WEBVTT

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Spit that Bigfoot kool aid out and
grab your head funds. It's time for

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another episode of Sasquatch Odyssey with your
host, the Grand Puba of Bigfoot Podcast,

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Brian Kingsham. I don't thanks so
much for joining me for the show

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on this beautiful Sunday in the South. I wanted to bring you guys something

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on the bonus show that I put
out over on that Bigfoot podcast on Friday.

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If you aren't listening to that show, we're about twenty one episodes in

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over there, and I'm telling you
we're having a lot of fun and talking

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about some of the subjects that frankly, nobody Hilton Bigfoot is really talking about.

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And one of those things that we've
decided to cover on the show is

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this Bluff Creek massacre theory hypothesis.
I don't really know what you would call

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it when and I have had a
couple of people reach out to us and

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ask us to cover this on the
show, and it's something we've been interested

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in, but frankly, we just
really didn't pay a whole lot of attention

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to, which honestly seems to be
the case all around Bigfoot. It seems

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to be just like a non issue
at this point because MK Davis and Todd

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Gatewood are back in the Bigfoot News, if you will, talking about this

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new image that they've put out in
the zeitgeist that everybody's probably seen by now

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that people have been accusing them of
using AI, but it's actually an upscaled

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image. I honestly started really looking
into this over the last week because Daniel

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Barnett, the young UK researcher that
runs the Mythical Legends podcast, reached out

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to me about a week ago and
said, Hey, I'm going to interview

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MK Davis and Todd Gatewood on my
show. I don't know a ton about

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each of them. Would you come
on and act as my co host for

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that episode? So Daniel and I
are actually going to be doing that.

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If you're listening to this today,
which your Sunday, I'll actually be doing

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that interview today with him, and
I will put it out at some point

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for you guys over here on Sasquatch
Odyssey sometime in the future. But in

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addition to talking about the work that
they're currently doing on the Patterson Gimlin film,

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I also think it's very important for
us to look back at the history

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and talk about some of the outlandish
claims that MK davis has made about Roger

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Patterson, Bob Gimblin, John Green, Renee de Hendon, Bob Titmas,

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tons of people that were involved in
and around the PG film back in nineteen

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sixty seven. So what you're about
to hear here is something that I put

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out on Friday on that big podcast. It's the Bill Miller document from back

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I think around the mid two thousands
that Bill put out with the help of

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Thomas Steinberg and several other people that
helped him gather all the information about this.

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But it basically lays out the facts
surrounding the case that MK davis has

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tried to make that basically, Roger
Patterson and Bob Gimlin slaughtered a family of

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Sasquatch on the sandbar on October twentieth, nineteen sixty seven, and then,

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with the help of other people like
John Green, Renee de Hendon, Bob

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Titmas, covered it up for decades. So the next twenty five minutes or

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so is going to be me reading
this Miller document in its entirety exactly how

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it's written to sort of lay the
foundation for you guys who may not know

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this story, and all the players
in the game, which now includes David

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Polidi's hear some of the things that
he's been involved in. Some of the

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emails that he sent to John Green
are going to be read here verbatim.

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He's been a key player in this
over the years, and I've really never

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heard anybody talk about it. So
without further ado, I'm gonna stop talking.

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I'm gonna let the episode play as
it appeared on that big Foot podcast

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on Friday, The Massacre of Bluff
Creek. Just when you thought you'd heard

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it all, by Bill Miller.
Just when you think you've heard it all,

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there comes a story so bizarre that
it boggles the mind how it could

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possibly have gotten started in the first
place. As I looked into the matter

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myself so to see what evidence someone
could possibly produce to support the horrific claim

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alleging that a family of Sasquatch were
murdered in Bluff Creek, California, in

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nineteen sixty seven and were then butchered
like something out of a B grade horror

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movie, I found myself in total
disbelief at the extent that someone would go

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to try to sell such a story, and how gullible others would need to

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be to buy it. It was
soon apparent to me that this tale was

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born not from fact, but rather
from rumor and innuendo with an added sleight

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of hand. It has been said
that the bigger the lie, the more

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people will believe it. Those words
have never been truer in this case,

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or how else could otherwise intelligent people
have been taken in while what I refer

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to as tabloid research practices had taken
them over. Allegations being born through what

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I deemed to be poor investigational standards
were quickly being leveled at select individuals before

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a real inquiry had even begun.
Because so much of this story appears to

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have been created from fallacy, it
is difficult to imagine that an agenda wasn't

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being fulfilled somehow by shooting first from
the hip and then asking questions later.

