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Hey, everybody. Before we start, I ran into some audio problems with

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this show, so you may hear
a little bit of distortion here and there,

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or occasionally a word will get clipped. I've cleaned it up the best

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I can. So now here's the
show, Hey everybody, and welcome to

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Life is a gamble. My guest
today is Lori Thompson, who has gone

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from Las Vegas strip entertainer to entertainment
attorney and Laurie. Welcome to Life is

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a gamble. Thanks so much,
Richard, it's so great to see you.

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What a flashback from us in the
eighties. Yes, yes, gray

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hair, but I color mine.
Okay, well, yeah, So Laurie

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and I first met on the first
movie that I ever directed, was called

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Dance or Die, and as you
might surmise, there was dancing in it,

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and Laurie was a dancer at the
Tropicana in the Falls, Brugier at

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that point, and that is how
we first met. And I don't think

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I've seen you much since then,
so it's great to reconnect. Absolutely.

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Yeah. I want to start at
the beginning. You started college at sixteen,

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and I also started college at sixteen, and for me, it was

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not a very easy transition. I
was sixteen, but I looked about twelve,

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and I really did not feel like
I fit in at all. How

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was it for you? Well,
I was a little scared going to college,

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especially when I first showed up and
I found out they'd overbook the dorm,

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so I had to find a place
to live. And my worst fear

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is that somebody would find out I
was only sixteen, because of course I

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thought of myself as in a mature
adult, which I'm sure you might have

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as well. So you know what
really helped me the most was growing up.

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I was in theater and as a
performer. I sang and danced in

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musicals, and I had the glee
choir you know club at my high school.

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And when I started college, I
thought it was going to be pre

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law because I, you know,
always wanted to be a lawyer. I'd

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been something that I decided when I
was nine years old. I wanted to

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be a lawyer. So when I
got to college, I was a little

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uncertain. I didn't really know any
lawyers. I just knew that I wanted

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to be the one that was the
glue to put every buddy that was very

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talented together to make something bigger than
I could by myself. So what happened

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was I wanted to also take dance
classes and you know, continue to perform

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either professionally or with university projects.
So when I went to go an audition

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for my dance class, as I
found out I had to be a ballet

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major in order to get into the
major ballet classes. So I auditioned and

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got into the top ballet class,
and then a little bit later after that,

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I got into a musical and an
equity theater. And getting back into

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that group of people in the theater
is what really grounded me. I really

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felt like I was secure now.
I was doing something that I'd been trained

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to do since I was six years
old, and that brought my confidence back.

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So I think as long as you
can find your posse and find your

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people in life, I think whatever
you stick your neck out to do,

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you can get a foundation and some
support around you. So that was really

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a smart thing. So I stayed
undeclared as a major, and I performed

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with Ballet West, the professional ballet
company there in Salt Lake City, and

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had a chance to go and work
at Disneyland for a summer. And they're

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all American Singers and Dancers program from
college students from all over the country.

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And when you sang and danced on
the Space stage in the park and did

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the parade at night, but also
to during the day. They gave us

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classes on Disney, which was so
beneficial. I just ate that up.

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Told us how they produced all of
their shows and their events. Took us

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over to the Burbank Studios where they
were just starting up a new Mouseketeers group,

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and saw Don Knott's riding a bike
down the street in Burbank doing Pete's

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Dagon and it was just you know. I was eating up the business and

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entertainment, very excited about it and
was excited to get into a career of

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business. And then these things just
kept popping up in the entertainment industry.

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I got a chance to go to
the School American Ballet in New York,

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came back, graduated, was dancing
with Ballet West doing Don Quixote, and

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they added a matinee performance, so
I had to miss my l sat for

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law school. Then I got a
chance to go to Miss Jackson, Mississippi,

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danced with the Jackson Ballet and go
out for the International Ballet competition,

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and I thought I was going to
be staying in Salt Lake and go starting

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laschool and dancing with Ballet West.
And when I told Bruce Marks at Bally

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West that I've been offered a soloist
position with the Jackson Vallet, he didn't

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say, no, Laurie, stay
here. You can dance with our company.

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I'll make you a soloist and you
can go to law school at night,

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and I'll work around that schedule.
And that's not what he said,

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Richard. He said, I think
you're gonna love Mississippi. Well, I

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want to jump back just a moment, though. I want to jump back

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to what happened to you at nine
years old that made you want to be

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a lawyer. You know that.
I was sitting on a rock. I

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grew up in Boulder, Colorado.
Was sitting on a rock up on the

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beautiful mountain at Chautauqua Park, going
up the hill, and I was thinking

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about a girl that had been killed
in a car accident that I knew,

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and she was graduating from high school, and I asked her, what are

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you going to do? Because she
did so many things. She was in

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the band and in the orchestra and
she did costumes through all the plays,

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and she said, I don't know, I don't know. I don't have

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a plan. And so I thought, oh my gosh, if you don't

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have a plan, you might die
if you're done. I mean, it

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was a really odd thing for a
child to think that. I thought,

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I need a plan, And you
know what, I don't want to pick

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something where I'm going to hit my
head on the ceiling and not have anything

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else to do, because I might
not be done yet. Right, So

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I thought, you know, law
is always changing, it's always something new

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to learn. There's always more people
coming along that need deals put together,

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people that are creating things. And
I think that that would last forever,

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and maybe even longer than I'm able
to last. That was one thing.

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The other thing was I started to
realize I was really bossy. I would

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do the play in my garage and
everybody would come over and I would tell

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them what parks they're going to play, and I would tell them what they

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needed to go and get from their
house to come over to do our show,

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and tell them to invite their siblings
and their parents to come to our

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show. And so I thought,
gee, if I'm going to be this

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bossy I better know what I'm saying. Surprising that you end up our director?

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Right? Oh well you did because
I couldn't dance. Oh oh is

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that it? So? So you
get to Mississippi, which must have been

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a bit of a culture shock coming
from Boulder and then Salt Lake. You

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know what, it was really a
culture shock. I did not realize how

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isolated I had been in Boulder.
First of all, when I first ran

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into somebody that said, we're fixing
to have lay ass over Yonder, I

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thought, whoa, whoa, whoa, Wait, what planet am I on?

