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Hi, y'all, welcome to coming
out pod. Okay, I'm almost surprised

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that I have not yet gotten to
this particular queer root. Shout out it

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is. You'll be shocked to find
out one that is close to my heart.

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Shout out to you if your queer
root is Piper Parabo, an actress

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who unfortunately is a straight lady as
far as I know. But Piper Parabou

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has been in three movies that are
extremely important to the queer community. They

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are, of course, Coyote,
Ugly Lost, and Delirious and imagine me

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and you three very different films,
but all just I don't know, really

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really pivotal works. So yeah,
shout out to you if Piper Parabo and

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her canon of cinema played any part
in your queer awakening. Folks, my

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guest today has an absolutely gorgeous French
name that I fear I am about to

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butcher. Spoiler alert she is.
She is, in fact French. She's

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coming to us from Montreal. I
am here today with author Julie del Port.

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How did I know on that,
Julie? Would you like to say

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your beautiful French name for us?
Juliet? Wow, I was really so

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close. Yes, So if you
are listening to this episode on the day

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that it has come out, Wednesday
the seventeenth, that means that just yesterday,

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Tuesday the sixteenth, Julie's latest book
is out and it is available for

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sale. It is called Portrait of
a Body and it is it's truly gorgeous.

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We were talking off Mike and uh
uh, Julie thinks that the best

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you know way to describe the book
in English is a graphic novel, but

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I honestly don't even think that does
it justice. It's uh. Julie has

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done all of the illustrations in the
book herself as well as the as the

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writing, and it's it's truly,
it's just really beautiful. I I loved

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reading it. I was I was
very moved by it. And yeah,

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as someone who doesn't have a ton
of experience reading graphic novels or books with

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illustrations at all, I the the
interplay between what you drew and and your

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writing is just it's it's really powerful, truly gorgeous. Julie, is there

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is there anything that that you want
to say about the book before we sort

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of dive into it all about about
the form of the book. Maybe it's

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a graphic novel and it's also a
bit of poetry, a bit of essay.

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So I say it's a queer book. Like the form of the book

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is queer. It's between different genre. That's that's a perfect way to describe

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it. Am I right? I
know very little about Am I right?

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That their colored pencil sketch the medium
is it's it looks like colored pencil drugs,

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if I'm right. Yes, yes, it is with like the kind

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of colorp pencil we used to use
when we were kids, except they are

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a bit more fancy, you know, the one I use. But there

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is something connected to children drawing very
deep in what I do. Yeah,

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I'm just I'm so excited to talk
to you about as an author added illustrator.

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But before we that, Julie,
for the folks at home, how

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do you identify? I identify as
a lesbian, also as queer because it's

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larger and I think more and more, I identify as a non binary person.

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But it's pretty new. Actually,
I'm still like, I'm still thinking

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of it a lot, but yeah, still fluid a bit, but it's

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around this and I'm always curious when
I have guessed who's whose first language isn't

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English? Is there is the word
is like the English word queer used in

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French or is there an equivalent French
word? And then since pronouns are so

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much more prominent in French, Spanish, Italian languages like that, how does

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how do people's pronouns sort of?
How does that all that work? In

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French, we use the word queer
like if it was a French word,

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but some people would not know what
it means because it's not a French world

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at the beginning. I mean,
once I wrote it on my Instagram and

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my mother asked me what does that
mean? Like she pronounced it like it

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was a French word, But for
the pronounce it's kind of tricky. I

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think we use mostly there is a
different pronounce that pronounce then you can use

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to replace the e or the she. But the most common is yell,

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which is a mix of ill and
L. But some like the queer people

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use it for sure, but the
society is not ready yet for this pronoun.

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It's pretty rare, and so that
would be like a quiver and to

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say them it sounds like, yeah, that's really all I love that.

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That's cool. So it's like a
combination of the male and female pronouns.

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That's very cool. So okay,
So Julie's book is essentially it is a

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coming out story. So it's you
know, it's impossible to I think,

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to talk about one without the other. So we'll sort of weave the book

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into our conversation. But yeah,
in terms of your coming out story,

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Julie, where does it all begin? Yeah, it's so complicated, I

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mean the story, the story is
so complicated. I think that I wanted

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to write a book about it to
find the real story. But well,

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for me, it happened late.
That's one of the things I'm talking about

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the book. I mean, the
concrete coming out was around thirty five years

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old, which is not so old, but it felt so old for me

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really, and yeah, like for
a long time. Well, I grew

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up in countries, in a village
in the countryside in France. I mean

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I never I don't think I saw
a lesbian before I was maybe eighteen nineteen

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at that time. On TV,
we didn't see any I mean sure,

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I remember just watching a French comedy
very bad with all the stereo tips.

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You don't want to see about butch
so it was not an option really for

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me. And then I grew up, and it's a letter that I started

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to have friends who were queer,
but maybe around twenty five years old,

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and I remember I was just thinking
one of my lesbian friend who is doing

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comics too, and I was just
thinking, she's so lucky. I wish

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I was a lesbian. And it's
all my story. It's like I was.

