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You're listening to the Mind over Murder
podcast. My name is Bill Thomas.

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I'm a writer, consulting, producer, and now podcaster. I am now

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trying to use my experience as the
brother of a murder victim to help other

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victims of violent crime. I'm working
on a book on the unsolved Colonial Parkway

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murders and I'm the co administrator of
the Colonial Parkway Murders Facebook group together with

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Kristin Dilley. My name is Kristin
Dilley. I'm a writer, a researcher,

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a teacher, and a victim's advocate, as well as the social media

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manager and co administrator for the Colonial
Parkway Murders Facebook page with my partner in

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crime, Bill Thomas. Welcome to
my never Murder. I'm Kristin Dilley and

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now I'm Bill Thomas. We're joined
today by doctor Anne Burgess and Stephen Constantine,

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authors of a Killer by Design,
Murderers, Mine Hunters, and My

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Quest to Decipher the Criminal Mind.
And Stephen, thank you for joining us

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in Mind of a Murder today.
Thanks for having us, Yes for happy

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to be here. Let's go ahead
and start by having you both tell our

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listeners about your personal and professional backgrounds
and so, and I'll start with you

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and then we'll flip it right to
Stephen. Sure, okay. I am

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a psychiatric nurse. I have my
doctorate in nursing science. I've been an

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academic most of my life and currently
at Boston College at the Canal School of

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Nursing. I also have a small
private practice. Much of my work is

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teaching or doing research. I've been
at Boston College, you know. I

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was at Boston College in the seventies
when the project with the rape started with

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Linda Homestrom, then went to University
of Pennsylvania, and then have come back

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to Boston College. Stephen, how
about you? Sure? Yeah, So

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I do marketing and communications here at
Boston College, which is how doctor Burgess

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and I met. And my background
of writing as I have an MFA in

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writing and nurture from Bennington College and
Vermont. I think that leads us to

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the natural question. So how do
the two of you end up as writing

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partners? The most obvious thing is
we both are at Boston College and the

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Canal School of Nursing. So we're
housed, if you will, Our offices

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are in the same building. In
fact, I'm one floor above Stephen.

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Stephen had just arrived a little bit. I think I'll let him give you

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more of the timeline. But he
when he came and he started right off

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really getting into the communications and so
forth, and actually set up a mind

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Hunter had just come out. This
was about in the twenty eighteen and mine

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Hunter had just come out, and
we have invited John Douglas, who of

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course is the author of mind Hunter, to come. And I think in

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the context of having to work on
that project and get it ready for a

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very large audience. It's a very
large student audience that we had that we

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really talked more about the cases that
I had done and some of my work.

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Ever, so I'll let to Stephen
fill in there. Yeah. Yeah,

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it was great. We met working
on that mine Hunter event that we

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held here at Boston College. Douglas
was going to come up have a conversation

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with doctor Burgess here in front of
students and staff and alum to talk about

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what it was really like behind the
scenes at the FBI developing criminal profiling and

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working on some of these cases.
But as we were prepping for that event,

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I spent a lot of time talking
to doctor Burgess to learn about her

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experiences. I was just amazed by
it, her perspective, the work she

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was doing behind the scenes to take
the data and to turn it into to

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take all this really disparate content and
data and to analyze it and to turn

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it into a structured methodology for criminal
profiling was really interesting, really compelling.

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It's nothing that had been shared before. So I started gently prodding her to

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get her story out into the world, and she was interested in doing it

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in maybe a form of teaching or
some online model nuals for students to learn

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from, because that's always been very
important for her, is using her experience

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to teach others. But we eventually
wrote a few test chapters together and settled

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on the idea of a book,
and it just took off pretty quickly from

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there. Yeah. The other thing
I'd add is it was originally way back

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in when we started with the FBI
profilers, it was intended to be two

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projects, one which we did complete, which was on the patterns of sexual

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homicide, and that book did come
out, but the second was on the

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profiling, and it just I think
what happened is so many of the agents

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retired and I was moving on.
I was at University of Pennsylvania, and

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so all of the materials. Luckily
I kept all of the materials we had

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transcribed all of the meetings and the
sessions where they would rate the cases,

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so I had all of that,
and luckily no rain or how sellers get

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it was still pretty much intact.
And that's what Stephen asked if you could

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see some of it, and I
think realized that there was a lot of

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very important information that we could use
from that. I have been a John

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Douglas fan from way back, probably
far too early. I started reading John

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when I was maybe at fifteen or
sixteen, probably way too early, but

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I knew that there had been a
woman named Anne Burgess who worked on the

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profiling project too, and I always
wondered, why do we not have her

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story yet? So when I saw
your book in Barnes and Noball, like

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right as it came out, I
did a little jump for joy in the

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aisle. Very embarrassing of me to
have done it, but I was so

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excited because I was like, this
is the missing piece of the puzzle.

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We finally get her story, and
so thrilled. What was that seminar like

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that you put together the two of
you up in front of a group of

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students. That must have been amazing. I would have loved to have been

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a fly on the wall for that. What was that like? Yeah,

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it really was. And I think
we had the questions. We had a

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moderator, which was I think very
helpful to pitch the questions to us.

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John was his usual self, vintage
John. I calm, and he would

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tell some of the stories not so
much get there but afterwards, because some

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of the stories are pretty intense,
so we didn't want to scare away the

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audience. And then but John's always
been In fact, I went back and

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read the inscription that he had put
in the book, and he says,

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it's about time that you got your
story out. I said, yeah,

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I'm a slow writer, but than
Kevins. I had Steven to help because

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it's a very different style then I
always used to. I had to do

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academic writing, which is very dull
and boring. I think just the facts,

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and Steven was able to certainly make
it become much more alive than I

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would have been able to do.
You enjoy the writing process, and is

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it help? Hate writing? I
was wondrous. I hate writing, Yeah,

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and yet I did fifteen textbooks before
this, and I've certainly done a

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couple hundred articles. You have to
if you stay in academ you have to

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get tenure and all of that.
But no, it's not easy. That's

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why I was amazed that Steven seems
to be able to just because that's his

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interest and that's what he was trained
for. So do you enjoy teaching men?

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Flipping that around, because clearly you've
been a professor for all of these

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years, and I know your classes
are sold out, fully enrolled and are

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incredibly popular. Is that where you
get more of your enjoyment in terms of

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them and your storytelling. Yes,
I come from a clinical base, and

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so I feel that the best way
to teach is through clinical examples. So

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it was pretty natural to put the
cases on it, and I was teaching

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the students as much for what the
cases were about it as for prevention.

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Because when you hear my husband's a
pilot, and so he said that when

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they sit around in the hangar,
they tell all their war stories because there

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might just be something that they remember
that gets them out of a tight situation.

