKFN and bit Shoot.

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I put stuff out over there as
well. And if people are interested,

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they can find my writings at my
substack, which amazingly is Gardner Goldsmith substack

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and it's GRD yeah, gr D
n R. And it's like Gardner Massachusetts.

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It's like an old family name.
They came over in the Mayflower something.

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They actually founded Salem. They were
one of the five families that founded

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Salem, mass where the witch Hunts
went else. I might have talking about

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the Satanist convention that's going on up
in Massachusetts pretty soon. Oh man good,

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you know, yeah yeah. And
and I do occasional films for David

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Knight and he's just been fantastic.
And I also do work for MRCTV.

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MRCTV is the media research center founded
by Brunk Bozell. They just went through

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their fifty thirty fifth year fifty three
that would have been even better, but

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thirty fifth year and I worked with
a great team of people over there,

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and it's been really cool to be
able to, you know, sort of

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take the sort of paleo conservative audience
and introduce them more to some of my

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much more hardcore libertarian arguments and discussions
about voluntarism, about real hardcore free market

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economics and things like. You know, some definitely definitely framed as conspiracy theories

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that are not theories, they're facts. And I also planned to to sort

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of touch on what you were discussing
earlier about Star Trek and sort of the

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theme for some of the things you
want to discuss, Chuck. I also

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spend time obviously in script departments at
television series, and I have novels and

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novellas. Currently novella's out, but
I've got three novels that are going to

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be coming out, and so I'm
going to start up a YouTube channel that

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I think will not be censored called
Former Star Trek Writing Fellow and that way.

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Yeah, like the same way Nerd
Rotic and people like Razorfist and folks

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like geeks and gamers and those guys
have been so successful on YouTube talking about

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quality entertainment from a more pro freedom
viewpoint. That's what I want to do,

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bringing in my experience as a writer, tips about writing, analysis,

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critiques, stuff like that, so
that'll be kind of cool. So right

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now it's Gardener GOSM substack, check
out Liberty Conspiracy on Rockfan, and then

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I'm at Guard Goldsmith on the Twitch. Uh. That's why I keep saying

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Guard Goldsmith instead of Gardener Goldsmith because
I see you on Twitter all the time.

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Okay, now I got it.
You know, I got these weird

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mental cues that I come up with. Uh, and that's one of them

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is that you know, if your
Twitter name is in front of me all

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the time, that's what I'll call
you. Unfortunately for some people, uh,

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you know, you're talking on a
Q ball right now, so they

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we're good. Hey, it's all
good. Uh. And and I gotta

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say it's a diverse area of things
that you're into here. And also somebody

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who's a creative writer, uh,
not every libertarian as a creative writer.

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I think it's it's fascinating when these
guys do a lot of stuff about like

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say their life story, like h
Murray Sabran. I don't know if you're

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familiar with him. The only libertarian
guy to ever run for governor in New

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Jersey I ever saw, so,
you know, interesting guys. He was

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a professor and all this kind of
stuff, has a lot of interesting things

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to say. I don't know if
you've ever seen him before, but he's

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a good writer, but not a
guy who's creative. He's he writes his

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own life story and he writes other
narratives, but they have to be based

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in something that has a three D
sort of structure. Right. It's a

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different it's a different process mentally when
you've got to generate things and you've got

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to, you know, create a
believable character that exists in a world.

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Oh, by the way, you
might have to create that world, depending

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on what it is you're dealing with. And one of the fascinating things is

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Star Trek. Okay, Yeah,
and look, we can bounce around all

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different topics you want. But I
had to get to this with you because

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I'm a big Star Trek fan.
And here's the funny thing. You participated

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in some way with the Voyager series. Now, back at the time Voyager

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was a new thing. There wasn't
as many series as there are today.

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The universe was a little smaller.
You didn't have a separate Kelvin timeline and

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all this other stuff. Honestly,
if you saw a light back here,

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you'd see one of those big old
Trek bibles back there that gives you the

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whole universe and all that you know, and it's outdated. But but anyway,

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how did you get involved with that? I mean, let's let's get

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the whole story here. You didn't
just show up one day and go,

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hey, I want to write for
this. And oh, by the way,

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who even knew it was coming out? Because Voyager dropped on upn where

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I was kind of almost as a
surprise. It was sort of announced the

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week before and boom, there it
was. I didn't read about it a

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lot in advance or anything. It
just sort of showed up. Now,

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it could be that, you know, because I'm just not that interested in

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entertainment magazines, that I missed it. But it was definitely a different sort

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of series, and frankly became one
of my least favorite and there's a reason

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for it, and I bet I
can't blame you, but we'll get there.

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Tell me about how you got involved
with that in the first place.

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Like, you know, hey,
I was doing this and I ran into

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or I networked with give me an
idea. Yeah, well, you know,

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it's it's funny. You should bring
it up. Check because there are

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a couple prongs that will sort of
jump out that the audience can sort of

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hold on to after they, you
know, listen to this. They hear

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us chatting and stuff like that,
and get the conversation back and forth from

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my side of the story, which
is that a crazy thing? So I

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grew up loving television, you know, and in a way, as you

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start to look back at it,
you realize that you were actually participating in

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almost a mass hypnosis, mass propaganda
type thing with the diffusion of television,

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with that box in front of you. If I, and I've mentioned this

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to a friends of mine, if
I had not had television, if we

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hadn't had radio or anything like that, and we just lived in an area

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in southern New Hampshire where we had
farms around us, and I remember watching

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a blacksmith do his thing when I
was like eight years old. We went

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to watch a blacksmith. I would
have been more of a local guy,

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and I would have learned a trade. I would have learned some skills.

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I was interested in astrophysics. I
almost went to Cornell for astrophysics. I

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would have learned something that I just
you know, pretty much stayed local,

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right, Okay, But yeah,
because I was exposed to this phenomenon in

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you know, from beyond my birth, you know, television starting in the

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forties, I just took it as
read that what I saw on TV,

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I could just go and do it. Okay, So contexts wait a minute,

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context though, because the television experience
would have been different in different decades.

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Now, I'm I just turned fifty
one. So for me, the

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introduction to television was the nineteen seventies, and that is a decidedly different time

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than say the earlier the inception the
nineteen forties and nineteen fifties. It's a

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different time period. By then.
In the seventies, you had syndication,

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you had the repeats, you had
different formulas, and also in a major

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market area, having you know,
growing up in New Jersey, which man

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I had access to New York and
quite frankly, if you moved just a

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little bit over in the state,
you had Philadelphia's media market, and this

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might have been a different landscape than
maybe the whole country got later as it

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was homogenized and cable was in existence, but it wasn't as fashionable. So

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let's talk about that for a second. How old are you. Were you

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sitting down in front of the big
box TV like I did at my grandma's

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right and dealing with this thing in
the seventies or was it later? Give

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me an idea. You know,
I'm five years older than you, so

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I had the same experience as you. We got to see the reruns,

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you know, we were watching reruns
a Rat Patrol, the Riflemen, Dilligan's

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Island, you know, falling in
love with Mary Anne and Star Trek,

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and that was one of the things. You know, Star Trek had been

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off the air. It's the seventies. There's no hint that there's going to

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be more Star Trek, but it's
a show that I love, you know.

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So I'm thinking, You've got this
world of fiction that's in front of

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you. And I loved fiction,
you know, my parents reading stories.

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We'd read Wald Doll, we'd read
Robin Hood, twenty Thousand Leagues under the

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Sea out loud, just great,
great stuff. As a kid, I

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got audiobooks. I used to listen
to audio shows. And my brother actually

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what he did was a big impetus
for me because he used to record TV

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themes and so he had real to
reels, not cassettes, but real to

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reels of like all these amazing TV
themes and I still I can I have

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them in my head. There were
like little pieces of amazing orchestration, so

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many of them done by some of
the best, you know, John Williams

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and other people liked Lalo Schiffrin,
and so you think yourself, wow,

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you know, we got some great
samples. As I get older, I

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loved television, so I would record
television shows on audio. So that started

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to give me an ear for dialogue
because I would play them over and over

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and over and over again. Cole
Chack, the Night Stalker, you know,

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I would, I had those on
tape. I would sneak into movie

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theaters and record movies right. And
just to let you know, man,

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when I was a kid, will
this will tell you how strange it is.

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When I was a kid, I
had a dream that I was on

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the bridge of the Starship Enterprise.
Okay, yeah, I dreamt that I

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was at a Chinese restaurant and I
was with my brother and one of these

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like almost like carnival ride type,
like you know those little train things where

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you're sitting and sit in the box
seat and it takes you up like a

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roller coaster type thing. It goes
click click click click. Yeah. So

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we used to go to this place
where there was this haunted house place that

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had that at a carnival place,
and it was really cool and the doors

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would go from couldn't you go flying
through? And you know, all the

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kings would be there, yeah,
the monsters and stuff. So I dreamt

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that we were sitting in the booth
at this restaurant and that this carnival thing

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came up next to us and we
got in it. It took us through

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the double doors to where the kitchen
would be, where Grover went back and

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forth on Sesame Street with the soup, like, hey, Charlie, you

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know going back and forth in that
skid on Sesame Street. And I ended

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up. It didn't take us to
the kitchen. It took us to the

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Bridge of the Enterprise. And I
was on the Bridge of the Enterprise,

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and the Bridge of the Enterprise wasn't
like the original Star Trek bridge. It

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was this weird it was. It
was laid out very softly, sort of

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the same design, but it was
plush and it had like it was like

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raspberry Sherbet color. Well. Strangely
enough, I also had another dream that

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I was at a place called the
Bedford Mall in New Hampshire, and on

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the Bedford Mall, inside the mall
before you got to the movie theater entrance,

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on the wall at the end of
it, there was this giant screen

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and the ship of the Enterprise was
flying through space and I was like,

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whoa, man, wouldn't it be
cool if there was a Star Trek movie.

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Wow, that'd be great, you
know. Well, so it turns

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out a few years later there's a
Star Trek movie I actually like about yeah

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exactly, And I still have my
little pin that I bought at the movie

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theater and stuff. So I'm in
the movie theater watching what I dreamed,

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you know, like ten years before, like, whoa, this is so

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cool. And then the other thing
is finally due to various circumstances that allowed

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me to get over at Star Trek, which I can describe um when I

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when we went in for the story
meeting, the first story meeting for the

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for the writers, and I was
a new guy in the block under this

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term called the Writers Guild. Fellow. We went into Jerry Taylor, she's

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an executive producer. She and Brandon
braga Um and I said, I walk

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in and her office it's not shaped
like the bridge, but the furniture was

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was was plush and it was all
decked out as that raspberry Sherbet color.

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That's what it was. And I'm
like, and I even told Jared's like,

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Jerry, this is really weird.
She's like what. And I was

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like, like, when I was
a kid, I dreamed that I was

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on the start I was at I
was on the enterprise and it was decked

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out. It was it was you
know, however they call that dressing the

249
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couch and all that stuff. It
was like that well and that during that

250
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time period, there was a kind
of a design of furniture that contained this

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sort of like wooden base and then
they would put in those kind of colored

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pillows and that would be in a
nicer office. To be honest, that's

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exactly what it was. Like.
Okay, yeah, all right, that's

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wild, because that's just that's a
period thing. You'll never see that again.

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I don't think, yeah, I
don't think anybody's you know, going

256
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to retrofit anything like that anymore.
But that's really cool. Um and Okay,

257
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so you sit down you're like,
hey, this is sort of like

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my dream and uh, that's pretty
wild. Okay, Yeah, I remember.

