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Welcome to the Great Detectives of Old
Time Radio from Boise, Idaho. This

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00:00:35,359 --> 00:00:38,920
is your host, Adam Graham.
If you have a comment, email it

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to me Box thirteen at Great Detectives
dot net. Follow us on Twitter at

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other podcasts, and of course I'm
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dot net. There we're presenting shorter, snackable bits of old time radio,

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interesting tidbits from a wide variety of
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an interview, and a sports program
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We've got a lot more great stuff
plan check it out at snackwagon dot net.

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Well, now it's time to get
into this week's yours truly Johnny Dollar

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Cereal. As always, we will
be bringing you episodes one and two on

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Tuesday, and then on Friday we'll
bring you episodes three to five, So

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you can bust this episode and lan
wait till Friday to listen to the rest

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of it if you want to wait. But here, from May the seventh

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and May the eighth, nineteen fifty
six is The Silver Blue Matter, Episodes

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one and two from Hollywood. It's
time now for joy, Ralph Dean,

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Johnny monno guarantee? Oh hi you, Ralph? How things rough? My

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wife could kill me? Johnny?
Were the insurance just for kicks? Because

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she's mad? Because you wanted a
mink coat? In short, she's a

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woman. I couldn't buy her a
mink I don't make that kind of money.

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You know how it is in the
insurance game. Oh sure, I

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know, Ralph. You're down to
your last yatch. So what happens?

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Yesterday? I lose eighty mink coat
Silver Blue, worth one hundred thousand dollars

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gone. Snatch disappeared. Where's robbing? Check? Bandley furriers out in Los

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Angeles. My wife's about the blowers
stack. She says. If I can't

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afford one fur coat for her,
then how come I can pay for eighty

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them that I haven't even got.
How do you reason with a woman,

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Johnny? I never try. Usually
I just send flowers. I've already done

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that. She ran them through the
garbage disposer. So now what do I

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do? Why? Some more flowers? Tonight and every weekday night. Bob

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Bailey in the transcribe Adventures of the
Man with the Action Packed Expense Account America's

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Fabulous Freelance Insurance Investigators, Truly Johnny
Doller. From Special Investigator Johnny Doller to

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the home office Mono Guarantee Insurance Company, forty three twelve Spring Street, Hartford,

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Connecticut. The following is an accounting
of expenditures during my investigation of the

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Silver Blue matter right on one one
hundred and fifty two dollars and forty cents

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telephone and incidentals and transportation to Los
Angeles. I called the Mono Guarantee agent

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out there before I left and got
a brief rundown on the case. Among

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other things, I learned that a
man I'd known and worked with before,

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Detective Lieutenant for him On Garcia,
had been put in charge. And with

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Garcia on hand, I knew I
could count on cooperation by the police,

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but I still wasn't expecting quite as
much as I got. Like twelve for

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last Chicago. I knocked over there
first joint myself. Johnny see it the

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only way, we get to see
your over work, underpaid, prostrated disillusion.

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Don't appreciate it. In other way, it's fine, got your luggage

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yet it's coming right there, Go
ahead, We ought to get moving.

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I've got a squad car outside.
What's all the rush. We've got a

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guy downtown in the hospital. I
figured you'd want to talk to Well,

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he'll Wade Wanny. He'd probably like
to if he had any choice. He's

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dying, kind of looks that way. He's one of the two night watchmen

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the gang slugg when they broke into
the warehouse, and he's our big one,

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Johnny. He's all we've got.
Has he been able to talk a

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couple of sentences during the night,
He's got to talk. What do you

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mean? He's the only one who
got a look at But when he did

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talk, what did he say?
Gibberish? Mostly he did say one thing

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though. They were kids, just
a gang of kids. That's gonna make

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it a rubber Yeah, in a
lot of ways. What do you mean?

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You'll find out later, Johnny,
Come on, let's go. We

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took the freeway into town with the
accelerator floorboarded and the sirens screaming. Racing

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against time and against dying, weaving
in and out through the four wheel madness

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that Los Angeles calls traffic, and
then the other side of the carn,

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the solemn quiet of hospital corridors,
the calm voices of the nurses, and

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the blank hardness of sterile white walls. We sat there beside a bed and

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waited for a man to talk or
to die. But the slow minutes passed

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and he still didn't either, So
we waited. Guess that shut the ductor

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gave him is not going to have
any effect. Apparently not. It's a

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crazy world, Johnny. No,
just the people in there. I mean

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yesterday we'd never even heard of this
guy. I still don't know, isn't

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it? And twenty four hours later, here we are a couple of strangers

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sitting around watching him dance her on
his chart at ahead of the bed Albert

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Christmas. Strangers, not even family
or friends. He didn't have any family

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or friends. He lived alone in
a furnished room, worked alone too,

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except for one partner. So a
gang of punks jump him and bust his

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head open. Dude, I'm a
bad cup journey. I get sentimental about

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things like this. How they work
at Garcia. It's a warehouse district.