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That's the mentality that I had is
to tell them so that they as

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I said, they might not get
in the situation or be able to get

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out of it. By the way, this amazing event that you had a

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couple of years ago with John,
the two of you, I can't imagine

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what a privilege that would be.
Was it recorded, would anybody ever be

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able to see it who wasn't there
that night at Boston College. Yeah,

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we have the recording. We can
definitely forward it to you guys, and

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you can link to it. Yep. And would that be something that would

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ever be shown publicly? Yeah.
I think it's on YouTube or vimeo,

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so failable. So yeah, we'd
be happy to share that. Your audience

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can check it out as well.
He was great working with Anna's great,

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She's fantastic. She's a great storyteller. Amazing experience. And then John is

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very much a character. Him being
on stage was a lot of fun and

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just their dynamic was a lot of
fun. So it's definitely worth watching for

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sure. We've interviewed Mark Olshaker,
who knows Kristen quite well, and he

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has also been just a joy for
us to be around. I'll let Kristen

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tell you a little bit more about
that. Yeah, it's hard to keep

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up with John, he's always writing
another book. He and Mark two coming

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out or in the works. Yeah, I said, it's a very high

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borrow. I said the seven.
We've got to increase our productivity here a

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bit. So, Stephen, is
true crime something that you've always had an

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interest in or did that develop when
you started working with doctor Burgess? Yeah?

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I think it definitely developed through doctor
Burgess. It's not something that I

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had a strong interest in before,
and even so, it was definitely her

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story that was more interesting to me
than the true crime aspect. And I

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think that's what separates her story from
a lot of the agents is there's no

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sensationalism. There's no had it gore
or anything like that. And one of

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the things she made clear to me
very early on was it this is a

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book that has to keep the victim
front and center. I wanted to be

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about the victim, and like she
had spoken two moments ago, maybe people

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can learn something from this if we
keep it honest and truthful and with the

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victim in mind. I like that
approach. It seemed a little bit different,

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it seemed very compassionate. So I
was really interested in telling that story,

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her story as opposed to worrying too
much about the true aspect itself.

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So it's five years to bring this
book to fruition, is that right?

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But maybe four? But yeah,
it was definitely a long process. How

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does your process work? And how
did you find the time to do this,

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because you clearly both have very busy
schedules. COVID came yea, that

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is true. Yeah, yeah,
And so we had more time because for

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one or two semesters we had to
do the virtual teaching. There weren't students

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around or anything, so we could
just keep moving along. I know that

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was one of the things. Maybe
Stephen has another suggestion of how it went.

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I think one of the things that
was tricky to begin with was there,

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like doctor Versus said, she's held
on to all these archival materials from

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her work with the BSU, So
combing through that and figuring out which cases

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we wanted to use to help tell
the story of the evolution of criminal profiling,

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it took a while to figure that
out. So I think that was

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a tricky part, is that there
was just so much material to just figure

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out what the real colonel of knowledge
was. And then once we got going,

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it was pretty quick back and forth
for the first couple of months,

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Doctor Burgh said her office was above
mine, so she would just swing down.

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We would chat about ideas, chat
about case, and then we would

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send emails of chapters back and forth
and keep revising. And then once COVID

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not having to worry about a commute
and just seeming to have a little bit

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more free time, we were really
able to dive on in. And then

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we found our agent who had some
ideas of how to change things up,

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and then she got as our editor, who had some ideas of how to

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change things up. So there was
a lot of people involved, a lot

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of evolution to the process, so
it tasts longer than you might expect.

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Did you then shift over to working
virtually with the two of you as well,

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so that you were both working from
remote locations. Yeah. And I

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wanted to ask you something. As
the brother of a murder victim, my

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sister, Kathy Thomas and her girlfriend
Rebecca Asky were murdered as part of the

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Colonial Parkway murders, which has been
an FBI case since day one. Now,

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my experience is obviously not from inside
the bureau. It's from outside the

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bureau. But we find that the
bureau is terrible about information sharing. I

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was curious, now here you are. You're coming in and you're being brought

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in. I think initially as a
consultant, if I understood your history clearly

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enough, how is it you still
have all of the paperwork and your notes.

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It wasn't there anything that the FBI
said, Oh, no, this

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belongs to us. This is our
work product from those studies that you did

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in the analysis because it was a
study and we had a small grant for

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I had a team up in Boston
that was taking the data and so it

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was an that National Institute of Justice
grant and we set it up. Your

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cautions is very good. We were
very concerned people couldn't get access to all

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of these interviews and so forth.
That's really how we handled it. So

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did the work product belong to you
then? As opposed to the Bureau,

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because they were usually very big on
control, they are very absolutely are,

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Yeah they are. Did you have
to get permission, for example, to

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write the book or use any of
the examples from the work that you had

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done or was that clear enough in
terms of authorship? If? Yeah,

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And I think that's one of the
advantages that was so far. It was

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a good twenty thirty years ago.
The first book we did, the sexual

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homicide book we did that had to
go through there. They take thirty days

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and somebody has to review it,
etc. Etc. But this is what

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we didn't have to because it was
not considered a bureau product. It was

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considered it just wasn't I know.
I had asked John about that, and

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he didn't seem to think there was
any need to at this point in time.

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One element along those lines that we
did, they a lot of attention

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to you, and it was with
the victims who were miners at the time.

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We didn't make sure to make their
names more ambiguous and to take those

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out. So it's not to cause
any part or challenges for the families.

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I would just go say, I
will say that some people did try to

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get access to the interviews, but
they just nobody could find them. With

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these unreal to real tapes back in
the day. I'm yeah, they're all

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transcribed. Yeah. So then I
also wanted to make sure that asked about

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the crime Classification Manual. Can you
talk a little bit about writing the crime

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Classification Manual? I think it's on
third edition right now. Do you have

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to go back and make changes and
revisions to this or how does that work?

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Yeah, that was an interesting book
because we modeled it after the what's

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called the DSM, the Diagnostic and
syle Manual, which is the bible so

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to speak, of the psychiatric group. And so we broke all the agents

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up into groups and they would meet
on the various crimes that we had.