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I even told my brother, and
my brother was like, hey,

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I remember when you dreamt that you
were going to be on on the Enterprise.

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I was like, well, I
wasn't on the Enterprise, but I

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got close, you know, I
got need unclosed. So it was it

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was a neat, neat thing.
And there were some great people there,

264
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really nice people, and Jerry Taylor
was just such a nice lady. She

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retired at the end of that year. And there were some other people,

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you know, you kind of have
a hard time with whatever. Brandon Braga

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was great. I had to dinner
with Brandon a few years ago, and

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he's a pro liberty guy obviously.
I mean, he created the Borg and

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I mentioned this on my show before, but I sort of gave him the

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sly wink. I was like,
yeah, the Borger based on the Cybermen,

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aren't they And he's sort of like
nodded, like, yeah, you

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know, of course they're based on
the Cybermen. Yeah. So, um

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anyway, and it was a it
was a wonderful experience because you know,

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you're constantly searching for stories to tell
that have some sort of resiliency and some

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sort of can make some sort of
moral connection as well as telling the plot,

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you know, and I think that
that that really has been destroyed by

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Wolcism, which is one of the
reasons why I want to start up that

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entertainment channel. You know. Well, and it's an interesting thing because the

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like I say, the incarnation that
you got involved in is different from the

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rest of the universe. Why because
look, let's just go with the template

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as it existed, Okay, nineteen
sixties. These guys they go out there,

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they're on an adventure, they're explorers. They get into different, you

283
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know, interesting situations. You know, what did they describe it as or

284
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what was it described as at one
point the wagon train to the stars kind

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of deal, you know, and
all that. Gene Roddenberry, of course,

286
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I know the story about him developing
it and being a sickly kid and

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all that stuff. And people have
had a lot of arguments about Gene Roddenberry

288
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over the years. You know,
was he somebody was tapped into things about

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the future or was he just somebody
who you know, had just a brilliant

290
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vision that was really large because he
didn't you know, imagine a universe there

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that has maintained itself. I mean, you have a very consistent, very

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interesting, interlocking universe here that has
come together. And even when they've done

293
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it at different times with different technologies, it all has come together. The

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cannon is very nicely fitting together,
at least in my opinion. Others you

295
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argue about it online and whatnot,
but you know, continuity here was a

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huge thing. Voyager was weird because
it starts out first of all with this

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thing called the Caretaker, which was
the I think it was a two part

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introductory, like two hour long you
know, pilot, and when they put

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it out, now you have,
Yeah, they're going out to be explorers

300
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like all the other ships do,
and that's typical. But they get flung

301
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into an area's space and they end
up in a conundrum where they can go

302
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home but it'll screw things over,
or they can do the right thing and

303
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not be able to get home necessarily
in their lifetime, and it's a weird

304
00:20:52.000 --> 00:20:56.359
sort of stranded kind of issue,
which we've never seen in that universe before

305
00:20:56.720 --> 00:21:03.599
and really is not the most common
open sci fi. Usually there's a resolution,

306
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there's an achievable goal. This was
left sort of open ended, and

307
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uh, you know, lent itself
to that, and then I think there

308
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was there was trouble there. And
this is why I want to ask you

309
00:21:14.839 --> 00:21:18.000
about it, because I think there
was a problem here because being in that

310
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position meant that it was going to
be difficult to tie it in to the

311
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rest of the universe, and so
it makes it a unique problem for the

312
00:21:27.799 --> 00:21:30.759
writer. And I'm wondering if you
could talk about that a little bit,

313
00:21:30.799 --> 00:21:36.440
because not just because I'm going full
on nerd here, but believe it or

314
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not, there's a method to my
madness on this. I want to get

315
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into it because yes, indeed,
there's a whole lot of things that if

316
00:21:41.480 --> 00:21:48.079
you read into it, you can
certainly see that the board clearly represents the

317
00:21:48.119 --> 00:21:53.039
transhumanist agenda, what is that like
with a totalitarian twist on it? And

318
00:21:53.119 --> 00:21:57.400
that evolved over the years and so
on and so forth. We have the

319
00:21:57.680 --> 00:22:06.039
different representations of the various global geopolitical
global structures being played out depending on the

320
00:22:06.079 --> 00:22:10.680
time period a lot of people used
to say the Klingons represented the Soviet Union,

321
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so on and so forth, and
they clearly brought in modern to us

322
00:22:17.160 --> 00:22:22.519
anyway, modern historical ideas regarding say, World War two and what was going

323
00:22:22.559 --> 00:22:26.559
on, different conflicts, civil rights, and that wasn't wokeism. That was

324
00:22:26.599 --> 00:22:33.839
a representation of the time when they
did something on racism there like Original Series.

325
00:22:33.880 --> 00:22:37.119
You know, apologies again, but
you know, Original Series, and

326
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I don't remember what it was.
I think was Frank Gorshen was half black

327
00:22:40.759 --> 00:22:45.480
and half white, and battlefield there
you go, and these two guys are

328
00:22:45.480 --> 00:22:48.839
struggling and everybody else looking at him, going, you guys are the same

329
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and they go, no, no, we're not. I'm black on the

330
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left side, he's black on the
right side, and everybody goes you know,

331
00:22:56.359 --> 00:23:00.839
and clearly that was a metaphoric statement, and those kind of things persisted

332
00:23:00.000 --> 00:23:03.160
in you know, despite the fact
that we get dealt you know, Spock's

333
00:23:03.160 --> 00:23:07.000
Brain and nonsense. Later. A
lot of that stuff was significant, well

334
00:23:07.039 --> 00:23:11.759
thought out, very cerebral. But
now you're stuck in this unique position in

335
00:23:11.799 --> 00:23:17.720
this expansive universe that again has continued
to evolve, and by the way,

336
00:23:17.759 --> 00:23:22.599
I'm one of those weirdos who actually
likes Discovery. I'm not thrilled with some

337
00:23:22.680 --> 00:23:26.920
of the wocism in there, but
I don't think they've overdone it just yet.

338
00:23:26.000 --> 00:23:30.680
They've come to the edge of it, but not quite, you know.

339
00:23:32.440 --> 00:23:36.559
And still it does represent the time
period though. It represents this time

340
00:23:36.559 --> 00:23:38.720
period pretty well, even though they've
now gone into the future and they were

341
00:23:38.759 --> 00:23:44.240
part of the past and so on. You know. Anyway, a lot

342
00:23:44.240 --> 00:23:48.759
of things to break down here,
but let's begin with Voyager itself in that

343
00:23:48.880 --> 00:23:52.519
unique position you're in. Were you
part of the inception of the show or

344
00:23:52.559 --> 00:23:56.400
when did you come in? No? I came in after the third season,

345
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and it was they had just introduced
seven of nine and so she had

346
00:24:02.680 --> 00:24:07.400
been around I think for a year
and um so what was interesting, So

347
00:24:07.480 --> 00:24:12.440
these the themes were already established,
But what was interesting about it was the

348
00:24:12.480 --> 00:24:18.000
way that I got in there was
I proposed a story that was a two

349
00:24:18.000 --> 00:24:29.559
part story that had um um uh
Tom Paris get Remember how Tom Paris was

350
00:24:29.559 --> 00:24:33.880
was in Federation prison and the Janeway
gave him a second shot and brought him

351
00:24:33.880 --> 00:24:37.680
out of prison. Oh yeah,
that was part of his backstory that he

352
00:24:37.759 --> 00:24:42.599
was the rehabilitated, sort of revisited
again in Discovery. But anyway, Yeah,

353
00:24:42.640 --> 00:24:48.240
so I had a two part story
that never got produced, and I

354
00:24:48.279 --> 00:24:49.759
wanted to pitch it. I only
got to pitch part of it, which

355
00:24:49.839 --> 00:24:53.839
was the first part, and the
first part ended up getting translated into a

356
00:24:53.920 --> 00:24:59.319
slightly different story by a different writer. Um And originally my idea was that

357
00:24:59.400 --> 00:25:03.039
Tuvok was going to go through Pond
Far and he would be the only one

358
00:25:03.160 --> 00:25:08.559
left aboard the ship because he was
comatose and every other sentient being was beamed

359
00:25:08.599 --> 00:25:14.160
away by some malevolent aliens, so
he had to helm the ship himself and

360
00:25:14.240 --> 00:25:18.279
work with the hologrammatic doctor and all
these different types of things. And then

361
00:25:18.680 --> 00:25:21.839
the b story to that would have
been Tom Paris getting injured in the head,

362
00:25:21.839 --> 00:25:26.480
and the next episode would have seen
Tom Paris getting these weird flashbacks to

363
00:25:26.680 --> 00:25:30.519
Federation prison and a Vulcan who had
been in Federation prison. And what you

364
00:25:30.640 --> 00:25:37.000
find out is that the Vulcan had
he had been working with some very nefarious

365
00:25:37.079 --> 00:25:41.160
characters within the Federation, and it's
actually something that they started to sort of

366
00:25:41.200 --> 00:25:45.000
develop on Deep Space nine. Upstairs
we were on the first floor, they

367
00:25:45.000 --> 00:25:47.759
were on the second floor, and
they were just they just did it independently

368
00:25:48.279 --> 00:25:52.759
about this idea that you know,
within certain elements of the Federation, they

369
00:25:52.759 --> 00:25:56.720
were incredibly corrupt. Because I'm like, if you've got a central government,

370
00:25:56.960 --> 00:26:00.079
it's gonna be corrupt. It's gonna
be massively corrupt, already beyond the concept

371
00:26:00.319 --> 00:26:04.559
of government itself being an imposition on
people and not allowing people to be free

372
00:26:04.880 --> 00:26:07.880
from the government. So I thought, okay, I want to I want

373
00:26:07.880 --> 00:26:11.279
to slam the Federation a little bit, right. So I wanted to make

374
00:26:11.279 --> 00:26:18.599
it that the entire concept of Voyager
being put out there by the caretaker was

375
00:26:18.680 --> 00:26:23.000
actually not the truth. I wanted
to revise it so that in the end

376
00:26:23.039 --> 00:26:29.279
you found out Paris, while he
was in Federation prison, had encountered this

377
00:26:29.400 --> 00:26:34.160
vulcan who had all this knowledge,
who was killed at that Federation prison.

378
00:26:34.200 --> 00:26:37.000
But before he died, Paris went
to try to help him, and a

379
00:26:37.119 --> 00:26:44.519
guy implanted all this knowledge about these
conspirators and cabalists from within the Federation in

380
00:26:44.680 --> 00:26:49.599
his head. So when Janeway pulled
Paris onto the Voyager, I wanted to

381
00:26:49.599 --> 00:26:55.000
make it that they had they had
an assassin, and this woman has actually

382
00:26:55.079 --> 00:26:56.359
been with them the whole time,
but she had changed her mind. She

383
00:26:56.440 --> 00:27:00.799
was supposed to kill Paris, and
when she didn't do it, they said,

384
00:27:00.799 --> 00:27:03.119
we got to do something. Let's
get rid of the whole ship.