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The streets are practically deserted at night. A police prowl car checks the street

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once about every forteen minutes, and
they hit at one ten a m.

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Three minutes after the police had passed
suns. Profession No, just a smart

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bunch of kids. The only further
seemed to know was mink. They passed

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up a dozen or so chinchillas worth
twice as much. How they get in

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I don't know. Christman hasn't been
able to tell us. They must have

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tricked him into opening the door.
What about Christman's partner. He was making

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his rounds. They slipped up behind
him and slugged him. He didn't see

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them. He didn't know what hit
him, And nobody side in the streets

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saw anything, saw them leave with
the furs or any loop all. If

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they did, they're not saying anything. That's a rough one, Johnny.

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We haven't got a thing to go
on except christmin here. They shape he's

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in. That's only a straw if
he recognized any of them, If he

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lives long enough to I don at
least the poor devil can grown. No.

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I think he's closer to being conscious
right now than he's been in the

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last hour. Maybe all right,
Chrismin. He wants a drink. Here

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you go, bad enough, he
wants some more. Who are you?

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This is Johnny Dolla, insurance investigator
from Hartford. I'm Lieutenant Garcia, LA

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Police. Where house? Look?
Kids? All right? Now you're in

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the hospital. Now it's going to
be all right? Right? Do you

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feel like answering a few questions?
Mister christmin you won't take long. Those

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kids, how did they get in
the gram telegram? He showed me Telera

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Graham through the wind right opened the
door. One of them hit me.

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Did you get to look at the
boy who showed you the telegram? Yeah?

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Sorry, yeah, eighteen nine?
What do you look like? Five

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nine h ten? Dark skin,
black hair? How was he dressed?

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Dark jack, any scars, anything
unusual about him? No? Are you

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sure would you recognize him if you
saw him again? Yeah? Any of

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the others? No? Only when
there was a mark on his arm?

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What kind of a mark? What
kind of a mark on his arm?

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Hurts too bad? Alight? All
right? M m, well that's that.

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Yeah, he's passed out again.
Well, we ain't got a description.

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Only one thing wrong with it right
in that area. There are about

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fifty thousand kids who fit it.
I talked with mister Banley, owner of

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the furs. Then Gussie and I
went down to the warehouse. It's still

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in the fringe of the river bottom
section, front of the railroad yards and

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backed up by block after block of
weather beaten slum shacks. We looked through

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the warehouse with the racks where the
furs had hung, watchman's office where the

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gang had entered. But knew how
we did it, that we were only

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going through the motions. The police
technicians had already been over the place inch

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by inch, and they'd found exactly
nothing. Finally we stepped out the door

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into the street, a drabbed gray
street, cluttered with things cast off and

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discarded, dusty. And how there's
the story of this whole district down here,

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Johnny, right there, and that's
story. Yeah, it's a backwash

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00:10:26,799 --> 00:10:30,360
service yard. It's something you need
but don't like to look at. You

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shove it out of sight. The
people you need but don't want around.

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It's the same with them. You
grew up down here, didn't you,

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Garcia. Yeah, I grew up
down here. That's why they gave me

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this case. I know this section
inside out, and that's why I told

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you this one was going to be
tough. I think I get the general

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idea those kids came from that slum
there to the east one gets to nine

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on that The people who live there
aren't on our side, Johnny. If

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they do know anything, they won't
hard is that they wouldn't tell a cup

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the time of day. I don't
mean they're criminals, most of them aren't.

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It's just that they always put themselves
on the other side. What about

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juvenile gangs? Do they operate around
who have dozens of them? And there's

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another thing. A few of these
gangs are pretty rough, and people who

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might talk don't because they're scared too. Oh, it's a great setup,

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Johnny. A fine place to look
for a hundred grand in first. You

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know, I've been thinking about the
fact that they knew exactly the time to

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hit. They must have staked out
here somewhere, sure, and probably right

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in the place you're thinking at lunch
from across the street, or they had

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to be inside or the Proud Car
would have seen them. That's the only

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00:11:37,639 --> 00:11:41,200
place open at night. Did you
shake it down like I told you,

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Johnny? They won't give us the
time of day. What about me having

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a go at it? Maybe they
wouldn't smell a cup on you quite so

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strong. The owner's name is Redwellers. He was on that night. See

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what you can get out of him
if you want, I think I will.

