You'll do away five seventeen. Do you want to report a UFO it?
We don't want to report every thirty one. Do you wish to report a
UFO over hey, we want one of those areas thirty one. Do you
wish to find a report of any kind of it? I wouldn't know what
kind of reports cloud times areas thirty one me neither there were self if it
was anybody a U above us to pass us, Like thirty seconds ago,
we were sending one top of golf negative, okay, OFFI the UFO.
Yeah it's murder ten nine o'clock. Yes, I'll just passed over God.
I don't know what it was, but it's from at least to three thousand
feet above us. See, I passed right over the top of US ninety
one one. You just called both to me before they're after staying the airplanes
he is iere to God. More calm on an unidentified object every Liberty four
call or calm on an Unidentified flying object. A Welcome to UFO Chronicles a
place where people share their experiences of the strange and unexplained. If you've had
an encounter, I would like to be on the show. You can email
me at UFO Chronicles at gmail dot com. Hello everyone, and welcome to
the show. How are you all doing. I'm Nick Hunter and you're listening
to the UFO Chronicles podcast. Tonight we meet Bridget from the United Kingdom,
and Bridget has worked with many of the world's leading researchers of ailing abductions,
including the late Bud Hopkins, Dolores Cannon, John Mack, and tonight she'll
be speaking about some of her own personal encounters, including a close encounter on
the four h five Freeway in Los Angeles in nineteen ninety three. Bridget is
up next, but first, if you enjoy the show and you would like
to help support the podcast on Patreon, you can do this for as little
as one dollar a month. Head on over to patreon dot com forward slash
UFO Chronicles podcast. You can also find a link in the description of this
episode. Any help is very much appreciated. Now on the show, Hello
Bridget, Welcome to the podcast. Hi next, thank you allow me to
be on your podcast. Thank you for coming on today. And you're calling
from the United Kingdom. Yeah, with an accident like yours and mine,
Yet I am definitely here in the UK where it's cold, wet and windy,
cold, wet and windy. Now, Bridgie, you have some experiences
you're going to be sharing with us. Would you like to start at the
beginning, please, ma'am. Yes. So, from a very very early
age I used to have paranormal experiences of the ghost kind. So I would
have been about six at the time when I first saw my first ghost,
which was very scary to see. For the first time, I was staying
at a friend's house and I was sleeping on her top bunk bet because I
was the guest. I had no prior experiences with anything at that point,
and I think that I was sort of like fall blown into it from this
experience late at night, bunk watching moth bats fly outside very old Victorian house
in a very lovely little village in Devon. I believe Marnie herself was asleep
at the lower bunk and I was just watching what was going on with the
street lights and the moths, and then all of a sudden, a lady
solidly appeared in the left hand side of the room, and I remember sort
of like looking thinking, this is a lady, and she was in a
chair like a rocking chair, sort of the typical horror sort of scenario,
and I just looked, and I kind of looked around the room, and
the room had changed totally. It had totally gone back in time. Weavings
on the wall, what would have been Marne's wardrobe was no longer there.
It would be weavings on the wall. She was sitting in a chair,
long sort of skirt dress, older lady, and I just remember looking very
frightened, sort of like you know when you have the covers right up to
you, and looked at her. I don't know if she looked at me,
but she was sort of I didn't physically look her in the eyes or
anything like that, but I just saw her. She then sort of went
to touch the window, and then she disappeared and the room went back to
normal. It would have taken me a little bit of a while to go
back to sleep, because I was a bit frightened. Totally remembered it.
The next morning, I told Marnie, and then I remember us going downstairs
with breakfast, and then I told excitedly and yeah, sort of like couldn't
believe what had happened to her. Mum and everybody in the house had seen
her before, so it was a validation that what I had witnessed was real.
And at that point onwards, then the paranormal the ghosts just constantly would
I would see them. So another encounter would have been with me and her
again, Marnie in the back garden. I think it was about nineteen seventy
seven. It was the silver Due belief, because I remember the English mugs
are all given out. I was in her back garden. We had a
tent in the back garden and sandwiches, probably cake at the time, I
don't know. I just remember the sandwiches. We were lying down and her
garden sort of sloped well you could either however where you looked at it either
sloped up or it sloped down. But we were facing her house, and
she had her house a patio, quite a long patio, and a rockery
and then the garden in the grass. We were positioned to the right hand
side of her garden with the tent flaps open, and it was dark.
We ain't no sandwiches talking. All of a sudden we both saw little people.
They would have probably let's say, might have been you know, half
a meter in in height, maybe a little bit smaller than that, and
they were jumping in and out of the rockery, so they would be going
on top of the big rocks and behind something coming out from the other side
of the rocks. I don't recall us interacting with them. We were just
in awe with watching them and they were clothed. We remembered it well.
I remembered it. Both remembered it at the time because I remember talking to
one about it. And my dad was very creative. We had a great
childhood growing up, and I remember telling my dad and my dad just said
to me, you know, that's what happens at night. The little people
come and pick up tidy up the garden, so to speak. If there's
anything like a dead mouse somewhere or something, they the little people pick it
up. And being you know, like seven, you say, yeah,
that kind of makes sense. I had other experienperiances. It's obviously in the
same village, the same place I was living with. My experiences were in
my room at night. I had an exercise that I used to do,
which would have been an out of body exercise which I would get excited to
go to bed to meditate, and things I used to look around the room
used to go out of my body, float above myself, study my bedroom.
I could move this, I could do that, and could do this,
and then would go back into my body, generally if I heard movement
coming up the stairs or something. But I always longed to, oh God,
I'm so excited to go to bed, and I could do that exercise
again. I used to do it a lot. I always remember other things
in that room that didn't make sense as opposed to ghost encounters. You know,
whether it be the summer time we had the big sash windows, they
would be up, breeze coming in. I love the cool air coming in.
But one stage little people being on my window silm, and that always
wasn't to me like a ghost. So the little people were never like ghosts.
You could tell the difference between the little people and a ghost. They
were more animated. They had energy, They could interact with you. They
knew that you were there, they knew that you two were watching each other,
as opposed to a ghost. Was very slow process, a different form
of energy, if that makes sense. It wouldn't be unusual to be found
in the garden late at night by my parents or my brothers. I got
told I used to sleep walk along. I could get myself totally dressed into
my riding gear and go out in the garden so very conscious of what I
was doing until you know, got led back in, and then the next
morning I really did. I so I used to get found out in the
garden. Then came what I always called the Chinese girl in the gazebo.
That was a very unusual encounter. So looking back, even by me saying
this, you nick looking back, it was always about the other people,
as in, we're not talking humans now, we're talking other upright intelligent,
interactive, into dimensional, high strangeness, people that were obviously intrigued by me.
And I grew up in this little village where you could everyone knew everybody.
I decided to walk home a different way. It should have straight up
the road, but I decided to go a different way. One day.
It led me to a place that would take me sort of like round about,
sort of like a circle ish at home. And as I walked home
in it would have taken me down a lane and then up another lane to
go to the house. I came across this girl, and I always call
Chinese. She had dark, long hair, she had fringe I think out
on the stage, she called it bangs. She had very unusual eyes.
She was my height. I don't remember if she was clothed, but she
was definitely clothed, you know. But she was something very different about her
as in our say, her appearance, just her energy wise, and she
had something in her hand. I didn't communicate with her verbally. She didn't
communicate with me verbally, So I would say this was the start of something
very unusual, because she showed me something in her hand was flat, it
was paper like, it was big, so like you know, like we
had the old ten pound notes and five pound notes, of the old fifty
pound notes and stuff like that was big. She showed me something. Now
she's not gonna have fifteen pound note, but it was something, and she
was showing it to me, and it was quite important that she was showing
it to me. And then she sort of like put her hand out and
then pointed sort of like over to the side and up a little bit as
if to say, well, that's my house, that's where I live,
and sort of like nodded my head and I walked home, didn't you know,
I don't know, but you know, my mum was foreign. So
if there was something my mum didn't understand, I'm sure visually someone would know.
