Good morning, Mother? Good morning, Mother? Common Sphere of the Board,
Three, Two, One Already welcome to a new episode of Good morning,
Mother, Wait today, in today' s program we accompany you again
with the dedicated news, the news of children and youth comics of this month,
of last month, the news that have come to us from the publishing
friends who send us. Well, then, the last thing they' ve
pulled out and we' ll do a compilation and bring you back, because
everything that we found was very interesting and it' s worth it that you
write down, that you write down and that you ask in your neighborhood bookstore.
We are already sorry and, of course, I always do it accompanied
by my fellow camper of the blog designer and illustrator, creator of the blog
and I with these beards that also accompany us, as the time of the
year goes by, because sometimes with more beard, sometimes without beard. You
have to see how it comes, because according to the times, it has
a beard or no beard. But you do accompany us and his beard.
And you know that he' s the expert who tells us the comics there
in the best way and that I' m really glad to welcome you.
How are you? What' s up? What' s up? A
Mstis family, Internet users Stebernutas podcasts several, well, well, starting the
year look. Indeed, as we are there, we are going to compile
a little bit of the January stuff that came out very little in January.
That' s why we decided to bring it together with the February news that
February came out everything that came out of January, because it came out in
February and we' re recording already in March, so it took us to
start this season two thousand twenty- four. But we' re already here
with a lot of news under our arm. I mean, today we have
a salad or pretty stuff, so nothing good, as always with a lot
of desire and indeed, with my winter beard that gives him that he was
little left a week. We' re already at the spring gates, and
here' s a little week, two little weeks. It' s over,
it' s not okay, it' s okay, it' s
tasted two kids, very well the sun and until autumn we do that with
the hair vanita. All right, but we' re doing great, so
we' ll start if you want us to bring you. Let' s
start with one thing with an interesting novelty. I think for several reasons we
go with strange birds, with legendary cities and delicious cakes that I love.
This is Child dog and with fixed, that the so curious name of an
editorial the Blue sphere, and is a recommended publication, since for boys girls
from eight years old. I believe who brings us Child, dog and cabbage
This is the work of Pablo Broseta, a complete author, to the script
and to the drawing, and it is an edition in soft rustic, sixty
- four pages by twelve with ninety and we start. Well, as always,
I' ll tell you first what' s going on, because basically
this is good. What we have here is a couple of our protagonists of
this volume, who are Child dog and cabbage Child dog who is basically a
dog and cabbage, because he is a boy of his friend, these two
are this couple of colleagues. Well, basically here, what they tell you
is that they' re excited. It is a date, as noted,
in the year, because it is about to start the event, the annual
event of its people, which is the annual festival of cakes. And of
course they both have cakes, they love cakes, and for them it'
s the most anticipated day of the year. However, during the night,
before the inauguration, there is a storm, tremendous, a huge storm in
the village. And in the end, well, what happens that not only
the wreckage caused by this storm causes the fair to have to be suspended,
but also, rise. The village rises with the surprise of seeing that there
are a series of chickens, of giant chicks that have invaded their village,
the birds that are called that a bird, a series of birds that are
everywhere and let' s say that everyone turns out as very strange do not
know what they are doing there or why they have arrived. Both friends get
into the fairground and discover that the main tent of the fair is where the
queen of these birds, of those birds who have taken refuge there, has
gone. And it is from this point that they tell us already in history
when we begin to explain what these animals do there. And basically with the
idea of trying to give them a hand and trying to fix some. All
this disaster so that at last everything can be solved and can start the pie
fair that, in the background, is what the protagonists are interested in these
children, since let' s say that here the protagonist duo is framed in
the adventure of what goes the first volume, this volume that will take them,
because to places truly unsuspected. They have to go underground to discover an
underground city that is ruled by a sultan who is a more or less complex
and strange character who in turn is advised by the ominous character of the plot.
He' s kind of the one who plays the badass of the story.
Okay, let' s just say broadly, I' m not going
to go any further so I don' t comment on spoiler anymore. This
is a little of what goes dog boy and troll and col was going to
say Introl, which is a name, It' s a curious name for
this kid. Well, things to comment quickly on this comic, because that
' s basically you. I see a hundred percent friendship, adventures, discoveries
and from an editorial that, if I am not mistaken, correct me down.
But well, in the blue sphere it is the first time that we
bring it to this program, which is something that is cool to bring editorials
with which we have not, of which we have not spoken, and to
bring patriotic authors, in this case to Pablo Proseta, that bring authors and
national authors, because it is always a cause of joy and joy in that
Holy House. Well, there are interesting concepts here, behind this play.
Here, for example, they come up with the subject of this which spoke
to you of the underground world, of the people of the Giants, which
is the people who inhabit, this people who are these, or the reminiscence
or the evocation to these magical beings of the Eastern tradition, those who are
thus more associated with the famous geniuses of the lamp as Ladino and the company
of the thousand and one nights. And all this, there are also big
worms here, which are a little bit the big dangers that the couple have
to overcome while they are traveling down there that also good have just premiered two
in cinemas. It' s not all as quickly as comes to mind this
kind of monsters or the series of monarchs who are also throwing on the platforms
lately alludes to the monsters these of the sagas of King Kong and so on,
because all that are big monsters and so on because they have you at
most in the head. There is one little thing that I did want to
review or point out is not important, but it has caught my attention when
I read it. With the subject of vocabulary, for example, I have
encountered a few words that I did not expect to find in a comic of
the characteristics of these or for this one, for the level a bit reader
to which you will address in comic and is that, for example, words
like monopoly or necessity I do not know if they are so easily understandable.
But then, on the other hand, if you turn the tortilla around a
little bit, in the background, reading is also a little bit about this
learning new things, learning new vocabulary, and well, it is no longer
so difficult that if the kids for whatever, they are reading things that do
not understand concrete words, because it is as easy as coming and that they
ask you or take out the dictionary that, in the background, is what
should also be a kind of learning, that is a little to what one
comes entertaining and if then learning, then much better and the drawing is quite
nice. The truth is, he' s got some really cool vignettes.
There is a very cool vignette that I really liked, which is when the
birds appear at night. It' s from the rain he' s offering
you. There as much impact on the reader as we can say. And
everything works very well in this comic The typography is letter, capital, big
size. Everything influences so that good, because reading is easy, organic,
very fluid and the comic is read in a great way go, that is,
everything works very well. Here again a compc also with an intriguing open
ending. We sense that the series will obviously continue and that is the idea.
And basically, because this is one with which I liked and want to
not yet pass it to my son, but I am intrigued to see what
he tells me now when he passes it and reads it to him. Not
regarding the details of the edition, a little seventeen with five by twenty-
one centimeters does not have these reviewable. The truth is, he' s
got some guards. These are the birds I was telling you about. We
are with a kind of hens that is very cool and this is good boy
dog and cabbage of Pablo Groseta the blue sphere, the first of the readings
of this program. Well, I have a lot of news this month too.
