WEBVTT

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Is the downbeat on ninety seven to
one the Freak. As you know,

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we start at six am unless you
didn't know, and I just told you

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again. Podcast every segment right after
the show if you missed the eliminator at

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eight, that dack stuff, free
agency stuff, the news, we do

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it all here. Play a little
clip for you right here because joining us

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now in the free hot line is
our friend. He's been on the show

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before. He is funny man TJ. Miller. And here's a clip from

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his new stand up special called Smooth
Peanut Butter that you can get on the

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streaming platforms. My father in law. When he laughs, if something's really

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funny, he'll cuss at the end. Damn is that the best? So

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you want to do? And the
funnier the thing, the harder the cuss.

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So something's really funny on all was
on the Free Cutline. It's TJ

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Miller. How are we doing?
Hi? Guys there you teach? Don't

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call him T Yevin. Yeah,
you can call me teach. My wife

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isn't like that. She called me
t T, which means going pepe in

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the South. I prefer teach,
So thank you, you're welcome. T

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T Boy is one of Danny Stanny's
favorite adult male porn stars actors. Oh,

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he's an actor, Mike. You
know. I'm glad you guys brought

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this up because last night I finished
a great session of love making in the

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tantric style and it you know,
it's just a new experience for me.

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It laughs longer. So I went
to full eight and a half minutes.

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There you go. So I recommend
it. Let me put it there.

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So you did it twice? Yeah, that's exactly right. I think I

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don't know. I capped out about
after about six minutes. I'll ask a

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question that's related to the clip that
we just played. So you talked about

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your dad. The element of dad
cussing is so funny to me. I

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grew up in the seventies and eighties, and yeah, I'm not kidding.

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My dad's term of endearment to me
was the S word, followed by ass.

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I thought I was little s ass
from my entire childhood. Yeah,

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yeah, it was just normal.
You didn't think anything about it. If

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you do that now, called CPS
on you. Yeah, called child services,

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honey. Yeah. What I thought
was my father never really cussed.

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I only heard him cuss like twice, and one of them was calling me,

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uh you little ss, and I
I was so scared. I just

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remember I was like, well,
he's gonna kill me. He's gonna kill

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me and the rest of the family
and all and just leave the country with

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the dogs. But it's my father
in law that the joke's about. And

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he is so funny, and he
cusses not often, but when he does,

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it is so funny. So I
agree. I mean, I think

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it's it's just lost art form by
fathers of the world round CEJ. I

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imagine you were just respectfully guessing a
probably a pan the ass growing up,

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you know, loud and thought you
were funny all the time. And I

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always kind of wonder when you turn
out to be a success, Like I'm

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in movies, I do stand up? How does that work? Is it

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slow with your parents sort of acknowledging
like dude, this little idiot look at

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him and not to say you're an
idiot. Imagine they thought you were smart,

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but you know, I imagine you
weren't the most well behaved in school,

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that sort of thing, Like is
there a day when you kind of

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look at your parents and you're like, see, see what I mean,

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yeah, and then I buy their
dinner. I think I think it was

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interesting. My parents kind of,
I think, thought that I was funny

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and they just wish that I would
stop misbehaving in class. Later we would

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find out that had a lot to
do with this brain thing that I had

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in ABM, and then I would
sort of adhd but also manic because as

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I have I had a golf ball
size piece my brain removed in twenty ten,

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so I actually have less brain matter
than most people. I mean,

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not Deanna or Mike, but maybe
maybe KT but I but yeah, so

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I was I did. I got
a lot of trouble growing up, and

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I think in some ways it was
vindicating for my parents to sort of know

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that these teachers and said I wasn't
worth a D would just kind of feel

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like, Wow, I guess we
were hard on him, because now everybody

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that they know is like, didn't
you used to teach TJ. Miller?

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Wasn't that right with you and your
class? And they have to go Yeah.