385
00:27:03.319 --> 00:27:07.000
We'll send him to the Delta Quadrant. They'll survive, but they'll never come

386
00:27:07.000 --> 00:27:11.240
back. And so I wanted that
to lead towards the final end of the

387
00:27:11.720 --> 00:27:14.680
series. But of course Brandon did
a really good job at the end of

388
00:27:14.680 --> 00:27:17.480
the series, you know, sort
of tying everything up. And I want

389
00:27:17.480 --> 00:27:19.559
to mention also to bring it back
to current day Star Trek. As you

390
00:27:19.599 --> 00:27:25.039
mentioned, you know, the mythology
is so big that in order to keep

391
00:27:25.160 --> 00:27:29.319
things correct according to the mythology,
to have any sort of consistency, it's

392
00:27:29.440 --> 00:27:33.480
very hard. But I think you've
probably been hearing a lot of praise about

393
00:27:33.559 --> 00:27:38.720
the most recent episodes of Piccard,
and I yes, and I knew that

394
00:27:38.720 --> 00:27:45.720
that's what was going to happen because
Terry Mattalus was selected to take over Picard.

395
00:27:45.119 --> 00:27:52.359
And Terry Matalus had been Brandon bragas
assistant for quite a while on Terra

396
00:27:52.480 --> 00:27:57.039
Nova and then he left. He
was on Enterprise with Brandon. When Brandon

397
00:27:57.119 --> 00:28:02.200
was on Enterprise, then he went
over to you m Terra Nova. He

398
00:28:02.279 --> 00:28:07.039
was an assistant to Brandon there and
then he became executive producer and showrunner for

399
00:28:07.119 --> 00:28:11.160
twelve Monkeys, And anybody who's seen
twelve Monkeys knows that that plot was one

400
00:28:11.160 --> 00:28:17.839
of the most complex, most intellectually
satisfying plots. They didn't let any string

401
00:28:18.039 --> 00:28:22.519
hang. It was beautifully put together. And even even as I watched it,

402
00:28:22.559 --> 00:28:26.720
My sister has a PhD in um
biology from Harvard, and we'd be

403
00:28:26.759 --> 00:28:30.440
watching stuff it should be like,
well, wait a minute, how can

404
00:28:30.440 --> 00:28:33.759
they say that? And they literally
in the next line they would answer your

405
00:28:33.799 --> 00:28:38.400
possible skepticism was some way that they
had found it. So Terry has taken

406
00:28:38.400 --> 00:28:42.440
over Picard and I think that is
a really good sign. You know what

407
00:28:42.799 --> 00:28:45.960
that explains to me, Well,
they have they have wrapped their final season

408
00:28:47.400 --> 00:28:53.160
allegedly so that that third season,
though absolutely redeemed any issues that were had

409
00:28:53.200 --> 00:28:56.599
with the other Uh, it really
was well done. I mean, this

410
00:28:56.799 --> 00:29:00.079
is just I have no reason to
praise the guy you're talking, but apparently

411
00:29:00.119 --> 00:29:04.000
this is the guy I have to
thank for it because it was. Yeah,

412
00:29:04.079 --> 00:29:10.759
he's so clear on trying to make
sure continuity works. Yeah, yeah,

413
00:29:10.839 --> 00:29:14.839
I mean it was absolutely. Uh
you know, I I thought it

414
00:29:14.839 --> 00:29:18.519
would be ridiculous to read to to
to sort of reccon data into existing again.

415
00:29:19.400 --> 00:29:22.680
I thought that would be a bad
idea, but it ended up being

416
00:29:22.720 --> 00:29:27.319
well done. Uh you know,
the whole thing was remarkably still cerebral,

417
00:29:27.400 --> 00:29:34.200
but contained those more intense like action
adventure elements that you know, ended up

418
00:29:34.359 --> 00:29:40.079
getting lost a lot with Next Generation
quite frankly, and even during some of

419
00:29:40.119 --> 00:29:48.160
the really the first the early stumbling
season of Enterprise where it just kind of

420
00:29:48.200 --> 00:29:52.400
dragged on because it just it was
nice to set the table, but it

421
00:29:52.440 --> 00:29:56.680
was missing certain elements. And there
are just certain writers that have gotten a

422
00:29:56.680 --> 00:29:59.720
hold of things and been able to
make it work all the way around.

423
00:30:00.240 --> 00:30:02.960
Oh yeah, yeah, and R
Terry is one of those guys. He's

424
00:30:03.000 --> 00:30:06.880
a very nice guy, really really
nice dude. I havn't communicated with Terry

425
00:30:06.920 --> 00:30:10.359
for a while, but I met
him when I saw Brandon. When I

426
00:30:10.359 --> 00:30:11.519
had dinner with Brandon, he asked
me if I wanted to stop out of

427
00:30:11.559 --> 00:30:15.720
the Terry Nova studios, and that
was only on for a brief period,

428
00:30:15.480 --> 00:30:19.359
but I went over there and then
that's where I met Terry Metalis and then

429
00:30:19.680 --> 00:30:25.440
communicated with Terry. I was actually
supposed to go over to LA for twelve

430
00:30:25.440 --> 00:30:29.680
Monkeys thing that they were doing at
the Pailey Center of all Things, but

431
00:30:29.880 --> 00:30:33.079
I gave my ticket to someone because
I couldn't make it out, and she

432
00:30:33.200 --> 00:30:37.000
actually went over to Terry and told
told Terry like, oh, I got

433
00:30:37.000 --> 00:30:40.279
my ticket from gardener goals and He's
like, oh hey, cool. So

434
00:30:40.359 --> 00:30:42.599
that was a nice little thing for
that fan to be able to go talk

435
00:30:42.599 --> 00:30:45.200
to Terry and stuff. And you
know, it's it's funny you should bring

436
00:30:45.279 --> 00:30:52.359
up because as far as continuity goes, if you look at you look at

437
00:30:52.400 --> 00:30:56.839
some of the recent Star Trek stuff, that's been one of the most frustrating

438
00:30:56.920 --> 00:31:00.079
things I think for a lot of
people. Where you got the Kelp and

439
00:31:00.200 --> 00:31:03.039
timeline, are they gonna make it
work? They're just rehashing old stories and

440
00:31:03.119 --> 00:31:07.000
things like that. And I,
you know, I don't mind these shows

441
00:31:07.119 --> 00:31:11.519
taking chances are possibly going a little
bit woke if they've got a plot,

442
00:31:11.559 --> 00:31:15.519
because I imagine think of it this
way. You know, I was thinking

443
00:31:15.519 --> 00:31:19.359
about this, Chuck because when I
was a kid, I never really noticed,

444
00:31:19.400 --> 00:31:22.000
like when they had the guys who
were half black half white thing,

445
00:31:22.559 --> 00:31:26.519
I didn't think of that. I
was so small, Like I didn't think

446
00:31:26.519 --> 00:31:27.640
of that as like a racial thing. I was just thinking, like these

447
00:31:27.680 --> 00:31:30.079
two guys that don't get along,
Like, oh, that's definitely why don't

448
00:31:30.079 --> 00:31:34.000
they get along? Right? And
like a lot of racist racial stuff by

449
00:31:34.039 --> 00:31:37.400
that time, like in the seventies, especially for us growing up, Like

450
00:31:37.400 --> 00:31:41.559
I never thought about any of that
stuff like at all, not at all.

451
00:31:41.599 --> 00:31:44.599
You know. It's like whether I
was watching Samford's Son or Cheeko on

452
00:31:44.680 --> 00:31:47.599
the Man or I didn't care,
you know whatever, No, but it

453
00:31:47.640 --> 00:31:51.960
was there. See. That's the
thing. It can be present and not

454
00:31:52.400 --> 00:31:56.039
dominate the entirety of the presentation.
See. That's the thing is it survives

455
00:31:56.160 --> 00:32:00.640
even if you don't need to make
those statements the things served vibe sow if

456
00:32:00.640 --> 00:32:05.119
you hinge the entire story on that
statement, I'm sorry, that's a mistake.

457
00:32:05.640 --> 00:32:08.480
That keep wondering. I keep wondering
if I were like older when the

458
00:32:08.519 --> 00:32:14.039
original Star Trek was on, were
you know and uh and I saw you

459
00:32:14.039 --> 00:32:17.440
know, Roddenberry's take off of the
un Insignia, um, you know the

460
00:32:17.519 --> 00:32:22.640
star thing, which is very Saturnalia
type stuff. Um, you know,

461
00:32:22.680 --> 00:32:24.519
and then I saw, you know, the enterprise being populated with all the

462
00:32:24.559 --> 00:32:28.759
different races and stuff like that,
and you know, all that stuff.

463
00:32:29.039 --> 00:32:32.920
I keep wondering, like, would
I have been less interested in watching the

464
00:32:34.000 --> 00:32:37.240
show because I thought, oh jeez, this, I'm really seeing the boardroom

465
00:32:37.319 --> 00:32:38.920
here? Or would I have just
gone along with it? You know?

466
00:32:39.400 --> 00:32:45.279
Um, that's something I can't really
well judged now, you know, watching

467
00:32:45.279 --> 00:32:47.880
the show, it's interesting because of
the demographics. And I've talked to people

468
00:32:47.920 --> 00:32:52.440
about this, um, you know, separately, uh, you know,

469
00:32:52.599 --> 00:32:54.400
and not not even on my radio
show or anything, just in general,

470
00:32:55.200 --> 00:32:58.440
people that were a little older to
me, What was it like seeing this

471
00:32:58.480 --> 00:33:01.079
stuff when it first aired and so
on, you know, And and they

472
00:33:01.200 --> 00:33:04.680
the way that they viewed it is
different than the way I see it.

473
00:33:05.000 --> 00:33:07.559
If you were in your you know, if you were like twenty years old

474
00:33:07.559 --> 00:33:10.279
and you were sort of idealistic and
you saw that there were things that needed

475
00:33:10.279 --> 00:33:16.240
to change, you embraced that.
Um. But there would be other friends

476
00:33:16.279 --> 00:33:21.640
they had that didn't need to embrace
it, that just enjoyed it because it

477
00:33:21.799 --> 00:33:24.359
was action. It was well,
that's interesting. How does that work?

478
00:33:24.799 --> 00:33:27.799
You know? What? What what
happened all of a sudden We're in a

479
00:33:27.799 --> 00:33:31.680
mirror universe? Which they've gone back
to in every incarnation pretty much. Uh,

480
00:33:31.720 --> 00:33:36.160
you know, the mirror universe the
other yeah right, yeah, um,

481
00:33:36.480 --> 00:33:39.240
and I think yeah, I think
memory search. I think even Voyager

482
00:33:39.279 --> 00:33:44.160
had to do it at some point, um, which which is weird because

483
00:33:44.160 --> 00:33:47.160
they did some other weird stuff that
if you think about it now looking back,

484
00:33:47.640 --> 00:33:52.960
could be statements about other things like, you know, tampering with genetics

485
00:33:52.400 --> 00:33:57.160
and exactly like crisper technology and all
that kind of stuff that we were talking

486
00:33:57.200 --> 00:34:00.200
about just a few years ago.
Well, that sort of stuff was being

487
00:34:00.240 --> 00:34:05.039
presented in Voyager because they had that
whole thing where there was an entire copy

488
00:34:05.079 --> 00:34:07.519
of the ship and all that,
you know what I'm talking about. I

489
00:34:07.559 --> 00:34:10.760
mean, yeah, you know.
It also occurs to me that an uninitiated

490
00:34:10.840 --> 00:34:20.280
listener might not appreciate who Brandon Bragga
is. Okay, would you mind doing

491
00:34:20.280 --> 00:34:22.840
me very like Okay, let's just
say you're a casual viewer of Star Trek

492
00:34:22.840 --> 00:34:27.679
and you're not an idiot like me
to analyze this stuff and you just enjoy

493
00:34:27.719 --> 00:34:31.840
it. How responsible is Brandon Bragga
for I don't know, Star Trek as

494
00:34:31.960 --> 00:34:38.440
of m the nineteen eighties, Um, you know, give us a thumbnail

495
00:34:38.440 --> 00:34:42.360
on. Yeah, so we'll look
at Okay, so you got you got

496
00:34:42.360 --> 00:34:45.599
Star Trek running through its sixties run, and then they do the cartoon series,

497
00:34:45.639 --> 00:34:50.280
which is excellent, great, great
series, and then Alan Dean Foster

498
00:34:50.360 --> 00:34:53.360
does the novelizations of those. So
we we as kids get to watch some

499
00:34:53.480 --> 00:34:58.440
Star Trek on reruns, we get
to watch the Star Trek cartoons show.