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I started to make a book on
Tove Jansen, my former book before

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a Portrait of a Body. It's
called this Woman's Work, and it's the

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story. It's it's a story of
I go to Finland to study Tove Jansen,

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which is a Finnish author who wrote
she invented the mooming creature. My

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mom used to read me though,
Oh yeah story, yeah when I was

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little. Yeah, finn family movementarial
was and I had no idea until I

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read your book that she was queer. Yeah, so it was really exciting

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to learn that the other day.
Yeah, I I went to study and

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wanted to write a book about her. And I started to read the all

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the autobiography, well all the biographies
were written about her life, and I

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was just in love of her life. She was so independent, she would

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camp on highlands and I want.
It's the first time I remember. I

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was with my therapist and I was
talking about the way I wanted to be

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like Tove Jansen, and it was
like, oh, so she's your model,

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like the idea of having a model, and I was okay, yes,

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Like never before I had met a
woman figure who I wanted really to

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identify. So I discovered she's my
model. And then I'm like, wait,

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but she's a lesbian, so yeah, and all this there was like

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something like I was tucked because I
had this idea that if I was a

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lesbian, I should fall in love
deeply with someone, and all the stories

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I've heard about letter in life lesbian, it was like, oh, and

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I fall in love. I fell
in love with this girl, but that

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didn't happen. I just fell in
love with lesbian in general. And yeah,

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yeah, and I mean I'm not
someone. I'm not someone like.

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It's something I tried to explore in
the book. Also, I'm not super

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connected to my body and to my
sexuality because of trauma and because of culture

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and my family and everything. So
yeah, I needed to open a way

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so that desire come. It didn't
come to me like that, I had

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to make pace, and once I've
made it, I was like, Okay,

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this is it. Yeah, I'm
so glad that you're talking about this,

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and was equally glad to read about
this in the book, because I

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do think that the idea of realizing
specifically that you are a lesbian, in

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kind of queer folklore, it does
get very glamorized as what you're saying,

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where it's like you fall in love
and it's like I never felt this way

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before with men, and like,
oh my god, my world has opened

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up and I'm seeing the sun for
the colors or brighter, like it is

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very which is beautiful and which many
people do feel, but not everybody,

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and it doesn't have to be connected
to a lot of later in life.

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Lesbians, it is true, do
realize because they fall in love with a

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specific person and then in many cases
that person ends up being their partner for

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the rest of our life. That
is definitely there is precedent for that,

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but not everybody. And it's also
I think that for some people who are

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maybe realizing it just more generally or
more slowly, it might feel you maybe

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question it because you're like, well, I'm not feeling it as like fireworks

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are glamorously as I've heard, Does
that mean I'm not really a lesbian and

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it's like no, everyone, Yeah, I do think we do sometimes have

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a reverence for it that not everybody
is going to feel. And it's still

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totally valid to not like feel those
flowery you know. Does that make sense?

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I was just really glad to hear
somebody talk about it in a more

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sort of I don't know, I
relate. I feel like, Okay,

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that's a lot of what you were
talking about. Yeah, yeah, in

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terms of the well, first of
all, have you always been an artist?

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Did that sort of go hand in
hand with your writing or how did

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that evolve for you? I started
to be an artist pretty late too.

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I'm someone who is late in life. So I used to when I was

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a kid, I used to not
to draw, but to write a lot.

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I wanted to be a writer,
but it was not really like I

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needed to find more a job.
So I studied in journalism, but didn't

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like the news so much. So
yeah, and then I studied in cinema.

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Maybe I wanted to be a teacher, I didn't know. And then

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I studied to draw and write and
to magazines and it became better at it,

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and I felt that, Yeah,
for a long time I was working

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in bookstore and still doing books,
but no, I can write and draw

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full time. Yeah. God,
that's incredible. Yeah, And I guess

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my question about the drawings is,
so some of them are very literal in

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terms of what is being spoken about
in the book. I love especially like

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you draw, you know, like
a little image from the movie Go Fish

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like things that stuck out to you. But then some of the drawings are

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a lot more abstract or it's like
it's an image that maybe doesn't necessarily link

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up directly with the text. And
I'm wondering, how how did that as

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somebody who doesn't draw, how did
that work out? Is it just like

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you felt like, ah, this
paragraph wants me to draw starfish? I

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don't know why. I just like, how did that happen? No,

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I am. I wrote the text
separately. Then Okay. Then I did

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all the images like for for maybe
two years in total to make the books.

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And I did a lot of drawings, and I was trying to have

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some fun enjoy while I was drawing, which is not easy all the time.

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So then I told myself, Okay, you're gonna just draw whatever you

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want to draw, and it happened
to be a lot of things from nature.

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I started to draw flowers, starfish, and I was working also my

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text, and at some points I
had a lot of drawings and my text

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and I just did the mortage.
Kat I would say yeah, yeah,

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like an experimental movie a bit,
and my text would be the voice over,

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and you could see like these images, yeah are sometimes connected to the

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text. Sometimes they are not,
but they still give a mood like,

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yeah, that's so you wrote all
of the text first. That's so interesting.

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Yeah, okay, I love knowing
that. Not maybe not first it

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was in the same time, but
not like, for instance, the morning

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I would draw for three hours and
the afternoon I would do like some drawings,

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but I didn't know which drawing would
go with Oh gotcha, okay,

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which part of the book? Yeah, that's very cool, And I love

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how at the end of the book
you, I think the right word is

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you annotate all of the drawings,
so you really explain what they all are

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and what they mean. And it
looks like a lot of them are based

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on photographs. Yeah, are and
are those photographs that you took that you

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were actually like, yes, I
was like several times during the time I

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was doing the book, I was
lucky to travel to some places by the

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Salver or like different places in Quebec, and it was like a bit of

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artists residency of just visiting friends.
Uh, and I would take long walks

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on on the near the river and
to start to take details of what I

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like from what I see. What
I saw so like picture of alg ho

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would you say seaweeds? Picture seaweeds? Yeah, yeah, you said better

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than me, and these kind of
things detail. So it's it's a bad

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picture. It's just like reference when
and then because I need to be more

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well set up at my desk to
draw. So then I would draw at

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my desk looking at the little picture, try to the idea was like out

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the the text was so so yeah, yeah, it was not easy to

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find out to illustrate it, like
I am, there's nothing really to there's

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no That's what I was wondering.
You just how you're just like feeling what

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you want to. It's not it's
not dictated. The text doesn't always dictate

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the exact illustrations and more creates like
a mood yeah like that. Yeah,

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and it felt like there was a
lot of like like water imagery, like

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see imagery like you were just talking
about. Yeah, so yeah, yeah,

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And I didn't do it on purpose, but the more I was drawing

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from details of nature, the more
you could you could project some body parts

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in the drawings, like you could
see some skin or even some organs like

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in the flower it's crazy, like
you can see like some sexual organs.