I don't understand it by a body language raising, raising your shoulders or
you know, pull in that face or something like that. But I remember
we just I moved off and carried on walking and walked home. You know,
part of me kind of may have thought that I probably got home a
little bit late. Where if you've been, I don't know. But next
day I was very excited to go back to the same place to see if
I could see this little girl. And I went back to where she showed
me where she was. Where she showed me her house was with her hand.
It was up a little little hill to a culder sat the house wasn't
there. There was no house there. They were sort of like newly building
or something, and there's a few houses there, but not where she showed
me where her house is. Where are you remember sort of seeing where her
house was the night before? And the next thing that I saw as I
walked up to the house, and can you know I can sort of like
visually sit now, I was like, well, how in a minute,
But what was where her house would have been? Was this field, and
this field was this object was there in this field, not far away from
me at all, probably eight ten meters away. I always call it the
gazebo, the Chinese girl's gazebo, because it's a bit like it's quite cool
everyone to have pagoda and you know, all lit up at night, maybe
the chacuzi off to the side, blah blah blah. But it was like
that. It was this structure that had lights around it, and it was
off the ground and it was shimmering. I remember the shimmer from the lights
onto the grow and it was off the ground. It wasn't, you know,
sat on the ground. It was slightly off the ground. I don't
know if I remember any noise, don't remember anything like that. And I
remember just looking at this and then I don't The only other memory that I
have of it, of that situation is grabbing hold of something solid cold,
as if like let's say you're waking up from a surgical procedure, you sort
of like get yourself up, hold on to the side of the table,
you put your legs on the ground, and that that's the visual that I
and physical memory feeling that I remember. So with having ghost experiences, and
I've had many, like absolute extraordinary, full blown physical ghost experiences. Having
the Chinese girl in the gazebo, the little people in the garden, and
the little people at the windowsill. They didn't fit into the ghost scenario.
So I kind of sort of always park those thoughts in my head and thought,
Okay, I'm trying and suss that out as I get a bit older.
In the same house that I was living at my dad had. My
dad was a potter and a songwriter. We had a big kilm room pottery
at the top opposite you know as we walked out the back door. We
had kiln rooms. We had barns at the bottom of the garden. We
had a lotment at the bottom of the garden. There was an old pump
well. I don't know when it first happened. I probably was about seven
and eight again nine, Maybe I would know that there would be a person
at the bottom of the garden. I call him the man at the bottom
of the garden, dressed all in black. It was sort of like telepathic.
Wherever I was in the house or whatever, I would go to the
kitchen window, pass the arga through to the kitchen window, this little kitchen
window that then would look down. I think we had about an ak ach
and a half of garden and he would be there. He'd be by the
pump well that we had, and he would be dressed all in black,
an old fisherman where you have the plastic gloss. It was matching top bottom.
Obviously he couldn't see his feet. He was just dressed all in black.
And I suppose because my dad had boats and you know, and I
could picture there like the old waders that used to have. It was very
much like that, and he was like military style. He would be right
at the bottom of the garden, just hands down to his side, just
staring up. Many times because I would say, because of the teleprosy point
of view, it had to be something high strangeness, and it had to
be something of the paranormal, because it was a knowing that he would be
there. And the knowing then would let's say, if my brothers were in
the house, my cousin was in the house. My brother's best friend,
Andy remembers it vividly. You know, he's here, he's back, and
they would leg it down the garden to try to because you know, it's
a bit like that scenario of is someone going to steal my sister who's on
our ground. They would run after it and he would just totally disappear.
I had witnessed him disappear by gliding, and it would be a backward emotion
like a movie Dolly, where you'd put the cameras on and they'd be on
rails. He would be there and then all of a sudden you would just
see him glide off back to the left where the barn was. And when
I worked with Bud Hopkins, we looked into the man at the bottom of
the garden. He was definitely a being, and there's no two ways about
it. At that time I was having a lot of activity with other beings.
They were to take me. I remember some of this without the aid
of hypnosis, and then obviously with Bud a lot more came out. But
I remember having beings working on me in my garden. I then, as
I grew older, I then a bit like your self, Nick, wanted
to be around other people that were having paranormal experiences. I used to start
going to sort of like circle groups, psychic circles to open myself up more
to understand why it was happening to me to see if there's various exercises that
I could do or also sometimes learn to stop some of the things that were
happening. You know, I could be in control of it and say no.
So I was working with other mediums to you know, try and understand
that. Looking back, brilliant glad I did. But it's sort of there
is a difference between ghosts and there is a difference between beings, but it
is all interlinked. You can't have one with the out the other. It's
all a learning tool and it's all an energetic learning tool to sort of fine
tune you. So growing up seventeen eighteen nineteen in London, moved up to
London, was with my partner going to development circles with his mum. She
loved all the paranormal stuff. I had had an encounter with my ex a
UFO encounter and I need to stay. Everyone thinks you've got to go outside
to see a UFO. Nope. We had had this meal out and we
just got back. We started to lie down on the bed, just like
comatos through like eating a big steak meal. We were lying down on the
top of the covers just to head up, looking at the ceiling, full
bellies, and then all of a sudden, this object, solid object black
with white lights all intricately in it lit up. Little lights started to come
from where I suppose, you know, our knees were over the end of
the bed started to float above us, so it was above us on the
ceiling. So we watched it float over us, over our stomachs, over
our heads, and then into the back wall and then out of the wall.
So that was my encounter with Billy, and thinking about it now,
just as I say it, the connection there between me and Billy to maybe
have another encounter, which obviously is the encounter that I'll talk about shortly in
Los Angeles. So I don't remember any other UFO encounters at that stage.
But a couple of years later I go over to Los Angeles to work,
and some of my friends from my hometown in Exmouth at the time had gone
over there to live, and I thought, oh great, I'll go and
visit them and things, in which I did, and loved America so much.
I ended up staying there for a bit. But I you know,
people say you've got to be careful what you wish. For years and years
later, I was still having paranormal activity, wasn't having any UFO activity at
the time, but I had a call from my mum and I remember sort
of like Christmas birthday time, and Mum said to me, you know,
someone's going to give you a call, in which the next call that I
had was Billy and he said to me, so this was in ninety two,
So my birthday in December ninety two, he said he wants to come
over and visit. I'm like, fantastic, Yeah, that'd be lovely come
over and visit. So he didn't come over till maybe January at the time,
ninety three now, and I was kind of like nervous because we had
been like, you know, sweethearts. Years had gone by for him,
years have gone by for me. I thought of to myself, well,
you've got to kind of be careful what you wish for. And I didn't
know what was going to happen. So he came over. He was living
with me in the valley in Los Angeles, in the Woodland Hills. His
friend from England, Kelly, wanted to come over and visit. She wanted
to come over and work find job opportunity. I said, look, sure,
you know we shouldn't get an apartment in the same apartment plexus US.
There's quite a few going because it was called Oakward Apartments at the time.
Little did I know there's lots of famous people that used to live there,
you know, the backpack people. It was pretty much the cool place to
sort of like be living. And you know, as they were all starting
up. You know, it's not like cost loads of money to live there
or anything like that, but it was, you know, the apartments were
all done up inside and everything. So anyway, she'd come over, Kelly'd
come over to stay, and he had an interview on a Deo Drive.
And to me, that isn't a regular day in Los Angeles because I never
went to Adeo Drive, never even bought anything in Adeo Drive, you know
out of the valley or you know up Melrose Avenue that's where I shopped,
or the Beverly Center. So I had taken her for a job interview on
a day drive, parked the car in the complex where it was, We
got into the car. I remember driving down the multi story car park.