Yeah, we' re going, we' re going to run off
on this show. This I liked and participatory here then, so okay I
' m going to interrupt you. I' m going to bring the news
to look at this publishing house. You commented before the blue dial, because
we continued with editorials that we hadn' t reviewed because they hadn' t
released clear is that they were leaving their hand. They were adding up little
by little. People are adding up clearly, hello, hello childish. This
is a garto publishing house is cool bugs that there were, yes, that
had comics, but in this case graphic novel for adults and they released last
February their first two works for children and youth. And then, I'
m going to recommend them both, because I think they' re both very
worthwhile. Moreover, it is an editorial, because it is also small,
with good, because a number of characteristics that are worth supporting that we all
like. But it is true that when you see the effort to enter such
a competitive sector, it gives you hear, applause for entering here with titles
besides, as interesting as with those that start. The first of these is
the evolution of life. They' re both French authors. Why it will
be true that we have so many French authors. I don' t know
in France, in French, because it can be everything. Yes, France
has something. The first, the evolution of life is worth jambat tips of
panathuky Adrian Barman and is also translated into Spanish by monserrar terrones. And well,
the evolution of life is starting for boys, from boys to girls,
from the age of eight. And I' d say expandable to good,
they' re always expandable to infinity. But in this case, in this
comic book much more, because it is a work in which it intends to
include or introduce the smallest in the world of science. And I don'
t think that purpose stays in eight years. And, in fact, the
content of the comic is so intensive and so well traveled. I mean,
I have also collected the journey of life, the whole evolution of life,
because in all the ages that has lived this planet that I see it,
a highly recommended work. For any age, that is, to include it
in educational programs of later ages, because really one of the most important things
about this covic is that it is super comprehensive. It seemed like it to
me, without being expert in the matter Vale, but it does seem to
me that it makes a super exhaustive journey through all ages, from the birth
of the earth to reaching a foreseeable future, as far as we can go.
And it seems to me, therefore, that it is a very ambitious
work, despite its short duration. So it' s eighty pages, it
' s not very long either, it' s not an encyclopedia Okay,
but without being an encyclopedia, it does seem to me that it has a
very detailed purpose. He does not want the smaller ones and beyond to have
a very complete and quite rigorous vision in a simple way. I would say,
because in addition, it is one of the purposes that the work has
to be rigorous in operation of the general path of the earth. Of course
it' s millions of years. I mean, the route is very extensive,
so it has to condense a lot, but to me it has seemed
a very complete work, I insist very very specific and that clearly has a
lot of content every page. The characters that introduce us in the explanation is
like a kind of tour, as if we enter a virtual museum, so
to speak, and will accompany us four characters that are a teacher or a
scientist who will give us the data as more rigorous, more accurate. Then
we have a character man who is like the one who puts him the most
creative, imaginative part, a little the most fantastic touch, but who always
the scientist is telling him he hears low that this is a rigorous work.
And then we have a boy and a girl who are putting comments, because
reminding us of who this work is or who it is thinking about, especially
when it comes to writing and bringing this scientific content closer to the little ones,
the drawings and the whole work, because in the end it eminently pursues
the scientific dissemination, always with winks, with a style thought for creatures from
the age of eight, with which, therefore, a simple language, with
a slight touch of humor, trying to make it as accessible as possible and
quite bearable. There are always more with many, with illustrations, yet trying
to recover the details of each because if they are the dinosaurs or previous or
later beings or in the epochs of the appearance of man. Well all the
times and they try to reproduce them in the best possible way, but always
with a tone, because more looking for the approach to be a pleasant and
close reading for boys and girls of eight years old, I insist highly recommended
and always as work of consultation or to bring them closer you see that your
boy, your girl has the best is in s or does not have it,
but who is clear and I would recommend it, for example, to
make a visit, to accompany or complement a visit to a museum of natural
sciences, for example, because it is a pass. Or you can do
there as the tandem and I think, well, it' s a very
good way to use the comic to finally teach science. You know why it
' s complete. The book is super complete. And then the second release
of Garboisbooks of log or to One is the Dingodocus, the Dingodocus on the
Egyptians of translation, also of montserrat lumps, also very brief. Few pages
are to see it seems to me that there are forty- four pages and
in this case it is also a close approach for creatures from eight years old,
also for all ages on Egyptian civilization, a little, a class.
Let' s consider it as if it were. In fact, he presents
us with one of the main characters who will tell us or tell us about
this civilization. He is a teacher and accompanied by a child and an operator
and things that are happening to them. I do not want to disembowel but
well it is framed within one the narrative of this teacher, which is the
one that will tell us, accompanied and helped by the child that accompanies him,
will give us a lesson or a master class about the Egyptians. This
one has a lot of sense of humor. He reminded me a lot of
Asterics, because I can' t help it. I believe that the author
has also seen a lot of Asteris, because surely you benevolent hand in the
fire and we do not have and in this case, although he also has
the same spirit of disclosure that we could find in the evolution of life.
This one is more amberro and this one is, therefore, simpler when it
comes to getting closer. Or it' s a simpler or lighter reading.
You do learn about the Egyptians, but you do it like otherwise. Yeah,
it' s like another lighter way in all the strips, in all
the cartoons, you' re going to find elements of humor that the truth
is that to me it' s seemed very funny, I thought I had
a very big sense of humor, dog and very close to many generations that
I think will like very much to older and small. And then, the
drawing, moreover, is more on purpose. I think it' s made
very childish on many occasions, with drawings, nothing, worked, nothing,
but bet, not on purpose. It can be seen that it is an
effort made andrede, because there are characters that are a little more worked,
such as the narrator and his companions, and then the part in which they
narrate things about the Egyptians, because they are deliberately much more childish, more
doodles. It is a very scribbled style with very basic colors. Nothing even
without completing the drawing, but that perfectly reaches the viewer what has to come.
And the truth is, it' s hilarious. I thought I wanted
more. You know that' s it. If it went well, let
' s hope it goes well. This is for the future. Yes,
the humans there will be more, because there is the previous one. It
also has a way, that is, by being introduced by the same characters,
you can perfectly use the same structure and in this case, because the
same teacher, because he will be able to tell us or any other stage
of the story. And I' m telling you a lot of fun.
He has reminded me a lot, because that to the asteris a little bit
looking caricatured, but in a very funny way certain stereotypes of the Egyptians,
but that in turn, are well narrated, are well counted and I do
not think they introduce that they are misintroduced. On the contrary, so highly
recommended both works, considering that both have different styles and that in both ends,
having obtained especially with the first, with that of the evolution of life,
a lot of knowledge, and with the second, well, besides knowledge
about the Egyptians, since a very funny mouse, so the two highly recommended
and you have them in your bookstores since February, both that of the evolution
of life, if they are in the din Godok, all these, all
the comics that we are going to be about today, you have them in
your shop there, in the shelves, still, so to get them to
the top ready. Well, how nice that the truth that the educational comic
book is finding itself in these last times that it' s a past and
cool, that is, the more or the more it comes, the more
give me, the safer they live the better. In fact, I do
have another later, which is also educational comic. So we' ll go
on later, because look, I' m gonna go on with something else.