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Yeah for sure. Yeah. And
then I didn't know her really, but

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I discover Georgia O'Keeffe the people.
Yeah, but you weren't doing that consciously

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like you you found out. Yeah, so interesting. I thought it was

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maybe like an homage to Georgia.
No, that's so cool. I ended

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up to draw drawing like an homage
that I put it in the book because

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when I discover her, I was
like, oh my god, that's that's

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what I'm trying to do. Like, I mean, yeah, drawing is

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different, but that was the same. So cool. That's so cool.

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Yeah. And another question that I
had was, so I have a friend

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right now who with her therapist,
they do art therapy. And because you're

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an artist and because you know your
therapist does get mentioned in the book and

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like dealing with trauma and healing all
that is. Is art therapy something that

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you ever did or are those things
separate for you in terms of like,

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yeah, I'm just curious, I
never did the art therapy in my therapy,

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sum how do you say that in
my Road your Journey journey? Yes,

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so I never did, like forma
art therapy. Sure, but I

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think I use my art, which
is a professional way of doing art,

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also as a therapy, like it's
part of it. Yeah, it's not

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less serious because it's therapeutical, but
sure it's connected the Yeah. Yeah,

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I feel like for anyone who's creative, it's sort of impossible not to process

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through I mean, I think comedians
process trauma and pain through their jokes.

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I think obviously authors do it through
their writing, and I think artists it'll

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pop up even if you're not consciously
doing it. But yeah, yeah,

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I'm not that surprised. It seems
like the therapist mentioned in the book was

225
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not the greatest therapist in terms of
the guidance. No, yeah, yeah,

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I'm not saying im anymore good.
I don't think you were. I

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have a very good type. Now, yeah, I need therapy a lot

228
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like this is something same. But
I was a bit harsh with with him,

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with this trapist who would with not
with a bit of morphobic but without

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knowing it or without Yeah, but
because he helped me. It was also

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a good Trappist for our years,
and we know I expected maybe more.

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And also it was not the good
Okay, that's complicated, maybe to explain

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approach for me, like it was
an anactic, analytic, analytical, yeah,

234
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analytical approach as opposed to a more
sort of emotional yeah, and like

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discovery yeah yeah, and yeah,
I'm not into an a political therapy anymore.

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It Yeah, it's true. I
don't know. Sure, yeah,

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No, I'm a huge therapy fan. The podcast is very pro therapy.

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So I'm glad that you found somebody
who is more. Uh. Yeah,

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I didn't. I didn't love the
his take on no yeah, yeah,

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yeah, And so I don't know. In terms of being a I tend

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to say later in life lesbian as
opposed to late in life because exactly like

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you said, thirty five is still
it's still young. But I also want

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to validate the fact that it feels
like, oh I lost so much time,

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or like it feels old but in
the general scheme of things is not,

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so I try to use the word
later. Okay, so yeah,

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that's just me personally. Late in
life is the term. I just think,

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like, thirty five is not even
that late. I used to facilitate

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a coming out workshop, and the
first one I ever did, I had

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a woman who was sixty five and
her name was Anne, and so for

250
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years I used to say, if
you're not older than Anne, you're not

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late in life, because Anne was
sixty five. And that worked for a

252
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number of years, and then one
day someone raised their hand and was like,

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I'm seventy and I was like,
oh, yeah, you're late in

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life. You get the title.
But yeah, so do you want to

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talk a little bit about since it
wasn't directly connected to a person for you,

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like we talked about and you just
I love the way you describe it

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in your book, just in terms
of being sort of enamored with the concept

258
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of lesbian even before you knew it
was just like the cultural or I don't

259
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know, there was something that do
you want to talk about that? And

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then meeting somebody as opposed to a
lot of people meeting somebody and then having

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to figure out all of the cultural
elements. It's like you reverse engineered it

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is I guess what we would call
it. Okay, so what can what

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can I say? But there's the
things that I tell in the book.

264
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There's described in the book. Honestly
just read them. But I would there

265
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was this well before, like when
I allowed myself to to tell myself,

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Okay, I think I might be
a lesbian. I should try. Then

267
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I was very conscious about, you
know, not hurting anyone by trying,

268
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like you know, that's I felt
a shame of Hell, I'm thirty five

269
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years old. I think I need
to try because I think I'm a lesbian.

270
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You know. That was not a
comfortable position. But I had for

271
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this time. I had so much
crushes, Like I would just like,

272
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yeah, some of these people,
they still don't know it that I had

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like huge crush on there and I
had. At some point I had a

274
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friend. I was talking about her
about my doubts and my question and she

275
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was, yeah, I have the
same doubts, the same question. And

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she told me, but I don't
think I'm a lesbian because I don't the

277
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world in French is erotic, eroticiz
okay, gotcha? I don't eroticize women.

278
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And then I was like, oh, well, I don't neiser,

279
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but I don't really eroticize men easier. What I'm doing that is very naiva,

280
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I don't know, disconnected, I
think, And yeah, people have

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different relationships to their bodies, and
not everyone is going to feel this like

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overwhelming lust for women and that's how
they know they're lesbian. Like that's not

283
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everybody. That's a lot of people, but it's not everybody. Yeah,

284
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what I was So, it's so
maybe there is like you know, I

285
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don't have any official maybe that's close
to I'm not on the spectrum, but

286
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you know, maybe my brain has
some particularities that makes the story like that.