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And I was always calling his parents
saying he's never going to mount to

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nothing. And now every time I
turn on the television, I see him

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in a movie. You're on TV
so yeah, I mean I think it

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was vindicating for them, and then
for me. I think I was just

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happy that I could make people laugh
professionally, not get in trouble for,

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because that's what I was getting in
trouble for, was trying to crack up

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the rest of the class. That's
crazy. This is TJ Miller joining us

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here on ninety seven to one in
the Freak. TJ. So you're I

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don't know that your hometown. I
know you're from Denver. Did you go

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to like high school in Denver.
Yeah. I went to high school in

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Denver and then college in Washington,
d C. But I came up into

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Chicago, SE and that's how I
started, was as an improviser and a

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stand up comic in Chicago. So
I've been improvising. I improvised in Denver

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my high school actually, and the
first time I did stand up was in

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high school because we had this very
advanced drama teacher who taught i mean,

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you know, really heavy Brecktian theater
in Greek tragedy, and then she had

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us all do five minutes to stand
up. And that was the first place

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that someone said, well, not
even to do this for a living.

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Well maybe TJ, but I went
what was the Eureka moment? For sure?

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But as I was improvising then and
even in my stand up album Smooth

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Peanut Butter, I kind of am
a guy who, you know, improvises

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no matter what, the show goes
one place, I go that place.

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So it's an improv in the album. But also, you know, just

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regular written material and then stories and
so yeah, I started as an improviser

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in Denver. Now that you put
it, you know, I put it

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together like that. Are there many
comics that you're aware of that don't have

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much of an improv background, that
pretty much just script their jokes and you

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don't have to name names. But
it seems to me like by and large,

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most of the guys that are that
are crushing it and ladies that are

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crushing it right now have a really
deep improv background, and gone are the

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one liner types that don't have a
lot of agility on stage. Well,

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you said don't name names. I
was gonna say, I don't need to

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because it's everybody. I think.
For the people that actually really are improvisers,

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there are very few. So people
are doing crowd work and trying to

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release that. So that they can
do clips. But if you look at

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Nate Bargatzi, he would never do
any crowd work and he's a big Mark

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Norman doesn't really do any crowd work
at all. And so I think most

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comedians are really focused on scripted stories, scripted bits, and when people interrupt

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them, they do not like that. You know, they try and they're

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going to shut it down, whereas
I'm going to open it up and sort

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of use that to go. I
mean on my YouTube channel right now,

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which is a TJ. Miller.
My YouTube channel right now has like four

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or five specials, and all of
them, except for Dear Jonah, are

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basically improvised. You know. I
have one from the Stanley Hotel that is

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one hundred percent improvised, and that's
the hotel that inspired the Shining And then

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I riffed an hour in Spokane,
Washington, just about Spokane cut that down

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at thirty seven minutes. That's called
the Spokane Special. So there are very

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few people that can do what I
do, which is I'll go on stage

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and improvise an entire show. I'll
do a full forty five minutes to an

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hour that is completely improvised, and
so you know, to answer your question,

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Yeah, almost everybody is scripted and
doesn't want to be interrupted. To

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follow up on that real quick,
When you say fully improvised, are you

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talking about you go out on stage, I would think that you'd have to

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have some type of jump off point
or some template or something to fall back

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on. Or do you just walk
out there and go what's up and just

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start winging at one hundred percent?
Or is there some kind of structure?

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Well, so here'd be an example. I would go on stage, see

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somebody it's not clapping, everybody else
is clapping, arms crossed, and I'll

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sort of mention that and kind of
figure out, you know, what's going

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on from there without even talking to
them, and then I'll sort of find

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my way from that into maybe something
that I noticed on the way to the

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show, something interesting about the city, or something on Main Street, and

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then I'll just start talking about what
I thought about the city in the beginning,

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maybe my experiences with those types of
people. And then if somebody says

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something, well, you know,
I don't think that's I don't think it's

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really like that here, you know, I would say, well, that's

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a really polite way to say you
know f you we're not liked, and

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then I'd kind of say, okay, I bet even when you're at your

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most angry, you're at your most
polite. And then I would go into

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sort of creating situations where that person
sort of gets pulled over by the police

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or gets upset with a parent teacher
conference, and I'll sort of play out

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those scenarios as that person, and
that sort of builds into more things and

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more things, and then when it's
time to kind of be you know,

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get out of a situation like that, then I'll sometimes go into the crowd

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and just say, you know,
what's going on with you? Or I

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noticed it's value the way that you're
dressed or things like that. And so

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it's a lot of observation and then
if something leads me to a story for

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my life, maybe I would put
that in there, But that comes up

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organically, so I did not have
that on the set list, and okay,

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I got to figure out my way
to talk about this thing. So

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yeah, it's it's completely improvised in
that manner. Sorry, Budd TJ.

