1 00:00:00,760 --> 00:00:05,679 W M n H rip the novels you're listening to w M and H. 2 00:00:10,599 --> 00:00:49,039 Come in, guy, don't get so freely mattself going you. Welcome back 3 00:00:49,079 --> 00:00:52,880 everybody, as we are about to cruise into our third hour. Never said 4 00:00:52,880 --> 00:00:56,880 that before on the show of Matt Connorton Unleashed. We're on our new schedule 5 00:00:56,920 --> 00:01:00,079 here every Saturday morning from nine am to twelve noon Eastern Time. For those 6 00:01:00,119 --> 00:01:03,680 of you listening online from other places, welcome. We are live from the 7 00:01:03,719 --> 00:01:08,840 studios of w m n H ninety five point three FM and Glorious Downtown Manchester, 8 00:01:08,959 --> 00:01:12,359 New Hampshire, also on Comcast Channel six if you're in Manchester, and 9 00:01:12,359 --> 00:01:15,840 hello to all of our online listeners across the nation and around the globe. 10 00:01:15,840 --> 00:01:19,920 You can go to my website Matt Connorton dot com for all of your live 11 00:01:19,959 --> 00:01:23,760 streaming options, social media links, contact info, show archives, et cetera, 12 00:01:23,959 --> 00:01:26,799 et cetera. Jenny is here as well at the news desk, present 13 00:01:26,840 --> 00:01:30,280 and accounted for, and thank you again to uh. Let's see so we 14 00:01:30,359 --> 00:01:36,680 had a sepsis in here. We had William and Zach and Lexi, and 15 00:01:37,040 --> 00:01:40,480 thank you again to them for the these wonderful shirts and we took some picks 16 00:01:40,480 --> 00:01:45,120 with them. We'll post those online or maybe sure some Legion of Solace they 17 00:01:45,200 --> 00:01:47,920 made that special for you. Oh, Legion of Solace made this. Oh 18 00:01:48,000 --> 00:01:51,040 okay, that's done, that's signed all over. Oh okay, Yeah, 19 00:01:51,120 --> 00:01:53,120 excellent, excellent, Yeah, no, very very nice. Thin Their band 20 00:01:53,200 --> 00:01:59,519 name I think is on the front. Oh okay, isn't it? Don't 21 00:01:59,560 --> 00:02:01,519 I don't want to unfolded again, but no, that was very nice though. 22 00:02:01,519 --> 00:02:05,840 We really appreciate that, really appreciate that a lot. And of course 23 00:02:06,000 --> 00:02:09,639 we had Eric Pilcher's classic film review, the subject being Ferris Bueller's Day Off, 24 00:02:10,120 --> 00:02:14,439 and you can also that's also posted separately online if you just want to 25 00:02:14,520 --> 00:02:15,360 if you miss a review and you want to check it out. He does 26 00:02:15,360 --> 00:02:21,120 a wonderful job with those, and we appreciate it, and we want to 27 00:02:21,159 --> 00:02:23,520 mention too before we talk to our guests. We're going to be tonight at 28 00:02:24,840 --> 00:02:30,000 sixty six Handover Street is the address. There's a Biza who's a great hip 29 00:02:30,000 --> 00:02:34,240 hop artist who I've interviewed, is going to be planned tonight, and I'm 30 00:02:34,280 --> 00:02:37,159 not sure who else is going to be there, but my old friend Derek 31 00:02:37,240 --> 00:02:42,199 Smith from way back in the day he reached out to me and he's getting 32 00:02:42,240 --> 00:02:45,719 involved in a show that's going to be going on there. So I can't 33 00:02:45,759 --> 00:02:49,240 really say much more about it than that because the flyer that he sent me 34 00:02:49,319 --> 00:02:53,479 is a bit lacking and information. But I know the address, So Jenny 35 00:02:53,520 --> 00:03:00,919 and I will be there tonight at eight pm at what's that getting at? 36 00:03:00,199 --> 00:03:04,159 Yeah, it's it's some sort of art studio, but they have live music. 37 00:03:04,199 --> 00:03:07,080 So yeah, I'm totally stoked about. He never goes to art stuff 38 00:03:07,120 --> 00:03:07,960 with me. This is like the first time he's going to go to on 39 00:03:08,080 --> 00:03:12,080 art stuff with me, So I'm excited. Yes, yes, I'm not 40 00:03:12,120 --> 00:03:14,479 sure exactly what we're getting into. Like I said, I just have an 41 00:03:14,520 --> 00:03:21,800 address, so I'll get some inspiration to go home and slap some pain. 42 00:03:22,000 --> 00:03:27,039 That's right, That's right. But we have Oh we have Oh, Derek 43 00:03:27,080 --> 00:03:31,680 Smith is calling actually so he can he can fill us in on whatever details 44 00:03:31,680 --> 00:03:37,159 we're lacking. Hey, Derek, I you are live on the air, 45 00:03:37,240 --> 00:03:39,240 my friend. Yeah, tell us tell us more about time calling to give 46 00:03:39,240 --> 00:03:46,000 you that additional information. Yes, yes please, So you gave the address 47 00:03:46,199 --> 00:03:53,000 and yes, business is going to be closing the night. Good friends that 48 00:03:53,039 --> 00:03:57,960 I've known for ten years now, Evan of Happy Just to see you. 49 00:03:58,360 --> 00:04:02,400 Oh yes, local band is going to be opening and doors are at seven 50 00:04:02,439 --> 00:04:09,159 o'clock and show starts at eight. And it is a twenty one plus show 51 00:04:10,360 --> 00:04:15,919 and it's a suggested donation of five to ten dollars. Okay, and that 52 00:04:15,040 --> 00:04:17,879 is that? Now? Is it? Is it upstairs? I'm trying to 53 00:04:17,879 --> 00:04:25,199 remember when upstairs above the Palace Theater at Mosaic Art Collective, Mosaic Art Collectives. 