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Welcome 69 00:12:56,240 --> 00:13:00,840 back everybody, as we are well in our number two New Mara of Matt 70 00:13:00,919 --> 00:13:05,840 Connorton Unleashed, and we are live from the studios of w m n H 71 00:13:05,039 --> 00:13:09,080 ninety five point three FM and Glorious Manchester, New Hampshire on Canal Street. 72 00:13:09,159 --> 00:13:13,919 Of course, you can listen at ninety five point three FM if you're local. 73 00:13:13,080 --> 00:13:18,000 Otherwise, you can go to Wmnhradio dot org and click listen live, 74 00:13:18,120 --> 00:13:20,600 or you can go to my website Matt connorton dot com slash live. That 75 00:13:20,759 --> 00:13:24,759 gets you to the stream, as well as all of your live streaming options, 76 00:13:24,879 --> 00:13:28,559 social media links, contact and fosshow archives, et cetera, et cetera. 77 00:13:28,000 --> 00:13:31,919 It is Memorial Day weekend. It is Saturday, May twenty five, 78 00:13:31,320 --> 00:13:37,240 twenty twenty four. Jenny is here as well at the news table, resent 79 00:13:37,320 --> 00:13:41,600 and accounted for. Yes, yes, these guys this is They've been on 80 00:13:41,679 --> 00:13:45,039 the show many times, but this is our first time in the new studio. 81 00:13:45,399 --> 00:13:48,960 We have fifty percent of the band Dead Harrison here with us. Welcome, 82 00:13:48,000 --> 00:13:54,639 gentlemen, good morning. Hello. We have Andre Dumont and Axel Bagley. 83 00:13:54,679 --> 00:13:56,600 Am I saying your last name correctly? Yes? I feel like we 84 00:13:56,679 --> 00:13:58,720 go through this every time. It is baguely yes, Okay, it's like 85 00:13:58,720 --> 00:14:03,679 a a lee. Right, that's a great see. I wish I knew 86 00:14:03,720 --> 00:14:07,200 that. That's a great way to remember it, or vaguely, but at 87 00:14:07,240 --> 00:14:11,720 least people remember it vaguely. Andre, that's a good thing too. Yeah, 88 00:14:11,919 --> 00:14:16,360 yes, yes, Jenny gets a bagel every Saturday morning. That's my 89 00:14:16,519 --> 00:14:20,039 special treat. Yes, we got, we got till vaguely facebook posts. 90 00:14:22,519 --> 00:14:26,399 I have noticed that. I mean, yes, you know, I do 91 00:14:26,600 --> 00:14:30,919 keep it vague for a reason. Yes, anyway, we're not going to 92 00:14:31,000 --> 00:14:33,679 talk about that on there. But how the show? Have you guys been 93 00:14:35,120 --> 00:14:37,159 seen you guys in a while? Yeah, it has been a while. 94 00:14:37,360 --> 00:14:39,120 Yeah, don't be too too long. I think the last we were at 95 00:14:39,159 --> 00:14:46,360 the open house at the yes for a Terminus? Yes, yes, yes, 96 00:14:46,519 --> 00:14:48,240 yes, we do want to get to another show there. Our saturdays 97 00:14:48,279 --> 00:14:50,519 have been hectic, but we would like to get to Uh when is the 98 00:14:50,600 --> 00:14:54,840 next show at Terminus? Is it June eighth? June eighth? And who's 99 00:14:54,919 --> 00:14:58,279 do you remember? Who's who's on it? More in the light? Yes 100 00:14:58,399 --> 00:15:01,360 and almost Thomas, okay, and you guys too, are you guys playing 101 00:15:01,360 --> 00:15:05,399 that one? We are playing that one too. Excellent, excellent, And 102 00:15:05,519 --> 00:15:09,759 we should have physical copies of the CD and Oh, yes, very good. 103 00:15:09,799 --> 00:15:13,639 Yeah, they're coming in. Okay, okay, cool, We're gonna 104 00:15:13,639 --> 00:15:16,879 play Actually, what do you guys want to play? We've got a bunch 105 00:15:16,919 --> 00:15:20,559 of music. We did play one of them at the end of the first 106 00:15:20,639 --> 00:15:24,440 hour. We played Monolith Lord, which is great. But what should we 107 00:15:24,600 --> 00:15:28,279 play next? We'll play something and then we'll come back and talk and get 108 00:15:28,320 --> 00:15:31,840 caught up. It's a nice summary. Feel out there it is, the 109 00:15:33,080 --> 00:15:37,000 day is wonderful, the dead can be fun. So I say we go 110 00:15:37,080 --> 00:15:39,840 with Beach Zombies. Beat Zombies, very good. Do they have to wear 111 00:15:39,919 --> 00:15:43,320 sunscreen? Or are they? Does it know? They don't need to. 112 00:15:43,480 --> 00:15:46,279 They don't need to. If you want to know. If you want to 113 00:15:46,320 --> 00:15:48,919 know, you get to listen to the song. Oh is that addressed in 114 00:15:48,960 --> 00:15:54,840 the lyrics? It actually is good. Nice stay tuned because that's important. 115 00:15:54,840 --> 00:15:56,720 All right, very good, All right, check it out, Beat Zombies. 116 00:15:56,919 --> 00:16:33,600 This is Dad Harrison slamming against sound trees, clear from a sleek priest 117 00:16:33,759 --> 00:16:41,399 and a little priest coming scoop sets from the seeds. One day and last 118 00:16:41,600 --> 00:16:52,240 night the loop was quite afright, shuffling down the bar walking everyone was shocking. 119 00:17:06,519 --> 00:17:11,279 Song based man on the sign go these song is last. I have 120 00:17:11,319 --> 00:17:27,720 three song reason midday song got three songs are be so much fun. The 121 00:17:29,039 --> 00:17:40,319 risings on their bast and surfing the last waves bring all to the second shows 122 00:17:40,519 --> 00:17:47,920 start the sunscreen out their chest because the yard right of flesh. They don't 123 00:17:48,039 --> 00:18:07,359 care the rains starting like cool brains. Song don't be song bspare on the 124 00:18:07,480 --> 00:18:14,880 sound goo be song Bees one songs I have dore songbies in the midday song 125 00:18:15,400 --> 00:19:08,480 Yo be Songbies are having so much fun watched her mother. The rocks are 126 00:19:08,680 --> 00:19:23,000 random body parts over by the doj s clabshing the tones. Let's clear tones 127 00:19:25,160 --> 00:19:45,359 that time watches them Christ sums up again. The song Spaying on the sand 128 00:19:45,799 --> 00:19:52,559 do the songs on the sast don't be Sombies and this sun go movies. 129 00:19:52,759 --> 00:20:03,759 Sondies are having so much fun. Don't be songs Spaying on the sand zombies 130 00:20:03,880 --> 00:20:27,720 and so nice that is beat Zombies. The band is Dad Harrison and we 131 00:20:27,839 --> 00:20:32,319 have a couple of the guys from the band here with us live in studio 132 00:20:32,440 --> 00:20:37,640 this morning on Matt connorton Unleashed, we have uh Axel Baguley and uh I 133 00:20:37,799 --> 00:20:41,519 learned how to a trick to say his name, and of course Andre Dumont 134 00:20:41,720 --> 00:20:45,000 here with us live in studio and tell us about Now we were talking about 135 00:20:45,000 --> 00:20:48,400 it off air, but tell us about the origins of that song beat Zombies. 