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Does she really talk like that?
I guess she does. So,

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Yeah, it was very different being
in Mississippi. The thing that was kind

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of I mean, there were many
things that were different about Mississippi. Where

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I grew up. Everybody was middle
class. In Bolder, you know,

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my father worked at IBM, and
many of my friend's parents worked at IBM

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as well. They were computer engineers, and the university there. If they

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weren't computer engineers, they were professors
at the university. And it was very

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racially mixed, you know, because
of the technology hotbed there. So it

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was I didn't realize how much everybody
was the same, and everybody got along

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and bolder. And I got to
Mississippi and there's a very wide division.

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The people that were supporting the ballet
and the symphony and the fine arts center

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that I was working at. We're
very very wealthy. And it was my

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first experience really with being with very
very wealthy people that were interested in supporting

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the arts. That was something that
I learned there was you know, there's

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which was a good thing for the
arts, maybe not so good for the

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rest of the people in that community
that you know, were really struggling.

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So I saw that as you would
drive into different areas in Mississippi, I

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would see that anything I couldn't get
used to was the humidity. Oh my

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gosh, I don't think I ever
stopped sweating. I had leather shoes that

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actually molded. I saw a cockroach
that was as big as my fist.

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I thought, wow, this isn't
bolder. So but I learned so much

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there. How long did you end
up? You know, I was only

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there for a year, but boy
did I learn a lot. I learned

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how a nonprofit gets funded, and
how to go and solicit donors to build

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a new work, underwrite you know, the costumes or whatever it is that

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we were trying to do for our
season. So I did learn that,

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and that was something that was missing
missing my college degree. They forgot to

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tell us how to make it a
business, right, So as we were

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performing and they were teaching us how
to sing, how to dance, how

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to act. I uh, that
was the first time that I learned that.

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Plus having the International Ballet Competition before
our season started, and so I

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saw people from all over the world, had a chance to work with Robert

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Joffrey and people that I hadn't had
a chance to work with before. And

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see these dancers coming from even from
Russia and ones that wanted to defect from

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Russia at the time. So you
know, that was really a quite a

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eye opening experience. And I probably
would have stayed there except that the Jamie

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Gallagher I'd started dancing with him,
he was from California and he had been

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hired to dance with the Jackson Ballet
as well, and he had friends that

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his ballet teacher in California's son was
in a show called Hallelujah Hollywood in Las

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Vegas. So he and his partner
Linda now Linda Green said they need an

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adagio team for Jubilee. Why don't
you guys put together a video and give

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it to us and we'll get it
to the right people. Now, for

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our listeners who don't know what an
adagio teams, would you explain that?

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Well, I'm top man, which
makes it a lot easier for me.

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But what it is. It's actually
started in vaudeville and it was a type

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of dance where the guy lifts the
girl in the air and they do some

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acrobatic type lifts. It used to
probably be a little more spectacular, and

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then the art side of it started
adding to it. So think ballroom,

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classical ballet with stunning one handed lifts
and spins and flips added in, or

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this spectacular element of it. So
I had been a gymnast as a kid,

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so I wasn't afraid of being an
upside down there. You know I

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could do that. So we put
together a seven minute number to Balro to

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come out and perform it for the
people. The producers of Jubilee, the

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new show that was going in to
MGM at the time, so they saved

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us spot for one of their adagio
teams, and we finally finished our season,

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we did a summerstock musicals in Saddleback
College in California. When we got

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finished with that commitment, we finally
get to Las Vegas and we're staying at

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the Highlander Inn, which is now
the Beautiful Palladium, but it was just

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a small kind of motel next to
MGM on Flamingo, and we go over

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and watch the first is it the
first show or the second show? I

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think was the first show of Hallelujah
Hollywood, which was amazing at the time.

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I think they had close to one
hundred dancers in the show. And

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I just had seen the Follies Bergere, which is a smaller show on my

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way out to work at Disneyland in
the seventies, but this is nineteen eighty

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and I was just so overwhelmed by
it. So then the whole cast goes

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and sits in the audience between shows, and my partner Jamie Gallagher, and

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I went on stay age to do
our seven minute Bolero number for most of

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the cast no pressure right right,
and we got all kinds of oh my

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gosh, that was so wonderful.
And Michael Pratt was there, and I'm

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trying to think of who else,
But I ended up meeting these people later

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on. And then Flufflico comes over
and she says, oh my gosh,

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that was beautiful, but I am
so sorry I misunderstood and thought you were

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taller. That was the first time
I realized, Wow, this is a

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hype thing, and let's make it. It's so weird, Like it's not

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like you would be dancing in the
line, right You're you're an act would

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matter, you know. I think
part of it is that Bob Mackie was

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doing the costumes at the time,
and the really tall girls, you could

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have more costume, you know,
show off the costume better, the big

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head pieces. If they put one
of those head pieces on me, I

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would be half head piece, half
body, and with the showgirls their two

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thirds body one third head head piece, right. So, and I think

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it was just a style and a
look. And so she said, but

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you know what, let me send
you across the street. I know Pat

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mckechney over there, and they've got
a show over there, Casino, Dave

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Perry, and I think she would
love to have you. So I go

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across the street. My partner Jamie
starts getting fitted. You know, these

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sizes for the new show already and
I get over there and I'm starting to

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lace up my point shoes to show
her that I can dance, and I

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have to jump in here because unfortunately
we had some audio distortion and dropouts.

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And what happened was Luri went across
the street to the dunes and was ready

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to audition for the producer and show
him her ability as a professionally trained ballet

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dancer. And he said, oh, that's okay, just take your top

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off and walk across the floor.
And I don't know if your JODG just

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hit the floor, but my mind
did. Last time when that happened,

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I was, you know, a
college graduate. I was only twenty years

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old, but still I remember my
ballet teacher whenever I did something wrong.

