WEBVTT

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Hello, kleets, It's me John
could Sire, the voice of the crypt

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Keeper, and you're listening to Chronicle
from the Crypt. Hello there, I'm

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Casualty Chris and this is Father Malone
and we are the host of Chronicles from

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the Crypt, a twice a month
look at the horror anthology series Tales from

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the Crypt that aired from nineteen eighty
nine to nineteen ninety six. Now,

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on each of these podcasts, we
do two episodes of the television series,

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and if you go back through the
catalog, you'll see that between seasons we

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used to do episodes about some tangentially
related tales of emera. He says,

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used to. Because this is the
last season. We are on the final

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seventh season of Tales from the Crypt, It's it's a little bittersweet, Father

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Molan. Wouldn't you say absolutely,
because I keep waiting for it to get

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better. Oh, get the fuck
out of it. I say it's bitter

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sweet because I mean I've I've I
feel like I've been doing this podcast as

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long as the Culture Cast, and
that is a that is a reality.

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If you've been listening to this podcast
recently. In our kind of rebooted run,

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I had initially started this podcast in
twenty fifteen, and then we got

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about I think we I forget Father
Molan, when did we start? When

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did we reapproach? This was it? Because I remember I asked you if

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you wanted to help me finish.
Yeah, initially it was I think midway

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through season five you had gotten to
and I guessed it on one of those

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and then we decided maybe we ought
to just do it again from the beginning.

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This was at least two years ago, maybe three two. We literally

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we literally got to the end of
that recording and we were like, should

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we just redo this from the start. I think we both came to the

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realization at the same time, separately
and then essentially said the same thing at

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the end. So it's it's pretty
bittersweet. I mean, you know,

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we've we have derided the show a
fair amount, and I you know,

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again, I want to reinforce to
the community because I know that the community

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listens. I know that you know, there's a very active Facebook group and

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there are a lot of fans of
the show. I do want to impress

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upon them and the Father Malone.
I think I can speak for both of

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us. We are fans of this
show. We love this show, there

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wouldn't be a podcast detailing our grievances
of the show not from us. Yeah,

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if we didn't like this show,
we wouldn't be talking about it.

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So, you know, I kind
of want to clear the air a little

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bit on that, because it feels
like sometimes we do pylon on this show

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and this season exactly right, that's
exactly how I feel a lot, and

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I feel bad for doing it.
And this season has felt worse than the

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last couple so far. I'm gonna
I'll say on par Well, it's felt

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worse because this is the final season
and this is it and it's not changing

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its tune. It's it's it's one
of those things where it's like you're trying

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to get someone to stop doing something, and then once they go off the

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cliff, it's like, well,
can't do anything about that now. And

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that's it's feeling like the show is
creeping closer towards its inevitable conclusion and it's

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not changing its tune. It's just
walking right off the cliff, completely oblivious

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that there's a cliff, and it's
it's unfortunate, it really is, but

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now with English accents exactly so let's
talk about some English accents we're gonna be

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talking about on this episode of Chronicles. From the Crypt Episode three and four,

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Season seven, A Slight Case of
Murder and Escape. It looks like

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Neptumbe has just moved from virgul to
late Capricorn, which would mean you should

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avoid any serious romantic and stranglements for
a while, at least until the end

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of the month when mercury turns retrograde. Something about your horoscope isn't making sense.

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Let me see your hand. Yes, interesting, I'm not much at

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bleeding palms, but your future seems
rather cloudy, kind of like the woman

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in Tonight's tale. She's been contemplating
her scar sign too. In a nasty

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nugget eye call A Slight Case of
Murder. So A Slight Case of Murder

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aired May third, nineteen ninety six. It is directed by Brian Helgeland,

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written by Brian Helgeland. It starts
Francesca Anus that is not her name,

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Francesca that is really not her name. It starts Francesca Annis, Christopher Cassanov

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and Elizabeth Spriggs and it is about
a true crime mystery novelist who gets a

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mysterio his visitor in the middle of
the night. Sure, um boy,

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that's a that's what a SUCCINCTA synopsis. I I I genuinely wonder what they

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were thinking with this episode. I
didn't think it was terrible. I just

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it's not a terrible issue. It's
just a why why was this story so

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compelling you had to devote an episode
of Tales from the Crip when there's thirteen

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episode this season to this story.
I mean, that's that's the bigger issue,

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right. It's not a quality question
anymore, it's why are you devoting

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one episode when there aren't many left
to this story? Yeah? You know,

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I think sometimes on the show,
we've noticed this in past season's a

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guest director, filmmaker, writer sort
of steps in and they just let them

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go and do what they want.
And in this case, Brian Helgeland wanted

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to tell us a tale, let's
say, not very new, you know.

