1 00:00:35,039 --> 00:00:42,679 I went out last night because I thought my baby didn't do me right. 2 00:00:44,119 --> 00:00:51,759 I went out last night because I thought my baby didn't do me right. 3 00:00:52,799 --> 00:01:06,480 That's a good. That's a good litter, that's a convector, that's a 4 00:01:06,599 --> 00:01:30,799 good er because my leaving got in. Bamn. I got home this moment 5 00:01:32,760 --> 00:01:37,959 and I, well, that wasn't making any kind of sense. I went 6 00:01:38,120 --> 00:01:46,519 out this evening and I still wasn't making any kind of sense. That's a 7 00:01:46,640 --> 00:01:59,959 good letter. That's a good letter. That's a coletter. That's a good. 8 00:02:00,640 --> 00:02:07,400 That's certain the cause they got it. That's because they got me. 9 00:02:07,159 --> 00:03:25,560 Yeah, at a colector, back to the letter at a colector. I'm 10 00:03:25,639 --> 00:03:32,400 talking LEFTI cos my baby got me. Fat of the letter me cos my 11 00:03:32,560 --> 00:04:12,719 baby got me batting lester at a letter act a collctor at a colest that 12 00:04:12,879 --> 00:04:15,680 is left turn. The band is the whole loaf, and they are here. 13 00:04:15,759 --> 00:04:18,319 We're gonna speak with them in a moment. Welcome everybody, and uh, 14 00:04:18,360 --> 00:04:21,160 we've got them. We've got the whole the whole band here, the 15 00:04:21,519 --> 00:04:25,560 whole loaf. It was too obvious. I had to say it. Hey 16 00:04:25,560 --> 00:04:29,319 guys, thanks thanks for having thanks for having us. I assume this is 17 00:04:29,319 --> 00:04:31,000 the whole band. I mean, you know, usually if there's five five 18 00:04:31,040 --> 00:04:34,839 people, that's that's the whole. I don't think I've ever interviewed a band. 19 00:04:35,160 --> 00:04:38,399 We got some bread crumbs here and there, but we're the whole loaf. 20 00:04:39,199 --> 00:04:42,199 We try to have the whole loaf on, not just a few slices. 21 00:04:42,279 --> 00:04:45,199 You know, yes, one sandwich, don't cut it, you know, 22 00:04:45,399 --> 00:04:48,160 that's that's right. You gotta do what you gotta do. Well, 23 00:04:48,240 --> 00:04:53,519 let's let's start with you. I'd like to go around, have you each 24 00:04:53,560 --> 00:04:55,839 introduce yourselves and tell us, tell us who you are, what you do 25 00:04:55,879 --> 00:04:57,720 in the band. And I'd like to start with you because, for one 26 00:04:57,720 --> 00:05:00,040 thing, I met you already. Yeah, so you haven't a Oh god, 27 00:05:00,639 --> 00:05:03,399 I didn't realize that. And you're the bass player, correct, I 28 00:05:03,439 --> 00:05:06,879 am the bass player. I'm also a bass player. We have to stick 29 00:05:06,920 --> 00:05:10,360 together. I don't feel that, uh, I don't feel that we get 30 00:05:10,439 --> 00:05:13,240 enough credit for what we do. Absolutely, and you deserve credit for those 31 00:05:13,560 --> 00:05:16,319 bass lines. Yeah, Bryan, I'm the bass player. You know, 32 00:05:16,839 --> 00:05:19,680 Charlie's my main guy. And you know, I take a lot of inspiration 33 00:05:19,879 --> 00:05:26,319 from Phil Lesh and Jack Cassidy and kind of bass players who aren't really bass 34 00:05:26,319 --> 00:05:30,279 players, so I try to be emblematic of that style. Interesting. I 35 00:05:30,319 --> 00:05:32,639 want to come back to that afterward. But uh, and you, sir, 36 00:05:33,199 --> 00:05:35,480 Yes, oh, I can't hear you. I'm sorry, hang on, 37 00:05:35,759 --> 00:05:42,120 something's uh. Why can't I hear you? I think I know why 38 00:05:42,120 --> 00:05:46,720 I can't hear you. I'm still getting used to the new studio. Yeah, 39 00:05:46,800 --> 00:05:48,600 I can hear you. We go. Nice. Hey, everyone, 40 00:05:49,000 --> 00:05:56,279 This is Charlie Kenny and I bank stuff professionally and drums on the side for 41 00:05:56,399 --> 00:06:01,879 a loaf. Very good, Yeah, Charlie, al right, welcome Charlie. 42 00:06:02,800 --> 00:06:08,879 That's our guy. Congratulations on the banging and and uh and you. 43 00:06:10,680 --> 00:06:15,040 I'm Sean Crowley. I like that jacket, by the way. I play 44 00:06:15,279 --> 00:06:18,040 organ and keyboards and I sing you gotta talk right into that. Yeah, 45 00:06:18,079 --> 00:06:21,439 sorry, that's uh. Yeah, there you go. I'm Sean Crowley and 46 00:06:21,519 --> 00:06:25,959 I play organ and keyboards and I sing thank you very good. Yes, 47 00:06:26,199 --> 00:06:30,759 that that it droops? I know it. And you, sir, I'm 48 00:06:30,839 --> 00:06:34,120 Jack. I am one of the two guitarists in this band. H I 49 00:06:34,160 --> 00:06:38,639 try to write more simple stuff as Kyle likes to take a more jazzy approach. 50 00:06:38,720 --> 00:06:41,639 But I think that that balance is something that you know, kind of 51 00:06:41,639 --> 00:06:44,279 sets us apart. I would say, so, okay, and you, 52 00:06:44,399 --> 00:06:47,480 sir, my name is Kyle. I usually try to play the triangle whenever 53 00:06:47,519 --> 00:06:51,600 I can. That's my favorite instrument and it really blends together with our sound. 54 00:06:53,040 --> 00:06:57,040 Sometimes they'll bring out the bongo, but I guess recently I've been playing 55 00:06:57,040 --> 00:07:00,439 the guitar. Okay, well, very good. Now. Now is the 56 00:07:00,480 --> 00:07:05,199 band always been the five of you? Yep? For the most I think 57 00:07:05,240 --> 00:07:09,800 that's a bit of a gray area most of it. We kind of came 58 00:07:09,839 --> 00:07:12,879 in at different stages, but for the most part, yeah, Okay, 59 00:07:13,639 --> 00:07:17,879 how long has the whole of existed? So that's a showing question. Kyle 60 00:07:17,920 --> 00:07:23,759 and I started in January twenty twenty three, okay, and between then and 61 00:07:24,240 --> 00:07:28,839 beginning of May, we slowly picked up everybody. Okay, so it was 62 00:07:28,839 --> 00:07:32,240 first me and Kyle, then we picked up Charlie actually in February, Jack 63 00:07:32,319 --> 00:07:36,160 sometime in early March, and then Ryan was beginning of May. Okay, 64 00:07:36,519 --> 00:07:40,120 we stole Ryan, we did, we did. We just kind of told 65 00:07:40,199 --> 00:07:46,319 him we got that strange brew Oh yeah, yeah, so it sounds like 66 00:07:46,319 --> 00:07:51,199 there's a story. Yeah, So essentially without the Strange crew being how it 67 00:07:51,279 --> 00:07:56,000 is. Without Mitch the owner, without Howard who runs the Sunday night open 68 00:07:56,079 --> 00:08:00,680 Mike Blues Jam, and without all of his crew, John madeiros Mark, 69 00:08:00,759 --> 00:08:03,199 Steve, everybody there, like, we wouldn't have met. So without that 70 