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And he said, so, if
you're not going to take this seriously,

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you can always go to Las Vegas
and dance. And I thought, oh,

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no, what have I done wrong? So I decided. She said

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we're starting rehearsals right after the show, and I thought, and I just

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watched the second show and I thought, oh my gosh, it's like two

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thirty in the morning. I go
back across the street. I'm in tears.

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Flufflico says it's okay. She said, just because you dance talkless doesn't

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mean you're a bad person. There'll
be other jobs for you here. You'll

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figure it out. I said,
I just can't do that right now.

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So she called Nancy Howsell's in the
middle of the night and said, Nancy,

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I have a ballerina here that I
think will be very happy with you.

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Now. Richard, I don't know
if you know Nancy Hausele's, but

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it was such a wonderful thing to
meet her. She had the Adagio act

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in the Fall Spears Are years ago. She was called Zoni and Claire Francois

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00:18:32,799 --> 00:18:41,359
Zoni and Nancy Claire. And then
she met Kel Housel, whose father was

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one of the people that first built
the Tropicana hotel and was the president of

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00:18:45,880 --> 00:18:53,640
the Tropicana. So Nancy actually started
Nevada Ballet back in the seventies, and

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I think the company was fully professional
around own seventy seven, seventy eight maybe,

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00:19:03,000 --> 00:19:06,640
so it only been professional for two
years now. I say professional.

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It had professional dancers in it because
they were the dancers from the shows on

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the strip that were trained ballet dancers. So it was a very good company.

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It just hadn't gone to where they
have a regular company that rehearsed during

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the day and died performances at night, rather than rehearsed at night and did

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performances during the day. And so
you know, that was a big step

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for the company to go to take
that step to hire a separate company.

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And I met her and danced with
the company then for two years and out

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of ballet, and in the meantime
Jamie Gallagher started dancing with the company.

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After the fire, Yeah, with
terrible fire, and they were just in

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00:19:51,839 --> 00:19:56,440
their final rehearsals to open Jubilee.
The cast had already been let go for

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the evening the show. The hotel
all had to be shut down for a

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while and all those dancers went elsewhere. Some of them waited for the show

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to start back. Some of them
went over to the Lido. They went

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to the Follies Vigier. My partner
Jamie Gallagher, actually went to dance with

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00:20:18,839 --> 00:20:22,519
the ballet company with Nivata Ballet,
and he and I got a hold of

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00:20:22,720 --> 00:20:30,240
Nancy Hausel's tapes when she had the
Adajo act in the Fales Vigier and started

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00:20:30,759 --> 00:20:33,480
putting a plan together to try to
get the Adajo act in the follies.

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00:20:33,519 --> 00:20:40,480
Briger, Jamie and I were doing
a show called One of a Kind at

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00:20:40,759 --> 00:20:47,279
the Desert in the Felds actually did
it. Irving Feld was still alive,

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00:20:48,119 --> 00:20:52,400
and they produced a show called One
of the Kind and I think it was

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00:20:52,480 --> 00:20:59,240
the Music Box Review from Florida.
Frankie Caine and Manuel I forget his last

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00:20:59,359 --> 00:21:04,960
name, two female impersonators that were
beautiful. They didn't sing live, they

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00:21:06,039 --> 00:21:11,519
lip sync, but it was a
beautiful show. And we got asked to

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go and do a TV show that
had just started one season before called Star

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00:21:15,240 --> 00:21:22,359
Search. Think those of you that
don't know Star Search, think about American

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00:21:22,440 --> 00:21:29,640
idol with judges that tell everybody how
great they are. Well, it's more

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00:21:29,720 --> 00:21:33,680
like America's got talent, right,
I mean, because didn't they have all

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sorts of different acts. Yes,
they did, and we did it.

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00:21:38,119 --> 00:21:47,359
They had actors and singers and comedians
and bands and dancers. So we were

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in the dance category. You can
only do a minute and a half,

250
00:21:49,480 --> 00:21:52,680
so you got to figure out how
to squeeze everything in there that you want

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to do. And we did about
seven shows and got into the finals.

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But we knew that Larry Lee was
going to be one of the judges,

253
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and he was the producer of the
Falies Bragier. So we had two numbers

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00:22:04,440 --> 00:22:07,000
that we went out there to do
that week, and we decided to do

255
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the classical number because it resembled a
number that was in the Pullies Bager.

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We ended up grabbing his attention and
first we got hired as the understudied team

257
00:22:18,920 --> 00:22:22,960
in the Phualies Bugier, and then
about six months later we got the job

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00:22:22,039 --> 00:22:30,720
as the Principhilidagier team. I was
there for thirteen years. Wow wow now,

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00:22:30,839 --> 00:22:37,440
which which brings us to you.
You're there working and at this time,

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00:22:37,200 --> 00:22:42,000
Nevada, I believe, was the
only state in the Union that did

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00:22:42,039 --> 00:22:47,599
not have a law school. And
my god, you still wanted to go

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00:22:47,640 --> 00:22:52,759
to law school. And I remember
picking up the National Inquirer one time and

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00:22:52,880 --> 00:22:57,559
seeing a picture of you in in
you know, a show girl outfit,

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00:23:00,319 --> 00:23:04,200
and they had an article about you
flying every day to San Diego to go

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to law school while you were doing
the show at night. Oh my gosh,

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Yes that I did do that,
and it wasn't as hard as I

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00:23:15,000 --> 00:23:17,759
thought it was going to be.
I thought we were going to be opening

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00:23:17,759 --> 00:23:22,279
the law school shortly after I arrived
in Las Vegas in nineteen eighty, and

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there were some reasons why they law
school didn't end up getting opened. I

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00:23:26,720 --> 00:23:33,319
think some of it had to do
with that professional basketball team at UNLV that

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was best in the country. I
think they won the championship ten years in

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a row. But we're not supposed
to have a professional basketball team at a

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00:23:41,000 --> 00:23:48,279
university, so the donors could no
longer be anonymous, and it kind of

274
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changed the way they saw the university
after that, so it took a while

275
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before they could get to law school. So I started thinking about it,

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and I thought, I'm doing two
was a night, six days a week.

277
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But I could actually fly to law
school after work and then fly back

278
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after class and still do my two
shows. But when do you sleep?