54 00:04:25,279 --> 00:04:28,360 Okay, very good, very good. Yeah, Now, Jenny and 55 00:04:28,360 --> 00:04:30,920 I are looking forward to that, and it'll be great to see you. 56 00:04:30,000 --> 00:04:33,160 Man. It's it's been uh I don't even want to think about how long 57 00:04:33,199 --> 00:04:39,240 it's been because it makes me feel old. But its been since about two 58 00:04:39,279 --> 00:04:43,759 thousand and flourish, I think, so, I think it really has been 59 00:04:43,800 --> 00:04:47,480 that long. So we're pushing twenty years, yeah, reuniting. Yeah, 60 00:04:47,560 --> 00:04:50,639 yes, yes, no, I'm really looking forward to seeing you. So 61 00:04:50,720 --> 00:04:55,720 that'll be cool. So yeah, so tonight tonight and it is above the 62 00:04:55,759 --> 00:04:58,319 Palace Theater. Okay, that's right, I remember you telling me that. 63 00:04:58,439 --> 00:05:02,199 Now the flyers a little vague, but uh no, no worries. I 64 00:05:02,600 --> 00:05:06,720 think I didn't send you the full one that had mosaic actually on it. 65 00:05:08,759 --> 00:05:12,360 But oh okay, okay, yeah, no worries. Well we will we 66 00:05:12,399 --> 00:05:15,720 will see you this evening, sir, Yes, sir, all right, 67 00:05:16,000 --> 00:05:18,560 thank you, all right, Derek, thanks for calling man, Bye bye. 68 00:05:19,040 --> 00:05:21,839 You're welcome. All right, my old friend Derek Smith. Yeah, 69 00:05:21,839 --> 00:05:26,279 we used to do a lot of a lot of stuff in the music scene 70 00:05:26,279 --> 00:05:30,480 together and uh booked a lot of shows and and so forth. So that 71 00:05:30,560 --> 00:05:31,879 will be that will be cool. He reached out to me recently and I 72 00:05:31,920 --> 00:05:34,480 was like, Wow, that's a that's a name from the past, so 73 00:05:35,240 --> 00:05:40,879 very nice. We've got a couple of great musicians here with us making their 74 00:05:40,920 --> 00:05:45,800 return. We have Aaron Billido is on the couch. Uh huh, welcome 75 00:05:45,839 --> 00:05:50,079 back. And Huey the Gecko is with you. Hello and uh oh, 76 00:05:50,079 --> 00:05:56,040 get right upon that. Mike. Uh that's okay. Now you've been on 77 00:05:56,240 --> 00:06:00,480 you've been on with us a bunch of times. What one one time particularly 78 00:06:00,519 --> 00:06:02,600 memorable? Well, actually, no, that was the time you guys were 79 00:06:02,600 --> 00:06:06,560 here together. Uh well, I think I think you were Hugh he was 80 00:06:06,639 --> 00:06:11,079 kind of the featured guests right right, I was playing that day. But 81 00:06:11,399 --> 00:06:17,560 yes, yes, the pod Awful cult. Uh that that was a legendary. 82 00:06:17,600 --> 00:06:20,680 But you had such a good sense of humor about you, which is 83 00:06:20,759 --> 00:06:26,439 great. Yeah, I always had my reptile. Reptile. He really handled 84 00:06:26,480 --> 00:06:29,360 it, you know, like a tamp but he was still good. No, 85 00:06:29,800 --> 00:06:33,079 but people around here still talk about that about that day. So we're 86 00:06:33,079 --> 00:06:35,360 gonna we're gonna, uh, these guys are gonna play live for us, 87 00:06:35,360 --> 00:06:40,240 and we've got some studio tracks and my dad is on the line, so 88 00:06:40,399 --> 00:06:44,160 uh, we'll speak to him for a moment. Hey Dad, Hey, 89 00:06:44,360 --> 00:06:49,240 many congratulations of the new showing programming. Thank you, Joe, Thank you 90 00:06:50,000 --> 00:06:54,160 appreciate it. Yes, you're very welcome. Weird being here and welcome. 91 00:06:54,439 --> 00:07:00,000 It's exciting, and uh, you know, something's changed. Changes we all 92 00:07:00,800 --> 00:07:03,120 we all have to deal with. I never liked it much myself, but 93 00:07:04,079 --> 00:07:08,360 it's a reality. But this is, this is, this will be good. 94 00:07:08,519 --> 00:07:10,920 Now. I don't want to endre up it. Are you interviewing a 95 00:07:10,959 --> 00:07:14,560 guest right now? Yes, we were. We've got a couple of great 96 00:07:14,600 --> 00:07:17,000 musical guests here. Aaron Billido is with us, and Huey the Gecko is 97 00:07:17,000 --> 00:07:19,879 here as well, and they're gonna play live for us in studio. How 98 00:07:19,959 --> 00:07:24,759 you doing. Oh, that's that's great. Yeah, I'm familiar with them 99 00:07:24,759 --> 00:07:28,439 and I saw the the prep. So I don't want to hold hold that 100 00:07:28,759 --> 00:07:32,199 interview up or all the good music I do it just a couple of things. 101 00:07:32,240 --> 00:07:36,920 I wanted to give a shout out to what I would consider a big 102 00:07:38,000 --> 00:07:40,839 hit song, and I think you would agree with me that I'm gonna put 103 00:07:40,839 --> 00:07:46,000 you on the spot man. The song that I think Eric actually premiered on 104 00:07:46,040 --> 00:07:51,680 your show Wild by the great Katie Dover. Yes, yes you know that 105 00:07:51,800 --> 00:07:56,439 song. Yes, yeah, I did play a few weeks ago. Yeah, 106 00:07:56,519 --> 00:07:59,160 yes, yeah, I know that was great. It was a well 107 00:07:59,199 --> 00:08:01,639 done mass and Eric did a good job in his presentation on that. Yeah. 108 00:08:01,639 --> 00:08:07,000 That that is a great son. She is so beautiful and so talented. 109 00:08:07,199 --> 00:08:09,079 Absolutely, my heart's starting to race. I got stuff on that one. 110 00:08:09,480 --> 00:08:15,079 But I want to say, you'll never get well, I'm kidding sort 111 00:08:15,120 --> 00:08:18,759 of, but you never guess what fan club yesterday through Facebook? You know? 112 00:08:20,399 --> 00:08:24,600 Do you ever see my philosophical post on Facebook? I don't know how 113 00:08:24,600 --> 00:08:28,800 that worked. I see some of them. I don't know. I don't 114 00:08:28,800 --> 00:08:31,560 know that I see all that because I've learned. You know what I learned 115 00:08:31,759 --> 00:08:37,360 was and your guests will appreciate this. I'm sure I've learned that if I 116 00:08:37,480 --> 00:08:45,039 say anything critical of the Biden administration or Obama or some of which I would. 