WEBVTT 1 00:00:11.240 --> 00:00:16.120 We' re here Listen, I' ve been doing the show for a 2 00:00:17.320 --> 00:00:20.839 while It' s got to look at how I had to go down and 3 00:00:20.839 --> 00:00:22.079 open the door Cooper took more than a minute. The cortinilla' s ready 4 00:00:22.359 --> 00:00:27.039 right now, so fast. Welcome today, today, welcome to this Monday, 5 00:00:27.239 --> 00:00:34.159 25 March. Welcome, amal doc Hello. How nice to be here 6 00:00:34.200 --> 00:00:41.799 starting the week together and very happy. Exactly welcome, Efra Babe Forgiveness. 7 00:00:41.840 --> 00:00:45.039 I' ve got a lot of ideas about you squealing about things and there 8 00:00:45.039 --> 00:00:47.280 ' s a lot of comments coming out of my head. Then it' 9 00:00:47.320 --> 00:00:51.359 s nine months to Christmas. Hey, I' ve got an end- 10 00:00:51.600 --> 00:00:56.119 of- care disorder and I don' t get comments like that, so 11 00:00:56.159 --> 00:01:00.679 there' s a lot of ideas coming out of your head, you don 12 00:01:00.679 --> 00:01:00.679 ' t get a lot of ideas, yeah, but not about that. 13 00:01:00.840 --> 00:01:04.439 But people don' t make a comment and they have a lot of ideas 14 00:01:04.439 --> 00:01:10.200 about that. Not to me if my special product. You have to make 15 00:01:10.280 --> 00:01:14.640 a special show for me. Yes, and I was very worried because I 16 00:01:14.680 --> 00:01:18.840 noticed that until the race a teacher had me draw because I was leaving. 17 00:01:18.840 --> 00:01:22.319 I then said hey good. It must be because I' m drawing it 18 00:01:22.319 --> 00:01:26.359 myself. I spend it like this, little drawings, you always have to 19 00:01:26.359 --> 00:01:30.040 be talking. I' m drawing. Ah, look how wonderful I made 20 00:01:30.120 --> 00:01:33.920 myself. I didn' t know my therapy, I' d never seen 21 00:01:34.040 --> 00:01:36.599 it had a way to save you. Lupitate Yes, yes, look. 22 00:01:36.760 --> 00:01:41.159 What' s interesting? What' s interesting? Hey, that' s 23 00:01:41.200 --> 00:01:44.840 enough today. Welcome to this day I am doing a little bit of welcome 24 00:01:44.840 --> 00:01:48.000 all those who are on Facebook, all those who are on YouTube, all 25 00:01:48.120 --> 00:01:52.719 those who are on all platforms that are iTunes, Amazon, Spreaker, Spotify. 26 00:01:52.879 --> 00:01:59.120 Thank you for being here and thank you so much for sharing with us 27 00:01:59.200 --> 00:02:02.200 for giving us your comments. All comments are very welcome. All your likes 28 00:02:02.280 --> 00:02:07.599 are also very welcome. Not only do they make us happy, they feed 29 00:02:07.680 --> 00:02:12.719 us already I am like José José is that applause is the food of art. 30 00:02:13.000 --> 00:02:15.840 Well, yeah, well, yeah. The truth is that it is 31 00:02:16.000 --> 00:02:20.520 to the extent that they like the program and tell us, because we are 32 00:02:20.560 --> 00:02:23.120 doing better and we are doing more. And though it' s not right, 33 00:02:23.479 --> 00:02:27.240 but thank you for being here. They' re all members of the 34 00:02:27.240 --> 00:02:30.680 channel. It' s notice that there' s already the women' s 35 00:02:30.800 --> 00:02:38.400 program, leaving a mark for the frid kahlo members and until and tomorrow it 36 00:02:38.400 --> 00:02:42.159 opens to the public, at five thirty I promise you I' ll set 37 00:02:42.159 --> 00:02:44.840 an alarm. I' m going to set an alarm for everything, because 38 00:02:44.879 --> 00:02:46.080 then I have a million things and I forget them. But I mean, 39 00:02:46.120 --> 00:02:50.039 it happens to me. But there it is and you can go and listen 40 00:02:50.199 --> 00:02:55.199 to this program that we made of the English children and everything and the recommendations 41 00:02:55.280 --> 00:03:02.120 that we just made in what we have to see you know that it is 42 00:03:02.159 --> 00:03:06.280 also interesting that you come to see the programs that we have made of narcissism, 43 00:03:06.520 --> 00:03:08.159 because that is what we are going to talk about, right now, 44 00:03:08.159 --> 00:03:14.520 pathological narcissism. But first of all, this note came out to notice that 45 00:03:14.520 --> 00:03:21.039 it flowed, as well as everywhere a very strong note I consider to be 46 00:03:22.080 --> 00:03:28.240 the break- in of the house of Shan Pop Tty, this man, 47 00:03:29.240 --> 00:03:34.120 because very famous rapper does not. The loss that Popa is here is that 48 00:03:34.199 --> 00:03:38.199 everyone already has it. Then they raided their homes, the houses they have 49 00:03:38.280 --> 00:03:45.080 in Miami, the houses they have in Los Angeles. Apparently not that. 50 00:03:45.840 --> 00:03:49.240 It has not been confirmed that there are also two of his sons among the 51 00:03:49.360 --> 00:03:53.759 detainees and he faces the accusation made November by an ex- girlfriend. But 52 00:03:53.840 --> 00:04:00.840 there are also three women and one man interviewing in New York. But these 53 00:04:00.919 --> 00:04:04.479 are the ones who call them Jane Joe, something so I didn' t 54 00:04:04.520 --> 00:04:08.080 know what it was until Boris explained it to me. But well, Jane 55 00:04:08.159 --> 00:04:11.000 Doe, they' re not called that. That' s what they tell 56 00:04:11.000 --> 00:04:15.959 them. Well, they' re good that they would be people who accuse 57 00:04:16.199 --> 00:04:25.600 and protect their name just then their legal name is Shan Comes. And here 58 00:04:26.079 --> 00:04:31.120 it is that the charges are very strong. The charges are for sex trafficking. 59 00:04:32.000 --> 00:04:38.040 He' s being charged with trafficking in people with sex trafficking. And 60 00:04:39.240 --> 00:04:44.120 because that' s very strong for U S internal security people over there, 61 00:04:44.319 --> 00:04:48.560 nando properties of rapper singer and businessman Shandon Comes, pof taty in California, 62 00:04:49.040 --> 00:04:55.480 New York and Miami, and arresting people and stopping a lot of people in 63 00:04:55.519 --> 00:05:00.040 these operatives who already know they' re wow. Like with a little fan, 64 00:05:00.680 --> 00:05:04.800 it does look like a movie, but in reality, I think it 65 00:05:04.879 --> 00:05:09.040 knows how much worse than the movie. No, because there' s all 66 00:05:09.079 --> 00:05:14.839 the media saying this, it' s trending. Of course, there' 67 00:05:14.959 --> 00:05:19.120 s a little echo. There, yeah, there' s a kitchen there, 68 00:05:19.600 --> 00:05:27.079 that one sounded like a whistle. It says good. The point is, 69 00:05:27.600 --> 00:05:31.079 there are some. He' s being charged with four people. One 70 00:05:31.199 --> 00:05:38.079 of them was his ex- girlfriend Pop Dary, former Jennifer Lopez. When 71 00:05:38.120 --> 00:05:42.480 they were a couple, he was arrested for possession of a gun and even 72 00:05:42.560 --> 00:05:46.560 the Jalow climbed the Julia, the Julian the white vans that picked up people 73 00:05:46.720 --> 00:05:50.199 here in Mexico, but I don' t think they were called the Julia 74 00:05:50.199 --> 00:05:55.759 anymore, but yes, they might have uploaded it to Julia Fabiola. I 75 00:05:55.879 --> 00:06:02.000 don' t agree with the bron, because they did stop this rapper and 76 00:06:02.120 --> 00:06:05.399 go to that knowing because they know what' s going on with this thing. 77 00:06:06.079 --> 00:06:13.319 Every time I see that the conspiranoics are more right, because it is 78 00:06:13.439 --> 00:06:20.160 that this sexual trafficking roll had already come out. What happens is that it 79 00:06:20.319 --> 00:06:29.399 seems to me that certain behaviors of order often go like chained, because thus 80 00:06:29.959 --> 00:06:35.319 illegal, because sometimes they intertwine one thing with another, even if some people 81 00:06:35.560 --> 00:06:40.839 deny it. And it' s not that it' s a fixed rule, 82 00:06:41.160 --> 00:06:46.240 but there' s a tendency that if you start with an illicit little 83 00:06:46.240 --> 00:06:49.240 thing, nothing happens, then someone comes and proposes something else and something else 84 00:06:49.560 --> 00:06:53.800 and something else, and then they get into more and more complicated things. 