279
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I know, well, you know, I was young, and now you

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never really. If you like the
way law school is depicted in all the

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00:24:26,240 --> 00:24:30,480
movies, you know that they're they're
already not getting any sleep because they're studying

282
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so much. I'm mind boggled by
your ability to do oh, Richard,

283
00:24:37,920 --> 00:24:40,599
And that wasn't the hard part for
me. The hard part for me was

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I graduated from college in nineteen seventy
nine, and I'm going to be starting

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law school in nineteen ninety five.
And I wasn't sure they still teach in

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00:24:48,519 --> 00:24:52,599
English. You know, it's been
so long since i'd been in school.

287
00:24:52,640 --> 00:24:56,880
I had no idea. That was
the hard part for me. It was,

288
00:24:56,079 --> 00:25:00,119
you know, showing up in a
classroom. So what I did was,

289
00:25:00,160 --> 00:25:03,680
before I went to law school,
I went over to UNLV to see

290
00:25:03,720 --> 00:25:07,680
about taking some classes again, just
to sort of get the hang of it.

291
00:25:07,119 --> 00:25:11,039
And I saw that they had an
entertainment and fine Art law class,

292
00:25:11,039 --> 00:25:15,880
and I went, well, this
will be perfect. So I took that

293
00:25:15,000 --> 00:25:18,920
class. The first day I walked
into class, I you know, was

294
00:25:18,960 --> 00:25:22,480
I wanted to look like a student. So I wore my little my,

295
00:25:22,480 --> 00:25:27,680
my blue jean shorts and my boots, and you know, I put on

296
00:25:27,759 --> 00:25:36,559
a hip necklace and walked into the
classroom realized I didn't have a notebook to

297
00:25:36,599 --> 00:25:44,599
take notes. I thought it was
about the costume. I ran back to

298
00:25:44,680 --> 00:25:48,319
my car and grabbed my day Runner
because we weren't using computers back then for

299
00:25:48,440 --> 00:25:55,000
school yet, so I grabbed my
day Runner to take notes, and it

300
00:25:55,079 --> 00:26:00,279
ended up being Mark Trottos was teaching
the class and he had a law from

301
00:26:00,359 --> 00:26:06,039
Quirk and Trottos with Ted Quirk and
Mark Trottos, and that's where I first

302
00:26:06,200 --> 00:26:11,160
met him and realized that he did
speak in English and I could learn.

303
00:26:14,079 --> 00:26:17,079
I did miss one on one of
the tests, and I was a wreck

304
00:26:17,160 --> 00:26:19,799
over it, and he looked at
me, like, you missed one.

305
00:26:21,119 --> 00:26:26,000
I'm like, no, no,
no, So we became friends. I

306
00:26:26,119 --> 00:26:30,799
was closer to his age than the
student's age. I was about thirty two,

307
00:26:30,880 --> 00:26:36,000
I guess. We became good friends
and started a production company together,

308
00:26:36,119 --> 00:26:41,079
a consulting company, which was my
second company I'd started in Las Vegas in

309
00:26:41,119 --> 00:26:45,359
production. He was very supportive of
me getting to law school and back,

310
00:26:45,799 --> 00:26:49,680
but also too, I still had
to work out the logistics. So when

311
00:26:49,680 --> 00:26:53,240
I got into the University of Utah
for law school, that's where you know,

312
00:26:53,319 --> 00:26:57,920
I went to undergrad school. But
it snows in Salt Lake, and

313
00:26:57,960 --> 00:27:03,839
I thought what if? And it's
a time difference too, So I started

314
00:27:03,839 --> 00:27:07,000
thinking, I got to go somewhere
where it doesn't snow and it's close to

315
00:27:07,039 --> 00:27:11,640
the airport. So I ended up
going to San Diego to University of San

316
00:27:11,680 --> 00:27:17,240
Diego, a lovely school looks like
a country club overlooks the ocean. It's

317
00:27:17,279 --> 00:27:21,680
so beautiful until you start paying for
all of that. But what happened was

318
00:27:21,680 --> 00:27:29,839
I got a call from a reporter
that said they were with the European version

319
00:27:29,839 --> 00:27:33,359
of People magazine, and I said
okay, and he said, well,

320
00:27:33,400 --> 00:27:37,519
can we kind of shadow you?
So they came to the show and there

321
00:27:37,599 --> 00:27:42,519
was a tent card on the tables. There was also the billboard that was

322
00:27:42,599 --> 00:27:48,039
up laying on my side in a
show gold costume. It's not actually when

323
00:27:48,039 --> 00:27:51,759
I wore in the show, but
and it said meet me for dinner at

324
00:27:51,799 --> 00:27:56,759
eight, because we used to have
a dinner show then and it was an

325
00:27:56,759 --> 00:28:00,759
eight o'clock dinner show, so it
was pretty kind of cute. And so

326
00:28:00,880 --> 00:28:06,920
he grabbed that tent card and then
he followed me to the airport and I

327
00:28:06,960 --> 00:28:10,680
was getting on the plane or getting
off the plane. I think he was

328
00:28:10,680 --> 00:28:12,960
in San Diego then getting off the
plane, and he they told him I

329
00:28:12,960 --> 00:28:15,359
couldn't get on the plane, and
he did and he took pictures on the

330
00:28:15,440 --> 00:28:22,839
plane, and then he came to
law school with me and he interviewed my

331
00:28:22,839 --> 00:28:26,279
my is it contracts? Professor?
Professor as my oh, I think it

332
00:28:26,359 --> 00:28:32,359
was constitutional law or I remember two
of my professors and they were only too

333
00:28:32,400 --> 00:28:36,880
happy to do the interview about the
lost law school. And yes, it

334
00:28:37,079 --> 00:28:41,960
ended up in the National Enquirer,
and I thought, I want to go

335
00:28:42,000 --> 00:28:47,759
and do intellectual property and entertainment,
and I didn't pay attention to what magazine

336
00:28:47,799 --> 00:28:52,079
it was going to end up in. So that and you know what,

337
00:28:52,160 --> 00:28:56,359
it was a very nice artifle.
I should be so lucky to have such

338
00:28:56,359 --> 00:29:03,160
a nice article that generally you think
of National Choir is something that's sensational,

339
00:29:03,279 --> 00:29:07,200
overly sensational, and I guess I
just didn't think it was that sensational for

340
00:29:07,240 --> 00:29:11,920
a show girl to go to law
school, but apparently that's what intrigued them.

