1 00:00:00,720 --> 00:00:52,280 Y don't know yah, don't h h right, you don't all pay that 2 00:00:52,640 --> 00:00:58,880 suit to be right, I'll go suit with the time. Boys, look 3 00:00:58,960 --> 00:01:07,000 like you'll meet your faith to take place the from the skin right the fo 4 00:01:07,239 --> 00:01:12,040 you cross, don't take the very thing is it makes you keep your legging 5 00:01:14,680 --> 00:01:34,239 the life of thought, fight and your lack off those two day low on 6 00:01:34,480 --> 00:01:44,760 your ass, my no mo the wam and therass no noise fingering from so 7 00:01:46,480 --> 00:01:59,439 no mon, don't no number me from the line now non' no no me. 8 00:02:00,040 --> 00:02:22,719 I'm on the line, but they don't exported to your heir by the 9 00:02:22,919 --> 00:02:28,960 fact of brid to tad Right, this guy's on the phrase. Don't pray 10 00:02:29,240 --> 00:02:38,199 away like the reason for the sad pridd the silence probably high the line great 11 00:02:38,319 --> 00:02:47,280 attune, Wait till the sun of for fill time. Wait wasting my facing 12 00:02:47,680 --> 00:03:07,560 life at wool. Blow your reads, don't bottle wood the wine and the 13 00:03:07,759 --> 00:03:20,479 rat all the nooying from sule, don't bote, don't don't trouble beans bumbles, 14 00:03:22,479 --> 00:05:35,439 don't bow, don't runs me, don't double beans, bumble who no 15 00:05:38,560 --> 00:05:46,439 no make no bo see no way in the ras. No noise you can 16 00:05:46,600 --> 00:06:00,920 make bring from so don't don't don't, don't be from no, don't know 17 00:06:01,360 --> 00:07:03,519 me, not even scimes lot of no LI series. It's not Deamon's line 18 00:07:04,240 --> 00:07:50,199 and that nothing else. Rocking sous the clock sun slow off behind just side 19 00:07:50,680 --> 00:08:16,360 not can't nothing. That is the class, sound said dons who sound? 20 00:08:39,559 --> 00:09:09,559 This is the class, said John, Why thou I want to know this 21 00:09:09,639 --> 00:09:43,720 too much? To those of this ex much you got samples, sus s 22 00:09:45,440 --> 00:10:22,639 s s. Come on down to the Hop Knot at one thousand Elm Street, 23 00:10:22,840 --> 00:10:26,399 Manchester's premiere Kraft Beer and Gourmet Pretzel Bar. Tell us more Trudi. 24 00:10:26,559 --> 00:10:31,159 We make our dough fresh every day. We make a variety of styles of 25 00:10:31,200 --> 00:10:35,399 pretzels and serve Kraft Beer, cocktails and a few bottles of wine. We 26 00:10:35,519 --> 00:10:39,759 do the traditional pretzel and we have multiple flavors for that. We also do 27 00:10:39,879 --> 00:10:43,840 stuffed pretzels, pretzel sandwiches, free dessert pretzels and pretzel knots. The Hop 28 00:10:43,879 --> 00:10:48,679 Knot and the Brady Sullivan Plaza at one thousand Elm Street. 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Here on Mugget Square and trying to see 52 00:13:50,240 --> 00:13:56,799 mimies by a really light and fair and a livelihood to be denied. Mother 53 00:13:56,919 --> 00:14:03,440 ran a son so glass and steel. The city is on the side, 54 00:14:07,799 --> 00:14:26,399 tear it down too fast, You move too fast for simple man like me. 55 00:14:28,240 --> 00:14:31,480 I worked hard. I have a light on the south side just to 56 00:14:31,600 --> 00:14:37,000 raise my family, my business school up town in the market square, with 57 00:14:37,200 --> 00:14:43,120 life savings down. The city says, tear it down, give it on 58 00:14:43,360 --> 00:15:03,679 to the bej slop the colts do slope for a common man like me. 59 00:15:03,600 --> 00:15:07,360 All my friends set stay on. The judge said, you know, and 60 00:15:07,559 --> 00:15:11,639 I'm gone. The side of the spree. One by one, man of 61 00:15:11,759 --> 00:15:16,360 the shop stolls down here my bucket square. I'm losing ground. The one 62 00:15:16,480 --> 00:15:24,320 given will lay it down. We'll get it on to bigg God. The 63 00:15:24,480 --> 00:15:28,080 merchants here on the bucket square. I'm trying to save my niece. Is 64 00:15:28,159 --> 00:15:35,159 Amy is really right? Breathing fair? All my livelihood the pig and night, 65 00:15:35,440 --> 00:15:41,440 while the renaissance up the glass and steel the city is of this side, 66 00:15:45,679 --> 00:16:36,080 the tearing down night too much and told too much more broken bun like 67 00:16:36,279 --> 00:16:41,039 me? How my bank accountsil i a empty? These are holding by. 68 00:16:41,840 --> 00:16:45,879 We give him thirty eight days. It's not a minute anymore. In my 69 00:16:45,120 --> 00:16:49,679 bucket square, I gotta pose my doors. Makes no sense if one of 70 00:16:49,919 --> 00:16:59,919 me gotta go to work more me b I merchant y off bucket squash right, 71 00:17:00,120 --> 00:17:04,640 just say my MEAs buy was it really light or even fair? All 72 00:17:04,720 --> 00:17:11,880 my livelihood to feed to nine for the renaissance of class and steel, the 73 00:17:12,079 --> 00:17:40,759 cities on the serez, Oh, that is so good, merchant on market 74 00:17:40,880 --> 00:17:44,440 square. The great lou Antonucci who is here with us. We're going to 75 00:17:44,680 --> 00:17:48,519 bring him in in just a moment. But this is Matt Connorton unleashed as 76 00:17:48,559 --> 00:17:52,599 we uh, we are well into our third hour Newmerow Trace on this Saturday 77 00:17:52,680 --> 00:17:56,599 morning. It is Saturday, March thirtieth, twenty twenty four, and we 78 00:17:56,759 --> 00:18:00,240 are live from the studios of w m n H ninety five point three FM, 79 00:18:00,640 --> 00:18:04,440 Inglorious Downtown Manchester, New Hampshire, and of course also streaming. You 80 00:18:04,519 --> 00:18:10,039 can for all your live streaming options social media links, contact infosho, archives, 81 00:18:10,039 --> 00:18:11,799 et cetera, et cetera. You can go to my website Matt Connorton 82 00:18:11,839 --> 00:18:15,319 dot com and uh, we've got uh let me go