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It wasn't long before a select few
individuals were claiming to have inside information about

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a very very dark secret pertaining to
Bluff Creek, and without offering any specific,

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substantiated details, they were instead demanding
answers. In one particular case,

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the idea of taking a polygraph examination
was being sought for John Green by one

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David Plaids, author of the books
titled The Hoopa Project and Tribal Bigfoot.

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But before I get started, I
would like to share with you some of

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what I have pieced together of this
alleged massacre at Bluff Creek by putting some

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of the widely scattered about and far
too often unfounded assertions being made based solely

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on what I consider to be poor
investigational practices and interpretations evolving around a darkened,

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overcontrasted multi generational film copy. The
first I heard of anything whereas Roger

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Patterson and Bob Gimlin have partaken in
the slaughtering and butchering of a family of

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Sasquatch and Bluff Creek back in the
fall of nineteen sixty seven came by way

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of Bobby Short. Bobby has one
of the most well known sights on Sasquatch

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his bigfoot encounters. At the time, I was not yet privy to the

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details pertaining of what was being alleged
to have occurred in Bluff Cree concerning the

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killing of a family of Sasquatch.
Instead, I was offered a short,

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simple, generic response on June eleventh
of two thousand and eight, which said,

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let me take you back to times
when Renee used to say he had

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a secret about the filming of the
Patterson creature. I know the real truth,

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and I suspect John does too.
But the trouble is, with advancements

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in technology, it would appear that
keeping that secret isn't going to work any

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longer. Ask him, if you
won't tell you, I will. It

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has now been fifteen months since that
time, and Bobby has yet to tell

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me precisely what this secret is that
John Green was alleged to be harboring.

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However, after being offered an invitation
by Green to read a series of emails

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and responses that Bobby and others had
sent to him over time, I feel

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that I've gotten somewhat of a better
picture as to the conspiratorial mind, said

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of some of those individuals who would
later become a part of the fiasco leading

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up to what has been referred to
as the massacre at Bluff Creek. Despite

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John Green and others having written quite
thoroughly about the events that transpired in the

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summer of nineteen sixty seven at Bluff
Creek, California, and again later that

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fall, when Roger Patterson and Bob
Gilman had gotten a film of what appears

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to be a female Sasquatch in the
same general area. There came no shortage

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of questions that could have been answered
had the interested party just taken the time

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to review the available materials already in
print. One such source is On the

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Track of the Sasquatch, written by
John Green and published in nineteen sixty eight.

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On pages forty five through forty nine, is a summary of the events

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that caused John Green and Reneede to
Hendon to merge upon Bluff Creek in the

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summer of nineteen sixty seven so to
investigate fresh foot tracks that were reported to

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have been left on Blue Creek Mountain
the night before. During that visit,

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there was some movie film shot of
the area by Renee, along with still

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pictures by both Renee and John,
so to make a record of their trip

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and what they had seen. My
understanding is that sometime after their return to

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Canada, Renee made an edited version
of this film, which was later used

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to give talks on the subject at
various venues. Yet, in some of

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the emails I have read between Green
and Bobby Shore, there were these types

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of questions being asked in which the
apparent source of Short's information had involved M.

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K. Davis and a multi generational
copy of Renee's film that Chris Murphy

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had apparently shared with Davis. Here's
some examples of these types of questions that

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Bobby presented to Green. Have you
ever sat down with MK and just taken

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the time to understand it before you
cast a critical eye? Am I to

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understand that you did a quick turnaround
immediately after Bud Ryerson's phone call and flew

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back down to Orleans's airstrip in a
chartered airplane with Renee to merely look for

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more tracks, And that you waited
for Don Abbott to arrive several days later

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merely so he could look at these
tracks. Come on, John, that

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doesn't fly with anyone, least of
all me. You hadn't been home twenty

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four hours when that phone call from
Ryerson came in. That's in your eight

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book. You had already seen the
tracks in Bluff Creek. What did Ryerson

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mean when he told you what you're
looking for is here? Why did you