341
00:29:12,599 --> 00:29:17,240
Yeah, well, especially to do
it at the same time in another

342
00:29:17,359 --> 00:29:22,799
state. I mean, that's true. But I guess we're always lucky.

343
00:29:22,839 --> 00:29:27,480
And it's a combination of what happens
to you. And I actually got asked

344
00:29:27,519 --> 00:29:36,759
to do the commencement speech for my
law school in twenty twenty, and it

345
00:29:36,799 --> 00:29:41,519
was such an honor to go back
and think of all the things you know

346
00:29:41,680 --> 00:29:48,240
that you are insecure about in law
school and insecure about in starting the practice

347
00:29:48,279 --> 00:29:55,240
of law, and so I had
this journey in twenty nineteen October and November,

348
00:29:55,640 --> 00:30:00,759
putting together my speech, you know
what I wanted to tell them,

349
00:30:00,839 --> 00:30:04,319
and thinking about my life and what
they learned from that experience, and both

350
00:30:04,359 --> 00:30:11,480
flying back and forth and being at
the end when I graduated from law school,

351
00:30:11,519 --> 00:30:15,519
I'm about to start to practice law. And I was six six even

352
00:30:15,599 --> 00:30:19,599
months, six six months pregnant when
I took the Navada bar, and so

353
00:30:21,079 --> 00:30:25,440
I'm thinking about all the things,
you know, and I write this speech

354
00:30:25,440 --> 00:30:30,799
about how wonderful their careers are going
to be, because this is twenty nineteen,

355
00:30:30,920 --> 00:30:37,880
and well, you know what happened
in March of twenty twenty. The

356
00:30:37,920 --> 00:30:44,759
pandemic shut down everything, and people
were so uncertain about what was going to

357
00:30:44,799 --> 00:30:48,000
happen. And some of these law
students that had been given offers to start

358
00:30:48,039 --> 00:30:53,680
work after they graduate were put on
hold. And so at first they say

359
00:30:53,720 --> 00:30:59,720
we're canceling. And then I get
a call in a few weeks before,

360
00:31:00,000 --> 00:31:03,759
I said, we're going to do
a virtual tool duation. So we need

361
00:31:03,799 --> 00:31:14,960
you to videotape your commencement speech and
we'll run it on our online graduation ceremony.

362
00:31:15,559 --> 00:31:19,839
Well, the problem is things are
different now, you know, the

363
00:31:19,880 --> 00:31:26,759
things that I wanted to say before
are very different now They're going into a

364
00:31:26,880 --> 00:31:30,720
very challenging world. And and I'm
so glad. You know, even the

365
00:31:30,759 --> 00:31:36,960
title of your your podcast, I
just life is a gamble, right,

366
00:31:37,680 --> 00:31:41,440
And so I thought about that,
and I thought, it's a pivot.

367
00:31:41,319 --> 00:31:48,640
You what you've learned in law school
is how to pivot. But so I

368
00:31:48,079 --> 00:31:55,240
managed to write a whole new graduation
speech in a week and get back to

369
00:31:55,759 --> 00:31:59,240
h and tape it and send it
out to them, And so that was

370
00:31:59,440 --> 00:32:04,440
I think I bet of fitted from
it way more than they did. You

371
00:32:04,480 --> 00:32:07,839
know, I forgot to mention this
when we were talking in the beginning,

372
00:32:07,920 --> 00:32:13,599
before we started about what I wanted
to cover. But I can't not ask

373
00:32:13,680 --> 00:32:21,519
you about many of our listeners have
seen the show on Netflix Glow Gorgeous Ladies

374
00:32:21,559 --> 00:32:28,119
of Wrestling, and you were one
of the original Gorgeous Ladies of Wrestling.

375
00:32:28,240 --> 00:32:34,920
So so so now how did that
work into the mix? So while I'm

376
00:32:34,960 --> 00:32:40,240
waiting for the lost open, before
I realized this might not happen, I

377
00:32:40,319 --> 00:32:49,480
had done star search and gone out
to do take the television show where I

378
00:32:49,480 --> 00:32:52,039
have to fly out during the day, take the television show for Star Search

379
00:32:52,039 --> 00:32:57,400
and then fly back and do my
shows at night. And I was lucky

380
00:32:57,480 --> 00:33:01,160
that, you know, that worked
out time wise. That I wanted to

381
00:33:01,519 --> 00:33:06,759
really learn television and get more into
television, and I heard that they were

382
00:33:06,799 --> 00:33:10,079
going to be doing a television show
at the Riviera Hotel and I thought,

383
00:33:10,079 --> 00:33:14,000
well, that'll be perfect if I
can, you know, do work on

384
00:33:14,039 --> 00:33:17,279
that show. I can learn the
television industry. You know, it's just

385
00:33:17,359 --> 00:33:22,680
my brain. I just am always
wanting to know how things work, what

386
00:33:22,799 --> 00:33:29,839
makes them succeed. So I went
over to the Riviera and the producers there

387
00:33:31,480 --> 00:33:37,119
showed me a videotape of Japanese women
doing these acrobatic moves in a ring.

388
00:33:37,359 --> 00:33:42,480
They were wrestling and doing like a
clothesline and she'd do a back layout.

389
00:33:43,240 --> 00:33:46,480
I just my jaw hit the ground
and I said, oh, oh no,

390
00:33:46,480 --> 00:33:51,680
no, I'm not a wrestler.
I'm sorry and said wait, wait,

391
00:33:52,599 --> 00:33:55,680
don't leave. What do you do? I said, Oh, I

392
00:33:55,880 --> 00:34:00,759
sing a little, I dance.
I've done some comedy before, musical theater.