500
00:34:58.679 --> 00:35:01.559
A lot of those were actually scripts
that they had designed for the next season

501
00:35:01.639 --> 00:35:06.280
Star Trek. They just used those
in the cartoon thing two. Great stuff,

502
00:35:06.880 --> 00:35:09.400
Yeah, yep. And then there's
this period, this sort of fallow

503
00:35:09.519 --> 00:35:15.079
period that thankfully sees this popularity of
Star Wars, and then all of a

504
00:35:15.079 --> 00:35:21.440
sudden, paramount is like, okay, we need a Star Space based vehicle

505
00:35:21.960 --> 00:35:24.480
to get things rolling here. What
are we going to do? And Gene

506
00:35:24.519 --> 00:35:28.440
Roddenberry had been pushing to try to
get Star Trek back, They had been

507
00:35:28.440 --> 00:35:30.400
talking about doing a TV series again, what are they going to do?

508
00:35:30.719 --> 00:35:35.360
They let you, Gene Roddenberry do
it. And just as an aside,

509
00:35:35.400 --> 00:35:38.559
I'll mention that, um, well, we'll get into we'll talk about like

510
00:35:38.599 --> 00:35:43.440
any speculation about you know, how
much was Gene Roddenberry clued into the future

511
00:35:43.519 --> 00:35:45.280
how much did he get from CIA, you know, any of that stuff

512
00:35:45.599 --> 00:35:47.360
in a little bit. But as
far as this, you know, this

513
00:35:47.679 --> 00:35:53.960
little history run and Brandon's influenced in
particular, so you know, Brandon Brandon

514
00:35:54.079 --> 00:36:00.000
was brought in by Gene and Jerry
Taylor was brought in. Jerry had worked

515
00:36:00.000 --> 00:36:05.400
on shows like Quincy. She'd been
very involved with shows like that. She

516
00:36:05.480 --> 00:36:09.559
had quite an extensive background and episodic
television for things like Universal and stuff like

517
00:36:09.599 --> 00:36:17.960
that. So so Star Trek the
Next Generation is not in the in the

518
00:36:19.000 --> 00:36:22.039
works yet, I should get you
know, we have the movies, the

519
00:36:22.159 --> 00:36:28.280
move. The first movie is mildly
successful, sort of allows for the next

520
00:36:28.320 --> 00:36:30.920
movie to come around. But the
next movie they got to make sure it's

521
00:36:30.920 --> 00:36:35.599
going to be really, really good. So in that case, for the

522
00:36:35.639 --> 00:36:39.119
next movie, they got Nicholas Meyer. And Nicholas Meyer of course had written

523
00:36:39.119 --> 00:36:45.559
The seven Percent Solution, a very
successful scriptwriter, novelist, very creative guy.

524
00:36:46.119 --> 00:36:51.199
Really really did a fantastic job.
I feel I feel like Trump really

525
00:36:51.239 --> 00:36:55.400
great job with well, look quick
aside, just because again I'm a fan

526
00:36:55.480 --> 00:36:59.840
and even as a child, I
was totally thrilled and excited to go see

527
00:37:00.639 --> 00:37:02.599
you know, I saw Star Wars
on a drive in movie screen. I

528
00:37:02.639 --> 00:37:07.760
went to go see Star Trek in
a theater, and as a kid,

529
00:37:07.840 --> 00:37:12.480
I was happy with it and all
that. However, over time that movie

530
00:37:12.519 --> 00:37:15.480
does not stand up so well because
you know, it sort of drags on

531
00:37:15.599 --> 00:37:19.320
and this and that. So when
you're talking about when they go to do

532
00:37:19.440 --> 00:37:24.480
Star Trek two, which is The
Wrath of Khan almost indisputably one of the

533
00:37:24.519 --> 00:37:30.440
best sci fi major motion pictures a
of its era, but be some people

534
00:37:30.480 --> 00:37:35.639
would say of all time, because
it contains so many great elements. And

535
00:37:35.840 --> 00:37:37.119
look, there's a little cheese in
there. I mean, it's Star Trek

536
00:37:37.159 --> 00:37:39.800
man, You're gonna get some cheese. It's just the way it goes,

537
00:37:39.960 --> 00:37:44.280
right, you know. And how
many times are we gonna quote Shakespeare in

538
00:37:44.320 --> 00:37:46.440
these movies and things? Okay,
and you got to read it in its

539
00:37:46.440 --> 00:37:53.360
original cling on anyway, that's later. But it gets interesting here because there

540
00:37:53.880 --> 00:37:59.000
is the way that people embraced it, and the idea was that it was

541
00:37:59.039 --> 00:38:04.840
still a successful property as something that
was independently being syndicated, different than the

542
00:38:04.880 --> 00:38:07.760
way the networks would syndicate their shows, and they would hang on to them.

543
00:38:07.079 --> 00:38:10.920
Star Trek was running on all these
independent channels very cheaply, but so

544
00:38:12.000 --> 00:38:19.000
often that it was a seriously profitable
thing. So when Wars is super successful,

545
00:38:19.079 --> 00:38:21.519
somebody said, we got to be
able to do that. We got

546
00:38:21.599 --> 00:38:23.840
a big ship we can put out
there, Well let's do it. And

547
00:38:23.920 --> 00:38:29.079
there was enough of a groundswell for
a return of Star Trek that it made

548
00:38:29.119 --> 00:38:34.039
sense. But then again, like
I said, not as flashy and great

549
00:38:34.079 --> 00:38:37.840
as it probably could have been,
so on and so forth. Okay,

550
00:38:37.400 --> 00:38:40.000
and I'm not trying to bash stuff. Believe me, I love this stuff.

551
00:38:40.039 --> 00:38:43.599
But no, it's a realistic assessment, one hundred percent, and it

552
00:38:43.679 --> 00:38:46.400
is exactly what it was. You
know, when Nicholas Meyer came out with

553
00:38:46.800 --> 00:38:52.280
Star Trek, rat the Khan people
were like, whoa, Now this is

554
00:38:52.360 --> 00:38:57.679
Star Trek. That just kicked all
doors open. And you know, the

555
00:38:57.800 --> 00:39:01.519
acting in it was phenomenal. Scenes
were great that the special effects and the

556
00:39:01.639 --> 00:39:07.239
music by Jerry Goldsmith just incredible music. It was just it was amazing.

557
00:39:07.360 --> 00:39:10.800
The whole thing was amazing, and
that, of course, more success after

558
00:39:10.880 --> 00:39:17.400
that was searched for Spock and Voyage
Home Undiscovered Country. So they're building the

559
00:39:17.480 --> 00:39:22.320
franchise, so it's a natural outgrowth
to say Okay, Roden Murray goes back

560
00:39:22.360 --> 00:39:27.440
and says, let's do the next
generation. He's got the template, wants

561
00:39:27.480 --> 00:39:30.119
to do it. And that's where
guy's like as you you know, you

562
00:39:30.159 --> 00:39:34.599
mentioned Brandon Braga get brought in as
an early writer. They so they have

563
00:39:34.679 --> 00:39:37.960
this mix of young and older writers. And one of the things that they

564
00:39:37.000 --> 00:39:42.320
did at Star Trek, which is
a really really admirable thing, is they

565
00:39:42.360 --> 00:39:45.079
if they had writers who were around
the area or any anything like that,

566
00:39:45.199 --> 00:39:52.440
or they had interns who showed promise
with those within those offices. And Brandon

567
00:39:52.519 --> 00:39:55.239
was one of the people who really
took this on because he had been sort

568
00:39:55.280 --> 00:40:00.039
of fostered along by some of the
higher ups who had more experience. He

569
00:40:00.159 --> 00:40:02.280
recognized what they had done for him
and he tried to do it for other

570
00:40:02.320 --> 00:40:06.199
people. So, for example,
if you look at a guy like Naren

571
00:40:06.320 --> 00:40:12.199
Shankar Narrain, I knew Narrain up
at Outer Limits. He's he's the producer

572
00:40:12.320 --> 00:40:17.360
of um um uh, what's that
show on Amazon um and dropping the name

573
00:40:17.400 --> 00:40:23.079
now um based on yeah, the
Expanse. He's the producer the Expanse.

574
00:40:23.480 --> 00:40:28.519
And so all these people have branched
out. You got Brian Fuller. Brian

575
00:40:28.559 --> 00:40:31.599
Fuller was brought in. He became
producers so many types of types of things,

576
00:40:31.639 --> 00:40:37.719
American gods, um, pushing daisies, all sorts of good stuff at

577
00:40:37.760 --> 00:40:42.760
Hannibal Um. Then you got Um
one of the other people at Star Trek

578
00:40:42.840 --> 00:40:49.960
Voyager. He went on to produce
Um Elementary for CBS. So they've given

579
00:40:50.000 --> 00:40:52.480
a lot of chances to people who
were sort of upstart people, and that

580
00:40:52.599 --> 00:40:57.480
was one of the things that really
admired because Brandon first he was sort of

581
00:40:57.719 --> 00:41:00.599
not you know, he wasn't one
of the executive producer, but he was

582
00:41:00.760 --> 00:41:07.280
under a writer under under Jean mister
Rodberry. And I never met mister Roddenberry.

583
00:41:07.679 --> 00:41:09.840
Oh but you know, yeah I
didn't. He had passed away by

584
00:41:09.840 --> 00:41:14.199
the time I got there. But
it was weird because when I would proposed

585
00:41:14.199 --> 00:41:17.639
certain things, like I remember I
pitched a story to Jerry Taylor one time

586
00:41:17.679 --> 00:41:22.559
and I said, Jerry, you
know this story has to do with they

587
00:41:22.679 --> 00:41:28.000
need to get something for their their
dilithium crystals and they need you know,

588
00:41:28.039 --> 00:41:30.079
they need to get some money for
it. They need to and she goes,

589
00:41:30.119 --> 00:41:31.440
oh, Guard, I gotta stop
you there, and I was like,

590
00:41:31.599 --> 00:41:34.760
oh, what is it, she
goes, Well, before he died,

591
00:41:34.880 --> 00:41:38.599
Jean stipulated that man would have risen
tota such a level that they wouldn't

592
00:41:38.599 --> 00:41:43.480
need money anymore. Oh, you
still had to work with Roddenberry's rules.

593
00:41:43.840 --> 00:41:46.400
Yeah, and it was really weird. And so I had this weird mixed

594
00:41:46.400 --> 00:41:52.840
feeling because it was interesting to have
grown up having watched his creation on this

595
00:41:52.880 --> 00:41:58.400
little screen and now on there in
a professional capacity, using my mind with

596
00:41:58.480 --> 00:42:01.360
other people using their minds to try
to perpetuate what he created, playing in

597
00:42:01.400 --> 00:42:07.639
his sandbox, making new toys to
put into the sandbox, and he's got

598
00:42:07.639 --> 00:42:10.000
the rules for how it operates.
So now the rules are affecting my life.