287
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And when she said that, like
I remember I saw her maybe a

288
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few years after. We were working
face to face on our computer and she

289
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made like a very simple movement and
on our shoulder, so like just scratching

290
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your shoulder, and I saw a
shoulder and the shoulder was really nice,

291
00:28:11.160 --> 00:28:14.440
and I was like, Okay,
this is I think I'm doing it,

292
00:28:14.559 --> 00:28:21.240
like isizing that part of our body
you're around sizing her shoulder. I love

293
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the way you describe that in the
book because it is such a specific I

294
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think it's so relatable, those tiny
little moments that you remember so vividly,

295
00:28:30.480 --> 00:28:34.279
where it's literally just someone like moving
their shirt and you see like a little

296
00:28:34.279 --> 00:28:37.039
bit of their shoulder and that just
sticks in your mouth, like and that

297
00:28:37.160 --> 00:28:44.200
clicks something like. I just I
loved how you describe that. Yeah,

298
00:28:44.559 --> 00:28:48.720
it's like I needed to be allowed
to do that, or to be introduced

299
00:28:48.799 --> 00:28:53.319
to the possibility of doing that.
I don't know. Yeah, maybe I

300
00:28:53.519 --> 00:29:02.359
was too like, yeah, I've
been abused in my childhoods. That's part

301
00:29:02.400 --> 00:29:07.680
of the book or so, and
I think it's for me, it's very

302
00:29:07.799 --> 00:29:15.920
important not to abuse anymore and to
be respectful. And I'm it's it's not

303
00:29:17.200 --> 00:29:22.599
like it's complicated also the concept I'm
trying to say. But I think for

304
00:29:22.640 --> 00:29:32.279
a long time, maybe I have
struggled between maybe evoticization was too much connected

305
00:29:32.440 --> 00:29:38.720
to abuse, or so I was
just not going not going there something like

306
00:29:38.759 --> 00:29:47.160
that. Maybe maybe it's one of
the options of why, Yeah, that's

307
00:29:47.200 --> 00:29:52.880
really it comes from a tragic place, but it's really lovely that you were

308
00:29:53.599 --> 00:30:00.880
taking other people's feelings into account so
much in terms of now wanting to hurt

309
00:30:00.920 --> 00:30:08.960
anybody. That's just like really,
that's beautiful. Yeah, yeah, yeah,

310
00:30:10.000 --> 00:30:15.720
I've read them during that moment.
I've read a lot of books written

311
00:30:15.920 --> 00:30:23.440
by queer women, and I also
had friends who were queer, and I

312
00:30:25.640 --> 00:30:33.640
heard so much about the story about
them being hurted by aterosexual women who were

313
00:30:33.839 --> 00:30:40.240
curious and played with them. And
I don't know how much it happens,

314
00:30:41.839 --> 00:30:48.359
but I was so cautious. I
didn't want to do that. Love of

315
00:30:48.559 --> 00:30:52.680
you, I wish everyone put that
much care into all of that, not

316
00:30:52.799 --> 00:30:56.880
just relationships where it's like maybe their
first queer relationship, but I just wish

317
00:30:56.920 --> 00:31:03.039
everyone put that much care into every
interaction that they have. And for folks

318
00:31:03.079 --> 00:31:07.559
who listen to the podcast a lot, they have certainly heard me say this

319
00:31:07.599 --> 00:31:11.359
before, but maybe this is someone's
first episode. So I my point of

320
00:31:11.440 --> 00:31:15.319
view on that because as someone who
does facilitate, like I said, coming

321
00:31:15.359 --> 00:31:22.799
out workshops or just general social groups
where people are newly out female identified people,

322
00:31:23.200 --> 00:31:27.799
there is a really big fear about
that from a lot of them because

323
00:31:29.000 --> 00:31:33.519
we have heard that narrative not just
in TV and film, although it's in

324
00:31:33.559 --> 00:31:38.880
TV and film a lot, but
in real life of somebody falling or getting

325
00:31:38.920 --> 00:31:44.960
involved with a quote unquote straight woman, and then the woman quote unquote goes

326
00:31:45.000 --> 00:31:49.519
back to men. And I'm not
even going to broach the topic of bisexuality

327
00:31:49.559 --> 00:31:52.680
pan sexuality. We've talked about that
so much in past episodes, but I

328
00:31:52.720 --> 00:31:59.279
will say, like, sure,
there are some women who maybe they really

329
00:31:59.319 --> 00:32:02.680
are straight and they just wanted to
experiment, or maybe they are by but

330
00:32:02.759 --> 00:32:07.480
they're like ninety five percent they lean
more towards men, And no one should

331
00:32:07.480 --> 00:32:13.759
ever be purposely playing with somebody's emotions
or anything like that. All of that

332
00:32:13.920 --> 00:32:19.640
being said, it hurts me that
so many women in your position are scared

333
00:32:20.440 --> 00:32:28.279
to try to discover things about themselves
because they're so afraid of falling into that

334
00:32:28.880 --> 00:32:34.079
narrative of the straight woman who breaks
the heart of the poor lesbian. Like

335
00:32:34.240 --> 00:32:38.279
it's just it is. And I
always tell people like, you can be

336
00:32:38.640 --> 00:32:44.960
as upfront about that as you like, a lot of people are like I

337
00:32:45.000 --> 00:32:49.000
shouldn't say that I've never dated a
woman before, or no one's gonna want

338
00:32:49.039 --> 00:32:52.440
to date me, Like they'll they'll
stay away from me. Some people do

339
00:32:52.519 --> 00:32:57.279
have trauma with that and will not
want to date somebody who's never been with

340
00:32:57.319 --> 00:33:01.279
a woman before. But you want, you don't want to date those people.