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Miller. How do you apply that
when you do a movie like you do

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or a show Silicon valor or Deadpool
whatever, you have a script, but

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obviously your style is very kind of
I don't know, casual, like honest

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how you you know most of your
roles are do is it pending the director

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if you can add lib a little
bit or do they encourage you to do

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it always and then you leave them
with no choice? Well, all right,

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that was better than kind of the
verbatim script. That's exactly right.

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Well, after a little while,
people started to understand, if you hired

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me, you're kind of also hiring
a writer, because no matter matter what

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I was going to improvise. But
what you do is you get the ads

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written line, you get that done, and then you sort of you get

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that done and then you sort of
have a moment. I call them joke

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slots, where you can try three
or four different things. Now, when

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it's sort of television or film,
you really only get three or four shots,

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And if it's Steven Spielberg, you
really only get one or two because

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he likes to move efficiently and get
on to the next thing and he's not

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used to really improvisers on set.
But if you are a doing voiceover for

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animation, you could do fifteen twenty
different joke slots, you know, just

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trying different lines and so that is
I really that's why I love animation,

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is you just get to throw everything
against the wall and then whatever is the

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best, well and there you go
and on silk a value a lot.

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It's like the writers are so brilliant. But I would occasionally have something where

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I give him as written and then
I give him something that was funnier.

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And occasionally you kind of have a
little bit of grinding gears with you know,

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the head writers somebody if they come
back and say, hey, can

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we do the written line again?
And I would say, well, I

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think we already got the best line, so let's move on to the other

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written lines. And that can you
know, that's when egos clash. But

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from my perspective, it's not about
the ego and not about me. It's

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like, what is the funniest thing
we can do? How do we get

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Because if the written line is the
funniest, which would happen in Silicon Valley

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and happen in Deadpool? I would
I would not improvise. I would I

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try a couple of things and go, you know what, let's do the

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as written again, because that's better
than anything i'd come up with. Yeah,

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obviously those decisions are subjective though ultimately, and I would assume that the

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producer or director would have the ultimate
say on what goes in and what is

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funny and what's not. How many
times have you have you known in your

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heart it's like, dude, you
pay absolutely the not right line for this,

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and you went with it, and
you're sitting at home watching, you

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know, the final product, going, Man, they missed it. They

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missed it. That's gonna happen a
lot, right, Yes, it happened.

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I don't know that it happened all
the time because I've been so lucky

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to kind of be in it with
you know, just every almost everybody I've

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collaborated with, it's just awesome on
top of their game. But I think

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that, yes, it's it happens
a fair amount that I'll see a take

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and I'll go, yeah, there
is something better. But I don't really

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spend much time on that because it's
their movie. I didn't finance it,

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you know what I mean. Yeah, and you got hot sauce to make.

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Yeah, you gotta make hot sauce
and peanut butter and peanut butter typically,

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Yeah, I got an album called
Smooth Peanut Butter, and I've got

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actual peanut butter that you can buy
on my website. TJ. Miller does

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not have a website dot com or
on Amazon on And it's the best peanut

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butter that you're ever going to taste. I'm sure of that. Well,

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tell us why what makes your peanut
butter so kick ass? Teage? Well,

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there's nothing. Who just said that
because I got to do a nickname

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prap Okay, Danny, all right, Danny ding Dong, I'll tell you

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exactly what, okay, And that's
because Danda Danny Whaney. I have the

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only peanut butter that is flavored in
a way that you can't. I have

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three flavors. I have dark chocolate, coconut, that's the ladies, and

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then I have cherry. Well come
on, I mean, well, I

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guess we wouldn't know because there's really
no ladies on the air right now.