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hire a handler and a tracking dog
to look for more tracks? Why did

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dal Moffatt insist on two rifles for
protection protection from what tracks. These are

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but a few of the questions that
were being put to John that a mere

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reading of his books would have had
answered them all. As for me personally,

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I have a method that I like
to use in such matters, which

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is called Ockham's razor. Ockham's razor
is quite simply a principle whereas entities must

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be multiplied beyond what is necessary.
In other words, it was most logical

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and certainly acceptable that John Green would
want to be called if fresh tracks showed

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up again in the Bluff Creek area, that a tracking dog could be put

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on the scent as soon as possible. It was also quite reasonable to believe

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that a dog handler would want rifles
on hand in the event that his highly

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skilled dog was able to lead the
group to their quarry. Let us not

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forget that no one really knew what
they were dealing with or what would happen

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in the event of a confrontation with
whatever it was that had been leaving the

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large tracks on the ground at the
time. Keep in mind that it would

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be almost two months later before Patterson
and Gimlin came upon and filmed one of

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the creatures responsible for leaving the large
foot tracks on the ground. Until that

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time, the world had only heard
general descriptions from eyewitnesses as to there being

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a large, upright ape like creature
roaming the Pacific Northwest. It only made

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sense that the dog handler would want
to play it safe and have the added

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protection for his K nine. In
further review of the correspondence between John Green

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and several other people who were seemingly
hinting at something sinister that happened at Bluff

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Creek, I ran across an email
whereas David Polie had said to Al Hodson,

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I actually got my hands on a
fairly old copy of the PG film,

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full framed with segments on it.
Nobody has seen. It is in

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the expert's hands, and many of
our impressions of what actually occurred is playing

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out. I actually believe that John
Green and Gimlin a harboring a very very

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dark secret. Really, to those
who don't know, Al Hodgson is Al

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the man who owned the hardware store
in Willow Creek, California, at the

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time Roger Patterson shot his famous film. It was the same evening after Roger

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Patterson had filmed the Sasquatch October twentieth
of nineteen sixty seven, when Al got

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a call from Roger, who was
using the payphone outside Al's store, so

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to tell him what he and Gimlin
had witnessed only hours before. While David

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Polaides has been careful not to commit
himself to certain specifics, he had made

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particular references that pointed in the direction
he appeared to be heading in this ridiculous

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tale of slaughtered Sasquatch. In one
of his emails, Polites attached some images

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to John Green that were not of
the PG film, as he had mistakenly

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thought, but rather from the Renade
de Hendon film taken during Green's return visit

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to Bluff Creek in late August of
nineteen sixty seven. It appeared that Polites

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may have been unaware that the old
film that he had told Hodgson about coming

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into possession of was actually the edited
version of the Hendon's film on Blue Creek

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Mountain that had been attached to a
copy of Patterson's film for public showing purposes

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and other venues. I still find
myself wondering how anyone could think that the

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two films were shot at the same
time. The facts was that the lush

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green scenery of Late Summer and de
Hendon's film compared to the deepened red fall

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colors seen in Patterson's film is quite
discernible. Needless to say that Green wasn't

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impressed with the accusatory remark Polites made
to Hodgson on July fifteenth of two thousand

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and nine about John harboring a very
very dark secret. Green responded that if

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Poliites wanted to know what he saw
in Bluff Creek during his visit there the

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last week of August nineteen sixty seven, then the thing for Polites to have

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done would be to have gone to
who would best know the answer, John

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Green. In an email response to
Green on that particular point, Polaites arrogantly

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writes, telling me how to be
an investigator is like me telling you how

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to be a journalist. Telling me
I should go to you first is the

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exact opposite protocol to any investigation.
So just what should a good investigator do?

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Let us review again what Polites rode
to Al Hodgson. I actually got

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my hands on a fairly old copy
of the PG film, full framed with

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segments on it. Nobody has seen. It is in the expert hands,

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and many of our impressions of what
actually occurred is playing out. In a

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later email to Green from Polides dated
August seventeenth of two thousand and eight,

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Polites asked about this film that he
had been in possession of for at least

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one month. What is the man
pointing to on the ground that you appear

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to be looking down with something on
your shoulder? What is on your shoulder?