00:08:03,279 --> 00:08:07,319 place being there, this band wouldn't have really ever gotten off the ground and 71 00:08:07,319 --> 00:08:11,079 it wouldn't have really even existed. Yeah, So we definitely owe quite a 72 00:08:11,079 --> 00:08:16,000 bit to that place, which is why we love coming up to Manchester because 73 00:08:16,079 --> 00:08:18,519 it's like we kind of consider this place. It's like a home to us 74 00:08:18,560 --> 00:08:24,959 as like, yeah, like our first stomping ground. So we come and 75 00:08:24,279 --> 00:08:30,360 share for our story and be able to hang out. Where are y'all from? 76 00:08:30,959 --> 00:08:35,080 Different? So? I'm from Dunstable, Massachusetts, small cow town. 77 00:08:35,279 --> 00:08:43,120 I don't even know where Dunstable is there twice a week. Yeah, it's 78 00:08:43,240 --> 00:08:48,519 just south of Nashua, New Hampshire, und the line, right right over 79 00:08:48,519 --> 00:08:52,120 the border. Okay, Okay, are you guys all from mass or Yeah? 80 00:08:52,360 --> 00:08:56,519 I live way out way out east. Okay, how about how about 81 00:08:56,559 --> 00:09:00,320 the rest of you guys? Are I'm the only New Hampshire in the you're 82 00:09:00,320 --> 00:09:01,519 the only one? Yeah? I was originally from Salem, but I just 83 00:09:01,559 --> 00:09:05,799 moved to Manchester a year ago. Oh okay, okay, very good, 84 00:09:05,919 --> 00:09:09,440 very good. It's interesting about the strange brew I've heard. I've heard that 85 00:09:09,440 --> 00:09:11,799 from other people too. It's a that's a that's one of the places that's 86 00:09:11,840 --> 00:09:18,279 really good to kind of meet and network with other musicians. Yeah. Yeah, 87 00:09:18,320 --> 00:09:22,799 and you guys have a it's a relatively new project, it sounds like, 88 00:09:22,840 --> 00:09:24,840 but you've you've already got a whole bunch of well we'll we'll play more 89 00:09:24,879 --> 00:09:28,879 too as we go along, But you've already got a bunch of great sound 90 00:09:28,919 --> 00:09:35,320 in studio tracks on all home produced too. For it's really all the work, 91 00:09:35,399 --> 00:09:39,120 yeah, mixing, mastering, right that I have a little like home 92 00:09:39,159 --> 00:09:45,039 studio set up in my basement with like nice that's the benefits of having a 93 00:09:45,120 --> 00:09:50,279 dad who's also a musician play with all his fun toys. Oh, very 94 00:09:50,279 --> 00:09:54,279 cool, very cool. Cracks are fresh out of the Kenny basement, no 95 00:09:54,360 --> 00:09:56,399 kidding, Yeah, Left Turn in Halifax Blues. We're both recording in a 96 00:09:56,480 --> 00:10:00,879 recording studio which we mixed and the rest of the and they were recorded in 97 00:10:00,960 --> 00:10:03,879 Charlie's baceman. It kind of oh okay, in practice, we record everything, 98 00:10:03,080 --> 00:10:07,440 okay, So where where We're Left Turn and Halifax Blues recorded. That 99 00:10:07,559 --> 00:10:09,840 was in Cambridge. I work at a studio called Blink Music. Oh okay, 100 00:10:09,840 --> 00:10:13,519 cool, So we just kind of got a time there and we recorded 101 00:10:13,120 --> 00:10:16,279 and we mixed it. Took UBU think like a month to mix that. 102 00:10:16,399 --> 00:10:20,399 We pushed it out on Halloween. Oh no kidding, okay, okay, 103 00:10:20,519 --> 00:10:22,840 very cool. That's the only track we've released so far, but everything else 104 00:10:22,879 --> 00:10:26,200 has just been unreleased from the vaults. Yeah, okay, we're on the 105 00:10:26,200 --> 00:10:30,679 way though, too. Yeaheah. Definitely. All of the unreleased stuff is 106 00:10:30,759 --> 00:10:37,200 cataloged and available on our website. Oh what's the website. It's www dot 107 00:10:37,399 --> 00:10:41,080 the Whole Loaf dot net one more time dot net. Yeah okay, that's 108 00:10:41,080 --> 00:10:45,559 how you know. It's official dot net, not dot right right. We're 109 00:10:45,559 --> 00:10:48,000 not at a dot org yet, but we hope to get there, maybe 110 00:10:48,039 --> 00:10:54,159 at dot gov if we're lucky dot there you go. Oh yeah, bass 111 00:10:54,200 --> 00:10:56,879 players, tell me why do you like? Who do you like? Again? 112 00:10:56,879 --> 00:10:58,440 And why do you like them? I want to go back to that. 113 00:10:58,600 --> 00:11:05,320 Oh okay, So I'm a massive, massive deadhead. Friend of mine 114 00:11:05,320 --> 00:11:11,240 got me into him almost ten years ago, and I really really just love 115 00:11:11,320 --> 00:11:16,000 their sound. I just think what they do is amazing, especially Phil Lesh. 116 00:11:16,039 --> 00:11:18,679 He's the bass player for the Dead, and if you listen to his 117 00:11:18,759 --> 00:11:24,879 stuff, he plays things very melodically, and he doesn't attack a certain song, 118 00:11:24,919 --> 00:11:28,200 and he doesn't attack how the song is structured. He just kind of 119 00:11:28,200 --> 00:11:33,159 plays what he wants to and he plays and if you hone it in and 120 00:11:33,200 --> 00:11:35,519 you just listen to his bass playing, it's really not a bass part. 121 00:11:37,200 --> 00:11:41,000 Yet somehow, the way he layers in and the way he's able to dive 122 00:11:41,039 --> 00:11:45,159 in and out of the rhythm and the melody, it's absolute insanity and it 123 00:11:45,240 --> 00:11:48,360 somehow works with everything that's going on. Same with Jack Cassidy to a degree. 124 00:11:48,399 --> 00:11:52,080 He was the bass player for Jefferson Airplane and he does a very similar 125 00:11:52,080 --> 00:11:54,840 thing, especially if you listen to any of the live stuff that he played 126 00:11:56,080 --> 00:12:01,360 with Country Joe and the Fish or even Jefferson Airplane is kind of all over 127 00:12:01,399 --> 00:12:03,519 the place and stuff. Yeah, I know what you mean. I saw. 128 00:12:03,600 --> 00:12:07,000 I can't. I don't know about Phil Lesh. I mean, I 129 00:12:07,000 --> 00:12:09,320 know who he is, obviously, but I never listened to much Dad, 130 00:12:09,559 --> 00:12:13,559 But I know what you mean about Jack Cassidy now that you bring it up. 131 00:12:13,600 --> 00:12:15,679 Yeah, yeah, I can. I can definitely hear that. Okay, 132 00:12:15,799 --> 00:12:18,240 Yeah, I was. I was curious as a bass player. My 133 00:12:18,240 --> 00:12:22,240 holy, my holy trinity of like bass players is Phil Lesh, Jack Cassidy, 134 00:12:22,279 --> 00:12:24,879 and John Paul Jones. Oh nice, John Paul Jones. Those are 135 00:12:24,879 --> 00:12:28,200 my three major inspirations. Yeah, there you go. Yeah, Ryan as 136 00:12:28,200 --> 00:12:33,440 a bass player does bring He has more of like a melodic style, which, 137 00:12:33,519 --> 00:12:37,399 like from the rhythm perspective or like from the drummer, opens up like 138 00:12:37,480 --> 00:12:41,279 different opportunities to kind of like make the beat a little more interesting. Yeah. 139 00:12:41,320 --> 00:12:45,480 So it's a cool dynamic. They're both in love with each other. 