I' m totally going to change my third and I' m coming
to bring you something different. That is, let' s say it comes
to your homes, the new community of neighbors, more bizarre than we can
find ourselves a disaster home. Friends, friends, Book, Book of Blacking
and Books of the Rings of Blacking Bogs for a recommendation of age from nine
to twelve years in what they have established on their website. From that age,
nine ten years old are well into it. He' s coming in
very well. What' s this good about, what doesn' t bring
it. His work by Roberta Vázquez, also a full author, Script and
drawing. It is a work of so cardboard Vale Canton of the Good of
the thick one hundred and forty- four pages for eighteen with ninety euros.
Okay this is about the so basic data of the work of what goes tailor
house? Well, here we' re going to go into the story of
a seemingly very endearing house, with all its apartments, all its plants,
starting with its outside garden, not stopping for the guardilla, finishing floor,
second, floor, first, etcetera. And with a community of very particular
neighbors, of neighbors and tenants, Let' s go where we' re
going to go, getting to know each neighbor little by little and we'
re going to go a little bit traveling with them through a small daily story
that is going to transform little by little like a chain of small events that
are going to chain one after another, as if it were a snowball that
is falling down an embankment, starting with the attic and ending up in the
very basement of the building. Here basically, there is an initial event in
Casa de Sastre, which causes the neighbors of this house, because they go
together with each other, because the truth that each one comes a little bit
to their roll. The truth and the story is going to develop a little
bit through those parts. I can' t and I don' t want
to tell you much more, because it' s a reading in the background
quite light and quite fast, but let' s say those are the wickers
we count on and from which Casa Desastre starts. It' s worth something
to tell you Well, it' s its author, Roberta Vázquez. I
' m the first thing I read about her. She is an author who
normally publishes adult content and is her first foray into the children' s comic
book and from which, again as before, I am glad that more and
more authors, authors are joining this wave of the genre, of the children
' s comic and, in fact, I believe that this particular comic is
not strange. You find that in some list of essentials of the genre or
end of the year, because the truth is that it is quite, quite
well. That' s a story of a neighborhood community and basically it'
s a genre already almost in itself. I think that little by little what
happens to you if something cool comes out, I think it is a winning
formula always if there are not those who the example of the third roo of
the perceve of all life, you have the here there is not alive of
the TV etcetera, etcetera, etcetera. I mean, that this sells if
you do it right, obviously, as I was saying, and well,
two things I want to quickly point out from this comic that I wanted to
tell you one of them. What has drawn my attention most to this work
is, without a doubt, the peculiar structure it has. And because I
say this because if it is a comic to use, but at the same
time it has narrative part, let' s also say that at the beginning
of each chapter, for example, chapter one noises in the attic, because
it is introduced by a narrative text. It is not an off text of
narrator and in which they are putting you in position the story that you are
going to read below and moreover, is that it does it in a very
close way. In fact, in the first episodes, for me that narrative
part is the most interesting part and I say it because it is a very
good way to introduce you that something has been done to me very immersive,
the truth that brings a great extra that then you really add on your own,
obviously, to everything that you are going to find later, that is,
as a complement to what they are going to narrate to you later in
vignettes. The introductory part falls, but let' s go from the tug
and as just taught, it' s not about short introductory texts, that
is to say that easily here the author can be putting you in two to
three pages only of narrative. But they read very well. And why I
say this, because well, it' s a lot of text space,
a very large text with a huge letter of simple reading, that is,
that this in the background what is causing is that the narrator or the narrator
becomes another member of this Community and at the same time is making you participate
in this ruffled gang that is being organized in this house. I mean,
it works. It is a resource that works very, very well, very
well and that makes the structure of the comic book very original. If something
different, even though you' re not too used to reading, you don
' t see things like this normally the other thing. The other point I
want to talk about is a little bit, the internal rhythm is another separate
comment. I think that, in my opinion, well, here the author
is doing very well the inner structure of the narrative tempo of history, which
really does take it increasing. This is increasing. As far as enthusiasm is
concerned, it is worth at least to me what you are raising the reading
of your own, of your own work. And this is something that really
gets it is to generate a gratification in the process of reading experience, because
I think significant that it is very well that in the end it is what
it is not and why I say all this is that because you start as
very normal reading. We can put it that way. In fact, I
would say that even a very light or in a very very dull way,
it seems that at first they are not telling you anything really interesting, but
little by little, with the passage of the chapters, with the passage of
the pages, the smile is taking a little of your face and you no
longer let go and you go passing pages. It' s a feeling at
the end of my God that I' m reading and it' s that
you can' t stop And it' s just how cool how cute he
is now not, And it' s just that he' s a move,
the move that' s this I see the story that tells you and
how he tells it catches you. And this is in the end, I
think it' s one thing that' s very hard to get. It
' s a merit of the author and it' s that the comic book
you drink from a sip and for real. And I really want to give
it to the kids too to see what they say, because they haven'
t read it yet. I' ve got a few in the pile of
earrings that I' m slowly passing it to you, but I really want
to see how they catch it, see what they tell me. And all
that, besides, regarding a handicap that I' ve had a little bit
to overcome, that I also have to say that it' s about the
graphic part, which is the personal part. The type of drawing of this
comic is not something very sencilly, but it is not something that a priori
I commune much with. It' s not at all my roll, so
to speak at all and I get a little uphill from this kind of comic
with a drawing is that you can' t see very well here either,
but it has a dot. It' s very simple, but it'
s also something similar to what you used to say with a sloppy or fast
dot. Well, it reminds me a lot, obviously, of things we
' ve seen in animation, for example, and if I give you a
couple of examples, you' ll have it very well. The series of
animations of ordinary stories or especially the series of animation of Apple and chives,
if you know them, if it sounds to you, because it is a
drawing that has many resonances of this type and as I said, for to
me a kind of handicap that even I came to think very much whether to
approach the reading of this work or not I said I was seeing it the
shelves of the shops and called me and I say this, I will talk
about this, I will not read it well or not, And and in
the end yes, yes, it has also entered very well, because the
drawing is also a little in function of what is telling you and enters everything
wonderfully. And again I think that again that' s a credit to the
author who can combine all these things that visually you can get in well and
that everything works. Cool, too, it' s a fun book.