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We had our experts determine what was
on your shoulder, and with ninety

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nine percent accuracy they determined it was
the attached and inserted camera. I trust

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your integrity, but please tell me
what is on your shoulder. The multi

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generational steel frame from Dehendon's movie that
Polites was referring to when asking Green what

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was on his shoulder is seen below. The second image with a movie camera

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inserted is a crop of the same
frame that Polaites also presented to Green.

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The inserted camera illustration was presented to
Green, alleging it to be the large

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camera that Politi's experts were ninety nine
percent sure of seen. The problem I

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have with Polaides and his alleged unnamed
experts claiming with a ninety nine percent certainty

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that Green is holding a large movie
camera, is that they are using a

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very dark, over contrasted copy of
the Heendon's film. Areas that dark all

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blend together, thus making borders all
but impossible to determine. Most of the

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time, Areas that are brightly lit
and heavily contrasted are expanded out of their

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original borders, thus giving the interpreter
a false image of what's really there.

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It's also known, or should be
known, that movie film, especially codochrome

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II film like that which Patterson used, had a highly reflective property and was

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made more for outdoor light exposure.
As often happens when copied by way of

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artificial light, color shifts within the
image take place. In other words,

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colors often look differently on a copy
film than they were seen on the camera

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original. As I looked at these
images, I asked myself what kind of

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expert looking at photographic evidence, would
want to make a call so bold as

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to claim a ninety nine percent certainty
of anything from such a poor image source

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as the one being provided by Polites. It would seem to me that a

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logical and responsible approach to take would
be to want to see the original film,

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which is undoubtedly better lit, clear, sharper, less contrasted, and

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to offer a more accurately colored image
for study compared to those images that these

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alleged experts were willing to rest their
hats on. Let's be honest, who

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has ever thought that one could see
more detail through a dirty window versus a

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clean one? As of September seventeenth
of two thousand and nine, I am

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told by John Green, owner of
the first generation copy, and Eric Dehindon,

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current owner of the camera original,
that Polites nor anyone representing him has

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sought to see either man's film,
which is of better quality than that Polites

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was using. The end result of
trying to interpret poor, multigenerational, and

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over contrasted images must have surely led
in part to the series of questions that

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Polites put to John Green in his
email of August seventh of two thousand and

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nine. Some of those questions were
question number one, what is the man

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pointing to on the ground that you
appear to be looking down at with something

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on your shoulder? What is on
your shoulder? John? You say that

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isn't a camera on your shoulder?
What is it? Then we had our

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experts determine what was on your shoulder. With ninety nine percent accuracy, they

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determined it was the attached and inserted
camera. I trust your integrity, but

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please tell me what is on your
shoulder. It appears that you have something

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on your belt just above and in
front of your left elbow. What is

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that on your belt? Is that
a pistol holster? It should be noted

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once again that it was January fifteenth
of two thousand and nine when Polides rode

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to al Hodgson and said that his
experts had in their possession the film in

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question. However, it appears that
neither Polides nor his experts have actually watched

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the entire Blue Creek Mountain sequences of
John Green in motion, or they would

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have known that John Green had nothing
on his shoulder. As the film advanced,

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they would have been forced to see
Green's left hand pull away from his

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shoulder, and in it, he
would only be holding a small steel camera.

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Going back to the question Politi's put
to John Green, where he asked

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what it was that Green had on
his left hip, Politis wrote, it

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appears you have something on your belt
just above and in front of your left

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00:18:25.680 --> 00:18:29.680
elbow. What is that on your
belt? Is that a pistol holster?

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00:18:30.880 --> 00:18:33.759
No better example could be made for
what being thorough can do when attempting to

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interpret images, because had Politi's or
his alleged experts just taken the time to

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study the film, they then should
have noticed that, when Green turned into

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the sunlight, that it was quite
obvious that he had nothing on his belt

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that would make someone think that he
may possibly be wearing a holster or a

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holstered pistol on his left hip.
Even a simple lighting of an image can

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oftentimes eliminate unnecessary, erroneous interpretations,
none of which Polites or his alleged experts

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appear to have done. This method
that I speak of is mere common sense

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in my view. I mean,
does not a person who enters a darkened

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room first consider turning on the lights
so as to see better what's around them?