117 00:08:45,399 --> 00:08:48,679 I had a proclivity to do that initially for a while, and I 118 00:08:48,759 --> 00:08:50,200 was very careful, you know, it was very nice, and you know, 119 00:08:50,240 --> 00:08:54,320 I would pray on it before I did it, but they would just 120 00:08:54,399 --> 00:08:58,679 it would, it would come up as a post and like within five minutes, 121 00:08:58,000 --> 00:09:05,039 Bay, it's gone, man, you know. So so I stay 122 00:09:05,080 --> 00:09:11,720 away from that now and I talk more about philosophical things and contempt a generic 123 00:09:11,799 --> 00:09:20,559 context. So I wanted to what fan club? This is an old time 124 00:09:20,799 --> 00:09:26,360 singer, great singer, he knew Elvis. Well, what fand club did 125 00:09:26,440 --> 00:09:31,000 I join yesterday? Do you want to take a shot? I don't know 126 00:09:31,679 --> 00:09:35,240 how did you know that with that, Jenny? How did you get that? 127 00:09:35,600 --> 00:09:41,000 Yes, Mickey Mouse, but also Pat Boone. You know Pat Boone 128 00:09:41,080 --> 00:09:45,559 is eighty nine years old and he's still singing. He had a little bit 129 00:09:45,559 --> 00:09:50,759 of an hip accident recently. But but every Sunday night on w SEW out 130 00:09:50,799 --> 00:09:58,799 of Sanford and North Conway, Pat Boone has a radio program and it's really 131 00:09:58,879 --> 00:10:05,320 good. Match and Jenny, they have it goes from eight to nine for 132 00:10:05,360 --> 00:10:07,639 anyone in the area wants to pick this take a look at it, and 133 00:10:07,720 --> 00:10:11,320 he'll come in and comment, and he'll always sing the last song himself. 134 00:10:11,679 --> 00:10:20,240 But he has all these great artists in Christian music and gospel music, and 135 00:10:20,879 --> 00:10:26,320 they are so talented. You know. I won't go into all of that, 136 00:10:26,399 --> 00:10:30,120 but I would recommend that. And then after that Matt and Jenny at 137 00:10:30,200 --> 00:10:37,639 nine o'clock on w SEW they have the Bluegrass Gospel Hour and that is just 138 00:10:39,279 --> 00:10:43,919 terrific. I don't know half the groups they play, but they are so 139 00:10:43,279 --> 00:10:48,399 good if you like that genre, and you know I'm eclectic with that stuff, 140 00:10:48,480 --> 00:10:54,639 so I really appreciate that. So on that note, I will stop 141 00:10:54,960 --> 00:11:01,279 and wish you guys well and congratulations again on this new show. It will 142 00:11:01,320 --> 00:11:05,120 go well. I'm sure right, all right, Thanks dat, I appreciate 143 00:11:05,159 --> 00:11:09,440 it. You're welcome, take care you well, love you all right, 144 00:11:09,440 --> 00:11:11,559 I love you, bye bye. All right. That was my father, 145 00:11:11,679 --> 00:11:16,240 Martin Connorton. Very nice, very nice. So we're gonna hear now you 146 00:11:16,240 --> 00:11:20,559 guys are gonna play live for us, but we're gonna play a studio track 147 00:11:20,559 --> 00:11:22,559 too. We have a couple of studio tracks to play, and we're gonna 148 00:11:22,559 --> 00:11:26,320 play this Fiesta Control and this is now this is not out yet right Tuesday. 149 00:11:26,399 --> 00:11:30,480 This comes out Tuesday, the twenty first. My new album is Drone 150 00:11:30,519 --> 00:11:33,000 at Home. So this being the first to hear song. Yeah, yeah, 151 00:11:33,039 --> 00:11:35,960 So this is the world radio premiere. Yes, excellent, we love 152 00:11:37,000 --> 00:11:39,759 the world radio premiere. Is very good. So let's give this a listen 153 00:11:39,759 --> 00:11:41,879 and then we're gonna come back and talk some more. And these guys are 154 00:11:41,879 --> 00:11:43,840 gonna play for us and really looking forward to this. But here it is 155 00:11:43,879 --> 00:11:48,120 from the new album Drone at Home. This is Aaron Billdoh is is he 156 00:11:48,320 --> 00:11:50,000 the get go on this with you? No? No, no, this 157 00:11:50,080 --> 00:11:54,320 is He's only on the first two tracks, gotcha, gotcha? All right? 158 00:11:54,360 --> 00:12:11,960 This is Aaron billideo and the track is called Fiesta Control Ride Gus which 159 00:12:11,039 --> 00:12:24,919 seem speak basic dreams that never big in the world hides and allows wonderway how 160 00:12:26,240 --> 00:12:39,399 they had little God yearning over that Russians feelings of the actions emotion set aside, 161 00:12:41,279 --> 00:13:22,639 allows for time without bright, without biting. It's it's statt side is 162 00:13:22,840 --> 00:15:50,799 what stop mom to take take step stooping to sust made this change made just 163 00:15:54,600 --> 00:15:58,679 very cool at his Fista control from the great eron Bid on his new album 164 00:15:58,799 --> 00:16:02,879 Drone at Home, coming out Tuesday, and Aaron is here with us along 165 00:16:02,919 --> 00:16:07,399 with Huey the Gecko studio. Yeah, very nice. Yeah, you know, 166 00:16:07,480 --> 00:16:11,039 it's interesting you don't hear a lot of Uh. I mean, I'm 167 00:16:11,039 --> 00:16:15,600 trying to think of other artists who who do anything kind of like where the 168 00:16:15,080 --> 00:16:18,240 bass is really the lead instrument, you know, because we're used to, 169 00:16:18,399 --> 00:16:22,399 obviously in rock music the guitar being the lead instrument and so forth. But 170 00:16:22,840 --> 00:16:26,000 I mean, are there are there other artists, maybe some that you're influenced 171 00:16:26,039 --> 00:16:29,559 by, who do that where the bass is what is right out in front. 172 00:16:29,799 --> 00:16:33,919 Yeah. Uh. My main influence growing up is a square pusher. 173 00:16:33,799 --> 00:16:38,679 He's a he's like a DJ from the nineties. Okay, he played stuff 174 00:16:38,759 --> 00:16:42,240 like Aphex Twin kind of type of music. But he was a bass player. 