ahead and bring that 83 00:18:15,480 --> 00:18:18,559 mic up. Lou has been on the show before. But it's wonderful to 84 00:18:18,599 --> 00:18:22,359 have you back, and I do love that song. Yeah, it's great 85 00:18:22,359 --> 00:18:26,400 to be back, Matt, thanks for having me. And this time I 86 00:18:26,480 --> 00:18:30,160 get to meet Jen who was not here last time I was here. That's 87 00:18:30,279 --> 00:18:33,960 right, so great to be back. And yeah, I'm you know, 88 00:18:33,960 --> 00:18:37,480 I'm plag you like that song. That's one of my favorites too, at 89 00:18:37,599 --> 00:18:41,319 least of all of the songs that I've done. Yeah, absolutely, no, 90 00:18:41,440 --> 00:18:47,599 that's that's really good and the story behind it that you told last time 91 00:18:47,680 --> 00:18:49,759 too, And I encourage people to go back and listen to the story behind 92 00:18:49,759 --> 00:18:56,799 it was was really interesting. But you've got you've got something new that you're 93 00:18:56,200 --> 00:19:00,720 or well you did talk about it before the last time you're on with us, 94 00:19:00,759 --> 00:19:03,319 but I think it was in the early stages of doing this. Yeah, 95 00:19:03,359 --> 00:19:06,640 it was. We just just started it up. It's a it's a 96 00:19:06,680 --> 00:19:10,519 stage show that I do called You, Me and Harry. Okay, it's 97 00:19:10,559 --> 00:19:15,160 a uh pretty much, it's pretty much a tribute to Harry Chapin. Okay, 98 00:19:15,480 --> 00:19:18,279 really, I like to call it a celebration of his story songs. 99 00:19:18,400 --> 00:19:23,359 And we've been doing a few shows already. We've done shows in Pennsylvania, 100 00:19:23,440 --> 00:19:27,839 shows in Vermont, and I got a couple coming up here very shortly in 101 00:19:27,960 --> 00:19:34,480 Maine and New Hampshire. Okay, okay, very cool. What uh what 102 00:19:34,759 --> 00:19:38,440 was it that motivated you to do to do this the Harry Chapin. Well, 103 00:19:41,039 --> 00:19:45,119 you know, growing up, I had a lot of musicians that I 104 00:19:45,680 --> 00:19:49,359 that I was into and uh, you know, Jim Crochey, James Taylor, 105 00:19:49,920 --> 00:19:53,240 the Beatles, Crosby Stills, and Nash. But I think the one 106 00:19:53,359 --> 00:20:00,519 artist that impacted me the most in how I write music and how I approach 107 00:20:00,640 --> 00:20:04,240 music with Harry Chapin. Yeah, and so many years. I mean, 108 00:20:04,799 --> 00:20:14,119 it wasn't long after his untimely death that I had planned to do a tribute 109 00:20:14,160 --> 00:20:18,440 show when I was back in Pittsburgh, Pennsylvania. Wasn't able to do it 110 00:20:18,519 --> 00:20:26,039 at the time. And however, you know, fast forward fifty years and 111 00:20:26,200 --> 00:20:33,240 here I am today and finally retired from my day job and just doing music 112 00:20:33,319 --> 00:20:37,000 full time, and you know, decided, hey, now's the time to 113 00:20:37,039 --> 00:20:41,599 put this show together and have some fun with it. So that's really it. 114 00:20:41,799 --> 00:20:45,799 I found. There's still a lot of a lot of Harry Chapman fans 115 00:20:45,839 --> 00:20:51,359 out there, oh yeah, yeah. And you know, I'm a member 116 00:20:51,440 --> 00:20:57,000 of a few Harry Chapin groups on Facebook, and you know, there's I 117 00:20:57,160 --> 00:21:02,359 know, there's probably a few of my chape and Nite friends from one of 118 00:21:02,440 --> 00:21:06,920 those groups even joining us online today. So you know, because of that, 119 00:21:07,680 --> 00:21:12,519 and Harry would always do whether he was with his band or even if 120 00:21:12,519 --> 00:21:17,160 he played solo, he did a lot of solo shows. He would his 121 00:21:17,240 --> 00:21:19,519 shows were very intimate. He could have five thousand people in the audience, 122 00:21:21,039 --> 00:21:23,680 but he was very close to his audiences and very intimate. And that's what 123 00:21:23,799 --> 00:21:29,640 I try to emulate in these shows. Most of them. I do at 124 00:21:29,759 --> 00:21:33,640 small venues fifty to sixty seats. Oh wow, And that's it. It's 125 00:21:33,720 --> 00:21:37,960 just you know, the reason it's called me, you and Harry is because 126 00:21:38,000 --> 00:21:41,839 that's all there is. It's me, my guitar and the audience. Yeah. 127 00:21:42,000 --> 00:21:47,680 We run through a litany of Harry's tunes. Oh very nice, very 128 00:21:47,759 --> 00:21:53,720 nice. How many do you do? Oh gosh. And in the course 129 00:21:53,759 --> 00:22:03,400 of the show there's probably about party you know tunes. I probably go through 130 00:22:03,519 --> 00:22:07,599 about twenty five of them. Yeah, it all depends on the audience. 131 00:22:07,720 --> 00:22:11,519 Sometimes a show, instead of being an hour and forty five minutes, could 132 00:22:11,599 --> 00:22:15,279 end up being two hours and fifteen minutes. So yeah, but I do 133 00:22:15,480 --> 00:22:21,519 probably, you know, between twenty five and thirty Okay, okay, do 134 00:22:21,519 --> 00:22:23,640 you want to you want to play play something for us? Sure? Sure. 135 00:22:26,039 --> 00:22:32,440 You know, Harry was known to run the spectrum of emotions in his 136 00:22:32,680 --> 00:22:37,039 in his songs that I think that's why I'm so attracted to it. This 137 00:22:37,240 --> 00:22:45,079 particular song I'll do here, it's not it's not necessarily rooted in a personal 138 00:22:45,200 --> 00:22:51,720 experience of his, but more just written from the perspective of feeling pity for 139 00:22:51,880 --> 00:22:56,319 oneself. Okay, you know, if you've ever been dumped. Have you 140 00:22:56,400 --> 00:22:57,880 been dumped? Oh I believe it or believe it or not it? Yeah, 141 00:22:59,400 --> 00:23:02,599 yeah, I've I woul admit that. You know, when you go 142 00:23:02,720 --> 00:23:07,440 through probably the first couple of days of