85 00:06:53.879 --> 00:06:57.480 To these characters I think I believe it, but I think it' s 86 00:06:57.519 --> 00:07:01.079 the other way around. I think they already attract in a story and suddenly 87 00:07:01.160 --> 00:07:06.279 they make a lot of money And to the story they already brought, because 88 00:07:06.360 --> 00:07:12.160 they add the power and money that they now have. If they used to 89 00:07:12.240 --> 00:07:15.839 do small things, they now have the means to do much bigger things, 90 00:07:15.040 --> 00:07:18.800 because they also say there are tunnels below the houses. That' s right, 91 00:07:18.879 --> 00:07:21.120 that' s right, that' s right, that' s right, 92 00:07:23.399 --> 00:07:28.759 that' s right, that' s right, that' s right, 93 00:07:29.079 --> 00:07:29.079 that' s right, that' s right, that' s right, 94 00:07:29.079 --> 00:07:29.079 that' s right, that' s right, that' s right, 95 00:07:29.079 --> 00:07:29.079 that' s right, that' s right, that' s right, 96 00:07:29.079 --> 00:07:29.079 that' s right, that' s right, that' s right, 97 00:07:29.079 --> 00:07:29.079 that' s right, that' s right, that' s right, 98 00:07:29.079 --> 00:07:29.079 that' s right, that' s right, that' s right, 99 00:07:29.079 --> 00:07:29.079 that' s right, that' s right, that' s right, 100 00:07:29.079 --> 00:07:29.079 that' s right, that' s right, that' s right, 101 00:07:29.079 --> 00:07:31.000 that' s right, that' s right. So we' ll 102 00:07:31.040 --> 00:07:36.240 see what happens and then we' ll start with this subject of pathological narcissism 103 00:07:36.319 --> 00:07:41.000 and then he shows up to see me. Describe to me because I no 104 00:07:41.079 --> 00:07:44.920 longer saw Federica' s photo coming up on stage to her son. She 105 00:07:45.000 --> 00:07:51.399 remembers that we have pointed it out, because I include myself by speaking so 106 00:07:51.560 --> 00:07:58.240 loudly of her son, not pretending to seek help or awareness about the problem 107 00:07:58.319 --> 00:08:03.279 or of or the better treatment and acceptance of the people who are within the 108 00:08:03.319 --> 00:08:07.680 autistic spectrum, but on the contrary, it has been as one we have 109 00:08:07.720 --> 00:08:11.639 seen so interpreted perhaps as a justification for eventually saying that she has to find 110 00:08:11.680 --> 00:08:16.680 out about her son because he has attacked her. And then here I say 111 00:08:16.720 --> 00:08:20.000 that she is a narcissist, because, instead of the problem being her son 112 00:08:20.199 --> 00:08:24.879 and her problem is she being attacked by her son, who has to be 113 00:08:26.279 --> 00:08:30.639 within the spectrum, not then good and I put him on the stage where 114 00:08:30.720 --> 00:08:37.000 Ephraim has him here that I heard yesterday from a world, especially in Chihuahua, 115 00:08:37.080 --> 00:08:41.799 in Chihuahua, and in fact, she was the one who uploaded the 116 00:08:41.840 --> 00:08:45.399 video to her instagram and that was being presented, so that means that they 117 00:08:45.480 --> 00:08:48.279 presented the concert of the ninety structor, which are these massive with all the 118 00:08:48.360 --> 00:08:56.720 artists. I was a little terrified, because the child has this is part 119 00:08:56.879 --> 00:09:01.720 of the Baptist spectrum that so much talked about Ugly and I thought about everything 120 00:09:01.919 --> 00:09:05.679 that a child with that kind of sensitivity can feel in such an imposing setting 121 00:09:05.799 --> 00:09:09.519 as it gives it structure, with so many people, with so much that 122 00:09:09.639 --> 00:09:11.639 they hear what I' m going to say. And if it' s 123 00:09:11.639 --> 00:09:18.200 important to touch it, because the little one was going to fall off the 124 00:09:18.200 --> 00:09:20.480 scene of the nineties. They saved her and so they said, Alexandra Rosado 125 00:09:20.559 --> 00:09:24.679 and so on. It is a dangerous place for a child, for a 126 00:09:24.720 --> 00:09:28.720 child with those abilities, but expose it to the vision of everyone in this 127 00:09:28.759 --> 00:09:31.559 way the truth. In the video I see the frightened child, he goes 128 00:09:31.600 --> 00:09:33.799 out to Daniel Magón, shakes his hand and so on, because he is 129 00:09:33.799 --> 00:09:37.440 a frightened child. I don' t understand Federica' s niche of exhibiting 130 00:09:37.440 --> 00:09:41.120 the child like that, not because it' s wrong, so I make 131 00:09:41.120 --> 00:09:41.799 a video with him. I don' t know a titon bl in his 132 00:09:41.840 --> 00:09:46.080 house, in the kitchen making cookies. I have no idea, but this 133 00:09:46.080 --> 00:09:48.960 question of taking you to a massive event is a little inhuman. Maybe I 134 00:09:48.960 --> 00:09:52.080 ' m wrong. I don' t have the correct information, I don 135 00:09:52.080 --> 00:09:54.759 ' t know. She might have told us something else. I' d 136 00:09:54.879 --> 00:10:00.879 like her to come and tell us where she' s doing those things, 137 00:10:01.639 --> 00:10:05.159 where she' s benefiting the Kid from this, because maybe I' m 138 00:10:05.240 --> 00:10:07.120 very bad and some teraprute told her to come up on stage. I don 139 00:10:07.120 --> 00:10:09.480 ' t know, I don' t think so, I' m having 140 00:10:09.480 --> 00:10:11.720 a mess. I don' t think so either, but maybe I' 141 00:10:11.799 --> 00:10:15.159 m having a judgment, a little cautious, and he' s already telling 142 00:10:15.159 --> 00:10:16.200 us something else. I' m not being made to expose him. I 143 00:10:16.240 --> 00:10:22.080 was rude and responsible to take him to a massive 1990s event, but I 144 00:10:22.159 --> 00:10:26.679 can' t understand a child being brought up. There really is with that 145 00:10:26.720 --> 00:10:33.039 ability. I' m already quiet, Doctor. I think it was risky. 146 00:10:33.279 --> 00:10:37.600 You' re right about Laura León if I saw him, because since 147 00:10:37.679 --> 00:10:41.600 there are so many lights that face the singers, the artists, that' 148 00:10:41.679 --> 00:10:48.320 s a very common thing. Not on a stage people don' t see 149 00:10:48.519 --> 00:10:52.080 much of the audience, frankly because the lights dazzle. So you' re 150 00:10:52.159 --> 00:10:54.879 not very, but well, as you don' t see, the public 151 00:10:54.919 --> 00:10:58.279 don' t see where the floor ends either. No, then they put 152 00:10:58.399 --> 00:11:01.519 marks and things on them, but many times they don' t get to 153 00:11:01.600 --> 00:11:03.159 see them and when they walk excitedly forward. That is why many, for 154 00:11:03.279 --> 00:11:07.320 they have fallen, some because they stumble, but others because they really do 155 00:11:07.399 --> 00:11:11.480 not calculate. So yes, that part is true and it is also true 156 00:11:11.440 --> 00:11:16.279 that many of the children, or a great majority of the children who are 157 00:11:16.360 --> 00:11:20.480 carriers of some condition of the autistic spectrum, are very sensitive to the light, 158 00:11:22.039 --> 00:11:24.120 precisely to the sound and the crowd and, in general, to everything 159 00:11:24.200 --> 00:11:28.279 that brings it out of its usual routines. Then it' s already been 160 00:11:28.360 --> 00:11:33.720 quite a bit, since it' s risky. What I think is that 161 00:11:33.840 --> 00:11:41.360 she just wanted to balance, whether the word fits or soften the effect of 162 00:11:41.960 --> 00:11:46.919 the last exhibitions she has made of her relationship with this son of hers, 163 00:11:46.519 --> 00:11:50.960 where she showed the most complicated part, the violent part, the aggressive part 164 00:11:52.039 --> 00:11:56.080 and so on. In fact, also in some way, making everything revolve 165 00:11:56.159 --> 00:12:01.360 around her and not so much to him and the other children who have autistic 166 00:12:01.480 --> 00:12:07.720 status, but as it was criticized for that in some media, including us, 167 00:12:07.759 --> 00:12:11.679 who said that there was no father that and then now it does the 168 00:12:11.799 --> 00:12:18.080 opposite, as saying. See how nice he can be happy now. See 169 00:12:18.159 --> 00:12:22.200 how I bring it well, not all is saying that he behaves in a 170 00:12:22.279 --> 00:12:26.440 hostile way, but he also enjoys and is nice to me and then takes 171 00:12:26.519 --> 00:12:31.759 him there to show. I feel like he' s wearing it to show 172 00:12:31.759 --> 00:12:35.039 something. There were many people in what I reviewed from comments that told him 173 00:12:35.039 --> 00:12:39.440 that how beautiful, how tender, how beautiful that he included his son in 174 00:12:39.559 --> 00:12:43.240 his artistic activity, which made them want to cry, that what an illusion, 175 00:12:43.720 --> 00:12:46.919 of course, because people in the end are always going to be tender 176 00:12:46.000 --> 00:12:50.759 with a child and knowing part of the story that she has revealed, they 177 00:12:50.799 --> 00:12:54.159 are going to move those sensitive fibers in people, which is nice not also 178 00:12:54.200 --> 00:13:01.320 that people can think in a loving way. I respect all that, but 179 00:13:01.519 --> 00:13:05.000 I do see an intention, because like that, I don' t like 180 00:13:05.080 --> 00:13:11.519 to mitigate a little what happened before, and I do think it could have 181 00:13:11.519 --> 00:13:13.759 been a bit complicated. It looks like it went well, not that it 182 00:13:13.879 --> 00:13:16.080 was a moment it goes up it will surely come down already from there they 183 00:13:16.159 --> 00:13:18.600 took it somewhere else, because I don' t think he could be at 184 00:13:18.600 --> 00:13:22.399 the concert all the time. But I do think it was some kind of 185 00:13:22.519 --> 00:13:24.919 justification that she wanted to make of everything else that I' ve been exposing, 186 00:13:26.799 --> 00:13:31.960 notice that it might have worked out, but we don' t know 187 00:13:31.960 --> 00:13:33.759 why the second part of the surprise we saw, I mean, she didn 188 00:13:33.759 --> 00:13:35.879 ' t explain. My son' s home, he' s asleep, 189 00:13:37.360 --> 00:13:41.000 he can sleep. He' s nervous, he' s anxious. Yes, 190 00:13:41.120 --> 00:13:46.399 I think I know to see if for an ordinary person such a big 191 00:13:46.519 --> 00:13:50.759 stage or a small auditorium, it intimidates, that is, children get nervous 192 00:13:50.840 --> 00:13:54.159 when they have to go on exposure before in front of their living room, 193 00:13:54.399 --> 00:13:58.080 when they have to go to an assembly inside their school to dance. He 194 00:13:58.200 --> 00:14:01.320 gets nervous if there' s half a go. That' s normal. 