175 00:16:42,360 --> 00:16:47,679 So he used to play like fretless jazz over techno and then he started 176 00:16:47,720 --> 00:16:52,080 playing uh slat bass and stuff over and just he just went crazy and it 177 00:16:52,200 --> 00:16:56,000 was a huge inspiration to me. Yeah yeah, yeah, so uh yeah, 178 00:16:56,120 --> 00:16:59,519 that's uh, that's I do it out of necessity and I'm a bass 179 00:16:59,559 --> 00:17:02,039 player, not guitar player, and uh, you know, I'm all by 180 00:17:02,080 --> 00:17:04,839 myself most of the time, so I you know, I use the tools 181 00:17:04,920 --> 00:17:08,400 that I have or nothing gets done. And on a track like that, 182 00:17:08,519 --> 00:17:11,880 are you doing everything? I'm doing everything? Yeah, yeah, yeah, 183 00:17:11,920 --> 00:17:17,480 So I play keyboards and all the drums are programmed and uh yeah, you 184 00:17:17,559 --> 00:17:22,440 know, I do the sense and all the hand hand tools, and of 185 00:17:22,559 --> 00:17:26,160 course the bass and now I'm doing a lot of uh distortion in my bass, 186 00:17:26,200 --> 00:17:30,720 which I've never done before. Really yeahah never, I've never used distortion. 187 00:17:30,000 --> 00:17:33,440 So this is the first on this album. Yeah? Yeah, Now 188 00:17:33,680 --> 00:17:37,640 is the Is the entire album just you? Or do you? Well? 189 00:17:37,720 --> 00:17:41,319 No, there's I mean, most of it's just me. There's no there's 190 00:17:41,359 --> 00:17:45,799 no guest musicians. Uh, there's a couple of songs. He's on Mushroom 191 00:17:45,880 --> 00:17:49,279 Dust with me. He does vocals on there, and I got like seven 192 00:17:49,400 --> 00:17:53,160 people on the first track doing gang vocals. Okay, and that's it, 193 00:17:53,359 --> 00:17:56,279 you know, and then I did I did everything else. Wow? Is 194 00:17:56,359 --> 00:18:02,119 it Is this the first full album where you've done everything? No? Well, 195 00:18:02,160 --> 00:18:07,640 I mean okay, so like my first couple albums, I had guest 196 00:18:07,720 --> 00:18:15,559 musicians. Yeah, Huey was on a song on Destroyer, and you were 197 00:18:15,599 --> 00:18:19,319 also on a song on Zero Acid Burn, my techno album. He was 198 00:18:19,359 --> 00:18:25,519 on there. Okay, what was that one that was relaxed? Kid? 199 00:18:25,559 --> 00:18:30,880 It's just acid name of the song. Every every song it's that albums all 200 00:18:30,640 --> 00:18:36,079 acid techno from the nineties, so every song title has acid in it, 201 00:18:36,880 --> 00:18:41,319 just for fun. And then I had Freido on a couple of songs on 202 00:18:41,400 --> 00:18:45,720 the first album. So yeah, this is actually the first one where it's 203 00:18:45,759 --> 00:18:48,920 like just me on all the instruments. Yeah. Yeah, it's amazing, 204 00:18:49,200 --> 00:18:53,119 very cool. By the way, a few chat room comments for our friend 205 00:18:53,160 --> 00:18:59,319 Huey the Gecko. Jim Hurley says, HTG get on that mic. Yeah, 206 00:19:00,319 --> 00:19:07,200 Ramani, I probably won't say this correctly. Ramani beconsall Wood. Oh 207 00:19:07,279 --> 00:19:11,519 okay, Yeah, she's very happy to see you here. Justin Hale says, 208 00:19:11,559 --> 00:19:19,119 whoop whoop, Huey the Gecko Topp Tire so very nice. Yeah. 209 00:19:19,440 --> 00:19:22,519 Matt Juno from of course The Morning Show with Peter White, I got to 210 00:19:22,599 --> 00:19:26,319 hang out with those guys yesterday morning. Matt says, uh, did you 211 00:19:26,359 --> 00:19:30,039 forget about Lemmy Motorhead? Come on, that's insulting to a rock and roll 212 00:19:30,319 --> 00:19:34,519 icon. But I wouldn't consider that he sweated on me once. Oh, 213 00:19:34,640 --> 00:19:40,319 Lemmy did, I wouldn't consider I wouldn't consider that a lead like what he 214 00:19:40,400 --> 00:19:47,440 did you after that? Yeah, I mean Lemmy, the way that he 215 00:19:47,599 --> 00:19:52,119 played kind of was, I wouldn't consider that a lead though, like in 216 00:19:52,200 --> 00:19:56,440 front, you know, it was very rhythm Yeah, yeah, absolutely absolutely. 217 00:19:57,880 --> 00:20:00,680 Mattie Juno disagrees. He says he was definitely a lead. Well, 218 00:20:00,720 --> 00:20:03,440 he was the lead singer of cour Use and the leader of the band. 219 00:20:03,720 --> 00:20:08,519 Yeah, the most infamous Lee's got to be the most infamous one, right, 220 00:20:10,799 --> 00:20:14,240 Well, no, but I was talking about though, where the bass 221 00:20:14,400 --> 00:20:15,640 is the lead instrument, like right out in front, you know what I 222 00:20:15,680 --> 00:20:22,759 mean? Oh, whereas Jean's like a big bass player if you talk about 223 00:20:22,839 --> 00:20:25,680 rock icons, like oh yeah, yeah, of course, yeah absolutely, 224 00:20:25,799 --> 00:20:30,400 Yeah, Simmons, I got a lot of my influences by from Ryan Martini 225 00:20:30,519 --> 00:20:33,960 from mud Vein. Oh really yeah. He did a lot of slap in 226 00:20:33,039 --> 00:20:38,000 metal and he was like, my he was my big influence. What fifteen 227 00:20:38,079 --> 00:20:42,359 years ago back? Where were we doing it? You know for slapping all 228 00:20:42,400 --> 00:20:45,640 the bands I was in. Oh yeah, helped me kind of stick out 229 00:20:45,680 --> 00:20:49,119 a little bit. Yeah, totally totally. Chad Felch in the chat room 230 00:20:49,160 --> 00:20:53,240 says Helti. He says, Aaron, you rock, brother Ran very nice, 231 00:20:53,839 --> 00:20:57,519 and Isaac Bank says, Huey the Gecko, you rock. Everybody rock, 232 00:20:57,720 --> 00:21:00,319 everybody rock, very nice. It's very nice. I'm dying to hear 233 00:21:00,319 --> 00:21:06,400 you guys play live. So, uh, I went the wrong way with 234 00:21:06,519 --> 00:21:08,920 that one. Let me let me mute that mike for a for a second. 