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By the way, Johnny, I
know you and Sure and sky Is

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make deals sometimes no questions asked,
just to get the loot back. Sometimes

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yeah, but before you make any
deal on this one, you better remember

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one thing. Christman may die.
Why are you saying, Max, save

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00:12:26,399 --> 00:12:30,759
your money? What do you want? Coffee? Yeah? I guess a

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00:12:33,799 --> 00:12:41,960
house business bucket two a day father
in the hole? O cream? No,

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00:12:41,120 --> 00:12:46,840
I'll take it black sinker with it? Oh? Thanks? Are you

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00:12:46,919 --> 00:12:54,120
Red Wallers? So that's it?
What do you mean? You're in a

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fur case, ain't you? Maybe
I thought you was the same one,

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but I couldn't be sure. Senior
crushes you come up with that cup?

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00:13:03,039 --> 00:13:05,440
Guy? See you a while to
go, don't you. That's right,

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00:13:05,799 --> 00:13:09,360
I'm an insurance investigating him. Well, you're coming the wrong address, mister.

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00:13:09,440 --> 00:13:13,120
I don't know nothing about nothing.
Who was in the lunch room here

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00:13:13,159 --> 00:13:16,399
just before the robbery. I don't
remember any young kids here. No,

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00:13:16,840 --> 00:13:24,279
it was all old men with long
bid I see ten cents for the coffee.

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00:13:26,960 --> 00:13:31,200
Yeah, they got you real scared, haven't they? Haven't they?

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00:13:31,000 --> 00:13:35,840
I don't know any days, all
right? Look you know Chrisman, the

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00:13:35,039 --> 00:13:39,360
watchman over at the warehouse, he
comes in. He didn't know any days

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either or about it, nothing except
he's dying. I'm at the Rokens Hotel.

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00:13:46,240 --> 00:13:48,399
If you change your mind, Room
three twelve, Johnny Dollar, Sorry,

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00:13:50,000 --> 00:13:52,360
I don't see no use of Mead
dying too. Follow me, mac,

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00:14:11,559 --> 00:14:16,360
Johnny Dollar. This is Red Red
Wallace, remember sure? Sure you

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00:14:16,440 --> 00:14:18,360
run that lunch from across the street
from the warehouse that was robbed last night.

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00:14:18,440 --> 00:14:22,080
Yeah that's right. Now, look, DNA, supposing I'll tell you

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00:14:22,080 --> 00:14:24,679
what I know about it? What's
going to happen to me? Nothing,

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00:14:24,080 --> 00:14:26,159
as long as you weren't mixed up
in at yourself. No, No,

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I mean the papers and the cups
I get said I talked you want the

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last twenty four hours. I think
I can take care of that. What

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00:14:31,799 --> 00:14:35,360
do you know about it? Red? That depends on what it's worth to

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00:14:35,399 --> 00:14:37,759
you. I see, I'll have
to sell out get away from this section,

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00:14:37,799 --> 00:14:41,039
so I'll need some dough. You
follow me, all right, I'll

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00:14:41,039 --> 00:14:43,919
see you taken care of Just what
is it? You know? I ain't

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safe from talking from a booth.
You stay right there at your hotel,

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00:14:46,840 --> 00:14:50,480
I see and a half hour right
just you no cups? Yeah, yeah,

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00:14:50,480 --> 00:14:54,480
that's right, mister bank, mister
bank, and six quarts of milk

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00:14:54,519 --> 00:14:56,639
and two pounds of butter. Sure
right away, thanks, mister Beck.

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00:14:56,840 --> 00:15:13,600
Goodbye. Hello, Hello from Special
Investigator Johnny Dollar. Location in Los Angeles,

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00:15:13,679 --> 00:15:16,879
California, the home office Moneo Guarantee
Insurance Company, Hartford, Connecticut.

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Assignment the silver Blue Matter expense account
continued IDEM four twenty cents, a phone

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00:15:28,279 --> 00:15:31,000
call to my friend, Lieutenant Garcia
of the LA Police, and a call

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00:15:31,080 --> 00:15:33,759
to Queen of the Angel's Hospital.
Albert Chrisman, the night watchman who was

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00:15:33,759 --> 00:15:37,360
slugged by the gang of teenage hoodlums
during the warehouse robbery, was still unconscious

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00:15:37,960 --> 00:15:41,159
and Chrisman, unless red Weller was
ready to talk now, was the only

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00:15:41,240 --> 00:15:45,799
lead I had toward finding a hundred
thousand dollars worth of silver bloomink coats.

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00:15:46,840 --> 00:15:52,080
I waited two hours and a half
a red Weller, but he didn't show.

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00:15:54,480 --> 00:15:58,080
IDEM five two dollars and eighty five
cents taxi to the warehouse district at

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00:15:58,080 --> 00:16:03,440
the south end of the rail old
Yards. It was night by now,

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00:16:03,480 --> 00:16:07,240
and the area was almost deserted,
a lost, lonely district, shabby and

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worn even on the softening darkness,
and haunted now by fear. The only

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00:16:11,000 --> 00:16:15,120
lights in the block were those shining
from the windows of the warehouse office and

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00:16:15,159 --> 00:16:22,639
from Waller's lunch room across the street, reading what would you like, sir,

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00:16:22,159 --> 00:16:26,080
cup a coffee? I guess you're
lucky. I just made some fresh?