599
00:42:10.480 --> 00:42:15.639
Yeah. But see, but it
wasn't universal because there ends up being

600
00:42:15.760 --> 00:42:19.760
a texture here, like you know, the Ferenghi, on the other hand,

601
00:42:19.840 --> 00:42:24.079
Yeah, they're completely motivated by what
gold. Everything's latinum and sheets of

602
00:42:24.159 --> 00:42:27.639
latinum and so on and stuff.
I mean, and that's you know,

603
00:42:27.719 --> 00:42:30.000
clearly. I mean, I've had
people tell me that's, you know,

604
00:42:30.159 --> 00:42:32.960
just like an anti Semitic thing and
whatever. I'm like, okay, maybe,

605
00:42:34.239 --> 00:42:38.000
but at the same time, it's
still there, Okay, the yeah,

606
00:42:38.039 --> 00:42:42.840
you know, and their whole society
is based on the rules of acquisition.

607
00:42:42.920 --> 00:42:45.079
I think they call it. Look
well that yeah, that was one

608
00:42:45.079 --> 00:42:46.679
of the things I mentioned that Jerry. I said, well, Jerry,

609
00:42:46.239 --> 00:42:52.079
that's really stupid. He goes,
I know, so that I don't want

610
00:42:52.440 --> 00:42:54.639
it. She says, you have
I'll quote, you have no idea the

611
00:42:54.679 --> 00:42:59.920
headaches that that has brought us.
I was like, so you've got to

612
00:43:00.079 --> 00:43:05.719
twenty third century civilization and they have
to barter. It's like, yeah,

613
00:43:05.719 --> 00:43:07.880
like that's insane. And that was
one of the cool things when when um,

614
00:43:08.239 --> 00:43:12.280
when I ra Bear decided that he
was gonna you know, was he

615
00:43:12.360 --> 00:43:15.039
got to go ahead to do Deep
Space nine. That was really cool because

616
00:43:15.320 --> 00:43:21.000
that was a way that he could
get around since it's a space station and

617
00:43:21.159 --> 00:43:24.880
there's all this constant interplay, you
can have those races, and you can

618
00:43:25.039 --> 00:43:30.119
have a race that deals with they're
the trading guys, and you can start

619
00:43:30.159 --> 00:43:31.639
to incorporate that. So that was
that was a great way. He was

620
00:43:31.679 --> 00:43:36.360
able to make things darker and do
a lot of things that regular if you're

621
00:43:36.360 --> 00:43:37.920
on a federation ship, they just
couldn't do. You know, well,

622
00:43:38.039 --> 00:43:43.719
very very much metaphoric. Uh you
know what, what what will we call

623
00:43:43.800 --> 00:43:49.480
that um pre you know, when
when you have foreshadowing of nine to eleven

624
00:43:49.519 --> 00:43:52.440
actually on a deep space nine.
But let's leave that alone because that wasn't

625
00:43:52.440 --> 00:43:57.079
the show you were writing on.
They were upstairs, right, uh so,

626
00:43:57.599 --> 00:44:00.199
I and I'm look, I could
do this with you all day,

627
00:44:00.280 --> 00:44:01.800
but I know we got to crunch
it down a little bit. So let's

628
00:44:02.119 --> 00:44:06.239
let's get back to the voyage your
story, because that that's something that involves

629
00:44:06.280 --> 00:44:09.320
you even more. And I want
to go into that some more because to

630
00:44:09.400 --> 00:44:13.960
me, it's an interesting like corner
that they sort of had you painted into

631
00:44:14.000 --> 00:44:16.599
before you even walked in the door. You're you're stuck in this situation where

632
00:44:16.599 --> 00:44:21.360
you're out there. They still want
you to drag in some of the recognizable

633
00:44:21.440 --> 00:44:24.880
things for continuity. They want you
to keep the universe together. Eventually these

634
00:44:24.880 --> 00:44:29.519
people are on their way home,
but there's these other elements coming in.

635
00:44:30.639 --> 00:44:32.519
I had a hard time with Jane
Way as a captain. I don't know

636
00:44:32.559 --> 00:44:37.000
what it was about her, but
it's just I just had a hard time

637
00:44:37.000 --> 00:44:40.559
whether as the captain. I thought
it was interesting they brought the marquis in

638
00:44:40.639 --> 00:44:45.400
and all that. So you have
this sort of you know, an ad

639
00:44:45.440 --> 00:44:51.480
hoc sort of situation regarding command.
But but I'm sure that people have asked

640
00:44:51.480 --> 00:44:55.199
you about mentioned many times about what
about all of this stuff that seems to

641
00:44:55.199 --> 00:45:00.840
be almost celebrating or embracing the new
world order or so to speak in the

642
00:45:00.880 --> 00:45:04.119
Star tr Now. I don't know
if you were thinking about it back then,

643
00:45:05.719 --> 00:45:08.440
but looking back on it, you
know, how do you feel about

644
00:45:08.480 --> 00:45:13.119
it? And how do you feel
about your participation in it? To me,

645
00:45:13.920 --> 00:45:15.599
I don't know, I don't I
don't get upset about it. I

646
00:45:15.639 --> 00:45:20.519
see the you know, the one
world idea. There's a way that the

647
00:45:20.559 --> 00:45:23.920
world can come together and it doesn't
have to be slavery, okay. Uh

648
00:45:24.079 --> 00:45:29.880
And and believe me, they opted
into all sorts of narratives regarding slavery many

649
00:45:29.880 --> 00:45:32.519
times. The darkest one really on
enterprise, where oh, we're going to

650
00:45:32.599 --> 00:45:37.239
take some of your people in exchange
for the repairs. Uh, you know,

651
00:45:37.320 --> 00:45:40.960
and that's it. They're now you
know, cattle um really direct,

652
00:45:42.000 --> 00:45:45.400
really in your face. But as
Voyager is in a place where they have

653
00:45:45.440 --> 00:45:50.599
no support, they've got nobody who's
supposed to be their ally outside of the

654
00:45:50.639 --> 00:45:52.559
fact that they ended up you know, having a copy and they end up

655
00:45:52.639 --> 00:45:57.800
encountering the board, which we already
covered. I mean, it's a weird

656
00:45:57.880 --> 00:46:00.840
corner to be painted into, so
that like as a writer, I mean,

657
00:46:00.960 --> 00:46:05.480
I hear your joy, I see
your joy, and I'm involved in

658
00:46:05.519 --> 00:46:08.960
this thing that is part of the
icon of my youth. And I've watched

659
00:46:09.000 --> 00:46:12.840
this thing evolved from Afar and I'm
so glad to be involved in it.

660
00:46:12.920 --> 00:46:15.400
At least that's what I'm getting from
you. But you're kind of painted into

661
00:46:15.440 --> 00:46:22.440
a corner creatively between Roddenberry's rules,
the constraints of the script, the constraints

662
00:46:22.480 --> 00:46:25.840
of well, you know, you're
not you're not the executive producer, so

663
00:46:25.880 --> 00:46:30.960
you're not making primal decisions. You're
offering up ideas, you're pitching stories.

664
00:46:30.519 --> 00:46:36.880
I mean, give me an overview
of what that was like for you,

665
00:46:36.880 --> 00:46:40.320
you know again, because even though
if you weren't fully engaged in your liberty

666
00:46:40.360 --> 00:46:44.880
mindset as you are today, you
had to be on your way at that

667
00:46:45.000 --> 00:46:47.719
point, so something, you know, just give me, give me a

668
00:46:47.719 --> 00:46:52.559
sketch on that real quick before we
move further in that definitely. So by

669
00:46:52.599 --> 00:46:54.760
the time I got to Star Trek, I was already a hardcore libertarian,

670
00:46:54.800 --> 00:46:59.199
anarchist and In fact, it was
interesting because when I had dinner with Brandon

671
00:46:59.239 --> 00:47:02.360
a few years ago, Brandon,
of course becoming an executive producer a Voyager

672
00:47:04.000 --> 00:47:07.519
after gene Ronburry passes away, and
he had become a producer at Star Trek

673
00:47:07.599 --> 00:47:12.920
Next Generation and was one of the
integral guys and helping those last few years

674
00:47:13.000 --> 00:47:15.440
really pick up steam at next Gen. And it was it was a lot

675
00:47:15.480 --> 00:47:22.480
of what Brandon did and introducing the
board, creating the board. But there

676
00:47:22.519 --> 00:47:25.039
was one day when I was at
the Voyager offices and I had a Reason

677
00:47:25.159 --> 00:47:29.440
magazine t shirt on under a button
down shirt and you could sort of see

678
00:47:29.480 --> 00:47:31.079
it through that and one of the
other writers when we were in the writing

679
00:47:31.119 --> 00:47:35.639
room and the other writers like,
what's down on here? What's that shirt

680
00:47:35.719 --> 00:47:37.719
you got under? Under there?
And Brandon. So, Brandon and I

681
00:47:37.840 --> 00:47:42.039
had we're having dinner a few years
a few years ago, and he's like,

682
00:47:42.159 --> 00:47:44.199
yeah, man, so I was
reading about your stuff. You know,

683
00:47:44.320 --> 00:47:47.920
you're really doing the political stuff libertarian. I was like yeah, And

684
00:47:47.960 --> 00:47:51.199
I was like, you're a libertarian
too, and he goes, how'd you

685
00:47:51.239 --> 00:47:52.599
know that? I was like,
because there was that day when I had

686
00:47:52.639 --> 00:47:57.800
the Reason magazine shirt on and somebody
asked what the shirt was and you said,

687
00:47:57.800 --> 00:48:00.320
oh, it's a Reason magazine,
it's libertarian magazine. I was like,

688
00:48:00.559 --> 00:48:06.079
only somebody who read Reason Magazine at
that time would know what liberty Reason

689
00:48:06.159 --> 00:48:08.239
Magazine was. So what you're saying, So, what you're saying, in

690
00:48:08.280 --> 00:48:13.280
short, is that not all of
Hollywood is run by liberal Satanist spirit cookers.

691
00:48:15.039 --> 00:48:17.039
Definitely not. And again, you
know the sort of give Gene Roddenberry

692
00:48:17.079 --> 00:48:22.079
a little bit of a little bit
of some some soft touch here. Um.

693
00:48:22.599 --> 00:48:28.280
You know, I disagreed a lot
with Gene Roddenberry's concepts about the Federation,

694
00:48:28.320 --> 00:48:30.079
about whether that would be workable about
you know, getting rid of money.

695
00:48:30.119 --> 00:48:34.960
I wrote an article for Foundation for
Economic Education about that interplay that I

696
00:48:34.960 --> 00:48:37.920
had with Terry Taylor, and I
may I turn it into an economics lesson

697
00:48:37.960 --> 00:48:42.519
for like a teenager to understand that
money is an outgrowth of human interaction,

698
00:48:42.760 --> 00:48:45.519
division of labor and surplus, you
know. And uh so it was.

699
00:48:45.559 --> 00:48:49.039
It actually turned out to be kind
of a neat thing that I couldn't do

700
00:48:49.079 --> 00:48:51.840
the story, you know, because
I was able to make an economics lesson

701
00:48:51.880 --> 00:48:53.960
for kids out of it. But
what was interesting is you look at these

702
00:48:53.960 --> 00:48:58.800
guys. And I've mentioned this about
Rod Sterling as well. Um, they

703
00:48:58.840 --> 00:49:01.719
came out of the World War two
era. Whether they were hoodwinked into thinking

704
00:49:01.719 --> 00:49:06.880
this or they it was just a
natural outgrowth whatever. You know, they

705
00:49:06.960 --> 00:49:10.119
probably thought that if there was some
rurled government, then it would stop all

706
00:49:10.159 --> 00:49:15.679
this international World War stuff between the
Nation States. Rod Sterling definitely thought that.