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We'd divided that if you've looked at
it into homicide and rape and child and

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arson, the real important thing.
Giving the examples we had to have,

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again, we didn't get them from
the agents. We wrote up cases,

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but we really used our own write
up of that for that. So that

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was interesting because we really wanted to
see if law enforcement could classify the crimes

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because they didn't have any way of
just talking about it like in the DSN,

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what is schizophrenia or what is depression
or something like that, and so

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dividing it into the classifications was that
we felt was a major step, and

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it did. It was accepted by
the agents. Now we're up. You're

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right, we're up to the third
edition. We haven't done anymore. I'm

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not sure I've gone into a different
area, So it would be up to

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me. I don't know whether John's
interested in redoing it, but I think

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that's where we're at, so to
speak. Were there arguments or intense discussions

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behind the scenes, In other words, you had to make decisions about where

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you were going to put things.
And this was all incredibly innovative at the

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time. Yes, and John and
Bob Russ are forget Bob was a big

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person involved in all of this,
and they would be the overall supervisor,

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so to speak, with these groups, to make sure that the characteristics and

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the search warrant information and all that
was as good as it could be.

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Now, whether they got into arguments, it's always got into arguments. Let

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me tell you that, you've got
a group of men that really have some

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pretty high egos. So it's always
been fun. I always thought it was

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fun to see what they would argue
over from a professional standpoint, from a

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law enforcement standpoint. Your question,
I've never heard anyone call him Bob either.

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In other words, Robert Wrestler is
this Oh yeah, again, incredibly

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prominent figure in this world. You
know him well enough to call him Bob?

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Yes. Oh. We worked hard
on that and on the project.

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We had meetings down of course,
at Quanticode, but they would come up

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and we meet in my house.
We'd sit around the dining room table and

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workout cases there, and they stayed
at the house. The government wasn't so

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good on giving out much money from
their expenses, so we're on a shoe

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string. If you want to know, you'd save money by having them stay

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at the house. Sure, yeah, then just we eat right through dinner

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and keep working. They were very
hard workers. Yes, did you have

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any sense that you were making history? This unbelievable stuff? The team,

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the group of people that worked on
this thing, and you have to realize

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they were on their own time,
which I think was remarkable. They really

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were on their own time. The
at least Wrestler and Douglas certainly were on

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their own time chronicle. Of course, they would come in and the others

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would come in, The other profilers
would come in, but it was John

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and Bob that would come up and
they'd come up to Boston City Hospitals where

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we had our research groups. So
they'd come over there and we'd looked at

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the data. That's really awesome.
So then at this point, when you

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set out to write your book with
Steven, had you read Sean and Roy

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Hazelwood and Bob Wrestler's books about the
days with the BSU. Oh yeah,

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I have all the all. They
always would give me copies because we stayed.

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Yeah, so we and I'd always
call them there was a case and

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I'd want to know what I should
get from them to tell the students they

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loved it. It was And in
fact, we're still in touch with several

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of what I call the first generation
profile or several from the second and third

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generation. And that's important because they
were trained by Bob and John and so

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the ones that came after them are
more current ones. Not having that training

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I think makes a difference. But
Wrestler and Douglas were really experts. At

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is uncanny how they could go to
a front scene and figure it all out.

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But yeah, Stephen, did you
read all of this too in preparation

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or did you want to set yourself
apart from all of that subject matter a

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little bit of both. One of
the great things about working talk to verses

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two is that she does maintain all
these connections to a lot of these retired

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agents into people all over the law
enforcement and FBI world. We've had conversations

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with some of these people to learn
a little bit more about their stories as

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well, or they've presoomed into lecture
at one of doctor Berg's classes. Definitely,

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their input was very helpful, and
doctor Burgess sent chapters out to them

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as well to make sure everything was
as accurate as possible, So that was

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a great benefit. Absolutely. Did
you find that your recollections and there's were

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fairly consistent or were there areas where
you were like, I remember it like

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this and John was like, actually
know it was like this. Were there

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ever areas where you argued about this
is what actually happened. I wouldn't argue

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because they were the ones that were
there, and I can't remember. I

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actually could say yes to your question
because they would have. For example,

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when they interviewed the Barry John Simonis, both the Ken Lanning and Roy Hazelwood.

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Not Ken Lanning is still alive,
and he gave me quite some insight

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on that because it was only a
twenty minute tape that they made at the

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end of eight hours of interview,
so he had a yeah, he had

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a lot of things to starch about
it that didn't make it into the tape.

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Their memories are great. I still
Judd Ray, for example. They

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all did really important things at that
time, so I think your point about

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they were making history. Judd Ray
did one of the first cases on an

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Alaska family murder where he was able
to get come in as an expert to

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talk about it. Not until that
time the agents hadn't been serving as experts.

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And I'm trying to think of Greg
Cooper, who now runs a cold

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case foundation and we're part of that. He's a fantastic profiler. You should

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get him on one of your times. He had the guy who was a

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He had murdered two separate persons,
and so he testified the first time and

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they won because he was qualified as
one of the first times the agent was

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qualified. And then on the second
one the guy said to him the defendants

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said him, not you again coming
into He said that right to Greg.

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So it was plenty. So they
all had important roles to play in the

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criminal justice system back in those signs. Because this is back in the nineties

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when they were trying to get some
of these serial coasts. All of the

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cases in the book were from the
thirty six we had looked at. We

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had an original list I think of
some eighty eighty or eighty two, and

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we whittled it down to the thirty
six that we thought we could get the

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agent interviews with. So that's where
so many of those cases are in mind

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Hunter, and certainly in right Hazelwood's
book and Wrestler's books. So it's interesting

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to go back and read them after
I've read through some of the profiling material

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that we had, and so there
is all and then if there's some conflict,

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I have to go and call them. I have to call John a

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lot on the site to see how
his memory is on some of these cases,

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because it's going back what thirty years? How unusual was it? And

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for you as a woman to be
working in that field, very unusual.

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I will say that people put off
by it. Did they think that it

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was weird that a woman, even
a woman with your professional background, wasn't?

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I don't think so. Yeah,
I don't think so. Because my

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field was victimology, and that's why
they had invited me down. That was

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not their area. Don't forget their
investigators. So they're looking for the bad

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guy as far as they were concerned
the victim. Of course it was victim,

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but they wouldn't pay much attention and
so bringing in the whole victim aspect

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turned their work into That became one
of the first things if you read any

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of their material, it's who's the
victim, why is she there? What

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led up to an etc. Etc. And so they start their profiling from

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that standpoint of the victim, so
being down there, and they knew about

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my rape study, so it wasn't
that I was in any way invading quote,

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their territories, So there was no
feeling of that. They might feel

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that way with other consultants coming in, But it was because I could bring

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them something that they didn't have,
and they respected that, and I think

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that's why we all got along.
So well, you're listening to Mind over

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Murder. We'll be right back after
this word from our sponsors. We're back

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here at Mind over Murder. Stephen. Earlier, you were alluding to the

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fact that you wanted the book to
be very victim centric, and of course,

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as people who are victim's advocates,
and Bill being the brother of a

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murder victim, we really appreciated the
fact that it is so victim centric.