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00:16:27,360 --> 00:16:30,039
Would you like some cream? No? Thanks, No, I'll be

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00:16:30,039 --> 00:16:34,600
fun. Is it foggy? Yah? Yeah, a little? Not bad

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00:16:34,679 --> 00:16:42,279
though. This coffee is all right. You're a good cooks. The boss

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00:16:42,320 --> 00:16:45,919
always has me make it when I'm
here. He says, I do it

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00:16:45,919 --> 00:16:48,639
better than he does. I'll bet
you do. Is the boss around by

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00:16:48,639 --> 00:16:52,919
the way called me and said he
had to go out. That's why I'm

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00:16:52,919 --> 00:16:56,159
working. I'm on in the daytime
mostly. Do you have any idea where

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00:16:56,159 --> 00:16:59,759
he might be? No, no, he had to go somewhere. I

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00:16:59,799 --> 00:17:03,960
get what'd you want to see him
about? He wanted to see me.

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00:17:03,960 --> 00:17:07,920
Do you know where he lives?
Well, he's got an apartment over on

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00:17:07,000 --> 00:17:10,839
Marina. It's about eight blocks from
here. I think he'd be there.

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00:17:11,240 --> 00:17:15,599
No, he wasn't going home.
He was going out somewhere. He actually

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00:17:15,680 --> 00:17:19,880
kind of strange. I don't know
what he was gonna do. May I,

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00:17:19,920 --> 00:17:25,599
may I ask just what business you're
in? Insurance? Oh, I'm

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00:17:25,599 --> 00:17:29,519
a special investigator. What do you
mean. I'm working for the company that

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00:17:29,680 --> 00:17:33,319
ensured those furs, the furs that
were stolen the night before last from the

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00:17:33,359 --> 00:17:37,680
warehouse across the street. Something wrong? Oh no, no, of course

214
00:17:37,720 --> 00:17:42,640
not. I don't know what you
mean. Can I help you gather up

215
00:17:42,640 --> 00:17:45,720
that silver? Oh no, no, that's all right. She had.

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00:17:47,079 --> 00:17:52,200
I don't know what happened, just
careless, I guess. Yeah. Do

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00:17:52,279 --> 00:17:56,480
you do you live around here somewhere? Well? Yes, yes, sound

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00:17:56,519 --> 00:18:02,839
Dalton three blocks up. What's your
name, Carla Kalamanti? Why are you

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00:18:02,880 --> 00:18:04,680
asking? How long have you worked
here? Carla? About a year?

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00:18:06,559 --> 00:18:11,160
Do many teenagers hang out here?
What do you mean kids? Seventeen eighteen

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00:18:11,240 --> 00:18:15,880
nineteen? Do many of them come
in here for coffee hamburgers sometimes? Yeah?

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00:18:15,920 --> 00:18:18,359
I've never noticed much. You know
any of them? No? No,

223
00:18:18,480 --> 00:18:22,039
no, I don't know any of
their names. Sure, I don't

224
00:18:22,039 --> 00:18:25,920
ask him their names. Did I
ask you your name? Dollar, Johnny

225
00:18:25,960 --> 00:18:27,599
Doller? Well, I still didn't
ask you. If you want to tell

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00:18:27,640 --> 00:18:33,279
me, what are you scared of, Carla? Nothing, I'm not scared.

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00:18:33,319 --> 00:18:36,480
You're not, of course not.
Why would I be scared for the

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00:18:36,519 --> 00:18:40,079
same reason your boss is Redweller.
He was scared when he talked to me

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00:18:40,160 --> 00:18:41,839
this afternoon and when he phoned me
later. I don't know what you're talking

230
00:18:41,839 --> 00:18:45,240
about. Oh, yes you do. That's why he didn't come to my

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00:18:45,319 --> 00:18:48,680
hotel. He was afraid too.
And why did you drop that silver or

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00:18:48,720 --> 00:18:52,519
when I told you who I am? Because you're scared alfter that? What's

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00:18:52,559 --> 00:18:55,079
the matter with you people down here? What are you doing crawling into a

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00:18:55,079 --> 00:18:57,680
hole because a half grown gang of
hoodlum starts throwing their weight around. You

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00:18:57,720 --> 00:19:02,240
don't understand. I suppose you tell
me about it. Do you think that's

236
00:19:02,240 --> 00:19:04,200
any kind of an answer in the
long run? To pull it covers up

237
00:19:04,200 --> 00:19:08,160
over your eyes and let them do
as they please and just keep hoping they'll

238
00:19:08,200 --> 00:19:11,880
leave you alone. All you're doing
is making things worse. You don't know