136 00:20:48,799 --> 00:20:53,960 Oh well, it was like a little one off show that it wasn't 137 00:20:55,000 --> 00:20:56,839 a It was a one off song that we were doing for a show that 138 00:20:56,920 --> 00:21:00,839 we had going on up in Rutland, Vermont that was supposed to be just 139 00:21:02,000 --> 00:21:08,559 a beach theme party. Roland, of course, for their beaches has great 140 00:21:08,640 --> 00:21:15,200 beaches and yeah, and so it was thinking of the idea and Jason the 141 00:21:15,200 --> 00:21:22,319 bass player just, uh, he kind of ran with the idea of let's 142 00:21:22,480 --> 00:21:27,039 do a song that represents being on a beach and came up with beach Zombies 143 00:21:27,160 --> 00:21:36,000 and brought that some tastey licks. I think he challenged us actually to make 144 00:21:36,079 --> 00:21:42,559 a reggae song but in a doom formatpak So, like, we ran through 145 00:21:42,599 --> 00:21:48,000 a lot of different type of reggae feels and just different swings and it just 146 00:21:48,440 --> 00:21:55,839 didn't hit until we just like we locked in a like rock groove that was 147 00:21:56,240 --> 00:21:59,720 kind of kind of reggae, but it's it's out of his like wheel wheelhouse. 148 00:22:00,200 --> 00:22:03,559 So you wanted to challenge himself and us to like to make that type 149 00:22:03,599 --> 00:22:11,200 of idea. So and we did, and like the the response has been 150 00:22:11,279 --> 00:22:15,160 great. Actually, I didn't think that that song would have would have taken 151 00:22:15,200 --> 00:22:18,079 off like it did. Yeah. Yeah, I like harder songs obviously, 152 00:22:18,640 --> 00:22:23,640 like something catchy like that. It really makes you know, people dance and 153 00:22:25,039 --> 00:22:29,640 you get involved. And that's Jason singing, right, that's Jason vocal. 154 00:22:29,920 --> 00:22:32,119 Uh yeah. I had to give him a shot at the mic and be 155 00:22:32,240 --> 00:22:34,400 like, hey, you know you wrote the song, why are you singing? 156 00:22:36,279 --> 00:22:38,519 Because it sounds good and it gives a different voice. It shows the 157 00:22:38,559 --> 00:22:41,640 diversity of the band. Yeah, is that the first time he had done 158 00:22:41,640 --> 00:22:45,079 a lead vocal and Dad Harrison, Yes, I'm well no, no, 159 00:22:45,599 --> 00:22:49,960 no, no. He has a couple oh yeah, okay, there's a 160 00:22:51,079 --> 00:22:56,880 couple of the older tunes. I can't put them together in my head right 161 00:22:56,920 --> 00:22:59,160 now. I think Left March was one of them, right, yes, 162 00:22:59,359 --> 00:23:03,920 where we all had like individual parts, like he had the whole first verse 163 00:23:04,799 --> 00:23:08,480 and then I ended up taking like the bridgey part, and then my brother 164 00:23:08,640 --> 00:23:12,880 ended up taking up the last verse. Okay, and so yeah, it 165 00:23:14,039 --> 00:23:18,440 was definitely like we know that we all can sing, but he was another 166 00:23:18,559 --> 00:23:22,960 chance to kind of like showcase stuff. John sings with me a lot like 167 00:23:23,880 --> 00:23:30,440 my brother, the guitar player, so it's like we have debts where and 168 00:23:30,079 --> 00:23:37,359 with Jason singing also just gives like nice full vocal depth in the songs. 169 00:23:37,640 --> 00:23:40,640 Yeah, I noticed when we when we came to the open house at Terminus, 170 00:23:40,920 --> 00:23:44,319 when you guys did a Terror Grinder, I noticed you and Sean singing 171 00:23:44,359 --> 00:23:49,200 together, and I didn't he's actually your brother. All these years, I 172 00:23:49,319 --> 00:23:56,359 never knew that same of in different Baker. Okay, understood, So that 173 00:23:56,440 --> 00:23:57,920 explains the different last name. I never knew that, and I don't think 174 00:23:57,960 --> 00:24:02,559 you guys look anything alike. But as you said, different Baker, but 175 00:24:02,799 --> 00:24:04,759 uh, yeah, I had no I had no idea. Yeah, no, 176 00:24:06,240 --> 00:24:07,920 it's a it's a really cool thing and just the origins of like, 177 00:24:08,359 --> 00:24:11,519 you know, oh, my brother, like I want to play some music 178 00:24:11,640 --> 00:24:15,440 together with him, and you know, yeah, you know, you think 179 00:24:15,599 --> 00:24:19,799 Dimebag and Vinny Sure, you know. So there's the van Halen brothers, 180 00:24:21,720 --> 00:24:27,240 and it's like there's definitely a cool aspect of like having family in your music 181 00:24:27,319 --> 00:24:32,960 wheelhouse and you kind of know each other and plus your vocal timbers just like 182 00:24:33,440 --> 00:24:37,079 match. So well, yeah, you guys singing together on Terror Grinder is 183 00:24:37,119 --> 00:24:41,319 really good. Uh you're hearing that live, It's really good. Yeah. 184 00:24:41,519 --> 00:24:45,240 Yeah. I mean he also screams too, Yeah he's I can't scream like 185 00:24:45,319 --> 00:24:49,680 that, okay, But like you put it together, it's very harmonic. 186 00:24:51,200 --> 00:24:56,000 How they how they work together. Yeah, because like the influences, if 187 00:24:56,039 --> 00:25:00,599 we want to run down with the influences too, yeah, yeah that because 188 00:25:00,599 --> 00:25:03,200 you know, Isaac Banks is gonna ask as well as what's your favorite matchbox 189 00:25:03,240 --> 00:25:12,119 twenty? So I mean to answer it would be real world over back to 190 00:25:12,200 --> 00:25:21,240 good because back to goods good? But way, what are your influences? 