We drove back out to get onto the one on one, four or five
freeway to go back to the valley. We chatted about our job interview and
things, and then I had to go to an area called Brentwood. Now
I had been to Brentwood at the time, and I gone there. There
was an old theater there because my friends were in like the movie business.
So I had been to Brentwood, but I don't know the area, you
know, I just would have gone to that movie theater there at that time.
So as we were approaching the sort of to get off the off ramp
the freeway, I'm feeling really really nervous. I'm feeling really really apprehensive.
Something's absolutely building in my stomach. It's not the fact that I have to
go to this girl's house and I have to get home and I'm in a
rush or anything like that. It's none of that. There's something very very
different that is happening to me. I have no clue what it is or
no control over it. It's getting stronger and stronger. So as I get
off the freeway, my hands are so glued to the steering wall they will
glued to the steering wall. Build up at butterflies anxiety. Something's happening,
something's changing, and I don't know what it is, And as I come
off the off ramp, I'm then at a point where the traffic lights were
in front of me. Holiday In is to the left. Ucla College is
a little bit to the right, and I'm at a traffic light. There
is a car in front of me, and I'm not sure if there's a
car in front of that, but my windows are around down because it's been
a nice day and it's about ten to six at night. I'm at a
stop light, so car in front of me, and all of a sudden,
I remember seeing something very quick, very silver, to the left of
me, very quickly, and I remember looking something silver. I as soon
as that had happened, Now I've got this forty five fifty foot craft that's
right on top of the trunk of the car in front of me. Now
I didn't see it leap from the left to my driver's side, sort of
like little little area of the door window to bing right in front of me.
But there it was, and it was stationary at this point of me
having my first look at it, and it is above the trunk of the
car in front, so close I want to touch it. I mean,
God, if i'd opened the car got out, walked over to the car
in front of me, got on the trunk, got on the roof.
It would have been a handspan away from it. It was just that low,
and so I now can't hear anything. Everything's gone silent. Now you've
got to remember, I've still got my hands on my wheel. I'm now
looking at this object, and it's so quiet out there. I can't hear
anything. This thing of that size would have made a noise. It's also
got no fulage coming from it, no exhaust. It's also got no wings,
and it has this amazing red orange power source underneath it. It is
just like you're looking into an ember of a fire. I'm looking at it
and it isn't until that point, with my hands gripped to the steering wheel,
just you couldn't prize them off, Nick. I mean, I'm just
like you could be the world's strongest man. You wouldn't take me hands off
the steering wheel because my nose is pretty much to the windscreen and I'm looking
underneath this craft. I then swear. So I've got Kelly next to me,
and I then go, what the F is that she is? Then,
because back then we did I don't mean we had mobile phones, right,
I think we were on pages. So it's not like she sat in
the car like they do now with on your phone or anything like and not
looking up whatever it was. I swaw. She's now looking at it,
and now she's staring at this thing, this object now craft moving unusual.
It was just gliding slowly. Now it's gliding slowly over would have gone over
the roof of that car, then it would have gone over to the right.
Did it go a little bit? It must have done, because as
it's moving over to the right, the traffic lights go back on again.
So whether this craft stop the lights as we know that that happens. I
then put my foot in the gas again to move, still being shaken.
I'm not speaking to her. I don't know if she's looking at it,
because I'm just like one. You've got to know that you've got to drive
a car, and you've one you've got to go somewhere, and then you've
got this object that you're trying to go round in your head like a cog.
Where have I seen something like this before? Hang on, and it's
got no wings, it's got no few diduts's gone this? You know?
And you're trying to spin every idea and every whatever it could be in your
head. My foot goes on the gas because the car in front of me
is moving. I am told in my head that I can't go right.
I cannot go right, and I'll come to that in a minute. I
then go to the left to go over the bridge that takes you directly over
the freeway right, so you've got the freeway underneath you, and then you've
got the holiday in which as you're going over the bridge would be on the
right hand side, big round holiday in. I remember going over, so
it's going over towards UCLA College, just going by the trees. I remember
turning the car to go left to go over the bridge. I remember looking
in the back window of the car, and I remember what I'll always say
is the back ass of it going through the tops of the trees. Can't
say it any more simpler than that, Literally, the ends of the craft
going through the tops of the trees. It was phenomenal. And I remember
it so that was low right, the trees weren't high up. They were
green at the time. And I then remember having to turn my head to
drive over the bridge because I got car in front of me, told that
I can't make a right and I got to get up high. It was
very matter of fact, very broadly spoken to me. Got to get up
high, and you've got to go. You can't go right now. I
always say this could be my subconscious It could be a subconscious thing. So
I just knew that I could go up and drive up behind the Holiday Inn,
up the side road there and go up to the top of the holiday
In and then have a great vantage point to look out. Now. I
don't know the holiday In at all. I've never been there. I've never
been up the top of that road. I drove like literally not even a
block where it was. As soon as you got off the off the freeway,
I drove up a lane. So I drove up to the top.
Me and her, not talking, still suckled the car around because it was
a little culder sack on this little lay by, and I said to her,
we're both going to get out at the same time, point the same
direction where it went. She got out her side, which was on the
right hand side. I got out my side, which was on the left
hand side, and I said, right, we're both going to point in
the same direction. She pointed with her left hand. I pointed my left
hand, and we both pointed in the same direction, which would have been
now our hands would have been pretty much hovering over the holiday in point in
the direction of UCLA and wow, well, let me tell you, at
that point the reality of something had happened. Now from the vantage point of
being up high, could we see it. No. I couldn't see anything
that would resemble something that vast size going anywhere. Couldn't see anything at all.
I felt sick. My eyes were streaming. I was shaking. I
remember we got back in the car down the hill, made a right probably,
I don't know how many blocks away it was. It wasn't far.
It was minutes away to this girl's house that I had to go to on
the corner. I drove into her apartment complex and then got out of the
car, not looking around. Didn't want to look at anything. My eyes,
i can say, felt like they'd been stretched wide open. I didn't
want to look at anything. I looked at the ground. I just didn't
want to look around anything. I remember holding on to the side of the
car. I felt drunk. I'd never drank alcohol, couldn't think, didn't
want to think. I remember ringing the doorbell. She came out. I
said to her, listen, something really as strange has just happened to me.
I need to get back, I need to go. I got back
into the car, went to drive out of her drive, because you drove
in the other drive in one way and drive out the other way. And
there in front of me was this amazing black gangster car, sort of like
a really old black fifties car. Now, Hollywood Los Angeles has a lot
of picture vehicles, ones that go into you know, all the TV shows
in the film, so it wouldn't be unusual to see that actually stunning calf
driving around you know, La, all around around that way. But this
car was very low profile, black tinted. It was there and I had
a I suppose body shock. Again as I was told, it's been placed
here to remember. So again very verbally coming from somewhere, very matter of
fact, you can't go right, You've got to get up high, and
this has been put here for you to remember. So now I've got this
black car right in front of me. It's there for a while, and
it makes me, you know, for a few minutes, it makes me
feel really uneasy and why is that there? So it's been placed for me
here, remember it. Then went back into the traffic, still not feeling
myself, get back into the traffic within like I said, let's just call
it like five blocks way back from the freeway. I then start to go
off the off ramp to go down the freeway. And because my windows are
wound down, I can hear this roaring noise. Me and Kelly not talking
at all. There's no communication between us whatsoever. Looking up and seeing a
helicopter are black, very low, because I can see the rivets on this
helicopter unmarked, four or five military helicopters. So as I was going on
the off ramp of going back onto the freeway, as the crow flies,
it's heading in that direction of UCLA. But within ten minutes, right,
well, you've got military helicopters going straight over to where this is. Still
not talking to her on the way home. Your brain's trying to put anything
into context. The thing that baffled me the most was the size of it,
no wings, the heaviness of it, the power whatever alway was powering
it, that red orange underneath. Yeah, and the closeness of it.