140 00:12:45,600 --> 00:12:50,480 They really love each other a lot. We have this like telepathic thing where 141 00:12:50,480 --> 00:12:52,000 I can just we're in the middle of a jam or a song and I 142 00:12:52,039 --> 00:12:56,279 can just look at him and he knows exactly what I'm thinking, Yeah, 143 00:12:56,279 --> 00:12:58,799 and he just brings it right there. And it's the thing of magic. 144 00:12:58,080 --> 00:13:03,120 It's the universal unspoken relationship between the bassis and the drummer. Yea where it 145 00:13:03,279 --> 00:13:07,759 comes about. Yeah, that's awesome, very good, very good. Now, 146 00:13:07,759 --> 00:13:09,480 what about in terms of songwriting, you guys all write together or how 147 00:13:09,519 --> 00:13:13,279 does that work? It's a little funny. We kind of all write songs 148 00:13:13,320 --> 00:13:18,279 separately, so we end up with a pretty wide range of sounds. Like 149 00:13:18,360 --> 00:13:22,279 if you listen to the difference between Left Turn and Halifax Blues, it's it's 150 00:13:22,639 --> 00:13:28,799 very, very different. I think you two, Sean and Kyle wrote Halifax 151 00:13:28,799 --> 00:13:31,480 Blues together and then kind of brought it to the rest of us and we 152 00:13:31,639 --> 00:13:35,240 made our parts for it. And Left Turn I wrote just a rift four 153 00:13:35,320 --> 00:13:37,720 and sent it off to Kyle and Sean, and next thing we knew we 154 00:13:37,759 --> 00:13:41,159 had a song. So we don't really have a set process, I don't 155 00:13:41,159 --> 00:13:46,360 think. Yeah, it's it's a very collaborative process. So kind of how 156 00:13:46,399 --> 00:13:50,360 it works is somebody comes up with a song idea, be it Jack or 157 00:13:50,440 --> 00:13:56,399 Kyle and Sean or just Sean, Kyle, whatever, Charlie, even myself, 158 00:13:56,840 --> 00:13:58,960 and we get together when we practice and we just say, hey, 159 00:14:00,039 --> 00:14:01,799 here's a song idea, here are the chords, and we just kind of 160 00:14:01,799 --> 00:14:05,080 build it up from there. Okay, That's one thing I really like, 161 00:14:05,200 --> 00:14:09,600 is I like having that collaborative process instead of somebody just writing a song and 162 00:14:09,639 --> 00:14:11,240 saying, hey, here's how it needs to be. I like the collaboration. 163 00:14:11,480 --> 00:14:16,279 Yeah. Yeah, I have a hunch too that do these change live 164 00:14:16,879 --> 00:14:20,440 sometimes because it seems like the style of what you're doing, you know, 165 00:14:20,480 --> 00:14:24,320 you've got room to breathe. It's built around improv. Yeah, yeah, 166 00:14:24,679 --> 00:14:26,919 I was gonna say that's another That's another facet to the songwriting is a lot 167 00:14:26,960 --> 00:14:31,399 of times we'll just have a rehearsal and do a warm up jam and I'll 168 00:14:31,440 --> 00:14:35,360 just kind of make something up. We do two of those twice a week. 169 00:14:35,799 --> 00:14:39,039 That's roughly four new songs a week. Wow. Yeah, So how 170 00:14:39,039 --> 00:14:45,720 many songs do you guys have currently? We have four hundred and sixty. 171 00:14:46,399 --> 00:14:52,440 Each of them are different stage box, all them ideas. So like somebody 172 00:14:52,440 --> 00:14:56,159 gets an idea, even if it's like a five second little thing, you 173 00:14:56,200 --> 00:14:58,080 send it to Sean. He catalogs it, and then we go back and 174 00:14:58,120 --> 00:15:01,799 we retrace them and work on them together, bring them to the whole band, 175 00:15:01,799 --> 00:15:03,159 and then everyone kind of gets a chance to write on it. Yeah. 176 00:15:03,519 --> 00:15:09,000 Yeah. It's very best thing about having Sewn in the band for us 177 00:15:09,240 --> 00:15:18,279 is his uh yeah, it's his cataloging ability because he will note down every 178 00:15:18,399 --> 00:15:22,360 single little riff idea for its and it all gets neatly organized, uh in 179 00:15:22,440 --> 00:15:26,720 our dropbox. So we could be able to even it's something like back four 180 00:15:26,759 --> 00:15:31,240 months ago and it was just like a random get together. He'll still have 181 00:15:31,480 --> 00:15:35,440 a little note for it. We can go back and revisit it all. 182 00:15:35,759 --> 00:15:37,480 It can it can be. It can be as simple as just a song 183 00:15:37,559 --> 00:15:41,840 title that doesn't have a lyric, or that doesn't have any lyrics, or 184 00:15:41,840 --> 00:15:43,960 doesn't even have any chords. Yeah, and it goes and the ideas folder. 185 00:15:45,080 --> 00:15:46,480 Yeah. Oh that's good. It's good. Good to have somebody who's 186 00:15:46,480 --> 00:15:50,919 super organized. We can that's the saving grace. Yeah. Yeah, it 187 00:15:52,039 --> 00:15:56,279 might be a freak of nature, as Ryan often says, but you know 188 00:15:56,320 --> 00:15:58,759 it keeps us organized. Yeah. Yeah, no, that's good. That's 189 00:15:58,799 --> 00:16:00,759 important. We should all since we were talking about it, we should play 190 00:16:00,799 --> 00:16:04,279 this track Halifax Blues. So this is the other one that was recorded at 191 00:16:04,279 --> 00:16:08,799 the studio that you work at. Any any any story behind the song or 192 00:16:10,559 --> 00:16:17,360 is there. Kyle and I were just sitting in my bedroom one day and 193 00:16:17,399 --> 00:16:21,120 he goes, wow, you can really make a song with anything, and 194 00:16:21,159 --> 00:16:26,279 he starts playing this this weird uh, whatever theory you wanted to attached to. 195 00:16:27,039 --> 00:16:30,240 He started playing that, and then all of a sudden, I start 196 00:16:30,240 --> 00:16:33,480 playing a one to five under that and it's like, Wow, I guess 197 00:16:33,480 --> 00:16:37,519 you're right. We can make a song out of anything. That was the 198 00:16:37,519 --> 00:16:41,320 first song we released. Yeah, but why Halifax Blues. What's the significance 199 00:16:41,639 --> 00:16:47,519 or is there any Yeah, I couldn't tell you that just yeah, that 200 00:16:47,639 --> 00:16:52,120 was one that just kind of spawned. We don't just transmit them. Yeah, 201 00:16:52,240 --> 00:16:56,200 they kind of sometimes get delivered to us straight into our brains like radio 202 00:16:56,240 --> 00:17:00,440 towers exactly. I like it. The song storms pro that one. I 203 00:17:00,480 --> 00:17:07,359 think the song Stork is a divine delivery, very title. There we go. 204 00:17:07,440 --> 00:17:11,720 That's another one. There you go. The idea is folder. Put 205 00:17:11,759 --> 00:17:12,599 it on the folder. Ye, all right, and it down as we 206 00:17:12,640 --> 00:17:15,240 speak. Well, now we definitely have to listen to this. All right, 207 00:17:15,319 --> 00:17:19,079 let's check this out. This is Halifax Blues. The band is the 208 00:17:19,119 --> 00:18:04,440 whole loaf, lom the top, a cat who rolls around down cigaretts, 209 00:18:04,559 --> 00:18:11,839 don't drown me. How I got the windows down to let it all out 210 00:18:11,319 --> 00:18:57,200 and willing Bubasu's tuck up on the facts. Please run the top of dog 211 00:18:57,720 --> 00:19:03,319 mots too when I see him. When lead I can help myself. Don't 212 00:19:03,400 --> 00:19:12,519 you got me rolling round and chasing my tail and wing does like the Blues 213 00:19:52,680 --> 00:19:56,119 that is Halifax Blues. The band is the Whole Loaf, and we have 214 00:19:56,200 --> 00:20:00,599 the Whole Loaf with us in studio, literally the entire band. Hey, 215 00:20:00,599 --> 00:20:03,319 where's the name come from? By the way, Sean Jean, There's got 216 00:20:03,359 --> 00:20:07,759 to be a story behind the name. Yeah, I just woke up one 217 00:20:07,759 --> 00:20:11,720 morning and it was in my head and I thought to myself, Wow, 218 00:20:12,559 --> 00:20:17,599 see when when when I was looking for all the musicians before I met these 219 00:20:17,640 --> 00:20:21,559 guys, I thought, well, I want to start a band that does 220 00:20:21,799 --> 00:20:23,799 everything. I want to have no restrictions. I want everybody to play what 221 00:20:23,839 --> 00:20:30,400 they want the way they want, and I want everyone to compromise rather than 222 00:20:30,519 --> 00:20:33,279 people say no, I don't want to do that, so we can't do 223 00:20:33,359 --> 00:20:36,359 that. So I don't know, I just kind of woke up one morning 224 00:20:36,400 --> 00:20:38,000 and it was in my head. I'm like, wow, the Whole Loaf, 225 00:20:38,359 --> 00:20:42,400 the whole spectrum, spectrum of music. Yeah, and uh, you 226 00:20:42,440 --> 00:20:45,279 know, at first everybody hated it. They're like, no, no, 227 00:20:45,200 --> 00:20:51,920 what the hell is that? Then it slowly grew on everyone and they're like, 228 00:20:52,000 --> 00:20:55,680 yeah, okay. So I was saying like, yeah, just let 229 00:20:55,680 --> 00:20:56,599 it, let it sit for a little bit and if we come up with 230 00:20:56,640 --> 00:21:00,559 anything better, we'll take that, and we never did, so it stuck. 231 00:21:00,519 --> 00:21:03,400 Did did you did you think about consider some other name? I love 232 00:21:03,440 --> 00:21:07,359 rejected band names so much. Did you have other names that you were thinking 233 00:21:07,400 --> 00:21:12,599 about or I don't. I don't really know that we had any that stuck. 234 00:21:12,759 --> 00:21:18,799 I know we had a side project with when I was one of the 235 00:21:18,839 --> 00:21:22,359 band. One of the cover bands I was in broke up. So I 236 00:21:22,400 --> 00:21:26,640 took some of these guys from the very beginning to you know, kind of 237 00:21:26,640 --> 00:21:30,839 fill in for one of the shows, and it was us three yeah, 238 00:21:30,240 --> 00:21:34,680 and the band name was called Zeke and the Zamboni's Oh that's cool. There 239 00:21:34,799 --> 00:21:37,400 was a oh sorry, No, I was just going to say, as 240 00:21:37,440 --> 00:21:42,079 for our rejected band names, I don't know that there are any that we 241 00:21:42,160 --> 00:21:47,279 remember. On a personal note, like by the time I joined, the 242 00:21:47,720 --> 00:21:51,359 band name was already kind of there. Yeah, Like, as I forget 243 00:21:51,359 --> 00:21:52,519 who said it earlier, I want to say it was Kyle, Who's like 244 00:21:52,599 --> 00:21:56,200 they basically just stole me. They just picked me up and said yep, 245 00:21:56,240 --> 00:21:59,160 you're with us, And I said, all right, I guess. So 246 00:21:59,720 --> 00:22:02,640 we convince him to come to a practice and after a couple of songs, 247 00:22:02,640 --> 00:22:03,640 we're like, yeah, you're the guy. Well, well, you're the 248 00:22:03,680 --> 00:22:10,359 guy, time out, time out. How it actually happened was Kyle messaged 249 00:22:10,400 --> 00:22:11,920 me. We had played at the Brew a couple of times, and he 250 00:22:11,960 --> 00:22:15,039 said, you know, we're looking shopping around for a bass player. Would 251 00:22:15,039 --> 00:22:18,480 you be interested in filling in if we have any shows coming up? And 252 00:22:18,519 --> 00:22:22,960 I said, yeah, sure, I don't mind filling in. I'm not 253 00:22:22,000 --> 00:22:26,359 really in any projects, like, let me know. And he's like he's 254 00:22:26,400 --> 00:22:29,759 like, all right, great, solid. Well, after a while, 255 00:22:29,839 --> 00:22:32,039 you know, they said, hey, we have a gig coming up. 256 00:22:32,079 --> 00:22:33,640 Do you want to fill in? And I said yeah, So I came 257 00:22:33,680 --> 00:22:37,000 through for a few practices to practice for the gig, and then eventually it 258 00:22:37,079 --> 00:22:40,440 was just like, yep, you're the guy we want. You're right. 259 00:22:41,480 --> 00:22:44,839 So it's nice when you know, when it's organic like that. Yeah, 260 00:22:44,880 --> 00:22:47,880 then it's when it's easy to put a band together like that, then you 261 00:22:47,920 --> 00:22:49,920 know you've really got something. You know, well, and yeah, my 262 00:22:51,960 --> 00:22:56,160 introduction story to these two over here or it's like, I'm not really a 263 00:22:56,279 --> 00:23:02,960 big fake guy. But the amount of pieces that had to go together in 264 00:23:03,119 --> 00:23:10,799 order to make this introduction happen was super random. It was at the time 265 00:23:10,839 --> 00:23:17,559 I was in another college band called Night Visions, and we had hosted a 266 00:23:17,640 --> 00:23:22,359 show in our college apartment basement at some point. And at the time one 267 00:23:22,400 --> 00:23:30,440 of was my brothers. I'd say, a friend from middle school his name 268 00:23:30,599 --> 00:23:36,000 was Brenner, happened to see that I was a drummer and like just turd 269 00:23:36,039 --> 00:23:41,400 through the grape vine for that I was able to play drums. And then 270 00:23:41,200 --> 00:23:48,119 it was a random January day where it's I had never really interacted with him 271 00:23:48,240 --> 00:23:51,960 much, but he just like hit me up on Snapchat out of