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True crime is a genre where a
lot of times there is too much focus

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on the killers and there is not
enough on the victim. What would you

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say, are the things that consumers
of true crime need to be aware of

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in order to honor the victims and
not mythologize the killers and not bring their

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bias in. I think that's the
problem. So many times they try to

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They don't want to identify with the
victim. Nobody wants to be the victim,

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so they might say why was the
victim doing this or why was the

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victim doing that? Rather than because
the more they could deny that would be

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00:24:02,799 --> 00:24:06,000
any behavior that they would do made
a difference. They wouldn't be able to

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understand the victim. So I think
that's the biggest hurdle is to confront people's

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bias. Might say, also those
of the myths that are out there.

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But if the victim is found because
she was hitchhiking, say back in those

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days, that was a big thing, they would blame her. There was

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so much of the blame of the
victim and not enough of who's the suspect.

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Being able to talk about the impact
on the victim, we felt was

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really important. This is also just
that phenomenon of Hollywood lossing over stuff and

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making everything into its most consumable and
universally consumable form. You see these zerio

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killers who look charming on TV,
who are handsome, who are real smooth

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talkers and all this, and there's
something almost identifiable about that, and I

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think the barriers become a little bit
thin. So that can be a bit

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of an issue that people have to
pay attention to as well. Yeah,

355
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I think you're sharing the victim stories
and they're real people, their families were

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affected. It's very traumatic. So
instead of mythologizing the killer, but just

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showing the victims side of the story
as well as important. And with all

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the work that you did, were
you surprised at how this mythology began to

359
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develop. The thing that Steven's talking
about the charming serial killer. Some of

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them are charming, but the myth
is out there. Yeah, oh yeah,

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we're write about that. One of
the chapters of the Agents talking about

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who's your favorite, say real killer, but they even have favorites, So

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it's not just myth, it's reality
that they become so fascinated with what these

364
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killers do. How much of that
is personality can be a factor if they're

365
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psycho if they're psychopaths, they're going
to be very charming. They're going to

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try to con and they, I
suggestfully do. That's what was good about

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the agent going in and interviewing them. I think that is important to say,

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because they I felt they really turned
into being more victim or re ended,

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so when they went in, they
wouldn't know the case cold, so

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that the inmate couldn't calm them,
and they would confront them. I think

371
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he even saw that on Netflix.
There's a couple of cases I think with

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Brudos Jerry Brutus where he had taken
this picture and his picked his face was

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right in the photograph and they confronted
there. I remember that was one of

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the good segments that they did.
And they're going in as FBI agents carrying

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the authority. I think the other
thing is many of these guys we found

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in the research had a missing father, the absent father, if you will.

377
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So here these FBI agents that stand
for authority, male authority so to

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speak, coming in it was high
point for them and they could feel some

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status among the other inmates. I'm
sure that was part of what they got

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out of it. I remember a
story from John where he was talking about

381
00:26:47,839 --> 00:26:52,160
how Charles Manson got onto a chair
but to give himself a little bit more

382
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height over John. When John was
interviewing how much established dominance sort of thing.

383
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See, it sounds like you've watched
Mine Hunter. Stephen, have you

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00:27:00,359 --> 00:27:03,759
watched Mine Hunter? Are you a
fan? Yeah? I watched the first

385
00:27:03,759 --> 00:27:06,559
season of it. I thought it
was well done. They could have gone

386
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a different route with the doctor person's
character there, but the cases were really

387
00:27:10,680 --> 00:27:14,559
well done. Yeah, we did
want to ask specifically about that. I

388
00:27:14,720 --> 00:27:18,640
Anaturv does play the character of doctor
Wendy Carr. I know she is supposed

389
00:27:18,680 --> 00:27:22,960
to be based on you. First
of all, did Anaturv actually speak to

390
00:27:22,000 --> 00:27:26,119
you about your work? Have you
talked with her as she was preparing for

391
00:27:26,160 --> 00:27:30,480
the role? No, no contact. And John had the same experience.

392
00:27:30,599 --> 00:27:33,319
Yeah, John had the same experience. He was amazed that Mark didn't talk

393
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for some reason. Is a pincer. Whoever was the producer, there was

394
00:27:37,839 --> 00:27:42,400
a very tight role off for what
they could do. They never reached out.

395
00:27:42,640 --> 00:27:48,200
That's interesting. David Fincher is the
yeah, the key creative person behind

396
00:27:48,400 --> 00:27:52,480
the stories, and I don't know
if Kristin feels the same way. It

397
00:27:52,519 --> 00:27:56,680
was actually my favorite television show of
the last couple of years. I thought

398
00:27:56,720 --> 00:28:00,640
it was amazing, but I'm actually
really surprised that would you have had the

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00:28:00,759 --> 00:28:06,279
actors portraying you sit down with you. They often do that for film and

400
00:28:06,319 --> 00:28:08,799
television roles. If you notice,
they couldn't have gone more wrong on any

401
00:28:08,799 --> 00:28:15,160
of our backgrounds. They couldn't.
Maybe they did try to just be absolutely

402
00:28:15,200 --> 00:28:18,039
opposite. I don't know, you'd
have to ask them, but they had

403
00:28:18,039 --> 00:28:22,400
it so crazy in terms of Wrestler
and Douglas on their backgrounds. Anyway,

404
00:28:22,599 --> 00:28:29,359
they had made a psychologist. If
you can believe that, if Fincher never

405
00:28:29,400 --> 00:28:33,400
reached out to you in any capacity, he never talked to you about your

406
00:28:33,480 --> 00:28:37,000
character or wow, that's blowing my
mind. I didn't know anything about it.

407
00:28:37,039 --> 00:28:41,599
I'm trying to think of who turned
who said to Stephen, who said

408
00:28:41,599 --> 00:28:44,920
that for us to see it?
And so I wasn't even sure in the

409
00:28:44,960 --> 00:28:48,359
beginning what it was. And then
I started reading going online. I think

410
00:28:48,359 --> 00:28:52,759
you read a news article that mentioned
you. Okay, there's a show that

411
00:28:52,960 --> 00:28:57,279
it involves a character based Yeah,
but Douglas did consult on the projects,

412
00:28:57,400 --> 00:29:00,000
so he was involved. I don't
know to what degree, but he had

413
00:29:00,039 --> 00:29:03,920
a voice in there. At least
he did on the cases, and the

414
00:29:03,960 --> 00:29:07,519
cases were good. I agree with
Stephen that the cases were well done and

415
00:29:07,559 --> 00:29:10,640
they but they should have been.
They had all the script. They had

416
00:29:10,680 --> 00:29:12,799
the script, but what they didn't
have was the script on our background.