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I actually so. I tend to
reread the comics for these episodes after

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we've watched them. And this Slight
Case of Murders based on Vault of Horror

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number thirty three, written by Bill
Gaines and Al Felstein, and the artwork

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was by George Evans. But that's
about all I can tell you because could

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not find the original issue to read, So we're gonna have to assume that

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Brian Helgeland went off on his own
and did his own thing. It's all.

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I mean. I'm sure the comic
couldn't have been much better, but

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it's it's a story that to your
point. You know, Brian Helgeland doing

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his own thing, that's fine,
there's nothing wrong with that, but why

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this story? And Brian Helgeland is
not a bad writer by any stretch of

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the imagination, not at all.
La Confidential Man on Fire forty two,

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that weird Tom Hardy movie where he
plays two different people that's actually way better

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than it has any right to be. Oh legend, Yeah, it's it's

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it's weird to me. The order
a film that Have you ever seen that

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film? I have the Heath Ledger
Mark Addy film. Yeah, it's weird,

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right, yeah, but it's not
terrible. Is Brian Hilgeland English by

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any chance? I don't even know? Uh no, it's not right Providence

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low Roadie. Yeah, it's weird
that he works so much in England,

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But you know, I know,
Anglophiles, what are you Gonna do?

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And he also he also wrote A
Night's Tale? Yeah, he directed that

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too, right, he also directed. Yeah, but I mean I'm I'm

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talking. I mean again, you
know, his directing style is kind of

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non existent in this episode. I'm
talking more about like the story kind of

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you know. Yeah, his his
his ability to write is way better than

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this episode. Way yeah. I
think every writer out there, particularly when

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they deal in as much crime as
Brian Helgeland does, you know, thinks

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they have a who Done It in
them and they want to they want to

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spring it forth, And unfortunately he
did so here it tales from the crypt

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because there there's really nothing new in
this story at all, and and it

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also takes weird leaps where what was
like a two character study with this interloper

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character who is clearly the antagonist of
the tale. I mean, you don't

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have such a small cast and not
have one of them be the actual sort

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of overarching fiend that's going to be
revealed because we need the reveal. But

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like suddenly that woman's what was he
her son? Like? What was going

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on there where the I don't know, I mean, I guess she had

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been manipulating them the whole time.
I get it. Yeah. Yeah.

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The character of Elizabeth Spriggs, who
plays the nosy neighbor, is a budding

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crime writer herself, and so she
orchestrates the entire situation of the main character's

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ex husband coming back and thinking that
he was she was cheating on him,

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and then she ropes her own son
into it, and it's just fucking dumb.

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It's just dumb. It's dumb,
it's lazy. And on top of

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it being dumb and lazy, like
you said, it's it's a story we've

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seen before, and we'll see it
again, not in this show. But

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it's not like this is some novel, new concept that no one has ever

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thought of before. It's very on
the nose. Yeah, And you know,

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I think not maybe five or six
years beforehand, there had been a

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remake of the film Da where they
changed the plot from the original film to

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a character murdering another in order to
steal their novel and gain their fame.

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So like that it was not only
a new thought when Helgeland did it,

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it wasn't a new thought a couple
of years beforehand. It's just, you

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know, this home reminds me a
lot of secret window you stole my story.

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Oh yeah, my goodness, No, I'm just I'm just kidding.

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This does not remind me of that
at all, because somehow even that movie

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is better than this episode. That's
fair, that's fair. Look, the

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idea that one character who you've been
led to believe is a harmless character turning

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out to be the mastermind of this
entire situation is. It's a fun concept,

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don't get me wrong, but yeah, it needs to be more skillfully

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achieved than what we're given here,
which you know, there might be a

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time constraint maybe, or there might
I don't know. I'm not going to

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make excuses for the episode. It's
it is what it is, honestly,

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not the worst that we've gotten.
As you said, it's it's more a

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failure of our expectations that the series
is going to go out with a hurrah

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instead of a Hey, here's more
of what we've been giving you. And

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that's and that's really so much of
what it feels like is it's just it

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is content to go out on such
a disappointing note, and these episodes that

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we've been seeing have been pushing it
in that direction. It's just it feels

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almost and this is a more contemporary
example. It feels a lot like Game

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of Thrones. The show is just
rushing to the end. It doesn't even

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care about quality. It just wants
to be done. Yeah, who knows.

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Look, I'm not privy to the
behind the scenes machinations over at the

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Tales from the Crypt office in the
mid nineties, but you know, it

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feels like this is a lot of
out of trunk material, Like they had

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been writing and writing and then scripts
got rejected and it's like, well,

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we're doing one more season. Let's
pull out everything that we didn't get to

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do. But there was a reason
they didn't get to do those. Yeah,

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the reason is is they're not good. So, you know, I

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applaud them for wanting to do another
season of the show. I completely get

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it. You know, this show
has made an impact on so many people's

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careers, and it really has made
an impact on the whore community at large.