So we drive back back to my apartment, put my stuff down, Billies
at the flat. Billies in my apartment who had had the experience with the
craft going above bed. It isn't unusual when you hear it, and you
hear it time and time again, you want to say, you want to
say something. I couldn't say it a bit like the girl let me go
to her house. I couldn't say it. Physically, mentally emotionally wrecked at
that point. Other things do I remember from that night? First of all,
her walking into the bathroom, her looking at a reflection of me,
I look at reflection of her. And I know getting into bed that night
didn't feel right at all. You know, I didn't want to talk,
I didn't want to do anything. I didn't want you know, no TV
or nothing. I just needed to get into, you know, just to
my own space. I wish I could remember more of that, and let's
say, physical evidence or anything. Physical evidence. I did definitely go through
with the emotion of eyes burning, the interaction with it my body. Now,
Nick, I never had a conversation with Kelly about it. I never
did, and I suppose that's possibly why I always went public, because how
amazing would it be for that person to come forward, validate things and to
share that experience with again. I well, I went public my own extraordinary
encounter, and I wanted her maybe one day. Well she hasn't yet,
but now everybody's listening to all these things, she might go, oh my
god, that's her. I had my encounter with that. That would be
just like amazing. But we know that it can affect everybody psychologically in a
different way. I suppose I'm a little bit more proactive and I'd had years
of UFO experiences. Maybe she hadn't. I don't know because I never communicate
with her. So a couple of days later, she moved out of the
apartments. That's all I know. A couple of days later, I told
Billy, Billy, I got to go. I just got to get out
of here. You know, I've you go to stay with my friend.
I'm going to go to Santa Cruz for a couple of weeks, keep my
apartment on and you know, just need some headspace, in which I did.
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and the iOS app Store. I then go and stay in Santa Cruz for
possibly a week week and I then go with a friend and then the being
a trailer backed from Santa Cruz all the way to to Pangy Canyon. Now
to Panga Canyon in ninety three. Little did I know it was a UFO
hotspot. So I'm sort of like now being plumped into the epicenter of it
all and having some very unusual high strangeness into Panga Canyon. I remember having
some unusual encounters into Panga Canyon that don't fit into the normal. There was
one thing that was very personal to me that involved I had to go to
the doctors for that involved something that was very unusual, and I still have
my medical records for that. There was an encounter that I had into Panga
Canyon. So let's just say maybe two let's give it two weeks, three
weeks, you know, after my encounter on the freeway, I'm a friend's
house into Panga and I'm looking through their books. I'm a huge book collector
looking through their books, and they have a book called Bringers of the Dawn,
Teaching from the Playetes. And I look at that. I went,
oh, my god, I know that. I know that, I know.
Why do I know that word? Why do I know those words?
Picking it up, flicking through. My friends are playing music, live music,
sort of like strumming, singing, and I'm heading my books, listening
and then all of a sudden, like having a huge psychic experience placed in
front of my in my mind's eye. But like let's say, if I
was looking at you, Unich, I can't see you. I've just got
a TV monitor in front of me. So you've now turned into a TV
monitor. I'm being shown frequencies, and those frequencies, I am hearing these
tones, these high pitched tones, and with those tones, those frequencies that
I'm shown on this monitor are going up down, fat thin. I was
shown this in my head and I was having these tones that go with it.
Now I know, even though I say to you, I couldn't hear
their object on the freeway. Some think must have gone on because as soon
as I heard those tones, I put them back to where I was on
the freeway in Brentwood. I knew that that craft was outside. I said
to the guys, I said, can you not hear that? And they
just like looked at me. It's like no. But Seth said to me,
I don't know if I remember how well. I don't remember if he'd
had your phone characters. But for him to have teachings of the Ladies Bringers
to the Dawn on his bookshelf, you know he must have had walked on
this journey with a bit of insight. He said, you know what,
you can hear go outside, And I'm like, Christ, this has only
happened two three weeks ago. I don't know if I want to. It
was a huge pulling. It's like I was being pulled to go out,
and I remember getting up going so far to where the door was, and
he had a stable door at the time. I just knew if I stepped
outside, I'm going to be under a craft again. I didn't. I
re let's sort of go back, if we go back to the freeway,
I spoke about a bit about Bud Hopkins. I went in well ninety seven,
I worked with Dolorus Cannon and I had hypnosis with Dolores Cannon. I
spent a couple of days with Dolores, wonderful lady, huge following still which
is amazing, and publishing company and what her daughter's doing, and under the
hypnosis, we went back to my childhood and we did go back to part
of the freeway encounters, but she did mainly of the older experiences I had
and I was being blocked big time because I was when I came back from
America in ninety three. The latter part of ninety three, I was just
suffering from headaches like cluster headaches and also suffering from hair loss. So I
recall going to my doctor and I was very honest with him. I said,
look, I've had a massive UFO encounter. I was underneath a craft
and he treated me medical records. He's treated me for radiation, you know.
And I then went with Nick Pope in I can't remember it's ninety seven,
ninety eight, I think it was ninety eight, went to work with
Bud Hopkins in New York. We were there for five days. I think
I did three or four days of hypnosis with Bud. Alongside us was Peter
Robins. Peter Robbins used to help out Intruders Foundation do a lot of research
for Bud. Still, you know, so still being great friends to this
very day. He's absolutely a legend in euthology and knowledge. We did hypnosis
and we went back to the past stuff. We went back to the freeway.
So the freeway under the hypnosis, I'm at the steering wheel. I
got the hands on the steering wheel, gripped very very tightly, and the
feeling in my body of just the tingle, the fuzz, the energy,
the static, whatever was going on, and the grip onto the steering wheel.
That's where it blacks out. So what happened under the hypnosis, if
you remember, I'm ripping the steel, I'm looking up at this. At
that point it goes black. I am then going through my body fragmented like
atoms. Every part of my body is then being sucked through the steering wheel,
through the central component dash of my dash in front of me, behind
my wheel. I'm going through every single part of that bit by bit,
molecule by molecule, going through the engine, being taken through that engine.
My body's feeling going through that engine. It's in pieces, going through that
engine and then being going up. I'm then placed again in a field and
I have beings with me. I have light beings with me, and those
light beings are pink iridesse and light beings human formed eyes, had hair,
hair that was like a transplant, white long, you know, past the
shoulders in parts as a transplant. I could seeing there veins, pink blue
veins like we have, just the energy of them, and the energy had
a ring around it, and they had it was one. I was now
in one big ring with them. I felt that I knew these beings,
and I've seen these beings before. Now these beings weren't the beings that I
saw when I was well. They were it was the same vibration, So
I felt that I knew them. I felt that I knew these beings and
one of them had a baby. Now, Nick Pope sat in on the
hypnosis sessions, took lots and lots of notes. It was all recorded,
got all of the cordings and stuff, and very traumatic. Don't get me
wrong, anyone that's having to relive something that there are so many pieces missing
and then boom, You'll put a picture in front of your head and you
know that it resonates with is a shocker? You fight it, you think
is that me? Is that my subconscious? You know? But then there
are lots of other things. And one of the strangest things about the hypnosis,
what I found always very strange was Kelly. She was in the back
seat of the car under the hypnosis, and she wasn't to the right of
me anymore now looking back, but she was next to me as I drove
over the bridge, because I know which side of the car she came out.
She didn't drive out, she didn't climb over the you know, the
back back seat of the car and then you know, lifted up the front
seat and then get out. No, she was in the front, but
in the hypnosis she was in the back, and that freaked me out.
So presentation there was a child, one of the beings had a baby.