341
00:33:01.359 --> 00:33:05.599
They're not the right people for you
because they have their own trauma and

342
00:33:05.640 --> 00:33:08.039
that's okay. They're not bad people
because of that, but that's not gonna

343
00:33:08.079 --> 00:33:12.839
be a good match. I swear
on my life though. There are so

344
00:33:13.039 --> 00:33:17.119
many women who are okay with people, And if you're candid and you say

345
00:33:17.160 --> 00:33:21.240
I haven't been with women before,
they'll be like, thank you for letting

346
00:33:21.240 --> 00:33:22.839
me know that that's okay, and
they're not going to like storm out of

347
00:33:22.880 --> 00:33:27.960
the restaurant, like, and those
are the people that it's healthier for you

348
00:33:28.039 --> 00:33:30.960
to be with anyways. So I
just it hurts my heart when women are

349
00:33:31.039 --> 00:33:37.839
afraid to quote unquote admit, especially
if they're older, that they've never been

350
00:33:37.920 --> 00:33:42.079
with a woman before, because they're
scared that they're gonna like get these reactions

351
00:33:42.079 --> 00:33:46.640
from lesbians, which are it does
happen. But I promise there are a

352
00:33:46.640 --> 00:33:51.720
lot of women out there who are
understanding and they know that everyone has to

353
00:33:51.759 --> 00:33:54.039
have a first time and some people
have it a little bit later, and

354
00:33:54.160 --> 00:34:00.480
like, I think as long as
both parties are grown ups and communication and

355
00:34:00.759 --> 00:34:05.759
honest with their feelings, then that
can that can work. So I'm glad

356
00:34:05.799 --> 00:34:09.320
that you talk about that in the
book, because it's just it's so hard.

357
00:34:09.639 --> 00:34:15.559
It's yeah, turky situation. It's
a bit part of the why of

358
00:34:15.599 --> 00:34:19.920
the book or so it's the to
tell people who want to try yeah,

359
00:34:20.119 --> 00:34:23.400
just try it, please, yes, exactly. Oh my god, how

360
00:34:23.480 --> 00:34:29.039
are you supposed to know if you
don't like it's just it's a catch twenty

361
00:34:29.079 --> 00:34:35.280
two. It's yeah, And if
you do things honestly and carefully, I

362
00:34:35.360 --> 00:34:40.639
mean exactly, someone can Like,
if you were a lesbian forever, you

363
00:34:40.679 --> 00:34:45.880
could also break the art of another
lesbian. I mean, that's what love

364
00:34:45.119 --> 00:34:50.039
is. Oh my. I've been
on so many rants about that, because

365
00:34:50.119 --> 00:34:53.519
if a bisexual woman breaks a lesbian's
heart, a lot of lesbians are like,

366
00:34:53.599 --> 00:34:58.079
that's it. I'm never dating another
bisexual woman ever again. But if

367
00:34:58.119 --> 00:35:00.000
a lesbian breaks a lesbian heart,
then ever, go, that's it.

368
00:35:00.039 --> 00:35:05.079
I'm never dating another libera. It's
like people break hearts. It sucks,

369
00:35:05.199 --> 00:35:08.239
but it happens. And I do
think there's a real double standard there in

370
00:35:08.360 --> 00:35:15.320
terms of the fear of men in
the patriarchy. It's like so ever looming.

371
00:35:15.719 --> 00:35:20.679
Yeah, yeah, but I love
the way you address that. Yeah,

372
00:35:20.840 --> 00:35:24.840
I have it in myself too.
I know that I was when I

373
00:35:24.880 --> 00:35:30.639
started to have It's not very true
actually, because I had crushes also on

374
00:35:30.079 --> 00:35:38.400
women who were questioning like myself.
But in terms of wanting wanting wanting to

375
00:35:38.519 --> 00:35:45.119
be with a person in a relationship, I knew I wanted to be with

376
00:35:45.760 --> 00:35:51.360
a lesbian because I so much wanted
to be part of this world that it

377
00:35:51.440 --> 00:35:54.920
was not as much I could have
maybe fell in love with whoever, but

378
00:35:57.599 --> 00:36:05.199
I was more attracted to But you
know, it's bad, but we can't

379
00:36:05.320 --> 00:36:12.760
help ourselves. Like a bisexual woman, I would have been less attracted.

380
00:36:13.119 --> 00:36:17.199
That's terrible what I'm saying. But
no, it's honest, that's okay.

381
00:36:17.360 --> 00:36:22.440
Like I used to have my co
host, Nicole, who used to it

382
00:36:22.519 --> 00:36:25.960
she's better about talking than this about
this that I am, But like she

383
00:36:27.159 --> 00:36:30.320
was so good at speaking to the
fact that, like we, we shouldn't

384
00:36:30.320 --> 00:36:37.239
feel guilty about a fundamental thing like
attraction as long as you're not blatantly being

385
00:36:38.039 --> 00:36:44.760
biphobic two people. But if if
your history and your experiences tend to make

386
00:36:44.840 --> 00:36:50.199
you more attracted to lesbians, that's
okay. I predominantly I'll balance you out

387
00:36:50.199 --> 00:36:53.320
because I almost always date bisexual women. I am more attracted to bisexual women.

388
00:36:53.519 --> 00:36:58.079
So I feel guilty about that for
not being more attracted to lesbians.

389
00:36:58.079 --> 00:37:01.639
So like we all carry this guilt
that we're supposed to be equally attracted to

390
00:37:01.719 --> 00:37:07.199
everybody and that's what inclusivity means,
but like that's not how it really works.