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But there's a reason this season is
not fondly remembered, and it's because

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if they were going to move to
the UK to work on the show,

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you would have thought they would do
something different with it, and yet they

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just continue to go down the path
that they were going down in season six

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and it's like, well, if
you're going to spend all that time and

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effort to move to a foreign country, yeah, continuing the trend of good

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enough, it seems like they thought, well, it's going to be you

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know, completely alien in that you
know, different land, different actors,

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different takes on things. But it
feels like they've done no rewriting at all.

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It's like, this is the what
season seven was going to be,

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but now it's in England and we'll, you know, we'll throw in a

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few sort of English phrases, but
that change in locale will be enough.

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And it wasn't enough. They needed
an entire not a revamp necessarily. I

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don't think the actual formula for Tales
from the Crypt needs fixing, but just

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a shot of adrenaline in some way, and it doesn't fail that. It

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feels like we're just hooked up to
life support, and the life support is

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slowly not working as much as it
used to. Yeah. The beeps on

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the heart monitor getting a pretty few
and far between. Yeah, So,

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speaking of the beeps getting few and
far between, let's talk about the next

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episode escape. Did you hear me? Maggot? I said fall in.

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I swear you must be the sorriest
bunch of sad set I ever did see.

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You're a disgrace to the uniform,
all of you, and you call

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yourself a scare force. What's your
problem? Soldier? You some kind of

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mummy's boy that it m I guess
you think you're like the man in Tonight's

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tale. He's not much of a
soldier. It's a nasty little shriek and

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destroy mission I call escape. So
the episode aired May seventeenth, nineteen ninety

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six. It is directed by Peter
McDonald, written by This Is Alecats and

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Gilbert Adler. I guess I just
okay, I guess we haven't seen Alecats

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and Gilbert add they're writing a lot
of screenplays. And this episode has Martin

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Kemp and Nicholas Grace in it.
And it's a episode about a Nazi prisoner

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of war who turns on his own
men who are trying to escape, and

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then he gets recaptured. Any attempts
to do the same thing. It's a

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lot like Yellow. It is a
lot like ya. Having said that,

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pretty pretty enjoyable. Not a whiff
of the supernatural, more more of the

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bitter irony from ec. I think
it was well made past the time,

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didn't didn't feel insulted at all.
I did once we got to the the

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big reveal at the end, just
feel like, well, you guys did

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do this episod pisode and it was
a little more grand and had Lance Hendrickson

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in it. Yeah, you know
that. That to me, I think

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is the real The real issue is
that it is as much as I'm not

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a huge fan of Yellow, I
mean it's not that I don't like Yellow,

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but you know, Yellow is just
in my opinion, Yellow is okay.

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It's not the amazing episode. I
think Zameche's thought it was going to

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be. Now it's overlong by half. Oh yeah. But you know the

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issue is this episode. You know
where it's going, you know what the

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twist is, you know what the
twist is long before they even do the

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twist. And in Yellow, the
actors are so good that some of the

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issues with the episode I kind of
overlook them. In this episode, it's

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a lot harder to overlook those issues
because the quality of actors on screen is

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not the same now, and which
isn't to say that they're not doing their

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00:15:54.279 --> 00:15:56.960
job. I think Martin camp is
pretty good. I think for me,

203
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the problem is more that it's all
well and good to make the audience accept

204
00:16:03.720 --> 00:16:07.080
a character who's sort of unseemly and
let you go with them. But here

205
00:16:07.200 --> 00:16:15.720
what we have is a Nazi and
uh and the most cowardly of them,

206
00:16:15.759 --> 00:16:19.679
the one who sells out all of
his friends and sells out anyone he can

207
00:16:19.840 --> 00:16:23.759
just to just to save his own
hide. So like they're they're asking a

208
00:16:23.799 --> 00:16:27.399
lot from us to kind of begin
with, so that you know, when

209
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the final twist comes, it's not
it's not unwelcome. Yeah, you know.

210
00:16:33.919 --> 00:16:37.960
In Yellow, the main character is
somewhat sympathetic. In this he's not.

211
00:16:38.080 --> 00:16:41.840
It's not he's a fucking Nazi.
He's a fucking Nazi. Yeah.

212
00:16:41.840 --> 00:16:45.399
Man. Like in Yellow, we
have the son of a like a the

213
00:16:45.559 --> 00:16:51.480
like the head of the US forces, who has been forced into military life,

214
00:16:51.840 --> 00:16:53.840
and it has from the get go
said I don't want to do any

215
00:16:53.840 --> 00:16:56.200
of this, and I'm a coward
and that's the way it is, and

216
00:16:56.559 --> 00:17:00.759
gets a come up and stead isn't
necessarily deserved. But here, like yeah,

217
00:17:00.799 --> 00:17:06.440
it's it's this is this is a
this is a Nazi who will sell

218
00:17:06.480 --> 00:17:11.440
out Nazis and Americans no matter what, he's just he's just a despicable guy.