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But the ladies love dark chocolate,
they love coconut, and I love cherry

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chocolate, which is real dried cherries, milk chocolate and honey roasted peanut.

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And then another well, my favorite
is toffee crispy with toffee milk chocolate and

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rice Krispies. So I don't know
if anyone's ever had any flavor like that

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in peanut butter, but it's available
now from me. It's called TPV and

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Jay Peanut Better. Yes, how
baked were you when you came up with

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these recipes? Dude? You know
what's sad is I wasn't baked when I

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came up with them, but boy
do they go well with cannabis when you

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eat this. TJ. Miller does
not have a website dot com. Get

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some Peanut Butter, Get the new
album Smooth Peanut Butter. Got thirty seconds,

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TJ, and then we have to
let the next show on. I

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know you're a Broncos fan. Do
you have any thoughts about mister Unlimited leaving

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and who's going to be your quarterback? What's going on? Man? I'm

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hoping for John Lway to make a
return. Yeah, Denver. Right now,

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it's all about the joker and the
nugget, I mean, so that's

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kind of That's what I'm focused on. But the Broncos will be fine well,

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TJ. Thanks for the time again. Always enjoyed talking to you.

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You're just so nice too. We
mentioned in person last time really really uh,

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just popped in here. He's like, what's up, man? I

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feel like you're our friend even though
we've taken you three times on this earth.

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No, but I love that and
the final quick plug and I can

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hook you guys up with this if
you want, just reach out. Tatsuit

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Dallas is one of the best sushi
restaurants in the United States. He's a

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friend of ours. He used to
work in New York City, was the

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best sushi chef in Manhattan. He
left for Texas because he wants to be

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a cowboy. If you can get
reservations, I tell all of your listeners

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00:16:37.919 --> 00:16:44.039
check out Hotsuit Dallas and Dan Dan
Wandom, Danny Many, Sir Mike and

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00:16:44.120 --> 00:16:47.279
Kevin. If you guys want reservations, I can hook that up, no

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problem. Tatsuit Dallas, Tatsoo Dallas
Deep Ellum, Hell yeah, all right,

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TJ. Thanks, We'll talk to
you again soon. Brother. There

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he goes. TJ. Miller does
not have a webit lo you. He's

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a sweet guy guy. So I
have will fun upcoming or later in the

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week. At eight o'clock on Thursday, we've done it. It's we didn't

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get a full shipment but the downbeat
singing pot of gold. It's called a

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micro run. Yeah, micro run, and we're only selling it at stores

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that are green, so Sprouts,
Whole Foods, huh, other green stores.

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We've learned, the dollar Tree,
We've learned it. Don't buy too

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many of these. The biggest issue
with all of our singing items that we've

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we've come made it to market is
that virtually none of them sell. Yeah

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you can, you can leave the
word virtually. That's the hurdle that we

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keep running into. But there's something
about just the marketplace and business that keeps

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me coming back for more. It's
not because what we're doing is not great.

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That's can't be the issue. It
has to be something else. So

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what's your point that's the problem with
the singing on Thursday? Yes, yes,

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yeah, Maybe a little extra giveaway
action tomorrow for spring break maybe maybe,

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and much more. Uh as always
will be back six am. Whole

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Show. Sorry about your talk back
posted soon. I start with talkbacks today,

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00:18:27.799 --> 00:18:30.640
but I'm gonna load it up.
We're loaded up. Thanks to everyone

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who participated in the eliminator. Thanks
to TJ. Miller, Thanks to JJ,

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to Mike, to Danny, and
to Kevin. Thanks. Skin shows

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next with Christina and Steve. We've
got to speak easy after that, and

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fun times ahead on this Tuesday.
So everyone have a great day. We'll

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see you tomorrow morning at six am. And happy birthday to my cousin Blake.

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Hey Blake Birthdays, Happy birthday man. All right bye,