195 00:14:01.679 --> 00:14:07.600 Now imagine this overwhelming stage with lights like you' re saying, with strident 196 00:14:07.720 --> 00:14:11.679 music and so on. The child, of course, felt safe with his 197 00:14:11.720 --> 00:14:16.080 mother, but we don' t really know what the minor' s reaction 198 00:14:16.159 --> 00:14:22.639 was. But there is one thing that is not consistent in Federica when one 199 00:14:22.440 --> 00:14:26.399 is previously warning us of these starts that it has, as I said earlier, 200 00:14:28.440 --> 00:14:31.799 because then why you expose it to suddenly having another, why you expose 201 00:14:31.480 --> 00:14:37.759 it to that or that I think you do say something very clear. She 202 00:14:37.879 --> 00:14:43.080 wants to show something, but above all she wants to show herself that' 203 00:14:43.159 --> 00:14:46.559 s why I put her the narcissist. She wants to show what a good 204 00:14:46.559 --> 00:14:48.240 mother she is. She wants to show how well she takes care of her 205 00:14:48.240 --> 00:14:52.440 son. She wants to show that great artist. It' s because the 206 00:14:52.320 --> 00:14:56.919 praises, the praises you must have read, went to her, not to 207 00:14:56.919 --> 00:15:00.159 her son. So, that' s how she left. That' s 208 00:15:00.240 --> 00:15:03.200 how you look, that' s how you count. That' s very 209 00:15:03.279 --> 00:15:07.879 much the narcissists, that is, hanging the medal of a merit that doesn 210 00:15:07.919 --> 00:15:13.320 ' t belong to them. Don' t listen, hey, the wife 211 00:15:13.320 --> 00:15:16.440 ran her over. Oh, but how nice the husband who took care of 212 00:15:16.000 --> 00:15:20.919 her, yes, but she was run over, but the husband got flowers, 213 00:15:22.360 --> 00:15:26.279 but no, but that' s very narcissistic, very narcissistic. You 214 00:15:26.399 --> 00:15:30.000 hung up a wafer that doesn' t belong to you, but they know 215 00:15:30.000 --> 00:15:31.039 what I' m doing. She has told us that the child has autism, 216 00:15:31.320 --> 00:15:35.919 extremely serious, which is in trait, in a very high and terrible 217 00:15:35.080 --> 00:15:39.480 rank. And so then I don' t check gymnastics with federal magnesia, 218 00:15:41.360 --> 00:15:43.120 that is to say, because what isn' t coherent, is not quarante 219 00:15:43.240 --> 00:15:48.120 what he said about a start and then expose what he has another. And 220 00:15:48.200 --> 00:15:52.000 then, what worries me is that both your mom' s heart cares more 221 00:15:54.799 --> 00:15:58.320 than he does that they say as an artist, because you already internalized everyone, 222 00:15:58.480 --> 00:16:00.639 but it' s all about those who let themselves be screened quickly, 223 00:16:00.120 --> 00:16:04.759 because those of us who have brains get to reflect. We think about the 224 00:16:04.759 --> 00:16:10.159 attitude of a child with this spectrum and we say Federica you' re doing 225 00:16:10.320 --> 00:16:11.279 well, but look at you know that Ephraim of what he' s doing. 226 00:16:11.440 --> 00:16:15.519 Yeah, yeah, well, maybe us because we' re hearing. 227 00:16:17.559 --> 00:16:18.960 Not you, no, no, no, no, no, maybe we 228 00:16:18.000 --> 00:16:23.000 ' re very. We' re analyzing it, because that' s what 229 00:16:23.039 --> 00:16:26.440 we like to do. But in the common denominator of day- to- 230 00:16:26.759 --> 00:16:33.720 day life, the narcissist almost always gets away with it. Then or when 231 00:16:33.759 --> 00:16:37.720 the wife arrives, when there is hear, how you treat your mom if 232 00:16:37.799 --> 00:16:41.960 she' s so good, if we' re seeing that she' s 233 00:16:42.000 --> 00:16:45.519 so cute hears, but how is it possible that you talk like that about 234 00:16:45.559 --> 00:16:48.559 your wife, man, because how do you tell me, that is, 235 00:16:48.559 --> 00:16:52.279 if she watches that she' s so cute and maybe, the lady steals 236 00:16:52.360 --> 00:16:52.639 the money or I don' t know, that is, how she gets 237 00:16:52.639 --> 00:16:53.159 home every day at five o' clock in the morning. I don' 238 00:16:53.159 --> 00:16:56.639 t know. It' s an example, but it' s narcissistic. 239 00:16:56.120 --> 00:17:03.839 That makes you enchant, enchant like the exact snake charmer, because what you 240 00:17:03.880 --> 00:17:11.759 do then is give a feeling like look how proud I am of my son 241 00:17:11.920 --> 00:17:15.640 who I don' t hide and then I take some concert that isn' 242 00:17:15.799 --> 00:17:21.200 t the best space for the child. So you' re getting along with 243 00:17:22.000 --> 00:17:26.000 an audience that' s gonna think right about you. It' s for 244 00:17:26.039 --> 00:17:29.200 the benefit of that child' s welfare. Why don' t you show 245 00:17:29.240 --> 00:17:30.960 the kid like you said? Why don' t you show the child in 246 00:17:32.039 --> 00:17:34.319 your therapy so we can see how it goes forward and then we applaud him, 247 00:17:34.680 --> 00:17:40.279 not you as mom hear and change, then there, there, to 248 00:17:40.279 --> 00:17:45.720 narcissism, already here, already pathological, I always ventured queens in the name 249 00:17:45.799 --> 00:17:48.759 of God Look I know why they wrote it to me. It' s 250 00:17:48.200 --> 00:17:51.519 just that you understand how they wrote to me, just like you said, 251 00:17:51.839 --> 00:17:53.920 it' s going to go to that mache. You understand it' s 252 00:17:53.920 --> 00:17:56.680 a script. I know it' s an ion here. The problem is 253 00:17:56.759 --> 00:18:03.400 that I don' t know who advised Lucía Méndez to accept this script, 254 00:18:03.599 --> 00:18:10.599 because in this script Lucía Méndez effectively remains a very unpleasant pathological narcissist. I 255 00:18:10.640 --> 00:18:11.960 mean, there' s nowhere to save. If before everyone said it is 256 00:18:12.039 --> 00:18:15.839 not that the shoe hour is the villain, it is the bad one, 257 00:18:15.160 --> 00:18:18.920 because here there is no bad one. Yeah, the only bad person in 258 00:18:19.000 --> 00:18:26.240 all reality ever queens is Lucia Mendez. It' s rude, it' 259 00:18:26.359 --> 00:18:29.880 s despotic, it' s displacing. She doesn' t realize she doesn 260 00:18:30.039 --> 00:18:33.880 ' t realize, I mean, she doesn' t realize that Netflix is 261 00:18:34.000 --> 00:18:38.839 making herself. Netflix' s doing the trick. It' s a satire 262 00:18:38.920 --> 00:18:45.200 with Lucia Mendez. They' re already using her to make fun of herself, 263 00:18:45.359 --> 00:18:48.720 but she' s not conscious. She still thinks she does it like 264 00:18:48.799 --> 00:18:52.759 a diva and she doesn' t. The truth is, it' s 265 00:18:52.000 --> 00:19:00.519 like a burlesque here. Burlesco seems to me like even ridiculous. The beautiful 266 00:19:00.599 --> 00:19:07.200 scenes, as the doggy in the impressive chair, impressive, the four seconds 267 00:19:07.400 --> 00:19:12.640 he sings sweet are spectacular, that is, the seconds he sings sweets are 268 00:19:12.720 --> 00:19:18.400 brutal. And the truth is that you say, for how I explain it 269 00:19:18.480 --> 00:19:22.319 to Mendez like this, I don' t know how you saw it. 270 00:19:23.519 --> 00:19:30.079 I saw him in a sit- in, it' s literal, in 271 00:19:30.119 --> 00:19:33.960 six hours of seeing those dysness I would stand up, stand up for water 272 00:19:33.039 --> 00:19:37.799 or also what I felt bad about my throat on Saturday. But you know 273 00:19:37.880 --> 00:19:41.440 what happens that I believe, I share that there is a script, but 274 00:19:41.720 --> 00:19:47.839 it is a script that comes prepared to go towards the personality of each one. 275 00:19:48.400 --> 00:19:51.119 That' s the reality. I mean, they didn' t take 276 00:19:51.119 --> 00:19:52.640 them with them, but they weren' t going to put something in them, 277 00:19:53.000 --> 00:19:56.799 to make them that wasn' t organic of them, because we didn 278 00:19:56.880 --> 00:20:00.440 ' t see any of them outside of what they are, or Lorendo we 279 00:20:00.680 --> 00:20:06.759 saw her do what always astute pink Gloria sweet to all, because apart I 280 00:20:06.759 --> 00:20:11.319 followed the pearls and she looked like, that is to say, unfortunately, 281 00:20:11.519 --> 00:20:12.240 what they did was put everything and a mandeja of silver for us to see, 282 00:20:12.240 --> 00:20:14.119 as it is because we didn' t see it. It wasn' 283 00:20:14.319 --> 00:20:17.000 t may hey either, no, but look, you' re talking. 