219
00:17:11.920 --> 00:17:15.559
Now, I will point out that
this is not based on Tales from

220
00:17:15.559 --> 00:17:18.960
the Crypt Shocking. It's Multipore number
sixteen written and the artwork was done by

221
00:17:18.960 --> 00:17:23.400
Al Feldstein. In the original,
it's a mob boss in a New York

222
00:17:23.440 --> 00:17:30.680
prison and it's like a heavy labor
camp in that they're constantly unloading and toting

223
00:17:30.839 --> 00:17:34.839
these bricks, and the mob boss
is sick of this and he wants to

224
00:17:34.880 --> 00:17:37.640
get out of there, so he's
going to break out, and he arranges

225
00:17:37.880 --> 00:17:44.119
to have the prison job of the
prison morgue, knowing that eventually someone's gonna

226
00:17:44.160 --> 00:17:48.240
die and he's gonna sneak himself into
the coffin, and he's set up with

227
00:17:48.240 --> 00:17:51.920
his cohorts that when that happens that
they have to come and dig him up,

228
00:17:52.079 --> 00:17:55.880
not realizing that the bricks that he's
been toting for the first part of

229
00:17:55.920 --> 00:18:00.839
the issue are for a new crematorium
that that they've built. So instead,

230
00:18:02.000 --> 00:18:04.359
so he gets into the coffin and
ends up being burned alive. Better,

231
00:18:04.680 --> 00:18:10.720
as far as I'm concerned, Way
better, way better. An actually interesting

232
00:18:11.200 --> 00:18:15.039
story with a interesting payoff. Yeah, and and really sort of trafficking and

233
00:18:15.240 --> 00:18:19.839
tails from the CRYPTI kind of avenues
where he's going to be buried alive and

234
00:18:19.880 --> 00:18:22.880
you think that that's going to be
it, and then he's gonna get double

235
00:18:22.880 --> 00:18:26.119
crossed or something, and then nope, they just put that box right into

236
00:18:26.200 --> 00:18:32.359
a their newly minted furnace. Could
have been horrific instead of ironic, which

237
00:18:32.400 --> 00:18:34.799
is the war is already over.
You could have been free. I wish

238
00:18:34.839 --> 00:18:40.480
that that worked. I wish that
that payoff felt earned, right. It

239
00:18:40.519 --> 00:18:44.119
didn't, because you know, they've
set it up so that that character,

240
00:18:44.279 --> 00:18:48.480
the sort of brigadier general character,
has been an asshole from the beginning.

241
00:18:48.559 --> 00:18:51.759
Like as the way the episode is
played, he's the villain of the piece,

242
00:18:52.319 --> 00:18:56.599
so he's he's exacting revenge on this
on our lead. And as much

243
00:18:56.640 --> 00:19:02.799
as I can't get behind the leads
motivations, like you're just kind of left

244
00:19:02.839 --> 00:19:04.720
unsatisfied, Well, you don't know
who to root for because you're not going

245
00:19:04.759 --> 00:19:08.039
to root for the Nazi, but
you're also, like you said, it's

246
00:19:08.039 --> 00:19:11.359
hard to get behind a character who
is kind of such a piece of garbage

247
00:19:11.359 --> 00:19:14.680
in his own right, And you
know what's funny, like they had they

248
00:19:14.720 --> 00:19:18.799
had this plant character pretending to be
a Nazi prisoner of war who's sympathetic to

249
00:19:18.839 --> 00:19:22.119
our lead, convincing him that he
needs to forge ahead with this plan of

250
00:19:22.279 --> 00:19:26.599
escape, and you know it ends
up being an English soldier. What's funny

251
00:19:26.599 --> 00:19:32.799
about that is like he affects a
German accent to like convince this guy.

252
00:19:32.839 --> 00:19:36.240
But like, at no time did
Martin Kemp just speak German to him?

253
00:19:36.759 --> 00:19:38.640
Like could the guy speak German?
That's something we never really got into,

254
00:19:38.759 --> 00:19:41.920
but like these are little details and
always sort of stick in my crawl.

255
00:19:42.079 --> 00:19:45.359
Well, if he had spoken German
to him, the jig would have been

256
00:19:45.440 --> 00:19:49.680
up so exactly. But that's an
issue. Deal with that issue. Oh,

257
00:19:49.720 --> 00:19:52.079
I completely agree. I mean,
I'm not disagreeing with you. I'm

258
00:19:52.079 --> 00:19:56.720
just being a smart as you know. It's a it should have been something

259
00:19:56.720 --> 00:20:00.319
that they confronted outright, but of
course they didn't, which means when the

260
00:20:00.359 --> 00:20:04.039
twist comes, you know what the
twist is going to be. Yeah,

261
00:20:04.079 --> 00:20:07.680
I mean, I guess that guy's
the most sympathetic character in it, right,

262
00:20:07.319 --> 00:20:11.200
He's just doing his job, I
guess so, But we're also not

263
00:20:11.319 --> 00:20:17.079
given enough from him as a character. To really know anything about him.