393
00:34:01,960 --> 00:34:05,759
I said, but I don't wrestle, and he said, you know

394
00:34:05,839 --> 00:34:09,960
that's okay. Wrestling is the hook. We're doing a comedy show, and

395
00:34:12,000 --> 00:34:15,119
it's so one hour show, but
we only get it like twenty minutes in

396
00:34:15,199 --> 00:34:19,159
wrestling in it. That's kind of
the hook for the show, and we're

397
00:34:19,159 --> 00:34:23,320
writing it as we go. So
I thought about it and came back and

398
00:34:23,400 --> 00:34:30,960
said, okay, but I need
three things. It's it. First off,

399
00:34:30,000 --> 00:34:35,800
I need spinoffs because I'm not really
a wrestler, you know, spinoffs

400
00:34:35,840 --> 00:34:39,599
for like sitcoms or movies or whatever
you know they're going to do. And

401
00:34:39,679 --> 00:34:43,760
I said, second of all,
I want to learn the television industry,

402
00:34:43,800 --> 00:34:50,000
So I want to shadow the writers, the director, the producers, the

403
00:34:50,039 --> 00:34:54,760
distributors. I want to learn how
you sell the show. And the third

404
00:34:54,840 --> 00:35:00,800
thing said, see that billboard.
That's me on the billboard, the principal

405
00:35:00,880 --> 00:35:02,480
dancer in the Flyes Beige are and
I do two shows the night, six

406
00:35:02,519 --> 00:35:06,480
days a week, and you're gonna
have to work around that schedule. So

407
00:35:06,559 --> 00:35:09,760
I picked up my notebook got ready
to leave it or my portfolio, and

408
00:35:09,760 --> 00:35:15,400
he said, wait, wait,
wait, okay, you really said,

409
00:35:15,480 --> 00:35:21,880
okay, oh, I'm gonna have
to learn how to wrestle. I did.

410
00:35:22,239 --> 00:35:24,440
I kept my side of the bargain, and boy did they keep their

411
00:35:24,480 --> 00:35:30,440
side of the bargain. I was
so David McLean and Matt Simber they kept

412
00:35:30,440 --> 00:35:35,320
their side of the bargain and I
got to learn the television industry, and

413
00:35:35,400 --> 00:35:38,719
I'm so very happy I had that
experience. Ended up moving into the river

414
00:35:38,880 --> 00:35:45,159
A hotel, staying in a suite
there so I could get to the Tropicana

415
00:35:45,239 --> 00:35:51,039
faster and get back faster, because
sometimes we would tape in the casino at

416
00:35:51,079 --> 00:35:55,639
two am after I got back some
of the comedy stuff. So I was

417
00:35:55,679 --> 00:36:02,960
a good girl, of course,
and glossy. And I remember Matt said

418
00:36:04,000 --> 00:36:07,280
to me, I think you should
be Star, and the writer says yes,

419
00:36:07,320 --> 00:36:10,840
and we'll have like a twinkle on
your tooth and then maybe a twinkle

420
00:36:10,880 --> 00:36:15,519
on your eye and you know,
so that'll be like your character. And

421
00:36:15,559 --> 00:36:17,119
I thought, oh my gosh,
what am I going to do with that?

422
00:36:17,760 --> 00:36:22,760
Was that the name of your character? They wanted me to be Star?

423
00:36:22,079 --> 00:36:25,079
And I thought about it, and
I said, a cheerleader. I

424
00:36:25,119 --> 00:36:30,760
can be a cheerleader. So I
said, how about my parents call me

425
00:36:30,840 --> 00:36:34,480
Susie. It's my meddle name is
Sue. I said, how about if

426
00:36:34,519 --> 00:36:40,440
I'm Susie's spirit a cheerleader, and
I can be for good eating habits being

427
00:36:40,599 --> 00:36:45,639
nice to everybody, supporting everybody and
cheering them on, and athleticism and how

428
00:36:45,679 --> 00:36:49,559
we need to work out. And
I said, I can do something with

429
00:36:49,719 --> 00:36:53,239
that. And I said, there's
no such thing as the name cheerleader.

430
00:36:54,679 --> 00:36:58,480
Yeah, I could go find a
partner if you want to be a cheerleader.

431
00:37:00,519 --> 00:37:05,039
Hi was one of the acrobats and
the falling SiGe Air, and I

432
00:37:05,079 --> 00:37:07,599
went and sent and said, how
do you feel about wrestling? Went?

433
00:37:08,239 --> 00:37:14,360
Are you serious? She came and
wrestled and sold in the very good gymnast

434
00:37:14,440 --> 00:37:17,920
and she got it down quickly,
and so we were the Cheerleader, Susy

435
00:37:19,000 --> 00:37:24,519
Spirit and Debbie Debutante. In our
first match, we wrestled the heavy metal

436
00:37:24,599 --> 00:37:34,400
sisters Chainsaw and Spike. Chainsaw came
into the ring with the chainsaw and Spike

437
00:37:34,480 --> 00:37:37,880
had a blowtorch with flash paper.
It was light and throw it for fine.

438
00:37:39,000 --> 00:37:44,400
So anyway, we have this match
with these two lovely sisters who were

439
00:37:44,440 --> 00:37:52,400
just in incredible characters a delight,
and it ends up that Debbie Debutante one

440
00:37:52,440 --> 00:38:02,280
of them bites her foot and gets
lockjaw of miss the the uh. They

441
00:38:02,280 --> 00:38:07,400
had to call the ambulance and the
that she had to be carried out on

442
00:38:07,440 --> 00:38:10,960
a stretcher because they couldn't get her
mouth off of her foot. You know,

443
00:38:12,159 --> 00:38:17,039
it was just fun, you know, we would I was fighting Palestina

444
00:38:17,159 --> 00:38:22,400
once and she cheated and through sand
in my eyes. So Americana came to

445
00:38:22,440 --> 00:38:28,280
the rescue, and and then Noshka
jumped in to help Palestina the Russian.