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I certainly do. If Polaites and
his alleged experts did, in fact

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watch the Blue Creek Mountain film footage
and motion, then they have some explaining

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to do as to how it is
that each one of them failed so miserably

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in not catching these undeniable points.
Polites had written to John Green on August

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sixteenth of two thousand and nine,
and said the following the job of a

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professional researcher investigator is not to pick
and choose who they feel as being honest

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and only follow those leads, but
to thoroughly and professionally investigate all angles of

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an incident. This process vindicates the
truthful, which I know is what you

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want. I have a hard time
believing that Polites or his alleged expt Birds

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implemented that approach when they looked at
the images from the Blue Creek Mountain film

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footage. If anything, it appeared
that they did just the opposite, or

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how else could have many of the
questions being put to Green ever been considered

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in the first place. So how
did all this nonsense come about? And

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who was it that started this ill
fated fiasco? Because so little has been

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learned by those seeking these answers,
because the accusers have been vague in their

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so called evidence of Green and Gimblin
harboring what they've alleged to be a very

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very dark secret, I can only
speculate. Please let me share what I

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believe may have happened several years ago. Chris Murphy sent MK Davis a copy

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of the Blue Creek Mountain film footage
so to make some still captures for a

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project Chris was working on at the
time. At some point after that,

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Davis started analyzing the footage in question
on his own. Along the way.

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For whatever reason, Davis started thinking
he was seeing things in the Blue Creek

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Mountain footage, and from that he
formulated the notion that a slaughter of sasquatch

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had taken place in the Bluff Creek
area on or around the time that Roger

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00:21:07.200 --> 00:21:11.759
Patterson and Bob Gimlin were there and
had gotten the now famous film that Roger

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00:21:11.799 --> 00:21:15.839
shot. From the reading of an
email that I received from Bobby Short,

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it was apparent that Davis had shared
some of the thoughts with her, and

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that led Bobby to telling me about
Green having a secret that she believed that

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00:21:23.000 --> 00:21:26.119
she now knew, and that if
he wasn't going to tell me what that

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secret was, then she would.
It wasn't until earlier this year when I

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00:21:30.960 --> 00:21:37.759
started hearing about Davis posting numerous clips
on YouTube, whereas MK was alleging that

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00:21:37.839 --> 00:21:41.640
he was finding things within the Blue
Preak Mountain footage that pointed to a mass

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00:21:41.720 --> 00:21:47.519
murdering of Sasquatch at Bluff Creek.
Among some of his claims was that he

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00:21:47.599 --> 00:21:51.440
was looking at a gravesite that Green
and de Hendon were present at, that

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00:21:51.559 --> 00:21:55.559
a man seen in those images holding
a rifle was none other than Bob Titmas,

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00:21:56.079 --> 00:21:59.519
that red blood could be seen on
the sand at the gravesite location,

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00:22:00.400 --> 00:22:03.799
that the presence of blood could also
be seen on the ground near a fool

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00:22:03.799 --> 00:22:07.519
of water, along with an alleged
Sasquatch skin seen laying on the ground,

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not to mention several other outlandish claims. In reviewing several of MK's clips,

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00:22:14.720 --> 00:22:18.680
it wasn't always being made clear by
Davis that he was altering the images.

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However, having seen a far better
quality copy of the same film, it

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00:22:22.400 --> 00:22:26.799
was apparent to me that that was
exactly what he had done. Several such

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examples could be seen under the title
MK Davis's Illustrations that are shown below.

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00:22:33.920 --> 00:22:37.279
It would seem to me that anyone
would knowledge at all of the Blue Creek

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00:22:37.319 --> 00:22:41.519
Mountain film footage, and considering the
lack of image quality that MK Davis was

301
00:22:41.640 --> 00:22:45.799
using, that they would see how
unreliable the interpretations of MK's could be and

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00:22:45.839 --> 00:22:49.839
how important it would be to seek
out a much more reliable film source.

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00:22:51.759 --> 00:22:55.359
The fact is that the pilot in
the Blue Creek Mountain film footage was not

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Bob Titmas. The much younger looking
pilot than forty eight year old Titmus in

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00:23:00.319 --> 00:23:03.519
nineteen sixty seven was as tall as
John Green, who was six foot four

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00:23:03.559 --> 00:23:08.720
inches tall, when Bob Titmus was
around five foot seven inches tall. In

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00:23:08.759 --> 00:23:12.240
one illustration, it was obvious that
M. K. Davis had manipulated the

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00:23:12.279 --> 00:23:15.799
color of the hands of the pilot
so as to imply that they were bloody.