284 00:20:17.240 --> 00:20:19.160 She gets like the diva that comes out in the center of the photo, 285 00:20:19.599 --> 00:20:23.720 the super rela Lucía, the super diva, and then in the first scene 286 00:20:23.839 --> 00:20:27.680 she' s fighting with Lorena Herrera, she' s wearing black gloves. 287 00:20:29.359 --> 00:20:37.039 He wipes his mouth with gloves, with gloves more than once. Uh, 288 00:20:37.039 --> 00:20:40.960 there' s no Diva, Lupe, no, no, but there they 289 00:20:41.039 --> 00:20:44.079 are telling you and she says it all the interviews she' s a great 290 00:20:44.079 --> 00:20:47.839 one. No, but he doesn' t use napkins, for example. 291 00:20:47.920 --> 00:20:51.880 No. I don' t know, for example, what to fuck up 292 00:20:52.000 --> 00:20:55.799 some Lorenda Herrera, apparently doing a lot of this, I don' t 293 00:20:55.799 --> 00:20:56.680 know what she' s doing. But, well, you do break education. 294 00:20:57.480 --> 00:21:00.200 They have a part that you don' t know very much, you 295 00:21:02.119 --> 00:21:06.240 shouldn' t have their little, but something ah not if my hatred told 296 00:21:06.480 --> 00:21:07.960 me I said it, no, I don' t know the truth and 297 00:21:07.960 --> 00:21:08.680 I' m going it. The dentist says that the prosthesis is bad on 298 00:21:10.119 --> 00:21:14.119 then the prota is bad on. I knew, but I did have jacketz. 299 00:21:15.480 --> 00:21:19.000 But the thing is, I mean implants here. The point is that, 300 00:21:19.440 --> 00:21:23.880 for example, Olivia Collins is absolutely transparent. He talks about his deafness, 301 00:21:25.920 --> 00:21:29.119 he talks about his daughters, he goes with the horses. Cry there 302 00:21:29.240 --> 00:21:33.960 ' s a very real part of Olivia Collins. There is another real part 303 00:21:34.160 --> 00:21:37.240 of this rose, Gloria Chagoyan, when she goes with the husband and husband, 304 00:21:37.440 --> 00:21:41.599 the Chaporas and so on. And a woman like very authentic, very 305 00:21:41.680 --> 00:21:47.119 difficult to fake Lorena because she is already in training, because she has already 306 00:21:47.200 --> 00:21:49.839 passed the one time. Then she already knows what she' s going to 307 00:21:49.839 --> 00:21:56.039 do. But and well, I mean, well, sweet. No doubt 308 00:21:56.240 --> 00:21:57.599 it' s like the not even the villain, that is, the part, 309 00:21:57.839 --> 00:22:00.720 is the most important that because it' s the one that sings in 310 00:22:00.720 --> 00:22:04.680 the end. But Lucia makes a fool of her. She' s on 311 00:22:04.680 --> 00:22:10.680 her own. They make a fool of themselves Notice that I saw a year 312 00:22:11.279 --> 00:22:15.519 before I saw what, little that I reached, because the truth is, 313 00:22:15.519 --> 00:22:17.920 I had a lot of social life. Finally Saturday, especially and already on 314 00:22:18.240 --> 00:22:23.599 Sunday was very fumigated and I saw little to see that it will be the 315 00:22:25.480 --> 00:22:29.039 first chapter and half of the second. Something like that. But I saw 316 00:22:29.160 --> 00:22:33.480 an interview she had with Lucía Mendez. I' m talking about the micha. 317 00:22:33.079 --> 00:22:37.160 About all this and Adela Micha was telling her I' m sorry she 318 00:22:37.960 --> 00:22:41.119 didn' t add up to you everything that happened on that show. I 319 00:22:41.200 --> 00:22:45.920 tell you and that interview came out before the show premiered and then Lusión, 320 00:22:47.079 --> 00:22:49.400 it does reveal that, in fact, there is a script, but that 321 00:22:49.480 --> 00:22:55.640 the script is like very small, that it is like very small, like 322 00:22:55.720 --> 00:22:57.200 an indicator, nothing more of you are going to be like that, tuasado 323 00:22:57.319 --> 00:23:00.519 and from there you explain yourself in and in fact, as I say ephrain, 324 00:23:00.759 --> 00:23:06.640 because it comes out naturally, because in addition, the script is like 325 00:23:06.759 --> 00:23:11.119 elaborated according to each person, as it really is and she says in the 326 00:23:11.160 --> 00:23:15.079 end, you follow and you explain yourself and it is you and I did 327 00:23:15.240 --> 00:23:18.920 get angry about this And this more, I did rebel with this, because 328 00:23:18.960 --> 00:23:25.480 it was real that my manager had arranged or agreed certain credits and certain place 329 00:23:25.519 --> 00:23:29.599 for me and others, that is, many things are true and it is 330 00:23:29.720 --> 00:23:33.559 no secret, because yes Lumentes has that personality because in addition, at his 331 00:23:34.240 --> 00:23:37.440 time it did have to be very important. It' s telefera, but 332 00:23:37.559 --> 00:23:38.880 let me see this Look, I want to be, but that' s 333 00:23:38.880 --> 00:23:41.519 where it stayed. Says Yoridia Muñoz, tells us she sang at Madison Square 334 00:23:41.599 --> 00:23:47.559 Garden. So respect. No one' s disrespecting me. He doesn' 335 00:23:48.079 --> 00:23:52.039 t even have to sing at Madison Square Garden. He has the best sweet 336 00:23:52.039 --> 00:23:56.920 voice, he has considerably better you by far, but well, here' 337 00:23:56.920 --> 00:24:00.599 s the case. You don' t think that' s what I think. 338 00:24:02.680 --> 00:24:04.000 I' m going to say it in peace and the bitch didn' 339 00:24:04.079 --> 00:24:10.160 t come, which is the one who should say it all with all the 340 00:24:10.160 --> 00:24:17.759 peace of the world. He is not a person who is not aware of 341 00:24:17.880 --> 00:24:23.400 the moment that corresponds to him, because to see if he has a career 342 00:24:23.960 --> 00:24:29.759 of many protagonists of having made films and then she says I am me when 343 00:24:29.759 --> 00:24:32.079 it is me, when I spoke one day with Silvia Pinal. We talked 344 00:24:32.079 --> 00:24:36.680 about being divas being very difficult. He played, that is to say, 345 00:24:37.000 --> 00:24:41.720 you did make many novels, but Silvia thought, besides, she was a 346 00:24:41.839 --> 00:24:48.000 deputy and she painted it Diego Rivera and also worked with Buñuel and also, 347 00:24:48.160 --> 00:24:49.880 Forget about bringing many plays, a theater producer. I mean, if you 348 00:24:49.920 --> 00:24:52.960 made a lot of novels and recorded records and made yourself, let' s 349 00:24:52.960 --> 00:24:57.440 see. But then why does it go? So it doesn' t seem 350 00:24:57.559 --> 00:25:03.839 to you, it doesn' t seem to you two that you' re 351 00:25:03.920 --> 00:25:08.880 looking at a self- deception to assume that the rest of the people are 352 00:25:10.079 --> 00:25:15.880 still seeing you as really that beautiful diva that was starting square, that is 353 00:25:15.960 --> 00:25:17.359 vain and colorful and everything and we all have at some point in our lives. 354 00:25:17.440 --> 00:25:21.000 I can' t skate on wheels anymore because I can' t anymore, 355 00:25:21.279 --> 00:25:23.960 I don' t think so anymore, and I think she' s 356 00:25:25.039 --> 00:25:30.839 fooling herself that she' s still at her best. Efraín was the diva 357 00:25:30.920 --> 00:25:37.920 of Mexico, a very sad one, had its moment. I am in 358 00:25:37.960 --> 00:25:41.279 many groups of whatsapps of people my age, where there are many people and 359 00:25:41.400 --> 00:25:45.720 I asked them what reference they have of exclusive Mendez and passed the river. 360 00:25:47.400 --> 00:25:52.680 I ask Maria. The seas kept quiet. But if I ask who Lvia 361 00:25:52.799 --> 00:25:56.720 is, say, who Maria Felix is, I am alive, of course, 362 00:25:57.000 --> 00:26:02.559 she is not important, but the other, but she was not current, 363 00:26:03.079 --> 00:26:06.480 because even to see a going to chaste. My generation knows her by 364 00:26:06.559 --> 00:26:10.759 the house of flowers, that is, you should seek forgiveness is not valid 365 00:26:11.240 --> 00:26:14.319 if it were not for the past queens and the lawsuit that had to speak 366 00:26:14.319 --> 00:26:17.720 again of the bra Zapatista and had to speak again of because they dedicated twenty 367 00:26:17.799 --> 00:26:19.759 minutes of the first chapter to the past queens that were no longer there, 368 00:26:21.000 --> 00:26:22.759 because this lady decided that they were not there. I' m already mad. 369 00:26:22.599 --> 00:26:26.079 But when I bring Dulce as a good narcissist who is the lady, 370 00:26:26.720 --> 00:26:27.599 I want to fill her up. You don' t tell him. If 371 00:26:27.640 --> 00:26:32.720 someone messes with me, you jump for my truth or she wanted Dulce to 372 00:26:32.880 --> 00:26:37.119 be his puppet, not that it was Lucia' s intention, because he 373 00:26:37.720 --> 00:26:41.200 and someone jumps for my weasel you jump, right, and then he says 374 00:26:41.319 --> 00:26:48.480 hey, Dulce, but you sing very well, but it' s not 375 00:26:48.599 --> 00:26:52.079 so hard to be your abbots like that, but then it' s simple 376 00:26:52.119 --> 00:26:56.119 about the song, not limiting Sweet or you' re going Ney forgiveness. 