191 00:25:21,359 --> 00:25:26,279 Andre? For what you think? The sound of us? The sound of 192 00:25:26,480 --> 00:25:30,440 of what of d H? Sorry if my voice keeps coming in and out 193 00:25:33,480 --> 00:25:37,240 like your side? Yeah, influence, I mean I go a little bit 194 00:25:37,319 --> 00:25:41,160 more. Always been just a huge fan of typo negative, but I like 195 00:25:41,279 --> 00:25:45,200 the good gothy kind of stuff. So I mean I like Sisters of Mercy 196 00:25:45,319 --> 00:25:48,519 and but also like go into the rum of like you know, corrosion to 197 00:25:48,599 --> 00:25:55,799 conformity and you know, different like aspects of rock. Yeah, that big 198 00:25:56,039 --> 00:25:59,000 feel, you know, I guess that's the best way that I can put 199 00:25:59,119 --> 00:26:02,839 I like the with a little bit of dynamics and emotion in them rather than 200 00:26:03,000 --> 00:26:06,759 just like right hard hit at y'all all the time. Yeah, absolutely, 201 00:26:07,000 --> 00:26:11,279 yeah, wow about you. Axel Mine's more of like the the grunge area. 202 00:26:11,640 --> 00:26:15,480 Yeah, slash Prague, so like Alice in Chains, Sound Garden, 203 00:26:15,640 --> 00:26:22,119 Melvin's kind of like the same same ones we went over before. It's very 204 00:26:22,240 --> 00:26:30,079 like early nineties alternative, like h two thousands Prague to a PC puss it 205 00:26:30,160 --> 00:26:34,119 for all that stuff. So, like I'm a very like alternative type of 206 00:26:34,200 --> 00:26:41,480 person. So there was a lot of I think it was like Caius like 207 00:26:41,559 --> 00:26:45,960 when when I when when I was first getting into the band that, like 208 00:26:45,400 --> 00:26:52,200 Sean, one of Shawn's areas is Caius Queens of the Stone Age and like 209 00:26:52,000 --> 00:26:56,759 rebirthed like the stuff that I haven't listened to in a while, like like 210 00:26:56,839 --> 00:27:00,160 corrosion and conformity, where I'm like, oh, yeah, so it's been 211 00:27:02,279 --> 00:27:07,960 it's been a long time since I've like listened to like really grungy, sludgy 212 00:27:07,039 --> 00:27:14,160 stuff. Yeah, it's like that desert doom stuff. Very welcoming. Yeah. 213 00:27:15,480 --> 00:27:18,359 By the way, Isaac Banks in the chat room, so this is 214 00:27:18,680 --> 00:27:22,319 the question now this time he's asking have you ever listened to the eighties band 215 00:27:22,480 --> 00:27:26,920 The Outfield songs like Your Love, all the Love in the World, I 216 00:27:26,000 --> 00:27:30,519 Don't Need Her, every Time You Cry and Winning It All from the Movie 217 00:27:30,680 --> 00:27:38,519 of the Mighty Ducks soundtrack. I don't think I have your thoughts. They 218 00:27:38,640 --> 00:27:44,759 don't particularly ring a bell. I probably have heard one of the first one 219 00:27:44,839 --> 00:27:48,119 that was mentioned. I feel like I've probably heard it. Well, I 220 00:27:48,200 --> 00:27:52,319 heard it, I would yeah, Well everybody knows that song, your Love. 221 00:27:52,440 --> 00:27:56,680 I don't want I just want to use fun fact. Yes, yes, 222 00:27:56,799 --> 00:27:59,880 When I was a kid and I took guitar lessons, that's the first 223 00:28:00,039 --> 00:28:02,880 song I ever learned on the guitar. That is a great song. Actually, 224 00:28:03,000 --> 00:28:06,240 yeah, I don't mind it because look, you listen to it musically, 225 00:28:07,079 --> 00:28:12,519 it's got all those cool elements. Yes, yeah, yeah, it 226 00:28:12,680 --> 00:28:17,200 is a great song. Absolutely. Melanie, who by the way, is 227 00:28:17,240 --> 00:28:22,039 from Vermont and I'm sure it's quite familiar with the beaches of Rutland, says 228 00:28:22,279 --> 00:28:25,440 I do question the referring to the song I beat zombies. I do question 229 00:28:25,519 --> 00:28:30,279 the use of sunscreen though, because well they're dead. Well, I've always 230 00:28:30,319 --> 00:28:33,240 said though, you're never too old to take care of your skin. You 231 00:28:33,319 --> 00:28:36,960 know, you don't want, you know, skin cancer. Well, yeah, 232 00:28:37,039 --> 00:28:41,480 you know, it probably would help maintain a little bit of flesh still 233 00:28:41,640 --> 00:28:47,559 on you for a while rather than drying out right crisping off and falling apart 234 00:28:47,799 --> 00:28:52,400 exactly exactly, because there what you have left exactly exactly. Yes, I'm 235 00:28:52,440 --> 00:28:56,519 all about it. She also said, this is so fantastic. Everyone knows 236 00:28:56,640 --> 00:29:03,440 zombies love to make sand castles sometimes body castles if they try to climb over 237 00:29:03,480 --> 00:29:10,920 a wall. Yes, exactly. World War was World Wars there freaked me 238 00:29:10,960 --> 00:29:12,279 the hell out back then, because like, up until that point, I 239 00:29:12,400 --> 00:29:15,319 was used to, like, twenty eight days later, zombies you like ants, 240 00:29:15,400 --> 00:29:18,839 And I'm like, oh man, that's kind of freaky. They're running. 241 00:29:18,079 --> 00:29:22,720 Yeah, these ones are like full on sprinting and throwing themselves at walls 242 00:29:22,880 --> 00:29:26,880 at Brad Pitt for like an hour and a half, and I'm like, 243 00:29:26,920 --> 00:29:29,680 I can't deal with this. If this was real life, I would not 244 00:29:29,839 --> 00:29:33,359 make it right. No, No, that's intense, certainly not, certainly 245 00:29:33,440 --> 00:29:37,720 not. And and tell us about because Andre, you had commented on this 246 00:29:37,799 --> 00:29:45,480 software about the album and kind of exploring those different elements with people singing other 247 00:29:45,559 --> 00:29:48,400 than you know, because you're you're primarily the lead singer. But actually when 248 00:29:48,440 --> 00:29:52,160 I first met you guys, before Axel was in the band, you were 249 00:29:52,200 --> 00:29:56,279 the singing drummer. You had a lot of lot going on there at once. 250 00:29:56,720 --> 00:29:59,079 Yeah. Well, it was like, you know, so many things 251 00:29:59,119 --> 00:30:00,319 in my head that I had to try and get out. So I was 252 00:30:00,440 --> 00:30:03,880 like, how do you do it? You just you just have to do 253 00:30:03,960 --> 00:30:08,160 it, And so it put me into that place to just create. You 254 00:30:08,200 --> 00:30:11,599 know. Now with this album, it was a little bit different. It 255 00:30:11,759 --> 00:30:19,920 was more of like understanding that every band member has great talent and also has 256 00:30:21,480 --> 00:30:26,079 really good songwriting abilities, and so I kind of like took that little step 257 00:30:26,200 --> 00:30:30,920 back and let those guys like bring a lot of those ideas to the table. 