the blue. 272 00:23:52,279 --> 00:23:53,799 But just like, hey, I was looking to start up a new 273 00:23:53,839 --> 00:23:59,079 project, would you be interested to go play drums on it? And at 274 00:23:59,079 --> 00:24:04,039 the time, for I was I love playing with my college band, but 275 00:24:04,200 --> 00:24:08,920 also like I was open to experimenting with new styles. Yeah, and like 276 00:24:10,000 --> 00:24:17,160 my college band was more of a I wouldn't say like scripted, but more 277 00:24:17,240 --> 00:24:19,559 of that, Like it's kind of like a set party. Were playing with 278 00:24:19,599 --> 00:24:25,440 these guys. It was like the first time I played with them at Dargan 279 00:24:25,519 --> 00:24:30,559 Hall. We just went off on a whole like twenty minute jam session for 280 00:24:30,759 --> 00:24:33,880 just making stuff up. We went on a journey. The first song we 281 00:24:33,960 --> 00:24:38,920 jammed out together was called lock me in the cupboard their first original jam. 282 00:24:40,839 --> 00:24:45,359 And it's kind of funny because that first session was January February twenty fourth of 283 00:24:45,400 --> 00:24:51,279 twenty twenty three. Do you know the time too, Probably around six o'clock 284 00:24:51,319 --> 00:24:55,359 and I was definitely wearing this jacket. Wow, all right, Yeah, 285 00:24:55,400 --> 00:25:00,079 for context, this is Sean's outfit every day the time. At least change 286 00:25:00,119 --> 00:25:04,880 my shirt. It's a good look every once in a while. Excuse me, 287 00:25:06,000 --> 00:25:07,240 it's too bad that people can't see it. You look like you stepped 288 00:25:07,240 --> 00:25:12,440 out of the time the listeners where Sewan looks like he was just born in 289 00:25:12,480 --> 00:25:18,240 the wrong generation, travel straight out of the sixties, right right, Well, 290 00:25:18,240 --> 00:25:23,079 actually the shirt though, is not that unlike Ryan's shirt. There just 291 00:25:23,079 --> 00:25:29,279 no just so you guys can have matching jackets, then we could go full 292 00:25:29,319 --> 00:25:36,640 sixties, get the haircuts sewn and the crowleys. Now do you guys play 293 00:25:36,640 --> 00:25:37,880 out a lot? Are you? Are you playing out every week or how 294 00:25:37,920 --> 00:25:42,720 often? We wish? Yeah? Well, actually in May we are playing 295 00:25:42,759 --> 00:25:47,759 every weekend for the most part. Yeah, it comes in bursts. Yeah, 296 00:25:48,039 --> 00:25:51,240 So we have three shows coming up in May. We have a show 297 00:25:51,839 --> 00:25:56,720 May fourth at Sammy's Patio down and Revere. Then The weekend after on May 298 00:25:56,720 --> 00:26:00,000 eleventh, we're playing at Strange Brew Tavern home Turf. And then the weekend 299 00:26:00,039 --> 00:26:03,599 after that, on May eighteenth, we're opening porch fests down in Malden, 300 00:26:03,839 --> 00:26:07,559 Okay. Now, what is that porch Fest? Is that a big multi 301 00:26:07,640 --> 00:26:12,440 day thing. No, it's just a small one day festival. Starts at 302 00:26:12,440 --> 00:26:17,720 noon. We'll be playing noon to one. It's put on by the Porch 303 00:26:17,839 --> 00:26:22,359 Juke Joint Okay down in Malden Medford area, and they set it up outside 304 00:26:22,400 --> 00:26:25,039 and it's kind of a free event for the public. They actually partner with 305 00:26:25,119 --> 00:26:27,200 the City of Malden to put it on. Oh cool, cool, very 306 00:26:27,200 --> 00:26:33,559 cool. Do you guys ever, do you ever do anything acoustic or is 307 00:26:33,559 --> 00:26:37,200 it always electric? Because it seems like your music would you know you could? 308 00:26:37,240 --> 00:26:40,240 You could probably play in a lot of different configurations. I'm the big 309 00:26:40,240 --> 00:26:42,279 acoustic guy over here. I mean, we love to play some hog blues. 310 00:26:42,359 --> 00:26:47,680 That's a that's a genre we created where we get some acoustic guitars and 311 00:26:47,720 --> 00:26:49,759 we just kind of have some fun. Well, it's less of a genre 312 00:26:49,799 --> 00:26:56,119 and more of our unique style. He knows all the all the cool chords 313 00:26:56,160 --> 00:27:00,880 and I kind of just pick out melodies by ear. Yeah, one plays 314 00:27:00,920 --> 00:27:03,400 me from the ear. He has no idea what music theory is, but 315 00:27:03,440 --> 00:27:07,079 it's actually incredible. Like he listens to so much music so he just picks 316 00:27:07,079 --> 00:27:10,039 it up by ear. And I'm the opposite. I really like to study. 317 00:27:10,039 --> 00:27:11,920 I teach guitar too. It's great. I like to study all that. 318 00:27:12,079 --> 00:27:15,440 So it kind of works very well when we play together. Yeah, 319 00:27:15,440 --> 00:27:18,480 because I could do something that's decently cool and then he could tell me what 320 00:27:18,519 --> 00:27:22,200 it is that I did, and then I'll be like, oh, yeah, 321 00:27:22,240 --> 00:27:26,440 yeah, okay, I can relate to Like I don't know any theory 322 00:27:26,519 --> 00:27:29,640 I can, so I can I can relate. I also I played by 323 00:27:29,680 --> 00:27:30,920 ear, yeah, and I can never understand. But I'm not good at 324 00:27:30,960 --> 00:27:34,279 math, and I think that's I think that's why because it is math, 325 00:27:34,359 --> 00:27:40,559 right, I mean basically it's like math. And how long do you guys 326 00:27:40,599 --> 00:27:41,839 play when you when you do a set? Because I would imagine again with 327 00:27:41,880 --> 00:27:45,400 these songs, you know you can you can kind of open them up and 328 00:27:45,440 --> 00:27:48,759 let them breathe do you do you have you done like multi hour sets or 329 00:27:49,200 --> 00:27:55,440 so typically when we are the only band playing that night. So for example, 330 00:27:55,440 --> 00:27:57,480 it's strange brew the last gig we had at Strange Brew February fifteenth, 331 00:27:57,480 --> 00:28:02,279 we were the only band there. Same with the Gate coming up on May 332 00:28:02,319 --> 00:28:06,000 eleventh. We usually play about three hours. Wow, yeah, no kidding. 