264
00:20:17.359 --> 00:20:21.319
Yeah, it's it's weird when they
do these episodes that are character pieces.

265
00:20:21.359 --> 00:20:25.319
You only have one or two main
characters, and we don't know anything more

266
00:20:25.359 --> 00:20:27.200
about them at the end of than
we did when we started. Yeah,

267
00:20:27.200 --> 00:20:30.480
and then you get to the end
of the episode and you wonder to yourself,

268
00:20:30.759 --> 00:20:33.839
Okay, who was I supposed to
be invested in? Who was I

269
00:20:33.839 --> 00:20:37.880
supposed to be rooting for? Here? Do I care that the main character

270
00:20:37.960 --> 00:20:41.799
gets shot in a coffin? Like
I do? I even care? Know

271
00:20:41.880 --> 00:20:44.720
he's a Nazi, so I don't
even care. Yeah, it's a matter

272
00:20:44.759 --> 00:20:49.400
of well, I just watched some
events occurring and I there it was,

273
00:20:49.720 --> 00:20:53.039
and like, yeah, it's it's
well made, it's you know, look,

274
00:20:53.119 --> 00:20:57.200
ultimately, I think this is the
episode that would have been made of

275
00:20:57.799 --> 00:21:03.160
yellow. Had Zamakas not said I'm
going to do a full blown, one

276
00:21:03.200 --> 00:21:06.319
hour long episode as a pilot for
another series, it would have been this

277
00:21:06.400 --> 00:21:11.880
small scale. But I do feel
like had they adhered more toward the source

278
00:21:11.960 --> 00:21:15.079
material, it would have been a
better payoff. Well, they had the

279
00:21:15.160 --> 00:21:17.720
coffin, even if he was a
Nazi, Like, yeah, I mean

280
00:21:18.119 --> 00:21:22.200
burning alive is pretty nightmarish. Well, I think the other thing that they

281
00:21:22.200 --> 00:21:25.440
could have done, if they wanted
to still do this story but kind of

282
00:21:25.480 --> 00:21:30.359
do a little bit of course correction, would be make the character a Allied

283
00:21:30.400 --> 00:21:34.759
pow and watch him turn on his
own people because he knows he's saving his

284
00:21:34.799 --> 00:21:41.319
own skin. Then he is a
character who deserves the punishment, and you

285
00:21:41.319 --> 00:21:44.920
could have been invested in him even
slightly. Yeah, that's a that's a

286
00:21:44.960 --> 00:21:48.319
really good point, because something about
the Nazi uniform is just off putting from

287
00:21:48.359 --> 00:21:52.119
the get go. Yeah. I
mean no, I mean, no one

288
00:21:52.160 --> 00:21:56.200
in their right mind, especially in
current day and age, is going to

289
00:21:56.240 --> 00:22:00.640
go out of their way to root
toward the Nazis. Yeah, man,

290
00:22:02.960 --> 00:22:06.119
and uh yeah, I mean look
tells from the crypt Is. It's no

291
00:22:06.359 --> 00:22:11.440
stranger to unsympathetic leads. We get
them all the time, and your mileage

292
00:22:11.440 --> 00:22:14.000
may vary on whether or not they
deserve what they get at the end.

293
00:22:14.000 --> 00:22:17.960
But in this case, I'm like, yeah, okay, good shoot him.

294
00:22:18.079 --> 00:22:19.319
Yeah, I mean, I have
no why didn't you just do that

295
00:22:19.359 --> 00:22:22.799
to begin with? Not a sympathetic
bone in my body. Regarding Martin Kemp's

296
00:22:22.880 --> 00:22:26.759
character, he's dead, good riddens. He gets what he deserves, right,

297
00:22:26.759 --> 00:22:30.039
I mean, he gets what he
deserves. Yeah, but you know,

298
00:22:30.720 --> 00:22:32.799
they could have done that in the
first five minutes. They could have

299
00:22:32.839 --> 00:22:36.400
done that while they were escaping and
just said, oops, we thought he

300
00:22:36.440 --> 00:22:38.160
was running. Well, that's the
thing. You pick up this episode right

301
00:22:38.200 --> 00:22:42.559
at the beginning with Martin Kemp and
he is running with the rest of his

302
00:22:42.880 --> 00:22:48.720
soldiers escaping from the first prison,
and with the way that the episode starts,

303
00:22:48.759 --> 00:22:51.799
it kind of it's kind of just
jarring becus like wait, what,

304
00:22:52.039 --> 00:22:56.160
okay, what's going on? And
then you don't really get to see him

305
00:22:56.480 --> 00:23:00.200
betray his compatriots. I mean,
you see the act, but you don't

306
00:23:00.240 --> 00:23:03.839
see the build up to his betrayal. You don't see any camaraderie between them,

307
00:23:03.880 --> 00:23:07.480
which is what would have I don't
know. I mean, maybe that

308
00:23:07.519 --> 00:23:11.640
was a smart move because already we're
dealing with the stumbling block of fascism.