239
00:19:11,920 --> 00:19:15,440
how it is. You don't have
to live here, No, no,

240
00:19:15,519 --> 00:19:18,640
I don't have to live here,
But I know how it is because I've

241
00:19:18,640 --> 00:19:22,599
seen it in other places where the
mobs managed to take over, And if

242
00:19:22,640 --> 00:19:26,279
you let it happen here, then
you will really have something to be scared

243
00:19:26,279 --> 00:19:32,319
of. Maybe maybe they've already taken
over a bunch of kids with a gripe

244
00:19:32,319 --> 00:19:34,640
on running and packs so they feel
safe. Is that the kind of mob

245
00:19:34,680 --> 00:19:37,799
you mean, Carlin. No,
they're not a mob yet, but they

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00:19:37,799 --> 00:19:41,279
will be if they're not stopped.
It seems to me you'd have some sense

247
00:19:41,319 --> 00:19:45,000
of responsibility to them if nobody else. Maybe if other people had a sense

248
00:19:45,000 --> 00:19:48,119
of responsibility, kids wouldn't have to
grow up in a place like this.

249
00:19:48,880 --> 00:19:51,200
Have you ever thought of that,
mister Dalla? Yeah, yeah, I've

250
00:19:51,240 --> 00:19:52,960
thought of it, But it doesn't
hold water. And you think so if

251
00:19:52,960 --> 00:19:56,720
you lived here. All right,
so it's a slum district, and sure

252
00:19:56,799 --> 00:19:59,960
these kids start out with a strike
on them, but that's a pretty week

253
00:20:00,119 --> 00:20:03,279
excuse for joining up at criminal bands
and terrorizing a whole neighborhood, for slugging

254
00:20:03,279 --> 00:20:07,039
people and loading warehouses. Yes,
yes, I know, most of them

255
00:20:07,119 --> 00:20:11,440
find other answers. It's only a
small minority that turns to crime. But

256
00:20:11,519 --> 00:20:14,839
if you let them get away with
it, others will join them, and

257
00:20:14,880 --> 00:20:22,079
they'll grow until finally it's too late. Well, Color, still nothing to

258
00:20:22,119 --> 00:20:30,000
tell me. I can't, I
just can't. I see, Wow,

259
00:20:32,359 --> 00:20:36,640
there's a quarter for the coffee.
Keep the change, Good night, Color.

260
00:20:37,160 --> 00:20:45,759
Wait, yeah, mister Daller.
Suppose suppose I knew someone who might

261
00:20:45,799 --> 00:20:48,519
be able to help you. I
mean, I mean who might know something

262
00:20:48,599 --> 00:20:55,720
about the robbery innocently. Of course, if you talk to this person and

263
00:20:56,039 --> 00:21:03,440
they agree to help you, could
you, well, could you keep them

264
00:21:03,440 --> 00:21:06,759
out of it? Depends on the
circumstances. I do, I could that

265
00:21:06,799 --> 00:21:10,960
much, I promise. I don't
know. I'm not sure. You're not

266
00:21:11,039 --> 00:21:15,839
sure of what you why? I
know better when I stop and think that

267
00:21:18,359 --> 00:21:22,039
I've lived in this neighborhood too long, live with these people, and I'm

268
00:21:22,039 --> 00:21:26,319
bound by the law like any other
citizen, and I won't break it to

269
00:21:26,359 --> 00:21:29,759
help somebody cover up a criminal act. But I figure it's up to me

270
00:21:29,839 --> 00:21:33,440
sometimes to decide whether a thing is
a criminal act, and if a person

271
00:21:33,480 --> 00:21:37,720
seems to deserve it, well I
could be pretty lenient. You promise what

272
00:21:37,839 --> 00:21:41,920
you just said? Yes, I
promise. I've got to trust you.

273
00:21:42,720 --> 00:21:47,680
I've got to trust someone. Do
you know such a person, Carlin,

274
00:21:48,119 --> 00:21:55,079
Yes, do you know where to
find them? I think so. Well.

275
00:21:55,519 --> 00:21:59,480
I'm sure they'll be at one of
two or three places not very far

276
00:21:59,519 --> 00:22:03,519
from here. And who is this
person? Someone who grew up around here?

277
00:22:03,599 --> 00:22:18,559
A boy nineteen my brother expense account
IDEM seven two dollars and seventy cents

278
00:22:18,599 --> 00:22:22,039
taxi. We went first to Carlo's
apartment, where she lived with her brother,

279
00:22:22,559 --> 00:22:26,079
but there was no one there.
Then we checked out a drive in

280
00:22:26,119 --> 00:22:29,759
a few blocks away, a teenage
hangout. No luck. Finally we tried

281
00:22:29,759 --> 00:22:32,880
to pool Hall down south of the
yards, just off Alameda Street. It

282
00:22:33,039 --> 00:22:38,160
was our last hope. I know
he comes here. It's not a good

283
00:22:38,200 --> 00:22:41,599
place for him, but a lot
of the other kids do too, and

284
00:22:41,640 --> 00:22:45,880
he wants to belong. Yeah,
sure, everybody does, one way or

285
00:22:45,920 --> 00:22:48,680
another. Gosh, it had been
different if our folks had lived. But

286
00:22:48,640 --> 00:22:52,400
a boy just won't take orders from
his sister. Yeah, I know.