I knew that that baby wasn't mine. I was very aware. So they
call it I supposed like the child presentation. Don't they that baby was not
mine? That presentational that I suppose let's say a presentation of beings in I'm
in Company with was about them. I felt such love from them and a
knowing, a deeper knowing and a deeper understanding of probably other encounters. That
that baby wasn't mine. It was about the beings. And I'll always say
that because Bud, you know, he worded it very well. He didn't
I suppose they say I lead you or anything like that. He asked it
in a various different ways throughout the hypnosis back and forth. No, that
being with the baby wasn't my baby at all. It was about the beings.
What I have when I've had other experiences with beings next to me physically
that I consciously remember, and I consciously remember beings being next to me a
few occasions. It was about the beings. It was that blessed to have
worked with and then obviously John Mack backwards and forth with emails with him,
you know, going to set something up to be able to go and work
with him as well, to explore further avenues with John and Peers. I
think it was called wasn't it that John did? That never came into fruitition
at all, but you know, documented lots of things with him and chatted
with him and things. So that was the encounter. We then I had
obviously go back to the Pang encounter. After that, there was strange things
that did happen into Panka Canyon. Didn't know it was a UFO hotspot.
I would go out to the general store into Panga Canyon and there would be
a big poster. Have you seen any UFOs into Panka Canyon? I was
like, what I saw a poster then hanging up with a UFO on it
into Panky Canyon. I'm like, well, yeah, I know what happened
to me. Like three weeks ago. I remember taking them down and they
were on telephone poles Themember taking them down. I took a couple I think,
and it was Preston Dennett back at the time that put them up there.
So this is we're talking. We're talking February, March April. We're
talking March March April ninety three, and I was taking them down And it
wasn't until I went back to England and you know, ninety three, came
back ninety four, kind of just trying to sort my head out coming back
to England. On the top of my mind was always the UFO stuff.
Then Night five started looking into it a bit more, we didn't have the
Internet so much as of then, and then we you know, we had
the you know UFO Reality Sightings magazine Encounters magazine that was available in wh smith
and the newsagents. I was buying those. Weirdly, one of the I
think it was in Sitings magazine was published in Exeter, where I was living
at the time. Decided to start up a witness support group with a few
people, few other experiences. And how it came about was I had put
in the local newspaper a bit like yourself, Nick, wanting to be around
other people that had had other encounters of the paranormal, just wanted to meet
fellow other people just to have a general chitchat. And I would then started
I've got a po box. And then my PO box was like just stacked
to the hill of like people experiences, you know, abductees writ to me
from all over England, and actually it's not just all over England because it
went to many many countries those you know, and I'd be getting letters left,
right and center. So I started a I got a questionnaire together,
and if I go back to ninety six October ninety six, I wrote to
a gentleman from mouf On. At the time, I think he was state
director of California. His name was Walt Andreas. He's well known within the
field. I remember calling him, having a phone conversation with him. It
is recorded and I still have of telling him about my ufoone counterpard on the
freeway and he was very matter of factose you know, was quite incredible.
It involved in you know, a craft and men in black car, a
military helicopters. It doesn't really happen, well it does. Somebody else has
just gone forward that has had a fantastic UFO encounter and that involved at craft,
military helicopters and the men in black car. Raphael has got a I
think he's on Prime calling all beings. You can go and watch and hear
his and his wife's encounter with military helicopters intercepting a craft with a men in
black car. So I can remember hearing it thinking, oh my god,
this is amazing. So there has to be a report, military report from
the helicopters that were intercepting it. So something exists somewhere, and obviously with
disclosure coming out now and us fighting for it more. You know, I've
talked about this for twenty six years right, How amazing is it for me
now know, to be a bit more in the public eye to say,
hang on a minute. You know, it's all very well for you to
talk about your military helicopters and your pilot. Hang on a report somewhere on
my encounter. If we go back to Andreas and the phone call in ninety
six, I remember him being very matter of fact. I then filed a
report with him, sent a report over I think five or six page report.
You know. I did what I needed to do of my encounter.
And then then I went to a conference in Bristol with an abductee that ironically,
there's no such things, as you know, weirdness in this business,
except for the high strangeness I witnessed where this lady lives. I witnessed craft
going over towards her house, and they were the silver balls that we all
see on the like stills. Now, they were very large, they were
like sea mines, and they were going towards her house. So a couple
of days later I was introduced to her. She said, oh, I
saw some things going over to a house. Anyway, cut long story short.
Her abduction happened in Bristol, the weekend of Rendalsham Forest, which is
phenomenal because we know Rendalsham happened over three days and her abduction with other people
up on this I think it's called Windmill Hill, So I remember rightly.
They load of people that were walking there all ended up having the same encounter
stillness and having a craft over them, and then you know, went lots
of physical encounters with it, and then they went on their way in a
date on the weekend, same weekend as Drench Forest. So I started a
ufone group with her, Helen, and another lady called Kathy, and it
just got more and more popular. So we went to a conference. Nick
Pope was there from the Ministry Defenses in all of these magazines and interviews these
people, and this is what he does for a living. I need to
talk to him, you know. So I waited until he'd finished talking to
various other people like myself, and I introduced myself and I said, listen,
you know, I had an encounter in America, and I don't think
I told him about at that time, about any of my other encounters,
but this is what happened. Old military helicopters and men in black carp and
he was interested, he was intrigued, and we exchanged I think he gave
me his the desk number and email and everything, which is still have and
phone number of the desk he was working at. And I had then had
something put in the newspaper, you know, starting up a witness support group,
and they made me and Kafe and Helen look like like we wear tinfoil
hats right with antennayes on us. And I just thought, you know what,
I'm not going to be laughed at. So I contacted Nick Pope.
I said, listen, they've published something in the newspaper. I'm not happy
with it. Can you stick up for us because this does happen in which
Nick did, and that was the start of my Nick's friendship and looking into
my encounter encounters more and more so that and yeah, ninety six to now,
you know I've spoken various well they would have been the old Leeds conferences
and exopolitics. In twenty eleven, I did my presentations with Nick Pope as
he interviewed me and presentation talking about my encounters. And since then have I
had more ufone encounters? Yes, every experience has been very very different.
No, two are the same. One thing that I will say regarding the
encounter in holiday In was at the Exopolitics conference in twenty eleven, I had
somebody, a gentleman from the audience, put his hand up because obviously there
was visuals along with the presentation. I had a picture of the apartment that
I went to, and someone put their hand up and went, do you
know what that number is? And I didn't even look at it, to
be honest, I want nope. And this is back in twenty eleven.
I did this right. It was the exact date of nine to eleven.
So out in America you put your month, your date, and then your
year, and that's what it was, month, date and year, which
was quite remarkable really, as you could say, well that's just a coincidence.
I don't know. It was just a bit bizarre. Now, also
in regards to the encounter in Brentwood, there is another high strangeness that is
undeniable. When I had another UFO encounter many many many years later, where
I was living in Devon, I was working at an all boys school.
And I'll say this quite quickly, but I was working at an all boys
school. I was on radio link with the other members of staff early morning,
and I was reading a book by Courtney Brown. It was about remote
year and it was probably about six seven o'clock in the morning. I remember
having read it, put it down because I felt how to go to the
window, got up on the sofa, went to the window and I saw
these silver balls that people are seeing now. I've seen so many of these
in a few places in the world. I saw a couple in muck Minville
when I was there with two other experiences. I've seen them with my eldest
son Orian. Many of them like they were caught in fishing nets, a
bit like you know the starlink now, but we're talking like fifteen years ago,
right. They're floating above us and you start counting, you get to
about thirty, go, oh my god, that's too many, you know,
And then we just watched them go out of our way. But I'm
watching these silver structure balls and they were very intelligently forming, going over the
tops of these trees, like playing with them going over the tops. And
I called the radio. This person didn't come up that it's meant to come
up. My boss did. He's now looking at me looking out the window,
we do come and look at this. So I showed him and he
went, oh, yes, and then they went that day and we can
get that date. That date. When I got back home, I went
back to sleep early in the morning, like let's say eight thirty nine o'clock.
