WEBVTT

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Hello, This is Chris Haskell from
They Live by Film. For those that

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don't know us, Adam Zach and
I we built a podcast over the last

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two years that's a combination of film
discussion from three very different perspectives, as

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well as industry interviews with the leaders
in Boutique, Blu Ray, and four

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Kid Community. We started with dev
Crocodile, but over time we've been lucky

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enough to speak with Aero Video,
Severn, Mondo, Macabre, Vinegar Syndrome,

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Radiant Syndicator, most of the OCN
partner labels. It's been a blast.

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You can find us wherever you podcast
and also actually recently as part of

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someone's favorite production podcast network. We
hope to see you online. Hello there,

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and welcome back to the disc Connected. I'm here with Mitchell Beaupre,

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who's the senior editor at Letterbox the
co host of the Letterbox Show podcast.

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Mitchell, thanks for hanging out tonight, absolutely thanks, thanks for having me.

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Happy to be here, I am. I'm stoked because Letterbox obviously is

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not to you know, sing too
high praise over what is literally just an

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app but like one of the most
important tools in the world for movie fans

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in our current life. What's going
on in Letterbox lately, Let's just you

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know, breach the surface there.
Yeah, sure, Yeah, I mean

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no, I agree. Like I
was a Letterbox member from like when it

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was back in beta in like twenty
twelve, so like I was a user

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for a very long time before I
started working there, And it does feel

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like there's this weird like shift of
like pre letterbox and post Letterbox. Like

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it's hard to imagine a movie life
where I was just like like I was

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the kind of person who used to
have like spreadsheets of like everything, like

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you know, rankings of every movie
I've ever seen by year and like all

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that kind of stuff. I'd sort
of be able to have a Letterbox where

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you can just have all that right
there is very convenient as far as what's

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been going on over there. I
mean, I feel like Letterbox is in

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this interesting place where we've really blown
up a lot more. Like I feel

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like people like you and me have
known a Letterbox for a long time,

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but in the last like year,
like I feel like it's kind of raised

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to another level of kind of cultural
awareness. Even just doing like interviews and

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stuff with like actors and directors.
I think that We've definitely noticed a marked

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change in the last like two years
probably of you know, two years ago,

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if I was interviewing somebody, I
would have to like explain what the

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concept of letterbox even is to most
people, Whereas now if I try to

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start doing that, they're just like, oh, I know what letterbox is.

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I like, I, you know, I have a private account that

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I don't like share with anybody or
whatever. So it's I mean, it's

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been nice to see. It's definitely
exciting that it's it's catching on a lot

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more and hitting you know, different
avenues, and it's been at uh now

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you're starting to catch some of those, you know, lower level users like

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the Scorsese and they just small,
small time people, small time people.

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It's been it's been an interesting time
obviously, you know, the four Favorites

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are blowing up on TikTok, the
the the YouTube videos of the you know,

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DiCaprio and Scorsese interviewing each other are
doing extremely well. But now,

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I mean, it's it's that thing. It's like part of the movie fan

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lexicon. It is something that they
rely on heavily, and to be someone

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that was there before that and now
to be here through the rise, I

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imagine has to feel pretty damn exciting. Yeah, it's it's pretty bizarre,

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honestly. Like I ended up getting
the gig because I like somebody that I've

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been friends with since like high school
had been working there before me and kind

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of recommended me, and like,
you know, obviously I went through like

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a whole interview process and all of
that jazz. But it's like it still

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has very like startup culture vibes.
Like we definitely I think produce to the

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extent that it looks like we're a
much bigger company me but like even now

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we have like twenty staff members,
and I mean that was like a year

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ago, we probably had like ten. When I signed on three years ago,

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I was like one of like five, And so it's it's definitely a

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very like bootstrapped operation, but I
think we were able to make it look

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like we're operating on a much higher
scale. So what does a senior editor

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at Letterbox do? Because I got
admit, I checked my reviews from last

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week and there's still mistakes. You're
obviously not editing much. Yeah about heading

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all of them, about having all
of them? Yeah, we I mean

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it's a good question, I feel
like my so my main job on like

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a day to day is we have
an editorial section of the site called Journal,

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which if you're on the app or
if you're on the website, there's

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a tab at the top it says
Journal and you can go there, and

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that has all of our like like
interviews, or I mean not all of

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our interviews. Some of them we
just do, like the red carpet stuff.

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It's just living on socials and on
YouTube or whatever, but more like

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long form print interviews we have on
there. We have kind of regular column

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that freelancers or staff members will write
for us. We just did like our

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best of sun Dance, where we
had some people there, some people attending

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there and just kind of wrapped up
like writing on our favorites or whatever.

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And that's that's kind of like all
my day to day. But also,

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as is the case with a lot
of startups like I do, even though

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that's my main job, I do
a lot of different things. I work

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this, I work a couple of
social shifts a week where I'm like running

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our social media. I do the
podcast as you mentioned up top, I

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you know, tap in helping with
like captions on videos, that we post

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on YouTube and everything. So it
definitely is like an operation where everybody kind

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of has like their job job,
and then most of the days you're like

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getting pulled in from somebody else who's
like, hey, I need somebody to

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help me with this, like real
quick, do you have like two hours?

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And you just kind of like yeah, it's very like free wheeling from

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from day to day. Well,
you are a very busy person outside of

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letterbox too. You you try to
do your best to contribute everywhere that you

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can promote film in general, physical
media. We're gonna get into the physical

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media hard, of course, but
a lot of this is just time consuming

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and for somebody that loves film,
I got to ask, like health check,

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how are you doing there? Are
you still able to watch a lot?

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Are you still feeling good about it? No, that's a great question.

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Honestly, that's actually a really good
question. I feel like I it's

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something that I'm very consciously aware of
and try to like do that kind of

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check in with myself because I get
into this thing of because I've either work

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for Letterboxed or other podcasts that I'm
like doing where I have to watch stuff

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for that and like do kind of
like extensive research and stuff like that to

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make sure I'm kind of boned up
on that stuff, or like freelance pieces

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that I write for like Pace magazine
or like a film stage or whatever.

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I get into pockets where I realize
that for the last like two months,

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I haven't watched a single movie.
That's like not for like a work thing

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I'm doing, And like, I
love being able to watch movies as part

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of my job or whatever, but
it can be acting Like some some nights

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I'm just like I don't want to
have to be writing notes and like thinking

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about what I'm going to, you
know, write about this movie or whatever

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as I'm watching it, and so
I try really hard to to be better

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about that. I think from like
October through January, I didn't really do

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any podcasts, I didn't really do
any interviews, Like I just kind of

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needed a break from that stuff.
And I'm kind of getting a little bit

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back into the swing of it now. But in that time, I definitely

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like made a point to myself to
like, at least like two nights a

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week. I need to just make
a point, even if it feels like

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I need to watch so much stuff
for like work things I'm doing at least

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two times a week, I just
need to make sure that I'm watching something

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that's like unrelated to anything to do
with work, And I think that's that's

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been helpful for me. It's it's
weird to try to explain to somebody that

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doesn't love film, but it's true
that like if you're if you're working on

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this a lot of the time and
only watching what you're actually kind of required

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to talk about. It's like it's
like exercising constantly with no rest days and

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that you even that rejuvenation of watching
something that you want to watch, it's

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really important to make you appreciate it
all appropriately. Yeah exactly. Yeah,

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No, it's it's it's like it's
like the biggest like champagne problem in the

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world. Like as a teenager like
thinking about like, oh, I you

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know, would have some reservation at
some point about watching movies as part of

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my job, and you see it
like all the like people you know,

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shit on critics because they're like,
you just watch movies, like that's what

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you do all day, and it's
like, you know, like you really

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have like it definitely is like a
very like mental mentally strenuous like position to

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be in where you're like actively having
to think about how you're going to comment

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on this thing or like analyze it
or whatever, and then like doing doing

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all the research and everything for stuff. You can't just like at least for

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me, you know, you can't
just spit out like these thoughts, Like

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right after coming out of something,
you really want to get all the context,

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get all you know, read what
other people have said about it.

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Sometimes, like if you're doing a
podcast or whatever, like catch it on

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like the cultural legacy of something.
But I know, I know it's like

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similar for you because you're doing also
you're trying to keep up with like all

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the new physical releases that are coming
out, which is very similar of like

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wanting to make sure you're digesting everything
for interviews and everything else that you're doing

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the awards and stuff like that that
you do, like you want to you

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know, hit all of the right
things, and then at a certain point

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you're like, well, I just
want to watch something that's like just just

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you know, to chill with.
Oh yeah, And then it gets to

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the point where you know you're working
on special features for for some disc and

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you've watched a movie five times.
The first time, sure it's a little

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enjoyable, but my number five,
You're like, Okay, I've seen this

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character die six times now. Yeah, yeah, you kind of lose sight

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of like it becomes that fig of
like like when you're like, you have

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a favorite song that you've heard a
million times and you got to listen to

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it and it just like doesn't even
register for you anymore because you've heard it

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so many times. Like there's definitely
movies like that for me where I'm like

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I put it on or somebody else
is like, let's watch this movie and

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I'm like, sure, I love
that movie, and they put it on

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it I'm just like kind of like
blank like the entire time because it's I'm

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like, you can just recite it, you know, word for a word

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of course. Uh gosh. Yeah. Physical media, let's get into that

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because one of the things that I
I respect the hell out of you for

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this because with with Letterbox and with
the appearances that you do on screen drafts

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and everything with Billy Ray and the
Incinerator and a Man's Plaining, everything that

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you've done with everybody, it seems
to always go back to This is available

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on disc here or this is I'm
going to shout out fun City Editions for

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being great. I'm going to give
my you know, the people that are

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here tuning into my opinion, a
way to dive into physical media because it's

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disappearing for that mainstream aspect. It
really is only such a small subset.

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So why why is it still important
to you? Yeah, it's it's it's

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it's a really crazy time that I
feel like we're living in right now because

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so much of physical media is dying
out and then at the same point,

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like so much of the interest and
like the excitement from like the you know,

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average Joe consumer is dying out of
physical media because there is so much

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stuff just right there on Netflix or
you know, Max or whatever. But

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I feel like for people like you
and me, we understand that this is

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kind of the best time in the
history of the world to be a physical

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media and collector to be a fan
of it. Like the stuff that boutique

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labels are doing right now is like
out of this world. And yeah,

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for me, I think that,
I mean one there definitely is, just

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in terms of quality, like compression
rates and everything on streaming services, like

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you're you're not seeing the same thing
that you're watching if you're watching it on

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a disc. Also, like the
preservation aspect of it is such a huge

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thing about It's just it's a huge
passion for me in general. It's a

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huge passion for me in terms of
like what like even my work at Letterbox,

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like I really try to focus as
much as I can on bringing awareness

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to movies that have been lost,
movies that you know, need to be

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found, movies that have been found. Something like bush Man, which Milestone

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Films just put out, was you
know, made in the seventies, was

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not available perie until this new restoration
just came out in theaters and we'll be

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on disc at some point. And
so I think trying to keep people aware

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of the fact that like, and
I think there's a little bit like the

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Coyote versus Acne stuff is going on
right now, Like there's like a little

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bit of like people waking up,
But I still think it hasn't hit like

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the you know, the normal person, the average like the casual movie lover

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that like so many of these movies
can just disappear off the face of the

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earth with like no warning, Like
all of those Max movies that were available

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only on there that suddenly have just
dropped off the face of the earth that

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you can't get anymore. Hulu did
that as well, with several things,

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like physical media is a way to
kind of keep these movies alive. And

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I mean that for me is even
like paying one hundred dollars to buy an

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out of print DVD. That's not
the greatest transfer in the world, but

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it's the only way that you can
see a certain movie. And then you

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watch it and it's like holy shit, Like most people are not you know.

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I mean there's plenty of people who
don't even have the ability to pay,

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you know, that kind of moody
for a DVD, and so like

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that's a very privileged position to be
in, and it's just a huge shame

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that, like there's so many movies
that just aren't readily available. There's so

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many movies that aren't on disc period
that like maybe you can find on like

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a YouTube rip somewhere or something like
Dion Brothers is something that like I have

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only seen Inside Out with Elliot Goould
is like a crazy movie that is so

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much fun and is not available any
It's not on streaming services anywhere, it's

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not on disc anywhere, Like there
is a YouTube rip that is up somewhere

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and I want that's the only way
that I've watched it. The heart Rate

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Hit is a great example of something
like that, where it's like rights just

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lapsed. It's owned by like a
pharmaceutical company or whatever, right, and

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like like the only way that you
can watch it is on like there's a

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YouTube rip. There's the internet archive
rip that I can't remember the name of

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the guy who did like the the
four K kind of like mock upgrade which

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looks really dope. But yeah,
I think that for me, physical media

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is a way to keep that stuff
alive. There's so many other elements of

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it too. I think just the
physical, the rich, realistic aspect of

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it is really important for me.
That definitely connects to like my childhood,

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and it is something that the same
way as like I don't do any like

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digital books. I don't have like
a kindle or anything like that. I

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still when I'm reading a book,
like, I like the textual aspect of

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it. And then I mean physical
media that's the only way that you get

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these special features. And I think, as you well know, as people

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who you know check out this show. Well know, like the special features

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opens up a different kind of world
to you of appreciating these movies. There's

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so many movies that I really like
when I watch them, but then digging

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through the special features, like that's
where I'm like, oh, this is

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like so high level. This is
so much better than I even realized it

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was while I was watching it.
And I can only fully appreciate a movie

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while diving into the full extent of
what's being put into that work on the

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physical disc. It's it's mind blowing
to have that first experience because you know,

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even just now you said that it's
you. Sometimes movies you like and

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then you dive in and it's so
much better. I've had times where it's

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been a movie I haven't even liked
that much. Yeah, me too,

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and then you watch something you go, oh wait, wait, wait,

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that changes everything. And now suddenly
I've done that and then found myself in

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like a research spiral this because it
teaches you something and it's like, wait

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a minute, I didn't even like
this movie, and now it's like the

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only thing I can think about for
three weeks. Why yeah. Yeah.