235 00:21:10,000 --> 00:21:26,759 Era, Okay, how are you are you for? Un Yeah, 236 00:21:26,759 --> 00:21:30,519 I don't worry. It's don't don't worry. You didn't you didn't break anything. 237 00:21:30,559 --> 00:21:33,519 It's it's supposed to. It's supposed to come out. Well, I 238 00:21:33,599 --> 00:21:40,799 mean it's not supposed to, but it can. Yeah, So really looking 239 00:21:40,799 --> 00:21:42,680 forward to hearing you guys play. So I'll let you kind of introduce the 240 00:21:44,000 --> 00:21:47,640 tunes as we go, and uh right, all right, this first song 241 00:21:47,839 --> 00:21:51,880 is called what you Play. It's a sing along. The lyrics are for 242 00:21:52,039 --> 00:22:03,599 you guys, what you play? All right? So what you play? 243 00:22:04,039 --> 00:22:15,960 Solo bad, what you play solobad, what you play, what you play 244 00:22:22,440 --> 00:22:33,440 solo baw, what you play, what you love above, what you play, 245 00:22:36,119 --> 00:22:52,000 what you play solo pop? What you play, what you play solob 246 00:22:52,799 --> 00:23:11,400 what you play what you play? All right? This next do is called 247 00:23:11,519 --> 00:23:27,440 mushroom does chocolate claver strange behavior? Will that mystic man come and save me 248 00:23:27,799 --> 00:23:41,599 from his little van I don't know, chocolate flavor strange behavior. Will that 249 00:23:41,799 --> 00:23:45,599 mystic man come and save me with his little plan? I don't know. 250 00:23:48,640 --> 00:23:55,559 You go grave field of color, where the shadows play, where the shadows 251 00:23:55,559 --> 00:24:00,599 play, Gray field of color, where the shadow play, where the shadows 252 00:24:00,599 --> 00:24:06,319 play. Whispers in the trees. They're calming him in this auldier state. 253 00:24:06,640 --> 00:24:11,359 Nothing is the same. Drift him through this, all his bonds roughing. 254 00:24:11,480 --> 00:24:17,400 The magic of My Mushroom does. Whispers in the trees they calling him in 255 00:24:17,559 --> 00:24:22,720 this aultier state, nothing is the same. Drifting through these dolls may cost 256 00:24:22,200 --> 00:24:37,200 lost in the magic of my mushroom doll. Psychedelic visions A full cosmic sense 257 00:24:41,920 --> 00:25:11,359 through my colleges. The hell I transcend whoa my ah psychedelic vision, also 258 00:25:11,559 --> 00:25:30,720 cosmic fan through my college. He love I trump so many vapors and smoke. 259 00:25:33,920 --> 00:25:40,039 Yeah it's hazy. I don't know if a savior to me or not, 260 00:25:40,480 --> 00:25:45,960 but it's a savior to a lot. Yeah, can it's the babine 261 00:25:45,240 --> 00:25:52,799 take a ribbon it's just a little don't get psycho. Just how America does 262 00:25:52,880 --> 00:26:03,039 it. It's it's yeah, it's must have great fields of color, where 263 00:26:03,160 --> 00:26:10,000 the shadows play, Where the shadows like great fields of color, where the 264 00:26:10,119 --> 00:26:15,279 shadows playing, where the shadows like whispers in the trees they call my name 265 00:26:15,680 --> 00:26:19,200 in this salted steak. Nothing is the same. Drift them through the cause 266 00:26:19,359 --> 00:26:26,319 may cross lost in the magic of my mushroom does whippers in the trees they 267 00:26:26,440 --> 00:26:30,839 call my name in this saltier steake. Nothing is the same. Drift them 268 00:26:30,920 --> 00:26:42,720 through this cause mid cross lost in the magic or mimushroom does as the tree 269 00:26:44,359 --> 00:26:52,240 goes by. H thank you. I wish my fingers would move that fast. 270 00:26:52,359 --> 00:26:56,519 That was awesome, Thank you, thank you. I appreciated that one. 271 00:26:56,480 --> 00:26:59,960 This is the first time for me. Now I'll play without all made 272 00:27:00,559 --> 00:27:03,359 backing tracks, my safety tracks. Yeah. Last time you were here, 273 00:27:03,400 --> 00:27:10,319 you had you had quite the setup. Yeah all right. This next song 274 00:27:10,440 --> 00:27:41,039 is called Winter at the start of winter, early evenings come, that means 275 00:27:41,200 --> 00:27:51,519 the darkness, that means no sun, three months of winter still ahead of 276 00:27:51,720 --> 00:28:03,559 us all and it's cold and it's dark. Don't let the sadness come once 277 00:28:03,599 --> 00:28:04,519 you my high sim me shame me, shame me, shi me save me, 278 00:28:04,559 --> 00:28:11,640 save save me, save me save si si saven once some high save 279 00:28:11,680 --> 00:28:12,680 me, se me same me, sall me sid me some sive me si 280 00:28:12,799 --> 00:28:57,119 MEI me give me sim me sever m h m m. At the start 281 00:28:57,279 --> 00:29:07,720 of winter, early evenings come, that means the darkness. Love means no 282 00:29:07,960 --> 00:29:18,319 sun. Three months of winter still a hell's all and it's cold and it's 283 00:29:18,400 --> 00:29:29,599 dark. Don't let the sadness come once your hair sim shim me sim sim 284 00:29:29,680 --> 00:29:36,519 si simmy sim sim sim sim simmer once your hair simmy sim sim si me 285 00:29:36,519 --> 00:29:47,920 sim me to sim sim si me sim me sim me sim who m who? 286 00:29:56,480 --> 00:30:02,279 Right? That was winter? Thank you? I got two more you 287 00:30:02,319 --> 00:30:07,279 want to do an hour? Yeah, let's go for it, all right, 288 00:30:07,720 --> 00:30:21,960 I'm digging it me here hello, sir, will bring you here? 289 00:30:22,640 --> 00:30:26,240 Sitting all alone in the state of here, rocking back and both sides side. 290 00:30:27,039 --> 00:30:33,519 Wasn't that a nice ride? Have a steel limit with something, it'll 291 00:30:33,599 --> 00:30:38,000 help you stop that, ben Hey, back rest your head if you can't 292 00:30:38,400 --> 00:30:59,319 in athin bed, doctor Millogram, can you see grab at? Yeah, 293 00:30:59,480 --> 00:31:17,079 pulls me through, doctor Milli Graham. Can't you see gravity through? Pipp 294 00:31:17,079 --> 00:31:22,680 a spoon to finish showing me kicking back in cement seats one. This soon 295 00:31:22,799 --> 00:31:33,920 you'll get out of here, maybe maybe not that soon, Doctor Milli Graham. 