287
00:22:53,400 --> 00:23:03,319
Ah, thanks. If he's not
here, then I just don't know,

288
00:23:03,400 --> 00:23:07,920
worry. Oh wait, there he
is down near the corner, the one

289
00:23:07,960 --> 00:23:11,319
with the dark curly here. All
right, come on take it. Just

290
00:23:11,319 --> 00:23:14,319
tell him I'm a friend of yours. You want to talk to him?

291
00:23:14,680 --> 00:23:19,200
We'll get him off to one side. Whatever you say, eddieh for the

292
00:23:19,759 --> 00:23:22,519
what are you doing here, Carla? Eddie, Eddie, this is mister

293
00:23:22,599 --> 00:23:27,440
Dollar, a friend of mine.
We were I wonder if we could talk

294
00:23:27,440 --> 00:23:32,319
to you for a moment. What
a bond? Well you know better than

295
00:23:32,319 --> 00:23:33,880
to come in and joint like this, But I want to talk to you,

296
00:23:34,000 --> 00:23:37,279
Eddie, right, talk to me
at home night, Go and get

297
00:23:37,279 --> 00:23:37,960
her out of here. We go, mister. It might be a good

298
00:23:38,000 --> 00:23:41,519
idea if you listen to her first. I thought it was her that wanted

299
00:23:41,559 --> 00:23:45,279
to talk to me, the one. Get her out of here, all

300
00:23:45,359 --> 00:23:48,599
right, if you'll go with us
before. I like it here. It's

301
00:23:48,640 --> 00:23:53,319
a nice place. Yeah, at
least it's better than saying, Quentin,

302
00:23:55,559 --> 00:23:59,240
what are you talking about? A
warehouse robbery? One hundred thousand dollars worth

303
00:23:59,240 --> 00:24:02,519
of furs? Stand? You may
know something about it innocently of course,

304
00:24:02,640 --> 00:24:04,440
I just said this guy was a
friend of yours. That's right, Eddie,

305
00:24:04,599 --> 00:24:11,440
he's just Zzy. He's an insurance
investigator. Oh so that's the pitch.

306
00:24:11,559 --> 00:24:14,559
She's promised to help, Eddie.
If you'll tell him whatever you know,

307
00:24:14,640 --> 00:24:21,079
he'll protect No. Look, mister, I don't know nothing. About

308
00:24:21,119 --> 00:24:23,799
nothing. I never even heard of, no fur robbery. So take her

309
00:24:23,839 --> 00:24:26,240
with you and get out of here. This maybe your last chance to get

310
00:24:26,240 --> 00:24:30,640
off before the boat sinks. Eddie. All right, then, Allie,

311
00:24:30,960 --> 00:24:33,920
Eddie, let him go. We
can't force him to talk. Oh no,

312
00:24:34,079 --> 00:24:47,759
mister dull, I don't understanding.
I do all right. I'm eight

313
00:24:47,799 --> 00:24:51,480
ten cents phone call from the pool
hall to Lieutenant Garcia at police headquarters.

314
00:24:52,279 --> 00:24:56,240
He said there was no change in
Albert Christman's condition yet he was still holding

315
00:24:56,319 --> 00:25:00,079
on and he still hadn't talked.
But there had been another new develop on,

316
00:25:00,200 --> 00:25:03,240
a big one. And when I
joined Kyl in the taxian side,

317
00:25:03,279 --> 00:25:07,640
she knew it by the look on
my face. What's wrong, mister dollar?

318
00:25:07,720 --> 00:25:11,759
Hello? How sure are you that
your brother wasn't mixed up in that

319
00:25:11,839 --> 00:25:17,119
robbery? I want the truth.
I'm afraid he was mixed up in it.