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The other big part of this too
is you know the accessibility aspect that you're

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going on about. It's I feel
like the only way we get this to

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be a problem for everybody is until
it's a problem for the individual, which

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sucks because it's kind of like what
we're dealing with politics right now. A

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lot of people are tuned out until
it's something that affects them personally. And

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a lot of these families they you
know, they they don't care because everything's

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on Disney Plus that they're watching,
until suddenly somebody in locks of memory and

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they go, oh, let me
go watch that. Wait, it's not

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on anything. How do I find
this? And then they're WHOA, what

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do we do? Now there's no
other thing? And that's still kind of

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that ritual aspect you brought up,
because they normally know how to go find

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it, but now they're they're clueless, And I really wish there was a

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way to deliver that message universally somehow. Yeah. No, that's a good

253
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point. Yeah, it's the kind
of thing where like too, because I

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because of stuff like that, the
accessibility aspect, like I don't like necessarily

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bigaruge anybody who isn't you know,
a physical media collector, Like I think

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that it's really important, Like it's
it's extremely important for me. It's like

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the thing that is my my greatest
kind of passion and my greatest you know,

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I wouldn't even call it a hobby, like I just I am every

259
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day, you know, thinking and
checking and like seeing like what else is

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coming out, and definitely putting a
lot of that into my work as well.

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But it definitely is a luxury that
comes with having the job that I

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have, you know, and with
honestly not having a lot of other interests.

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So like I'm not putting a lot
of money into and other stuff.

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I don't have a family, so
like I don't have to worry about,

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you know, setting aside money to
feed the kids and stuff like that.

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And so like people who primarily just
watched up on Disney Plus because you know,

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that's what's most affordable to them,
that's what's most available to them.

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Like I totally get that. But
yeah, like you said, like especially

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a company like Disney, like you
know, as we were growing up,

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you and me, like Disney had
the thing of they would release a movie

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for three months and then put it
in the vault for ten years, and

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you wouldn't be able to access it
period and like it's a way to try

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to like event tize you know,
the physical release, but what it really

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does is keep that away from people
for so long. I used to work

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at a movie store where we would
this movie store, movie Stop, that

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was around for like ten years,
went out of business in twenty fourteen,

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and we would regularly like so we
we bought and sold used movies. It

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wasn't like a rental story. It
was like buying and selling used movies,

279
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and we sold new movies as well. But the biggest kind of business there

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was turning around. People would sell
us their old movies and then we would

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sell them used like it was basically
games. I was like the sister company

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of game Stop, which I think
more people are familiar with, And we

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every day would have people coming in
with like lists of like the Disney movies

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that they were asking if we had
to use coffees up, and like it

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would be like no, we like
barely ever have them. Every now and

286
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then somebody would come in and sell
a bunch of them, get a bunch

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of money because they're rare and out
of print, and then somebody would come

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in an hour later buy all of
those and then you know, you wouldn't

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see him again on the shelves for
like three months until the next person did

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that. Wow, that's I mean, that's the exact sort of definition of

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what we're fighting now. But with
the streaming age, it's such a different

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problem because there's no there's no person
turning them in, there's no access to

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any of these when they're taken away. And again, I know that it

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sounds like a privileged problem when somebody's
talking about this and it's like, Oh,

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the whoever big name star is of
the day that has their movie deleted,

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it's gone, no big deal.
There's like four hundred people that worked

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on that movie, that put their
heart and soul into that for months,

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and now they are not able to
make any more money from it. They're

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not able to have their work out
there for the world. That's that's a

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really hard thing to overcome. Yeah, I mean, it's very similar to

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what we were seeing with like the
writer's strike and the and the sacks strike

302
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this past year, where you know
a lot of people were seeing it like

303
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thinking that it's just you know,
hoity toity rich people complaining about not getting

304
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you know, four million dollars for
making a movie when it's like, no,

305
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the people that like these strikes are
for are the people who rely on

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their living paycheck at paycheck doing this
work like this is for most people a

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job like anybody else has a job, Like it's it's not people who have

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mansions, it's people who are grinding
it out every day. And yeah,

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like you said, like when a
movie disappears, that disappears for so many

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people who could who could point to
that and be like, hey, here's

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an example of my work, you
know, let me get this new job.

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It's where now it's like, oh, I can't, like I don't

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have anything to reference to see if
you're good or not at your job.

314
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So it's not I'm not gonna hire
you for this, it's no more,

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00:20:02.200 --> 00:20:04.359
no more resume. At that point, you're exactly yeah, yeah, Like

316
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you're lucky if you like have something
somewhere that's like a real that you've put

317
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together, like if you're an editor, like maybe you have something on a

318
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drive somewhere that you've stored, but
like you can't have a full example for

319
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people to look at well, and
most extras aren't going to have that for

320
00:20:21.920 --> 00:20:23.119
you. Yeah, yeah, yeah, yeah. The people that are putting

321
00:20:23.160 --> 00:20:27.079
into that kind of work. Yeah, exactly. Yeah. Uh so there's

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I mean, there's crises involved in
a lot of different stages of home video,

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of media consumption in general, in
social media. And what's funny is

324
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at the heart of all of that
right now seems to kind of be letterboxed

325
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and the community that comes around that
is obviously growing. But on top of

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00:20:45.880 --> 00:20:49.079
that, it's its own subset of
uh you know, it's got like its

327
00:20:49.079 --> 00:20:55.039
own personality. It's growing into this
thing that has real empathy, real uh

328
00:20:55.119 --> 00:20:59.759
you know, advocacy power where people
are speaking out on behalf of arts and

329
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all that. Does it feel like
that from inside Letterbox? Does it feel

330
00:21:03.359 --> 00:21:07.440
like you're manifesting that? Yeah,
I think I think it's definitely part of

331
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our Like I don't. I think
we all try to stay humble and so

332
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we try not to like think that
we are like actively affecting change in like

333
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a huge way. But I definitely
think that we're very focused on mission and

334
00:21:22.000 --> 00:21:26.400
drive, and a big part of
our mission is raising awareness for the kinds

335
00:21:26.400 --> 00:21:30.559
of movies that aren't the ones that
are getting you know, talked about on

336
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Entertainment Tonight or whatever, and for
like like we we have you know,

337
00:21:36.440 --> 00:21:40.119
the the interviews with Martin Scorsese or
whatever, and obviously those are going to

338
00:21:40.160 --> 00:21:42.839
do really good numbers. But I
think and like we we're at a point

339
00:21:42.839 --> 00:21:47.359
where we could just do that.
I think that we have enough like access

340
00:21:47.359 --> 00:21:52.599
where we could just focus on huge
names, but we definitely try to still

341
00:21:52.759 --> 00:21:57.240
do coverage on movies that are smaller
ones, whether it's you know, new

342
00:21:57.279 --> 00:22:02.119
releases too and like move that we
know are not going to get us the

343
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same amount of numbers on like a
print piece interview or a YouTube video or

344
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whatever. But we feel like that's
sort of our responsibility as a company that

345
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has the platform that we do have, you know, to use that to

346
00:22:18.880 --> 00:22:22.400
raise awareness. And I like our
biggest drive from like the top of the

347
00:22:22.440 --> 00:22:26.839
company down is always like we want
to talk about movies and cover movies in

348
00:22:26.880 --> 00:22:32.519
a way that gets people to add
more movies to their watch list, to

349
00:22:32.559 --> 00:22:36.839
get people more excited about discovering other
movies, and so like that's where the

350
00:22:36.880 --> 00:22:38.759
lists come in, you know,
in a really big way where it's like

351
00:22:40.400 --> 00:22:44.599
if we're talking about you know,
this one movie on a podcast or whatever,

352
00:22:44.640 --> 00:22:47.599
we can reference, oh, it's
on this list and get people to

353
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go to that list to see movies
that are like that. You know,

354
00:22:48.799 --> 00:22:52.480
if you're looking for a specific thing, and you can find all these movies

355
00:22:52.519 --> 00:22:55.559
that you haven't heard of. I
know, for me, like I I've

356
00:22:55.559 --> 00:22:59.759
discovered so many movies through letterbox because
of people talking about movies that I like,

357
00:23:00.319 --> 00:23:03.839
and then they're talking about this other
movie in relation to it, and

358
00:23:03.880 --> 00:23:06.240
I'm like, oh, I want
to check that out. I know Harra

359
00:23:06.359 --> 00:23:10.680
Kiri, the Japanese samurai movie from
the sixties, Like I I had never

360
00:23:10.720 --> 00:23:15.359
heard of that movie until like ten
twelve years ago. I noticed that it

361
00:23:15.400 --> 00:23:19.240
was like number thirty on the Letterbox
Top two fifty of all time, and

362
00:23:19.279 --> 00:23:22.400
it was like the highest ranked movie
that I had never seen, let alone

363
00:23:22.440 --> 00:23:25.319
heard of, And I'm like,
oh, let me check that out.

364
00:23:25.319 --> 00:23:26.799
I watched it. It is now
one of my like thirty favorite movies of

365
00:23:26.839 --> 00:23:30.119
all time, and now it's at
a point where it's the number one highest

366
00:23:30.160 --> 00:23:33.880
rated movie on Letterbox, like of
all time, And I think that's so

367
00:23:34.000 --> 00:23:37.319
dope. Like you compare that to
like IMDb, where it's like a shawshank

368
00:23:37.519 --> 00:23:41.559
for the last yeah, thirty years
or whatever. And to be working at

369
00:23:41.599 --> 00:23:45.240
a company where like our number one
highest rated of all time is horror Kiri.

370
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Like, that's pretty rad and I
think that that having that status on

371
00:23:49.920 --> 00:23:53.119
letterbox like gets people to go and
watch it. You know, like two

372
00:23:53.240 --> 00:23:57.279
hundred thousand people have like marked it
watched on letterbox and I don't have the

373
00:23:57.359 --> 00:24:00.839
numbers in front of me, but
I imagine that was a lot lower,

374
00:24:00.920 --> 00:24:06.559
you know, ten years ago when
letterbox started. I am curious, you

375
00:24:06.599 --> 00:24:08.799
know, going back to the physical
media side, but attaching it to letterbox.

376
00:24:10.039 --> 00:24:12.920
I know a lot of people use
letterbox as literally a tool for physical

377
00:24:12.960 --> 00:24:17.640
media, whether it's for logging their
collection. If they own a movie,

378
00:24:17.640 --> 00:24:19.359
they go put it on a list
and that's how they reference it. A

379
00:24:19.359 --> 00:24:22.000
lot of people mark how they watch
things. If they watch it on a

380
00:24:22.039 --> 00:24:25.640
new disc, they'll put that in
the review and use it a couple of

381
00:24:25.680 --> 00:24:29.039
ways. Are there any random,
off the wallways that you've heard of people

382
00:24:29.200 --> 00:24:33.079
utilizing letterbox as a tool for something
like related to physical media. That's a

383
00:24:33.119 --> 00:24:42.759
really good question, Yeah, off
the wallways. Yeah, you know,

384
00:24:42.839 --> 00:24:45.160
I can't, I can't think of
anything off the top of my head.