377 00:26:56.480 --> 00:27:00.920 He does not hear, for there is no way that he will remain inferior 378 00:27:02.000 --> 00:27:03.200 to what he does, that is, as much as they will sing the 379 00:27:03.240 --> 00:27:08.759 partita to them. Don' t notice that I think it' s very 380 00:27:08.839 --> 00:27:12.519 important what you said, because it made me think about what Lupita said a 381 00:27:12.519 --> 00:27:18.799 while ago that, in fact, the narcissists get things to turn around. 382 00:27:18.799 --> 00:27:22.319 So, the little I saw is when there' s actually gonna be Dulce, 383 00:27:22.720 --> 00:27:26.640 that of course everything is armed. Luz Dulce is in superstar, she 384 00:27:27.079 --> 00:27:32.759 says performing, but she is super made up, combed and forget about intimacy. 385 00:27:32.799 --> 00:27:36.480 It' s but good comes and proposes and then there' s a 386 00:27:36.519 --> 00:27:41.599 moment you start talking about your friendship and then you say lusciously that Sweet. 387 00:27:41.240 --> 00:27:44.839 Well, it' s just that you at some point wanted to lose your 388 00:27:44.839 --> 00:27:48.039 life. When you had that breakup, you remember and how it' s 389 00:27:48.119 --> 00:27:51.799 possible what the world would have missed by losing you like it' s giving 390 00:27:51.880 --> 00:27:55.839 you a little bit of coba first, but then start to talk about that 391 00:27:56.000 --> 00:28:00.039 depression that Sweet had for a hard divorce was very important to her. That 392 00:28:00.119 --> 00:28:02.039 ' s why she' s always gonna love her and she' s gonna 393 00:28:02.039 --> 00:28:04.440 thank her. She' ll always be her great friend and then she doesn 394 00:28:04.559 --> 00:28:10.359 ' t start pulling towards her and then Dulce leaves her and says yes, 395 00:28:10.640 --> 00:28:12.519 because you took me out to eat. It' s not that you didn 396 00:28:12.599 --> 00:28:15.319 ' t eat and I was worried and then there was going to be. 397 00:28:15.559 --> 00:28:18.640 I mean again they' re talking about Sweet' s depression and the great 398 00:28:18.680 --> 00:28:22.839 talent that would have been lost, but start talking about her how she saves 399 00:28:22.839 --> 00:28:26.359 her. Well, the subject of narcissism. It' s important to understand. 400 00:28:26.480 --> 00:28:30.720 For the next reason, because I know that there are people who do 401 00:28:30.759 --> 00:28:34.400 remember very much in luciously, who are faithful admirers of it and it is 402 00:28:34.680 --> 00:28:38.000 very lame because we all have our tastes and our idols. And what' 403 00:28:38.119 --> 00:28:42.839 s the point here is that narcissism, obviously, we' ve already talked 404 00:28:42.880 --> 00:28:49.200 about it on the previous occasions, it' s been broken up too much 405 00:28:49.200 --> 00:28:53.279 recently in creating your life. And then it is to think that narcissism is 406 00:28:53.400 --> 00:28:56.799 a natural condition of the human being with whom we are born and has to 407 00:28:56.799 --> 00:29:00.160 go. Or it goes like smoothing when we realize there' s a world 408 00:29:00.240 --> 00:29:03.839 out there, there' s a lot of people who are also important and 409 00:29:03.880 --> 00:29:07.400 with whom we have to share this planet and our parents and so on. 410 00:29:07.359 --> 00:29:12.839 Then there is something called narcissistic traits or aspects of the narcissistic character that we 411 00:29:12.920 --> 00:29:18.240 all have when we feel very proud of something, when we genuinely feel that 412 00:29:18.319 --> 00:29:22.319 there is something, a little thing that we did better than another and that 413 00:29:22.960 --> 00:29:27.079 is worth recognizing. And then there' s a kind of personality, like 414 00:29:27.200 --> 00:29:33.160 a narcissist. And finally, there is a narcissistic personality disorder, which is 415 00:29:33.279 --> 00:29:37.240 what Lupita said, because it is pathological narcissism. That exists and that' 416 00:29:37.319 --> 00:29:41.119 s the most important problem he has is what Letita also said that the person 417 00:29:41.200 --> 00:29:44.839 doesn' t realize, that he doesn' t realize, exactly no, 418 00:29:45.119 --> 00:29:48.000 but more, there isn' t someone there who says hey don' t 419 00:29:48.000 --> 00:29:52.119 do it. This is to recite it, that is because I believe that 420 00:29:52.240 --> 00:29:56.880 I have allowed or not to have reviewed the Ser Reality edition so that Lucia 421 00:29:56.000 --> 00:30:00.839 would stay as if not, because she gets in the middle and everything and 422 00:30:00.920 --> 00:30:02.920 I don' t know how to see me is telling me here. Look 423 00:30:03.000 --> 00:30:07.720 Lucia has two hundred and twenty- two listeners in Spotify, Philie and makes 424 00:30:07.720 --> 00:30:11.799 fun of herself. In that way he' s nice and sweet no more 425 00:30:11.799 --> 00:30:15.400 Kingsbor. It' s not that no one questions their popularity, no one 426 00:30:15.480 --> 00:30:18.799 questions it. But the sweet one sings better. Yes, but she was 427 00:30:18.920 --> 00:30:22.480 a great artist who has a great career, who is always looking for something 428 00:30:22.559 --> 00:30:26.880 to do, that when she was in Pandemia, she made her YouTube that 429 00:30:26.960 --> 00:30:30.359 that doesn' t take it away from anyone, absolutely nobody. This reality, 430 00:30:30.519 --> 00:30:34.319 specifically this reality, because in the past, in him you always reign 431 00:30:34.400 --> 00:30:37.640 one could say no, man, the time you spent, because the work 432 00:30:37.759 --> 00:30:42.880 very clear, I mean, yes, it was frontal, but in this 433 00:30:42.920 --> 00:30:47.799 here there is no defense for Lucia Mendez. There won' t be anyone 434 00:30:47.839 --> 00:30:52.880 on your team who would have reviewed the reality and seen that edition to know 435 00:30:52.920 --> 00:30:56.359 that it was going to look very, very bad, even if it was 436 00:30:56.359 --> 00:31:00.000 a reality, nothing more, even if it' s a script even if 437 00:31:00.000 --> 00:31:02.799 it' s because it' s just passing it away. Dark sees what 438 00:31:02.839 --> 00:31:04.759 he says to me, my loyal one says, even if they tell him, 439 00:31:04.920 --> 00:31:07.319 she' s going to interpret it as an attack out of envy. 440 00:31:07.759 --> 00:31:11.680 Sure, sure, it' s typical. He' s here. That 441 00:31:11.720 --> 00:31:14.920 ' s the problem. Then it' s not that they envy me and 442 00:31:15.000 --> 00:31:15.559 then that' s why they throw me out. But I don' t 443 00:31:15.720 --> 00:31:18.599 leave and that classic isn' t too I won' t leave, because 444 00:31:18.680 --> 00:31:22.839 I won' t stop what I mean, I won' t like to 445 00:31:22.960 --> 00:31:25.839 put it into evidence. That would be good. I' m not going 446 00:31:25.880 --> 00:31:29.680 to let myself get evidence. Do not lose the floor, do not lose 447 00:31:30.319 --> 00:31:33.839 the center and fall into a game that possibly or not possibly if you are 448 00:31:33.839 --> 00:31:40.000 being pushed, but you are going right not also to claim something that does 449 00:31:40.039 --> 00:31:44.480 not, because that would not be necessary. But that' s how they 450 00:31:44.599 --> 00:31:47.359 do it. It was so funny to me. I' m telling you 451 00:31:47.359 --> 00:31:48.079 because I saw little, I saw the first chapter and half the second. 452 00:31:48.480 --> 00:31:52.559 But also when I don' t, I don' t want to go, 453 00:31:52.000 --> 00:31:53.720 because I' m being invited to a Drack Queen show if I don 454 00:31:53.720 --> 00:31:56.359 ' t want to go. But this because I' m going to go 455 00:31:56.480 --> 00:32:01.680 and no way and then he finds out surprising me that the show is Lorena 456 00:32:01.759 --> 00:32:06.880 ' s or the one that just had a disarray in a photo shoot at 457 00:32:07.039 --> 00:32:12.640 first, but also he' s dressed in a what' s called a 458 00:32:13.039 --> 00:32:15.240 monkey or a yes, a body walk was a high body, a golden 459 00:32:15.240 --> 00:32:19.640 moderate and everything and I, because I had no more to see no and 460 00:32:19.759 --> 00:32:22.079 I' m going to tell him and then they came up and people kept 461 00:32:22.079 --> 00:32:23.559 insisting that he looked like to sing. Lucia, because I had to sing, 462 00:32:23.759 --> 00:32:30.160 that is, all those things you say carae not when, because I 463 00:32:30.240 --> 00:32:31.799 know that' s what the show is about. But as you say they 464 00:32:32.039 --> 00:32:37.759 don' t take care of her, she doesn' t take care of 465 00:32:37.880 --> 00:32:40.640 herself, and then she puts together all this stuff where she does exhibit a 466 00:32:40.839 --> 00:32:44.440 personality trait that I think is genuine that she feels that react. It' 467 00:32:44.640 --> 00:32:46.440 s that of course to allow that reality to be published leaving the thing. 