When I got back in the morning. You know, I went back
to sleep, woke up at lunchtime, and my ex husband at the time
said to me, Corey Haim from Lost Boys had died, and so we'll
know now if anyone googles it what date it was. I said, oh
right, So I love that film because it is one of my favorite films.
I just could watch that over and over and over over. Real gay
and he lived in the valley. I was like, oh, I lived
in the valley. He lived in Wood and Hills. God, that's crazy.
I lived in Wood and oh my god. He died in Oakward Apartments.
Now Oakward Apartments, Yes, it is a big apartment blocks, various
places, lots of them. But the fact that he died in Oakward Apartments
on the day that I had a UFO encounter that morning, it linked me
back yet again my encounter in Brentwood. And you know, I know with
experiences. We have huge high strangeness with it, and it's just like it's
like them upstairs playing little games with more confirmations that you are on your right
path. You know. It's quite crazy, actually quite crazy. Yeah.
Interesting. Going back to Dolores Cannon, you said during hypnosis you revisited your
childhood encounters. Yeah, so now I was going through when I was being
when I went to meet what came out unto the hypnosism. Now this time
I was having major, major cluster headaches. It was horrendous, and I
was having encounters as well. At the time of in the apartment that I
was living in, it would be there was one occasion that I had beings
next to me physically. Remember this was without without the hypnosis, so I
had a lot of high activity. I remember Orian was very young. I
was in this room that he was in out of the window and there was
a church that I'd look down upon the area. If I looked out of
the window, there would be another block of houses there, then there'd be
a road, and then there'd be a big, massive church. Seeing this
vast triangular black object going very slowly over the top of the church. Literally
just this mass going over the top of the church, and when we swapped
bedrooms to the other bedroom, that's when I had three beings next to my
bed. And I'd gone to bed because I had a really bad headache again.
And this is the time where I had looked into you know, speaking
to the doctor saying you'd had a UFO encounter, and he was trying to
treat me for you know, like the radiation. My hair was falling out.
Now you remember, I've got a young baby as well, so you
know, you could say hair loss comes from that as well. But I
was honest with the doctor, so we looked into various I think I went
on homopathic tablet. So I had three beings next to me. I will
go back to Dolores, but this is all inter linked. I had remember
getting into bed, lying down in bed, I'm on the right hand side
of the bed, and all of a sudden boom, I have three beings
next to me. The presence of them. I could see them out of
the corner of my eye, turning my head and seeing them. They were
pretty much in the same formation as another encounter that I had had only a
couple of years ago to now, and they were next to me, and
all I remember is then turning my head very slowly, thinking, oh God.
I remember putting my head looking up at the ceiling, and all of
a sudden I felt a very very sharp like needle go up the bottom of
my lower spine a bit kind of like being a mum where I've had an
air padural and it piercing into me, feeling it going in, and then
feeling it's like a heart monitor again like the TV in my head. I
just then as it went in, I then felt like I want to call
I always call it like a dartboard. It went in, and then you've
got a ring of like where I felt it. Then that ring expanded,
and then that ring expanded and then expanded more to the point that I'm bang,
I'm out and I've gone somewhere, or I'm out cold. That's with
the beings next to me now. In the first bedroom where I saw the
black triangle, I remember being able to go out of my body, lying
down on the bed all of a sudden, taking a very strange gasper there
which sounded so unusual, and I took a massive gasp of there. And
then as I'm lying down on the bed, I'm now seeing me float right
above me, eye to I looking down upon me, and me looking up
to me, and then me above me said to me, beneath this one
lies the true one. And I remember thinking what and like straight back into
my body. So I was having a lot of unusual things happen high activity.
So we go back to Dolores Canon. Dolores was putting me under the
hypnosis, and under the hypnosis, I had so many blocks. And what
I need to do is dig out the VHS machine and listen to them and
watch them again. I've started to, but there's got to be a lot
of information in there, and it would be nice Nick to actually kind of
I don't know if I want to put them out totally one hundred percent public,
because they're very personal to me, I've saying along with Bud Hopkins,
but I always find it very interesting when I hear people's hypnosis and what comes
out, you know, I just think and watching them as well. I
have the visuals for the VHS for Dolores, but the audio for you know,
we Bud Hopkins. So with Dolores, I was being blocked because of
these headaches so much. But what I saw under the hypnosis was beings working
on me energetically. It confirmed my encounters in the garden where they used to
take me, where they used to lie me down in this one part always
of the garden, and fitting me with a box inside me in the Lady
Regions and a metal box, and I remember feeling it, not being happy
with them putting it in me, you know. So there was a lot
of crying. There was a lot of trawn behind it. And then also
with that they would become very close to me, as in visually I had
them looking down upon me. So when I say that I don't physically ever
remember being in a craft, I've had lots of dreams where I've been in
a craft. I've had lots of dreams where I've been working with the beings.
I've had dreams where I've walked around a craft and looked out the windows
and can see earth below so all the stars everywhere, and see beings next
to me. But those are dream formats. Now whether it's a memory,
but I'm just putting that in there. I don't physically recall me having being
in the craft. Besides these with Dolores, these beings, Grays would be
at this point so that the other beings in the garden where they fit the
box. Those were the light beings that I saw in Brentwood. These beings
were looking right, I mean as close as like your handspan away, and
I would see their eyes so visually enough to make when I looked at something,
it made my eyes soar from look looking at it. They were stagnant,
real dark green. They were alive. They had an energy behind them.
And then then I was shown it without the lens. Now we're going
back to Dolores Cannon the in ninety seven, right ninety seven. I hadn't
heard about this at all, so I was just going with what I was
recollecting and what I remember of them looking over me. I was then shown
shown the lens taken away, and then cat's eyes right in front of me.
So I always call it slits for eyes. So I got they showed
me what was behind their lens, And like I said, I don't remember
ever hearing about this. I was quite shocked by that. How when I
say alive, I want to say, like the stagnant green you know where
you had the shimmer of light on it, so I knew it was alive.
I knew it had water in that eye. I knew it had moisture
in that eye, and it was so close to me. So yeah,
that was with Lorus. Now. She kept asking the questions, you know,
why why are you blocking, Bridget, Why are you blocking? And
they kept saying because she's not allowed to remember yet. I was then retelling
her, I'm not allowed to remember yet. It's not I can't, I
can't say it. I'm not allowed to remember yet. Yeah, that was
quite interesting. Do you have an interest in the beara normal? Did?
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podcast on Spotify, iHeart Audible and Apple Podcasting. It's time, It's true
is the x X and when it comes to family members. Are you aware
of any of that? I have experienced anything similar. Yeah, So both
my brothers have had UFO encounters. I think one brother more than the others,
had a lot of high strangeness and is quite open psychically. One of
my brothers had witnessed one as he was on the train going to Xmouth over
the Estuary. I don't really remember him saying that as to me, it
was only as he got older. What we did speak about was always the
man at the bottom of the garden. My first brother, he had an
encounter and it involved being in a graveyard. And it's funny because Preston den
it's some fantastic episode of UFOs for graveyards. And I remember I think my
brother saying that he stayed underneath this massive yew tree with his mate and hid
from it. So both of them had My mum no, no, not
that she ever told me. My dad, like I said, was very
open. My dad was in the RAF. My dad's dad was a pilot.