Your book, very funny. It' s a book with its point of
tenderness. It' s a book with its hooligan point, as you said
before, without a doubt, its crazy point, its bizarre point. And
that I can only recommend that you really keep an eye on him, because
I think he deserves you He' s going to be worth Roberta Vázquez'
s tailor' s house in Blackie Boks a lot. Details of the edition.
He really doesn' t have serious things. It' s a small
edition and sixteen by twenty- three centimetres. It' s a beautiful edition.
The truth is very, very well done. It has very nice guards,
also with the characters of the comic that is curated and well, it
has the website I say, the page of the avio of the author here
and the introduction of the initial characters. The characters of the house here at
the beginning already puts it toxto in context, as well as gallery that once
you already part of here you know who the characters are, because to the
reading it enters alone and basically good, it also does not have much more
extras. The back cover drawing is super good. He also called thirteen rue
del percebe to see them all and good look, good at what they put
you here in the publi in the comic and the fajita, the funniest comic
of the year, that is, of course, from the publishing house itself.
They sell it to you. Well, it' s something I want
to keep in mind, which is Sastre Blackibogs' house It' s worth
having it there in the ment We' re going to trade chromosa. I
give him I give him your pussy that with a novelty of an editorial that
we have already played here with some other release already and it is about sm
in this case, the invasion of false news. How cool I loved it,
I loved it, it' s super fun. It' s Eli
Gravel' s I think I' ve already been here, right, gravelle
I said you' d like it. Yeah, yeah, sure, we
' ve already talked about a good comic book. She' s an author
and a sketch artist. She is a total author as you call her and
wait for you because the translation that at the end of Palma Carvajal and immaculate
Rodríguez is worth that I like to remember in the end this authorship, which
mainly depends also on which market you are working on. But if you look
at the American market, at the market for superhero comics and so on.
It' s all very much pitched. You' ve got the scriptwriter on
one side, you' ve got the sketch artist on the other side,
you' ve got the dyer on the other side, you' ve got
the colorist on the other side. Then, I mean, it' s
kind of a work team. And yet, because it depends on Europe or
the same in the United States, it also happens, but it depends on
which market, because in the end it is much more. Juan Palomo,
you have your work, what you want to do and you see yourself with
both the ability to write and to draw and to try, because everything comes
to you And many times that happens. We find work teams that usually usually
have a writer on one side and a draw on the other, but many
times if you have that talent and that skill and that desire, because you
want to tell your story and the story from the beginning to the end,
and also all your friend elis that brings us also, as in the previous
cases I mentioned to you about Garbouis, are books that have a target audience
for children and young people. But that, being the subject that it is,
besides that it is the talk about disinformation on the Internet, who is
free to be susceptible to falling into a false news, in a click beats
who who. No one, no one, then this work, because although
its target audience is the most pockets, because obviously we want, as adults
and teachers and educational environment and environment related to childhood, to be protected and
protected against disinformation, because I think it is a book that can be equally
in the municipal library and can be taken by grandparents, grandmothers or read with
grandchildren or parents, because first it is very well documented. The author reviews
what they are, what the false news is, where they are, why
they are produced, that is to say all a little bit about the phenomenon,
where they can be found, what kinds of false news there is and,
above all, how to combat it. Not that it is the most
important thing when it comes to entering the Internet, what sources are the ones
that you have to consult on what you have to look at, things that
really are worth to all of us, that we have approached from Madrifera on
many occasions and that in this case, because the author approaches it with her
own style, that is very characteristic, is a very simple drawing, of
nothing complicated, characters like animal little ones like that simple, and that the
most important thing in this case is not the illustration or the drawing or the
details, but the total whole And is the text And is the illustration And
is above all the information that gives us and the sense of humor that puts
it, because it is a very funny work, that is not contradicted the
humor with a rigorous and above all important information urgent, because we are all
surrounded by the fake news, the false news and in this case, because
it discloses it in a spectacular way. I mean, I' ve laughed
out loud, that is, they' re the same characters. Also,
he has a very intelligent sense of humor and he uses techniques of and narration
that you are seeing, that is, the smallest, because I don'
t think he will analyze it that way. But we who are already a
little clear, the analysis, a little more adult who wants to be an
adult. But well, it' s true that you see as a screenwriter
and as a writer how she uses jokes that she uses from the beginning and
then she brings them. He brings them to the end of the book no
and you tell yourself that eclectic aunt and with the drawing it happens anyway wants
to be the i is gravel already we talked about her with when we commented
the clan of the crows that we brought him here to the program and and
we talked about that hour, and is that clearly has such a minimalist drawing,
but that it works very well, because it is really one of the
advantages and the pros that this author has is that it is the narrative effectiveness
that is what you are talking about, that is, how I will adapt
the story that I want to tell him with my style of drawing to tell
something cool entertaining, fun and the woman is nailing it to you such and
it is really very highly recommended for all audiences. I insist on that message,
which is a way to raise awareness without that part of you guys.
I' m going to give a talk. We already know that cabbages often
come with experts and, in addition, it is great that the smallest ones
are told about the dangers of the nets, because it is important. It
' s just like when we teach them how to drive on the streets,
you don' t have to know how to cross the street. The traffic
light is now in red and is not passed, because on the Internet,
we must also know how to manage the networks. What sources are you using
Where did you see that? Who told you, then, just like on
the outside of the Internet, a little bit, feed the critical spirit of
our little ones, our little ones and do it on top. It seems
to me like an idea, a perfect combo with humor, in an intelligent
way, because besides, the serious Is is super I mean, I don
' t know it, but it gives me the feeling that it' s
a super smart and super fast girl with a sense of humor. I want
to be your friend Elis I want to go for a coffee with a son,
because he has some funny jokes. So, super super recommendation theme that
we should not stop addressing the fake news, because, besides this you already
know every day evolves. It' s not an encyclopedia, nor is it
the sane essay on fake news. It is not a treaty or very rigorous.