333 00:28:06,000 --> 00:28:08,480 I play a full three hour set, two sets with like a fifteen 334 00:28:08,480 --> 00:28:11,559 to twenty minute break in between. Yeah. Yeah, oh that's really good. 335 00:28:12,599 --> 00:28:15,240 Is it all originals? Do you do any Do you throw some covers 336 00:28:15,240 --> 00:28:18,759 in there? Or there's plenty of covers? Yeah? Are there? We 337 00:28:18,000 --> 00:28:22,240 we like our covers. Yeah. Yeah. You know, some of these 338 00:28:22,240 --> 00:28:25,519 guys keep saying like, oh, well, we can't be a cover bands, 339 00:28:25,559 --> 00:28:27,240 you know, we got to do originals. And I always keep saying 340 00:28:27,279 --> 00:28:32,440 there's way too many good songs out there to not play well. It's kind 341 00:28:32,440 --> 00:28:34,880 of goes back to what Sean was saying about the idea behind the whole Loaf 342 00:28:36,039 --> 00:28:40,680 name for in, just like our inclusive vibe that we have, it's we 343 00:28:40,720 --> 00:28:44,359 still want to be able to mix in for those covers, right as well 344 00:28:44,359 --> 00:28:47,640 as the originals. Yeah yeah, no, that makes sense. And is 345 00:28:47,680 --> 00:28:49,559 it challenging with five of you in the band? Is it? Is it 346 00:28:49,640 --> 00:28:55,000 challenging in terms of scheduling like getting together for rehearsals and booking shows and whatnot. 347 00:28:55,079 --> 00:28:57,880 Is that actually where it goes all We all chip in a little bit 348 00:28:57,960 --> 00:29:02,400 on getting show is doing all kind of all that kind of work. But 349 00:29:02,480 --> 00:29:04,880 we have set days where we practice. Yep. I wouldn't say it's too 350 00:29:04,920 --> 00:29:10,720 much of a struggle. We rehearsed twice a week consistently. If someone is 351 00:29:10,759 --> 00:29:12,559 out one of those days, typically the rest of the guys will do something 352 00:29:12,599 --> 00:29:18,000 whether it's recording or rehearsal with one less person and then ask for shows. 353 00:29:18,400 --> 00:29:22,519 Those usually work out pretty good too, Yeah, yeah, good, And 354 00:29:22,720 --> 00:29:27,799 it goes back we acustic thing too, Like we're hosting an open jam in 355 00:29:27,960 --> 00:29:30,519 Nashua and it's just gonna be the two of us meet and Kyle at the 356 00:29:30,559 --> 00:29:33,519 Kaba Bar. Yep, oh very good. Well, when it comes to 357 00:29:33,559 --> 00:29:38,240 gigs where it's we don't, I would say we don't operate in Let's find 358 00:29:38,240 --> 00:29:44,000 a day convenient for us and then we'll figure out our schedule. It's more 359 00:29:44,240 --> 00:29:47,240 we get offered a day and we'll cancel everything else that's going off to go. 360 00:29:47,359 --> 00:29:49,720 Yeah, yeah, yes, that is accurate. There you go, 361 00:29:49,839 --> 00:29:53,960 there you go. Oh and how did you how did you get we we 362 00:29:55,039 --> 00:29:57,079 ended up not Jenny and I weren't able to stay for your set that night. 363 00:29:57,119 --> 00:30:00,920 But you guys played at the Midnight I never got the name right, 364 00:30:00,200 --> 00:30:04,359 Midnight Creators Collective, Midnight Creators Collective. Thank you. Yeah, Eleanor is 365 00:30:04,480 --> 00:30:07,480 amazing, She's she's doing a great job with that. But how did you 366 00:30:07,519 --> 00:30:11,720 guys get involved with that, with with playing that? Uh that show? 367 00:30:12,880 --> 00:30:18,160 We didn't play that show. We didn't play that show. We were just 368 00:30:18,200 --> 00:30:19,480 there. We got invited. Oh I thought you guys played that night. 369 00:30:19,599 --> 00:30:22,880 No, no, no, no, just visiting. We got offered. 370 00:30:23,359 --> 00:30:27,839 It was all because of Greg He. I honestly don't know his last name. 371 00:30:27,920 --> 00:30:33,759 I wish I did, but he is the proprietor of the Kava Bar 372 00:30:33,960 --> 00:30:37,960 down in Ashua. Rude Awakening Kava Bar. Check it out. It's a 373 00:30:37,079 --> 00:30:41,680 very interesting spot. We played there a couple of times, and we're we're 374 00:30:41,680 --> 00:30:47,359 doing a reoccurring open mic now month. Oh okay, it's the last Saturday 375 00:30:47,359 --> 00:30:52,480 of every month, So come down and either play with us or play by 376 00:30:52,480 --> 00:30:56,279 yourself. Pretty much, do whatever you want. Yeah, yeah, you're 377 00:30:56,319 --> 00:30:59,599 not, you're not gonna We're not We're not sour dough. People were very 378 00:30:59,599 --> 00:31:04,920 friendly. Yeah yeah, but but yeah, Greg, he's the owner there, 379 00:31:04,960 --> 00:31:11,319 and he mentioned how Eleanor was the main investor trying to get something going 380 00:31:11,359 --> 00:31:15,200 in the Nashuay area. And then another friend of ours, who's actually he 381 00:31:15,920 --> 00:31:22,599 takes lessons from Kyle, Mike McDowell offered sent us like a Facebook thing inviting 382 00:31:22,680 --> 00:31:25,200 us to it, and I said, hey, we should go check it 383 00:31:25,200 --> 00:31:29,799 out. See if it's beneficial. See what's going on there. Yeah, 384 00:31:30,440 --> 00:31:33,400 it's Yeah, it's a cool. It's a cool space. We should. 385 00:31:33,559 --> 00:31:37,960 We can play another song if you guys want to pick something. Uh, 386 00:31:37,079 --> 00:31:41,440 what's uh do you have? Do you have the list? Let's see we've 387 00:31:41,480 --> 00:31:44,240 got do I see the way I was thinking Pink Gypsy? Maybe? Oh 388 00:31:44,279 --> 00:31:48,759 yeah, good one? Did we did we send them New Canaan Blues. 389 00:31:48,920 --> 00:31:52,559 No, that's disappointing. Yeah, but I do have Pink Gypsy. Yeah, 390 00:31:53,279 --> 00:31:57,319 pink Gypsy. Yeah. And uh now this is one of the basement 391 00:31:57,440 --> 00:32:01,039 recordings. Yes, eat, yeah, okay cool? Kyle and I wrote 392 00:32:01,079 --> 00:32:07,039 this one right most part yeah, and this one. And I'll say too 393 00:32:07,279 --> 00:32:12,680 for saying like playing wise for the take that we got from that we sent 394 00:32:12,759 --> 00:32:19,079 in for this take, it wasn't perfect for like there there there are a 395 00:32:19,119 --> 00:32:23,519 few little mistakes here there, But like the mixing engineer has to has to 396 00:32:23,519 --> 00:32:29,480 say that, you don't don't tell them that, Charlie, you can say 397 00:32:29,519 --> 00:32:31,319 that, you could say that, just don't tell them the time. Sam, 398 00:32:31,799 --> 00:32:37,599 I'm just saying this gives you a taste of our more like raw. 399 00:32:37,960 --> 00:32:43,519 Like this was just a one take, like we just hit record and went 400 00:32:43,559 --> 00:32:45,960 for it. All right, cool, This was the This was a standard 401 00:32:45,960 --> 00:32:51,759 Tuesday night for us, all right, So we'll get a sample of the 402 00:32:51,799 --> 00:32:54,079 whole loaf on a standard Tuesday night. Here it is. This is pig 403 00:32:54,119 --> 00:33:50,759 gypsy. Let's check it out. Dance up to dote your music. Say 404 00:33:50,839 --> 00:34:00,920 man, you pose me? Tell joy put on the side of the wall. 405 00:34:01,160 --> 00:34:10,039 Bensun said he was inside besides being maybe got a play a man downside, 