He used to own a airfield and fly cargo. My dad was very
much interested in UFOs. As I got into my UFO, let's say,
witness support group, Nick always used to kindly give me a book to give
to my dad had to be able to read. And my dad was,
you know, loved all that. My dad was sort of like into you
know, pin codes, human pin codes, you know, like essences,
like the bark remedies. You know, he had allotments. He was very
sort of like liked all his herbal stuff. I mean, god, he
liked his whiskey tap. But definitely Dad never said anything that he had it,
but he was very very proactive for me doing it. Mum. No,
but both my brothers, yes, and your experiences have the He continued
on, So if we go back to what I told you earlier about the
All Boys school that I used to work at on top of the sofa looking
out the window watching these silver structured balls, that was one encounter, and
then I had in the same vicinity. I used to live it in this
old house. And one night I remember going to lock the house up,
and it was an old Victorian house, and I walked down the hallway.
I went to the front door, which was a glass front door that looked
out to the little front part of the garden where my car was parked,
and there in front of me was this massive white ball that was hovering.
It was next to my car side mirrors. It was high up off the
floor and it was hanging there and it wasn't lighting up anything. It wasn't
lighting up my car, it wasn't lighting up the floor, it wasn't lighting
up the bushes behind it. And this was late at night. It was
an object that was outside. It was so big and it was unusually big
and how it wasn't lighting anything up staring at for someone feeling a bit unnerved
because his house was quite in the middle of nowhere, and calling my son
a Ryan downstairs, and he came downstairs and I said, come and look
at this. Come and look at this. And it stayed there. So
we didn't open the front door. We were just looking at it from the
glass looking out. What is it? I don't know, And we're staring
at this thing. So when you say size wise there, you know,
like those exercise balls that you sit on like some people do their like exercise
on. It was a bit bigger than that. And it was in the
air next to my my wing mirrors and we're watching it. We're watching it.
We're probably there for about five minutes. We don't know what to do.
We're just staring at it, and then it starts to diminish the light.
It starts to go down and go down to the point it just blinks
off and goes out. And we just said, he said, right,
lock all the doors, Let's go around the house. Let's just make everything
sure that it was locked up in which we did. Now that house again,
I'm driving to work, going to the boys school. It's a massive
long lane in the middle of nowhere. The actual area is called beer Alston
if anyone wants to know where it is. It's going towards beer Allston in
Devon. It's on the outskirts of Tavastock and driving along that road and I'm
doing nights there at that point, so I'm going I think probably I must
maybe let's say I start at you know, nine o'clock at night, so
I'm probably driving there about you know, twenty to nine. And all of
a sudden, as I'm driving along that road, dark and night only me
on that road. As I'm driving along that road, to the right of
me, over the other side of the road, up high, I can
see this light and I can see this light descending, and this light is
descending and it's now again sort of by the tops of the trees, and
I'm watching it as I'm driving towards it. I then pull my car over.
I get out of my car, cross the road, only me on
the road. Cross the road, and I go to a gate that's there.
I stand on top of this metal gate and I'm now looking to the
left at it. It's now coming down in front of the trees. So
it's now in front of the trees, coming down like it's dropping. Its
dropping down, down, down, down, to the point it's pretty much
on the floor. This field had been plowed, and now it's sort of
coming towards me a little bit. But now it's going down away from me,
down the plowed field. It's like an energy ball of white light going
down the field. I remember watching it till it went thought okay, get
back in the car. Went to work on that same road again. I
had another high strangeness encounter, which was it was a Sunday. I had
to go into Plymouth. I needed a printer scanner for because I was doing
a lot of the UFO stuff at the time. Didn't have one. Went
to a store on a Sunday, parked my car up, went to the
store, went inside, and I went in there with the intention to go
by print scanner. A few people were being served. I didn't know what
I was looking for. I needed to make sure that I spoke to a
person. Everyone was busy, and it was quite late in the day.
It was Sunday. Everything closes at four o'clock, so I probably was being
about there. I don't know about maybe about you know three, moldering around,
looking around. And then it got to the point of I knew that
I couldn't speak to anyone. It was beyond me what I needed to know.
What did I need? And I thought, I'm just going to go
left, walked outside into the car park that didn't have many people in the
car park, got to my car. Well, it was like a Grand
Voyager American Chrysler, so it was a bit big, slidey doors quite high.
Up there on the floor next to my car door was a print scanner
on the floor. I looked at it. I was like, what h
I didn't speak to anyone in the store, so no one would have known
I was looking for a print scanner unless all of them in there were telepathic.
And I'm like, well, Prince scanner on the floor. I remember
looking around the car lot and thinking watching me, well, this is a
bit weird. This is just like the story of my life of weirdness.
I think, what what do I do? Has someone left one there?
That's quite good? Thought, well, I'll just leave it next to someone
if they want to pick it up, and they could have it. So
I had a decision to what do I do. Do I leave it there,
thinking don't touch or do I think someone kindly left it for me there?
Or is it a matter of high strangers? So I thought, well,
okay, I'll put it in my car. Put it in my car,
start to drive home along that same road. But I'm now a bit
more towards the boys' school driving along that road, and I'd had an experience
a couple of nights before with another experiencer called Suzanne Chancellor, and we used
to talk on Skype and stuff, and in a conversation she said something and
what she said on about she could see me. Now, I remember driving
around this will be apparently minute. I remember driving around the corner because it
was something to do with We talked about owls, all right, Remember driving
around the corner and then all of a sudden, it's dark at night,
right, it was in the winter times, but it was dark, and
I here, Susan in my head, I can see you. And then
boom, right on my windscreen, a fat, big owl bounced on my
windscreen and went off to the right hand side, and I was distraught.
I was like, oh my god, that's an owl. That's an owl.
I pulled the car over in the middle of nowhere, right down a
country lane. I pulled the car over and I got out, and I
thought, oh my god, I've got I got my phone out. I
put this torch on it. I tried to see if I could see it.
I tried to see if I could hear anything flap in any movement.
The grass was quite tall. I couldn't see it. Distraught, upset that
oh my god, I hope this owl's okay. I mean, to the
point I'll go back to my own look. I got back in my car,
drove home, which wasn't far. It was, you know, maybe
a maybe two three miles away, back to the place that I had this
big, massive light that me and my son's drove back in print scanner in
the car next to me. I kept looking at it as if to say,
this is just odd because it's the same like vicinity as a lot of
my Ufon counters. And I get my son out, or I tell him,
I said, listen, you know, I told him about the Prince
scanner. And then someone's well, something's put something next to my thing,
and he goes, Mum, do not let it in the house. Do
not bring that in the house. And he's a film buffer, you know,
I love my movies. And he kind of put it down to like
the film Poltergeist with carry Anne and the dad in the in the sort of
like the end scene when they take them back to the hotel room. That's
the first thing they removed from it is the television, so she don't get
sucked into the TV game, right, or Ian made it very clear,
Mum, that is not coming into the house, because it was just a
very strange house. There's one other thing that happened in that house in the
same way. I was in bed. We were all in bed, and
the little kids in the other room are in another room, and then all
of a sudden one time I heard footsteps so clear on the tiled floor downstairs,
to the point of you knew how many steps were being made before it
hit the bottom. Those stairs were then carpeted. So I heard these steps
and I'm downstairs thinking what someone's in the house. Then I heard it go
quiet. I could calculate how many steps, and then I heard a step
that was then onto the wooden floor and then stepped into my children's room,
young kids room. I got up so fast out of that bed, ran
into the bedroom and my youngest son at the time, he was bolt upright
in his bed. I switched the light on. He was sat bolt upright
in bed. I just grabbed him and took him into my bedroom, and
then I woke my son up Ryan, my daughter was staying away at the
time. That was really unusual. That was another really unusual one. The
high strangeness never ends to our listeners. If you'd like to hear more from
Bridget, you can find her on The Naked Truth on the unex network KUNX,
which airs eight pm East of Standard Time. Correct wonderful and it's a
weekly show. Yes it is. Yeah, I've had some fantastic guests on
so far, and you know, I'd only be doing it. I don't
know. Maybe I think it's about ten eleven times. You know, I've
had Richard Doughty, Nick Pope, Steve Bassett, Andrew Gough, Ted Rowe,
Mike Cleland because then I went into Mike Cleveland's books about the owl scenario,
Glenn Speckland, that's from the He's from the Dansky Foundation. So far,
that's so far. I mean, I've got some great lineup of experiences
and researchers. So I feel like really blessed her given this opportunity. Indeed,
I will put all links to Bridget in the description. For me,
even listening to people's encounters, it touches home definitely more so now as Nick,
let's say, twenty six years ago, when me and you were doing
all of what we were doing back then. Wow, how it is now
in the last couple of years, and how exciting even the beginning of this
year to now how it's speeding up for all of us, and just really
trying so hard to say, come on, military. You know, it's
funny because I didn't even say anything to you about I got arrested at Area
fifty one, and that in itself was probably one of the scariest experiences I've
had. When you've got a gun pointing at your head on the floor at
I went underneath the gates at Area fifty one with a load of people and
it all went very, very very wrong. Did they charge you with tresperson
Yes, yeah they did it. Yeah I got the charge. The BBC
paid it. Six hours, well probably about five hours gunpoint on the floor,
freezing cold as it got colder and colder throughout the night. Right.