417
00:29:14,279 --> 00:29:18,880
They really had John as this kind
of bumbling FBI knew that the agent right

418
00:29:19,319 --> 00:29:25,480
all into all this female dating and
crazy stuff there. And on the Bob

419
00:29:25,519 --> 00:29:30,599
Wrestler they had him having the son
that's gonna be a serial killer, that's

420
00:29:30,799 --> 00:29:34,160
really so far out, And they
had you as a glamorous lesbian from They

421
00:29:34,160 --> 00:29:37,519
had the Boston part, but the
rest of it that was about it.

422
00:29:37,640 --> 00:29:41,880
Yeah, that was about it.
Your children had something to say about that

423
00:29:41,960 --> 00:29:45,359
doctor, my son. They said, what had you told us? Mother?

424
00:29:45,640 --> 00:29:51,720
Yeah? Is this you? Mom? So the backstory is for several

425
00:29:51,759 --> 00:29:56,359
of the key characters is just completely
made up. It sounds like it is.

426
00:29:56,559 --> 00:29:57,519
Yeah it is. I don't know
where they were going with it,

427
00:29:57,559 --> 00:30:02,119
and I think that I'd hurt them
second season. I know. I've heard

428
00:30:02,240 --> 00:30:04,119
some of that from some of the
people that were more involved, that it

429
00:30:04,240 --> 00:30:08,279
got too wild and too far away
from the cases, which was really the

430
00:30:08,359 --> 00:30:12,440
strength I thought of the program.
The cases. I would have to agree

431
00:30:12,519 --> 00:30:17,920
and I was very disappointed they didn't
bring it back, But I think the

432
00:30:18,039 --> 00:30:22,480
kind of weird backstories weren't really doing
it in moving the story forward, because

433
00:30:22,480 --> 00:30:27,359
there's so much really fascinating information that
could have been brought out by all of

434
00:30:27,400 --> 00:30:32,079
the amazing cases that you all worked
on. They didn't do half of the

435
00:30:32,119 --> 00:30:34,000
cases that we had. Yeah,
So if there was going to be a

436
00:30:34,079 --> 00:30:37,200
season three, what are the cases
you'd like to see them highlight? But

437
00:30:37,279 --> 00:30:40,519
why that we have in our book? We got some good ones in the

438
00:30:40,559 --> 00:30:45,079
book. Yeah, Hen really Wallace, I know, was of particular importance

439
00:30:45,119 --> 00:30:48,519
and I think that would be interesting
to see them highlight a bit more on

440
00:30:48,559 --> 00:30:52,519
the show. The other one is
Monty Rissell. I was about to say

441
00:30:52,759 --> 00:30:56,319
that they didn't include him, but
they didn't. They just did a short

442
00:30:56,319 --> 00:31:00,680
thing on Monty. Monty is Monty
may get out. Hes been a very

443
00:31:00,720 --> 00:31:04,960
good inmate, and he may get
out because he keeps going up for Pearle

444
00:31:06,200 --> 00:31:10,599
and he organizes the baseball team and
he does all kinds of good things down

445
00:31:10,599 --> 00:31:12,799
there. He's at the Donna in
Virgina at Ali the I'm trying to think

446
00:31:12,799 --> 00:31:18,839
of who else Stephen did we simonas
and Joebert are both. Yes. John

447
00:31:18,960 --> 00:31:23,759
Joebert a very interesting case. Learned
a lot from him in terms of his

448
00:31:25,079 --> 00:31:30,640
really cemented in our early theory that
something goes on in the childhood of these

449
00:31:30,680 --> 00:31:33,640
guys that just stays with their heads, stays with them, and it gets

450
00:31:33,640 --> 00:31:38,160
acted out by the time they get
up to adolescence and young adulthood. That

451
00:31:38,319 --> 00:31:45,559
such haunting interviews too. After he
was caught talking about immediately after killing this

452
00:31:45,839 --> 00:31:51,000
second boy in Nebraska and just going
to a McDonald's, washing his hands of

453
00:31:51,079 --> 00:31:53,240
blood in the bathroom and getting some
food, having a meal, and then

454
00:31:53,319 --> 00:31:59,240
going home and sleeping it all off. Just the coldness that he showed and

455
00:31:59,359 --> 00:32:05,359
the level of meticulous detail he put
into his crimes is it's terrifying. Yeah,

456
00:32:05,400 --> 00:32:07,720
but it has to be they if
they ever felt what they were doing,

457
00:32:07,880 --> 00:32:13,519
they wouldn't do it. So for
whatever turns them off, turns that

458
00:32:13,839 --> 00:32:17,799
ability off, is really key of
how that plays a big role in their

459
00:32:17,920 --> 00:32:22,240
killing. Can you expand on that
a little bit, because it seems like

460
00:32:22,279 --> 00:32:28,880
there's this pattern. What do you
think it is that creates cold blooded monsters

461
00:32:28,920 --> 00:32:32,759
on some level, it's the killing
in them of the feeling of any kind

462
00:32:32,799 --> 00:32:38,559
of empathy for another person. So
that has to come from some early experience.

463
00:32:38,599 --> 00:32:42,640
It isn't if you want to look
at the nature or nurture. Everybody

464
00:32:42,680 --> 00:32:45,400
says, what's the nature? That
it's got to come from somewhere. What

465
00:32:45,440 --> 00:32:51,599
we found was so important is with
these men is the early absence of the

466
00:32:51,680 --> 00:32:55,720
father and wanting. And it's true
they have a lot of the fractured relationships

467
00:32:55,720 --> 00:33:00,640
between the parents, that parents are
always yelling and fighting and so forth.

468
00:33:00,720 --> 00:33:04,319
One of the important things I think
in the Joe barcase that the mother told

469
00:33:04,400 --> 00:33:10,720
us is that she knows that her
son had witnessed the husband choking her unconscious,

470
00:33:10,920 --> 00:33:15,200
so that I wasn't just a little
verbal thing. And she knows that

471
00:33:15,440 --> 00:33:19,960
Jean was there. But when we
talked to him, he had no memory

472
00:33:19,960 --> 00:33:22,599
of that. Now he was still
a child, he was under five,

473
00:33:22,920 --> 00:33:28,640
but that could have registered at some
point because much of his fantasies and his

474
00:33:28,839 --> 00:33:32,440
killing had to do with that.
Back to your question, something goes gets

475
00:33:32,480 --> 00:33:37,720
turned off in the normal development.
From everything that doctor Burrus shared with me,

476
00:33:37,759 --> 00:33:43,119
including these interviews according confessions, it
just seems like there's this moment where

477
00:33:43,200 --> 00:33:47,640
something traumatic happens. As to these
killers as a child and they take that

478
00:33:47,839 --> 00:33:53,720
and something strange happens where that then
becomes sort of their fuel for fantasy try

479
00:33:53,720 --> 00:33:59,160
and take control over this moment from
their childhood where they felt they didn't have

480
00:33:59,200 --> 00:34:02,920
any control. They practice this fantasy. This fantasy gets more and more complex,

481
00:34:04,039 --> 00:34:07,359
and they're the god of this little
world that they've created. And then

482
00:34:07,559 --> 00:34:10,480
it becomes so authentic to them that
they take this fantasy that's been in their

483
00:34:10,480 --> 00:34:15,519
head for all these years and they
acted out in the real world because it

484
00:34:15,519 --> 00:34:20,559
seems more authentic to them than reality
itself. And yeah, there's this disassociation.