309
00:23:12.119 --> 00:23:18.720
So the less we see of him
actually betraying people he knows and likes and

310
00:23:18.839 --> 00:23:22.839
like him better. Well. The
other funny thing is, similarly to the

311
00:23:22.880 --> 00:23:29.319
episode with the monkeys Paw, it
hasn't opening that while it does play into

312
00:23:29.359 --> 00:23:33.039
the final story of the episode,
it also takes away time from the final

313
00:23:33.079 --> 00:23:34.880
story of the episode. Yeah,
I mean, this is not a James

314
00:23:34.920 --> 00:23:38.880
Bond movie. We don't need to
see the last bit of his previous mission.

315
00:23:40.200 --> 00:23:42.720
Right. This cold open shit is
getting old, it is. Yeah,

316
00:23:42.759 --> 00:23:48.359
And particularly given how economical they need
to be with the amount of time

317
00:23:48.440 --> 00:23:52.519
given, it does seem like a
weird left turn to be taking for no

318
00:23:52.599 --> 00:23:56.400
good reason other than confusion. And
you know, we don't know anything about

319
00:23:56.440 --> 00:24:00.759
any of the characters or situations coming
in anyway, I don't need further muddying

320
00:24:00.799 --> 00:24:03.720
of the waters. Well. And
also given the fact that in a TV

321
00:24:03.799 --> 00:24:08.839
show like Tales from the Crypt,
a TV show that is an anthology weekly

322
00:24:08.960 --> 00:24:15.920
anthology television series, you have wraparounds
already, you can't do a cold open.

323
00:24:17.079 --> 00:24:21.680
That is not how this format works, right. That is a that

324
00:24:21.839 --> 00:24:29.640
is completely against the logic of what
a quote anthology TV series is. The

325
00:24:29.720 --> 00:24:33.279
cold open is the fucking crypt Keeper, right, And I've noticed that Kevin

326
00:24:33.359 --> 00:24:37.400
Yeager is back directing the segments,
which is welcome. Yeah. I think

327
00:24:37.400 --> 00:24:41.920
the crypt Keeper looks as good as
he's ever looked this season. I think

328
00:24:41.920 --> 00:24:45.079
he may have come back for last
season as well. But there was a

329
00:24:45.119 --> 00:24:52.160
season there that was maybe five where
either Gilkats or Alcats or Gilbert Adler were

330
00:24:52.279 --> 00:24:57.200
directing the crypt Keeper sequences and it
it felt stiff, And here it's as

331
00:24:57.319 --> 00:25:00.440
lively as it has ever been.
Well, the other thing is, you

332
00:25:00.519 --> 00:25:06.440
know, it's a nice change from
the crip Keeper puppet we saw on Ritual.

333
00:25:06.799 --> 00:25:10.160
Oh yeah, I mean, I'm
glad we watched that movie in between

334
00:25:10.240 --> 00:25:15.039
seasons, so I can really appreciate, like the dynamic job that the puppeteers

335
00:25:15.079 --> 00:25:18.160
are doing here. Oh yeah,
I mean you know this. You know,

336
00:25:18.240 --> 00:25:22.519
while these wrap around segments don't really
make a lot of sense, they

337
00:25:22.559 --> 00:25:26.559
seem to be going more and more
nonsensical as we have gotten farther with that.

338
00:25:27.119 --> 00:25:32.279
You know that idea with the show
where every episode has an opening segment,

339
00:25:32.759 --> 00:25:37.480
and those opening segments sometimes tie in, sometimes they don't. There they

340
00:25:37.519 --> 00:25:40.759
seem to be tying in less and
less. Yeah, I mean, it's

341
00:25:40.799 --> 00:25:44.160
a far cry from and All through
the House where he trudges in in a

342
00:25:44.240 --> 00:25:48.599
Santa suit and then tells us about
Christmas and what's to come. This just

343
00:25:48.799 --> 00:25:52.079
seems to be a bunch of non
sequiturs. And oh and by the way,

344
00:25:52.200 --> 00:25:53.640
I have a new tail for you. Yeah, I think is it

345
00:25:53.920 --> 00:25:57.240
which is it one of these episodes
where he goes to space? Is that?