I was asked to do a BBC documentary's available in some countries and not others
called UFO Conspiracy Road Trip. It is linked on my website if anyone wants
to go and look at it. We started in Los Angeles. They took
me back to where I had my UFO encounter, which was remarkable being back
there and just seeing the change in the road and various things. And then
we did a road trip from We did their Route sixty six all the way
up to go to Vegas. So along the way we met some amazing people.
When we got to Area fifty one, we went with a went with
a comedian. The comedian was the host of the show and he basically said,
let's dance into Area fifty one right now. If you've everyone seen the
photographs of Area fifty one, right at the gate, the little hut gates
that are there and the bit that lifts up. Well, there was a
load of us. We were on the bus. We got out of the
bus. It's beautiful, broad daylight in the afternoon. Right we go in.
Andrew Maxwell was the Irish comedian that was the host, and he was
fantastic. He put humor in every part of the way. It was a
bit like put your foot underneath, no lasers, take my leg off,
right, So we thought, right, let's go in. Pretty Much all
of us ducked under except for two. One ran back to the big bus
that we were on, and then the driver stayed in the bus. So
now we're underneath that up the arm that lifts up to allow vehicles in.
We're now underneath there. And what's on the ground, sprayed on the ground,
printed on the ground is chevron's right, so you've got chevrons there and
you can see them. We were just being really stupid. So now we're
underneath that part and then we can see the huts to the right hand side.
We're like, okay, wow, this is bloody easy. Are going
on about, you know, resting in area fifty one and then you could
see way off in the distance, the cars, the truck starting to move,
and like, we just see it. We don't think anything of it.
And Barney Broomfield was the cameraman at the time, and we were giggling
and laughing, excited, wow underneath it. So Barney goes, well,
let's go and knock on the door. I am as high as a kite
on enthusiasm at that point. I'm like, yeah, come on, let's
do it. So I suppose I'm the troublemaker at that point, so I
said, come on. So we go to the door. There's a little
step up to the door, and it's a little garden hut and it had
a window which had blinds in it, and the blinds were slightly open.
I looked in. I could see two blokes sitting down, one's eating something,
and the TV's on and this baseball great security. Barney. Then I
don't know if he puts the camera down or if he's got it in his
an. He knocks on the door. Well, within seconds, all of
a sudden, these two blokes come out on the floor, now on the
floor and out to about some night of us right on the floor and out
on the floor and out. So we just like moved back a little bit
on the floor. I turn around. Everything out of your pockets, everything
out of your pockets, phone on the floor, phone on the floor.
My phone goes down on the floor. Everyone's phones go down. All or
whatever we've got on the things lie down the floor, on the floor,
and out on the floor. Out these two guys of then over us.
And then I am telling you, Nick, they come from below, no
other way of saying it, because we even though this truck's coming down,
I forget about the truck at that point from there, because they're coming from
behind me. Because now we're all on the floor in a row on the
floor, now split apart on the floor now, and we're like meats and
meters apart from each other. No touch in space, No can't hold hands,
you know, nothing like that. They came from that hut underground.
They came. There must have been I don't know how many of them came
up. We all each had one next to us pointing guns at our heads
at that point, and then more came. So then you had the vans
come. There was a lot of them running round. I mean literally,
we have our cheeks to the floor. We're looking one way, all of
us no talking, and at that point it is shit, this isn't good.
Andrew Maxwell trying to be the comedian, trying to say something stop you
know, no talking, you know, and our phones got kicked away.
They took our phones and I at that point of oh shit, oh my
god, this is this is a problem, right, this is huge problem.
Becky the camel lady cryingy sterical. We're all in shock and it's cold
on the floor, lying on the floor. I mean I'm in shorts and
a T shirt, right, and you can feel the grip, you know,
uncomfortable and nasty. And then bit by bit we were then allowed to
sit up face the same direction which would have been pointing out towards the gate
that we came in, Rachel Gate out where we came in. Bit by
bet we were allowed to speak, so they basically spoke to us, you
know where from what we're doing here. Part of BBC gave them all the
details. The director was one of the ones that got arrested with us as
well. He gave them all of the details and their big video cameras that
they used got taken away. Some of us wanting to go to the toilet.
We got taken to the toilet and went out, and then I gave
them my identification and then then the local police officer for Rachel then comes and
gives you a fine, and you're there for absolutely ages going through all of
the details, and I think it came to I think it was about six
seven hundred bucks each, all right, which is a lot considering all of
us. We'll have into you know, the BBC, We're going to have
to pay for all of this. That the craziest didn't stopped there then it
was there there now to piss us off. So that night we stayed in
a lodges, beautiful little lodges where we had cars patrolling the lodges. When
we were all released from underneath it and all got given our tickets, we
were then drove off. Can we believe that what's just happened to us?
And that night we were patrolled. That next day we were patrolled as well,
to the point of ridiculous. A truck would come up to us,
get out, point a camera in our face, take a picture, get
back in again. It was absolutely stupid, really what they went through just
to say, you know, play with our minds Tresparce or military installation as
you do. But you know, you can't be a youthologist and not have
that and milk, can you. You should definitely get that framed, put
it up on the wall. Trespassing on the government installation. To our listeners,
if you're doing the touristy thing and you're heading out to Area fifty one
or do or maybe you're on spring break, you know, in the next
couple of weeks, take heed as can be very cold at night in the
desert and you could come away with four hundred even more dollar. Fine,
please, listeners take in my madness and all of the other people that were
involved in the madness. Now, don't do it because do you know what
one dangerous? I don't want a gunpointed at my head every game. And
yeah, it's very real, wonderful stuff. Well, good luck with the
Naked Truth on the ALEX Network. All right, it's been wonderful speaking with
you. You're most welcome. Thank you, Nick. I really appreciate you
coming on sharing that for our listeners. Keep in contact, all right,
and I will be in touch. Yeah, thank you Nick. All right,
bye, nex right bye. That is all for this week. Keep
updated and connected with the show on x Facebook and Instagram. And if you
have an encounter that you'd like to share on the podcast, you can email
me at uf chronicles at gmail dot com, or you can reach out to
me via the contact page on my website UFO Chronicles podcast dot com. A
big fangy, a bridget for sharing tonight, and thank you all for listening.
I will be back next week. Till then, stay safe and keep
watching us Gies. Goodbye to