485
00:34:20,679 --> 00:34:24,079
They disconnect from the real world and
they connected this fantasy structure that they

486
00:34:24,079 --> 00:34:28,159
have, and then that's what becomes
sacred to them. Camper. That was

487
00:34:28,159 --> 00:34:30,199
a good example if you want to
do. One of our friends of the

488
00:34:30,239 --> 00:34:35,199
podcast, just friends in general,
Jim Clementi, who was a profiler,

489
00:34:35,280 --> 00:34:39,519
He has talked to us about killing
has to meet the offender's emotional needs somehow,

490
00:34:39,559 --> 00:34:44,239
and that sounds a lot like what
you're both putting out here about that,

491
00:34:44,599 --> 00:34:47,519
but of course it never really does, or it only temporarily meets that

492
00:34:47,639 --> 00:34:52,400
emotional need because serial killers by nature
are out there killing again, So they're

493
00:34:52,400 --> 00:34:57,119
constantly chasing after that, trying to
perfect something. But again it's in their

494
00:34:57,119 --> 00:35:00,480
head. It can never really be
perfected in the real world. And they

495
00:35:00,480 --> 00:35:04,559
say that the killing isn't they fantasize
it, but it's not as good as

496
00:35:04,559 --> 00:35:07,360
they fantasize. It's not perfect,
so they have to go and do it

497
00:35:07,400 --> 00:35:10,519
again. So that whole repetitive issue
is really important, all the more reason

498
00:35:10,559 --> 00:35:15,079
to catch them as soon as you
can. And Joe Bier talked about having

499
00:35:15,119 --> 00:35:16,920
to get it right, having to
give the fantasy, and that's why he

500
00:35:16,960 --> 00:35:20,760
cut off a hunk of flesh from
one of his victims. Is that didn't

501
00:35:20,760 --> 00:35:24,719
match to whatever his idea of right
was. Yeah, he was interesting because

502
00:35:24,719 --> 00:35:29,920
he had these would he called his
cannibal fantasies. He wanted to eat his

503
00:35:30,239 --> 00:35:32,760
babysitter from when he was five or
six. Now, come on, that's

504
00:35:32,760 --> 00:35:37,519
really young. Gone, Yeah,
yeah, either until she was all gone.

505
00:35:38,119 --> 00:35:43,880
One of the things we've seen in
recent years in discussing the Colonial Parkway

506
00:35:43,960 --> 00:35:51,639
murders in other cases with current profilers
is a modification or maybe a distancing from

507
00:35:51,920 --> 00:35:55,960
certain ideas that seem to come up
over the years, which is that serial

508
00:35:57,079 --> 00:36:01,360
killers have types of people that they
tac types of victims. They seem to

509
00:36:01,400 --> 00:36:07,039
be really stepping away from that,
and they talk a lot more about serial

510
00:36:07,119 --> 00:36:10,840
killers don't just have a single type
of victim. They don't just kill non

511
00:36:12,000 --> 00:36:16,079
stop. In other words, they
start and they stop. They've used examples

512
00:36:16,079 --> 00:36:22,960
in discussions with us about gaps in
serial killers trajectory of murder that they may

513
00:36:22,960 --> 00:36:27,880
stop for months or even years at
a time. Do you feel like the

514
00:36:28,199 --> 00:36:32,960
ideas that were generated from the early
studies have changed. I wouldn't say they

515
00:36:34,079 --> 00:36:38,039
changed, because I kept up with
serial killers in these times and you can

516
00:36:38,119 --> 00:36:43,880
still find many of the concepts that
we had. I think there are different

517
00:36:43,880 --> 00:36:46,159
types of serial killers, and that's
what I think is important, as you

518
00:36:46,239 --> 00:36:52,639
can't there's not one recipe, but
there's a number and Joe bart and you

519
00:36:52,639 --> 00:36:54,920
can ask them the same question.
And he just made it clear on the

520
00:36:54,920 --> 00:36:59,440
interview that why did he pick that
particular boy, and he said he was

521
00:36:59,480 --> 00:37:01,880
alone. Now we don't know whether
there was other of course, this is

522
00:37:01,960 --> 00:37:06,239
six in the morning. This was
a little newspaper boy that was delivering his

523
00:37:06,360 --> 00:37:08,719
papers. We also in the end
of you fund out he had really been

524
00:37:08,760 --> 00:37:13,559
watching he goes out hunting. A
lot of them just go out hunting every

525
00:37:13,679 --> 00:37:17,199
night, and it's when everything is
bright is when they strike. So even

526
00:37:17,199 --> 00:37:20,519
though he said, yeah, he
was alone, they're just waiting for somebody

527
00:37:20,519 --> 00:37:22,880
to be alone, rather than he
was looking. He spotted one and he

528
00:37:23,000 --> 00:37:27,400
might have to go out to night
after night usual they do. That's much,

529
00:37:27,559 --> 00:37:30,800
Yes, that's as much they prelude, if you will, the hunting,

530
00:37:30,840 --> 00:37:34,000
absolutely, and we don't realize that. And that's why now I think

531
00:37:34,000 --> 00:37:37,480
that we've educated law enforcement that when
you have a victim and they can you

532
00:37:37,599 --> 00:37:42,920
ask them what kinds of behavior have
you noticed any odd behavior by anybody prior

533
00:37:43,000 --> 00:37:45,480
to this kind of thing? Obviously
not in the murder, but in other

534
00:37:45,559 --> 00:37:51,559
things that engaging in hunting behaviors.
Yeah, and try to use that kind

535
00:37:51,559 --> 00:37:53,559
of behavior on some of these awful
cases that we have coming up, some

536
00:37:53,599 --> 00:37:58,519
of these shooting cases. And how
they how many red flags they leave,

537
00:37:58,679 --> 00:38:02,119
nobody's paying attention to these red flags, it's amazing. So I think that

538
00:38:02,239 --> 00:38:07,599
your question about how much over thirty
years has things change. You always are

539
00:38:07,679 --> 00:38:10,719
learning something new, and that's important, absolutely important to do that and to

540
00:38:10,760 --> 00:38:15,119
see how much they do match or
do not match? And what other differences.