just self pity, you know, 143 00:23:07,599 --> 00:23:11,359 along with anger. But and in that time you might try to drown your 144 00:23:11,480 --> 00:23:18,240 sorrows with a little bit too much adult beverage, if you will. And 145 00:23:18,440 --> 00:23:21,559 so this this song kind of relates to that. Now, the name of 146 00:23:21,640 --> 00:23:26,000 the song is called if My Mary were here, but the song is not 147 00:23:26,240 --> 00:23:32,400 necessarily about Mary. It's really about that person we all have that can pick 148 00:23:32,519 --> 00:23:37,599 us up when we go through those bad times. That special friend could even 149 00:23:37,680 --> 00:23:41,119 be a past girlfriend or a boyfriend, right like for you, it's probably 150 00:23:41,200 --> 00:23:45,880 Jen that picks you up when you get down, right. So this one's 151 00:23:45,920 --> 00:24:02,039 called if My Mary were here, all right, mm hmm, well not 152 00:24:02,400 --> 00:24:10,000 he's the stone if my may we're here, and they don't think I'd phone 153 00:24:10,160 --> 00:24:18,240 you if Mery were here. On the side Sackson Galad whose swords around his 154 00:24:18,480 --> 00:24:26,519 knees with the grind no along the hole and the prayer that's saying please, 155 00:24:26,680 --> 00:24:37,519 I would not be alone if my Mary were here. She took off Lord 156 00:24:37,680 --> 00:24:52,839 I'm lost. Noh, don't think I'd be drinking. If my Mary were 157 00:24:52,960 --> 00:24:59,880 here and they know word, I'd be thinking. If Mey were here, 158 00:25:00,079 --> 00:25:08,200 we'll be wrapping up barb link full of cheadar cheese and wine back in up 159 00:25:08,440 --> 00:25:17,480 Park camp, with the Rondevo in mind, and with picnic out in Lincoln 160 00:25:17,759 --> 00:25:27,759 Park. If Mary were here. But she split so I got late. 161 00:25:32,400 --> 00:25:40,160 I'm sorry that I called you in the middle of the night, but you're 162 00:25:40,599 --> 00:25:48,279 the one who listens when I need a little life. I know we haven't 163 00:25:48,559 --> 00:25:55,359 talked since I dropped you in the turn. I know we are not by 164 00:25:55,680 --> 00:26:11,200 lady, and now the baby our hear I will tossing my troubles when my 165 00:26:11,640 --> 00:26:19,240 MARYA was here, bottom lost inside the rubble one. Cosmeer is not here, 166 00:26:21,559 --> 00:26:26,559 soap, Could I come on over with my heart in my hand? 167 00:26:27,839 --> 00:26:40,079 BA see it on the yorkill over like rostyoting can I'm drunken seeing double Cosmerror 168 00:26:40,279 --> 00:26:52,079 is not here once again, Be the friend that you've been and take me, 169 00:27:00,000 --> 00:27:18,759 Please take me, m m. That sounds fantastic, fantastic. Yeah, 170 00:27:19,359 --> 00:27:22,880 if you're just joining us. Lou Antonucci is here with us, and 171 00:27:23,200 --> 00:27:27,079 uh, he's got this new show. Is it all Harry Chapin songs? 172 00:27:27,119 --> 00:27:30,720 By the way, it's it's all Harry. There's one song that I do 173 00:27:30,960 --> 00:27:36,400 that's not a Harry Chapin song. There is one Oh Lou Antonucci song, 174 00:27:36,519 --> 00:27:40,640 oh Okay that I do, and I kind of wrote it about an experience 175 00:27:40,720 --> 00:27:45,599 that happened to me over at the the Copper Door in in uh in Bedford 176 00:27:45,680 --> 00:27:48,720 one evening when I was singing, and that's and it's called message from Harry. 177 00:27:49,039 --> 00:27:52,559 Yeah, so I do that one as well. But that's the only 178 00:27:52,799 --> 00:27:56,839 uh, non Harry tune in the song, yeah, and in the in 179 00:27:56,920 --> 00:27:59,839 the show. Excuse me now. The one coming up on April sixth, 180 00:27:59,880 --> 00:28:03,000 that's not the first one you've You've already done a couple, right, or 181 00:28:03,000 --> 00:28:07,000 a few done a couple. I did one in Pennsylvania outside of Pittsburgh in 182 00:28:07,039 --> 00:28:12,039 Brownsville, Pennsylvania, and one in Vermont up at Stage thirty three Live in 183 00:28:12,160 --> 00:28:18,759 VERMONTKA. This one coming up April sixth, a week from today, at 184 00:28:18,839 --> 00:28:23,400 seven pm, is in Freeport, Maine. It's at a club called Cadenza. 185 00:28:23,799 --> 00:28:27,880 Okay, not craw Denza like the furniture, but yeah, Cadenza like 186 00:28:29,000 --> 00:28:33,680 a solo in the middle of a musical composition. Great, great little listening 187 00:28:33,759 --> 00:28:40,599 room fifty to sixty people. And for those who don't know, when you 188 00:28:40,680 --> 00:28:44,880 say listening room, what's the difference between that and say a venue in the 189 00:28:45,640 --> 00:28:48,160 sense that most people would think of it. Well, listening roomly is typically 190 00:28:48,400 --> 00:28:55,200 is a lot smaller than you know, say someplace like Tupelo Music Hall that 191 00:28:55,279 --> 00:28:59,920 has seven or eight hundred seats. Yeah, usually fifty two hundred seats, 192 00:29:00,559 --> 00:29:03,799 and it's there for listening. You're not going there to drink beer, although 193 00:29:03,839 --> 00:29:07,519 you can get refreshments, sure, okay, You're going there to sit down 194 00:29:07,640 --> 00:29:14,359 and listen primarily to original artists, right, And musicians love it. I 195 00:29:14,519 --> 00:29:17,559 love it because when you're on stage, you can hear a pin drop, 196 00:29:18,079 --> 00:29:21,160 you know. I'm so used to playing at the clubs around the area here, 197 00:29:21,240 --> 00:29:23,559 the restaurants, and it's all the background noise, the you know, 198 00:29:23,759 --> 00:29:29,039 the dishes, the drinks, the people talking and there. It's just it's 199 00:29:29,160 --> 00:29:33,160 wonderful to have an audience that comes to listen and appreciate the music. So 200 00:29:33,279 --> 00:29:37,279 that's really that's what I referred to when I say listening room. Now, 201 00:29:37,359 --> 00:29:41,720 this particular clubs owned by a gentleman Alan Mooney is the owner there. Great 202 00:29:41,799 --> 00:29:45,920 guy. He and his wife started this place up. They bring in a 203 00:29:45,000 --> 00:29:52,440 lot of national touring singers songwriters as well as local artists. We're doing the 204 00:29:52,480 --> 00:29:59,400 show up there and also at all my shows. This show next week is 205 00:29:59,519 --> 00:30:04,799 to benefit fit the Freeport Community Services Food Pantry. Okay, you know part 206 00:30:04,839 --> 00:30:11,079 of this show, the whole concept was around carrying on Harry Chapin's focus on 207 00:30:11,240 --> 00:30:15,759 fighting hunger. So at this particular venue, that's where we're taking donations and 208 00:30:17,200 --> 00:30:22,680 nonperishable food items at the door for the local food pantry there as well. 209 00:30:22,799 --> 00:30:25,400 Oh that's really cool. Yeah, that's really cool. That was so that 210 00:30:25,519 --> 00:30:27,359 was something Harry Chapin was was passionate. Oh yeah, he was big in 211 00:30:27,440 --> 00:30:32,759 it. He he started the World Hunger Organization and I didn't know that. 212 00:30:32,839 --> 00:30:34,720 Oh yeah. And he you know, in the last three years of his 213 00:30:34,880 --> 00:30:41,279 life he personally donated three million dollars the charitable you know functions primarily having to 214 00:30:41,359 --> 00:30:49,200 do with feeding hungry people, which back then late seventies earlier, that was 215 00:30:49,559 --> 00:30:53,799 quite a lot of money. Yeah. Yeah, and so his his effort 216 00:30:53,880 --> 00:31:00,160 still carries on. You've got the Harry Chapin Foundation and a number of other 217 00:31:00,359 --> 00:31:06,400 organizations that have really blossomed and work to help fight food hunger. Yeah, 218 00:31:06,519 --> 00:31:11,039 yeah, well it's remarkable. You want to play another Harry Chapin. Sure 219 00:31:11,559 --> 00:31:15,559 you know one thing, excuse me. One of the things that we do 220 00:31:15,279 --> 00:31:21,759 I do in the show also is I delve into a lot of the backstories 221 00:31:22,240 --> 00:31:26,119 of the music. So it's more than just me sitting down and rattling off 222 00:31:26,200 --> 00:31:30,440 twenty four songs. Yeah, it's it's it's more of a lot of how 223 00:31:30,680 --> 00:31:36,279 this song was written, how it came about this one. Harry was involved 224 00:31:36,319 --> 00:31:41,119 quite a bit with children. You may remember, I don't know, Matt, 225 00:31:41,319 --> 00:31:45,279 you may be too young to remember. Harry's brother Tom shape and used 226 00:31:45,319 --> 00:31:52,079 to have a show on Saturday mornings called Make a Wish. It was it 227 00:31:52,200 --> 00:31:56,519 was a children's show and he played guitar and sang songs and it was all 228 00:31:56,640 --> 00:32:00,759 to educate children about a lot of different subjects. Harry wrote one hundred and 229 00:32:00,920 --> 00:32:09,279 sixty songs for that show, songs like rain and Sky and Red and Blue, 230 00:32:10,920 --> 00:32:17,039 and so he was pretty much in tune with children and their development. 231 00:32:17,119 --> 00:32:22,839 With you will if you will at young young age, and there's been a 232 00:32:22,880 --> 00:32:29,640 lot of studies done about how when a child is developing early ages, you 233 00:32:29,720 --> 00:32:34,000 know, their brain has the ability to just absorb everything and that can be 234 00:32:34,079 --> 00:32:38,440 extremely creative and artistic. But the studies have also found out that that stops 235 00:32:38,960 --> 00:32:44,200 at a point, or at least slows down considerably, and that's when they 236 00:32:44,279 --> 00:32:49,680 start to go to school. Why is that because they they run into structure, 237 00:32:49,720 --> 00:32:52,839 they run into organization, they run into rules, and that starts to 238 00:32:52,920 --> 00:33:00,400 stifle some of that creativity. Well, Harry tells the story. His story 239 00:33:00,400 --> 00:33:04,640 has been told a couple of different ways, but he tells this story about 240 00:33:05,559 --> 00:33:09,240 how there he and his wife were having dinner with a couple friend one night 241 00:33:09,839 --> 00:33:15,559 and the woman mentioned that her son came home from school and on his report 242 00:33:15,680 --> 00:33:22,319 card there was a note at the bottom that said, your son definitely marches 243 00:33:22,480 --> 00:33:27,680 to a different drummer, but don't worry, we'll have him write in step 244 00:33:27,759 --> 00:33:30,440 with the band by the end of the term. So Harry got a little 245 00:33:30,440 --> 00:33:35,599 ticked off at that, right, So, and he and he wrote this 246 00:33:35,759 --> 00:33:37,519 song and it's a favorite and a lot it was a favorite a lot of 247 00:33:37,559 --> 00:33:44,839 his shows. It's called Flowers Are Red. All right, Wait a minute, 248 00:33:45,920 --> 00:33:55,000 Okay, there we go. We'll get in the right key. I'm 249 00:33:55,039 --> 00:34:12,159 playing it like a playing it like a student. Herem there we go. 250 00:34:15,119 --> 00:34:19,960 All little boy went first day of school, got some Koreans and he started 251 00:34:20,039 --> 00:34:25,039 to draw. He could call us all over the paper for colors was what 252 00:34:25,239 --> 00:34:30,000 he is solved? And the teachers said, what you doing, young man? 253 00:34:30,599 --> 00:34:35,760 I'm painting flowers, he said. She said, it's not the time 254 00:34:36,239 --> 00:34:40,119 for our young man, and anyway, flowers are green and red. There's 255 00:34:40,159 --> 00:34:46,519 a time for everything, young man. We should be done. You got 256 00:34:46,599 --> 00:34:53,320 to show concern for everyone else or your naughty only one. And she said, 257 00:34:53,960 --> 00:35:00,519 flowers are red, young man, green leaves the green. There's no 258 00:35:00,880 --> 00:35:07,119 need to see flowers any all the way and the way they always have been 259 00:35:07,280 --> 00:35:13,199 seen. But the little boy said, there are so many colors in the 260 00:35:13,760 --> 00:35:19,920 rainbow, so many colors in the morning sun, so many colors in the 261 00:35:20,480 --> 00:35:37,000 flower and I see everyone. Well. The teacher said, you're sassy. 