385
00:24:45.240 --> 00:24:51.480
Unfortunately. That's that's a really good
question, Like, I definitely, yeah,

386
00:24:51.720 --> 00:24:55.799
those kind of ways are definitely the
ones that I'm most familiar with that

387
00:24:55.839 --> 00:24:59.920
I use myself. I definitely always
like tag everything with like how I watched

388
00:25:00.079 --> 00:25:04.559
it. I definitely if you're I
think it's just like a it's maybe maybe

389
00:25:04.599 --> 00:25:07.799
pro and patron feature or maybe just
patron feature. But if you have a

390
00:25:07.839 --> 00:25:11.839
list that you mark as you like
tag it as owned, you can then

391
00:25:11.920 --> 00:25:15.440
like filter any list or anything by
the movies that you own. I use

392
00:25:15.480 --> 00:25:18.759
that literally all the time, Like
you you know, I'm sure is the

393
00:25:18.799 --> 00:25:22.480
case for you as well. I
own so many movies that a lot of

394
00:25:22.480 --> 00:25:26.519
times I will like see somebody mention
a movie and I'm like do I own

395
00:25:26.559 --> 00:25:29.599
that? And like or like I'll
think, like, oh I want to

396
00:25:29.599 --> 00:25:32.200
watch that tonight. I can't remember
if I own it or not, so

397
00:25:32.319 --> 00:25:34.799
like it's very useful rather than going
to my shelves and trying to find like

398
00:25:34.839 --> 00:25:38.920
where it is somewhere just looking at
letterbox and seeing if I if I own

399
00:25:40.000 --> 00:25:42.079
it. But yeah, I can't. I can't think of people in like

400
00:25:42.279 --> 00:25:48.799
very like like more idiosyncratic ways.
Yes, I imagine there's somebody out there

401
00:25:48.839 --> 00:25:53.440
that is doing something that is inspiring
that other people could hear and go Damn,

402
00:25:53.519 --> 00:25:56.400
that's a really smart way. So
if you have some unique way wrote

403
00:25:56.400 --> 00:26:00.160
in the comments, we'd love to
hear it. I'd love to see you

404
00:25:59.680 --> 00:26:00.920
like you and me, please do. I would love to see that as

405
00:26:00.960 --> 00:26:06.240
well. Yeah, with with the
list and stuff like that, is there

406
00:26:07.000 --> 00:26:11.680
is there some some list that has
been the most meaningful for you that you

407
00:26:11.000 --> 00:26:15.079
have discovered through your time here that
go you know, damn, I've not

408
00:26:15.160 --> 00:26:18.680
seen most of these and the one
that I have, I am I'm dialed

409
00:26:18.680 --> 00:26:22.079
in. I'm gonna watch all of
these because it's that good. Mmmm.

410
00:26:22.240 --> 00:26:26.440
Yeah, there's there was so After
Hours the scorse has you picture. It's

411
00:26:26.440 --> 00:26:30.119
my favorite movie of all time.
And there are several lists. I know

412
00:26:30.160 --> 00:26:34.519
there was one that's called like I
can't remember the exactly off the top of

413
00:26:34.519 --> 00:26:37.720
my head, but it's like help, I'm toe help, I got to

414
00:26:37.839 --> 00:26:41.839
horny and now everything's bad, and
like After Hours was the first movie on

415
00:26:41.839 --> 00:26:45.680
that list, and like I saw
that list like many years ago, and

416
00:26:45.799 --> 00:26:51.119
I'm like, oh, that is
like that, Like there are many reasons

417
00:26:51.119 --> 00:26:52.880
why I love After Hours. That
is a very specific reason why I love

418
00:26:55.079 --> 00:27:00.920
yeah, a very specific like vibe. I've after and so there were there

419
00:27:00.920 --> 00:27:03.839
were probably a couple of others that
I had seen on it, but like

420
00:27:03.000 --> 00:27:07.759
I at that point, I hadn't
seen Body Double, I hadn't seen Miracle

421
00:27:07.839 --> 00:27:11.119
Mile, I know is on that
list. I know like iceyshad was on

422
00:27:11.119 --> 00:27:14.119
that list, which I've seen before. But there's definitely plenty like that like

423
00:27:14.160 --> 00:27:17.559
that that I think really got me
into Di Palma in a way that I

424
00:27:17.599 --> 00:27:21.759
wasn't into before. I had probably
at that point seen like Carrie and you

425
00:27:21.759 --> 00:27:23.799
know, the Untouchables and whatever,
like some of the big ones, but

426
00:27:23.880 --> 00:27:27.200
it definitely got me into stuff like
Body Double and like Phantom of the Paradise

427
00:27:27.279 --> 00:27:30.920
and everything like that. God,
I love Phantom of the Paradise, such

428
00:27:30.920 --> 00:27:34.640
a movie. I was so excited
too to bring up and you had to

429
00:27:34.640 --> 00:27:38.240
bring it up first, of course, after hours Criterion for k last year.

430
00:27:38.480 --> 00:27:41.640
Yeah, it was the first time
I got to see it. I

431
00:27:41.680 --> 00:27:45.960
finally got to see it movie,
and it is incredible. I was so

432
00:27:45.079 --> 00:27:49.440
excited just to celebrate the the the
power of that movie. I mean everything

433
00:27:49.480 --> 00:27:52.559
about it. All the times I've
heard you speak on it in such a

434
00:27:52.960 --> 00:27:56.839
passionate way, like, yeah,
I totally get it. Mitchell's totally right,

435
00:27:57.920 --> 00:28:00.839
that's what everybody's always say. Yeah, And I mean that's that's a

436
00:28:00.839 --> 00:28:04.839
really great example too of like a
movie that I saw for the first time

437
00:28:04.960 --> 00:28:11.559
like fifteen years ago on DVD and
it it did. It's one of these

438
00:28:11.640 --> 00:28:14.680
rare ones that did a jump from
DVD straight to four K like it didn't.

439
00:28:14.720 --> 00:28:15.880
It did not have a Blu Ray
release for a long as time.

440
00:28:17.039 --> 00:28:22.000
It like periodically would be on like
HBO Max or like maybe the Criterion channel

441
00:28:22.039 --> 00:28:25.400
like every now and then, but
it would have like kind of contract restrictions

442
00:28:25.400 --> 00:28:26.799
where I would be on for like
three months and then would drop off,

443
00:28:26.839 --> 00:28:29.880
and so a lot of times like
the only way that you would maybe be

444
00:28:29.920 --> 00:28:32.759
able to see it would be on
DVD and then yeah, kind of,

445
00:28:32.920 --> 00:28:34.960
I mean, I know Griffin Dunn
had been talking a little bit like teasing

446
00:28:34.960 --> 00:28:38.640
a little bit for a while that
it was like maybe gonna hit Criterion when

447
00:28:38.680 --> 00:28:45.000
they Gryffin done and Amy Robinson did
the Chile scenes a Winter Criterion like a

448
00:28:45.119 --> 00:28:48.359
year ago. Gryffin done, kind
of tease like we're in the Criterion closet,

449
00:28:48.359 --> 00:28:52.079
but not for after hours, like
that's coming later or whatever. And

450
00:28:52.119 --> 00:28:56.880
I know I remember him specifically saying
that's coming later had me like over the

451
00:28:56.920 --> 00:29:00.200
moon and then yeah, they dropped
it. My one, my one in

452
00:29:00.519 --> 00:29:03.839
bittersweetness is that I didn't get to
have any kind of involvement with it.

453
00:29:03.920 --> 00:29:07.920
You know, I'm right here,
reach out to me, dude, essay,

454
00:29:07.079 --> 00:29:11.400
whatever, It's fine. I did
get to interview them for Letterbox,

455
00:29:11.440 --> 00:29:15.640
Griffin and Amy for the after Ours
release, which was really awesome. And

456
00:29:15.240 --> 00:29:18.839
yeah, I mean that's like hearing
somebody got to see it for the first

457
00:29:18.839 --> 00:29:22.000
time because of the four K is
the coolest thing in the world to me.

458
00:29:22.160 --> 00:29:25.599
And that's I mean, that's the
kind of movie where, like I

459
00:29:25.599 --> 00:29:30.960
think physical media people talking about something
and then becoming more available on this media

460
00:29:32.119 --> 00:29:36.039
really hits this ground swell for a
movie that came out in the eighties did

461
00:29:36.079 --> 00:29:40.119
not you know, do well at
the box office or anything, especially for

462
00:29:40.279 --> 00:29:45.359
somebody like Scorsese really got buried amongst
his movies and sort of hit a little

463
00:29:45.359 --> 00:29:47.599
bit of a ground swell like Over
the People, you know, became like

464
00:29:47.599 --> 00:29:49.480
a cult thing. When I first
saw it, it was like very much

465
00:29:49.519 --> 00:29:53.039
like the cool kids favorite Scorsese movie
of like, yeah, good Fellows is

466
00:29:53.039 --> 00:29:56.920
great, but you know, what's
like, really fucking awesome, It's After

467
00:29:56.039 --> 00:30:00.279
Hours, And now I think it's
a little bit more in the zeitgeist of

468
00:30:00.359 --> 00:30:04.160
like, this is actually a masterpiece
of a movie, and like you need

469
00:30:04.200 --> 00:30:07.480
to seek it out. It's After
Hours is like the one of those movies

470
00:30:07.519 --> 00:30:12.160
that if I made a new friend
or I started dating somebody for the first

471
00:30:12.160 --> 00:30:15.559
time within a week, I'm like, hey, let's watch After Hours.

472
00:30:15.640 --> 00:30:18.960
And then if they didn't like it, maybe this is a you know,

473
00:30:19.359 --> 00:30:22.519
maybe we're maybe we're not cut out
for each other. Well, and it's

474
00:30:22.559 --> 00:30:26.079
it's a true example of a cult
film. It's one of those things that

475
00:30:26.160 --> 00:30:29.799
had to kind of spread by word
of mouth because most people were not seeing

476
00:30:29.839 --> 00:30:32.680
at the theaters. Most people,
you know, it wasn't playing on you

477
00:30:32.680 --> 00:30:36.200
know, ABC on Sunday nights in
nineteen ninety ye, right, so it's

478
00:30:36.240 --> 00:30:38.359
something that you had to spread.
And even that DVD was out of print

479
00:30:38.400 --> 00:30:42.880
for a long time. So accessibility, again is so important behind so many

480
00:30:42.880 --> 00:30:47.759
of these films. One of the
things that we kind of started to go

481
00:30:47.799 --> 00:30:52.319
into there a little bit is there
are pockets of all of you know,

482
00:30:52.359 --> 00:30:59.039
whether it be film Twitter or the
Dark Letterbox Corner Reviews or physical media YouTubers.

483
00:30:59.119 --> 00:31:03.519
There there are so many groups that
have sometimes this attitude of oh you

484
00:31:03.559 --> 00:31:06.880
haven't seen that. Yeah, man, that's kind of embarrassing, what are

485
00:31:06.880 --> 00:31:11.759
you doing? And something about the
way that you have approached things always is

486
00:31:11.799 --> 00:31:17.960
so celebratory when somebody just discovers something
new, it's so wholesome and just welcoming,

487
00:31:18.079 --> 00:31:21.039
and I I just first off,
I just want to say thank you,

488
00:31:21.039 --> 00:31:23.839
because there's so many people that will, you know, lambast somebody for

489
00:31:25.359 --> 00:31:26.519
this is the first time you've seen
taxi driver, What the hell are you

490
00:31:26.559 --> 00:31:32.880
doing three or whatever. I don't
understand why that exists. The gate gatekeeping

491
00:31:32.920 --> 00:31:36.480
does not need to happen, but
you you've done so well to advocate for

492
00:31:36.559 --> 00:31:38.640
it. Well, I really appreciate
that. That that actually, like genuinely

493
00:31:38.680 --> 00:31:41.960
means a lot to me because I, yeah, I grew up as like

494
00:31:42.000 --> 00:31:48.119
a teenager in my twenties on like
the IMDb message boards and like that that

495
00:31:48.279 --> 00:31:52.240
was always such a toxic place for
that kind of elitism, that kind of

496
00:31:52.279 --> 00:31:56.680
snobbiness of people just thinking like one, like, whatever their opinion and their

497
00:31:56.720 --> 00:32:00.279
taste is is like so much above
anybody else. But then also yet exactly

498
00:32:00.279 --> 00:32:04.839
that kind of stuff, and like
that that's the stuff that like riles me

499
00:32:04.920 --> 00:32:08.119
the most. I have friends,
like my roommate like gets embarrassed about certain

500
00:32:08.119 --> 00:32:13.279
movies that they haven't seen, and
like for me, it's like anybody who

501
00:32:13.279 --> 00:32:15.519
hasn't seen one of my favorite movies, that's like the most exciting thing in

502
00:32:15.519 --> 00:32:21.680
the world to me because I get
to experience through them that seeing my favorite

503
00:32:21.720 --> 00:32:22.880
movie for you know, one of
my favorite movies for the first time.