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00:23:17.519 --> 00:23:19.839
The same seemed to have been done
with the fast flowing stream as well.

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Other copies of the film in question
did not show red hands or a

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red stream. In some instances,
there was text added to the illustrated frame

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stating that the image had been altered. Three clicks of color was admitted to,

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but no reference as to what one
click represented in intensity. Meanwhile,

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at the same time MK appeared to
be suggesting to the viewer other things that

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he simply had no proof of,
but could be implied having now adjusted the

316
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color of certain selected areas of the
image. For instance, on Green's copy

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of the same film, a scene
starts at the tail end of the pilot

318
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having just met the tracking dog.
The a sleight of hand came when MK

319
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made the hands appear bloody while offering
a tail of a dog attack having just

320
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occurred. In fact, the stream
at Bluff Creek flows so fast that I

321
00:24:10.519 --> 00:24:14.400
believe it reasonable to say that a
fifty five gallon drum of blood could have

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00:24:14.480 --> 00:24:18.200
been poured into the water and it
couldn't turn the stream red from shore to

323
00:24:18.240 --> 00:24:22.920
shore before quickly being swept away downstream. To most people, it was quite

324
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clear that the assertions that Davis was
making couldn't stand up under their own weight

325
00:24:26.880 --> 00:24:30.480
when thought through, and yet it
appeared that some people had bought into his

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claims without properly analyzing them. Another
such example was Davis suggesting that he could

327
00:24:37.279 --> 00:24:41.960
see blood at a location that he
proposed was the grave site inserted in above

328
00:24:41.960 --> 00:24:45.960
the film frame as a view of
a log behind John Green. As the

329
00:24:47.000 --> 00:24:49.920
movie film advanced, Green moved away
from the area marked with an X,

330
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and behind him was seen a spot
on the tree whereas the bark was missing.

331
00:24:56.119 --> 00:24:59.839
The color of the bark matched that
of the blurred reddish brown spots on

332
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the ground. Because blood turns very
dark rather quickly when exposed to air.

333
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It didn't seem logical to me to
believe that I was looking at blood on

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the ground. However, it did
seem logical that, in an area where

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logging had been taking place, and
it being obvious that other pieces of bark

336
00:25:17.440 --> 00:25:22.079
was scattered about, that the spots
asserted to be blood by MK was nothing

337
00:25:22.119 --> 00:25:26.839
more than pieces of bark on the
ground. What a ridiculous affair this had

338
00:25:26.880 --> 00:25:30.200
turned out to be. It seemed
that the more outrageous the allegations, the

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more eager someome individuals were to embrace
the possibility, whether purposely done or by

340
00:25:37.599 --> 00:25:41.319
carelessness, rumor and innuendo would take
the place of fact, and the implementing

341
00:25:41.440 --> 00:25:47.759
of overly darkened, contrasted images from
a multi generational film would help sell the

342
00:25:47.799 --> 00:25:52.079
story white had become black and black
had become white? What is the truth?

343
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In one email, Dave Polti's wrote
to Green on August fifteenth of two

344
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thousand and nine, I never stated
that you were harboring a dark secret.

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And yet one month before and to
the day, Polaitis had said to Hodgson,

346
00:26:08.079 --> 00:26:12.720
I actually believe that John Green and
Gimlin are harboring a very very dark

347
00:26:12.799 --> 00:26:18.839
secret. Really, another thing that
should have came to mind to a seasoned

348
00:26:18.839 --> 00:26:22.200
investigator and his experts, in my
view, would have been to want to

349
00:26:22.240 --> 00:26:26.119
know what other footage of the scene
might be found on the original unedited film

350
00:26:26.119 --> 00:26:30.559
that Reneedea Hindon had taken, if
for no other reason than to know if

351
00:26:30.599 --> 00:26:36.079
close ups of this alleged large movie
camera could be seen, so to be

352
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certain of the facts before making what
could otherwise end up being seen as part

353
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of an unnecessary, careless, slanderous
claim against other individuals. It should be

354
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said here and now for the record
that I recently followed up with both John