It' s not like the science of life I was telling you before,
surrogate found with date. It' s not a very light play that
' s going to raise awareness. You can suddenly understand some bulb, which
is what works for us and especially it is very fun and it will make
you have a great time. I haven' t made any of the books
I' ve reviewed about the hardcover and all that stuff. But well,
super, good addition, super recommended, super. I loved it, I
loved it and also recommended it. But then, friends, of course,
you have triumphed. I knew, I knew you' d like it at
your turn. That' s cool, so nothing. We' re still
on with more stuff. Now it is the turn of spirits cats and many
problems to be solved. This is two lost cat problems. It is a
publication that brings us the people of the copla, the friends, friends of
the cupula, for readers from nine years old. That' s a play
by Misson Dickerson, complete play. Also script and drawing with Sarah Diez Santidrian
in the translation work. That is a rustic work, with flaps one hundred
and ninety- six pages for twenty- three with fifty euros of what is
missing caten problems. Well, basically, this is a continuation of the adventures
of the three peculiar gateways that were Buster, Nova and chonsey that we could
already see in the first volume of the series, which is this one that
I have here cat problems, as it is worth and to put us a
little bit in context, I' m going to talk first, very quickly
about what was the first, the beginning of the series. Here, in
the previous volume, we started to meet these nice guys in gateways. I
know it' s this big yellow cat here on the cover. It is
a home cat, it is a myedical cat, the typical home cat of
Pedi Grieve who has never known anything else, than the comfort of his house
and his sofa and his can of food put in his feeder and then they
are nova and chonchy. What are these kittens that appear around here, that
that' s a bit of a counterpart, they' re abandoned cats,
street cats and they have that carry a lot of street on them. Their
lives cross at a point, at a given point, at a special moment,
which is when the owner of the basket of this first gatete is absent
a few days from home and there begin to appear some small mysterious spirits with
good shape like this, globose and ectoplasmic that begin to colonize the house of
Baster And that' s where it won' t go and Choncy, the
other couple of gateways enter and give a hand to the poor of Buster and
help him solve all this problem that is arising there in his house. Let
' s say that then at the same time, Buster, on this other
side and in parallel, is getting everything a life lesson from these two new
colleagues who have just done and survival and express growth so to speak throughout history.
And there we would already hook up with the second volume, which is
the one that has come out as a novelty this month in fact, is
new from January. I think it' s the only January comic book we
brought on the show. It came out at the end of January and here
what we see is already a boste who is already a more made cat,
already more aware and more and who is more aware of his duties, of
home watcher. And yet again the troubles come back a little. Here'
s a night you find yourself, as another surprise at home. Turns out
a little white kitten appears, lost and lost and at the same time something
gamnesic inside his own house. I say the BASTER mission here is going to
be something similar to the one in the previous volume, it' s going
to be helping him and getting him back to his home on the way.
He takes his colleagues back to Chancy and he doesn' t go And besides,
well, besides this, they are going to try to solve the problem
of those floating spirits that we see in the previous volume, that far from
being solved, because it turns out that they have gone from bad to worse
and to general features. It' s what goes into this story. This
series goes both first and second volume. Why I wanted to bring him second
volume of cat problems, because I think it' s a great series and
we didn' t bring him here in his day. The first volume,
for whatever it is, is valid because I didn' t enter the menu
of the program of that month a year ago, nor peak and already here
I did want to fill this small gap and put remedy to it by commenting
on the series for you and for you. I love that real series,
I mean, I' m just loving that mix of cuquism of everyday adventures,
intrigue, suspense and everything. I like very much how it raises the
whole issue surrounding the home- year spirits, which I told you before are
basically a very human manifestation and which manifests itself from emotions. It doesn'
t feed on our emotions. We, as humans, cannot see them,
nor can we hear them, nor can we smell them. But cats do
cats and they can do it. And for us let' s say that
what we do is feel them in the heart and those spirits, besides,
they feed on our feelings and consume us little by little. And let'
s say that cats here are the ones who act as our protectors, and
that' s why they' re protectors of the home, too, because
they' re the ones who end up with these parasitic spirits, so to
speak. I love very much this whole part in which the author tells us,
how or is relating humans to our pets, also the view that the
author gives to cats, as I say, as the protectors of the home.
You can see that I imagine that the author will obviously have cats in
his house as a pet. I like very much, I really like the
whole urban setting of this series, of this Cossas, the relationship they have
with other cats, the relationship with other animals, with the crows, with
the street birds, all this, everything that is the street lore, everything
that involves the history and the atmosphere and this world, this city that is
generating here this author and everything comes reinforced, so I fall in love in
this series, which is the drawing and the narrative. The way this author
has to tell us things is that you will have to take a look at
the comic book if I invite you to go through a store, through a
Bible, to take it and look at it in small ones, counting it
in small vignettes that are overlapping with each other and many of them. Besides,
it just seems like they' re just setting up there, giving visual
information about the environment. I find it so cool that it' s doing
so well that it' s a taste, that is, that sequential development,
so to speak, works very cool, in a very cool way,
in a very fast way. It goes all bread bread pan pam with the
development of the vignettes. It' s not a really nice comic. Besides,
it' s just exploding. I imagine you' ll be intuiting it
by the cover, because the interior drawing is exactly the same. This exploits
one hundred and ten percent. This Japanese kawai style kuqi soft and loving,
I love, that is, all this in the drawing is all so redounded,
but at the same time so dynamic, so detailed. And besides,
what' s good is that the things that you have to give bad vibes
also give bad vibes, which is what you do. And that' s
how this guy draws very well. I have found a very great, very
great surprise to meet with this, with this series, and I am basically
good, almost fascinated, because it is a fun series, it is a
warm series, it is an entertaining series, it is an unsettling enigmatic series.
It has a very peculiar point in its proposal, as I say,
it is a perfect combination also between fantasy, adventure and Costumbrism. He'
s got it all a little bit. No, of course, if you
are a fan of cats, you will love or any kind of pet,
if you are a fan of the sleeves or the style of this, a
more Japanese drawing style, as I say, more kawai, no more cut
too, because you will like it, you will use it a lot,
which offers the possibility to read it and enjoy it on various levels, with
an approach to topics such as fidelity, such as friendship, which approaches them
in a very curious way. I mean, it' s a comic book
in general, a series that has a different point, which is very cool
to you. He' ll say that you give him a chance and that
whatever you go to your store and make him a visual review or a library
and that, if he or she did, there' s a bit of
linden, you put it in for the takeout. And good with regard to
the details of the edition, as I told you, because in rustic small
size of fourteen centimetres by twenty- one. The first volume had some extras
that were very cool. Actually, it was like that a couple of pages.
On a thank- you page, I had a good picture drawing your
own cat. They teach you to draw your own cat and then you have
here a page of these to look for the cat. Among all these things
and a final epilogue of a couple of pages that introduced you to the comic
of the next one, which is this one. And then, at the
bottom of it, let' s say that it' s all already very
close, that we don' t know if it' s going to end
the series. It' s going to be closed here or not, because
it ends that leaves it all very cerradito. And yet, that' s
not really in that second volume extras so recapitulable, but well, Maison Dickerson
cat problems, of the friends of the dome, in their brufal or reader
line. You will already know it because we have already brought the things of
Brufa to the reader a very cool series I recommend it very well, because
we sign it. It also makes me feel like getting it, and it
' s my last recommendation today, my last mini review, because mine isn
' t as thorough or as professional as yours, but everyone' s good
for what it' s good for is yes, that nothing happens to the
cool either. Yeah, tell us. That' s the only thing,
but comic books. Well, I know a little bit more, thanks to
you, but let' s just go. But I think in the end,
as that read point. That' s enough and besides, I also
enjoy o. I hear a lot of good. I bring you the last
recommendation. For my part, the last review that also brings us that em
in February. Val is a February launch and is called dragon blood the awakening
of the storm. It' s a series that has started now and this
is volume one worth. This is the first volume of a series that I
don' t know how many numbers it will have, but that starts with
this volume. Its authors are the text Yamal Yogis and the illustrations of Vivian
Truon and it is translated by Javier Fernández Cegea from ten to twelve years old.