320
00:25:17,240 --> 00:25:19,680
Embrace yourself, Carlin. Your boss
Red Weller, who was going to

321
00:25:19,759 --> 00:25:23,200
tell me what he knew about it, was found murdered in an alley an

322
00:25:23,200 --> 00:25:42,960
hour ago. Now here's our star
to tell you about tomorrow's intriguing episode of

323
00:25:44,039 --> 00:25:48,079
this week's story Tomorrow. A lonely, broken hearted girl, a blood stained

324
00:25:48,160 --> 00:25:52,079
shirt and a fight with a cornered
rat. Join us, won't you Yours

325
00:25:52,160 --> 00:26:22,240
Truly Johnny Dollar? Yours Truly Johnny
Dollar, starring Bob Bailey, is transcribed

326
00:26:22,279 --> 00:26:26,160
in Hollywood, written by Les Crutchfield. It is produced and directed by Jack

327
00:26:26,279 --> 00:26:30,640
Johnstone. Be sure to join us
tomorrow night at same time and station for

328
00:26:30,720 --> 00:27:37,359
the next exciting episode of Yours Truly
Johnny Dollar. Roy Rowan speaking play ten

329
00:28:21,480 --> 00:28:26,240
Welcome back and interesting first two parts. It not only begins to develop the

330
00:28:26,319 --> 00:28:30,400
story, but also discusses some important
themes from the mid nineteen fifties, such

331
00:28:30,400 --> 00:28:36,039
as the importance of fighting crime and
standing up to criminals, and also the

332
00:28:36,160 --> 00:28:41,599
real danger posed by juvenile delinquency and
the failure to address the causes of that.

333
00:28:41,079 --> 00:28:47,200
There was also a very big payoff
from the episode one cliffhanger that came

334
00:28:47,480 --> 00:28:51,279
rather quickly in this story. Well, now we turned to listener comments and

335
00:28:51,440 --> 00:28:56,000
feedback. We start over on Instagram, where Julie the Lawyer writes regarding the

336
00:28:56,119 --> 00:29:02,039
first two episodes of the Lonely Hearts
Matter. I loved when the widow said

337
00:29:02,119 --> 00:29:04,799
she wished her son was home so
Johnny could meet him, and the way

338
00:29:04,960 --> 00:29:11,680
Bob Bailey voiced that so do I
was such obvious suspicion. Then we go

339
00:29:11,839 --> 00:29:17,119
over to YouTube for some comments on
the Layer Douglas Douglas of Heather Scope Matter

340
00:29:17,440 --> 00:29:22,559
regarding episodes one and two, Saceoff
rides, I don't always laugh at Johnny

341
00:29:22,640 --> 00:29:26,440
Dowler, but when I do,
I know it's probably a Jack Johnstone episode.

342
00:29:26,759 --> 00:29:32,160
And then regarding episodes three through five, Okay, I sure didn't see

343
00:29:32,240 --> 00:29:37,960
this ending coming. And then another
listener wrote in regarding the conclusion, and

344
00:29:37,039 --> 00:29:41,319
I read his comments on Friday regarding
the first two episodes and he says,

345
00:29:41,440 --> 00:29:45,680
I dissed the first two episodes the
other day. These three were so much

346
00:29:45,759 --> 00:29:52,640
better, and Nolan is a treasure
my favorite. Lady Macbeth in Orson Welles's

347
00:29:52,839 --> 00:29:57,039
nineteen forty eight Republic film, well, thanks so much, and I'll have

348
00:29:57,240 --> 00:30:02,440
to check that out. I love
a good bit of Shakespeare, and I

349
00:30:02,559 --> 00:30:07,400
appreciate Orson Wells. Although his work
does tend to be a bit hit and

350
00:30:07,559 --> 00:30:12,039
mess. His films are either brilliant
or terrible. So I try to see

351
00:30:12,079 --> 00:30:18,720
the really good ones like Citizen Kane
and Touch of Evil and avoid having another

352
00:30:18,880 --> 00:30:25,000
viewing experience like watching Orson Welles and
David and Goliath. Another listener rights,

353
00:30:25,160 --> 00:30:29,920
I'm so surprised at how much I
enjoyed this considering it just randomly started playing

354
00:30:30,079 --> 00:30:34,920
from AutoPlay. Yes, YouTube will
do that, but I'm glad it worked

355
00:30:34,960 --> 00:30:42,640
out area. And then another favorable
comment from Betsy regarding the indictment episode first

356
00:30:42,680 --> 00:30:48,000
Smuggling, that was pretty good.
Thank you. And we also have a

357
00:30:48,160 --> 00:30:53,480
couple of new reviews on the Apple
podcast store and the first one here is

358
00:30:53,680 --> 00:31:03,680
from Garrett d five to seven and
there are a great podcast featuring old time

359
00:31:03,000 --> 00:31:10,839
radio detective and detective adjacent shows from
decades past. Adam provides insiful commentary on

360
00:31:10,960 --> 00:31:15,279
the shows, from the truly memorable
to the painful a lame. It's a

361
00:31:15,319 --> 00:31:18,720
window into the world of radio and
entertainment as it used to be, and

362
00:31:18,839 --> 00:31:22,200
an opportunity to enjoy some of the
great radio actors in their many guyses,

363
00:31:22,759 --> 00:31:29,039
Oh, thank you so much.
And then another listener Rose Broadcasting Rights,