262 00:35:37,000 --> 00:35:43,840 There's a wayse that things should be. And you'll pay flowers the way they 263 00:35:43,920 --> 00:35:50,519 are, so repeat after me, and she said, flowers are red, 264 00:35:50,679 --> 00:35:57,719 young man, green leaves are green. No need to see flowers any all 265 00:35:57,800 --> 00:36:01,719 the way and the way they all ways have been seen. What the little 266 00:36:01,800 --> 00:36:09,440 boys said, there are so many colors in the rainbow, so many colors 267 00:36:09,519 --> 00:36:15,519 in the morning sun, so many colors in the flower, and I see 268 00:36:15,880 --> 00:36:31,400 every one now. The teacher put him in a corner. She said, 269 00:36:31,559 --> 00:36:37,840 it's for your room, good, and you won't come out to you get 270 00:36:37,920 --> 00:36:44,000 it right, and I'll respond, and like you should. I finally got 271 00:36:44,320 --> 00:36:52,880 lonely frightened thoughts Field is here, and it went up to the teacher and 272 00:36:52,119 --> 00:37:02,360 this is what he said. And he said, flowers are greed, thieves 273 00:37:02,480 --> 00:37:09,000 agree, No need to see flowers any all the way, in the way 274 00:37:09,320 --> 00:37:30,840 they always have been seen. Now time went by like it always does. 275 00:37:31,519 --> 00:37:37,920 They moved to another town, and a little bar went first day of school, 276 00:37:38,519 --> 00:37:45,159 and this is what he found. The teacher there was smiling. She 277 00:37:45,280 --> 00:37:52,320 said painting should be fun, and there are so many colors in a flower, 278 00:37:52,559 --> 00:38:00,320 so let's use every one. But that little war painted flower in neat 279 00:38:00,559 --> 00:38:07,719 rows of green and red. And when the teacher asked him why, this 280 00:38:08,440 --> 00:38:17,519 is what he said, and he said, flowers are red, green, 281 00:38:17,800 --> 00:38:24,719 leaves are green. No need to see flowers any of the way and the 282 00:38:24,840 --> 00:38:35,519 way they always have been seen. But you know Matt jen there must be 283 00:38:35,760 --> 00:38:43,039 some way today we can ensure that our children can all say there are so 284 00:38:44,719 --> 00:38:52,159 the rainbowt so many colors in the morning sun, so many colors in the 285 00:38:52,760 --> 00:39:02,679 flower and I see every one. Very cool. Love that. Yeah, 286 00:39:02,760 --> 00:39:07,599 yeah, that's awesome. That's awesome. If you're just joining us. Lou 287 00:39:07,639 --> 00:39:10,800 Antonucci is here with us, alive in studio and playing some Harry Chapin songs. 288 00:39:10,840 --> 00:39:15,920 He's got this, uh, this great show. I want to make 289 00:39:15,960 --> 00:39:17,639 sure, oh you me and Harry. I wanted to make sure I got 290 00:39:17,679 --> 00:39:22,920 the h the title exactly correct. By the way. So now you were 291 00:39:22,159 --> 00:39:25,880 talking about how you know you uh you share stories about the songs. Do 292 00:39:27,039 --> 00:39:30,119 people come up to you like after the show and have their own Harry Chapin 293 00:39:30,159 --> 00:39:35,559 stories. Yeah, they do. As a matter of fact. One of 294 00:39:35,599 --> 00:39:38,440 the songs I do in the show, it's a it's a fan favorite of 295 00:39:38,800 --> 00:39:44,199 Harry Harry fans. It's called Mister Tanner. Yeah. It's about this dry 296 00:39:44,320 --> 00:39:47,920 cleaner that sings opera on this side and he goes to New York City twice 297 00:39:49,639 --> 00:39:52,840 to try to make it make it an opera and he gets panned both times. 298 00:39:53,320 --> 00:39:59,039 So as I and it's the true story, And as I introduced that 299 00:39:59,280 --> 00:40:04,800 song, I ask a question rhetorically to the audience, does anybody know who 300 00:40:04,920 --> 00:40:09,440 Martin Tuberty is? And Martin Tuberty, by the way, is the real 301 00:40:09,559 --> 00:40:15,039 mister Tanner? Okay, he's a dry cleaner. He lives in western Connecticut, 302 00:40:15,519 --> 00:40:19,000 saying opera on the side, and it went to New York twice to 303 00:40:19,159 --> 00:40:22,760 try to hit it big, and Harry saw this in the paper twice and 304 00:40:22,840 --> 00:40:24,199 then wrote the song. So I asked the question. I was up in 305 00:40:24,280 --> 00:40:29,480 Vermont, so I asked the question, does anybody know who Martin Tuberty is? 306 00:40:29,840 --> 00:40:32,519 And gentlemen in the middle of the audience raises his hand and he goes, 307 00:40:32,960 --> 00:40:36,440 I do. And I'm figuring he's gonna say, oh, yeah, 308 00:40:36,519 --> 00:40:40,679 he's mister Tanner of mister Tanner song, and he goes, he's my next 309 00:40:40,760 --> 00:40:45,519 door neighbor. Really, so here this guy was. So we started chatting 310 00:40:45,639 --> 00:40:51,400 back and forth. Right then, this guy lives in western Connecticut, but 311 00:40:51,480 --> 00:40:54,599 he was in Vermont on vacation. Big Harry Chapin fans saw the ads for 312 00:40:54,679 --> 00:40:59,119 the show, came to the show to see the show. And so he's 313 00:40:59,199 --> 00:41:02,039 telling me how he was. He's been a big Harry fan and he would 314 00:41:02,079 --> 00:41:06,920 go see Harry play and he saw Harry do this song one night and he 315 00:41:06,960 --> 00:41:10,400 says to himself that sounds like my neighbor. Wow, you know Martin, 316 00:41:10,800 --> 00:41:15,039 And so he goes home and he goes over to his neighbor the next day 317 00:41:15,079 --> 00:41:17,880 and says, Martin, I think Harry Chapin has written