541
00:38:15,400 --> 00:38:17,519
I'm going to say, the one
thing that has really increased ever the

542
00:38:17,599 --> 00:38:22,840
last thirty years definitely has been the
school shooter or the mass killer. And

543
00:38:22,920 --> 00:38:24,599
as a high school teacher, that
is something that is on my mind every

544
00:38:24,639 --> 00:38:28,880
single day when I go into my
when I go into my school building,

545
00:38:29,119 --> 00:38:31,920
is something going to happen today involving
a kid with a gun. It was

546
00:38:31,960 --> 00:38:36,760
that something that you all could ever
have predicted was going to happen when you

547
00:38:36,880 --> 00:38:40,199
started at the BA BSc back then. Sorry. What was interesting is one

548
00:38:40,239 --> 00:38:45,800
of the interviews with Ed Kemper,
he was Who's tired? Never he had

549
00:38:45,840 --> 00:38:50,239
to tell the police that he had
killed all these people he had, He

550
00:38:50,360 --> 00:38:53,400
turned himself in and in that later
in that interview we found out that he

551
00:38:53,480 --> 00:38:58,880
was next preparing for a mass shooting. He's going to change his Yeah,

552
00:38:58,960 --> 00:39:01,519
he's going to change as m so
to speak. Teachers, by the way,

553
00:39:01,599 --> 00:39:09,840
mentioning teachers are so key in spotting
troubled kids. Yes, and they've

554
00:39:09,880 --> 00:39:13,880
got to get up to speed on
what are some of the warning signs.

555
00:39:13,920 --> 00:39:16,760
They've got to because you look at
any of these adolescent kids and they all

556
00:39:16,840 --> 00:39:22,280
left some kind of message I have
long advocated that is something that we should

557
00:39:22,280 --> 00:39:27,800
be doing as part of our teacher
training is everybody needs to have a seminar

558
00:39:27,880 --> 00:39:31,079
and how do you spot warning signs
of these students? Yeah. The other

559
00:39:31,119 --> 00:39:36,159
group are school nurses because a lot
of them, what are the school nurse

560
00:39:36,239 --> 00:39:38,840
for things? And she knows the
ones that are having trouble and not so

561
00:39:39,199 --> 00:39:44,639
Between teachers and school nurses, I
think should be a better training for them.

562
00:39:44,920 --> 00:39:49,159
Yeah, I agreed absolutely. At
the end of the day, what

563
00:39:49,280 --> 00:39:54,320
do you both do to separate yourself
out from this incredibly difficult subject matter?

564
00:39:54,360 --> 00:39:59,039
Because this has to just be an
incredible weight on you. How do you

565
00:39:59,159 --> 00:40:00,360
step away from it at the end
of the day. You meanwhile, we

566
00:40:00,360 --> 00:40:04,800
were writing the book because we were
more works of course and writing the book.

567
00:40:05,199 --> 00:40:07,320
Yes, I guess we each have
our own way. I like music,

568
00:40:08,039 --> 00:40:12,960
I put music on and do something
else or teach. I think teaching

569
00:40:13,039 --> 00:40:15,079
is why I like to teach,
because I'm getting I feel like I'm doing

570
00:40:15,119 --> 00:40:19,960
something for the next generation to learn. You had said that early on when

571
00:40:20,000 --> 00:40:22,280
we first started working on this,
and you started sharing some of the photos

572
00:40:22,320 --> 00:40:27,079
of crime scenes and things like that
to work off of I'd said, how

573
00:40:27,079 --> 00:40:30,400
did you deal with this? You've
seen this every day, it must have

574
00:40:30,400 --> 00:40:32,639
been really hard, and you were
quick to point out that you never lost

575
00:40:32,679 --> 00:40:37,519
your empathy. But you always viewed
it as data and something that if you

576
00:40:37,039 --> 00:40:40,400
understood it, if you learn from
it, maybe that could help somebody else

577
00:40:40,440 --> 00:40:44,840
down the road. So that was
always your motivate And I think, yeah,

578
00:40:44,880 --> 00:40:47,440
and I think that's why detectives do
it. You're always looking for something

579
00:40:47,480 --> 00:40:52,760
to explain something. So if you
take that kind of inquiry on what this

580
00:40:52,800 --> 00:40:55,039
case is all about and who did
it? Or working now with a cold

581
00:40:55,039 --> 00:41:00,679
case group, and that's been very
interesting to see people going back twenty thirty

582
00:41:00,760 --> 00:41:02,800
years on a case that never got
solved, and you could say, why

583
00:41:02,800 --> 00:41:06,480
do they do it? They want
to. It isn't just that they want

584
00:41:06,480 --> 00:41:09,079
to find out who the killer was, but it's for the family because everybody

585
00:41:09,079 --> 00:41:13,559
else has forgotten. It's I know
we have with this one case and it's

586
00:41:13,599 --> 00:41:16,639
been a little The mother's nine year
old daughter was alive at the time of

587
00:41:16,679 --> 00:41:21,000
her mother's murder, and this was
back in the eighties, and so she

588
00:41:21,159 --> 00:41:24,360
went now in her forties, and
she said she reached out to us to

589
00:41:24,360 --> 00:41:29,360
say she was so happy that somebody
cared about her mother. If you'd ever

590
00:41:29,400 --> 00:41:32,840
want me to talk about the Colonial
Parkway murders, my sister's murder and Rebecca

591
00:41:32,920 --> 00:41:37,480
Doowski's that's thirty five years now,
and that's been an FBI case since the

592
00:41:37,559 --> 00:41:43,400
very beginning, and the case continues
to move forward, but sometimes it feels

593
00:41:43,400 --> 00:41:47,599
like with glacial speed. Is it
with your what your agency? Is it

594
00:41:47,639 --> 00:41:52,639
with the BSU? It's with the
FBI. It's always been handled by FBI,

595
00:41:52,760 --> 00:41:59,199
Norfolk and Newport News, Okay,
And it's been a long yeah,

596
00:41:59,199 --> 00:42:02,679
just slow. And then there are
three other double homicides that are considered part

597
00:42:02,719 --> 00:42:08,000
of the Colonial Parkway murders, although
nothing in the forensics actually links the other

598
00:42:08,039 --> 00:42:15,559
double homicides. It's just circumstantial couples, cars, isolated rural locations, lovers

599
00:42:15,679 --> 00:42:22,280
lane situations in and around Williamsburg,
Virginia. Two of the cases are FBI

600
00:42:22,400 --> 00:42:25,920
cases because they happened inside the National
Park the Colonial Parkway, and then two

601
00:42:25,960 --> 00:42:30,880
of the cases are Virginia State Police
cases because they happened outside the National Park.