It' s a little older and more adult hair, but it'
s not a more elaborate thing either, it' s denser, it does
have more content. Well, a series of youth adventures with a classic girl
protagonist scheme that moves with her mother to Hong Kong. He' s lost
his father. He recently moved with his mother and stepfather to Hong Kong,
which, in addition, his stepfather was a scientist and was already working hard
to study in boarding schools, and boarding schools had played a great role in
juvenile literature. I just leave it there and what' s coming now I
' m counting. Well, it' s okay now the next one of
mine goes to coincidences of life. We hadn' t prepared it, but
well, she starts to study at an international boarding school and she goes in
a little bit from her location, but she makes friends in the end a
gang, a fundamental element also in an adventure story with a youthful audience,
because she has all the elements and then there' s Girl suddenly, in
such a surprising way and that we don' t know very well why a
big egg is made or given to her power, a big egg, we
don' t know what egg a mysterious old woman gives her and things happen
with that egg, because in the morning I' m not going to gut,
but it' s part of the book. I mean, you see
on the cover appears a little dragon that is going to become companion pet protagonist
of the story. Next to the Girl, next to Grace, then you
have to find out where this dragon comes from, why Grace has it,
where it comes from. Here come many mythologies and stories of Chinese mythology and
begin to mix with ancient prophecies legends. Something can happen. Some danger looms
over Greys and that dragon, because the fact that that dragon has reached Grace
means that something is going to happen and that something has to be prepared.
We see that there can be forces of good and forces of evil, also
important element, and they begin to be perceived throughout the narrative and the adventure
in which the children, because they go from one side to the other with
their adventures and escaping from people who pursue them, because we see possible villains,
villains or villains and our protagonists, who understand that they are the good
ones. So that' s the little- like approach to the broad features
of an adventure novel, adventure comics that the truth will be straight away.
It' s very agile, it' s not too complicated, I mean,
it' s action- centered. What' s interesting is to see
what' s going on. He' s giving you the clues of what
might happen. It does not give you excessive details or there are no excessive
details in the illustration, but what accompanies directly is that you follow the action,
which is what is interesting and what is important, in addition to bringing
you good. Well, once in a while you touch, because thinking about
the audience that is ten or twelve years old, because a little teen world,
a little world, then relationships, a little things like that, a
little bit, well, what they like thinking a little bit there in that
audience and also that, then, giving them a little what they want.
And as for storytelling and history, that' s more or less to keep
in mind that it' s less agile. It fulfills its function perfectly and
does not bore at any time. And as for illustration, it is very
effective. Nor is it a narrative, that is, a very complicated illustration,
well, because it uses a wide range of colors, but it is
not pricey, it is simple, it is fulfilling, it is fulfilling.
He has his plays with his with the scenes, with alternating sizes of vignettes,
good within the normal and because very well, that is, fulfilling the
purpose of the narrative accompanies perfectly of text very well achieved, playing with the
colors, with the emotions, that is, he is very well thought out
and, moreover, from my point of view, he has a very very
very film perspective, very film perspective. You go watching the cartoons and you
get into a movie and it accompanies you as if you were watching a movie,
so very pleasant, very interesting and leaves you wanting to know what'
s going on, because it obviously ends with a ending. It closes,
that is to say, it is true that Comples is a book that closes
more or less the content of the story in that but leaves open much for
the next one, which obviously come more, and you are left wanting to
know what will happen. With grace with his companions and, of course,
with the dragon, which is the Cuki element that you said before, that
is the Cooki element that has to have also if we go to teenagers there
to hook, to hook you, to have chan. Moreover, it reminds
you a little bit of creatures that have hooked us, because gremling type or
creatures that have that are half magical, half supernatural, that then, a
little Pokémon, little world, because it is not only for this dragon there
are more creatures. Then a little bit enters into those universes that engage our
young people and also us as adults, that, then, that ancestral creatures,
with powers, with stories that go a little overflying and that we also
have a little bit. We have a little doubt there, because it is
not entirely resolved, because Greis is the protagonist, but it is good that
he will go knowing. So, well, very good recommendation. A story
that fulfills, that is read from the pull, is not very entertaining,
the characters fall well, that is, everything is quite well measured. And
a good recommendation for our preteens there that they are already coming out of the
readings a little more childish and that they want a little bit of gunnis,
a little bit of girly, gang, gang of things, of friends and
friendship is always very important, of course, in all these novels so stories
of teenagers and boys, girls, because friendship is fundamental and it is very
loyalty, And well, parents are usually there as elements. A little grown
- ups are always a little as good as leftover. And the important thing
is the young people who are the ones who have me there the story and
it is for them so it is their initial sor rumonas is a world n
in their world, it is true, but well, very interesting and very
recommendable, very nice, because notice, notice that February so on faire that
they have given us, because apart from the two that you have had you
notice that this one I have bought, Juniper Mae also another of the novelties
did not come today to talk about it, because in the end we accumulate
so many things. But well, since it has arisen, I also teach
you the same thing. She' s an inventor with stories here of a
bit of science, fiction and that' s three minimum novelties, so I
' ve detected in that m only in February, that is, they'
re betting on the comic Infanty has to make an agent, which is not
at all comic books, but I want to send a strong hug and a
big greeting and all my support to the VALE cm workers that are going on
you have nothing to do with comics, but in the end life opens its
way. Then your things are happening there and I send you all my support
and I hope it goes very well, because this is the way the world
is, also the publishers are there. So a hug to all the sm
workers is done, as we go quickly with jose me. There are two
things left, the last two things I' m going to tell you,
and well, let' s go with the first of them, which,
besides, has a lot of ingredients similar to what you just told us.
Well in this case, here, in our next reading get our young protagonist
to survive her first year at her new school, a year at the SMER.
It' s the novelty I' m going to tell you about now.
By Harper Kits for readers, readers from nine years old, nine ten
years old, the nine- twelve band, by face Hering Felitherine Higgs as
a complete work and we are with full authors. All the time, to
the script and to the drawing, with carmen, kitchen, works of translation,
edition in rustic, with flaps and well, one hundred seventy- six
pages for seventeen with ninety euros of which goes a year in the SMERS.