391
00:37:07.239 --> 00:37:12.480
Like attraction is this weird ethereal thing
that we don't really understand. And

392
00:37:12.519 --> 00:37:16.199
as long as we are treating people
kindly and respectfully, it's okay. If

393
00:37:16.199 --> 00:37:21.800
you're not equally attracted to every human
being on the planet, Like, it's

394
00:37:21.840 --> 00:37:27.239
just not a realistic model. And
I think especially for someone who has a

395
00:37:27.280 --> 00:37:30.960
lot of a lot of trauma with
men in their past, Like, of

396
00:37:30.079 --> 00:37:37.000
course, I think it makes sense
that you would be more attracted to women

397
00:37:37.159 --> 00:37:42.079
who have only been with women because
it takes men out of the equation.

398
00:37:42.280 --> 00:37:45.840
And oh yes, I mean I'm
guessing, but like I don't think there

399
00:37:45.840 --> 00:37:51.440
should be any guilt associated with feelings
like that. Yeah, I needed valide

400
00:37:52.000 --> 00:37:58.719
Can you say that in English?
Like validation? I needed validition from the

401
00:37:58.920 --> 00:38:07.119
queer community. I think that's why. And also it's all the it's I

402
00:38:08.159 --> 00:38:15.760
feel like sometimes it's not it's not
in terms of love and desire, it's

403
00:38:15.800 --> 00:38:21.360
not women, but I like,
if it's lesbian, it's the Yeah,

404
00:38:21.400 --> 00:38:25.880
it's sure. There is a bit
of that in the text of moniquviting about

405
00:38:27.039 --> 00:38:35.400
not being like about the fact that
women, no, lesbian are not women

406
00:38:36.519 --> 00:38:45.440
because there are another category, another
social interesting so all that subcategory. Yeah,

407
00:38:45.079 --> 00:38:50.320
it's it talks to me with all
the default that it does. It

408
00:38:50.679 --> 00:38:57.119
talks to me a lot. Yeah. Sure, So you had had experiences

409
00:38:57.119 --> 00:39:02.800
with women prior to meeting you're now
partner. Because you were, you did

410
00:39:02.840 --> 00:39:07.400
find people to explore it, and
so I knew by the time you met

411
00:39:07.400 --> 00:39:12.679
your partner you did feel solidly like, I know, I'm a lesbian and

412
00:39:12.719 --> 00:39:19.199
I'm looking to enter into a relationship
and all of that. Yeah. I

413
00:39:19.800 --> 00:39:30.000
didn't feel confident because I had few
experiences, not sure before, but but

414
00:39:30.039 --> 00:39:35.159
I was sure that I wanted that. I mean, yeah, I was

415
00:39:35.280 --> 00:39:39.639
like, Okay, this is it. Yeah. I think she didn't realize

416
00:39:39.679 --> 00:39:45.880
at first I had so few experiences
because I I told her but didn't really

417
00:39:45.920 --> 00:39:51.920
insist on it because as we talked
about it, I was ashamed, and

418
00:39:53.880 --> 00:39:57.840
then she was. I think she
was a bit like, Okay, that's

419
00:39:58.519 --> 00:40:05.199
that's kind of a new thing for
you like and but we actually was maybe

420
00:40:05.239 --> 00:40:08.320
at some point of being afraid of
that, but then we get along so

421
00:40:09.039 --> 00:40:16.559
it kept on walking. Does in
French? Is there any sort of label

422
00:40:16.880 --> 00:40:22.920
like demi romantic? Is that or
demi sexual? Is that something that feels

423
00:40:22.000 --> 00:40:28.760
at all relevant to you? Or
I'm just curious just because what we've talked

424
00:40:28.760 --> 00:40:36.679
about in terms of not necessarily leading
or the sexual feelings weren't necessarily the driving

425
00:40:36.800 --> 00:40:42.199
force of you realizing that you were
queer. I'm wondering if if there is

426
00:40:42.320 --> 00:40:53.280
anything there perhaps what I wrote about
the missexual but maybe I don't know it

427
00:40:53.480 --> 00:41:00.480
so much. Is it's not It
doesn't it doesn't seem to correspond to me

428
00:41:00.760 --> 00:41:07.039
so much. Sure, curious,
there is a probably and you can feel

429
00:41:07.079 --> 00:41:13.719
it in the book. Something in
my story who can be related to some

430
00:41:14.320 --> 00:41:21.480
assexuality spectrum. Sure that's what.
Yeah, Yeah, I don't feel the

431
00:41:21.639 --> 00:41:30.880
need to identify to it so much
because I'm more trying to dig to make

432
00:41:30.920 --> 00:41:37.320
the difference between the trauma trouble like
what comes from a trauma and it.

433
00:41:37.559 --> 00:41:44.559
For me, it's very intense,
it's very important this part of the thing.

434
00:41:45.440 --> 00:41:52.440
And there is also the fact that
as I was telling that I'm probably

435
00:41:52.519 --> 00:42:01.159
a non binary. It's also I
realize it because I'm really uncomfortable with some

436
00:42:01.320 --> 00:42:13.239
part of my body and that doesn't
help either in this in having like sexuality

437
00:42:14.760 --> 00:42:22.880
yeah, which is yeah, I
don't know, so I am Also I

438
00:42:22.920 --> 00:42:35.360
think I try to what I try
to say into the book. It's all

439
00:42:35.400 --> 00:42:40.559
the culture, all the contemporary culture, of the modern culture, of the

440
00:42:40.840 --> 00:42:47.119
liberated woman, the modern woman.
But it's so much pressure. It was

441
00:42:47.239 --> 00:42:53.639
really a blind spot. We said
the expression in French blind spot when something

442
00:42:53.840 --> 00:43:00.719
is good but you forget some part
of it. So sexual liberals and great,

443
00:43:00.159 --> 00:43:05.960
but put it it put it really
a lot of pressure on young women

444
00:43:06.559 --> 00:43:12.320
to be sexual, to be a
great. So if you want to be

445
00:43:12.440 --> 00:43:15.760
cool, if you want to be
feminist, you need to be you need

446
00:43:15.800 --> 00:43:20.480
to have a lot of libido,
you need a lot of section drive.