this song about you, 318 00:41:19,480 --> 00:41:23,400 and he knew nothing about it, and so he told him, yeah, 319 00:41:23,440 --> 00:41:25,960 you got to listen to his song. And as a matter of fact, 320 00:41:27,039 --> 00:41:30,079 it was a few years back. Tom Chapin and the band are still 321 00:41:30,400 --> 00:41:36,360 touring and they actually invited Martin Tuberty to come on with him to sing a 322 00:41:36,440 --> 00:41:39,920 part in one and mister Tanner that's an operatic part. So it was really 323 00:41:39,960 --> 00:41:44,360 interesting and we chatted after the show as well. But yeah, people will 324 00:41:44,679 --> 00:41:47,280 come up and have their own own little stories to tell for sure. Yeah, 325 00:41:47,480 --> 00:41:52,760 yeah, that's very cool. Where should people go online who want to 326 00:41:52,679 --> 00:41:57,079 learn more about the show and where they can see it? I assume you 327 00:41:57,159 --> 00:42:00,280 have you have more dates beyond April six? Oh yeah, just to mention, 328 00:42:01,119 --> 00:42:05,280 the next day is here in New Hampshire. It's on a week from 329 00:42:05,320 --> 00:42:10,360 this Sunday. It's on April fourteenth. It's up in Bosco in New Hampshire, 330 00:42:10,719 --> 00:42:15,199 just about ten to fifteen minutes north of Concord. Yeah, and it's 331 00:42:15,519 --> 00:42:20,000 at four o'clock in the afternoon Sunday afternoon show. It again is a benefit 332 00:42:20,119 --> 00:42:24,960 show. It's benefiting hill DOA's food pantry in Boscowen and we're actually doing it 333 00:42:25,239 --> 00:42:31,119 at the Bosco when the Hill Street Congregational Church there. So it's gonna be 334 00:42:31,639 --> 00:42:35,559 I know, tomorrow's Easter, so everybody's going to go to church on Easter, 335 00:42:36,159 --> 00:42:39,280 at least the Christians will. And you know, maybe you can go 336 00:42:39,320 --> 00:42:43,800 to church next week too and then stop stop in and see the show. 337 00:42:44,199 --> 00:42:50,239 But the church has got great acoustics and again four o'clock, so come on 338 00:42:50,320 --> 00:42:52,920 out for that. But to learn more about the show, anybody can go 339 00:42:52,960 --> 00:43:00,320 to lou Antonucci music dot com and it's got a section on the Union Harry 340 00:43:00,400 --> 00:43:04,119 shows that are coming up and then you can eat It even has links where 341 00:43:04,159 --> 00:43:07,719 you can buy tickets. Yeah, for the Cadenza show, I'll mention uh, 342 00:43:08,159 --> 00:43:14,760 next Saturday, they're live streaming that show. Cool. They're live streaming 343 00:43:14,840 --> 00:43:19,119 the show at seven pm on their Facebook page, which is just Facebook dot 344 00:43:19,280 --> 00:43:23,679 com slash Cadenza Freeport. Okay, all right, that's easy. And you 345 00:43:23,760 --> 00:43:27,800 know, so if you're if you're not in Maine, which a lot of 346 00:43:27,840 --> 00:43:30,679 people aren't, you know, you might want to live stream the show and 347 00:43:30,760 --> 00:43:35,519 check it out. Oh, excellent, outstanding, outstanding. You want to 348 00:43:35,519 --> 00:43:42,880 play another one? Sure, I'm just gonna slide out a little bit more 349 00:43:42,920 --> 00:43:45,599 here. Yeah, yeah, don't mind my my little flub there at the 350 00:43:45,639 --> 00:43:51,199 beginning of Flowers, I just couldn't get my arms around the guitar here. 351 00:43:52,800 --> 00:43:59,119 Uh. This one, obviously, this was Harry's biggest hit, okay, 352 00:43:59,159 --> 00:44:02,559 and it's one that everyone would recognize, Cat's in the Cradle, yes, 353 00:44:02,679 --> 00:44:07,920 of course. Yeah, and it's probably done more for father son relationships, 354 00:44:07,960 --> 00:44:13,119 you know, around the globe than anything else. It was his first big 355 00:44:13,280 --> 00:44:19,960 hit and his only really really monstrous hit. Yeah. But the interesting thing 356 00:44:20,039 --> 00:44:22,320 that a lot of people don't know we talked about in the show was that 357 00:44:24,000 --> 00:44:28,719 he didn't write the words to this song. His his wife, Sandy, 358 00:44:29,239 --> 00:44:32,559 had written a poem about a relationship between a father and his son, and 359 00:44:35,199 --> 00:44:38,159 he took that and massaged it and turned it into what we all know as 360 00:44:38,639 --> 00:44:43,039 Cat's in the Cradle. Kidding, Okay, So let me see if I 361 00:44:43,159 --> 00:45:00,960 can not here we go okay. Child arrived the other day, came to 362 00:45:00,159 --> 00:45:05,880 the world in the usual way, plans to catch and bills to pay, 363 00:45:06,920 --> 00:45:09,480 learn to walk. While I was away, and he was talking for anew 364 00:45:09,519 --> 00:45:15,920 one as he grew, said I'm gonna be like you, Dad. I'm 365 00:45:15,000 --> 00:45:22,639 gonna be like you, and the cats in the cradle and the silver sworn, 366 00:45:22,320 --> 00:45:27,360 little bobble in the mine in the morning, when you come in home 367 00:45:27,599 --> 00:45:31,960 that I don't know, when we'll get together, and the son gonna have 368 00:45:32,119 --> 00:45:47,079 a good time. My son turned just the other day, said thanks for 369 00:45:47,280 --> 00:45:51,480 the ball, Dad, come on, let's play. Teach me to throw 370 00:45:51,599 --> 00:45:54,480 off. Said not today, I got a lot to do. Said that's 371 00:45:54,639 --> 00:46:00,960 okay, and then walk away. But his smile never damned said I'm gonna 372 00:46:00,039 --> 00:46:07,320 be like him. You know, I'm gonna be like him, and the 373 00:46:07,440 --> 00:46:12,960 cat's in the cradle, selpstone, little bob blue and the mine and more. 374 00:46:13,599 --> 00:46:15,079 When you come in home, Dad, I don't know, And and 375 00:46:15,840 --> 00:46:35,480 he'll get together then son, we're gonna have a good chime. Came from 376 00:46:35,599 --> 00:46:38,760 college to see you other day so much like a man. I just had 377 00:46:38,880 --> 00:46:43,519 to see son. I'm proud of you could just sit for a while. 