258 00:30:32,039 --> 00:30:33,519 I mean, there was a couple of things that were like share I 259 00:30:33,599 --> 00:30:42,400 think lyrically, my only input was like in the choruses of Monolith Lord, 260 00:30:44,000 --> 00:30:47,559 and there were just a cool set of lyrics that I had written, a 261 00:30:47,720 --> 00:30:51,119 little thing that I had written down in a notebook. But then when Sean 262 00:30:51,200 --> 00:30:55,079 brought the song to us to be like, hey, listen to this, 263 00:30:55,279 --> 00:30:57,319 I kind of made this song up and like, you know, he had 264 00:30:57,440 --> 00:31:02,920 some lyrics that and I was just like, we can blend both of these 265 00:31:03,039 --> 00:31:06,599 together and like yeah and that and that's how the song ended up coming. 266 00:31:06,640 --> 00:31:14,519 And it was just like also that weird connectiveness of the universe having multiple or 267 00:31:14,640 --> 00:31:18,960 a single idea but it spreads across on multiple planes, and the fact that 268 00:31:19,359 --> 00:31:22,440 my brother was kind of like thinking of the same thing. And that's and 269 00:31:22,799 --> 00:31:26,559 the monolists were popping up all over the place too. At the time. 270 00:31:26,640 --> 00:31:32,960 It was like that whole we just just covered a modelith out here and you 271 00:31:33,119 --> 00:31:37,279 miss remember that, Oh I do remember that. There was like WHATB five 272 00:31:37,599 --> 00:31:41,240 five that ended up popping up just randomly throughout the like a good week. 273 00:31:41,519 --> 00:31:45,160 It was just like every other day, another one and another one. Was 274 00:31:45,200 --> 00:31:48,960 that ever solved? No, and it stopped for a while and they just 275 00:31:49,079 --> 00:31:57,279 found another one recently really overseas. It's weird. Was that was that difficult 276 00:31:57,359 --> 00:32:00,640 for you to kind of let go a little bit it or was it a 277 00:32:00,759 --> 00:32:04,599 relief or you know, to let the other guys in on that process or 278 00:32:04,640 --> 00:32:07,559 what was what was that? Like? I thought about it, and I 279 00:32:07,640 --> 00:32:13,400 mean I could it was a choice because I could be disappointed with it, 280 00:32:14,680 --> 00:32:17,680 or I could look at it as like a relief, just not even to 281 00:32:17,759 --> 00:32:22,759 be a relief, but just let other people have a chance. Yeah, 282 00:32:23,240 --> 00:32:27,839 you know, and and that's how I looked at it and was like, 283 00:32:29,200 --> 00:32:31,279 great things could come out of this, right you know. It's like and 284 00:32:31,480 --> 00:32:38,240 but that's also what creates that that inter connectivity amongst all the members, you 285 00:32:38,319 --> 00:32:43,480 know, because we are we're we're all equal and in this together, so 286 00:32:44,000 --> 00:32:49,759 creating what is dead Harrison. Right, So it's like, yeah, it's 287 00:32:50,599 --> 00:32:57,359 not just my show. So we're we're well past the establishment of just the 288 00:32:57,480 --> 00:33:00,720 first starting and like here's my ideas, and now we're into like a cohesive 289 00:33:00,799 --> 00:33:07,799 group. And so it's like really good to be able to showcase what everybody. 290 00:33:07,039 --> 00:33:13,559 Eventually he'll write a song. He just doesn't know it yet. I 291 00:33:13,640 --> 00:33:16,039 mean that that. Uh, thank you for that, for that, uh 292 00:33:16,440 --> 00:33:22,759 that encouragement. I got nothing lyrically in the brand I was just saying, 293 00:33:23,119 --> 00:33:29,920 but I I just hit things. What what he gave me a chance to 294 00:33:30,000 --> 00:33:34,960 do was to think outside of my own cohesive box of like what what I 295 00:33:35,119 --> 00:33:39,079 what I think drums should be or what I think hard metals should be. 296 00:33:40,480 --> 00:33:45,359 I know, I like keep jumping out the way you You gave me the 297 00:33:45,480 --> 00:33:46,799 choice of like do you want to do this, you want to do that? 298 00:33:47,079 --> 00:33:51,119 Like do you do you want to just stay in this like rock and 299 00:33:51,240 --> 00:33:54,000 roll format or do you want to like learn something? And like it was 300 00:33:54,079 --> 00:34:00,240 a like the first year was was very very hit or missed because like I 301 00:34:00,319 --> 00:34:04,119 play a certain way and he plays a certain way, you know what I 302 00:34:04,200 --> 00:34:07,599 mean? Like yeah, not like he plays better or I play better, 303 00:34:07,720 --> 00:34:10,960 Like we just play two different styles, right, I mean, And it 304 00:34:12,079 --> 00:34:15,280 took us a while to figure out that that we were thinking the exact same 305 00:34:15,400 --> 00:34:20,679 thing, but like we were coming from two different plan playing fields. So 306 00:34:20,840 --> 00:34:28,559 like we he he gave me the opportunity of like morphing of how I could 307 00:34:29,039 --> 00:34:31,800 make a fingerprint with this band instead of just like playing the same stuff. 308 00:34:31,840 --> 00:34:36,360 It's like, here's what I can do with this. So when you joined 309 00:34:36,400 --> 00:34:40,480 the band, did you did you try to learn exactly how Andre played the 310 00:34:40,559 --> 00:34:45,159 songs? And then but over time that kind of morphed a little bit. 311 00:34:45,199 --> 00:34:47,239 Well that's a necessity, right, Like that's an absolute necessity. If you 312 00:34:47,320 --> 00:34:52,119 want a job, then you have to do what the requirements are the general 313 00:34:52,199 --> 00:34:59,239 aspect. So once you have that footing, then you can just muscle memory 314 00:34:59,440 --> 00:35:02,480 your own stuff as you go along, and like there were other things I 315 00:35:02,639 --> 00:35:08,320 was doing, like my own practices and my own projects in my own career 316 00:35:09,320 --> 00:35:14,519 that were teaching me to different stuff. So like I would always learn and 317 00:35:14,559 --> 00:35:19,760 then come back learn and then come back to to hear two make it better. 