406 00:34:10,440 --> 00:34:15,519 got a past, kill your weather, what about your money? Down 407 00:34:16,159 --> 00:34:22,559 the dog head? His name is ware but you bet you and went up 408 00:34:22,639 --> 00:34:54,280 and see said it. That's the mo the gas. We can still a 409 00:34:54,360 --> 00:34:59,599 grass on the scremy down in the middle of the road. The baby a 410 00:35:00,280 --> 00:35:06,480 the mask in the way that's look at both plays to his name all down 411 00:35:06,880 --> 00:35:15,679 the Mexico your go with the son of Pico. Sid came in on the 412 00:35:15,800 --> 00:35:21,719 given say hey, by what mother saying? I want you gain the ad 413 00:35:22,000 --> 00:35:30,400 the head guy he loved men that ain't too coold? Hold no man was 414 00:35:30,440 --> 00:36:49,000 trying to bands plays most burning fine, Why don't you June man man man 415 00:36:50,159 --> 00:37:02,719 jesuit? Won't you go with them? Got my stuff? I'm my girl. 416 00:37:04,360 --> 00:37:13,320 God b gets on a week and here on the road. Make it 417 00:37:13,400 --> 00:37:22,079 pretty far up. Then you don't believe in me. God gets up. 418 00:37:25,519 --> 00:37:38,079 I can play game, don't you want? I still got that jazz met 419 00:38:38,000 --> 00:40:52,320 at a time? All right? That is uh? I think gypsy very 420 00:40:52,360 --> 00:40:55,760 good. That is the whole loaf in studio with us. No, I 421 00:40:55,920 --> 00:40:59,719 like that a lot. And I was saying off air, you get a 422 00:40:59,719 --> 00:41:01,920 really good recording there in the in the basement there, So that's no, 423 00:41:02,039 --> 00:41:07,559 that's really good. Guys. We're we're The time goes quickly before we run 424 00:41:07,599 --> 00:41:09,880 out of time at the end of the hour, and we'll finish off with 425 00:41:09,960 --> 00:41:13,920 one more song. We won't be able to fit the whole thing, but 426 00:41:14,039 --> 00:41:16,320 well we'll play a little something at the end. But what should people know 427 00:41:16,360 --> 00:41:19,880 about? Where to find you online? How to keep up with everything that 428 00:41:19,960 --> 00:41:23,719 you're doing? Website, social media, all of that, so we have 429 00:41:24,440 --> 00:41:30,679 our own website, beautifully crafted by yours truly, it's www dot thewhole loaf 430 00:41:30,880 --> 00:41:36,719 dot net. Don't forget the www because I might have screwed up some DNS 431 00:41:36,719 --> 00:41:39,440 settings by accident. Sean Crawley, Sean Crowley, everyone, I'm here all 432 00:41:39,559 --> 00:41:44,559 day. Actually I'm here for the next ten minutes. Are you Are you 433 00:41:44,639 --> 00:41:47,480 serious about the DNS settings? I'm a web designer, so I'm just curious. 434 00:41:47,519 --> 00:41:51,800 I'm yeah, the geek and me is like, what Google domains? 435 00:41:51,920 --> 00:41:54,599 Just switch to Squarespace and our site doesn't come up if you don't put the 436 00:41:54,840 --> 00:41:58,800 WWW. Really, yeah, I still have to look into that. I 437 00:41:58,920 --> 00:42:04,280 just haven't had the time. Weird, Yeah, but we know. What's 438 00:42:04,320 --> 00:42:08,039 funny about it is because anybody who knows me knows, so I always cringe 439 00:42:08,079 --> 00:42:12,760 when I hear people say the www, like I hear it in radio ads 440 00:42:12,880 --> 00:42:15,000 still in the year twenty twenty four, and I'm like why, And I've 441 00:42:15,039 --> 00:42:17,320 been saying that for twenty years, So I was kind of thinking that when 442 00:42:17,320 --> 00:42:20,800 you were saying it, But now that you've explained why you have to do 443 00:42:20,880 --> 00:42:23,719 that, it makes sense. But it's also like, wow, that's so 444 00:42:23,920 --> 00:42:28,840 weird. Yeah, I can. I have Google to think. Wow, 445 00:42:29,320 --> 00:42:31,599 well, I'm sorry to hear that. Yeah, I have a couple of 446 00:42:31,679 --> 00:42:35,440 minutes during the day. John's really broken up about it. Yeah I am. 447 00:42:35,960 --> 00:42:38,239 Yeah, he hasn't slept in days. Oh, it would frust it 448 00:42:38,239 --> 00:42:43,760 would frustrate me to no end. I'd be like, I wouldn't sleep ever 449 00:42:43,840 --> 00:42:45,639 again until I hadn't figured out. I'd be so I'd be so upset. 450 00:42:45,719 --> 00:42:47,880 It's a one who hasn't written a song about it yet, to be honest, 451 00:42:47,960 --> 00:42:53,480 Oh, I have don't start anyway. Our other socials besides the Whole 452 00:42:53,519 --> 00:43:00,480 Loaf dot net, you could find us on Instagram and TikTok at the dot 453 00:43:00,920 --> 00:43:05,199 Whole Loaf. That's it. Facebook, I believe is the Whole Loaf. 454 00:43:05,400 --> 00:43:08,280 Ryan can probably confirm that for me that would be confirmed. Yes, YouTube 455 00:43:08,320 --> 00:43:13,559 as well as the Whole Loaf, and I don't know what else we have. 456 00:43:13,719 --> 00:43:16,360 We're on Spotify, we have Halifax Blues and Left Turnout, and we'll 457 00:43:16,400 --> 00:43:22,000 be releasing some more music shortly. Yeah, it's all the music are is 458 00:43:22,119 --> 00:43:25,599 on all major streaming services far as we use one of those distribution services for 459 00:43:25,679 --> 00:43:30,760 it. Make sure that all the songs get released everywhere. Excellent. More, 460 00:43:30,800 --> 00:43:34,079 I would say, if you'd have to pick one to go to for 461 00:43:34,239 --> 00:43:37,360 it's the Instagram and our bio. We have a link tree that will redirect 462 00:43:37,440 --> 00:43:42,559 you to all of our other associated websites. So that's probably the easiest way 463 00:43:42,639 --> 00:43:46,119 to get to know the whole loaf. Yea more importantly too, if you 464 00:43:46,519 --> 00:43:52,159 go to our website and you go under I want to say it's media and 465 00:43:52,280 --> 00:43:58,440 you go on archive Media, archive sessions, it is. I'm looking at 466 00:43:58,480 --> 00:44:00,760 it. I'm looking at it right now. If you to Media archives sessions, 467 00:44:01,440 --> 00:44:07,159 that's pretty much everything we've ever done, every practice, every practice, 468 00:44:07,280 --> 00:44:10,320 every gig, everything we record everything we've ever done. Wow, So you 469 00:44:10,440 --> 00:44:15,360 can scroll through, pick a random thing and you can see everything that we 470 00:44:15,480 --> 00:44:19,000 play during that practice or what have you, gig whatever. Yeah, yeah, 471 00:44:19,320 --> 00:44:22,559 no, actually sorry, it's it's it's recordings, not sessions. So 472 00:44:22,599 --> 00:44:31,360 it's media. Yeah, radio and Sean. How many recordings did we are 473 00:44:31,440 --> 00:44:35,559 we at? Now? Oh, dear god. So as I said, 474 00:44:35,599 --> 00:44:40,480 we're at four hundred and sixty eight originals and the recordings themselves covers the originals. 