707
00:49:15.800 --> 00:49:20.039
He did a film in the late
sixties promoting the United Nations. I

708
00:49:20.039 --> 00:49:22.159
don't know if he got paid or
if he just did it, but yeah,

709
00:49:22.199 --> 00:49:23.679
and I think like George de kay
was in it, like it was

710
00:49:23.840 --> 00:49:28.079
it was it was just some you
know, some short film that he did.

711
00:49:28.360 --> 00:49:30.039
So, you know, because they
they you know, he Rod Murray

712
00:49:30.079 --> 00:49:34.320
was in the military, was in
the army, I think and uh and

713
00:49:34.519 --> 00:49:39.639
uh Rod Sterling was a paratrooper.
The first jump down, his buddy lands

714
00:49:39.719 --> 00:49:43.760
right behind him. They sent the
crates down wrong. His buddy got his

715
00:49:43.760 --> 00:49:46.000
head lopped off by one of the
crates, I mean instantly, the first

716
00:49:46.000 --> 00:49:50.280
first jump in World War two.
And he was seventeen like he got in

717
00:49:50.360 --> 00:49:53.519
early. So's the shock of what
those guys must have gone through I can't

718
00:49:53.519 --> 00:49:58.559
even imagine, right, So you
can kind of see how they'd be pulled

719
00:49:58.599 --> 00:50:04.880
into this if they weren't wary of
the tendency of if they a weren't already

720
00:50:04.880 --> 00:50:08.679
opposed to government on a moral level
the way I am as a libertarian voluntariist,

721
00:50:09.039 --> 00:50:13.480
and b if they thought, well, we need something to stop the

722
00:50:13.559 --> 00:50:15.480
Nation States from fighting, because look
at what we just saw, you know,

723
00:50:15.599 --> 00:50:17.760
that sort of thing. And I
think a lot of the people,

724
00:50:17.800 --> 00:50:22.599
the rocket Fellers, they clearly understood
how they could use that and they could

725
00:50:22.719 --> 00:50:28.119
promote that. They could promote that
across a lot of spectra. So whether

726
00:50:28.199 --> 00:50:31.440
Rodenbury was a willing participant or it
was just his natural outcome, I don't

727
00:50:31.440 --> 00:50:36.840
know. But it is interesting because
you get people like Dry might have been

728
00:50:36.880 --> 00:50:40.519
also influenced by a lot of the
political rhetoric of progressives at the time,

729
00:50:40.639 --> 00:50:50.360
because the idea that cooperation as opposed
to competition might be more sensible because we

730
00:50:50.400 --> 00:50:54.119
are actually unified in the fact that
we're all on I don't even want to

731
00:50:54.159 --> 00:50:58.360
go into flat earth and whatever,
but you know, we're all on the

732
00:50:58.440 --> 00:51:02.440
same rock. Right, Let's call
it a rock for argument's sake. We're

733
00:51:02.480 --> 00:51:05.880
all here on the same rock.
We're all going to share the air.

734
00:51:05.920 --> 00:51:09.599
We're all sharing the planet, so
we are actually together on a ship of

735
00:51:09.639 --> 00:51:15.079
sorts, right, So if we
cooperated, we might get a lot more

736
00:51:15.119 --> 00:51:19.280
done as opposed to competing with one
another and you know, slaughtering each other

737
00:51:19.320 --> 00:51:23.039
over resources. I could see how
that's sensible, and I feel that way

738
00:51:23.159 --> 00:51:28.079
myself, you know, yeah,
cooperation, I think, Chuck, I

739
00:51:28.119 --> 00:51:31.960
think this is part of the thing
between the idealists who don't recognize that all

740
00:51:32.079 --> 00:51:37.880
forms of the polis are forced.
That's the essential definition of it. Otherwise

741
00:51:37.960 --> 00:51:43.119
it's a voluntary, contractual arrangement between
willing participants. In order to have the

742
00:51:43.159 --> 00:51:47.039
state the polis, somebody's got to
be forced. Otherwise it's just a club

743
00:51:47.119 --> 00:51:52.039
of people getting together doing what they
want, right, And that their idealism

744
00:51:52.480 --> 00:51:59.840
and their notions of everybody cooperating are
actually hiding the fact that when it's done

745
00:52:00.000 --> 00:52:04.159
through world government or any nation state
or anything like that, even down to

746
00:52:04.199 --> 00:52:07.519
the small level, but at least
decentralization, you can escape the smaller government

747
00:52:07.519 --> 00:52:10.920
and go someplace else. Right.
But the larger it is, I was

748
00:52:10.920 --> 00:52:14.599
just talking about this on my show, the larger the sphere of control,

749
00:52:14.880 --> 00:52:19.000
the more tendency there is going to
be for mistakes to be made, for

750
00:52:19.039 --> 00:52:22.559
corruption to happen, and for more
people to be affected by bad decisions,

751
00:52:22.719 --> 00:52:28.320
and the harder it is to escape
it. So these people were sort of

752
00:52:28.320 --> 00:52:31.480
fed the idea of cooperation, and
of course we saw that manifested probably to

753
00:52:31.559 --> 00:52:36.360
its apex at places like Woodstock,
as all these people are rolling around in

754
00:52:36.400 --> 00:52:38.280
the mud saying like, oh,
yeah, you know, world peace and

755
00:52:38.280 --> 00:52:40.079
all this stuff. Well, how
are you going to get the world peace?

756
00:52:40.239 --> 00:52:44.119
Are you going to force it on
people through government or not? Because

757
00:52:44.119 --> 00:52:47.280
that's not peaceful. So I think
there was this weird, you know,

758
00:52:47.320 --> 00:52:54.440
this weird bifurcated thinking where the two
bipolar sides never really connected with a lot

759
00:52:54.440 --> 00:53:00.400
of these idealists. At the same
time, I think organizations like the Tavistocktitude,

760
00:53:00.840 --> 00:53:04.440
the Rockefellers, a lot of the
people behind the UN, the EU,

761
00:53:05.000 --> 00:53:07.559
you know, they had long term
plans and they knew that a lot

762
00:53:07.559 --> 00:53:14.920
of very honest, idealistic people who
wanted peace could be used to portray things

763
00:53:15.039 --> 00:53:17.360
as well. We're moving towards peace. How are we doing it? Oh,

764
00:53:17.400 --> 00:53:22.840
we're establishing the United States military bases
over here or over here or over

765
00:53:22.920 --> 00:53:27.840
here Oh, we're going to establish
a world tax. We're gonna do this,

766
00:53:27.920 --> 00:53:30.719
We're gonna do that. I mean, the WHL is trying to do

767
00:53:30.800 --> 00:53:34.000
that with you know, for viruses. Now they're doing it with the climate.

768
00:53:34.079 --> 00:53:37.840
Mcguffin, as David Knight would say, So there's always this sort of

769
00:53:37.920 --> 00:53:40.559
you know, large percentage of people
who are idealistic, and they can be

770
00:53:40.639 --> 00:53:45.719
pulled into this stuff if they don't
recognize that it is immral to try to

771
00:53:45.760 --> 00:53:52.320
achieve their idealistic notions of cooperation through
the force of the state. And I

772
00:53:52.360 --> 00:53:54.079
think that that's, yeah, I
think that's one of the major problems.

773
00:53:54.079 --> 00:53:59.159
And these guys practically speaking, I
don't think they recognize that the larger the

774
00:53:59.159 --> 00:54:01.639
state, the worst to be.
You know. Well, but one could

775
00:54:01.719 --> 00:54:05.679
say that if you have an evolved
state, there's a whole lot less reason

776
00:54:05.760 --> 00:54:10.039
for force because you don't you're not
any longer struggling over you know. It's

777
00:54:10.480 --> 00:54:17.000
it's a it's an interesting exercise because
if you remove force from the equation completely,

778
00:54:17.440 --> 00:54:23.000
okay, and you talk about only
unifying to utilize force to defend the

779
00:54:23.000 --> 00:54:29.199
collective, and that's it. That's
literally not such a bad principle. But

780
00:54:29.960 --> 00:54:32.679
you know again it's it's a much
larger issue, but I get Look,

781
00:54:32.679 --> 00:54:36.440
if you lived through World War Two, though, you might see it this

782
00:54:36.480 --> 00:54:40.360
way. Uh, and especially because
well here here's a question I have for

783
00:54:40.400 --> 00:54:44.239
you actually about about Voyager. Again, sorry to go back to it,

784
00:54:44.280 --> 00:54:46.920
but uh, you know, did
did you feel bad that you didn't have

785
00:54:47.039 --> 00:54:52.920
use to Section thirty one very much
through Voyager because a lot of people Okay,

786
00:54:52.920 --> 00:54:58.000
so the casual Star Trek person might
not know, but uh, they

787
00:54:58.079 --> 00:55:00.679
kind of have the CIA there in
the One World Government, which is really

788
00:55:00.719 --> 00:55:07.000
funny. They have Section thirty one, which all kinds of chicanery goes on

789
00:55:07.159 --> 00:55:13.119
with top secret weaponry and stuff that's
supposed to be like absolutely against the different

790
00:55:13.119 --> 00:55:19.000
conventions, and it's the CIA and
the Star Trek universe. Yeah, and

791
00:55:19.159 --> 00:55:22.920
out in the Delta Quadrant, you
don't really have as much a need for

792
00:55:22.000 --> 00:55:25.960
a Section thirty one necessarily, So, I mean, you know, I

793
00:55:27.000 --> 00:55:30.960
thought it was great when they introduced
it as early as the Enterprise series,

794
00:55:30.800 --> 00:55:35.199
which initially was not called Star Trek
Enterprise was actually just called Enterprise. But

795
00:55:35.280 --> 00:55:39.800
anyhow, it h it's interesting to
me that that was I mean, did

796
00:55:39.800 --> 00:55:44.480
you ever get get to even play
with any of those story ideas related to

797
00:55:44.519 --> 00:55:46.960
them, or you know that idea
that I had that would have wrapped up

798
00:55:46.960 --> 00:55:52.920
the Star Trek Voyager series as they
came back to the Alpha Quadrant and exposed

799
00:55:52.960 --> 00:55:55.519
these bad guys. It sort of
was a precursor to thirty one, Okay,

800
00:55:55.559 --> 00:56:00.000
and I didn't you know so and
Enterprise, and you brought up Enterprise,

801
00:56:00.199 --> 00:56:02.280
how you know you were sort of
disappointed with a little bit of Enterprise.

802
00:56:02.559 --> 00:56:06.079
I was too, And by that
time I had come back home and

803
00:56:06.159 --> 00:56:08.679
I was out here with in New
England with my family and stuff like that.