504
00:32:23.000 --> 00:32:29.440
And for me, like I definitely
get that like weariness of admitting when I

505
00:32:29.480 --> 00:32:34.079
haven't seen something. That's that's a
really huge one. Like I make a

506
00:32:34.119 --> 00:32:37.359
list every year of like fifty two
movies that I haven't like fifty two blind

507
00:32:37.359 --> 00:32:40.240
spots that I want to make sure
that I watch, you know, over

508
00:32:40.240 --> 00:32:44.759
the course of the year. And
last year, one of the movies on

509
00:32:44.799 --> 00:32:46.319
that list was The Passion of Joan
of Arc, the dryer movie from the

510
00:32:46.319 --> 00:32:51.079
twenties, which is like one of
you know, the peak like this is

511
00:32:51.119 --> 00:32:53.079
one of the greatest movies ever made
kind of thing. And I'm like a

512
00:32:53.119 --> 00:32:55.920
little bit like I had people when
I had that on my list, like

513
00:32:57.000 --> 00:33:00.000
friends, like you haven't seen that
before, Like that's absolutely ridiculous and I'm

514
00:33:00.039 --> 00:33:02.559
like, yeah, it's dope.
I'm gonna watch it for the first time

515
00:33:02.759 --> 00:33:05.960
like this year, like I know
that, like I should have, you

516
00:33:05.960 --> 00:33:08.400
know, seen it before. But
at the same time, like I mean,

517
00:33:08.400 --> 00:33:12.039
I watched it. It blew my
mind. Maybe I wouldn't have appreciated

518
00:33:12.039 --> 00:33:15.839
it as much if I have watched
it when I was twenty and so yeah,

519
00:33:15.839 --> 00:33:17.680
for me, it's always an exciting
thing when somebody hasn't seen a movie,

520
00:33:17.839 --> 00:33:21.079
Like I mean, I love talking
to people about movies, but then

521
00:33:21.160 --> 00:33:22.920
if you had to talk to them
about it right after they watched it,

522
00:33:23.039 --> 00:33:29.400
like that's that's even better. It's
it's this magical again. I love the

523
00:33:29.400 --> 00:33:32.599
word advocacy for this, because you
are literally delivering a message to somebody that

524
00:33:32.759 --> 00:33:37.000
may not have ever received that message
if you aren't delivering it. So it's

525
00:33:37.319 --> 00:33:39.039
it's so cool just to be like, here's After Hours, one of the

526
00:33:39.079 --> 00:33:42.440
greatest movies of all time, and
I get to stare at your face and

527
00:33:42.480 --> 00:33:46.359
watch you yeah storyline, it's happening. Yeah, that's a little bit a

528
00:33:46.359 --> 00:33:52.680
little bit of anxiety watching definitely,
the I know people like meme about it

529
00:33:52.720 --> 00:33:54.880
all the time, the like fear, like as you're watching, like you

530
00:33:54.920 --> 00:33:58.400
know, you're waiting for like a
great moment, and after hours like you're

531
00:33:58.400 --> 00:34:00.559
waiting for like the reveal of Terry
gar is like a mouse traps all around

532
00:34:00.559 --> 00:34:04.559
her bed, and you're like looking
at the person like are they gonna are

533
00:34:04.599 --> 00:34:07.640
their eyes gonna, you know,
expand a little bit when that comes up,

534
00:34:07.759 --> 00:34:10.480
like are they gonna laugh at the
scene where the ticket ticker in the

535
00:34:10.519 --> 00:34:14.519
subway says that he can't like or
if be done in because he's scared that

536
00:34:14.559 --> 00:34:16.880
maybe one night he'll get drawing at
a party and tell him that he led

537
00:34:16.880 --> 00:34:22.960
this guy in for paying less than
what the ticket actually costs, Like definitely,

538
00:34:22.679 --> 00:34:27.239
Yeah, it's it's like a it's
a high wire act of watching one

539
00:34:27.280 --> 00:34:30.320
of your favorite movies with somebody who
hasn't seen it before, but it's it's

540
00:34:30.320 --> 00:34:37.599
exhilarating. With the interviews, you
just mentioned how Letterbox could probably just stay

541
00:34:37.639 --> 00:34:40.800
with the big, big names,
and I'm really glad that it's it sounds

542
00:34:40.840 --> 00:34:45.000
like that's not gonna be the case, because I really want to draw some

543
00:34:45.039 --> 00:34:46.800
eyes to one of the ones that
I've enjoyed the most from you over the

544
00:34:46.840 --> 00:34:52.280
years, which now, gosh,
it's probably been almost two years. The

545
00:34:52.320 --> 00:34:57.079
Aubrey Plaza piece, which was Yeah, for Emily's a criminal when that came

546
00:34:57.119 --> 00:35:01.480
out, just hear, first off, two people talk about Delaware for the

547
00:35:01.480 --> 00:35:06.599
first five paragraphs. It is so
fun. But just to make somebody like

548
00:35:06.679 --> 00:35:10.440
her, who is this mythical character
wherever she goes, but just be brought

549
00:35:10.480 --> 00:35:15.360
down to that base human level.
And these these sort of stories are the

550
00:35:15.400 --> 00:35:20.559
best way to get that sort of
thing for somebody that's now reached her stratosphere

551
00:35:20.559 --> 00:35:23.480
of incredible stardom where she is,
you know, suddenly sought after and everything,

552
00:35:23.639 --> 00:35:28.239
even though she was essentially just an
extra, like it seems like just

553
00:35:28.360 --> 00:35:31.320
yesterday. So I mean some of
those earlier pieces, is there any of

554
00:35:31.360 --> 00:35:36.559
those that you are really fond of
that you look back on with just pure

555
00:35:36.639 --> 00:35:39.000
pride of what you got to do? Oh? Yeah, that's that's a

556
00:35:39.039 --> 00:35:43.199
good question. I want, like, I thank you very much for saying

557
00:35:43.239 --> 00:35:46.599
that. Was that was a really
exciting one for me because as somebody who

558
00:35:46.639 --> 00:35:51.000
like I wasn't born in Delaware,
but I'm you know, I've lived here

559
00:35:51.079 --> 00:35:55.679
for twenty years and it is like, especially as somebody in like the like

560
00:35:55.800 --> 00:36:00.719
film industry, where like most of
my colleagues are in like York or LA.

561
00:36:00.880 --> 00:36:04.800
Most of my contemporaries are in like
big city Chicago, like whatever.

562
00:36:05.000 --> 00:36:07.679
Like it being like I'm literally the
only person that I know in Delaware who

563
00:36:07.760 --> 00:36:14.039
like does this kind of job and
everything, and so having like Aubrey Plaza

564
00:36:14.079 --> 00:36:15.960
is the queen of Delaware, Like
she's from Wilmington. She's literally from a

565
00:36:16.039 --> 00:36:20.679
town that is like five minutes from
where I'm living right now, and so

566
00:36:20.920 --> 00:36:23.280
the well, not only like the
idea of getting to talk to her was

567
00:36:23.320 --> 00:36:28.880
really exciting for me, but also
like like for me, I I love

568
00:36:28.920 --> 00:36:30.480
like the red carpet stuff we do. I love like the four fave stuff

569
00:36:30.519 --> 00:36:34.599
that we do. It's not really
like my bag in terms of like the

570
00:36:34.679 --> 00:36:37.679
kind of stuff, like the kind
of comments that I'm interested in having with

571
00:36:37.039 --> 00:36:40.280
like actors and stuff like that.
These like little like snippets where you get

572
00:36:40.320 --> 00:36:45.320
to like ask herselff like I really
do like having the the longer form conversations

573
00:36:45.440 --> 00:36:50.559
for for print pieces or a podcast
or whatever. And so being able to

574
00:36:50.599 --> 00:36:54.360
talk to her for thirty minutes for
something like that was really exciting being able

575
00:36:54.360 --> 00:37:00.639
to Like I I was very nervous
going into that conversation because I knew that

576
00:37:00.719 --> 00:37:06.320
I was going to want to start
with like let's like I'm literally in Delaware,

577
00:37:06.360 --> 00:37:08.760
like let's talk about Delaware. And
I was like, I get such

578
00:37:08.840 --> 00:37:15.039
anxiety when i'm when I know I'm
going to ask somebody something that's like not

579
00:37:15.199 --> 00:37:17.559
the thing that they're getting asked like
constantly throughout the day. It's not like

580
00:37:17.559 --> 00:37:21.880
the boilerplate stuff. And I'm like, she could be like what fuck no,

581
00:37:21.920 --> 00:37:22.840
like I don't give a shit about
Delaware, Like I don't want to

582
00:37:22.880 --> 00:37:27.079
talk about that. But what I
what I said when I told her,

583
00:37:27.159 --> 00:37:30.159
like I was like, so first
things for like I'm you know, I'm

584
00:37:30.320 --> 00:37:32.119
talking to you right now from Newark, Delaware. And she like she like

585
00:37:32.199 --> 00:37:36.000
her jaw drop, like she was
like she couldn't believe it, and she

586
00:37:36.119 --> 00:37:38.639
was so down to talk about Delaware
for like half the interview and the other

587
00:37:38.639 --> 00:37:43.559
half we talked about Emily Criminal,
which I think is a phenomenal movie.

588
00:37:43.800 --> 00:37:46.360
It's my favorite performance of hers.
It very much harkens back to like seventies

589
00:37:46.400 --> 00:37:50.400
crime movies and all that kind of
stuff, Like I really love it.

590
00:37:50.960 --> 00:37:55.159
But to answer your question as well
about like the earlier kind of stuff that

591
00:37:55.239 --> 00:38:00.400
I did ones that really stood out
to me. My my first interview for

592
00:38:00.719 --> 00:38:07.480
Letterbox Journal was with Michael Sarnowski,
the director of Pig and that I mean

593
00:38:07.559 --> 00:38:10.360
that I think is a really really
special movie. That's a movie that like

594
00:38:10.440 --> 00:38:14.159
hit me in the heart in a
really deep way. I know, like

595
00:38:14.239 --> 00:38:16.400
Nicholas Cage talks about that being like
his favorite movie of his, which is

596
00:38:16.480 --> 00:38:21.039
awesome. But I also think that
even like when it came out, it

597
00:38:21.079 --> 00:38:23.559
got it got good notice from people, especially people like us that are kind

598
00:38:23.559 --> 00:38:28.079
of in like the paying attention to
the indie movies and stuff like that,

599
00:38:28.119 --> 00:38:30.679
but it really I think even in
the three years since then, it's kind

600
00:38:30.679 --> 00:38:34.039
of like fizzled out a little bit. People don't really talk about it too

601
00:38:34.119 --> 00:38:36.519
much, and like it would have
been great, Like I'm sure I would

602
00:38:36.559 --> 00:38:37.719
have been amazing to talk to Nicolas
Cage about it, but being able to

603
00:38:37.719 --> 00:38:42.480
talk to the director about it and
like talk about what he what was really

604
00:38:42.519 --> 00:38:45.440
important for him to put into that
and like the amount of like empathy and

605
00:38:45.480 --> 00:38:52.760
like understanding of how special like a
day is and how special like the connections

606
00:38:52.760 --> 00:38:58.519
that we have and what it means
to like really have a passion for something

607
00:38:58.719 --> 00:39:01.079
in that film, Nicholas cage Is
character is passionate about cooking. Obviously the

608
00:39:01.119 --> 00:39:05.840
director making is passionate about you know, making movies, and like what all

609
00:39:05.920 --> 00:39:09.440
that entails. Like that, that's
the kind of combo that I really appreciated

610
00:39:09.480 --> 00:39:14.039
being able to have, especially kind
of early into me dealing this stuff,

611
00:39:14.079 --> 00:39:17.039
where I got to have an understanding
that these are the kind of conversations you

612
00:39:17.039 --> 00:39:21.559
can have with people if that's the
kind of stuff you're interested in talking about,

613
00:39:22.320 --> 00:39:25.559
well, and it sets the foundation
for what is to come from somebody

614
00:39:25.599 --> 00:39:30.519
stepping into a new role like you
did. And with that not only not

615
00:39:30.559 --> 00:39:34.280
only the letterbox, but if anybody's
going, oh uh, you know this

616
00:39:34.280 --> 00:39:36.760
this person named Mitchell's about to interview
me. I'll look him up and see

617
00:39:36.760 --> 00:39:37.960
what he's done. And right,
that's what they read and they go,

618
00:39:38.039 --> 00:39:42.559
oh shit, Like he likes to
really get into this. I Okay,

619
00:39:42.599 --> 00:39:45.320
this is gonna be awesome. Like
that means a lot to a lot of

620
00:39:45.360 --> 00:39:47.400
these people. Yeah, yeah,
I think I think so too. I

621
00:39:47.440 --> 00:39:52.679
think that I definitely really do try
to go into like any interview I do,

622
00:39:53.599 --> 00:40:00.559
with just wanting to come at it
from like a more just like a

623
00:40:00.599 --> 00:40:06.679
deeper place of not wanting to have
them to have the same exact conversation that

624
00:40:06.800 --> 00:40:08.519
because a lot of times when you
and this is the thing that I didn't

625
00:40:08.639 --> 00:40:15.440
you know, I couldn't possibly have
comprehended before doing this job, like reading

626
00:40:15.440 --> 00:40:19.239
interviews constantly and whatever. But like
when you're doing these kind of interviews for

627
00:40:19.280 --> 00:40:22.760
the most part, like you're doing
it on a day where the person that

628
00:40:22.800 --> 00:40:27.599
you're talking to is talking to twenty
other people that are interviewing them and asking

629
00:40:27.639 --> 00:40:30.840
a lot of the exact same questions
over and over again. So a lot

630
00:40:30.880 --> 00:40:34.679
of times, like I go into
that kind of stuff like reading an interview

631
00:40:34.800 --> 00:40:37.639
that reading interviews they done before seeing
what the questions they've been getting asked are,

632
00:40:38.159 --> 00:40:42.360
and then like going in with like, Okay, they've been asked this,

633
00:40:43.119 --> 00:40:45.559
how do I take that response that
they had and like go deeper and

634
00:40:45.679 --> 00:40:49.920
like my so my question is like
you said, you know, I read

635
00:40:50.039 --> 00:40:52.360
you say in this interview like this, this and this, could you like

636
00:40:52.400 --> 00:40:55.840
elaborate on this this kind of way
or like that made me think of this

637
00:40:57.239 --> 00:41:00.559
and like go in like a different
deeper direction with it, And so I

638
00:41:00.559 --> 00:41:02.079
think for me, like that's that's
part of my approach and then I mean,

639
00:41:02.119 --> 00:41:07.400
sometimes you're lucky and you do get
to have like conversations with people completely

640
00:41:07.440 --> 00:41:09.280
off of like that junkitty kind of
circuit, and you do get to talk

641
00:41:09.320 --> 00:41:13.679
to them for an hour and like
it's the you know, the one conversation

642
00:41:13.719 --> 00:41:15.559
that they're having that day or whatever, and you can see that they're more

643
00:41:15.599 --> 00:41:20.000
like energized and engaged I know too, like doing that junket stuff. Like

644
00:41:20.000 --> 00:41:23.840
I've had interviews where it's like the
like I'm into the interview at the beginning,

645
00:41:23.960 --> 00:41:25.960
and like I tell them that,
you know, I like I really

646
00:41:27.000 --> 00:41:29.480
admired their work. I'm you know, thanks for taking the time to talk

647
00:41:29.519 --> 00:41:31.760
to me. And they're like this
is you know, I'm really tired.