602
00:42:31,320 --> 00:42:37,400
The lack of information sharing between the
agencies and the friction back then.

603
00:42:37,480 --> 00:42:40,920
This isn't eighty six to eighty nine
didn't help us move these cases forward.

604
00:42:42,079 --> 00:42:45,760
And of course this is before DNA
has come out of the lab. Really,

605
00:42:45,280 --> 00:42:49,559
so crime scenes were not secured in
the way they would be in twenty

606
00:42:49,840 --> 00:42:53,039
twenty two. So we're challenged with
evidence that's thirty to thirty five years old

607
00:42:53,199 --> 00:42:59,480
and wasn't well preserved by contemporary standards. I'm not criticizing, but when you

608
00:42:59,519 --> 00:43:05,880
have first responders climbing into vehicles to
examine body, that wouldn't happen if we

609
00:43:05,920 --> 00:43:08,039
had a terrible thing like that happened
today. But back then, that was

610
00:43:08,079 --> 00:43:12,719
how the crime scenes were handled.
There's always been a sense in our case

611
00:43:12,760 --> 00:43:16,239
by the way that law enforcement or
an impostor may be involved because of the

612
00:43:16,239 --> 00:43:22,880
way these couples were approached. We're
still finding ourselves in the cold case and

613
00:43:22,119 --> 00:43:27,239
unsolved category all these years later.
Have you had a cold case group look

614
00:43:27,280 --> 00:43:30,920
at it. I would love that
if the opportunity presented it. You might

615
00:43:30,039 --> 00:43:35,400
think of Greg Cooper because he's a
retired FBI and he's he runs the he's

616
00:43:35,400 --> 00:43:37,599
out of Utah and now he's doing
one of our cases. We have a

617
00:43:37,599 --> 00:43:42,440
super sleuth group, and he's doing
a case from the Netherlands. Wow,

618
00:43:42,559 --> 00:43:45,519
oh wow, we've done it international. Yeah, we're really looking forward to

619
00:43:45,559 --> 00:43:51,880
it. Would want if Greg would
look at it, because he's Bureau's we'd

620
00:43:51,920 --> 00:43:53,800
love that we can talk about that. Off are okay? Well? I

621
00:43:53,840 --> 00:43:57,880
was going to say we were told
at one point that the BSU did take

622
00:43:57,880 --> 00:44:00,880
a look at the Colonial Parkway murders, but we can't seem to get anybody

623
00:44:01,159 --> 00:44:06,039
on the record about that, so
we don't even know which profilers would have

624
00:44:06,079 --> 00:44:07,760
looked at it. I know people
have asked John about it a number of

625
00:44:07,800 --> 00:44:12,280
times and he said he's familiar with
the case, but he isn't willing to

626
00:44:12,320 --> 00:44:15,159
speak about it. I'm hoping at
some point we get a little bit more

627
00:44:15,199 --> 00:44:19,679
information about that, but apparently the
BSU has seen it. So your next

628
00:44:19,679 --> 00:44:22,639
book venture, it sounds like you're
already hard at work on. Do you

629
00:44:22,679 --> 00:44:23,760
want to tell us a little bit
about it, Steve, and I'll start

630
00:44:23,800 --> 00:44:27,800
with you and then you can kick
it to Anne. Sure. It basically

631
00:44:27,840 --> 00:44:32,000
would pick up where A Killer by
Design leaves off right after the Henry Lewis

632
00:44:32,079 --> 00:44:37,519
Wallace case, where doctor Burge's career
starts to shift a little bit towards the

633
00:44:37,639 --> 00:44:42,360
legal side. Of her work as
an expert witness and giving testimony on everything

634
00:44:42,400 --> 00:44:47,239
that she'd learned throughout her work studying
victims of sexual trauma and developing criminal profiling

635
00:44:47,320 --> 00:44:52,079
for the BSU, And it picks
up on all that and then it applies

636
00:44:52,119 --> 00:44:55,320
it to the criminal justice system with
some big cases that you worked on,

637
00:44:55,360 --> 00:45:01,199
including the Menendez brothers, the Larry
Nasser. There's a lot of great content

638
00:45:01,320 --> 00:45:06,320
there, and it's another one of
those instances of trying to take so much

639
00:45:06,360 --> 00:45:10,599
material and wrangle it down into something
that's easier to consume when things go well,

640
00:45:10,639 --> 00:45:15,360
which we are sure they will.
Any idea when the book would be

641
00:45:15,719 --> 00:45:19,840
finished, I know that's a hard
question to answer. It's getting there.

642
00:45:19,880 --> 00:45:23,440
It's not too far off, Steven. We have a good chunk of it

643
00:45:23,880 --> 00:45:28,400
written. But this was a process
the first time around where we had more

644
00:45:28,480 --> 00:45:32,880
chapters written than ended up being in
the book. As got edited and landed

645
00:45:32,920 --> 00:45:37,199
with its publisher, things just change
a little bit. So we've got a

646
00:45:37,239 --> 00:45:40,639
good chunk down and we'll see how
much of that lasts. That's fantastic.

647
00:45:40,760 --> 00:45:45,519
The book is a killer by design, Murderers, mind hunters, and my

648
00:45:45,639 --> 00:45:50,719
quest to decipher the criminal mind by
Anne Burgess and Steven Constantine. Thank you

649
00:45:50,760 --> 00:45:53,159
both for joining us on mind Over
Murder today. That's going to do it

650
00:45:53,199 --> 00:46:07,119
for this episode of mind Over Murder. We'll see you next time. Mind

651
00:46:07,159 --> 00:46:13,199
Over Murder is a production of Absolute
Zero and Another Dog Productions. Our executive

652
00:46:13,239 --> 00:46:17,519
producers are Bill Thomas and Kristin Dilley. Our logo art is by Pamela Arnois.

653
00:46:19,159 --> 00:46:22,599
Our theme music is by Kevin McLeod. Mind Over Murder is distributed in

654
00:46:22,719 --> 00:46:28,639
partnership with Coral Space Media. You
can follow us on Facebook, Twitter,

655
00:46:28,840 --> 00:46:32,159
or Instagram. You can also follow
our page on the Colonial Parkway Murders on

656
00:46:32,199 --> 00:46:37,079
Facebook, and finally, you can
follow Bill Thomas on Twitter at Bill Thomas

657
00:46:37,119 --> 00:47:00,079
five six. Thank you for listening
to mind Over Murder. My