296 00:31:34,400 --> 00:31:42,960 Can't you see gravity? It pulls me through, Doctor Milli Graham. 297 00:31:45,440 --> 00:31:55,680 Can't you see gravity? It pulls me through, Doctor Miller Graham. Can't 298 00:31:55,720 --> 00:32:10,160 you see gravity? It pulls me through, Doctor Milli Graham. Can't you 299 00:32:10,359 --> 00:32:23,039 see gravity? It pulls me through, grab mill Can't you see gravity? 300 00:32:24,960 --> 00:32:36,880 It pulls me through? Very cool. We should mention, by the way, 301 00:32:36,960 --> 00:32:42,519 that's a single right And there's there's a video on YouTube on on on 302 00:32:42,599 --> 00:32:46,000 my Facebook on YouTube, but definitely find it on YouTube Doctor Milli Graham starring 303 00:32:46,119 --> 00:32:52,480 uh my wife Amy the nurse uh and Philip as the patient pick up you're 304 00:32:52,519 --> 00:32:59,400 out there and of course my hype man be me the geto. Yes, 305 00:32:59,599 --> 00:33:01,920 yes, you gotta one more live one? I know, I do, 306 00:33:02,079 --> 00:34:00,519 I have another one? Feel awesome? Sure? Yeah. Lady on the 307 00:34:01,200 --> 00:34:07,960 show Lady chosen the sad Lady on the Who Show chose. Lady on the 308 00:34:08,519 --> 00:34:16,039 Show is chosen the sa Lady on the Who Show. Lady on the Show. 309 00:34:19,159 --> 00:34:23,360 Lady on the Who Show is chosen. The sand lady on the show, 310 00:34:25,480 --> 00:34:37,800 Lady on the show They Don't Want Was the man in the mill over 311 00:34:37,840 --> 00:34:50,679 the valleel stag so little he's that he would find laugh so poor that he 312 00:34:50,800 --> 00:36:08,400 did with the lady on the show. There we go down in the valley 313 00:36:08,599 --> 00:36:50,719 with the sun number reaches, no flowers grow, and the man human still 314 00:36:50,920 --> 00:37:00,079 lived in Sandy's life the middle. I won't dance him, alright, I 315 00:37:00,239 --> 00:37:14,480 would play She made brooches and the flame market tap, bumpy twirling hair, 316 00:37:15,239 --> 00:37:29,760 Old day Lady on the show with sail. Lady on the Saw with the 317 00:37:29,920 --> 00:37:34,599 toes in the Sand, Lady in the show with the toes in the said 318 00:37:34,679 --> 00:37:44,159 lady on the show with the sand Saw the Sand with the toes in the 319 00:37:44,360 --> 00:37:57,079 Sand, Lady on the Show with the Toad in the Sand. Here we 320 00:37:57,199 --> 00:38:01,480 go down in the valley with some doesn't reach, no flowers bro and the 321 00:38:01,599 --> 00:38:43,679 man never sleeps. Right, that's called Lady on the Shore. Very nice, 322 00:38:44,400 --> 00:38:47,079 thank you. That's off my first album. Hello to nobody, Ah, 323 00:38:47,519 --> 00:38:51,639 very good. If you're just joining us. We have Aaron billid Oh 324 00:38:51,719 --> 00:38:54,719 here with us alive in studio, and Huey the gecko is accompanying him and 325 00:38:55,760 --> 00:39:00,159 very very cool in a moment, we'll play we'll play another studio track from 326 00:39:00,400 --> 00:39:06,599 from the upcoming album Drone at Home, coming out on Tuesday. But uh, 327 00:39:07,119 --> 00:39:09,119 let me, I got a which, Mike, because that that's that 328 00:39:09,280 --> 00:39:14,639 one? Okay. But yeah, these guys have been playing live for us, 329 00:39:14,719 --> 00:39:16,559 and before we get to the studio track, you're getting a lot of 330 00:39:16,599 --> 00:39:22,239 love. In the Facebook live chat, Justin Hale says Hueye is a pinnacle 331 00:39:22,280 --> 00:39:25,000 of energy and creativity. He needs to be put out there more. Uh, 332 00:39:25,800 --> 00:39:30,480 everybody bring him out. Tony Petrello, one of our co hosts on 333 00:39:30,559 --> 00:39:34,360 Retrospectrum Radio on Friday nights, says, I am not stoned enough for this. 334 00:39:36,320 --> 00:39:38,119 But he didn't say he didn't like it, so he just said he's 335 00:39:38,159 --> 00:39:42,800 not. You know, there's always time, proper state, that's right. 336 00:39:44,320 --> 00:39:47,159 Jogi's basket, says Huey. The Gecko is so talented. He can play 337 00:39:47,360 --> 00:39:52,079 so many instruments. So well, let's see, I'm kind of working backwards 338 00:39:52,119 --> 00:40:00,159 here. Lizards. Yes, yes, now you mentioned in the song I'm 339 00:40:00,199 --> 00:40:05,599 sorry, I'm getting the titles mixed up the single with the video, Oh 340 00:40:06,199 --> 00:40:09,719 doctor doctor Milligram, Yes, so you know you mentioned being pulled by gravity. 341 00:40:09,960 --> 00:40:13,519 Melanie La Liberty, our friend from Vermont, says, fun fact, 342 00:40:13,840 --> 00:40:17,400 if the gravitational pull of the moon changed and the slightest we are all blanked. 343 00:40:19,559 --> 00:40:22,440 So that's scary. That is scary. Yes, that could happen at 344 00:40:22,480 --> 00:40:25,000 any moment. Miriam vanishes in the chat room. She says, I like 345 00:40:25,119 --> 00:40:30,480 this, she likes uh, she likes what what you're doing? Absolutely, 346 00:40:30,239 --> 00:40:34,320 And John Burke in the chatroom says, hell, yeah, brother, I 347 00:40:34,400 --> 00:40:37,719 think that's for you, Huey. Hell yeah, brother, Yeah that sounds 348 00:40:37,719 --> 00:40:40,719 about right. Yeah yeah. And Nick Murdoch joins us in the chat and 349 00:40:40,800 --> 00:40:44,920 says, damn, I forgot about the new time until now, and the 350 00:40:44,960 --> 00:40:46,440 wife and I are about to head out. Hello to everyone. Hope things 351 00:40:46,480 --> 00:40:49,679 are going well, Maddie. I love you, brother, Thank you, 352 00:40:49,800 --> 00:40:54,159 Nick, thank you for for everything. I appreciate you tons of support. 