648
00:41:31.800 --> 00:41:35.760
Like I'm sorry if I don't like, you know, give you what you're

649
00:41:35.840 --> 00:41:38.119
what you're hoping for from this.
And it's like, okay, let me

650
00:41:38.159 --> 00:41:43.239
recalibrate myself and like, you know, try to Like it's a tricky thing

651
00:41:43.239 --> 00:41:47.199
of like meeting people's energies. I
definitely have had times I mean that the

652
00:41:47.239 --> 00:41:52.079
after hours interview, I definitely like
recognized after it was over or even maybybe

653
00:41:52.159 --> 00:41:58.039
like halfway through the interview, like
I came into that with like in my

654
00:41:58.119 --> 00:42:00.119
head, like this is my favorite
movie of all the time. I'm so

655
00:42:00.159 --> 00:42:01.800
excited to talk to them. And
I definitely came in with like way too

656
00:42:01.840 --> 00:42:06.920
high of energy, right, and
like, like ten minutes in, I

657
00:42:07.000 --> 00:42:09.199
like recognize that kind of like I
was, I was coming in too hot,

658
00:42:09.280 --> 00:42:12.920
and like I needed to kind of
recalibrate and like towe myself down to

659
00:42:13.079 --> 00:42:15.920
meet them where they're at. And
so I definitely think that that's something that

660
00:42:16.480 --> 00:42:21.039
I try to pay attention to a
lot, is not letting myself lose sight

661
00:42:21.079 --> 00:42:23.320
of the fact that like whoever I'm
talking to, that's a person that I'm

662
00:42:23.360 --> 00:42:28.199
talking to, Like they're having a
whole experience that day, and so like

663
00:42:28.320 --> 00:42:32.119
I really try to have a conversation
rather than like just trying to milk whatever

664
00:42:32.159 --> 00:42:36.840
I can out of them. Well, and on the job side too,

665
00:42:37.039 --> 00:42:38.800
it's you're trying to do a good
job for people that are going to read

666
00:42:38.880 --> 00:42:44.320
for you and for what you're literally
being paid for, yeah, for for

667
00:42:44.400 --> 00:42:47.119
those interviews. Doing something unique is
really what's going to set that apart,

668
00:42:47.159 --> 00:42:52.519
because on the junket circle, I
mean, nobody wants to hear what's the

669
00:42:52.519 --> 00:42:55.199
main story behind your character twenty five
times one day. And so if you

670
00:42:55.239 --> 00:43:00.400
can bring that one question that they
go, oh shit, like I respect

671
00:43:00.440 --> 00:43:02.480
the hell out of you for even
noticing this that that means a lot to

672
00:43:02.519 --> 00:43:07.519
them. Yeah, definitely. I
mean even like the the Aubrey Plaza thing

673
00:43:07.559 --> 00:43:09.719
is a really good example, the
Delaware thing. Like I had a like

674
00:43:09.760 --> 00:43:14.840
a meeting a while back with this
woman who's like the acting coach of Nicole

675
00:43:14.880 --> 00:43:21.000
Kidman, and she like that interview
happened like two year two and a half

676
00:43:21.039 --> 00:43:22.400
years ago or whatever, the Aubrey
Plaza one, and she was like,

677
00:43:22.760 --> 00:43:25.239
hey, I saw that Aubrey Plaza
interview. I like that was like that

678
00:43:25.280 --> 00:43:29.000
was one of my favorite interviews I've
ever read. And it's like, oh,

679
00:43:29.039 --> 00:43:30.840
like that that actually means a lot. The other day, I interviewed

680
00:43:30.840 --> 00:43:35.519
on Eric Banna, who's an actor
I really love, and I got the

681
00:43:35.599 --> 00:43:39.000
chance, like I pitched it specifically
as like to his publicist, as like

682
00:43:39.039 --> 00:43:44.079
I want to talk like through his
career kind of like go through different films

683
00:43:44.159 --> 00:43:45.280
or whatever. And I was worried
they weren't going to be down for that

684
00:43:45.280 --> 00:43:47.880
because I didn't want them to think
like, oh, like I just want

685
00:43:47.920 --> 00:43:52.000
to talk about Hulk for you know, thirty minutes and not like his new

686
00:43:52.000 --> 00:43:54.360
movie or whatever. But what I
really wanted to do was dive into some

687
00:43:54.400 --> 00:43:58.480
of the deeper cuts. Like I
talked about Lucky You, the Curtis Hanson

688
00:43:58.559 --> 00:44:00.599
movie, which did not get well
we received, but like I've always really

689
00:44:00.719 --> 00:44:05.679
liked and one thing that we talked
about, I love the movie Troy,

690
00:44:06.760 --> 00:44:09.480
like that Troy is my favorite Eric
Bannon movie. And but like I so

691
00:44:09.679 --> 00:44:14.840
like I knew that I had one
chance to maybe ask him a question about

692
00:44:14.920 --> 00:44:19.920
Troy, and so I really honed
in on asking him about the Hector and

693
00:44:19.960 --> 00:44:22.159
Achilles fight, seeing that happens in
Troy, which is I think one of

694
00:44:22.199 --> 00:44:27.960
the best scenes of action cinema of
the last like thirty years. And I

695
00:44:28.079 --> 00:44:30.199
like went in with that, and
like he responded, and like he like

696
00:44:30.239 --> 00:44:32.960
he definitely like lit up, Like
he literally is giving me like prayer hands

697
00:44:34.000 --> 00:44:37.639
as I'm like talking about like why
I love that scene, and then he

698
00:44:37.760 --> 00:44:40.239
like he starts to say and like
when I ask him the question about it,

699
00:44:40.280 --> 00:44:44.039
he kind of answers by starting by
saying, like thanks so much.

700
00:44:44.039 --> 00:44:45.440
Nobody's ever like broken it down like
that, And like that to me,

701
00:44:45.599 --> 00:44:49.159
like, that's like the biggest endorphin
rush that I could ever get, Like

702
00:44:49.199 --> 00:44:52.880
somebody like thanking me for a question
or like a specific angle that I have

703
00:44:52.960 --> 00:44:55.079
on a question, and like it
does not happen every time, which is

704
00:44:55.119 --> 00:44:59.159
fine. I don't expect it to
happen ever, but when it does happen

705
00:44:59.239 --> 00:45:01.719
like that, to me is the
most gratifying experience. We're not going to

706
00:45:01.719 --> 00:45:07.320
think of something to ask you that'll
get that respond No, I genuinely it's

707
00:45:07.440 --> 00:45:12.159
it's something that I've appreciated and can
It's one of those things that you can

708
00:45:12.199 --> 00:45:15.760
sense, even though usually those those
sorts of compliments or feedback is not in

709
00:45:15.800 --> 00:45:21.039
the print interviews, but you can
feel, you can feel the sense of

710
00:45:21.079 --> 00:45:25.039
like this this seems novel to the
celebrity being interviewed. This seems important to

711
00:45:25.159 --> 00:45:30.800
both of them, and the opposite
is also true in these junken interviews.

712
00:45:30.119 --> 00:45:35.320
You can sense this isn't really important
to one of the two partners. It's

713
00:45:35.360 --> 00:45:40.039
somebody that starstruck and somebody that could
not possibly give less of two shits than

714
00:45:40.159 --> 00:45:45.559
what they're spending their time doing with
you. So it it feels invigorating,

715
00:45:45.639 --> 00:45:49.360
it feels amazing and as somebody that's
trying to interview much of my life,

716
00:45:49.480 --> 00:45:53.039
it is it is genuinely inspiring to
read stuff like the Aubrey prop Aubrey Plaza

717
00:45:53.079 --> 00:45:58.280
interview. That is just I mean, it's human at its heart, which

718
00:45:58.360 --> 00:46:00.920
is not something that you can say
about many of these interviews. Think I

719
00:46:00.920 --> 00:46:04.239
really do, like I genuinely,
like, from the bottom of my heart,

720
00:46:04.239 --> 00:46:07.039
appreciate that that that really means a
lot to me because I I especially

721
00:46:07.039 --> 00:46:10.639
as somebody who kind of like I
haven't been doing this at like very long,

722
00:46:10.719 --> 00:46:14.079
Like there are people who have been
doing this a lot longer than I

723
00:46:14.119 --> 00:46:17.079
have, you know, and people
who I respect the hell of Like I

724
00:46:17.079 --> 00:46:22.039
I'm a very like I have imposter
syndrome like out the wazoo, you know.

725
00:46:22.199 --> 00:46:28.159
I regularly think that like I'm garbage, you know, like I'm that

726
00:46:28.239 --> 00:46:30.280
good at any of this stuff,
Like nobody likes anything that I'm doing,

727
00:46:30.480 --> 00:46:34.719
and so like, you know,
not not to like fish for Copplea beds

728
00:46:35.000 --> 00:46:38.000
any way whatsoever, but like that
that obviously, like that that really means

729
00:46:38.039 --> 00:46:43.480
a lot because especially like doing it. I think it is a very like

730
00:46:44.280 --> 00:46:47.639
isolated kind of job to have where
I don't get a ton of feedback other

731
00:46:47.719 --> 00:46:52.159
than like, Okay, my the
place I work for printed the thing that

732
00:46:52.199 --> 00:46:55.360
I did, so like obviously they
thought it was you know. Yeah,

733
00:46:55.400 --> 00:46:59.599
but like you don't, especially like
in this day and age, like social

734
00:46:59.639 --> 00:47:01.639
media being what it is or whatever, you don't get like a ton of

735
00:47:01.639 --> 00:47:05.480
feedback. So a lot of days, like I definitely have like the sense

736
00:47:05.519 --> 00:47:09.039
of like I don't know if anybody's
reading the things that I'm even doing,

737
00:47:09.199 --> 00:47:13.039
let alone, like if they like
it, you know, other than my

738
00:47:13.079 --> 00:47:15.079
mom, who reads and listens to
everything that I do. And I deeply

739
00:47:15.239 --> 00:47:19.880
appreciate that same to my mom.
Thank you mom, by the way,

740
00:47:20.000 --> 00:47:24.360
all you're doing a great job.
Let's uh, let's get back to the

741
00:47:24.400 --> 00:47:29.440
physical media for a minute, because
as somebody that advocates so much about it,

742
00:47:29.679 --> 00:47:31.360
I gotta know what you look for? What are you collecting? What

743
00:47:31.360 --> 00:47:37.880
what are the companies currently exciting you? Yeah, a great question, I

744
00:47:37.880 --> 00:47:42.960
I it's definitely like a lot of
things like I certainly look for, you

745
00:47:43.000 --> 00:47:45.360
know, I mean the titles that
pop for me, the ones that are

746
00:47:45.480 --> 00:47:47.000
you know, the ones that are
like my favorites, getting the four K

747
00:47:47.119 --> 00:47:52.039
release or whatever, getting you know, the the big booklets that I love,

748
00:47:52.079 --> 00:47:55.840
Like I love a booklet essay,
Like I am feverish about booklet essays.