804
00:56:09.119 --> 00:56:14.719
What was really getting me about that
was I thought the Enterprise concept showed

805
00:56:14.800 --> 00:56:19.079
amazing promise because to me, yeah, as a guy who you know,

806
00:56:19.280 --> 00:56:22.960
was interested in space travel and almost
went to Cornell to study astronomy and stuff

807
00:56:23.000 --> 00:56:29.360
like that, I was just just
I was hoping that Enterprise was going to

808
00:56:29.440 --> 00:56:34.480
be the most bare bones concept of
interstellar travel, where if you make the

809
00:56:34.559 --> 00:56:40.320
most minute mathematical error, you could
be launched off into a star, you

810
00:56:40.360 --> 00:56:44.000
know, sort of like what Han
Solo says when they're going in a hyper

811
00:56:44.119 --> 00:56:47.559
hyper drive, you know you end
up. So the first episode of Enterprise,

812
00:56:47.679 --> 00:56:52.400
I was hoping that what they would
do is have it that they make

813
00:56:52.920 --> 00:56:55.599
a calculation error as they're trying to
use the warp drive and it screws them

814
00:56:55.679 --> 00:57:00.800
up and they literally have no power
and they're like dying. They're gonna either

815
00:57:00.880 --> 00:57:04.519
freeze to death or they're not going
to have enough oxygen. And that's the

816
00:57:04.559 --> 00:57:08.159
story, like an Apollo thirteen type
thing. So it's the adventure is brought

817
00:57:08.199 --> 00:57:15.559
back the actual area around them that
the the the world, the universe around

818
00:57:15.599 --> 00:57:20.880
them, the space, the environment
is the threat. So you recognize how

819
00:57:20.960 --> 00:57:24.880
dangerous space travel is because I thought
by that time Voyager, even even next

820
00:57:24.880 --> 00:57:28.760
generation, it was very comfortable.
You know, it was like, you

821
00:57:28.800 --> 00:57:31.360
know, oh, we got carpeted, carpeted bridge here, let's make it

822
00:57:31.440 --> 00:57:35.400
metal, Let's make it that.
Yeah, we could have a leak,

823
00:57:35.599 --> 00:57:37.440
we might run out of air.
How are we gonna where's our food gonna

824
00:57:37.480 --> 00:57:39.679
come from? What are we gonna
do? And then I wanted to have

825
00:57:39.679 --> 00:57:44.039
another episode that I thought it would
be really really cool, which would be

826
00:57:44.440 --> 00:57:51.159
that they don't have they don't have
a teleportation yet and on over the course

827
00:57:51.199 --> 00:57:53.159
of the course of like the next
two or three episodes, I wanted to

828
00:57:53.199 --> 00:57:59.159
have it that the folks on Earth
are encountering. There's a number of people

829
00:57:59.199 --> 00:58:04.719
who are dying, and they're like
high profile Federation politicians or whatever, you

830
00:58:04.760 --> 00:58:08.599
know, and they want to connect
with the Balkans who have given them warp

831
00:58:08.679 --> 00:58:12.920
drive. They want you know,
they want more space exploration, and they're

832
00:58:13.000 --> 00:58:15.679
dying, and it turns out they're
like they're getting hemorrhages and stuff like that.

833
00:58:15.800 --> 00:58:21.559
Turns out somebody finds that there's an
energy signal that every one of these

834
00:58:21.599 --> 00:58:24.800
people encountered. Somebody backtracks it right, somebody you know, with the Enterprise

835
00:58:24.840 --> 00:58:30.119
Team or whatever back on Earth,
and they realize what is this? And

836
00:58:30.159 --> 00:58:34.880
they find some piece of tech that
shows them that a portion of the Vulcan

837
00:58:35.000 --> 00:58:40.880
population that doesn't want contact with the
human beings is assassinating people with teleportation,

838
00:58:42.079 --> 00:58:45.880
beaming air bubbles into people's heads,
so their brains just explode, and there's

839
00:58:45.920 --> 00:58:50.960
basically no record of it. And
now they're wondering what's going to happen next.

840
00:58:51.000 --> 00:58:53.239
Could they actually teleport a virus into
people? Could they make a plague

841
00:58:53.280 --> 00:58:57.280
start? You know, so that
would have been that episode, and then

842
00:58:57.320 --> 00:59:00.719
they have to work it all out, you know, ahead of your time,

843
00:59:00.760 --> 00:59:05.480
because they didn't get into all this
kind of thing until Picardy. Yeah,

844
00:59:05.719 --> 00:59:08.599
And it's really it's so wild because
you know, like I wrote a

845
00:59:08.639 --> 00:59:12.039
story. You might have heard me. I talked without a couple of people

846
00:59:12.039 --> 00:59:14.840
about this, like Tony Harterburn and
I were talking about it. I wrote

847
00:59:14.840 --> 00:59:19.800
a story like probably eight years ago
now called Whitechapel. It was a short

848
00:59:19.840 --> 00:59:23.000
story that was in an anthology,
and it was about a pandemic and I

849
00:59:23.039 --> 00:59:28.280
had the six foot distancing thing,
and I had the shops being shut down

850
00:59:28.880 --> 00:59:31.960
and all that stuff out there,
you know, like color codings and the

851
00:59:32.119 --> 00:59:36.800
passes, you know, to make
sure. So people could have looked at

852
00:59:36.840 --> 00:59:39.239
me and said, oh, you
know, that's revelation of the method.

853
00:59:39.480 --> 00:59:44.280
That guy had inner knowledge, you
know, the same way they might have

854
00:59:44.320 --> 00:59:49.000
looked at Gene Roddenberry. And I
can tell you from from my experience with

855
00:59:49.039 --> 00:59:54.199
the writers at Outer Limits and at
Voyager, I never met one person who

856
00:59:54.360 --> 00:59:59.760
was privy, just some sort of
I've been handed knowledge sort of a situation.

857
01:00:00.519 --> 01:00:06.639
But I know it happens, well, it does happen. It does

858
01:00:06.679 --> 01:00:09.000
happen. And here's the thing.
Look from an esoteric standpoint, and I

859
01:00:09.000 --> 01:00:12.599
don't usually go into these areas on
my show, But what the hell,

860
01:00:12.679 --> 01:00:16.599
let's do it. The idea that
someone has written something in fiction, though

861
01:00:17.079 --> 01:00:22.079
it's not as simple as that,
is separate from reality. Once it is

862
01:00:22.119 --> 01:00:27.480
imagined and it's been fleshed out like
that, it becomes part of the reality,

863
01:00:27.920 --> 01:00:32.440
whether it is physically manifested right away
or not. From an esoteric point

864
01:00:32.440 --> 01:00:38.119
of view, it has been created. So the idea that someone physically manifests

865
01:00:38.119 --> 01:00:42.519
it later like old thing with the
cell phones and all that kind of stuff,

866
01:00:42.559 --> 01:00:45.360
you know, with ron Berry and
the tablets and look that that's collective

867
01:00:45.360 --> 01:00:50.360
effort and the idea that people were
able to draw upon that. That tells

868
01:00:50.360 --> 01:00:55.159
you a little something about how I
just think the creative mind in its normal

869
01:00:55.320 --> 01:01:05.199
natural state reaches into these things that
indeed do uh you know, telepathy telepathically

870
01:01:05.760 --> 01:01:10.400
reach into the future. One and
two are informed by that. So I

871
01:01:10.440 --> 01:01:15.039
think that there there there is something
there that is not fully measurable. You

872
01:01:15.079 --> 01:01:20.559
can't put it on a scale,
you can't necessarily scientifically replicated for me.

873
01:01:21.119 --> 01:01:27.239
But quite often many fictional writers create
things and some people become inspired to then

874
01:01:27.599 --> 01:01:30.519
bring them into the you know,
three D world and on the other hand,

875
01:01:30.840 --> 01:01:35.039
there's something else at play here,
and I'm not saying that I fully

876
01:01:35.079 --> 01:01:38.840
understand it, but there is something
to the idea that once the thought has

877
01:01:38.880 --> 01:01:44.280
been manifested, it does exist.
Now it doesn't exist in the three D

878
01:01:44.400 --> 01:01:46.719
world yet, not necessarily, but
it's on its way, you know.

879
01:01:46.800 --> 01:01:51.119
And that's kind of a yeah,
you know, you know, it's funny,

880
01:01:51.199 --> 01:01:53.320
Chuck, because you bring up something
that only recently have I started,

881
01:01:53.360 --> 01:01:58.599
because you know, we've been faced
by so many and you brought this up

882
01:01:58.639 --> 01:02:04.880
too. We've been faced by so
many contemporary real world things happening that have

883
01:02:05.039 --> 01:02:13.159
required our attention, required our devotion
to exposing our communication with fellow Kindred travelers,

884
01:02:13.360 --> 01:02:15.360
and then we meet these people like
you, and it's like, yeah,

885
01:02:15.360 --> 01:02:19.559
oh this is awesome, you know. And you know, brothers Kindred

886
01:02:19.599 --> 01:02:25.280
spirits. And so my fictional output
actually got delayed a lot. So I've

887
01:02:25.320 --> 01:02:28.960
got like a bunch of novels,
a bunch of books, but I have

888
01:02:29.119 --> 01:02:32.480
put off writing new stuff for the
time because I've been writing so much nonfiction

889
01:02:32.480 --> 01:02:37.119
and doing more video stuff because the
battle is upon us, you know,

890
01:02:37.159 --> 01:02:38.599
It's always sort of been there.
So, like you asked about, when

891
01:02:38.599 --> 01:02:42.960
I was working at Voyager. When
I was at Voyager, what I would

892
01:02:42.960 --> 01:02:49.280
do is try to subtly get in
questions about large spheres of control, about

893
01:02:49.360 --> 01:02:52.199
large government, to say, you
know, it's not all it's not all

894
01:02:52.280 --> 01:02:55.280
roses here. Let's let's look at
some of the corruption and stuff. And

895
01:02:55.320 --> 01:02:58.400
I thought that that would be a
good way to do it. I put

896
01:02:58.440 --> 01:03:02.079
in themes about the drug war.
I put in a lot of different themes

897
01:03:02.119 --> 01:03:07.840
that I thought would be useful to
say, no, individual liberty is key.

898
01:03:07.079 --> 01:03:10.559
You know, I always, I
always trended in that direction, and

899
01:03:10.679 --> 01:03:14.639
I think you can find those teams
a lot with what Brandon had to write

900
01:03:14.639 --> 01:03:17.639
as well. But what's interesting to
me is now that I've gotten older,

901
01:03:19.199 --> 01:03:22.840
and you know, I can't watch
a show now without knowing that I'm looking

902
01:03:22.840 --> 01:03:27.159
at it from the perspective of the
camera guys and the lighting piece. Yeah,

903
01:03:27.199 --> 01:03:30.000
you just spoiled. You just spoiled
My last question, you know,

904
01:03:30.039 --> 01:03:35.119
which is can you enjoy anything anymore
without deconstructing it, not only as a

905
01:03:35.159 --> 01:03:38.920
professional who worked in the industry,
but now as somebody who, by the

906
01:03:38.960 --> 01:03:44.840
way, is enlightened by knowing how
some of these things work. On the

907
01:03:44.880 --> 01:03:47.199
other hand, and I'm wondering if
you can actually enjoy any of it anymore.

908
01:03:47.480 --> 01:03:52.800
That was my next question. I'm
so glad, brother, because that's

909
01:03:52.800 --> 01:03:55.480
a really for the longest time,
I was very difficult to handle. I

910
01:03:55.519 --> 01:04:00.760
think there's been about a ten year
period where after I came back, I

911
01:04:00.920 --> 01:04:04.920
started writing prose fiction much more.
I wanted to exercise my abilities with that,

912
01:04:05.519 --> 01:04:10.119
and I wasn't doing scriptwriting because there
really wasn't any use. You can't

913
01:04:10.159 --> 01:04:13.559
pitch stories from New Hampshire in LA
You've got to be like amongst the people

914
01:04:13.599 --> 01:04:18.400
going to meetings. Yeah, So
what was interesting about that was I couldn't

915
01:04:18.440 --> 01:04:21.679
really do that. I couldn't really
enjoy just what you're saying, you know,

916
01:04:21.800 --> 01:04:25.239
because I had seen I had been
on the set, you know,

917
01:04:25.320 --> 01:04:29.039
I knew that it was wood behind
that, you know, and so but

918
01:04:29.079 --> 01:04:33.880
there was something that came along that
I started to recognize that it's actually almost

919
01:04:33.880 --> 01:04:42.440
a greater appreciation. And that is
as we've encountered these problems with the pandemic,

920
01:04:42.480 --> 01:04:46.239
and as I started to see that
real metaphysical evil does exist. And

921
01:04:46.280 --> 01:04:49.360
there have been various things in my
life that have confirmed to me that,

922
01:04:49.679 --> 01:04:53.920
you know, like those dreams I
had about Star Trek and stuff like that.