378 00:46:43,840 --> 00:46:47,360 He shook his say it with a smile. But really, like Daddy, 379 00:46:47,440 --> 00:46:52,599 is the bar of the car keys see you leader, Can I have them 380 00:46:52,880 --> 00:46:59,039 please? And the cats in the cradle, Silpstone, little Bob Blue and 381 00:46:59,119 --> 00:47:02,039 the mine in the mom When you're coming home, son, I don't know 382 00:47:02,239 --> 00:47:08,239 when you'll get together. Then, Dad, gonna have a good job. 383 00:47:09,159 --> 00:47:30,400 Man. I've long since retired. My son has move away. Called him 384 00:47:30,480 --> 00:47:37,280 up just the other day, said I'd like to see you if you don't 385 00:47:37,599 --> 00:47:42,280 mind. I'd love to dad, if I could find the time. But 386 00:47:42,480 --> 00:47:45,800 you see, my new jobs a hassle, kids with the flu. But 387 00:47:45,079 --> 00:47:52,920 Sean nice stalking to you, Dad, Sean night stalking to you. That's 388 00:47:52,960 --> 00:47:59,079 so on the phone, occurred to me grown up, just like me, 389 00:48:00,480 --> 00:48:07,440 my boy, just like me. And the cats in the cradle, the 390 00:48:07,599 --> 00:48:12,960 seal, the stone, little Boblu and the man in the moon when you 391 00:48:13,119 --> 00:48:17,800 come in. So I don't know when we'll get together. That head, 392 00:48:20,119 --> 00:48:43,519 we're gonna have a good time. Beautiful, beautiful. That was Lou Antonucci 393 00:48:44,039 --> 00:48:47,679 doing Cats in the Cradle And he's got to show you. Me and Harry 394 00:48:47,880 --> 00:48:52,800 And there's one coming up April sixth and how many how many of these you 395 00:48:52,880 --> 00:48:57,559 have booked? Do you have a quite a few of them right now? 396 00:48:57,599 --> 00:49:01,840 We've got the next four book. We've got Maine, New Hampshire, and 397 00:49:02,000 --> 00:49:07,880 two in Pennsylvania in May. Yeah, and we're working on a show now 398 00:49:07,960 --> 00:49:10,320 in June and Massachusetts. I don't want to say where that shet because we 399 00:49:10,400 --> 00:49:15,159 still haven't finalized. Uh, but I look to just do probably with my 400 00:49:15,239 --> 00:49:20,280 other schedule. You know, we're looking to do maybe two of these a 401 00:49:20,360 --> 00:49:24,440 month, Okay, okay, if nothing else. They're rather emotionally draining, 402 00:49:25,239 --> 00:49:28,880 are they? Oh? Yeah, doing you know, two hours worth of 403 00:49:29,599 --> 00:49:32,639 worth of his songs? Yeah? So yeah, I like to uh just 404 00:49:32,719 --> 00:49:36,800 keeped about two two per month. Yeah, yeah. Is is there a 405 00:49:36,840 --> 00:49:42,320 particular song that you've learned of his that you found challenging more and more challenging 406 00:49:42,400 --> 00:49:45,760 than the others? Is there is there one that was particularly difficult? Well, 407 00:49:45,079 --> 00:49:50,599 you know, it's interesting, there's a lot. You know, because 408 00:49:50,920 --> 00:49:53,920 his brother Steve, who played the piano in the band and also did all 409 00:49:54,280 --> 00:49:58,679 like a lot of the orchestration. Is he would use a lot of orchestration 410 00:49:58,880 --> 00:50:04,800 in his songs, and for some of his songs, the orchestration is somewhat 411 00:50:04,840 --> 00:50:07,599 of an integral part, so it's, you know, when you're just doing 412 00:50:07,639 --> 00:50:15,159 it on on acoustic guitar. A lot of his songs are difficult. Harry 413 00:50:15,199 --> 00:50:19,519 would do a lot of finger picking. I don't do as much finger picking. 414 00:50:19,800 --> 00:50:22,679 I'll use a pick more often, but I try to emulate as best 415 00:50:22,719 --> 00:50:27,239 I can those little nuances in the song. So they're all, you know, 416 00:50:27,880 --> 00:50:34,360 probably one of the it's not that they're difficult, it's that they're long. 417 00:50:35,320 --> 00:50:38,119 You know, when I look at the songs in my show, there 418 00:50:38,239 --> 00:50:43,960 are two eight minute songs. There's one ten minute song. Wow, two 419 00:50:44,119 --> 00:50:49,119 six minute songs. You know, they weren't the typical three minutes on the 420 00:50:49,199 --> 00:50:54,199 radio out right. So that's the only thing. I think. The hardest 421 00:50:54,239 --> 00:50:59,039 thing right now is, you know, remembering all the lyrics. Yeah, 422 00:51:00,280 --> 00:51:04,960 no doubt. Do you want to get one more in? I'd love to 423 00:51:05,000 --> 00:51:09,480 hear one more How much time we got We've got about eight minutes, okay, 424 00:51:12,159 --> 00:51:14,480 but I also want to make sure we have time to remind everybody too 425 00:51:15,320 --> 00:51:19,920 before we wrap up about I think, uh, I know it does occur 426 00:51:20,000 --> 00:51:22,079 to me. I'm throwing I'm throwing that at you after you were just telling 427 00:51:22,159 --> 00:51:23,760 us how long the songs are. I'm like, oh, I wasn't thinking 428 00:51:23,800 --> 00:51:27,719 about that all that. Okay for that, and then I'm going to do 429 00:51:27,800 --> 00:51:30,519 a six minute song for you. Okay, Okay. Cool. The unfortunate 430 00:51:30,599 --> 00:51:35,360 thing is a great story behind it, but I won't get into this story. 