353 00:40:54,559 --> 00:41:04,039 Yeah, absolutely, absolutely, Miriam. Miriam said, I'm so clueless. 354 00:41:04,119 --> 00:41:07,320 What is slapping? Yeah, that's uh, the the slapping of the bass. 355 00:41:09,559 --> 00:41:14,920 Yeah. And you know what I noticed too when you were playing actually 356 00:41:14,920 --> 00:41:16,239 I think it was with the last song, Lady on the Shore. It 357 00:41:16,360 --> 00:41:20,320 really when you turn on the distortion and you're playing in that high register, 358 00:41:20,760 --> 00:41:24,480 it really does sound like an electric guitar. Yeah, yeah, yeah, 359 00:41:24,599 --> 00:41:30,559 no, that really that really works? Uh Lou Saviano, who I suspect 360 00:41:30,679 --> 00:41:35,880 is related to uh to our favorite gecko, Uh Lou says Aaron, one 361 00:41:35,920 --> 00:41:42,000 of the best bass players in New England. I love you absolutely, I 362 00:41:42,000 --> 00:41:45,400 would I would agree. Let's see, I think we're think we're caught up 363 00:41:45,440 --> 00:41:51,920 there. Oh, Isaac Banks from Greensboro, North Carolina, says Justin and 364 00:41:52,159 --> 00:41:58,039 Aaron from Huey the Gecko. Keep on rocking and check out on Facebook live 365 00:41:58,639 --> 00:42:05,320 online is me known as Iikeman, Breezy Yes and teen Sensational on Sunday evening 366 00:42:05,679 --> 00:42:10,119 seven to nine pm. Alrighty aout today? What's that I'm worried about him? 367 00:42:10,280 --> 00:42:14,360 About Isaac Banks? Yeah, there was no hashtag, no hashtag. 368 00:42:14,480 --> 00:42:21,599 Yeah that's all that's uh. Yeah someone else. Yeah, our friends from 369 00:42:21,599 --> 00:42:23,480 Greensboro, they use a lot of uh, they use a lot of hashtags. 370 00:42:23,880 --> 00:42:28,440 Well, let's say I'm dying to hear this other track, this studio 371 00:42:28,559 --> 00:42:32,000 track lamping. Yeah, we wanted to play and this is uh, this 372 00:42:32,159 --> 00:42:36,599 is this is of course from your upcoming studio album Drone at Home. Now, 373 00:42:36,639 --> 00:42:37,480 what does it? What does that mean by the way the name of 374 00:42:37,519 --> 00:42:44,559 the album I uses behind like every song. Yeah, so uh yeah, 375 00:42:44,559 --> 00:42:46,719 I just like it ended up being a theme for this album. I really 376 00:42:46,880 --> 00:42:52,719 liked h I was used in some pads and and able tin and uh, 377 00:42:52,880 --> 00:42:54,760 I really like it. Like metal, I kind of just dragging through the 378 00:42:54,800 --> 00:42:59,440 whole song. Yeah, you know, in the background with a little reverb 379 00:42:59,559 --> 00:43:02,039 on it. I kind of it kind of became the theme of every single 380 00:43:02,119 --> 00:43:05,880 track on this album. So that's what a drone tone is. Yeah, 381 00:43:06,000 --> 00:43:08,159 okay to me, I didn't I hadn't heard that term. Okay, like 382 00:43:08,320 --> 00:43:12,400 droning music. Yeah yeah, yeah, okay, cool, very cool. 383 00:43:12,559 --> 00:43:16,880 Well let's give this a listen. So this is called glamping. Whoops, 384 00:43:17,559 --> 00:43:21,400 let me uh, I made a mistake there. I haven't been here in 385 00:43:21,400 --> 00:43:45,440 a couple of weeks. Here we go, we got brand new air. 386 00:43:46,440 --> 00:44:24,400 You just why even they come? But you do want to say, just 387 00:44:24,719 --> 00:44:45,239 want day, let's go, we want you there. Let's not, let's 388 00:44:45,519 --> 00:45:51,480 not best, let's not okay, let's wills may Well, let's tell that 389 00:46:14,039 --> 00:46:17,280 is glamping. That is from Aaron Billideo his new album Drone at Home, 390 00:46:17,559 --> 00:46:22,440 coming out on Tuesday, and uh so we're featuring new tracks from that today 391 00:46:22,480 --> 00:46:25,159 as well as these guys who the gecko is here with them and they played 392 00:46:25,199 --> 00:46:30,320 live for us, and Miriam in the chat room says ha ha, I 393 00:46:30,440 --> 00:46:36,159 love this. I just want I just want to stay home as songrys for 394 00:46:36,239 --> 00:46:40,800 all those ungrateful children out there that don't appreciate the finer things of like nature. 395 00:46:43,199 --> 00:46:45,199 Oh, I'm that way. I don't. I don't, I don't 396 00:46:45,440 --> 00:46:49,079 do Uh. I don't like to go into the woods. Well, I'm 397 00:46:49,159 --> 00:46:52,599 very afraid of you know, deer ticks and uh, you know, the 398 00:46:52,159 --> 00:46:55,719 mountain lions, the blair witch. If you're afraid of everything, though, 399 00:46:55,760 --> 00:46:59,400 you're going to miss out. Yeah, I'm okay with missing out on the 400 00:46:59,440 --> 00:47:06,480 woods. I feel yeah, I feel yeah. I prefer going out on 401 00:47:06,599 --> 00:47:10,280 like boots over the woods personally. You know, it's a little bit safer. 