318 00:35:19,920 --> 00:35:22,679 Like I no offense to myself, but I was trash the first like 319 00:35:22,800 --> 00:35:27,760 six months. Like you guys are very very gracious, because like I must 320 00:35:27,800 --> 00:35:30,280 have been like a timid leaf the first six months, like I really was. 321 00:35:30,960 --> 00:35:37,639 I was like, oh no, oh no, because because Andre, 322 00:35:37,800 --> 00:35:43,280 you play a certain way that requires not like you want to, it requires 323 00:35:43,880 --> 00:35:49,920 like endurance, it requires a technique and precision, and like you need to 324 00:35:50,039 --> 00:35:54,039 know certain things to do certain things, and I off hand did not know 325 00:35:54,400 --> 00:36:01,199 how to do certain like thrash stuff or punk stuff that he's like fluent fluent 326 00:36:01,239 --> 00:36:06,400 with. Yeah, so like I learned a lot of old techniques that I 327 00:36:06,400 --> 00:36:13,559 should have learned in the first place. Not now about that ross bird in 328 00:36:13,679 --> 00:36:17,840 power, like he just plays like in a raw emotion. Yeah, I 329 00:36:20,679 --> 00:36:23,519 definitely puts me in my paces. So it's it's not like it's not like 330 00:36:23,639 --> 00:36:28,679 we as I said, we don't play on the same level. We just 331 00:36:29,000 --> 00:36:32,559 we have a very aggressive way of playing two different two different ways. Yeah, 332 00:36:34,039 --> 00:36:37,159 and even on stage, we can we can swap out and I'll just 333 00:36:37,239 --> 00:36:39,599 go up front with sim percussion and he'll just jump on the drums. So 334 00:36:39,719 --> 00:36:43,119 yeah, do you ever do that? Yeah? Oh okay, I've done 335 00:36:43,159 --> 00:36:45,239 that a couple of times. So it was another thing that I was trying 336 00:36:45,280 --> 00:36:47,559 to do too. And it's nice if you have the stage and let's bring 337 00:36:47,639 --> 00:36:52,119 two drum sets. Yeah, and we've done that and and do a couple 338 00:36:52,159 --> 00:36:54,440 of songs with double drums. Is like, people are just like, what 339 00:36:54,719 --> 00:36:59,599 is that? That's awesome? Yeah, and it sounds so big. Yeah. 340 00:37:00,360 --> 00:37:04,440 Is that hard you? I mean you don't see it often. You 341 00:37:04,519 --> 00:37:07,360 know, once in a while you'll see a dual drummer situation. It's easier, 342 00:37:07,840 --> 00:37:10,360 is it? Yeah, way easier. Yeah, it's it's not no 343 00:37:12,119 --> 00:37:15,599 when when you know the songs and you know the things, and yeah, 344 00:37:15,920 --> 00:37:21,760 as a drummer you are learning to pay attention to the other instruments that are 345 00:37:21,800 --> 00:37:24,519 going on at the same time. But you know, having two drums can 346 00:37:24,800 --> 00:37:31,159 really like lock things in. Yeah, and it allows different stuff to happen 347 00:37:31,239 --> 00:37:36,760 too, because somebody can be carrying the regular rhythm and then the other drummer 348 00:37:36,800 --> 00:37:38,480 can go, oh, I'm going to put in some little polyrhythms. Well, 349 00:37:38,519 --> 00:37:40,760 that's what I'm wondering. Does it when you when you do that, 350 00:37:40,880 --> 00:37:45,280 does it require one of you to kind of lay back and not because you 351 00:37:45,320 --> 00:37:49,360 don't want to be doing fills at the same time, right, or it's 352 00:37:49,400 --> 00:37:52,360 going to get messy, or maybe you do. I don't know. I 353 00:37:52,440 --> 00:37:55,199 mean, I'm not a drummer. I mean, but I'm fascinated by that 354 00:37:55,320 --> 00:37:59,639 dynamic, you know. I think it's a very interesting thing. Yes, 355 00:37:59,880 --> 00:38:01,960 I'm sure that there's times where it can be hit or missed, but I 356 00:38:02,000 --> 00:38:05,679 mean, when you're in the moment, it's just like a drumming circle. 357 00:38:05,960 --> 00:38:09,719 Yeah, yeah, you know, except you have other instruments that are also 358 00:38:09,800 --> 00:38:14,559 going on that just help make that feel even that much. But I mean, 359 00:38:14,639 --> 00:38:16,639 at the same time, you know, you're already playing a song that 360 00:38:16,719 --> 00:38:21,360 you know, right, so it's not like you may be making some stuff 361 00:38:21,440 --> 00:38:24,800 up, but you already have the gist of it that you're gonna just glide 362 00:38:24,880 --> 00:38:30,559 right through it and you both lock in. Yeah, it just happens like 363 00:38:30,920 --> 00:38:34,239 super cool. Yeah, well that's awesome. We should uh, we should 364 00:38:34,239 --> 00:38:37,519 play another track. I what do you think should we play Terror Grinder? 365 00:38:38,559 --> 00:38:42,480 I love it. I love this song. I love here. I think 366 00:38:42,599 --> 00:38:51,039 Terror Grinder would be a great one another like where does this southern gospel rock? 367 00:38:52,440 --> 00:38:55,039 Like it's like what is this? Well? What? Yeah? I 368 00:38:55,199 --> 00:38:58,679 was gonna ask you about, you know, if there's anything we should know 369 00:38:58,679 --> 00:39:01,400 about this before we play it, because you know, I'm curious. Like 370 00:39:01,440 --> 00:39:04,599 I said, it's for me. It's one of my favorites that you guys 371 00:39:04,639 --> 00:39:09,599 have done. I know it Just like what is just the way it happened? 372 00:39:09,679 --> 00:39:13,480 Like Sean brought the lyrics to the table and was just like, hey, 373 00:39:13,519 --> 00:39:15,639 I got this song, and he had some kind of cool rifts and 374 00:39:15,679 --> 00:39:19,920 I was just like, oh, like I just had this spontaneous idea like 375 00:39:20,079 --> 00:39:23,599 let's make it this kind of feel and then switch it up into the chorus 376 00:39:23,719 --> 00:39:29,480 and and that's what it became. And this and this is you guys singing 377 00:39:29,519 --> 00:39:30,519 together for the whole thing, right, Yeah, yeah, no, this 378 00:39:30,639 --> 00:39:36,639 is really good The Terror Grinder. It's just it's a an entity that just 379 00:39:36,880 --> 00:39:40,920 grinds everything into the powdered dust, and it's just it's a terrored thing. 