447
00:43:21.280 --> 00:43:24.880
I so agree with what you're saying. So I was just trying to copy

448
00:43:25.039 --> 00:43:31.400
that when I was young, like
to emulate myself to be in love with

449
00:43:32.000 --> 00:43:38.639
boys and to have experiences, experiences, But I didn't find what I liked,

450
00:43:39.480 --> 00:43:45.920
and I was there was a trauma
before, and I think I added

451
00:43:46.199 --> 00:43:53.039
more trauma being like that, like
really, really really realizing it. So

452
00:43:53.280 --> 00:44:00.280
no, I feel like my story
makes more sense if I consider all this

453
00:44:00.599 --> 00:44:06.679
and make it political. But in
a way, it's sure that I can

454
00:44:07.000 --> 00:44:14.800
also think of myself as on the
a sexual spectrum. I don't know sure

455
00:44:15.880 --> 00:44:20.719
if I explain it, well,
you were explaining this to me perfectly,

456
00:44:20.800 --> 00:44:23.719
and I feel like, honestly,
I was asking that question as like a

457
00:44:23.840 --> 00:44:30.000
clumsy way of getting to what you
just spoke about, which is that.

458
00:44:30.320 --> 00:44:35.320
And I am someone who, as
far as I know, I've never had

459
00:44:35.400 --> 00:44:39.639
any sort of sexual trauma or any
abuse or anything in my past, but

460
00:44:40.440 --> 00:44:46.559
I happen to, don't. I
don't consider myself like an overtly sexual person.

461
00:44:46.719 --> 00:44:52.480
I'm someone who maybe demi romantic or
demisexual might make a little sense for

462
00:44:52.599 --> 00:44:58.920
me. And I do feel like
sometimes there is a pressure, even in

463
00:44:59.440 --> 00:45:02.440
the queer female community. Oh yes, I do think there is a lot

464
00:45:04.320 --> 00:45:08.280
of emphasis on sex and sexuality for
all the reasons you're talking about, because

465
00:45:08.320 --> 00:45:15.719
it's a reclamation of being repressed and
of you know, of only being for

466
00:45:15.840 --> 00:45:19.400
the male gaze and all of these
things. And that's and that's great,

467
00:45:19.480 --> 00:45:23.119
But I do think that sometimes those
of us who whether it's because of trauma

468
00:45:23.239 --> 00:45:27.519
or just because of our personality or
whatever it is those of us who might

469
00:45:27.679 --> 00:45:35.599
not feel like that sexual or like
aren't into all of the different Like I

470
00:45:35.760 --> 00:45:38.960
do feel sometimes like it's like is
there, where's where's the place for me?

471
00:45:39.320 --> 00:45:43.920
Like just a boring, vanilla kind
of person. And I do.

472
00:45:44.280 --> 00:45:47.199
And I just really like the way
you talk about that in the book as

473
00:45:47.360 --> 00:45:51.320
like, Yeah, I don't know, it really struck a chord with me

474
00:45:51.480 --> 00:45:57.239
because I do sometimes feel a little
out of my element or like not cool

475
00:45:57.559 --> 00:46:02.719
in terms of all the focus on
sex. And it's so funny because it's

476
00:46:02.800 --> 00:46:08.199
like it's like why are we I
feel like we're taking a little bit of

477
00:46:08.320 --> 00:46:15.039
the patriarchy bit where the emphasis is
on sections and putting it in lesbianism.

478
00:46:15.599 --> 00:46:20.039
And it's like, no, don't
do that. But but I also recognize

479
00:46:20.079 --> 00:46:22.760
it's for some people that is very
liberate. I just want there to be

480
00:46:22.920 --> 00:46:27.719
space for all kinds of people.
Yeah, And I just I don't know

481
00:46:27.760 --> 00:46:36.519
how it's struck a chord. Yeah, I as as women are we we

482
00:46:36.639 --> 00:46:44.400
work consider it's it's always wrong our
relations our relationship with sexuality is always ye

483
00:46:44.760 --> 00:46:52.480
are too much else It's like you
what's the perfect balance of like, yeah,

484
00:46:52.920 --> 00:46:55.199
but I feel like it can be
Yeah, you can get side eye

485
00:46:55.400 --> 00:46:59.159
of like not being sex positive and
it's like no, no, no,

486
00:46:59.280 --> 00:47:02.239
I'm fine with you doing it.
I just might not like that might not

487
00:47:02.360 --> 00:47:06.320
be me And like, is that
okay? Am I still like cool and

488
00:47:06.559 --> 00:47:09.039
progressive? Yeah? And I do. Yeah, don't know. That's something

489
00:47:09.159 --> 00:47:15.679
I feel sometimes I feel out of
my elements sometimes, yeah, and the

490
00:47:15.760 --> 00:47:22.320
the Yeah, the spectrum is interesting. But the a sexual definition it would

491
00:47:22.440 --> 00:47:30.280
say I have no sexual attraction for
neither women or men, which is not

492
00:47:30.639 --> 00:47:37.159
right. Actually yet I have just
I have some sometimes a low sex drive.