749
00:47:55.840 --> 00:48:00.480
I read them all and so like
anytime, you know, places like

750
00:48:00.559 --> 00:48:05.079
Vinegar Syndrome and like obviously Criterion and
Fun City Editions and stuff like that,

751
00:48:05.119 --> 00:48:07.079
like they're they're doing the radiance is
like doing them on every release, and

752
00:48:07.079 --> 00:48:09.880
I really appreciate that a lot of
like the big ones like Quino Lurber,

753
00:48:10.079 --> 00:48:13.079
they put out so much stuff.
They don't have, you know, that

754
00:48:13.159 --> 00:48:15.960
kind of stuff, and it's something
that I like a lot of what Keno

755
00:48:15.039 --> 00:48:19.760
Lurber does. They're you know,
I mean they're producing you know, like

756
00:48:19.840 --> 00:48:23.719
upgrades and like four k's and everything
like nobody else's business. But like last

757
00:48:23.760 --> 00:48:29.320
year was two hundred and fifty releases
from Yeah, Yeah, they're yeah,

758
00:48:29.519 --> 00:48:32.360
like as far as like kind of
like boutique labels go, like they're producing

759
00:48:32.400 --> 00:48:37.159
like nobody else is. But I
think some of their releases do they don't

760
00:48:37.199 --> 00:48:39.559
have a ton of special features,
Like some of the releases do feel a

761
00:48:39.559 --> 00:48:43.239
little bit lacking to me, even
though like I always appreciate having like the

762
00:48:43.239 --> 00:48:47.239
transfers and stuff like that, but
for me, you you you know,

763
00:48:47.280 --> 00:48:50.480
I just mentioned them. You mentioned
that I talk about them a lot of

764
00:48:50.519 --> 00:48:54.679
Fun City Editions is my favorite label
bar nine, like they are. That's

765
00:48:54.719 --> 00:48:58.960
a label that I pick up every
single thing that they release, like no

766
00:48:59.039 --> 00:49:02.599
matter what. And it was like
that before I even started having the job

767
00:49:02.639 --> 00:49:08.599
that I have, Like I love
everything that they do, the specific kinds

768
00:49:08.639 --> 00:49:13.519
of films that Jonathan, who's been
on your show, who runs the label,

769
00:49:13.599 --> 00:49:16.400
like his specific taste I think is
very much in the ballpark of my

770
00:49:16.559 --> 00:49:22.679
taste as well. But he's found
this really great niche of like every couple

771
00:49:22.760 --> 00:49:27.239
releases will be a Breathless or like
a Party Girl, where it is a

772
00:49:27.280 --> 00:49:30.679
movie that has a little bit more
cultural cachet that people are familiar with,

773
00:49:30.960 --> 00:49:34.199
people like us are really familiar with
and like get really excited about. But

774
00:49:35.159 --> 00:49:37.199
a lot of Fun City Editions releases
are movies that I've never heard of,

775
00:49:37.480 --> 00:49:42.760
and that is extremely exciting for me. When I have a label that I

776
00:49:42.840 --> 00:49:45.960
know and trust like what they're doing
and what they're putting out, and they

777
00:49:45.000 --> 00:49:47.519
put out something that I've never heard
of, I'm like, Oh, I'm

778
00:49:47.519 --> 00:49:53.000
about to discover something. I'll say
Bobby Ross's Heartbreakers was a Fun City edition's

779
00:49:53.039 --> 00:49:58.199
release that I had never heard of. I watched it immediately in my top

780
00:49:58.199 --> 00:50:00.960
twenty of all time, and the
rest, like the restoration work on it

781
00:50:01.000 --> 00:50:05.199
is gorgeous. There's you know,
great special features on, great interviews and

782
00:50:05.199 --> 00:50:07.440
stuff like that, and but yet
just watching it, I'm like, how

783
00:50:07.559 --> 00:50:12.320
is nobody like it's still I think
has less than like two thousand watches on

784
00:50:12.440 --> 00:50:15.760
letterbox even though you know, I
talk about it every god damn chance I

785
00:50:15.760 --> 00:50:20.800
can get and like, I so
stuff like that. It's really exciting for

786
00:50:20.840 --> 00:50:23.079
me. Fun City also did,
like Natural Enemies is one of their releases

787
00:50:23.119 --> 00:50:27.280
that I had never heard of before, and one of my coworkers even was

788
00:50:27.320 --> 00:50:29.719
like, oh, this is an
amazing movie. I've had it all in

789
00:50:29.760 --> 00:50:31.039
like a VHS or like something like
that. You know, I've had like

790
00:50:31.079 --> 00:50:34.880
this old rip of it from somewhere, Like it's a really great movie.

791
00:50:35.039 --> 00:50:38.400
So like I I dropped in on
that. Like Criterion obviously is a huge

792
00:50:38.400 --> 00:50:40.480
one. Like I don't need to, you know, talk about how great

793
00:50:40.519 --> 00:50:45.719
Criterion is. But like they especially
now that they finally have gotten into four

794
00:50:45.800 --> 00:50:50.239
k's, like they definitely were a
little bit late to getting into four k's,

795
00:50:50.880 --> 00:50:53.400
but they've kind of been making up
for it in a really big way,

796
00:50:53.559 --> 00:50:57.880
like half of their releases every month, or four k's The Devil in

797
00:50:57.880 --> 00:51:00.679
a Blue Dress four K, The
After Hours four K, the Lone Star

798
00:51:00.719 --> 00:51:04.320
four K that just came out,
Like they're doing really tremendous work on the

799
00:51:04.360 --> 00:51:08.719
four k's Radiance, which I know
you've had fram on as well. Who

800
00:51:08.840 --> 00:51:13.440
runs Radiance. Radiance similar to Fun
City Editions, I think, is one

801
00:51:13.440 --> 00:51:15.920
where like most of the movies they
put out are ones that I haven't heard

802
00:51:15.960 --> 00:51:20.039
of, like I'm not familiar with, and I just like check out what

803
00:51:20.119 --> 00:51:22.199
the synopsis is, or like I
check out the trailer when Fran drops the

804
00:51:22.239 --> 00:51:25.719
trailer and I'm like, this looks
fantastic, and I pick up. I

805
00:51:27.119 --> 00:51:30.519
think I've picked up every single thing
that Radiance has released too, because I

806
00:51:30.599 --> 00:51:36.079
just trust France days and I have
not regretted any of them. Like and

807
00:51:36.280 --> 00:51:40.320
they go more in a direction of
like the genre stuff, the like European

808
00:51:40.360 --> 00:51:45.239
and like Japanese the genre stuff a
lot that is the kind of stuff that

809
00:51:45.320 --> 00:51:49.800
I normally wouldn't like immediately flock to. Like I very much am like a

810
00:51:50.480 --> 00:51:53.400
like New Hollywood, like eighties grime
kind of like I like, I love

811
00:51:53.400 --> 00:51:57.920
a neo noir, you know,
Emily the Criminal as a neod war Like

812
00:51:57.960 --> 00:52:00.920
I love neo noir. I love
like the ritty kind of crime stuff,

813
00:52:01.400 --> 00:52:05.239
which Fun City Editions does plenty of
that, and so like that's the reason

814
00:52:05.280 --> 00:52:08.320
why you know, I gravitated towards
them initially, Radiance and what like Frans

815
00:52:08.320 --> 00:52:12.559
are doing over there. Some stuff
filters into it, like Miami Blues in

816
00:52:12.599 --> 00:52:15.639
the Hotspot they did, which are
both like neo noirs, which are two

817
00:52:15.679 --> 00:52:19.760
of my favorite movies. But then
yeah, stuff like Big Time Gambling Boss.

818
00:52:19.800 --> 00:52:22.480
Even though Paul Schrader's my favorite director
and has talked, you know,

819
00:52:22.880 --> 00:52:28.280
very enthusiastically about Big Time Gambling Boss
before I had never seen and that was

820
00:52:28.400 --> 00:52:30.360
I think Radiance's first release. I
can't remember if Working Class Goes to Heaven

821
00:52:30.559 --> 00:52:34.480
or Big Time Gambling Boss was their
first release. First Yeah, okay,

822
00:52:34.599 --> 00:52:37.119
so like that and that, I
mean I watched that, I'm like,

823
00:52:37.199 --> 00:52:39.280
oh, like, yeah, this
is where it's at. So like I'm

824
00:52:39.280 --> 00:52:43.079
going to keep picking up everything they're
doing. And then they dropped something like

825
00:52:43.119 --> 00:52:47.599
the the World Noir box set that
just came out is Out of This World

826
00:52:47.599 --> 00:52:52.800
Witness in the City is like I
had never heard of that, even though

827
00:52:52.800 --> 00:52:54.199
it has Leno Ventura in it,
who I really like a lot from like

828
00:52:54.239 --> 00:52:59.599
the Melville movies that he did and
stuff like that and that. Yeah,

829
00:52:59.639 --> 00:53:01.840
the just like a tremendous, tremendous
picture. So yeah, Radiance definitely like

830
00:53:01.920 --> 00:53:06.760
one that is only like a year
old now, but I think has very

831
00:53:06.840 --> 00:53:10.000
quickly risen to you know, the
top of my list of like ones that

832
00:53:10.920 --> 00:53:15.280
every you know, I'm very much
paying attention to when they announced They're going

833
00:53:15.320 --> 00:53:20.159
to drop some new announcements and I'm
like setting an alarm on my phone to

834
00:53:20.280 --> 00:53:22.599
like, you know, be there
right away when when they announced the new

835
00:53:22.679 --> 00:53:30.039
job. Radiance is wild. Fran
is something else. I literally was emailing

836
00:53:30.039 --> 00:53:34.159
with him this morning and just thinking
about what he's done in such a short

837
00:53:34.159 --> 00:53:37.480
period. It's crazy. Yeah,
it is stupid, like the fact that

838
00:53:37.800 --> 00:53:42.800
twenty twenty three was the first Radiance
title and we're sitting here going like,

839
00:53:42.960 --> 00:53:45.719
yeah, they're up there with Criterion
like some of the greats. It is

840
00:53:45.400 --> 00:53:50.639
stupendous what he's been able to pull
off and go ahead. I was I

841
00:53:50.679 --> 00:53:54.039
was gonna say, I love to
fran Fran uses letterbox for Radiance in a

842
00:53:54.079 --> 00:53:59.840
way that I find really compelling,
Like Fran Jonathan too a fun City,

843
00:53:59.880 --> 00:54:04.440
like they are like really following the
letterbox reviews of the movies they put out.

844
00:54:04.519 --> 00:54:09.840
But also Fran on the Radiance letterbox
account recently made a list of films

845
00:54:09.840 --> 00:54:15.320
that he tried to release that for
whatever reason, couldn't make happen, And

846
00:54:15.559 --> 00:54:20.920
in the notes on that list he
explains in detail, like what the things

847
00:54:20.960 --> 00:54:24.880
were that kind of prevented that release
from happening. And I feel like for

848
00:54:24.880 --> 00:54:30.079
for people who collect physical media,
but also people who like are just like

849
00:54:30.119 --> 00:54:35.000
the normal person who isn't super interesting
physical like that, I think that was

850
00:54:35.119 --> 00:54:40.639
really eye opening for like what the
extent that people like Fran and Jonathan everybody

851
00:54:40.679 --> 00:54:45.119
who's like running these labels and working
on these labels, Justina Liberty, you

852
00:54:45.119 --> 00:54:49.000
know, Vinegar syn Drum and now
Cinematograph, which is a very exciting new

853
00:54:49.039 --> 00:54:51.719
label. They put out Little Darlings
in Red Rock Quest, which I think

854
00:54:51.760 --> 00:54:55.920
though both of those releases are tremendous, like just the amount of work that

855
00:54:55.920 --> 00:54:59.960
these people put in every single day
just trying to get like rights to get

856
00:55:00.760 --> 00:55:04.440
or you know, a lot of
the ones on Franz Radiance list are like

857
00:55:04.559 --> 00:55:07.639
ones that you know, he he
got the rights for him, but then

858
00:55:07.800 --> 00:55:13.920
like the the original materials that they
had to try and do the new transfer

859
00:55:14.159 --> 00:55:17.000
just like weren't good enough to be
able to patch it up enough for the

860
00:55:17.079 --> 00:55:22.000
release that he would have been proud
and comfortable with putting out into the world.

861
00:55:22.079 --> 00:55:25.000
And like I respect the hell out
of that. Like there's so many

862
00:55:25.400 --> 00:55:29.519
releases out there where people would just
drop, like they would know that it's

863
00:55:29.599 --> 00:55:31.119
like this isn't the best quality,
but like people will buy it if we

864
00:55:31.159 --> 00:55:34.039
put it out, so like let's
just put it out. But like the

865
00:55:34.119 --> 00:55:37.639
amount of like self respect that you
have as somebody who cares about this art

866
00:55:37.719 --> 00:55:42.960
forum to not put something out if
you're not able to have it be the

867
00:55:42.960 --> 00:55:45.440
best quality version. Like I really
appreciate that there's a lot of fun City

868
00:55:45.480 --> 00:55:50.920
additions releases to some Criterion ones too, where like they have you know,

869
00:55:50.960 --> 00:55:55.480
I always appreciate any like restoration that
has the details of the restoration, you

870
00:55:55.519 --> 00:56:00.159
know, intact at the beginning of
the film when you're watching it on a

871
00:56:00.199 --> 00:56:05.159
Blu Ray. And then especially the
ones like like FCEE and Criterion where like

872
00:56:05.199 --> 00:56:07.119
they they even explain, they kind
of give you a heads up of like

873
00:56:07.440 --> 00:56:12.119
there's some you know, some grainsome
lines and some scenes of this that you're

874
00:56:12.119 --> 00:56:15.360
gonna notice, like we did the
best that we could and like you see

875
00:56:15.360 --> 00:56:17.079
you see them come up and it's
like it gives you, It gives you

876
00:56:17.119 --> 00:56:21.519
like that taxile feeling. It gives
you an understanding of like, oh damn

877
00:56:21.599 --> 00:56:23.840
if most of the movie probably looked
like this when they got it, and

878
00:56:23.880 --> 00:56:29.199
you're always seeing it in like two
scenes, like they put in work to

879
00:56:29.360 --> 00:56:32.119
make like this whole thing look as
good as it looks. That's why,

880
00:56:32.639 --> 00:56:36.119
by far, one of my favorite
things that they put on some of these

881
00:56:36.159 --> 00:56:39.360
discs, and criterions done it sometimes
but not too too often, is the

882
00:56:39.519 --> 00:56:44.079
restoration trailers where they'll show you what
it used to look like and now what