346
00:25:57.480 --> 00:26:02.839
Is that one of these Yeah?
Yeah, where yes the Countdown rocket

347
00:26:02.880 --> 00:26:06.079
Ship. We don't even get a
sci fi episode after Yeah, Like,

348
00:26:06.480 --> 00:26:11.200
I just it's it's so weird to
me because it just doesn't work at all

349
00:26:11.440 --> 00:26:15.559
with the rest of the episode and
it doesn't have to write. But in

350
00:26:15.680 --> 00:26:18.880
the past it had been kind of
setting the tone, and I would personally

351
00:26:19.160 --> 00:26:26.920
argue it's important to set the tone
and the theme for the episode with these

352
00:26:26.960 --> 00:26:32.359
wraparounds, oh a hundred percent.
I mean that's always been the failing of

353
00:26:32.519 --> 00:26:37.559
any anthology, right that. You
know, you get invested in a set

354
00:26:37.599 --> 00:26:38.839
of characters, in a plot line, and then it's gone and now we

355
00:26:38.920 --> 00:26:44.440
have to re up. So it
was always nice when the crypt Keeper was

356
00:26:45.240 --> 00:26:48.400
easing us into the tail instead of
just throwing it at us. And this

357
00:26:48.599 --> 00:26:52.240
is not what the show is doing
anymore. It's just seemingly doing whatever it

358
00:26:52.319 --> 00:26:56.119
wants, and it seems less about
whatever it wants and more about what looks

359
00:26:56.200 --> 00:26:57.279
cool, Like, oh, what
can we do now? We'll put the

360
00:26:57.359 --> 00:27:00.160
crypt Keeper and Uncle Sam out for
it, or we'll put him in a

361
00:27:00.240 --> 00:27:06.799
spaceship. It's like, okay,
yeah, I mean it's it seems like

362
00:27:07.000 --> 00:27:11.839
leftover gags, right, like they
had wanted to do gas gags. Yeah,

363
00:27:11.279 --> 00:27:15.880
gags for episodes that don't exist.
Yeah, that John Carpenter. It's

364
00:27:15.880 --> 00:27:18.480
like that John Carpenter album that came
out a couple of years ago, theme

365
00:27:18.559 --> 00:27:22.240
songs for movies that don't exist.
Essentially, that's what these are, wraparounds

366
00:27:22.319 --> 00:27:26.519
for episodes that never happened. Yeah, I mean you could literally put anything

367
00:27:26.240 --> 00:27:30.960
after what comes at the beginning.
It's it's kind of crazy. Yeah,

368
00:27:30.039 --> 00:27:33.519
other than the fact that they explain
what happens in the episode, it has

369
00:27:33.640 --> 00:27:38.759
nothing to do with the episode,
and it's buzzare It's just bizarre, and

370
00:27:38.920 --> 00:27:42.680
it doesn't it doesn't. It just
doesn't work for me. Again, it's

371
00:27:42.680 --> 00:27:47.000
getting to the point now where I'm
watching these crypt keeper segments and this is

372
00:27:47.039 --> 00:27:51.400
gonna sound sacrilegious. I'm watching a
him just like I don't really care anymore.

373
00:27:51.599 --> 00:27:53.759
Like you, It's it's hard to
care when this has nothing to do

374
00:27:53.839 --> 00:27:56.640
with anything. It certainly has gotten
to the point of Okay, just get

375
00:27:56.720 --> 00:28:00.680
to the episode, just start.
And what's really sad is the episodes are

376
00:28:02.000 --> 00:28:03.880
you know, since you know what
I would say about halfway through season five,

377
00:28:04.960 --> 00:28:11.400
the episodes are starting to and have
been really disappointing and feel lazy and

378
00:28:11.559 --> 00:28:15.000
just good enough, and that didn't
really bleed into the wraparounds, but all

379
00:28:15.039 --> 00:28:19.039
of a sudden it has been.
It's systemic. It is. It is

380
00:28:19.200 --> 00:28:23.319
the malaise baked into this show.
At a cellular level, I guess is

381
00:28:23.359 --> 00:28:26.640
that at one point they were just
gonna throw their hands up and say,

382
00:28:26.680 --> 00:28:32.440
well, nothing else, this is
it. We're just gonna do weird wraparounds

383
00:28:32.519 --> 00:28:37.319
with the crypt Keeper being weird.
And have I mentioned that you should skip

384
00:28:37.400 --> 00:28:44.000
the previous episode, do not watch
the Murderous Tale, and I'm gonna slight

385
00:28:44.039 --> 00:28:51.279
Case of Murder and I don't know, I'm soft watch maybe on Escape given

386
00:28:51.359 --> 00:28:55.400
what has previously come, I'm going
to compare episodes and judge it that way.