468 00:32:46.519 --> 00:32:51.319 I mean, it' s not to notice Ephraim, because she truly believes 469 00:32:51.400 --> 00:32:53.680 it' s the diva of Mexico. I mean, I want your safety 470 00:32:53.720 --> 00:32:58.440 for a weekend, so I have to be a bunch of nerves and I 471 00:32:58.759 --> 00:33:01.359 ' m super scary. I want the category of the diamans for a weekend, 472 00:33:01.519 --> 00:33:07.279 because I' m going to tell you what jumped me inclusively doesn' 473 00:33:07.880 --> 00:33:09.240 t have a good voice, I mean, don' t get mad at 474 00:33:09.240 --> 00:33:14.440 me. I don' t believe musical notes and I' m not to 475 00:33:14.559 --> 00:33:16.319 blame for her having a small voice, but that' s her voice. 476 00:33:17.160 --> 00:33:22.000 If he wanted a partner to attack the other queens, because he invites Dulce 477 00:33:22.079 --> 00:33:28.440 to see is that he hears scream yoleto, that is, he does not 478 00:33:28.440 --> 00:33:30.839 invite someone who does not sing anything, but it is not for God. 479 00:33:32.119 --> 00:33:37.599 You don' t invite Dulce, I mean, that' s where I 480 00:33:37.680 --> 00:33:43.519 realize what my classmates say and what I want people to think about. She 481 00:33:43.880 --> 00:33:46.119 doesn' t realize her abilities, I mean, she' s out of 482 00:33:46.200 --> 00:33:53.319 reality. He' s in Arnia, that' s really inclusive living and 483 00:33:53.400 --> 00:33:59.680 giving me that' s what happens to people who already do it again as 484 00:34:00.160 --> 00:34:02.039 a reason for what he was saying. Also lutita earlier on this one, 485 00:34:02.480 --> 00:34:07.840 Mr Pop Dary. You' re bringing something now You' re bringing a 486 00:34:07.840 --> 00:34:13.199 personality issue. We also call this characteroparties. I mean, it' s 487 00:34:14.440 --> 00:34:21.519 a pathological theme of the narcissistic character that then the person already brought it and 488 00:34:21.639 --> 00:34:27.159 that' s why he wants to go into a medium where he hopes to 489 00:34:27.360 --> 00:34:29.199 shine, have many admirers and a lot of focus on it. That' 490 00:34:29.320 --> 00:34:32.800 s why they' re going to that and not study neurosurgery or something different. 491 00:34:34.159 --> 00:34:38.559 Then he arrives and achieves it, He achieves it because of his enormous 492 00:34:38.679 --> 00:34:43.519 beauty at that time, because everything you want, then he manages to enter 493 00:34:43.519 --> 00:34:46.559 the middle, succeeds and does become an actress that achieves fame in many countries 494 00:34:46.639 --> 00:34:51.159 that consumed in soap operas. That' s why she talks a lot about 495 00:34:51.280 --> 00:34:53.880 It' s that in Russia, it' s that in Italy, it 496 00:34:53.920 --> 00:35:00.800 ' s that Who knows where they don' t get those countries that consume 497 00:35:00.880 --> 00:35:05.480 what she played and they do gra to their records and they know their things 498 00:35:05.599 --> 00:35:07.320 very well get settled in that that they achieved and that they already brought it 499 00:35:07.320 --> 00:35:10.920 from her. Surely she felt she was going from before entering the television and 500 00:35:12.119 --> 00:35:15.280 to the music was nothing more. I' m going in to make him 501 00:35:15.320 --> 00:35:17.159 realize that I' m bringing all this stuff I already have. Then time 502 00:35:17.239 --> 00:35:22.440 goes by. Other people arrive, there are beginning to be other protagonists and 503 00:35:22.840 --> 00:35:27.280 others, but the idea has been implanted for a long time in their minds 504 00:35:27.360 --> 00:35:30.320 and they still look the same. And for that there are fabulous examples, 505 00:35:30.440 --> 00:35:37.199 obviously of another order. But for example I don' t know I think 506 00:35:37.280 --> 00:35:39.440 a movie that has also been made plays are set Bollerart that talks about it, 507 00:35:39.679 --> 00:35:43.880 about an actress that decays but can' t see or tolerate it. 508 00:35:44.360 --> 00:35:49.599 Or the extraordinary recommendation that happened with Baby Jane, which is the great duel 509 00:35:49.679 --> 00:35:54.519 of performance between John Proford and Belly Davis, where precisely Berly Davis interprets or 510 00:35:54.599 --> 00:36:00.719 beat Davis interprets a child actress that who is now in old age, but 511 00:36:00.840 --> 00:36:05.079 that she still thinks, that she continues to make the child star and that 512 00:36:05.119 --> 00:36:08.119 she will return to impact everyone when she is an old exa is fixed. 513 00:36:09.320 --> 00:36:13.440 They' re fixing points. That' s just not telling me, it 514 00:36:14.079 --> 00:36:16.239 ' s not realizing, it doesn' t realize. Here they write that 515 00:36:16.360 --> 00:36:19.840 lauro shoe. Yeah, he' s a narcissist, yeah, yeah, 516 00:36:20.159 --> 00:36:22.960 he is, but he realizes it. But you know it and you know 517 00:36:23.039 --> 00:36:28.320 when it gets bigger and you know when it shuts up? She knows what 518 00:36:28.400 --> 00:36:31.199 the doctor says because we all have narcotic traits, we all at some point 519 00:36:31.280 --> 00:36:36.079 want to be used every one of us happens to all of us, because 520 00:36:36.159 --> 00:36:37.239 it is a trait that in childhood we have to break with him. So 521 00:36:37.880 --> 00:36:45.079 what the doctor no longer explained here. The point with Lucia is that she 522 00:36:45.239 --> 00:36:49.320 doesn' t realize, that is she actually in her burbo in Aña, 523 00:36:49.679 --> 00:36:55.440 where she says in Armia. She can have a musical and sweet duel if 524 00:36:58.719 --> 00:37:05.800 we have a problem, because you have to be worried because Mira has details 525 00:37:05.960 --> 00:37:09.000 the series and that is very interesting. So it' s good that they 526 00:37:09.119 --> 00:37:13.360 suggest to Rosa Gloria to change the luxury, well, that was surely planned 527 00:37:13.400 --> 00:37:22.800 and she lends herself and is quite harmless and kind to her They talk about 528 00:37:22.960 --> 00:37:27.000 Lorena Herrera with her husband and take pictures of her and how well they get 529 00:37:27.119 --> 00:37:28.679 along, because she' s also very lame and that' s good. 530 00:37:30.159 --> 00:37:34.400 But the problem is that Lucia' s interventions are what you say. You 531 00:37:34.440 --> 00:37:37.559 tell me, if they let you see that yes, if you' re 532 00:37:37.639 --> 00:37:40.840 a narcissist, you don' t realize it. Yeah, and obviously, 533 00:37:42.039 --> 00:37:45.599 they all have their share of the same thing, because if they wouldn' 534 00:37:45.679 --> 00:37:46.719 t be doing that show and they won' t do what they do and 535 00:37:46.719 --> 00:37:51.840 so on. But in it stands out, it stands out in a very 536 00:37:51.840 --> 00:37:54.239 remarkable way. No, for example Lorena Herrera, because she is also younger, 537 00:37:54.679 --> 00:38:00.559 because she is very beautiful, she still looks very good, because maybe 538 00:38:00.000 --> 00:38:07.480 that also calms her not also. To say I don' t need to 539 00:38:07.840 --> 00:38:10.159 do so much or pull so much, because I' m fine here. 540 00:38:10.400 --> 00:38:13.679 There' s even a moment he lives where he says he lives. Well, 541 00:38:14.159 --> 00:38:15.360 I don' t work you much more than she does. I work 542 00:38:15.400 --> 00:38:19.239 at time. What was her last job? Out of this, because I 543 00:38:19.239 --> 00:38:22.519 have presentations all the time in I don' t know where and I don 544 00:38:22.559 --> 00:38:24.880 ' t know what it means if they get their own. But of course 545 00:38:25.000 --> 00:38:29.280 because look to see now look Paula Bucaro says this and is right to see. 546 00:38:29.880 --> 00:38:31.079 No. No, not that I went to see why, but why. 547 00:38:32.559 --> 00:38:37.440 What they all say is kind and what Lucia says is narcissistic. No. 548 00:38:37.519 --> 00:38:38.960 No, no, no. No. We didn' t say that. 549 00:38:39.480 --> 00:38:44.400 I said. For example, Luxe' s change from Rosa Gloria Chagoyan 550 00:38:44.519 --> 00:38:51.039 is presented in a kind way. Olivia Collins' s visit to equinotherapy is 551 00:38:51.119 --> 00:38:57.920 a kind approach. Talks, for example, are all kind. Well, 552 00:38:58.000 --> 00:39:04.559 Rosa Gloria Echa Chayan is a queen of kindness and also and we have also 553 00:39:04.559 --> 00:39:07.840 said that we all have a little narcissists all. No one has said that 554 00:39:07.920 --> 00:39:13.639 the others are not narcissistic. No. The problem is, they know it 555 00:39:13.719 --> 00:39:19.400 and they realize it. Lucía Méndez doesn' t realize Efraín when the Lorraine 556 00:39:19.480 --> 00:39:22.960 arrives with all the Drax boys in the first chapter with us are transformists forgiveness, 557 00:39:24.199 --> 00:39:30.159 because I did say with the transformists they are talking and tell him the 558 00:39:30.239 --> 00:39:35.159 kids these ay I' m not going to invite you to the video to 559 00:39:35.239 --> 00:39:38.760 be with the most and turns and that it imitates Silvia pasquel tells him how 560 00:39:38.800 --> 00:39:42.960 you' re going to invite me with