923
01:04:54.159 --> 01:04:58.599
I met Richard Mathison's son, Richard
Christian Mathison one time and we were

924
01:04:58.639 --> 01:05:00.840
talking about predictive dreams and just out
of the blues, like, did you

925
01:05:01.039 --> 01:05:04.800
did you start getting predictive dreams after
your car accident? I'm like, how

926
01:05:04.840 --> 01:05:06.719
did you know? I was in
a car accident and you can see I

927
01:05:06.800 --> 01:05:10.519
got the scar on the side of
my head. When I was eighteen,

928
01:05:10.559 --> 01:05:14.280
a lady ran a light and smashed
into my car and sent my head through

929
01:05:14.280 --> 01:05:17.760
the windshield and all this stuff,
and I do get these predictive dreams.

930
01:05:17.760 --> 01:05:20.920
It's very, very strange. And
you know, Michael Crichton looked into this

931
01:05:20.960 --> 01:05:25.639
stuff with his book Travels, where
he started to see, you know,

932
01:05:25.679 --> 01:05:29.519
these claims of the sus Sayers,
he learned the tricks and then he,

933
01:05:30.239 --> 01:05:31.719
you know, he decided in the
end, now there are definitely there's something

934
01:05:31.840 --> 01:05:36.360
going on beyond the veil. And
then I started to realize as I started

935
01:05:36.400 --> 01:05:42.400
to teach philosophy, of course the
physical can't come from the physical. The

936
01:05:42.440 --> 01:05:46.559
physical has to come, by definition, from something meta physical. And that

937
01:05:46.800 --> 01:05:51.239
led me on the course of exploring
Christianity. So now what I think is

938
01:05:51.320 --> 01:05:57.760
interesting is I've gotten almost beyond that
sort of frustration that you mentioned, like

939
01:05:57.840 --> 01:06:00.679
can you watch a show? Now? I think I've got a greater appreciation,

940
01:06:01.800 --> 01:06:06.320
which I wish I had gotten sooner, because remember how we talked about

941
01:06:06.360 --> 01:06:11.199
like growing up watching television. It's
almost like you're hypnotized and the thinking you

942
01:06:11.239 --> 01:06:13.599
can just go do that. You
know, oh, I could just go

943
01:06:13.639 --> 01:06:16.400
to La. A million other people
want to just go to La. Right,

944
01:06:16.760 --> 01:06:20.159
It's not like working on the farmstand
five miles from my house, which

945
01:06:20.199 --> 01:06:24.480
I did as a teenager. I
could have continued to do that and married,

946
01:06:24.559 --> 01:06:27.199
had a nice life of kids and
stuff like that. Right, You

947
01:06:27.360 --> 01:06:30.239
think you can do these things when
you don't realize that there are impediments that

948
01:06:30.239 --> 01:06:33.719
are real world impediments out there.
So some people can do it, some

949
01:06:33.760 --> 01:06:36.480
people can't. I did it for
a little while, came back here.

950
01:06:36.559 --> 01:06:39.679
That sort of stuff gave up a
lot of stuff, but I'm glad I

951
01:06:39.719 --> 01:06:44.840
did. Right. So what's interesting
is in being exposed to that, I

952
01:06:44.960 --> 01:06:46.519
thought, oh, gee, you
know, it sort of spoils it for

953
01:06:46.599 --> 01:06:50.079
me, the magic of storytelling.
I used to love it so much.

954
01:06:50.679 --> 01:06:54.199
I get to spend a lot of
time with my niece. We would tell

955
01:06:54.280 --> 01:06:59.000
stories that would be these eight week
long epic stories with characters from Red Dwarf

956
01:06:59.159 --> 01:07:02.039
Doctor who back in time to meet
Sherlock Holmes. Then we would do Sonic

957
01:07:02.079 --> 01:07:06.960
the Hedgehog stories, all these amazing
tales that were it was amazing, It

958
01:07:08.039 --> 01:07:11.760
was great, and she got to
see it the same way I did.

959
01:07:11.920 --> 01:07:15.639
She got to see these things that
were just in her imagination. Even as

960
01:07:15.679 --> 01:07:18.760
the world around us was there and
you could see it, she was seeing

961
01:07:18.760 --> 01:07:21.440
other stuff. And I'll give you
a quick example, real quick. We're

962
01:07:21.480 --> 01:07:27.719
down at disney World and we were
telling a Sonic the Hedgehog story in which

963
01:07:27.800 --> 01:07:34.400
Sonic had ended up finding this secret
underwater base beneath a fake lake and he

964
01:07:34.559 --> 01:07:42.639
stops doctor robot Nick and um,
robot not not not robot Nickum, who's

965
01:07:42.639 --> 01:07:45.719
the robot Nick or was that the
creator? I can't remember anyway. Um,

966
01:07:45.800 --> 01:07:50.320
So Sonic ends up looks like he's
dying. He saves the bunny girl

967
01:07:50.480 --> 01:07:56.159
that like loves him, and um, and he's purged through this water thing.

968
01:07:56.440 --> 01:07:59.679
And then we stopped it and we
continued the story while we were eating

969
01:07:59.679 --> 01:08:02.840
dinner at Universal Studios in this like
a little burger joint. The sun was

970
01:08:02.880 --> 01:08:05.840
setting outside. I'll never forget it
that. The image of it is so

971
01:08:05.880 --> 01:08:11.360
stark in my mind. It was
beautiful. I translated that sunset into the

972
01:08:11.440 --> 01:08:15.600
scene where we picked up the story
and the girl Amy, the character who

973
01:08:15.640 --> 01:08:18.439
loves Sonic, and he's sort of, you know, uh, I'm a

974
01:08:18.560 --> 01:08:21.199
I'm a I'm a teenage I'm a
I'm a little boy. You know.

975
01:08:21.239 --> 01:08:24.840
He has that little boy's mindset,
like stay await me, cooties, you

976
01:08:24.840 --> 01:08:28.199
know, kind of thing. And
he's like, I'm not interested, but

977
01:08:28.239 --> 01:08:30.840
you know, he really does love
her, and so Sonic. She's out

978
01:08:30.880 --> 01:08:35.159
there and she's crying to Sonic has
been lost and he rescued her. And

979
01:08:35.439 --> 01:08:42.479
she's at the shore of this lake
and she sees something rippling in the water

980
01:08:42.800 --> 01:08:45.840
through this through the sunset that's just
at the edge of the horizon. The

981
01:08:45.920 --> 01:08:50.199
sun is reflecting off the water.
It's this beautiful orange sunset and I described

982
01:08:50.239 --> 01:08:55.640
it in a certain way, and
it's Sonic and he's he's floating in the

983
01:08:55.640 --> 01:08:58.640
water. So she goes out to
save him. She gives a mouth to

984
01:08:58.720 --> 01:09:00.880
mouth. It's very embarrassed seeing and
stuff, and it's cute and we're just

985
01:09:00.960 --> 01:09:06.600
making up the story, right so
years later I said to my niece,

986
01:09:06.640 --> 01:09:13.239
I said, Bree, you know
that story, what we imagined in our

987
01:09:13.239 --> 01:09:18.279
minds, is still as clear to
me as the actual sunset that we had

988
01:09:18.319 --> 01:09:21.359
outside that window of the Burger place. And she said, yeah, me

989
01:09:21.479 --> 01:09:27.720
too. And that's an amazing gift
to be able to do that. And

990
01:09:27.800 --> 01:09:31.800
that is what led me to connect
it to Christianity, because especially listening to

991
01:09:31.840 --> 01:09:36.840
David Knight, who's done just remarkable
things and helping me understand Christianity better reading

992
01:09:36.840 --> 01:09:40.359
more of the Bible, I was
already sort of there, and then I

993
01:09:40.399 --> 01:09:44.920
got much closer. And what I
think is interesting is when they say that

994
01:09:45.399 --> 01:09:54.760
we are made in God's image,
there is the idea of imagination that there

995
01:09:54.880 --> 01:10:00.800
is an image. So if we
can recognize that every thing around us that

996
01:10:00.880 --> 01:10:04.119
we see physically, we can see
this physically. If we can just use

997
01:10:04.199 --> 01:10:14.119
our imagination and imagine that the physical
has to come from something we can't see

998
01:10:14.199 --> 01:10:19.880
from the metaphysical, there's this connection
there to storytelling. So now I look

999
01:10:19.920 --> 01:10:25.720
at storytelling in two ways. I
can still suspend disbelief, which is awesome.

1000
01:10:26.439 --> 01:10:29.479
I can still dig a story,
I can still dig a plotline.

1001
01:10:29.760 --> 01:10:32.399
But I also take with me.
In the end, I come back to

1002
01:10:32.479 --> 01:10:39.039
reality and say, those were people
that actor Kevin sorbel doing good stuff,

1003
01:10:39.560 --> 01:10:44.279
William Shatner, you know, whoever
the people might be, they're people making

1004
01:10:44.319 --> 01:10:48.239
their living. God bless them.
And they've gotten up on the stage for

1005
01:10:48.239 --> 01:10:51.840
a little while. Now they've stepped
aside. We'll let somebody else come in

1006
01:10:53.439 --> 01:10:58.640
do his thing, and they're going
to tell these stories that hopefully they'll give

1007
01:10:58.720 --> 01:11:01.680
us moral lessons. And that's what
I take from it. Everybody is given

1008
01:11:01.720 --> 01:11:08.199
this opportunity to hopefully offer us something
that will give us value and let us

1009
01:11:08.279 --> 01:11:11.479
recognize that we're all human beings that
have been created by God, and we're

1010
01:11:11.479 --> 01:11:16.159
telling stories that remind us imagination.
We're all based on the image of God.

1011
01:11:16.600 --> 01:11:18.439
So that's sort of the way that
I look at it now. And

1012
01:11:18.640 --> 01:11:21.359
I'm you know, hoping to write
more stories and things like that, but

1013
01:11:21.439 --> 01:11:26.880
I'm kind of glad I'm not in
LA because I would never achieve these these

1014
01:11:26.920 --> 01:11:30.960
thoughts, you know, about my
life, my soul. I don't think

1015
01:11:30.960 --> 01:11:33.039
I would have. You know,
well, there you have it. And

1016
01:11:33.079 --> 01:11:39.039
normally I give a little a little
outro here for the discussion. But I

1017
01:11:39.079 --> 01:11:43.600
think Gardner Goldsmith did it much better
than I could have, so we'll leave

1018
01:11:43.640 --> 01:11:45.960
it at that for tonight. Thank
you Gardner Goldsmith for joining me, and

1019
01:11:46.000 --> 01:11:49.600
thank you guys for listening. I
am merely o'celly. All of you are

1020
01:11:49.640 --> 01:11:51.479
indeed the effect. Take care,