883
00:56:44.119 --> 00:56:47.239
it looks like, and it's it's
mind blowing, like it's it makes me

884
00:56:47.400 --> 00:56:52.679
more confident in giving them money because
I can see that the work is paying

885
00:56:52.719 --> 00:56:57.320
off one hundred percent. Yeah.
The other big thing that I really want

886
00:56:57.360 --> 00:57:01.519
to point out, especially about Fran, that that transparency alone just about that

887
00:57:01.559 --> 00:57:06.800
one list, but he's transparent about
everything, but that one list alone is

888
00:57:07.039 --> 00:57:10.280
an immediate confidence booster and everything I
feel about him, because uh, it's

889
00:57:10.480 --> 00:57:14.719
it's most people would look at those
and go, these are these are not

890
00:57:14.880 --> 00:57:17.159
small titles Like visitor Q is on
there, and that's one that Yeah,

891
00:57:17.239 --> 00:57:21.960
so many people are like wishing for
every single day and for him to be

892
00:57:22.039 --> 00:57:24.280
like, no, we can't or
you know, we tried hard and we

893
00:57:24.280 --> 00:57:29.159
weren't able to secure it. There's
so many reasons on there that is educational

894
00:57:29.199 --> 00:57:31.760
in a really cool, unique way. Yeah, no, I can agree

895
00:57:31.800 --> 00:57:37.519
more I on on that list.
Like, the most bittersweet thing that's probably

896
00:57:37.599 --> 00:57:39.719
happened to me in the last year
is that a few months back, Fran

897
00:57:39.920 --> 00:57:45.719
emailed me and asked me if I
would be interested in writing a booklet essay

898
00:57:45.760 --> 00:57:46.840
for a release that they had in
mind that they thought I would be good

899
00:57:46.840 --> 00:57:50.000
for. And I was like,
hell, yeah, of course, like

900
00:57:50.039 --> 00:57:53.960
just letting me know. And like
a month or so went by and he

901
00:57:54.000 --> 00:57:57.320
hadn't said anything, and I'm like
that's fine. You know a lot of

902
00:57:57.320 --> 00:58:00.320
times like that kind of happens,
where like you get you get asked that

903
00:58:00.400 --> 00:58:01.519
kind of thing and you don't hear
back for a while, especially with physical

904
00:58:01.599 --> 00:58:05.239
media stuff, because it takes such
a long time, and like, right,

905
00:58:05.679 --> 00:58:07.760
the people making these discs like to
try and you know, get the

906
00:58:07.760 --> 00:58:13.119
pieces together well ahead of time,
and there's a lot of development process with

907
00:58:13.159 --> 00:58:16.039
that kind of stuff. But then
like a month passes in Frenant of emails

908
00:58:16.039 --> 00:58:20.199
me and he's like, hey,
like you know, I'm really sorry about

909
00:58:20.199 --> 00:58:23.079
this. I kind of jumped the
gun and got excited. I like wasn't

910
00:58:23.119 --> 00:58:25.719
able, Like the release is just
not going to happen that I had in

911
00:58:25.760 --> 00:58:29.519
mind for like you doing it,
but I'll let you know, like it

912
00:58:29.599 --> 00:58:31.039
was the movie that I had because
I don't want to leave you hanging of

913
00:58:31.079 --> 00:58:34.440
like not even knowing what it was. It was Choose Me, the Alan

914
00:58:34.519 --> 00:58:37.760
Rudolph movie, which is I gave
five stars to like one of my favorite

915
00:58:37.760 --> 00:58:42.320
movies of all time. And so
it's like this really bittersweet moment of like

916
00:58:43.360 --> 00:58:49.639
that's amazing, Like that's that's so
like flattering that he would have had me

917
00:58:49.760 --> 00:58:52.559
write it. It's also like this
huge moment of like because that's only available

918
00:58:52.599 --> 00:58:55.920
on DVD, it's only been available
on DVD, and like I'm like,

919
00:58:57.199 --> 00:59:00.280
oh, the bigger disappointment for me
than I say, is like we came

920
00:59:00.320 --> 00:59:05.719
so close to having a Radiance release
of Choose Beyond Blue ray and then it's

921
00:59:05.760 --> 00:59:09.079
not happening, And that's on Fran's
list as well, where he explains why

922
00:59:09.119 --> 00:59:14.079
it didn't happen and everything, and
yeah, I just yeah, that transparency

923
00:59:14.159 --> 00:59:16.559
and like exactly what you said,
like movies that like you know, because

924
00:59:16.559 --> 00:59:21.760
like you know, there definitely are
some labels that put out like really big

925
00:59:22.679 --> 00:59:28.239
name titles and you watch them and
you're like, maybe, like this,

926
00:59:28.559 --> 00:59:30.159
you you maybe shouldn't have put it
out the way that you put it out,

927
00:59:30.199 --> 00:59:32.159
but you were kind of trying to
rush it out because you knew that

928
00:59:32.199 --> 00:59:35.840
you could get people to buy it
because of the name of the movie.

929
00:59:36.400 --> 00:59:39.159
And so yeah, Visitor Q is
a perfect example of like Frank could have

930
00:59:39.199 --> 00:59:44.360
made, especially for like a small
label, like a micro boutique label like

931
00:59:44.360 --> 00:59:47.000
like Radiance that's still, you know, it just fresh in their second year,

932
00:59:47.119 --> 00:59:52.360
Like that could have funded a lot
of stuff for him for a while,

933
00:59:52.760 --> 00:59:59.159
and to have that respect for what
he's doing and respect for the money

934
00:59:59.159 --> 01:00:02.039
that people are paying for any of
you know, Radiance releases or whatever,

935
01:00:02.239 --> 01:00:07.440
and say like I'm not like I'm
not going to sell people out like that,

936
01:00:07.639 --> 01:00:09.280
Like that ideah, and like you
said, it makes me do all

937
01:00:09.280 --> 01:00:15.039
the more confident in buying the things
that he puts out because I know that,

938
01:00:15.239 --> 01:00:19.599
like, that's the person I'm giving
my money to. Yeah, that's

939
01:00:19.719 --> 01:00:22.599
It's it's so important to find,
especially if you're going to be buying physical

940
01:00:22.599 --> 01:00:27.920
media and you're cognizant about that.
It's important for you to align with people

941
01:00:27.960 --> 01:00:31.000
that are similar to your taste,
similar to your values. And when you

942
01:00:31.079 --> 01:00:37.559
find somebody like fram it's kind of
hard to separate because it's so it's just

943
01:00:37.599 --> 01:00:40.119
it messes so well with everything.
I just want to be supportive of everything

944
01:00:40.159 --> 01:00:45.760
he touches. Yeah, God,
there's so much that I really want to

945
01:00:45.800 --> 01:00:52.079
dive into. One super personal question
that I would love to have answered letterbox

946
01:00:52.119 --> 01:00:57.000
stars. Everybody rates things differently.
How do you rate your movies? So

947
01:00:57.440 --> 01:01:00.800
like, for me, I try
to go into it knowing a movie is

948
01:01:00.840 --> 01:01:05.480
really hard to make and most movies
probably deserve at least a couple of stars

949
01:01:05.519 --> 01:01:08.480
just for being a movie for existing, and then if they try really hard

950
01:01:08.480 --> 01:01:10.559
to make it a shitty movie,
I'll take stuff away. But that's why,

951
01:01:10.719 --> 01:01:14.239
like most of my stuff ends up
at like three and a half.

952
01:01:14.239 --> 01:01:16.239
Hey, they made a movie.
It's pretty good. I couldn't do that,

953
01:01:16.280 --> 01:01:20.559
and that's great. But how do
you choose how to rate your films?

954
01:01:20.960 --> 01:01:24.480
Yeah, yeah, no, that's
yeah. I've talked kind of a

955
01:01:24.480 --> 01:01:28.920
lot recently with like, you know, over the last year my friend's uh

956
01:01:29.000 --> 01:01:30.880
Dan mc and Connor O'Donnell who's the
B Side podcast, who have been on

957
01:01:30.920 --> 01:01:37.159
Incinerator, you know them, like
we were all of a similar age.

958
01:01:37.199 --> 01:01:40.400
We're all in like our mid thirties. And definitely they both work in production,

959
01:01:40.519 --> 01:01:44.679
so they like work actively and like
making stuff so they see how the

960
01:01:44.719 --> 01:01:49.599
sausage is made for for a lot
of things I don't, but in the

961
01:01:49.679 --> 01:01:52.800
job that I have, I definitely
get a you know, better appreciation for

962
01:01:52.039 --> 01:01:55.719
how much work goes into all this
kind of stuff. But I also add,

963
01:01:57.039 --> 01:02:00.960
you know, ostensibly a critic to
some degree and job, and so

964
01:02:00.079 --> 01:02:05.079
like I also don't you know,
want to soft shoo anything, but I

965
01:02:05.440 --> 01:02:09.440
do. I'm at a point in
my life where like most movies I'm watching

966
01:02:09.480 --> 01:02:13.119
and I'm like, I'm watching a
movie, like things could be a lot

967
01:02:13.199 --> 01:02:17.440
worse. Like I just you know, I love movies and so I definitely

968
01:02:17.480 --> 01:02:23.119
am like a little bit more I
don't go below three like too often these

969
01:02:23.199 --> 01:02:28.599
days. And certainly sometimes I see
like like I'll think of a movie,

970
01:02:28.639 --> 01:02:30.639
Like I'll be talking to somebody about
a movie and I'm like, oh,

971
01:02:30.639 --> 01:02:31.360
that movie's kind of out of rated. It is not that bad, and

972
01:02:31.400 --> 01:02:34.280
they'll like look at my letter box
and they're like, you gave it a

973
01:02:34.320 --> 01:02:36.480
two, and I'm like, oh, let me change that, like because

974
01:02:36.480 --> 01:02:38.480
I rated it, like, you
know, seven years ago, when I

975
01:02:38.559 --> 01:02:42.480
was a different person. And that's
one of the frustrating things for me about

976
01:02:42.480 --> 01:02:45.199
something like a letter box. It
is it's flexible, but it is,

977
01:02:45.400 --> 01:02:47.840
as all things on the internet,
it is a little bit permanent, and

978
01:02:47.920 --> 01:02:52.199
so like you know, there there
are definitely times where I see a rating

979
01:02:52.239 --> 01:02:54.719
that I gave before and I'm like, oh, I was way too harsh

980
01:02:54.760 --> 01:02:57.559
on that. I mean, I
was a dick when I was younger,

981
01:02:57.599 --> 01:03:00.440
like for sure, and I definitely
had periods where I was a little bit

982
01:03:00.480 --> 01:03:04.360
snoppy where I'm like, oh that
kind of stuff, like, you know,

983
01:03:04.400 --> 01:03:07.599
I didn't really like that half star. Fuck it, like and like

984
01:03:07.679 --> 01:03:10.519
now I couldn't even tell you the
last time I gave something half a star.

985
01:03:10.880 --> 01:03:14.760
You know. I think that for
the most part, if I don't

986
01:03:14.840 --> 01:03:17.480
like a movie, it's probably like
a two for me, Like it's harder

987
01:03:17.480 --> 01:03:22.480
for me to go lower than a
two because like there's usually at least enough

988
01:03:22.599 --> 01:03:25.440
in there where I'm like I can
see what they were trying to do,

989
01:03:25.719 --> 01:03:30.239
and as long as it's not like
morally reprehensible to me. On like a

990
01:03:30.280 --> 01:03:35.519
base level, I like, I
you know, I'm I'm yeah, I'm

991
01:03:35.679 --> 01:03:40.239
very hesitant to go lower than that. But yeah, for the most part,

992
01:03:40.280 --> 01:03:43.519
I think I would probably I think
if you look at my letterbox like

993
01:03:43.639 --> 01:03:47.239
histogram, the highest I probably do
is like I probably have given the most

994
01:03:47.280 --> 01:03:51.199
like three and a halfs out of
everything, which is a very like a

995
01:03:51.239 --> 01:03:54.079
solid like yeah, that was pretty
good, but not like, you know,

996
01:03:54.679 --> 01:04:00.559
not great or anything. But for
me, I think there are definitely

997
01:04:00.599 --> 01:04:03.559
like people on letterbox who in there
like bio kind of like break down,

998
01:04:03.840 --> 01:04:09.719
Like five is a masterpiece. Four
and a half it is like a masterpiece,

999
01:04:09.760 --> 01:04:13.320
but I saw three things wrong with
it or whatever, like two and

1000
01:04:13.320 --> 01:04:17.000
a half is the like the average
or whatever. I don't have. Like

1001
01:04:17.079 --> 01:04:20.519
for me, rating is like very
much vibes based, like if I come

1002
01:04:20.559 --> 01:04:25.800
out of a movie, I remember
watching Snake Eyes back to Topama for the

1003
01:04:25.840 --> 01:04:29.800
first time, like two two and
a half years ago. I was watching

1004
01:04:29.800 --> 01:04:31.239
it with my roommate. We finished
watching it and they're like, what do

1005
01:04:31.280 --> 01:04:34.119
you rate it? And I'm like
five, Like five, absolutely a five,

1006
01:04:34.440 --> 01:04:36.559
And They're like why it was like
so messy, and I'm like,