387
00:28:55.640 --> 00:28:59.079
I would say skip and watch Yellow
instead. Yeah, okay, well

388
00:28:59.319 --> 00:29:02.559
if we're doing that, yeah,
I go watch Yellow. You'll at least

389
00:29:02.599 --> 00:29:06.440
get some It's not like you can't
watch Yellow, right, and you'll at

390
00:29:06.480 --> 00:29:07.680
least get some grandeur out of that
one. And you know, look,

391
00:29:07.759 --> 00:29:12.279
I don't remember this season very well. Frankly, I don't remember it at

392
00:29:12.319 --> 00:29:15.359
all. I think this is the
season I may not have ever watched.

393
00:29:17.400 --> 00:29:19.920
Like I've said before, I remember
the final episode of this season. But

394
00:29:21.440 --> 00:29:26.240
man, season's bumming me out.
Man. Yeah, I had high hopes

395
00:29:26.279 --> 00:29:29.440
coming in. I haven't seen any
of these episodes. I did see the

396
00:29:29.720 --> 00:29:33.720
final one, because that was pretty
well advertised, I think at the time.

397
00:29:33.799 --> 00:29:36.839
But I think I tuned in one
time to Tellson a crypt and saw

398
00:29:37.000 --> 00:29:40.839
that there were English people and it
felt entirely different to me, and then

399
00:29:40.880 --> 00:29:44.759
I turned it off. That was
years and years ago. So I went

400
00:29:44.799 --> 00:29:48.960
in to this particular season with higher
hopes than maybe we're warranted, and higher

401
00:29:49.000 --> 00:29:56.559
hopes than it may be deserved.
Oh definitely, definitely that Well, all

402
00:29:56.680 --> 00:30:00.640
I knows is on the next episode
of Chronicles from the Rip, we're gonna

403
00:30:00.640 --> 00:30:04.279
be talking about two more episodes from
season seven, episode five and six,

404
00:30:04.759 --> 00:30:10.000
Horror in the Night and Cold War
and guess who's in Cold War? You

405
00:30:10.160 --> 00:30:15.559
and McGregor yes, and Jane Horrocks
from Absolutely Fabulous and Colin Salmon as well.

406
00:30:15.599 --> 00:30:18.160
I believe, oh yeah from Resident
Evil should be great right based on

407
00:30:18.200 --> 00:30:25.440
the cast. Sure, but we
know it won't be unfortunately. I mean

408
00:30:25.480 --> 00:30:27.720
I have high hopes, but I
know they're going to be dashed, just

409
00:30:29.400 --> 00:30:32.400
based on the fact that I guess
everybody gave up all of a sudden.

410
00:30:32.559 --> 00:30:36.839
So this is an abusive relationship,
but it feels like we just keep coming

411
00:30:36.880 --> 00:30:40.200
back for more. So until then, Father Malone, where can people find

412
00:30:40.240 --> 00:30:42.759
you? You can check me out
over at father Malone dot com. I

413
00:30:42.960 --> 00:30:48.240
have a podcast called Dark Destinations.
It's a travellog to towns that never existed.

414
00:30:48.319 --> 00:30:52.039
You can check out my YouTube channel
at five Films and you can hear

415
00:30:52.119 --> 00:30:56.359
me over on Dreams for Sale,
the Twilight Zone eighty five podcast that Chris

416
00:30:56.440 --> 00:31:00.880
and I do with our man in
Detroit, Mike White. He's our man

417
00:31:00.000 --> 00:31:04.160
on the streets. He's on the
ground in Detroit. It's out there doing

418
00:31:04.400 --> 00:31:07.240
doing the good work. As for
me, you can find me on Twitter

419
00:31:07.440 --> 00:31:12.559
at Christmas Clause. I changed my
name on Twitter because as much as I

420
00:31:12.640 --> 00:31:15.839
like my name, when it comes
to talking about tales from the Crypt,

421
00:31:15.920 --> 00:31:18.880
it's probably not the best optics wise
to have your name be in the middle

422
00:31:18.920 --> 00:31:26.680
of a pandemic casualty. Chris,
So I have changed my name to something

423
00:31:26.720 --> 00:31:30.799
a lot more holly jolly, and
it's Christmas Clause without the tea, so

424
00:31:30.400 --> 00:31:33.559
you can find me on Twitter at
Christmas Clause. You can find the podcast

425
00:31:33.759 --> 00:31:41.119
on the Internet at Chronicles FTC and
also on the Internet at Chronicles from the

426
00:31:41.279 --> 00:31:45.799
Crypt dot com. We are on
Twitter at Chronicles FTC. Big thanks as

427
00:31:45.839 --> 00:31:49.519
always to John Cassire for the intro
for the Chronicles from the Crypt podcast,

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00:31:49.799 --> 00:31:52.240
and we'll catch you on the next
episode.