364
00:31:29,119 --> 00:31:33,240
I enjoyed the show tremendously and the
hosted a nice job on the presentation as

365
00:31:33,279 --> 00:31:37,079
well. I just gave five stars
as my response, Well, thank you

366
00:31:37,240 --> 00:31:41,200
so much. I appreciate you listening
and taking the time to go and write

367
00:31:41,240 --> 00:31:45,279
the podcast. Well, now it's
time to thank our Patreon supporter of the

368
00:31:45,359 --> 00:31:51,759
day. Thank you to Timothy,
Patreon supporter since April of twenty twenty two,

369
00:31:51,960 --> 00:31:56,039
currently supporting the podcast at the rookie
level of two dollars or more per

370
00:31:56,119 --> 00:32:00,440
month. Again, thanks so much
for your support, Timothy, and we'll

371
00:32:00,519 --> 00:32:04,119
do it for today. If you
are enjoying this podcast, please follow us

372
00:32:04,279 --> 00:32:08,160
using your favorite podcast software. And
if you're enjoying the podcast on YouTube,

373
00:32:08,279 --> 00:32:12,759
be sure to lock the video,
subscribe to the channel, and mark the

374
00:32:12,880 --> 00:32:16,559
notification bell, all those great things
that make the channel grow. We also

375
00:32:16,720 --> 00:32:22,480
welcome your comments and really appreciate everyone
who's engaging with us on YouTube. We'll

376
00:32:22,519 --> 00:32:27,799
be back on Friday with the conclusion
of this week's Johnny Do All Our story,

377
00:32:27,960 --> 00:32:34,480
But join us back here tomorrow for
Dangerous Assignment. Where is the Fredomential?

378
00:32:34,640 --> 00:32:37,640
Yeah? Hey, they're loading crates
out of that warehouse. Hey,

379
00:32:37,680 --> 00:32:42,519
look up on Dick. Yeah,
Captain Schuller, keep back in the shadows,

380
00:32:42,640 --> 00:32:45,359
right, you know, I'd like
to find out what's in those crates.

381
00:32:45,960 --> 00:32:49,720
Wait, it looks like a side
door to the warehouse. It's ahead

382
00:32:49,720 --> 00:32:54,519
of us. Let's try for it
there. Anybody's spot us I don't think

383
00:32:54,559 --> 00:33:04,440
so. In side quick arc in
here? Great a guard? Quick,

384
00:33:04,599 --> 00:33:07,279
get behind those crazies. Okay,
can your spot of Mitchell? I can

385
00:33:07,319 --> 00:33:13,400
see his flashlight. He's heading this
way. Probably got a gun too.

386
00:33:13,640 --> 00:33:22,559
Yeah. Look when he gets closer, i'll jump. No, that was

387
00:33:22,640 --> 00:33:24,519
quick. Yeah, it's gotta work
past. It's only a question of minutes

388
00:33:24,519 --> 00:33:28,359
before they miss him. Yeah.
Look there's a pro bar over there.

389
00:33:28,519 --> 00:33:32,000
Yeah. I have one craz student
on any other I guess I'll try this

390
00:33:32,119 --> 00:33:42,680
one guard moving any No, he's
keeping the land on good. Okay,

391
00:33:43,160 --> 00:33:47,519
hand me a flashlight? Would you
here? You are m nothing but a

392
00:33:47,559 --> 00:33:52,640
bunch of paintings. What kind of
a carg was that? Hey? Wait

393
00:33:52,720 --> 00:33:55,119
a minute. Yeah, I'm no
art student, but I recognize a few

394
00:33:55,160 --> 00:34:00,160
of these. There are masterpieces,
Mitchell. Hey, this could be some

395
00:34:00,240 --> 00:34:01,559
of the stuff and nazis aluded from
Europe. If I will get you ten

396
00:34:01,640 --> 00:34:06,319
It is so. They had it
hidden here in backcar all the time,

397
00:34:06,839 --> 00:34:08,920
and Schiller has been delivering it little
by little to the head art collector himself.

398
00:34:09,599 --> 00:34:13,280
You've got enough evidence of grab Shiller. Look, that's the last thing

399
00:34:13,320 --> 00:34:15,519
in the world I want to do
right now. I'm a lot more interested

400
00:34:15,559 --> 00:34:17,719
in finding out just whom he's delivering
this stuff too. I hope you'll be

401
00:34:17,880 --> 00:34:22,079
with us then. In the meantime, do send your comments to Box thirteen

402
00:34:22,199 --> 00:34:28,199
at Great Detectives dot net, follow
us on Twitter at Radio Detectives, and

403
00:34:28,480 --> 00:34:34,239
check us out on Instagram, Instagram, dot com, slash Great Detectives from

404
00:34:34,400 --> 00:34:37,320
Boise, Idaho. This is your
host, Adam Graham, Sign and AF