380 00:39:42,400 --> 00:39:45,960 Like you have to look at the album cover what it actually looks like. 381 00:39:45,039 --> 00:39:51,119 It's menacing a beast that just grinds things. Yea, all right, let's 382 00:39:51,159 --> 00:39:53,440 give this a spin. This is really good. This is terror grinder, 383 00:39:53,559 --> 00:39:58,119 this is Dad Harrison and they are with us in studio. Check this out. 384 00:40:04,079 --> 00:40:12,440 Storm the gates and around the city, Lord the chamber, rob your 385 00:40:12,639 --> 00:40:23,639 god WestEd a sleep for a long time the days survived to have some fall 386 00:40:38,039 --> 00:40:58,239 fall head receive as that's with the nasty and happy bread fight but the bestanity 387 00:40:58,519 --> 00:41:06,159 of a flow. Let's tell ride. It's rolling, it's tasteful, blood, 388 00:41:06,199 --> 00:41:10,519 it's real, look though and eyes trailed that it's quick and your victory 389 00:41:10,719 --> 00:41:19,480 you can feel as Let's settle fry of y'all hall kicks. It's wrong now 390 00:41:19,480 --> 00:41:39,639 I'm jaw dons in this battle by bank of blud. It's no shot. 391 00:42:00,519 --> 00:42:08,360 Guys, goes and make journey to see it's clear. Round to the watt 392 00:42:10,719 --> 00:42:24,440 of Thou Silvi the ticket of thos a gold take place, looted grime, 393 00:42:24,800 --> 00:42:37,760 smid lad chair. It came to us about us space it's blindly range had 394 00:42:37,840 --> 00:42:47,599 to around there a game to a human race, looking up the style around 395 00:42:47,760 --> 00:42:54,519 us. It's falling to the sea. This thing you call your lifetime will 396 00:42:54,679 --> 00:43:00,679 sue me. It's just a tree the tail blind to differ. I'd get 397 00:43:00,800 --> 00:43:07,920 it done to the we all the world. This Gada called one thing was 398 00:43:07,039 --> 00:43:25,719 still Rookie said, my chat fine said, I don't, don't, I 399 00:43:27,039 --> 00:45:32,760 don't plas tata comta mya, my dotata, my turn my ta. That 400 00:45:32,920 --> 00:45:36,840 is Sarah Grinder. The band is Dead Harrison and they are with us in 401 00:45:36,920 --> 00:45:40,519 studio. Half of the band is here. Uh we've got Axel Vaguely and 402 00:45:40,840 --> 00:45:45,239 Andre Dumont here with us in the in the studio and great track. You 403 00:45:45,320 --> 00:45:49,159 got to hear that live. If you have not seen Dead Harrison, you 404 00:45:49,159 --> 00:45:52,519 should see them live. And uh that that song is use you guys open 405 00:45:52,599 --> 00:45:55,320 with that a terminus for the open house. Yes, I really like you 406 00:45:55,320 --> 00:45:59,599 always open with that one. That's a strong not usually it's a strong opener. 407 00:45:59,840 --> 00:46:02,840 I think it is a good strong opener. Yeah, it just so 408 00:46:02,960 --> 00:46:06,880 happened that that same day we had band practice, so you probably just had 409 00:46:06,960 --> 00:46:10,599 been a bunch of rehearsals. Oh yeah, that's right. I think I 410 00:46:10,679 --> 00:46:15,119 think you guys even said that during your set. Yeah, yeah, I 411 00:46:15,159 --> 00:46:17,880 think Jason Skulls said something like, yeah, this is like you're you're basically 412 00:46:17,960 --> 00:46:22,400 watching our bit our rehearsal. Welcome to our rehearsal. And it was, 413 00:46:22,480 --> 00:46:25,000 Oh, it's good. It was really good, really good. Now, 414 00:46:25,599 --> 00:46:30,119 so the album is out right, but only digitally, but you're gonna have 415 00:46:30,159 --> 00:46:35,559 physical copies soon. Is that just a little back in the duplication process, 416 00:46:35,679 --> 00:46:37,519 you know? Yeah? Yeah? And where does the name none for all 417 00:46:37,599 --> 00:46:40,360 that's the name of the album, Where where does that come from? Is 418 00:46:40,440 --> 00:46:47,880 that of any significance? Sir? It does kind of to me. It's 419 00:46:47,880 --> 00:46:54,360 a little, uh, a little nod to TYPEO negative because then the lyrics 420 00:46:54,400 --> 00:46:59,880 of the dream is dead. There's a line that is all for one and 421 00:47:00,119 --> 00:47:05,519 none for all ah, And so the more I thought about it, I 422 00:47:05,639 --> 00:47:07,840 was like, how do I give this little nod? And we had the 423 00:47:07,920 --> 00:47:10,159 album before, it wasn't even an album before this. We had like six 424 00:47:10,239 --> 00:47:14,920 songs that we released that weren't that were all singles that were put out. 425 00:47:15,440 --> 00:47:17,840 But I've always had it in my head that there's actually the two parts. 426 00:47:19,400 --> 00:47:24,239 And so those first bunch of singles they never made it out to a CD, 427 00:47:24,440 --> 00:47:29,360 they never made it out for like physical copies, and they're still not 428 00:47:29,519 --> 00:47:37,760 out there. But those are all for none okay, and none for all 429 00:47:37,920 --> 00:47:44,039 is kind of like the part two Ah gotcha. So eventually there's going to 430 00:47:44,079 --> 00:47:49,400 be a double CD set that has like those two things cohesively together plus some 431 00:47:49,559 --> 00:47:52,440 extra stuff on there. Oh. Very cool, very cool. It must 432 00:47:52,480 --> 00:47:57,320 be nice to being able to, like with Terminus, being able to play 433 00:47:57,400 --> 00:48:02,000 there and to you know, because it's it's just I I tell everybody when 434 00:48:02,039 --> 00:48:06,039 we went to the open house, it was like, I think I probably 435 00:48:06,119 --> 00:48:07,679 said this to you in fact when we were talking. It's like walking into 436 00:48:07,719 --> 00:48:13,199 another world walking into that room. It's so cool and walking into my world 437 00:48:13,360 --> 00:48:17,840 now. It's it's such a surprise. You know, who are some of 438 00:48:17,840 --> 00:48:20,960 the bands that you've had there. You've had a bunch of cool bands. 439 00:48:21,079 --> 00:48:29,039 Uh, Whalen Park just played there Park last week. I love Electric I 440 00:48:29,159 --> 00:48:32,840 know you had you had Conduit, right, we had granted there were there 441 00:48:34,880 --> 00:48:42,920 for that, uh already dead and then there was when the dead bolt breaks 442 00:48:43,199 --> 00:48:47,400 Oh yeah yeah from Connecticut. Yeah. Yeah, That's the thing is like 443 00:48:47,559 --> 00:48:52,400 just there's so many, so many good bands, and it's it's awesome to 444 00:48:52,480 --> 00:48:57,760 be able to like do some things that obviously being in the scene, like 445 00:48:58,360 --> 00:49:02,440 and watching the state of our vans just go away, you know, but 446 00:49:02,599 --> 00:49:12,199 it's trying to reinstill that element of like actually going to a place to enjoy 447 00:49:12,400 --> 00:49:16,000 music, right, you know, Nashua really needed that, right absolutely, 448 00:49:16,119 --> 00:49:22,280 it still does. Yeah. Yeah, I was surprised at how you know, 449 00:49:22,400 --> 00:49:24,519 because you know, there's quite a few places to play around here, 450 00:49:24,559 --> 00:49:28,480 but Nashua. Yeah, it was like, there's really not that many places 451 00:49:28,559 --> 00:49:31,679 to play original music. So it's