Well, this is Juniper. She' s here, this girl with glasses
and here we go with her who' s actually a brilliant student. And
we' re going with her, as I was saying to the adventure of
embarking on a new school year at a new school. It is the SMER
college is a very prestigious school for girls with pasta, with money, where
they are educating the future female elites of tomorrow. And here on board friendship
with Cacy. It' s this other girl, here, this red-
haired girl, her roommate, and she engages in enmity with Emily, who
' s good, the popular girl at school. We' ve got it
here, the whole plot set up. In fact, then, the bass
comic about this, about Juniper' s adaptation to the College, to his
new role, to his new status of this very special site. And in
fact, it is so special not only for the school itself, but for
the environment itself, that it even has its particular legends, one of which
seems to contain a certain echo of truth and we are going to be relieved
and revealing better said, during the development of the comic neither can nor want
to tell more. You' re going to read it. I invite you
to discover the whole story, how you enter it, how it unfolds and
how it ends up worth things that I do want to tell and comment on
this hour, well, this is the last work that has come to us
from favee Erin Hiacs, who is an author of whose work, because the
city without name. I invite you to remember it because in its first volume
we already talked about it here in the Madresfera program, in last year'
s summer readings special. If I remember correctly. So, this invites you
to pull the file and listen to those programs again. If you don'
t have them around a little easy- to- find hand. And I
also wanted to repeat that this woman as author, already has in her two
Eisner Awards that, as we have already repeated, rather all, Sesner,
concreteizing to in the category of comic children, within him the fork of the
nine twelve years that, since it is not enough to repeat one and a
hundred times if it is necessary that the Aisners, the Isners Awards, are
the most important prizes of the world, more prestigious and that, in essence
it comes to be something like this, speaking of that everything comes up a
little to mention, like the cinematic Oscars, because this woman already has two
for the previous publications. Well, he uses an elite college story, as
you said before, with all his stuff all his ingredients, his little groups,
his little quarrels, his mysteries, his inner intrigues. Not people looking
for their place when they come in and out of new ones that don'
t seem to fit in. Obviously, you have that in this case,
Juniper, the protagonist, really for possible economics, because of her economic and
financial situation, shouldn' t be in this school. But he' s
been given an opportunity in the form of scholarships. She' s the first
student that the Obeca school and they give her this opportunity, and she,
well, obviously, she' s the one who takes this change too.
He already wants to voluntarily change schools and move here because he sees that it
is an opportunity that has arisen and he wants to take advantage of it.
He doesn' t really know where he' s getting himself, but he
accepts it as something he wants to try and needs to do. We see
that she has a strong personality. He is a character with a strong personality,
well- marked, that does not fall into the typical troubles of the
classic bulgis, of the bullies, that already has an intrinsic maturity that confers
certain weapons to him in order to be able to fight against all this.
Because, moreover, for her it is the expected thing, that is,
she knows that there will be frictions, that there will be rivalries, that
they will mess with her because of her humble origin, that whatever, they
see her as a benevolence to all that, that is, she knows it
and assumes it. He doesn' t assume he doesn' t come to
make friends at school. But, however, this is a work, as
we talked about before, in which clearly this is about a relationship of friendship
between her and Kse, with her classmate and her roommate, and that is
that one is giving one hand to the other. At one, he lends
a hand to face this new world and, in turn, the other returns
the favor by offering an aspect, let' s say more familiar, because
Kasi, for example, does not have a family life either. She'
s the typical girl her parents leave her there and they don' t want
to know anything about her and they don' t have any kind of family
relationship and they generate that bond. There, then, between the two and
basically plus, when you think that the story is basically just going to show
this thing that' s going to be good, just that it' s
going to survive, to adapt to someone who needs to fit in, to
assume that you' re a weirdo, but that' s also good,
because that' s okay, because there has to be everything, because in
this world it has to do with everything and with these little dramas or little
big dramas, young students. Here the story also adds to you an extra
layer, which is this supernatural point that we have on the end and which,
in the background, after a first reading, I have to assimilate,
a process of assimilating whether the story really needed that supernatural point or not,
which I still have, I don' t have it at all clear,
but in any case, it does give a different tone or a different twist
to the reading. And that' s good, well, that' s
good, too. It has a point of dramatism, it' s a
reading with its point of tension. It' s all very well achieved and
everything works great. The drawing goes very well mark of the house, totally
of the author and well, then, it is a comic of small format.
They' re big bullets. It is a drawing with large, redoedite
images, simple drawings and everything works very well. Let' s not say
that, to sum up, it' s a comic that you drink it,
you read it from a sit- down and cool, because this is
what you read it about and you end up with this feeling of hearing that
' s great, that' s a good time that I just spent here
with those girls in this collect as it leaves you there with a super good
feeling. I think, in fact, for me I would say it'
s a perfect Guilty Plesher, it' s a I see you if I
don' t walk very unfortunate and disoriented. I think he' s a
little called to have a little hole and sneak in, because in his own
right in the hollow of the bookstores of many of our teenagers, because the
truth has it all. And as for details of the edition, yes,
which I would like to comment on, as I say, is a small
book of fifteen by twenty centimetres and has four final pages that are very cool
and that I did want to stop in half a second, talk about it,
because they tell us the author here, the process of work that she
follows when it comes to working this comic not and why she wanted me for
it here, because now maybe that as good and without perhaps now is much
more normal. There is much more talk about it. Obviously, we have
YouTube and your flooded state like tutorials and stuff like that. But when I
was the age of the girls of the protagonists of this story, there was
nothing of this kind of information was, I mean, very difficult. You
don' t know how complicated it was for some professional to talk to you
about how they did things, because there was no information about it. There
was no one who was telling you look. I make a first sketch in
blue pencil that then, when it is scanned this does not bother, it
in red by hand, I retouch it with photoshop, I color it in
such and such a way. Not that, because it was very difficult to
get and I still marvel, because for me this kind of details are like
parrot. I mean, I really appreciate it, because I love to see
how people work, how they deal with the works, because in addition,
every author, every author works in a concrete way and always gets things and
I really like to see and learn, to keep learning how people work and
how they come up with them in their comics. And I think it'
s a detail of ten that editorials include kind of this kind of thing.
Here a year, a Smersh of harper Kitcs, penultimate of the penultimate of
recommendations. We were on the last one today. We quickly go with an
animal tale, but tremendously human. Sixteen springtimes, look how beautiful comic book,
so great that the Astronave publishing house brings us. Sixteen springs for readers,
readers from the age of twelve. Also new in February is an author
of Korean origin named Jumbo, also full author script and drawing with Chiska more
in the work of translation cardboard and it is usually a little normal in the
publications of the friends of Gastronave one hundred and twenty pages by twenty- seven
with ninety- five skunk, but it is worth the truth of every sixteen
spring, for this is the story of Geo bu that is this schoolgirl slut
here and that covers the fragment of her life from five to sixteen years old.