Gloria Trevi. Oh, because she 561 00:39:43.079 --> 00:39:46.119 knows that Gloria Trevi is on top of her, because no way is she 562 00:39:46.280 --> 00:39:52.440 and they say ay daring, that is, if they tell her it' 563 00:39:52.440 --> 00:39:55.639 s not or Lucia you' re going to drop a résumé and I' 564 00:39:55.679 --> 00:39:58.119 m going to tell them, Mira Trevis, what I' m going to 565 00:39:58.119 --> 00:40:02.000 talk to you during the day at the zapa. No, I mean, 566 00:40:02.119 --> 00:40:06.000 right now you' re talking about the transformists. The one who disguises himself, 567 00:40:07.280 --> 00:40:10.880 the one that was said, the one who disguises himself as Silvia Paz, 568 00:40:12.039 --> 00:40:15.199 that he looks like Delfina Gómez, to see Pin, to the governor 569 00:40:15.360 --> 00:40:22.880 of the Star, Yes, and not Silvia paque the truth, the truth, 570 00:40:22.679 --> 00:40:30.039 Poor girl, the truth, but is that see him see it Mira, 571 00:40:30.280 --> 00:40:34.400 already says Paulina of the one that already made her want to see her 572 00:40:34.519 --> 00:40:37.119 insist says Aleme de Jín see the interview of Adela and Michel Lucía Menza and 573 00:40:37.199 --> 00:40:38.559 it is seen that she thinks that it is better than all to see. 574 00:40:38.920 --> 00:40:42.079 Aleme Dejin I' m going to see her, of course I' m 575 00:40:42.119 --> 00:40:43.960 going to see her, because I' ve been recommended. But I want 576 00:40:44.000 --> 00:40:49.159 to tell you that I don' t need to see the interview to know 577 00:40:49.239 --> 00:40:51.719 that they really see, they always see in the innas and they' re 578 00:40:51.920 --> 00:40:54.360 gonna realize that she doesn' t realize. I insist someone on his team 579 00:40:54.480 --> 00:40:59.800 should have told him Lucia you' re not doing well. I mean, 580 00:41:00.159 --> 00:41:04.360 there are two or three little jokes that are nice and all, but then 581 00:41:04.440 --> 00:41:07.480 this real personality comes out and is no longer in character. He' s 582 00:41:07.559 --> 00:41:10.719 not in character anymore. It' s what happens, just like reality I 583 00:41:10.800 --> 00:41:13.079 tell you, they' re coming around like they' re not. I 584 00:41:13.159 --> 00:41:15.840 ' m going to do this and the team and the strategy and I don 585 00:41:15.920 --> 00:41:20.480 ' t know there comes a time when the truth of personality comes out, 586 00:41:20.920 --> 00:41:22.679 because it has to come out. Then. That' s what you see 587 00:41:22.840 --> 00:41:25.519 and someone here doesn' t know exactly what you mean, but someone told 588 00:41:25.960 --> 00:41:30.840 us that why be seeing artists analyzing that it was idle and I don' 589 00:41:30.920 --> 00:41:34.480 t know what because Look, because it gives us a golden opportunity, as 590 00:41:34.559 --> 00:41:37.440 we' ve said so many times, to analyze human behavior. It gives 591 00:41:37.559 --> 00:41:39.920 us a chance like that in Vitrina. That' s why we took it 592 00:41:40.000 --> 00:41:45.880 and the other more difficult woman to go into my house who I know to 593 00:41:45.920 --> 00:41:50.039 analyze that behavior. Or if you were in a formal education like the one 594 00:41:50.079 --> 00:41:52.239 that' s already ending up in a psychology career, well, it' 595 00:41:52.360 --> 00:41:55.519 s another scenario and another way to do it. But simply as a society 596 00:41:55.599 --> 00:41:59.719 and as human beings that interests us, what surrounds us what is going on 597 00:41:59.760 --> 00:42:02.480 and that can serve us some of this as a mirror to see if he 598 00:42:02.639 --> 00:42:05.679 hears it won' t be happening to me. There' s something like 599 00:42:05.760 --> 00:42:07.960 that I identify myself with. I' m going to check, because this 600 00:42:07.039 --> 00:42:10.480 is the window that worked exactly. Look, they say I' m the 601 00:42:10.480 --> 00:42:15.880 most villainous pea, because because I' ve already excited them to always see 602 00:42:15.880 --> 00:42:19.519 more Ephraim queens. Yeah, it' s just that you know that I 603 00:42:20.000 --> 00:42:22.639 had the Remi scream with all of them at my time, that' s 604 00:42:22.639 --> 00:42:24.960 because I' m so ridiculous. Not then does Olivia go out with her 605 00:42:25.079 --> 00:42:29.800 daughters and deafness, and so I cry out King, the gruesome Glory comes 606 00:42:29.880 --> 00:42:31.639 out with the eighty thousand- year- old husband they' ve been together. 607 00:42:31.719 --> 00:42:37.320 The grin Remi comes out sweet talking about her mom, the grin renu 608 00:42:37.400 --> 00:42:39.199 lo with Lorena. Lorena has thanked the Community for 100 per cent of a 609 00:42:39.400 --> 00:42:43.719 great deal of its simples. One hundred percent have gone to the Salt House 610 00:42:43.840 --> 00:42:46.519 for patients of ve i AchE, for people of the third age of the 611 00:42:46.519 --> 00:42:50.519 Community. I mean, Lorena has a connection to the Community, which is 612 00:42:50.599 --> 00:42:55.000 real. Yes, and the moment they wanted to make her tearful remi and 613 00:42:55.000 --> 00:42:58.920 Lucia. That' s when he burned his boob with his son. Yeah, 614 00:42:59.079 --> 00:43:01.480 I mean, it turned out awful, I mean, it' s 615 00:43:01.599 --> 00:43:07.079 back to her. She didn' t let anyone give that emotion to someone 616 00:43:07.079 --> 00:43:10.519 else who' s in Lorraine talking to Mrs This of the third age who 617 00:43:10.519 --> 00:43:15.239 goes out, that is, she didn' t happen to look at those 618 00:43:15.320 --> 00:43:19.039 in the lion part, in the part where I tell them that it' 619 00:43:19.159 --> 00:43:22.639 s a satire of her, made by herself, without being warned that she 620 00:43:22.639 --> 00:43:24.480 ' s making fun of herself. And she thinks, for example, she 621 00:43:24.599 --> 00:43:30.039 gets into a bmwoy car. He doesn' t know how to turn it 622 00:43:30.159 --> 00:43:32.960 on, he doesn' t know how to tear it off and they left 623 00:43:34.119 --> 00:43:37.440 it and left the scene because they look like a fool, because I' 624 00:43:37.440 --> 00:43:37.960 m sorry then to wipe your mouth with gloves or with my hand. It 625 00:43:37.079 --> 00:43:38.920 ' s not from a diva, not knowing how to start a car. 626 00:43:39.000 --> 00:43:42.159 It' s not from a diva? Driving like this isn' t a 627 00:43:42.159 --> 00:43:46.119 diva. This egg thing isn' t a diva either. It' s 628 00:43:46.480 --> 00:43:49.880 absurd, I mean absurd wherever you look at it. I mean, he 629 00:43:50.000 --> 00:43:53.079 ' s not talking about and I can assure you that Mrs Pinal, if 630 00:43:53.159 --> 00:43:55.639 she were, she would have had a chauffeur. Imagine that if you always 631 00:43:55.719 --> 00:44:00.159 had queens with Mrs Pinal, because Mrs Opina would get them in the car, 632 00:44:00.679 --> 00:44:07.039 a driver, she would have an assistant as she does, she would 633 00:44:07.119 --> 00:44:07.840 have people working for her as she does. Anyway, I mean, it 634 00:44:08.880 --> 00:44:15.519 wouldn' t be this woman doing these disfigurements, because what she does is 635 00:44:15.840 --> 00:44:19.760 flimsy and she believes and forgives. But because they don' t leave her 636 00:44:20.280 --> 00:44:23.000 well, you don' t let her r there, yes, as you 637 00:44:23.000 --> 00:44:28.199 say someone who would have taken care of her, who would have demanded, 638 00:44:28.519 --> 00:44:32.719 that that scene of the car' s start was edicted that left me quite 639 00:44:32.880 --> 00:44:37.800 dismayed to her too and left her very upset. Me, when I date 640 00:44:37.880 --> 00:44:40.719 a man for the first time there' s a fire test. It has 641 00:44:40.880 --> 00:44:45.760 to be the meso, it has to be terrible, it has to give 642 00:44:45.840 --> 00:44:50.679 us the cold soup to do everything wrong. And if this man behaves with 643 00:44:50.760 --> 00:44:54.440 the miser, I say here is because as much as I make him see 644 00:44:54.519 --> 00:44:58.599 a person and you can servicefully put gro will be with him. I can 645 00:44:58.679 --> 00:45:04.199 ' t stand it when I looked at the s where the mat is and 646 00:45:04.320 --> 00:45:06.000 my light To me, on the contrary, notice. The only scene that 647 00:45:06.079 --> 00:45:10.480 made me laugh and you were perfectly well planned was that and that scene was 648 00:45:10.480 --> 00:45:15.400 very planned, because she came in with a sack of glitter and everything looked 649 00:45:16.320 --> 00:45:20.760 like used Gabriel and then she came in and indeed, she behaved displicent and 650 00:45:20.760 --> 00:45:23.360 so on. And the scene is very well done, because it passes a 651 00:45:23.400 --> 00:45:25.880 zero and stands in front of the table and tells you, sir I offer 652 00:45:25.960 --> 00:45:30.000 you something to take my light. That' s very funny, because it 653 00:45:30.079 --> 00:45:32.039 ' s a gag from Lucia to Méndez, that' s the hair, 654 00:45:32.519 --> 00:45:36.400 it' s the only one, very funny, because if it' s 655 00:45:36.480 --> 00:45:39.239 a gag of his that you know and that has always had, but there 656 00:45:39.360 --> 00:45:44.760 are others that don' t, that is, the car, it' 657 00:45:44.800 --> 00:45:46.880 s not a gag go make a fool of yourself with a coach, because 658 00:45:46.880 --> 00:45:46.880 that' s a very nice coach, the truth, very natural and very 659 00:45:46.880 --> 00:45:50.679 nice. But it doesn' t leave her well. Coach leaves her well 660 00:45:51.039 --> 00:45:53.559 She doesn' t leave her well. No. And there are a lot 661 00:45:53.639 --> 00:45:59.360 of things so they have little. It' s not that I believe or 662 00:45:59.480 --> 00:46:01.519 not if I really know a message or not against it. That' s 663 00:46:01.559 --> 00:46:05.199 the least thing can be a script can be a lie. The issue is 664 00:46:05.280 --> 00:46:08.440 as we have already said, it is the personality that does emerge from Lucia, 665 00:46:09.360 --> 00:46:13.039 because that which I say I have more trajectory. I' m a 666 00:46:13.039 --> 00:46:15.280 diva, I' m more important. That' s what he means. 