431 00:51:35,920 --> 00:51:38,679 Everybody is probably familiar with Harry Chapmin's song Taxi. Yes, all right, 432 00:51:39,519 --> 00:51:43,159 Oh you you talked about that last time? Yeah? Yeah, And 433 00:51:43,280 --> 00:51:46,639 you know Harry, he he was he never drove a taxi, although he 434 00:51:46,719 --> 00:51:51,880 did have a Hackney license. Yeah, and uh, he actually wrote this 435 00:51:52,039 --> 00:51:58,559 song in thinking about a past girlfriend named Claire McIntyre. Yeah, okay, 436 00:51:58,599 --> 00:52:01,119 who unfortunately just she just passed away about three weeks ago. Oh really, 437 00:52:01,280 --> 00:52:06,679 yeah, and she uh, she was his girlfriend. Uh, they broke 438 00:52:06,960 --> 00:52:10,599 They broke up because she moved to San Francisco, Okay to study music theory, 439 00:52:12,280 --> 00:52:15,440 and they just kind of faded and he had always thought about what would 440 00:52:15,440 --> 00:52:19,000 it be like if they got back together. So that's uh, that's how 441 00:52:19,119 --> 00:52:28,639 he That was the inspiration for writing the song Okay, Taxi. It was 442 00:52:28,719 --> 00:52:34,239 the rain and nine in Frisco. He didn't want more fair to make my 443 00:52:34,639 --> 00:52:40,440 name lady up a head waved, flagging it down. She got in the 444 00:52:40,679 --> 00:52:51,239 line we had going to my lady Blue. It's a shame you n your 445 00:52:51,480 --> 00:53:00,840 gun in the rain. She just looked out the window. Sixteen Parkside. 446 00:53:14,079 --> 00:53:21,800 There's something about a million. I swear i'd seen her face before. She 447 00:53:22,039 --> 00:53:30,400 said, shall be a mistake in And she didn't say anything more. Took 448 00:53:30,440 --> 00:53:36,400 a while, but she looked in the mirror. Then she glanced at the 449 00:53:36,599 --> 00:53:43,599 license for my name. A smile seemed to come to her slowly or sad 450 00:53:43,960 --> 00:53:52,960 smile to see and she said, how are you are? I said, 451 00:53:52,719 --> 00:53:59,880 how are you soon? It was it too many miles, too little smile, 452 00:54:00,599 --> 00:54:10,360 I stie, remember you said, was somewhere in a fairy table. 453 00:54:12,519 --> 00:54:17,079 Used to take her home in my car. We learned about love in the 454 00:54:17,280 --> 00:54:25,760 back of a Dodge lesson. I hadn't gone to Fu. She was going 455 00:54:25,880 --> 00:54:34,880 to be an actress. I was gonna learn to fly. She took off 456 00:54:34,960 --> 00:54:51,880 to find the footplights. I took off to find the sky. Why I've 457 00:54:52,039 --> 00:55:00,039 got something inside me to drive the princess lie, there's a while an wizard 458 00:55:00,599 --> 00:55:12,840 hiding in me, illuminating my mind. Oh, I've got something inside me 459 00:55:13,599 --> 00:55:22,000 now what my die is about beside, let my outside tide me over till 460 00:55:22,320 --> 00:55:46,239 my time walk. Give you this sword that she's skying. Yes, she's 461 00:55:46,480 --> 00:56:02,719 flying creative fall. I'll tell you why. Yes, gosh, she's just 462 00:56:07,639 --> 00:56:23,280 aren't we all? There was not much more for us to talk about. 463 00:56:24,280 --> 00:56:31,039 Whatever we'd had once was gone. So I turned my cab into the driveway, 464 00:56:32,079 --> 00:56:39,840 asked the gate in the fine triven long, and she said we must 465 00:56:40,000 --> 00:56:47,840 get together. But I knew it'd never be range mention and mid twenty dollars 466 00:56:49,039 --> 00:56:58,159 for us who fifteth there, said Harry, keep the change. What another 467 00:56:58,360 --> 00:57:07,000 man might have been, another man might have been hurt, another man never 468 00:57:07,519 --> 00:57:16,079 to let her go. Ustashed the building my shirt, and she walked to 469 00:57:17,119 --> 00:57:25,280 in silence. It's strange high you never know, but we both gotten what 470 00:57:25,559 --> 00:57:37,519 we asked for such a long, long time ago. She was gonna be 471 00:57:37,840 --> 00:57:45,880 an actress. I was going to learn to fly. She took off the 472 00:57:45,000 --> 00:57:55,360 five of footlight. I took off to find the sky. He she's acting 473 00:57:55,719 --> 00:58:08,079 happy inside of handsome hall. Me I'm flying in the tax taking tips and 474 00:58:08,239 --> 00:58:32,280 getting stone. I go fly. So when on stone, beautifully done, 475 00:58:32,960 --> 00:58:37,800 Lou Antonucci, thank you so much wonderful to have you here. Don't forget 476 00:58:37,880 --> 00:58:42,400 you Me and Harry. It's a one man show that Lou is doing. 477 00:58:42,920 --> 00:58:45,639 And this is going to be the next one's April sixth at seven pm at 478 00:58:46,079 --> 00:58:51,880 Cadenza in Freeport, Maine, and that's going to be streaming at Facebook dot 479 00:58:51,960 --> 00:58:57,480 com slash Cadenza Freeport correct correct very good, very good, and where should 480 00:58:57,480 --> 00:58:59,800 people go online to keep up with everything that you're doing. You might want 481 00:58:59,800 --> 00:59:05,559 to l Antonucci for everybody can't figure it out? Lou Antonucci music and Antonucci 482 00:59:05,719 --> 00:59:09,280 is a N T O n U C C I one word Lou Antonucci music. 483 00:59:09,519 --> 00:59:13,000 Very good, very good. Thank you so much for coming in and 484 00:59:13,079 --> 00:59:15,679 playing for us. This has been amazing. Thanks for having you for sire 485 00:59:15,719 --> 00:59:20,119 it absolutely and of course thank you to uh LACYBB who I am, for 486 00:59:20,440 --> 00:59:23,079 playing for us as well, and of course the guys from Best Not Broken. 487 00:59:23,159 --> 00:59:27,400 If you want to win a pair of tickets, you still can after 488 00:59:27,480 --> 00:59:29,880 the show, just reach out to us and uh, Jenny, did you 489 00:59:29,880 --> 00:59:32,679 want to plug your website? Absolutely come check me out at gencoffee dot com. 490 00:59:34,079 --> 00:59:36,920 J E N N C O F f e y dot com. I've 491 00:59:36,960 --> 00:59:39,400 been a bit busy. Yes you have, Yes you have, and if 492 00:59:39,440 --> 00:59:42,679 you missed any part of today's show and will be up in just a little 493 00:59:42,679 --> 00:59:46,119 bit at w m n H radio dot org and in my website Matt connorton 494 00:59:46,199 --> 00:59:50,679 dot com. And thanks everybody, Thanks everybody in the chatroom, Lou, 495 00:59:50,760 --> 00:59:53,440 thank you again, and uh we will uh we will talk at y'all next 496 00:59:53,480 --> 00:59:55,280 week. Bye for now, Bye,