355
00:26:49.799 --> 00:26:55.039
Green, who has a far superior
edited copy of the film in question than

356
00:26:55.079 --> 00:26:59.720
Polaites obtained, and Eric Dehindon,
who has the camera original that his father

357
00:26:59.759 --> 00:27:03.559
rene when they took at Blue Creek
Mount to see if Dave Polyides has contacted

358
00:27:03.640 --> 00:27:08.319
either of them to see their films. As of September nineteenth, two thousand

359
00:27:08.359 --> 00:27:12.960
and nine, it appears that Polites
nor his alleged experts have attempted to see

360
00:27:14.000 --> 00:27:18.519
either of these men's films. On
August twenty second of two thousand and nine,

361
00:27:18.720 --> 00:27:22.759
Polates wrote me, saying I tried
my best to explain that we have

362
00:27:22.880 --> 00:27:27.599
much more evidence, better evidence,
more complete evidence than anyone seems to understand.

363
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If Polites has other more complete evidence
than the handful of images attached to

364
00:27:33.759 --> 00:27:37.079
his emails, then I am sure
that the accused would like to see it.

365
00:27:37.200 --> 00:27:41.160
Of course, his email to me
was written before he has seen this

366
00:27:41.359 --> 00:27:45.480
article. Thus he may think differently
now and wish not to be so arrogant

367
00:27:45.480 --> 00:27:49.039
when it comes to the abilities of
his so called alleged nameless experts, at

368
00:27:49.119 --> 00:27:53.039
least when it comes to photo interpretation. I would also like to say that

369
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I am not attributing the ideas and
claims of MK Davis to those of Polit's.

370
00:27:59.319 --> 00:28:02.480
What I tried to convey that from
the record and the timing of the

371
00:28:02.519 --> 00:28:06.720
events, that whatever it was that
led the types of questions that Polites was

372
00:28:06.759 --> 00:28:11.079
presenting to John Green were more likely
born out of erroneous suggestions being made by

373
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Davis that between the poor, darkened
over contrasted images, combined with the power

374
00:28:18.240 --> 00:28:22.119
of suggestion, not to mention the
altering of some of the images by MK,

375
00:28:22.960 --> 00:28:26.319
that Polites has been misled and relied
too much on the materials Davis had

376
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used. What I've attempted to do
is look at the evidence as it has

377
00:28:30.200 --> 00:28:33.759
been presented, so as to see
if it had legs or not. My

378
00:28:33.880 --> 00:28:38.559
conclusion is that it did not.
We all make mistakes, and it's been

379
00:28:38.599 --> 00:28:42.960
said that a mistake isn't a mistake
unless we refuse to correct it. I

380
00:28:44.000 --> 00:28:48.160
believe that there is ample evidence that
points to Polit's making a huge mistake when

381
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he claimed that Green and Gimlin were
harboring a very very dark secret. In

382
00:28:52.440 --> 00:28:56.279
my view, there are several people
who owe a big apology to John Green,

383
00:28:56.440 --> 00:29:00.839
Bob Gimlin, and anyone else who
they wrongly in an implicated in this

384
00:29:00.920 --> 00:29:04.519
most ridiculous tale, as the character
of the accused was called into question.

385
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The tables have now been turned,
and many of us will be watching to

386
00:29:08.279 --> 00:29:12.720
see if the accusers will have the
character to admit to their mistake. So

387
00:29:12.880 --> 00:29:18.720
far, MK Davis has removed all
of his videos from YouTube dot com.

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00:29:18.039 --> 00:29:23.200
Special thanks to John Green, Eric
Dehindon, Al Hodgson, Thomas Steinberg,

389
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Chris Murphy, Sebastian Wang, and
Lauren Coleman for their role in helping me

390
00:29:29.440 --> 00:29:33.079
gather the information that I solved.
Also a very special thanks goes out to

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Barry Blunt for taking the time to
go with me to John Green's home on

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two occasions so as to view the
photos of the edited first generation copy of

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Renee to Hendon's Blue Creek Mountain film. While maybe not as clear as seeing

394
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Green's film copy in person, it
was Blunt's photographic efforts that allows the reader

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of this article an opportunity to compare
the quality of Politi's film image source to

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that of John Green's. Bill Miller
Bigfoot Field Research is peting medi