it's wonderful to have that, to have 452 00:49:31,840 --> 00:49:35,840 terminus. Yeah, unless you're a cover band then you can go well yeah 453 00:49:35,880 --> 00:49:37,960 of course. Yeah, but if you're doing original music like you're doing now, 454 00:49:38,039 --> 00:49:43,199 that's that's great. Oh we should mention too now, So Terror Grinder, 455 00:49:43,320 --> 00:49:45,840 was you recorded that with Eric Sodder? Yeah? Yeah, Blackhart was 456 00:49:45,840 --> 00:49:50,400 the whole album done done there or it was it was okay, Yeah, 457 00:49:50,440 --> 00:49:52,239 we had him on the show. I think it was a couple of months 458 00:49:52,239 --> 00:49:53,400 ago now and his name comes up all the time. Of course, I 459 00:49:53,599 --> 00:49:57,639 Eric Sotter from Black Heart. He was a very busy man. Absolutely, 460 00:49:57,920 --> 00:50:00,239 absolutely, He's one of the best in the business hands down, at least 461 00:50:00,239 --> 00:50:06,159 in the New England sector. He is one of the most prolific, if 462 00:50:06,239 --> 00:50:12,559 not like very masterful of his craft audio engineer and producer at least out here. 463 00:50:13,039 --> 00:50:16,760 Yeah, very highly respected. Now you worked with him before, none 464 00:50:16,840 --> 00:50:19,840 for all? Or is this the first thing that dead? He was the 465 00:50:19,880 --> 00:50:22,920 first time working with him. Okay, So like the other stuff was, 466 00:50:23,800 --> 00:50:29,320 you know, the first album was done with my brother's friend who had just 467 00:50:29,800 --> 00:50:36,719 completed you know, audio engineering school. So we were his like first thing 468 00:50:36,840 --> 00:50:39,840 that he was just trying to do out of school. So it was, 469 00:50:40,159 --> 00:50:43,920 you know, no cost or anything like that. It was just like we're 470 00:50:43,960 --> 00:50:46,360 gonna do a bunch of stuff and we came up with an album. It 471 00:50:46,480 --> 00:50:52,880 sounds okay, and then just ended up making more connections. I ended up 472 00:50:52,920 --> 00:50:59,480 playing, uh, filling in bass for another band, Hunter and the drummer 473 00:50:59,559 --> 00:51:04,920 Connor isn't excellent has an excellent ear for recording. Yeah, we've had that 474 00:51:05,119 --> 00:51:07,679 a long time ago. We have We've had them on the show. Yeah. 475 00:51:07,800 --> 00:51:09,760 Yeah. And now he's in No More Blues Tomorrow that's his new project. 476 00:51:09,880 --> 00:51:15,639 Okay, but he's got a great ear. Yeah, he recorded like 477 00:51:15,719 --> 00:51:22,119 four songs for us. And then our friend Joel simkis from Tough's university radio 478 00:51:22,199 --> 00:51:27,000 station. Oh, he's their audio engineer. Was that is that w MFO? 479 00:51:27,280 --> 00:51:31,920 Yes, okay, yep and uh and so he recorded another two songs 480 00:51:31,960 --> 00:51:37,679 I believe, okay, and those were the latest two singles before this one 481 00:51:37,800 --> 00:51:40,960 here. Yeah, Nameless Dream being one of them. Yeah, Nameless Dream 482 00:51:42,119 --> 00:51:51,440 and I'm trying to think of what I pay to my my brain is just 483 00:51:51,559 --> 00:51:53,800 like there's too much. Yeah, it'll it'll come to me. It'll come 484 00:51:53,840 --> 00:51:57,920 to you when you're not thinking about it. Yeah, but that's one of 485 00:51:57,960 --> 00:52:01,159 them. Thirty minutes down the road. When you started recording with Eric at 486 00:52:01,159 --> 00:52:07,400 Blackheart, was the intention to do a full album from the beginning or Okay, 487 00:52:07,559 --> 00:52:09,599 we definitely like had the material at that point. Yeah, it was 488 00:52:13,079 --> 00:52:17,800 good to also be able to like put that focused energy and really work on 489 00:52:17,960 --> 00:52:22,000 making something good and solid. I mean there's there's a moments where you're just 490 00:52:22,119 --> 00:52:23,880 like, oh, I want to put this in, and I want to 491 00:52:23,920 --> 00:52:27,199 put this in, and I want to put this in, but it's a 492 00:52:27,239 --> 00:52:31,639 long process. Yeah. So yeah, it was just let's get it focused, 493 00:52:31,719 --> 00:52:37,800 let's get it done, and having somebody that kind of understands the music 494 00:52:38,000 --> 00:52:42,960 genre that you're kind of in, when like what do you put us in 495 00:52:43,039 --> 00:52:45,199 as a genre You can't really put us in as a genre. We're weird 496 00:52:45,360 --> 00:52:51,679 like that. Yeah, we have a sound, but we're also a little 497 00:52:51,920 --> 00:52:59,079 bit everywhere right right, you know. And so yeah, just going into 498 00:52:59,119 --> 00:53:05,679 studio there was just let's focus and get it done and make something really cool 499 00:53:05,760 --> 00:53:09,440 and good. Yeah. Yeah. How long ago did this come out digitally? 500 00:53:09,519 --> 00:53:13,079 How long ago? It hasn't been that long. No, it's it 501 00:53:13,239 --> 00:53:16,280 was released last month. Yeah, okay, we've actually been done with the 502 00:53:16,400 --> 00:53:22,800 recording since last October. Okay. It's just the process of it's the process 503 00:53:22,840 --> 00:53:28,840 of going through getting the right mixes, getting and then mastering and then you 504 00:53:28,920 --> 00:53:30,519 know, and on top of that, I was holding it off from the 505 00:53:30,599 --> 00:53:35,320 world for a little while while I was finishing up the artwork for the album. 506 00:53:35,480 --> 00:53:40,239 Oh okay, yeah, I uh, I want to look at so 507 00:53:40,440 --> 00:53:44,639 have your have your band camp page open? Yeah? Do you always do 508 00:53:44,719 --> 00:53:46,400 the artwork? Dude? Do you do all the covers for Dead Harrison and 509 00:53:46,480 --> 00:53:51,320 all the Do you do that? I do? Actually? Yeah, now 510 00:53:51,360 --> 00:53:54,639 that I think about it, Yeah, No, it's really striking. Yeah, 511 00:53:54,800 --> 00:54:02,719 And I mean that's it. They are their own things. I was 512 00:54:02,880 --> 00:54:06,920 challenged a little bit this time, you know, because I had made some 513 00:54:07,079 --> 00:54:15,039 minor mistakes in the first album, and like didn't know anything about rasterizing print 514 00:54:15,199 --> 00:54:16,639 and all this other stuff. So I ended up sending it off and like 515 00:54:17,320 --> 00:54:22,920 in the CD the print was kind of hard to read things like that, 516 00:54:22,199 --> 00:54:29,840 and so you know, but that was like twelve years ago, and then 517 00:54:29,920 --> 00:54:35,679 I was like starting to work on this, but also gaining a little bit 518 00:54:35,760 --> 00:54:37,920 more knowledge and how to do everything, and at the same time honing my 519 00:54:39,119 --> 00:54:44,000 graphic designing skills a little bit because I like to do all of our flyers 520 00:54:44,039 --> 00:54:50,280 and stuff like that too. So yeah, it was even my brother was 521 00:54:50,360 --> 00:54:54,519 like, hey, let's, you know, get an actual graphics person to 522 00:54:54,679 --> 00:54:59,440 put all the stuff together, get a designer together, and just like when 523 00:54:59,480 --> 00:55:02,360 you realize and understand the cost of this, yeah, it's a different story. 