475 00:44:40,559 --> 00:44:44,400 All the session stuff is well over a thousand. I lost track. 476 00:44:45,000 --> 00:44:49,480 Yeah, I'm looking at the page Yeah, it's got Each one has the 477 00:44:49,639 --> 00:44:54,039 date, rehearsal at Charlie's house, rehearsal at Kyle's house. Yeah. Wow, 478 00:44:54,280 --> 00:44:58,079 I'm a this is cool. It's really cool to do that. And 479 00:44:58,280 --> 00:45:00,039 if you and then if you click into the date, it gives you the 480 00:45:00,079 --> 00:45:02,559 set list, and then if you click each song in the set list, 481 00:45:02,639 --> 00:45:06,159 it will bring you to a Google page to play it. Oh my god. 482 00:45:06,280 --> 00:45:08,159 Wow. So you can hear all of our music for free on our 483 00:45:08,199 --> 00:45:15,519 website. So not only can you see the evolution of how songs develop over 484 00:45:15,639 --> 00:45:20,079 time, but we also include what they're called like intermission snippets, but also 485 00:45:20,239 --> 00:45:22,519 just some of the fun like banter moments. Yeah, we have in practice, 486 00:45:22,639 --> 00:45:25,400 those are treats. Oh that's awesome. No, good for you guys, 487 00:45:25,480 --> 00:45:29,800 Good for you for doing that. Thank you. I went to the 488 00:45:29,960 --> 00:45:32,039 the reason I pulled up the website on the browsers. I was like, 489 00:45:32,079 --> 00:45:36,719 I gotta test this, and sure, I typed in the whole loaf dot 490 00:45:36,840 --> 00:45:38,880 net. Nothing happened. It said not secure or something. I put in 491 00:45:38,960 --> 00:45:43,239 the WWW and it took me right to it. Yeah, I'm just I 492 00:45:43,519 --> 00:45:45,800 just have to go in and set up a redirect. But we don't even 493 00:45:45,840 --> 00:45:51,280 have a Squarespace account yet, so I'm gonna have to create that, yeah, 494 00:45:51,440 --> 00:45:54,079 to access the domain again and then make the edits do some surgery. 495 00:45:54,280 --> 00:45:57,960 That's crazy that you have to do that. And I've been putting it off 496 00:45:58,039 --> 00:46:00,800 because I want to wait until I have time to actually sit down and go 497 00:46:00,960 --> 00:46:06,639 through all of the I'm essentially going to be exploring a completely new platform from 498 00:46:06,719 --> 00:46:08,599 scratch, so I want to make sure I do it thoroughly rather than yeah, 499 00:46:08,719 --> 00:46:12,320 I can relate to that, because I'm the same way with stuff like 500 00:46:12,400 --> 00:46:15,039 that. It's like I'll have something that I really want to do, like 501 00:46:15,119 --> 00:46:16,719 something like this would be driving me nuts, But at the same time, 502 00:46:16,760 --> 00:46:21,559 it's like, but I need to find time where I can just sit uninterrupted 503 00:46:21,679 --> 00:46:24,880 for what could potentially be several hours. Ye and and so it's that battle 504 00:46:24,920 --> 00:46:28,039 that goes on in my mind. It's like, oh, I really got 505 00:46:28,159 --> 00:46:30,039 to get this done because this is killing me. But I got to wait 506 00:46:30,039 --> 00:46:32,760 for a time when I can really dig into it because I know it's going 507 00:46:32,840 --> 00:46:37,440 to be so I can I can relate and instead of just going to like 508 00:46:37,639 --> 00:46:42,920 a provider that could do it for us, or it's I think as we 509 00:46:43,039 --> 00:46:45,960 want to take the time to get the experience of like figuring out how all 510 00:46:46,039 --> 00:46:52,039 these pieces come together. And we also have an idea too, it's we're 511 00:46:52,079 --> 00:46:58,320 also interested in starting up a record label, too Bad Records. Being able 512 00:46:58,360 --> 00:47:04,400 to have all these tools and disposal would be cool to have for we venture. 513 00:47:04,760 --> 00:47:07,559 Yeah, definitely. What's it gonna be called? Unslice? Mind? 514 00:47:07,360 --> 00:47:12,239 I think you said, well, the whole loaf can't be on sliced, 515 00:47:12,360 --> 00:47:16,519 right right? Gotcha, There's no point in putting it back together, I 516 00:47:16,639 --> 00:47:20,000 gotcha. We just have a couple. Well, here a little bit of 517 00:47:20,159 --> 00:47:27,840 U should we do black and white radio? Black and white? I don't 518 00:47:27,840 --> 00:47:30,119 know why I said black and white radio? Obviously it's just black and white? 519 00:47:30,360 --> 00:47:31,400 You want? You want to do our garage floors? Yeah? Well 520 00:47:31,760 --> 00:47:36,960 this is going to be our next next single. I don't state yet, 521 00:47:37,000 --> 00:47:39,360 but this is it and the B side is going to be fullsome Prison Blues. 522 00:47:40,000 --> 00:47:45,440 Kidding one is garage floors, Jack codges very cool. I didn't write 523 00:47:45,440 --> 00:47:51,440 full Someome Prison right right right? Anybody's wondering I got to mention that one's 524 00:47:51,440 --> 00:47:54,719 a cover. You didn't tell me that. How long has this been going 525 00:47:54,760 --> 00:48:00,400 on? Well, guys, thank you so much. This has been wonderful. 526 00:48:00,840 --> 00:48:02,280 It's great to meet all of you and have you in and I've really 527 00:48:02,360 --> 00:48:06,800 enjoyed the discussion. I'm a big fan of your music, and so thank 528 00:48:06,840 --> 00:48:08,440 you for coming in today. Thank you for having us, absolutely, thank 529 00:48:08,440 --> 00:48:10,679 you very much. You man. Before we get off the air, man, 530 00:48:10,719 --> 00:48:15,360 I wanted to give you our first official piece of band merch. Some 531 00:48:15,519 --> 00:48:19,880 stickers. Oh, very for you and two for Jen who unfortunately couldn't be 532 00:48:19,960 --> 00:48:22,119 here in the studio. Yeah, thank you, Yeah, of course, 533 00:48:22,360 --> 00:48:23,679 very nice, very nice. I appreciate it. Yeah. Yeah, she's 534 00:48:23,719 --> 00:48:28,119 got Fox and the Flamingos gave us a couple of stickers too, and I 535 00:48:28,239 --> 00:48:30,599 was saying, you know, Jenny, she likes to put stickers on her 536 00:48:30,519 --> 00:48:34,519 laptop. Perfect, She's got stickers all over them, so she'll love those. 537 00:48:34,639 --> 00:48:36,400 Yeah, thank you very much, thank you, thank you for having 538 00:48:36,480 --> 00:48:39,719 us again. Absolutely, and we'll leave you with a little bit of garage 539 00:48:39,800 --> 00:49:34,679 floors from the whole loaf. Thanks again, guys, Thank you. Sas 540 00:49:37,519 --> 00:50:13,599 throt three fact most double