446
00:38:28,519 --> 00:38:32,599
I mean, it was just comedy. R really funny comedy, and we

447
00:38:32,679 --> 00:38:37,119
never admitted that weren't really the characters. So when I would do interviews,

448
00:38:37,159 --> 00:38:40,400
I went on the late night show
at Joan Rivers as Susie's Spirit. So

449
00:38:40,440 --> 00:38:47,519
I'm sitting on the couch with Mike
Tyson and John Davidson and and Linda whose

450
00:38:47,599 --> 00:38:53,960
wonder woman h Carter of Linda Carter. Yeah, and I'm Susie Spirit.

451
00:38:55,239 --> 00:39:01,000
To be Mari Thompson, I had
to be Susie Spirit. Mike Tyson is

452
00:39:01,000 --> 00:39:06,880
is you know all nervous, comes
to my room and asks for my autograph.

453
00:39:06,920 --> 00:39:10,280
Wait, you're Mike Tyson? Will
you sign all of these for my

454
00:39:10,360 --> 00:39:15,519
friends? So it was quite an
experience. I'm really glad that I did.

455
00:39:15,519 --> 00:39:20,719
I got to go to napty and
learn how to actually pitch the television

456
00:39:20,760 --> 00:39:25,880
show, you know, on the
floor of the convention. That's how I

457
00:39:25,960 --> 00:39:30,559
learned television. And it was a
little tough back in the Follies Vigi Air

458
00:39:30,679 --> 00:39:37,119
because well two things. The showgirls
were very upset that I was doing something

459
00:39:37,199 --> 00:39:43,360
like that that was so disgusting.
And they didn't want the affiliation with wrestlingling,

460
00:39:43,719 --> 00:39:47,599
you know, because they're only dancing
in a top of the show Hi.

461
00:39:47,679 --> 00:39:51,159
And of course when I did Glow, they said, don't tell anybody

462
00:39:51,199 --> 00:39:54,039
you're in there. We just don't
want the him at the Toubles show.

463
00:39:54,679 --> 00:40:00,199
And I thought, really, you
guys, it's entertainment, right, It's

464
00:40:00,199 --> 00:40:07,960
all good. So I'm really glad
for that chapter. I'm really happy for

465
00:40:07,039 --> 00:40:10,400
the things that I learned and the
chance that I had. And then years

466
00:40:10,480 --> 00:40:15,199
later, these two kids that grew
up watching it with their dads came and

467
00:40:15,199 --> 00:40:19,239
said, we want to do a
documentary on Glow. Can you help us?

468
00:40:19,719 --> 00:40:22,199
And by then I was practicing law, so I helped them with they

469
00:40:22,519 --> 00:40:29,519
what they could and couldn't do to
do this show, and they did the

470
00:40:29,559 --> 00:40:34,719
documentary and GINGI Conan from Orange is
the New Black. The producer saw the

471
00:40:34,760 --> 00:40:38,599
documentary and said, I would really
like to do that, got the rights

472
00:40:38,599 --> 00:40:45,840
from the documentary from these producers and
recut it a little differently, and then

473
00:40:45,960 --> 00:40:52,559
she created the show Glow, got
the rights to use the name Glow from

474
00:40:52,599 --> 00:40:57,480
a license, and we created that
for Netflix only this time the story was

475
00:40:57,519 --> 00:41:01,039
about the girls that were playing the
characters, so they got to be real

476
00:41:01,079 --> 00:41:05,880
people. And there was a character
on the new show that was kind of

477
00:41:05,920 --> 00:41:07,840
like me because she got into the
production side of it. She was a

478
00:41:07,920 --> 00:41:16,280
Russian Instead. I broke my arm
dislocated it in the four camera shoot while

479
00:41:16,320 --> 00:41:22,639
I was doing Glow, and that
was not planned, but we had probably

480
00:41:22,719 --> 00:41:27,199
eight hundred people in the live audience
at the time, so we had to

481
00:41:27,239 --> 00:41:32,559
figure out how to get around that. I actually my a map because it

482
00:41:32,599 --> 00:41:37,880
was dislocated on the side of the
rope, and she said, get back

483
00:41:37,920 --> 00:41:42,639
in there, Susie, you're not
a quitter. My Glow show on Netflix

484
00:41:42,679 --> 00:41:45,719
they had the character breaker leg instead
of her arm like I did. That

485
00:41:45,880 --> 00:41:50,519
was a tough explanation. Richard to
go to the producer of the follies,

486
00:41:50,599 --> 00:41:52,760
Vigier and say, I'm going to
be out for about six weeks because I

487
00:41:52,840 --> 00:41:57,360
have to let my arm heal.
They thought am I going to keep my

488
00:41:57,480 --> 00:42:04,159
job. Wow, that is is
quite a crazy story anyway. So now

489
00:42:04,199 --> 00:42:12,280
you have gone from entertainer on the
strip to television with Glow, and then

490
00:42:12,559 --> 00:42:16,639
you've had this pretty long career as
an entertainment attorney. We're one of the

491
00:42:16,639 --> 00:42:22,800
top entertainment attorneys here in town,
which is great. But now I understand

492
00:42:22,960 --> 00:42:25,960
you are going back to the stage, right. Tell me about that.

493
00:42:27,960 --> 00:42:31,280
So, Richard, it's been twenty
seven years since I've been on stage in

494
00:42:31,320 --> 00:42:36,119
the follies, Bigier. I do
a lot of speaking and a lot of

495
00:42:36,159 --> 00:42:40,719
teaching, but I'm always with a
PowerPoint and not in fancy costumes and definitely

496
00:42:40,760 --> 00:42:46,039
not dancing. So I had worked
with I'm on the board for Nevada Ballet,

497
00:42:46,199 --> 00:42:52,639
and I had met two gentlemen there, Tom Michelle and David Robinson,

498
00:42:52,960 --> 00:42:58,280
and they were putting together a musical
in Las Vegas, the Follies. So

499
00:42:58,400 --> 00:43:02,639
Stephen Sondheim had written in this musical
in the seventies and it opened on Broadway,

500
00:43:02,880 --> 00:43:09,320
I believe in nineteen seventy one,
and it's been produced though several times

501
00:43:09,360 --> 00:43:15,599
since then, but it's never been
done in Las Vegas. And Follies is

502
00:43:15,719 --> 00:43:22,119
about a group of people that performed
together in a theater in the follies production.