524 00:55:02,360 --> 00:55:07,039 I'm like, trust me, brother, I have this. Yeah, 525 00:55:07,800 --> 00:55:12,119 you know, I've I've gained so much knowledge and like so and even the 526 00:55:13,519 --> 00:55:17,480 when I submitted all the artwork for it to get duplicated, even the the 527 00:55:17,559 --> 00:55:22,000 guy over there was just like, your art that artwork is amazing. It's 528 00:55:22,039 --> 00:55:24,880 going to look so good in this album. Oh that's cool. It's good 529 00:55:24,920 --> 00:55:29,400 to get that that kind of validation, you know, because obviously you know, 530 00:55:29,880 --> 00:55:31,159 he probably doesn't say that to a lot of people. You know, 531 00:55:31,239 --> 00:55:37,000 that's really good when you're putting out like hundreds of thousands of CDs over the 532 00:55:37,079 --> 00:55:39,480 course of your career. Yeah, yeah, no, that's really cool. 533 00:55:39,519 --> 00:55:45,639 That's awesome. That's awesome. Well we should uh, I want to make 534 00:55:45,679 --> 00:55:49,119 sure we have time to get this last track. And but what should people 535 00:55:49,239 --> 00:55:53,159 know about Dad Harrison? How to find you guys online? And what the 536 00:55:53,199 --> 00:55:55,880 next show is? The show at Terminus in June? Is that the next 537 00:55:55,920 --> 00:55:59,880 show you have? The next live show? Yep? Okay, So I 538 00:56:00,119 --> 00:56:06,360 at uh one Street in Nashua. It's our our little home base, and 539 00:56:06,440 --> 00:56:09,800 we've decided to like kick it up a notch and start presenting other bands and 540 00:56:09,880 --> 00:56:13,360 other talent. And it's like, no, you come to see a show 541 00:56:13,400 --> 00:56:15,599 there, you're gonna get a good show, you're gonna get good sound, 542 00:56:16,039 --> 00:56:22,119 you're gonna every it. Just the feedback from everybody has always just been amazing. 543 00:56:22,280 --> 00:56:28,039 Oh yeah. So being a person that you know, as a musician, 544 00:56:28,559 --> 00:56:31,000 I know what I kind of would like at a show, and to 545 00:56:31,239 --> 00:56:37,199 give those other musicians the same thing, it makes such a huge difference. 546 00:56:37,239 --> 00:56:42,119 And you get that energy and you get that feeling and emotion out of the 547 00:56:42,199 --> 00:56:47,960 music too. Absolutely get Dead Harrison dot com. Dead Harrison dot Com. 548 00:56:49,039 --> 00:56:54,000 We have website, Facebook, Instagram. I don't usually use the instas and 549 00:56:54,119 --> 00:56:58,960 stuff like that, but yeah, we're all out there online. You can 550 00:56:59,000 --> 00:57:01,440 easily search it in any shirt bar and it'll probably come up at this point. 551 00:57:01,639 --> 00:57:05,239 Yeah, you guys are you guys are very googleable? As I like 552 00:57:05,320 --> 00:57:09,480 to say, yes, uh uh. Find the music Spotify, YouTube, 553 00:57:10,480 --> 00:57:17,480 the iTunes, everywhere, everywhere with it everywhere it's either Dead Harrison or Dead 554 00:57:17,480 --> 00:57:22,280 Harrison Official minus anywhere. Yeah, excellent, excellent. So we're gonna close 555 00:57:22,320 --> 00:57:25,840 with this track, Hurricane Hell. Anything we should know about this? What 556 00:57:27,000 --> 00:57:30,159 is it? I mean? Is is this expressing a concern about the upcoming 557 00:57:30,239 --> 00:57:36,960 hurricane that this is my brother going down on vacation down to Florida and being 558 00:57:37,159 --> 00:57:42,519 witness of what a hurricane did down there. What hurricane I can't remember. 559 00:57:42,760 --> 00:57:46,159 I think it was night after saying the after effects of either Sandy or Katrina, 560 00:57:46,599 --> 00:57:49,760 one of the it was. It was a major where one of the 561 00:57:50,119 --> 00:57:53,199 major recent ones in the past few years. Okay, so okay, yeah, 562 00:57:53,239 --> 00:57:58,000 there was like still that aftermath stuff and he had went down there recently 563 00:57:58,079 --> 00:58:01,559 after it and like saw that and it kind of inspired him to write a 564 00:58:01,639 --> 00:58:06,039 song about it. Okay, so no, that makes sense. There's a 565 00:58:06,119 --> 00:58:08,079 Sean song. Yeah, oh excellent. Does he sing on this one too? 566 00:58:08,360 --> 00:58:10,480 Yep? So he wrote the lyrics and he sings this one. I 567 00:58:10,679 --> 00:58:16,559 sing this one you sing. He also is like backup vocals like gotcha another 568 00:58:16,679 --> 00:58:21,639 good one with some nice harmonies in there. Yeah, yeah, no, 569 00:58:21,760 --> 00:58:23,519 you guys sound great when you sing together. Absolutely all right, so we 570 00:58:23,639 --> 00:58:27,199 will we'll conclude the segment with this. Coming up third hour, we have 571 00:58:27,320 --> 00:58:30,280 Nancy Mannette and also in between we're gonna have Eric Pilter's classic film review. 572 00:58:30,559 --> 00:58:34,840 But guys, thank you again so much wonderful to see you both, Andre 573 00:58:34,960 --> 00:58:37,239 and Axel, Thank you, Matt always always a pleasure to have you guys 574 00:58:37,280 --> 00:58:40,320 on. We're big fans as you know, and we will close out with 575 00:58:40,440 --> 00:59:34,519 this. This is Hurricane Hell and the band is Dad Harrison. Came from 576 00:59:34,639 --> 00:59:44,360 on high with barely a morning or sigh? What's our ringforts from the sky, 577 00:59:47,519 --> 00:59:52,599 two winds and glass. We're a train on a crash? Was widow? 578 00:59:54,880 --> 00:59:58,760 Oh shum? Let's cuse come at