1007
01:04:36.960 --> 01:04:43.159
yeah, but it's a five.
So I definitely like a very very vibes

1008
01:04:43.199 --> 01:04:45.639
based. There are times where I'll
come out of a movie thinking like like,

1009
01:04:45.679 --> 01:04:49.440
when I'm out of it, I
will think like, like, I'm

1010
01:04:49.440 --> 01:04:53.760
not somebody who tends to think about
like what I'm ratings, what I'm going

1011
01:04:53.800 --> 01:04:57.000
to raise something as I'm watching it. I know some people kind of like

1012
01:04:57.079 --> 01:05:00.800
that's something programmed into their brain,
and I don't think there's anything wrong with

1013
01:05:00.840 --> 01:05:02.840
that, because I can change,
you know, throughout the course of the

1014
01:05:02.880 --> 01:05:06.199
movie or whatever. But I just
don't really think about that while I'm watching

1015
01:05:06.199 --> 01:05:10.599
a movie. But I'll come out
of it and usually like have an idea

1016
01:05:10.679 --> 01:05:14.559
in my head of like, oh
what that was for me? But I

1017
01:05:14.679 --> 01:05:19.000
tend to not log or write a
review or whatever for usually like a couple

1018
01:05:19.000 --> 01:05:23.159
of days until after I've watched something. So there are definitely times that I'll

1019
01:05:23.280 --> 01:05:26.800
come out of something thinking like that
was probably like a four and a half,

1020
01:05:26.840 --> 01:05:29.039
and then I'll go to like write
a review and I'm like, no,

1021
01:05:29.079 --> 01:05:30.760
it's a like as I'm writing,
I'm like, oh, this this

1022
01:05:30.840 --> 01:05:35.840
is actually this is definitely a five. Yeah. I just recently did a

1023
01:05:35.880 --> 01:05:39.599
show on my channel where we were
talking about the best of the decade so

1024
01:05:39.679 --> 01:05:43.280
far, and I had the exact
same thing with Underwater. And what's weird

1025
01:05:43.440 --> 01:05:46.039
is it kind of feels like there's
been a lifetime since Underwater because that was

1026
01:05:46.559 --> 01:05:50.519
right before the pandemic. Yeah,
and something about my age and the way

1027
01:05:50.559 --> 01:05:54.199
that hit. At the time,
I was like, well, this feels

1028
01:05:54.239 --> 01:05:57.639
like an underwater alien ripoff and that's
it. So three and a half.

1029
01:05:57.719 --> 01:06:00.639
And now I looked back and I
was like, wait, think about this

1030
01:06:00.679 --> 01:06:02.400
movie like once a week. Why
is this only a three and a half.

1031
01:06:02.480 --> 01:06:05.559
That's a good goddamn movie. I
love that movie. Yeah, I

1032
01:06:05.599 --> 01:06:10.719
love that movie too. Oh man, this is uh, this has been

1033
01:06:10.719 --> 01:06:14.440
incredible and really kind of like the
final thing I want to go on here

1034
01:06:14.519 --> 01:06:17.639
is because you're you're attached to Letterbox, which is like I mentioned at the

1035
01:06:17.719 --> 01:06:21.079
very beginning, so to bookend it, it's like the heartbeat of the modern

1036
01:06:21.159 --> 01:06:24.960
film scene for a lot of us
that are around the same age and the

1037
01:06:25.559 --> 01:06:29.920
same sensibilities. You see any trends. Do you see anything with filmmaking that

1038
01:06:30.119 --> 01:06:32.920
is, you know, optimistic for
the next couple of years or you know,

1039
01:06:32.960 --> 01:06:38.559
obviously everybody's always gonna lament about comic
book films when you're talking about stuff

1040
01:06:38.599 --> 01:06:42.079
like this, but not even out
outside of that. Are there any things

1041
01:06:42.119 --> 01:06:45.360
that are exciting to you about about
letterboxed, about the trends behind the movies

1042
01:06:45.400 --> 01:06:49.719
that we're getting. Yeah, I
mean the comic book thing is funny because

1043
01:06:49.760 --> 01:06:53.920
I mean it as as last year
evidence. I think we're starting to see

1044
01:06:53.920 --> 01:06:56.960
a little bit of a pushback on
of it, and I'm very happy about

1045
01:06:56.960 --> 01:07:03.760
that. I definitely think that there
is like a in looking at Letterbox and

1046
01:07:03.800 --> 01:07:09.679
looking at kind of where things are
at, There is like a curiosity that

1047
01:07:10.079 --> 01:07:13.679
is getting more activated. There definitely
is more of like a I mean,

1048
01:07:13.719 --> 01:07:15.800
even you look at the Oscars,
you see something like Drive My Car getting

1049
01:07:15.840 --> 01:07:19.960
nominated for Best Picture, Best Director. This year's tone of interest, you

1050
01:07:19.960 --> 01:07:25.480
know, Getting a Love of Dad
and Admivifall is my favorite movie of twenty

1051
01:07:25.519 --> 01:07:28.719
twenty three, Like by far like
that movie, you know, blew my

1052
01:07:28.800 --> 01:07:31.639
mind. I'm completely obsessed with that
movie, and I think ten years ago

1053
01:07:32.360 --> 01:07:34.480
it would have been the kind of
movie where it's like, you know,

1054
01:07:34.639 --> 01:07:38.840
maybe it still wins the Palm Door, but it's not getting the Oscar nominations,

1055
01:07:39.199 --> 01:07:43.679
and this year it's Picture Director actress
probably gonna win Screenplay. Like I

1056
01:07:43.719 --> 01:07:47.320
think that I and you know,
not to say that Letterbox has anything to

1057
01:07:47.360 --> 01:07:51.119
do with anything like that, you
know, with hitting that sort of level,

1058
01:07:51.159 --> 01:07:56.400
but I do think that there is
something in Letterbox of people having a

1059
01:07:56.480 --> 01:08:00.760
greater curiosity for the kinds of stuff
that is coming out, the kinds of

1060
01:08:00.800 --> 01:08:05.920
stuff that they can find that they
can seek out that's not being marketed like

1061
01:08:05.960 --> 01:08:12.039
crazy. Like I genuinely believe that
Letterboxed is at least partly responsible for skinn

1062
01:08:12.039 --> 01:08:16.359
am Rink getting the distribution deal that
it got, because that's that movie was

1063
01:08:16.399 --> 01:08:19.720
not going to get distributed. It
got leaked on the internet. People on

1064
01:08:19.880 --> 01:08:26.520
letterbox were watching it off of torrents, and it was doing Banana's ratings on

1065
01:08:26.560 --> 01:08:29.680
Letterbox, Like. It was getting
such great ratings on Letterbox that I'm like,

1066
01:08:29.880 --> 01:08:31.279
yeah, somebody's gonna see that and
pick it up, you know,

1067
01:08:31.479 --> 01:08:35.680
And I think that I know for
sure that boutique labels, like from people

1068
01:08:35.680 --> 01:08:39.920
that I've talked to who run boutique
labels, look at letterbox reviews when they're

1069
01:08:39.960 --> 01:08:42.960
considering whether they're going to pick something
up or not, and then look at

1070
01:08:43.000 --> 01:08:46.439
them when you know, the releases
come out and see like what's getting received

1071
01:08:46.479 --> 01:08:49.880
well, and like how that kind
of you know, drives what they're going

1072
01:08:49.960 --> 01:08:54.520
to go after in the future.
And so I definitely think that, I

1073
01:08:54.520 --> 01:08:57.239
mean, we hear it all the
time from filmmakers too, that like they're

1074
01:08:57.359 --> 01:09:03.319
especially like indie filmmakers, younger filmmakers
who and like distributors to who are releasing

1075
01:09:03.359 --> 01:09:08.680
stuff that's not you know, the
Blockbusters or whatever, and they definitely are

1076
01:09:08.800 --> 01:09:13.039
very actively paying attention to like how
people are responding to movies on Letterbox.

1077
01:09:13.960 --> 01:09:15.840
And I think that that's a good
sign because I think, you know,

1078
01:09:15.840 --> 01:09:21.239
there's always rotten apples. There's definitely, you know, some shit bags on

1079
01:09:21.359 --> 01:09:27.000
letterbox, But I think for the
most part, it's a really solid community.

1080
01:09:27.039 --> 01:09:30.239
I think it's a really positive community. I think it's genuinely a community

1081
01:09:30.239 --> 01:09:32.560
of people who love film. I
think that most people who have a letterbox

1082
01:09:32.600 --> 01:09:39.079
account and are reviewing and logging movies
regularly, are doing it because they really

1083
01:09:39.119 --> 01:09:43.159
love movies. And so I think
that the stuff that's trending on there,

1084
01:09:43.199 --> 01:09:45.840
and like the way that you kind
of see that stuff get built up is

1085
01:09:45.039 --> 01:09:50.359
from people who love movies and like
really want this business and this art form

1086
01:09:50.479 --> 01:09:56.199
to thrive. And I hope that
in some kind of small or large way

1087
01:09:56.720 --> 01:10:00.800
that helps influence the kind of movies
that are coming out are getting attention.

1088
01:10:01.159 --> 01:10:04.640
I mean that that was an excellent
way to answer that. There's so much

1089
01:10:04.760 --> 01:10:11.600
about just the way that a lot
of these people that are, you know,

1090
01:10:11.680 --> 01:10:15.079
watching like eight hundred movies a year, that you know, they put

1091
01:10:15.119 --> 01:10:18.640
so much work into their reviews,
and it's they're just genuinely trying to share

1092
01:10:18.640 --> 01:10:21.920
a passion for a movie that most
people haven't seen. And when you're watching

1093
01:10:21.960 --> 01:10:26.520
eight hundred movies a year, most
of them are going to be unseen films

1094
01:10:26.560 --> 01:10:30.000
by most of the zeit guys.
So I'm just so I'm so impressed for

1095
01:10:30.039 --> 01:10:32.520
the people that put the work into
this. I'm so impressed for the people

1096
01:10:32.560 --> 01:10:35.960
behind the tool. I mean,
we didn't even get to talk about the

1097
01:10:36.000 --> 01:10:41.159
podcast. There's so much that we
could have got into here. All all

1098
01:10:41.159 --> 01:10:44.000
of Mitchell's links are going to be
in the description below. Go follow their

1099
01:10:44.039 --> 01:10:48.720
stuff, Go go read the editorials, Go listen to the podcast. Please

1100
01:10:49.199 --> 01:10:54.239
support them and everything and everything that
they do, because Mitchell, you are

1101
01:10:54.600 --> 01:10:58.359
You're doing incredible work, and I'm
just insanely proud of where you've come in

1102
01:10:58.399 --> 01:11:01.000
a very short period of time and
just happy to see what you've you've done

1103
01:11:01.000 --> 01:11:05.319
to genuinely influence film culture. Thank
you that, Yeah, that means so

1104
01:11:05.399 --> 01:11:08.600
much. And I mean, likewise, you know, I told you before

1105
01:11:08.640 --> 01:11:10.800
when we were setting this up,
like I'm a really big fan of the

1106
01:11:10.800 --> 01:11:13.840
podcast. I love you know,
I love physical media. Like physical media,

1107
01:11:13.880 --> 01:11:15.800
as I said, is you know, my greatest passion. And so

1108
01:11:15.199 --> 01:11:19.680
the stuff that people like you,
that you know, are doing to push

1109
01:11:19.720 --> 01:11:24.479
physical media to really like raise the
awareness and keep like the physical media community

1110
01:11:24.760 --> 01:11:28.199
alive, I think is really important. And definitely, you know, I'm

1111
01:11:28.239 --> 01:11:30.920
always watching and paying attention to what
you guys are talking about. Needs the

1112
01:11:30.920 --> 01:11:34.319
world keep doing what you're doing.
Thank you for doing this and hopefully we

1113
01:11:34.359 --> 01:11:39.239
can have another one someday for sure. Thank you for listening to the Disconnected

1114
01:11:39.279 --> 01:11:42.199
podcast. There's one big thing that
you could do to help the show,

1115
01:11:42.319 --> 01:11:45.399
and that is to leave a rating
and review on the podcast service of your

1116
01:11:45.479 --> 01:12:17.359
choice. Thank you tell me.
If you're looking for more horror outside of

1117
01:12:17.399 --> 01:12:23.800
the mainstream, look no further than
Unsung Horrors, a podcast about underseen horror

1118
01:12:23.840 --> 01:12:28.840
movies. I'm Lance and I'm Erica. Every other week we'll cover a horror

1119
01:12:28.920 --> 01:12:31.960
movie with fewer than one thousand views
on Letterboxed. We'll even give you double

1120
01:12:32.000 --> 01:12:36.760
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1121
01:12:36.880 --> 01:12:42.359
video, from slashers to comedies,
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01:12:42.439 --> 01:12:45.479
all the subgenres. So join us
as we unearth these hidden gems of horror.

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01:12:46.000 --> 01:12:50.279
Follow us on Instagram, Twitter,
and Facebook. All at Unsung Horrors,

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01:12:50.520 --> 01:12:56.680
available wherever you listen to podcasts,
and part of the Someone's Favorite Productions

1125
01:12:56.760 --> 01:12:57.840
podcast network.