493
00:47:37.320 --> 00:47:42.840
But sure is it? Maybe maybe
it's actually normal. Maybe it's just

494
00:47:42.960 --> 00:47:49.840
because of fictions, the movies.
Everything is so much based on sex and

495
00:47:49.960 --> 00:47:54.599
because sex is cool, Rush,
And I really agree with you. I

496
00:47:54.719 --> 00:48:00.760
remember do you have okay Cupid and
that do you know that in sight at

497
00:48:00.760 --> 00:48:06.159
all? Yeah? I was.
I was on it for a bit way

498
00:48:06.360 --> 00:48:09.440
back. But I remember one of
the questions that you could fill out was

499
00:48:09.559 --> 00:48:15.239
like, like, my sex drive
is lower than average, average, higher

500
00:48:15.360 --> 00:48:19.840
than average, And every single person
who, every woman whose profile I read,

501
00:48:19.960 --> 00:48:22.840
said above average. And I was
like, well, if everyone's is

502
00:48:22.880 --> 00:48:25.800
above average, then that's just average, Like how can everybody be in love?

503
00:48:27.119 --> 00:48:29.000
And it made me feel bad because
I was like, well, then

504
00:48:29.079 --> 00:48:31.480
do I have to put lower than
average? If everyone saying above average?

505
00:48:31.559 --> 00:48:35.679
Does that make it a curve?
Like it was so Yeah, and it

506
00:48:35.760 --> 00:48:40.320
made me feel like bad about myself. So it's just weird how sometimes we

507
00:48:40.440 --> 00:48:45.119
inadvertently copy the things we're trying to
get away from. Yeah, and I

508
00:48:45.519 --> 00:48:53.400
just your book spoke to that so
beautifully and I really appreciated that. Yeah.

509
00:48:55.199 --> 00:49:00.000
Well, I just I cannot emphasize
enough how beautiful for this book is,

510
00:49:00.320 --> 00:49:06.239
just in terms of the writing and
the illustrated It's just it's a really

511
00:49:06.280 --> 00:49:09.199
gorgeous book. Yeah, I don't
know. I was really moved by it.

512
00:49:09.280 --> 00:49:14.039
I really recommend it. It is
now available, So, yeah,

513
00:49:14.159 --> 00:49:17.280
Julie, where can people find the
book? Where can they find you?

514
00:49:17.480 --> 00:49:21.320
If you'd like to be found,
if you're on social media, you have

515
00:49:21.400 --> 00:49:23.960
a website, anything like that that
you want to that you want to plug.

516
00:49:27.599 --> 00:49:35.159
I think you can find the book
in every independent bookstore in the in

517
00:49:35.320 --> 00:49:38.079
the anglophone world. You can.
Just if it's not there, I think

518
00:49:38.119 --> 00:49:43.440
you can order. You can ask
the bookseller to order it for you.

519
00:49:44.239 --> 00:49:50.599
And if you happen to be in
New York City, I will be there

520
00:49:50.719 --> 00:49:54.159
for a festival in March, the
Moca FESTI is. That's what I can

521
00:49:54.239 --> 00:50:00.320
say, and I'm there. I
have an Instagram you can find there.

522
00:50:00.639 --> 00:50:07.719
I'm not very active on it.
I tend to sometimes remove it from my

523
00:50:07.880 --> 00:50:15.199
phone, but you can still see
throwing awesome. And what is your Instagram?

524
00:50:15.440 --> 00:50:22.599
What's the handle the name of the
Instagram. It's just it's my name.

525
00:50:22.639 --> 00:50:27.719
It's Julie Delpot Okay, perfect,
perfect with on the score at the

526
00:50:27.920 --> 00:50:30.800
end. But you I'll put it
in the in the show notes so that

527
00:50:30.920 --> 00:50:34.920
people can find you. Yeah,
and I'll put some information about where you

528
00:50:35.039 --> 00:50:42.440
can. And the book is published
by Drowning quite early. I don't know

529
00:50:42.519 --> 00:50:46.480
if you if we have said yeah, no, I'll put I'll put all

530
00:50:46.519 --> 00:50:51.719
of that in the show notes.
Say okay, And as for me,

531
00:50:52.440 --> 00:50:58.599
I am at Lauren Flans on Twitter, Lauren Underscore Flaws on Instagram. The

532
00:50:58.760 --> 00:51:02.639
podcast is at coming Out Pod everywhere. The hashtag is hashtag coming out Pod.

533
00:51:04.039 --> 00:51:07.880
Shout out to my incredible patrons,
Thank you too. Carmel kaz Simone,

534
00:51:08.079 --> 00:51:14.039
Cayenne, Michelle l Adri, Tanya
Pooh, Tia, Kieran Smiley,

535
00:51:14.320 --> 00:51:19.320
Aaron Mitchell, Diego Hernandez and beyond
Clexa dot com. And also, if

536
00:51:19.400 --> 00:51:22.880
you would like to help out the
podcast for free, a really wonderful way

537
00:51:22.920 --> 00:51:27.599
to do that is to rate it
five stars. You can rate it on

538
00:51:27.800 --> 00:51:31.679
either iTunes or Spotify, and on
iTunes you can even write a little review

539
00:51:31.960 --> 00:51:37.679
if you would like to. I
think thats about it, Julie, this

540
00:51:37.800 --> 00:51:40.719
has been such a pleasure. I'm
so thank you also for doing this full

541
00:51:40.800 --> 00:51:45.960
conversation in not your first language.
Your English is a billion percent perfect.

542
00:51:47.039 --> 00:51:52.800
Thank you, thank you, thank
you. You're greatly to meet you.

543
00:51:52.960 --> 00:51:59.679
Thank you for Tony read my accents. Oh my god, you're gorgeous.

544
00:51:59.760 --> 00:52:06.360
Act accent. Tolerating your accent.
That is the most like modest way I've

545
00:52:06.440 --> 00:52:12.000
ever a French person described their accent. No, thank you so much.

546
00:52:12.639 --> 00:52:15.519
All right, y'all, I will
see you next week. Bye,