That' s the story you' re going to tell us here,
yobuta. This girl is the protagonist. On his fifth birthday. He lives
apart from his parents. Okay and from that moment on, without the parents
being able to take care of the child, the father takes her to the
village to live with the grandfather and aunt, who are the ones who will
take care of her care and education. From that moment on, an aunt
and a grandfather said that they do what they can in the background, that
it is not that it is too much given the circumstances and, in theory,
something that was supposed to be temporary, since it becomes something a little
for the remains. And of course, the girl obviously doesn' t get
along at all. And in this that jeobo the girl the prota crosses with
Paulina, the other great character of this comic of this work, who is
a hen who has also moved to the same town, who lives alone and
lives very close to the grandfather' s house. And well, let'
s say that both of them are having small fortuitous encounters throughout history and over
the years, which somehow lead to a rapprochement between the two that ultimately results
in a relationship of a cut that becomes increasingly maternally filial, so to speak
Paulin. In fact, she' s going to Paulina, she' s
going to become, basically in this, a second mother, a de facto
mother, because the one who doesn' t have a little bit becomes a
mother herself. And this is the story, which tells us sixteen springs,
why I recommend reading this comic book It' s what has caught my attention,
well, things that I can tell you. That, obviously, is
a story of anthropomorphized, morphized little animals. I mean, John, I
don' t get the word, and here' s what we' re
doing. It' s getting into the skin of a little girl who'
s basically got no leading non- referential guides, they' re obviously not,
as her parents said, leaving her a little alone. No And it
is, therefore, basically exposed to the vagaries of the purest and most honest
emotions that arise from everyone, arising out of confusion, arising from frustration,
arising from the whim, from loneliness, from misunderstanding, that is, basically
it is a growing child and it is already in complicated circumstances that I will
not even say of dramatics, much less worth the story of a growing girl
and how she feels about things in front of a reality that she, because
she does not understand it and thinks it is not fair, it is not
a comic that the parents of this girl do not really leave in a very
good place. But that' s precisely why I liked it, because I
think it' s interesting to put on top, as we have done other
times with works that deal with relatively similar topics, putting on the table,
because other familiar realities are also there and that, therefore, it is good
that there is a reflection so that it can serve for any type of reader,
reader who encounters a reading like this. Not here both parents disappear,
i e smoke bomb. He passed the brown, the package, the grandparents,
and I' ll be back when things calm down and that' s
it, and by the counterpoint, this Pauline, there' s Mrs Gallina,
who puts that sanity in all of this, doesn' t put gray
here, which is really the one you' re dealing with. He'
s talking about the circumstances, yes, that matter, that not everything is
black and white. We' re not digging into the comic book, not
in the parents' circumstances, either. But in the end, when you
are a father, you also understand things that happen, that not everything is
easy, that not everything is black and white, as I say, and
this is also the great protagonist of this story, Paulina, this Mrs Gallina,
who comes a little to emerge, to supply all this, this character
who faces herself as a true second mother, based on affection, based on
understanding, based on patience, which is what is generating in that girl,
this place, this necessary shelter that she needs to be able to stabilize.
It seems to me that it is very tender to see how this character,
the great heart that he has and the tenderness that he shows to the girl
from the beginning, is getting along and finding those threads of Union, those
bridges that he attends so that the girl approaches her as we see that he
is doing, because he is a character that, in the end is all
empathy, that is all understanding, has his point of firmness, also that
that is cool and that is basically that. This is commendable to see how
she is giving her everything that the little one, as this is needed at
every moment. It' s basically a story that talks about this, about
growth, about development, about finding yourself and forging your own identity, that
tells us, that raising isn' t easy, that it' s a
career in the background, obviously, where you have to put tons of patience,
commitment, head and heart. Like all the mother father around here in
the scrub, we know you have to put a lot on your side to
make something grow and become as beautiful and as healthy as you want. And
I say this on both sides, on the part of those who put it,
on the part of the parents, it must also be put on the
part of the children. Everyone has to contribute here in this and also by
the fact that he sent the stages in due time to grow too fast,
or to be stuck there in a position that is also a little bit the
figure of the aunt that embodies this role a little bit. Then you have
a very nice relationship with the flowers with the whole story, because in the
end, each chapter is introduced by one by a flower, and this has
its one because, basically good, they are details, but they are the
flowers that Paulina, this hen, is growing in her greenhouse, that have
their own importance in her garden and, in the end, is a metaphor
of the flower that grows inside each person, in this case, inside this
girl of Yogu, as she grows and that fulfills years, different flowers,
different phases, different experiences, different learnings. I' m a little bit
like I see it, like I' ve caught it, and deep down,
she herself, this character says it, and she argues it several times
here throughout the comic so good. I think it is also a kind of
Union nexus. What the flowers do between these two characters mentions in part also
the drawing that seems to me a true pass. It is a super nice
drawing, analog by hand, with a beautiful color, very fine, very
precise and that is what gives you the point to a very cool reading experience,
a multi- premised comic in France, very peculiar, that for me
has been a discovery and I think a very interesting success, very recommendable.
Sixteen spring of spaceship is worth details of the edition, already to finish altogether,
twenty- eight by twenty- three centimetres. It' s a big
comic book, it' s worth a paisado format that we don' t
often see formats like that, it reminds a lot of illustrated books. It
has an aroma and both the illustrated book and it is a super beautiful edition,
very carefully and with some extras at the end also of development, with
sketches, of the development of the work and of the visual research, since
they are also very appreciated. Sixteen spring b of jumbo by astronag. The
last of the recommendation is a comic book also very much put on my mother,
what a complete program. Yeah, you see, and we' ll
let you know for sure that you have, I don' t know,
but I' m sure there' s more, of course, recommendations that
we leave you as every month so much more in the inkwell that stays there.
We will leave on the blog all the recommendations and I know, because
very cool very good recommendations one program more in this and I with these comics
than what said what has not come in January or I have not seen in
January, because we have been joined with ferreros. Well, you know we
' re trying to bring you here, but we also have months together that
there' s not much launch with which, maybe we can' t or
whatever And well, we already come with the full load of ideas, recommendations,
proposals, works that can interest different questions, for class, for projects,
to spend some time, great at home, for many things, while
we always leave you in all the episodes, all written down with your link
to, your editorial and its price, all these things so that you can
do with them in your neighborhood bookstore and nothing that will come back in a
next program. And I with these comics, that doesn' t come out
anymore yes, it has been a pleasure, like every episode with each and
me with these comics, to treat it with you, because equally and besides
this I have loved and that yours and friends that already mine there of course
that yes as long as you can be enchanted, Friends, we will go
back in a new episode of good morning, mother sphere and with and I
with these comics, because when I play if it is next month or the
next, when you can, we will return with more. No and I
always remember that you can ask us for requests, comments, suggestions, tell
us in the comments who, in what work you have loved, what or
that these ask us, some reviews, if you want in short, requests
of the listener. As usual, well, we' re going for a
hug, folks, we' re coming back very soon. Bye. Greetings,
Chao family,