503
00:43:22,239 --> 00:43:29,440
I imagine it was probably a take
off on the Zigfield Follies or something,

504
00:43:30,039 --> 00:43:35,000
and they get together and have one
final reunion because they're tearing the theater

505
00:43:35,159 --> 00:43:42,280
down. So they're producing this show
in Las Vegas. It's on a website

506
00:43:42,320 --> 00:43:50,159
called Showgirls Come Home dot Com and
they've got twelve legendary showgirls. They've got

507
00:43:50,199 --> 00:43:54,320
a cast of Broadway stars and some
of our local stars Clint Holmes, Michelle

508
00:43:54,360 --> 00:44:02,360
Johnson, Linda Woodson is actually singing
in a just some wonderful people, Gabriella

509
00:44:02,440 --> 00:44:08,800
Versace and anyway, I am one
of the legendary show girls, so that's

510
00:44:08,880 --> 00:44:13,480
going to be a lot of fun. I had to get my top shoes

511
00:44:13,519 --> 00:44:17,199
out the other day because we just
started rehearsals last week and we're seeing and

512
00:44:17,320 --> 00:44:23,880
dancing and trying to look fabulous.
We're very excited because Steven Song Somendheim did

513
00:44:23,920 --> 00:44:29,559
a beautiful job. Beautiful Girls is
in the show, probably one of the

514
00:44:29,639 --> 00:44:36,800
most famous ones in the show,
and it's really it's a wonderful opportunity to

515
00:44:36,880 --> 00:44:39,760
do something that is this has this
much history to it, and it just

516
00:44:39,800 --> 00:44:45,280
so happens. The theater that I've
performed in for thirteen years is being torn

517
00:44:45,360 --> 00:44:51,360
down on April second, the Tropicana, the Fullly Spaciety here, it's being

518
00:44:51,400 --> 00:44:57,760
torn down, and our show is
opening on April eleventh at Aliante. We're

519
00:44:57,800 --> 00:45:01,400
doing six shows running through the fiftheenth, so it opens on Thursday, Thursday,

520
00:45:01,400 --> 00:45:06,760
Friday, two shows Saturday, two
shows Sunday, and that's it.

521
00:45:06,920 --> 00:45:12,800
We're just doing those six shows.
It's a nonprofit, so it's not meant

522
00:45:12,840 --> 00:45:15,679
to make money, it's just meant
to bring that art to Las Vegas and

523
00:45:15,719 --> 00:45:20,840
do something meaningful for the community here. I think it will mean a lot.

524
00:45:20,880 --> 00:45:23,800
They'll see a lot of performers that
they know. Well. There's a

525
00:45:23,840 --> 00:45:30,119
wonderful number that Kelly Clinton and Clint
Holmes do together, and so I think

526
00:45:30,119 --> 00:45:35,760
that you really will enjoy that and
it's fun for all of us. I

527
00:45:35,840 --> 00:45:39,800
am one of the youngest legendary show
girls and I just turned sixty four.

528
00:45:40,920 --> 00:45:46,519
There are one of our show girls
is ninety seven. We have one that's

529
00:45:46,599 --> 00:45:52,760
ninety one, that's eighty nine,
and we're a charity faster than they do,

530
00:45:54,360 --> 00:45:59,760
so we're very excited. David Lowe
is our musical conductor. We've got

531
00:45:59,760 --> 00:46:07,159
the Joy Jazz Orchestra with us JOI. It's I think it's about a thirty

532
00:46:07,199 --> 00:46:14,000
five piece orchestra with our production,
So it should be a it should be

533
00:46:14,000 --> 00:46:15,840
a treat. That should be a
treat for the people on stage and the

534
00:46:15,880 --> 00:46:20,039
people in the audience, and I'm
really looking forward to it. At first,

535
00:46:20,039 --> 00:46:23,960
I wasn't so sure. That takes
a lot of nerve. I dug

536
00:46:24,000 --> 00:46:30,039
out my tap shoes that I bought
when I was in college and in a

537
00:46:30,079 --> 00:46:35,559
couple of musicals and tap dancing,
and had to break those out for my

538
00:46:35,639 --> 00:46:39,400
rehearsal the other day and it came
back. I was surprised. So I'm

539
00:46:39,400 --> 00:46:43,920
so excited, and I hope the
community has a chance to come out and

540
00:46:44,000 --> 00:46:47,320
see this production, and you know, maybe it we'll revive the production and

541
00:46:47,360 --> 00:46:51,559
maybe it'll get off on a tour. I'm still going to practice law,

542
00:46:51,599 --> 00:46:55,480
though, I think that's my calling. I've been spending the last few weeks

543
00:46:55,480 --> 00:47:00,400
with all of my clients talking to
them about Super Bowl ads with can it

544
00:47:00,440 --> 00:47:07,039
can't do? So I think I
have a purpose doing that, and I

545
00:47:07,079 --> 00:47:12,599
know I'm good at that. I
am so grateful to come and talk to

546
00:47:12,639 --> 00:47:16,920
you, Richard. It's been so
much fun and fun to reconnect with you

547
00:47:17,000 --> 00:47:22,639
again and I look forward to hearing
many episodes of your show. Lauri,

548
00:47:22,760 --> 00:47:27,480
thanks so much for doing this.
It was great to have this conversation,

549
00:47:28,239 --> 00:47:32,960
and I just want our listeners to
know I was actually able to find a

550
00:47:34,079 --> 00:47:43,400
clip of you getting your arm dislocated
on Glow and I will put a link

551
00:47:43,440 --> 00:47:49,760
to that in the show notes so
everyone can go check that out. Anyway,

552
00:47:50,519 --> 00:47:54,239
that's it for this show. I'm
sorry about the audio glitches, and

553
00:47:55,159 --> 00:48:00,920
as always, you can reach me
at Life is a Gamble pop at gmail

554
00:48:00,960 --> 00:48:06,679
dot com or on Twitter at r
w M twenty one. Until next time,