667 00:46:15.079 --> 00:46:17.039 That' s what they' re serious about. Then they' re all 668 00:46:17.039 --> 00:46:22.119 here with me. They' re nobody. They' re no one, 669 00:46:22.239 --> 00:46:27.199 I mean, they' re my fillers, they' re my account, 670 00:46:27.880 --> 00:46:31.800 Corsi, my comparsas. They' re not paco mayito. It' s 671 00:46:31.800 --> 00:46:35.599 thalax. There' s something that does. I think it' s worth 672 00:46:35.719 --> 00:46:42.519 talking about, knowing what we can do that I' ve already left here. 673 00:46:42.599 --> 00:46:46.840 But they asked that what would be the difference between Nadiva and is already 674 00:46:46.920 --> 00:46:52.280 going like Maria Félix Dolores del Río and not Moula Lucía Méndez, which is 675 00:46:52.360 --> 00:46:55.599 confused with being gross clear. I think the difference is in history in how 676 00:46:55.800 --> 00:47:00.400 they cared for her personality, because Maria Felix could be a little displicent, 677 00:47:00.119 --> 00:47:05.360 elevated and so on, but there was Maria Felix. He was surrounded by 678 00:47:05.559 --> 00:47:09.639 people of a lot of culture, that is, he talked to writers, 679 00:47:09.639 --> 00:47:15.400 with composers. It was also painted by great painters. The rest was further 680 00:47:15.440 --> 00:47:20.760 cultivated and when it no longer had figurine edapa, it was kept. She 681 00:47:20.840 --> 00:47:24.519 went to Paris with Antoine Zapov, who was her last husband and kept her 682 00:47:24.639 --> 00:47:30.199 image as best Dolores del Río could, as well as another actress from the 683 00:47:30.320 --> 00:47:32.480 golden era of national cinema, both of them. The two made films with 684 00:47:32.719 --> 00:47:37.480 Emilio Ido Fernández, made great films with Pedro Armendaris. Anyway, that is, 685 00:47:37.599 --> 00:47:42.159 a story of what was the golden age of national cinema and, on 686 00:47:44.119 --> 00:47:46.519 the other hand, good, because Lucia No, Lucia No, It is 687 00:47:47.400 --> 00:47:52.880 not being a program surrounded by that is, Go, for not what he 688 00:47:52.920 --> 00:47:55.440 told them, well, yes, and I think that now that you mentioned, 689 00:47:55.719 --> 00:48:00.559 for example, the pains of the river, Dolores del Río Miathium, 690 00:48:00.039 --> 00:48:04.920 failed Hollywood too, that is, she made a career in Hollywood and then 691 00:48:05.239 --> 00:48:07.960 came to Mexico and triumphed Maria Felix also in a time where great cinema was 692 00:48:07.960 --> 00:48:12.960 made. In addition, they had this fortune of being in a time when 693 00:48:13.159 --> 00:48:19.760 great cinema was made and also made cinema Maria Felix in Italy, made cinema 694 00:48:19.760 --> 00:48:23.199 in France, in Spain, I don' t remember, but made cinema 695 00:48:23.199 --> 00:48:30.039 in Europe always, always obviously as protagonist and she choosing the roles she wanted 696 00:48:30.039 --> 00:48:31.320 to make and so on. So I think it has to do with that 697 00:48:31.400 --> 00:48:35.239 as Lupita said, the people around them, how they dressed, how they 698 00:48:35.320 --> 00:48:38.760 talked, how they looked after their image, how they didn' t lose 699 00:48:38.840 --> 00:48:45.599 their style, even though suddenly Maria Felix said strong things, but they kind 700 00:48:45.880 --> 00:48:49.039 of had something different in that sense. As for Silvia final, although there 701 00:48:49.119 --> 00:48:52.679 are aspects of her personal life that were ventilated and that in theory a diva 702 00:48:52.840 --> 00:48:55.880 would not allow, but that were ventilated rather in recent years, it seems 703 00:48:55.960 --> 00:49:00.239 to me also a woman, because she did many things and international, like 704 00:49:00.320 --> 00:49:02.840 working with the great director of her time, because it was Luis Buñuel, 705 00:49:04.639 --> 00:49:08.519 having also made great cinema, having brought the important plays to Mexico and because 706 00:49:08.719 --> 00:49:12.920 until having had his own theaters, that I think that would be, but 707 00:49:13.000 --> 00:49:17.719 above all I think it is like a mysterious aura, a clear life that 708 00:49:17.880 --> 00:49:23.679 is cultivated. This seality is not for a divara. It' s just 709 00:49:23.760 --> 00:49:27.880 that a diva can never be vulgar, so to speak, exact. It 710 00:49:28.000 --> 00:49:30.679 ' s just the word we were looking for so much. A diva can 711 00:49:30.960 --> 00:49:37.480 never be exact vulgar and and I think the most pathetic yes, I didn 712 00:49:37.599 --> 00:49:43.239 ' t find it. Another word of this is that you proclaim self- 713 00:49:44.159 --> 00:49:46.119 proclaim the diva. No yes yes yes yes it is, but here the 714 00:49:46.199 --> 00:49:50.719 raí says diva, said of an artist of the world, of the show, 715 00:49:51.400 --> 00:49:53.880 a kind of opera singer to begin with, that is, only opera 716 00:49:53.920 --> 00:49:59.280 singers can be alive Lucía. Yes, it' s a small amount, 717 00:49:59.400 --> 00:50:01.159 well, yes, yes, according to the definition. But well, will 718 00:50:01.199 --> 00:50:06.159 the term be extended? But has the term been extended? For art and 719 00:50:06.199 --> 00:50:08.079 so on, because in the end, cinema is also one of the fine 720 00:50:08.119 --> 00:50:13.920 arts. Here' s the other one. You could only use the term 721 00:50:14.199 --> 00:50:16.719 after death and have someone else put it to you, plus more votes. 722 00:50:19.639 --> 00:50:22.039 First we want him as a diva. I' ll change, but notice 723 00:50:22.199 --> 00:50:29.400 that in that also say self- proclaim yourself as you said, because break 724 00:50:29.440 --> 00:50:34.320 a maxim that I think is very very valid, always praise in little of 725 00:50:34.679 --> 00:50:37.000 its own I saw your absolute exact. That' s wonderful to base on 726 00:50:37.039 --> 00:50:40.079 itself I love and it' s totally true, because it' s time 727 00:50:40.079 --> 00:50:44.199 to go, guys, it' s time to leave today. Remember that, 728 00:50:44.400 --> 00:50:46.800 just finishing the milestone story you can see frida kahlo there, in ah 729 00:50:46.960 --> 00:50:51.519 yes, certain had forgotten me some of these years. Not I believe help. 730 00:50:52.159 --> 00:50:59.360 Yes, that' s true and it' s never more timely, 731 00:50:59.360 --> 00:51:01.079 because exactly. Come on in, check out the shows that are here the 732 00:51:01.280 --> 00:51:05.199 life of frid kahlo can pass what you have to see now that there is 733 00:51:05.639 --> 00:51:09.639 free time this week and well, of course, man Wednesday we premiere program. 734 00:51:09.760 --> 00:51:14.400 But as long as you go to see these criminal children at ten years 735 00:51:14.440 --> 00:51:15.559 old, you' re done with your life. But there in broken souls 736 00:51:15.960 --> 00:51:21.000 and we see ourselves right now in history, in history, we' re 737 00:51:21.079 --> 00:51:23.480 going to talk about the calima thing, everything, because it' s clear 738 00:51:23.559 --> 00:51:29.559 that they certainly did track down that' s not what it says, Apescopocha 739 00:51:29.960 --> 00:51:34.840 that they were following Dady' s standing plane, Pop Dady' s and 740 00:51:34.960 --> 00:51:37.440 they found him on a Caribbean island, but they don' t know if 741 00:51:37.480 --> 00:51:37.760 he was going in there because he hasn' t been stopped. They raided 742 00:51:37.800 --> 00:51:40.400 his houses, but they haven' t stopped him. Anyway, we already 743 00:51:40.480 --> 00:51:44.599 know with that information later and I know something, because we see ourselves there 744 00:51:44.639 --> 00:51:47.960 in history. Thank you, Dr Amel. So long, thank you very 745 00:51:49.039 --> 00:51:53.000 much See you tomorrow. Thank you, Efra Baby, girls, I want 746 00:51:53.000 --> 00:51:58.000 you great week. This week. You have to be in polutos, lupita 747 00:51:58.079 --> 00:52:01.719 more than ontos. See you later, they' re pure. See you later.