402 00:47:10,519 --> 00:47:14,000 You know, you don't have to worry about bears, right right, 403 00:47:14,480 --> 00:47:16,599 I mean there's drowning, but you know, hopefully not. You know, 404 00:47:16,800 --> 00:47:21,800 just where you lafe jacket, that's right, that's right. Oh. By 405 00:47:21,840 --> 00:47:23,519 the way, our friend Derek Smith who called a few minutes ago, he 406 00:47:23,599 --> 00:47:28,199 also put this in the chat room. So this is regarding the show tonight 407 00:47:28,239 --> 00:47:30,440 that Jenny and I are going to be at he said, here's the full 408 00:47:30,480 --> 00:47:37,719 information. Artists Only and Mosaic Art Collective presents DJ Biza from Portland, Maine, 409 00:47:37,760 --> 00:47:42,320 whom I have interviewed on the show, plus Evan Benoit of Happy Just 410 00:47:42,400 --> 00:47:45,440 to See You. I don't think I've interviewed him, but I know that 411 00:47:45,639 --> 00:47:50,320 band doors are at seven shows at eight. It's twenty one plus tonight and 412 00:47:50,400 --> 00:47:54,719 the suggested donation is five to ten dollars and that is above the Palace Theater 413 00:47:54,840 --> 00:47:59,280 at sixty six and over. So Jenny and I are going to be heading 414 00:47:59,400 --> 00:48:04,519 over there this evening. Miriam says, regarding glamping, I needed this song 415 00:48:04,559 --> 00:48:10,800 when I was driving back from Pennsylvania. Thank you. Now, So when 416 00:48:10,840 --> 00:48:14,079 you play out, is it is it always the two of you together? 417 00:48:14,159 --> 00:48:16,039 Do you perform together always? Or no? No? Just when he's available? 418 00:48:16,199 --> 00:48:20,440 Yeah, you know, if he's available, Uh, he's he's there 419 00:48:20,480 --> 00:48:22,320 with me, But it's not always. I got my full show, uh 420 00:48:23,519 --> 00:48:28,599 set up for myself. Yeah you know. So so when it is just 421 00:48:28,719 --> 00:48:30,559 you, are you are you bringing the like the setup like you? So? 422 00:48:30,840 --> 00:48:35,000 Yeah, I bring the full setup I had last time, like that 423 00:48:35,159 --> 00:48:38,280 rolling Pa and I got to make sure that I run on my backing tracks 424 00:48:38,280 --> 00:48:43,039 I got. I got a ear piece with my click in it. Yeah, 425 00:48:43,159 --> 00:48:45,400 because it's the only it's the only way I can keep up with my 426 00:48:45,559 --> 00:48:49,360 uh the perfect time with the backing tracks. And then uh yeah that's it, 427 00:48:49,519 --> 00:48:52,280 I said, I sing with songs, and uh I played a show 428 00:48:52,360 --> 00:48:58,000 recently. I played portrait Fest and Antrim. Okay, yeah that was that 429 00:48:58,159 --> 00:49:00,679 was That was like a really good I got a full hour oh okay, 430 00:49:00,920 --> 00:49:05,639 yeah, and it even an hour just flies by. Yeah. I was 431 00:49:05,679 --> 00:49:08,960 really pleased with like the sound. Everything came out really good. So yeah, 432 00:49:09,039 --> 00:49:14,719 that's the plan moving forward. And you were saying, I can't remember 433 00:49:14,760 --> 00:49:15,880 if this this was on air or off air. You were saying, your 434 00:49:15,920 --> 00:49:19,840 plan is to release an album a year going forward. Is yeah, so 435 00:49:20,039 --> 00:49:22,679 what I've been doing. My first album I came out in twenty one, 436 00:49:23,280 --> 00:49:28,360 okay, and that was a big push because I was having an existential crisis, 437 00:49:28,440 --> 00:49:30,280 thinking I was going to die. You know, I'm in my forties, 438 00:49:30,480 --> 00:49:34,559 We're gonna have a heart attack, something's gonna happen. You know. 439 00:49:34,840 --> 00:49:37,880 I've always wanted to put out an album and I never did, so it 440 00:49:37,960 --> 00:49:40,000 was a big rush. Yeah, and then the sooner I got to the 441 00:49:40,119 --> 00:49:45,920 deadline soon, Like my anxiety was just through the roof, you know, 442 00:49:45,119 --> 00:49:47,679 like I gotta get it done. I got to get it uploaded. As 443 00:49:47,719 --> 00:49:52,039 soon as I get it uploaded, it doesn't matter after that, you know. 444 00:49:52,239 --> 00:49:55,639 And then I put that out immediately after I joined Dank Sinatra. I 445 00:49:55,760 --> 00:50:01,440 was in that band for eight months a keyboard player. And then after that 446 00:50:02,199 --> 00:50:05,719 I put out an album right away. It took me a couple months and 447 00:50:05,760 --> 00:50:08,400 I put out Destroyer, and I'm like, I'm just gonna keep doing this 448 00:50:08,519 --> 00:50:14,280 every year. So after Destroyer, I put out an EP after on the 449 00:50:14,360 --> 00:50:16,199 first of the new year, and then I realized, like I should just 450 00:50:16,280 --> 00:50:20,559 do an album and an EP like that guy Square Pushed I was talking about. 451 00:50:20,840 --> 00:50:23,599 He puts out like a full base album with all the tracks and everything 452 00:50:23,679 --> 00:50:28,559 and all the instruments every year. But then right after that he puts like 453 00:50:28,760 --> 00:50:31,719 a techno album out, which is like an accompaniment album the way he just 454 00:50:31,800 --> 00:50:36,599 put out He's been doing that for years. I love that Allison Chains did 455 00:50:36,679 --> 00:50:39,400 that. They did like album, EP, album EP, so I kind 456 00:50:39,440 --> 00:50:44,800 of like, that's my goal now. It's so now I got three full 457 00:50:44,920 --> 00:50:49,639 lengths. I've done it every year for three years and this year January first 458 00:50:49,679 --> 00:50:52,760 I put out an EP, so I plan on putting one out. I'd 459 00:50:52,840 --> 00:50:55,719 like to push it out towards the spring a little bit because it was just 460 00:50:55,800 --> 00:51:00,599 like too soon last time. But yeah, album album, EP, album, 461 00:51:00,639 --> 00:51:01,840 EP, and just keep popping them out as long as I can. 462 00:51:02,159 --> 00:51:07,079 Yeah, there's no excuse not to. I got music just like like flowing 463 00:51:07,119 --> 00:51:10,119 on me. Yeah. Yeah, you know, there's no there's no lack 464 00:51:10,199 --> 00:51:15,719 of inspiration on this end. It's just it's just motivation really. Yeah. 465 00:51:15,039 --> 00:51:17,960 Well also too, you know, you've you've found a way to do it 466 00:51:19,000 --> 00:51:21,280 all yourself, right, It's like, I mean that must be kind of 467 00:51:21,280 --> 00:51:22,719 liberating, right, But it was, I mean it was hard. It 468 00:51:22,800 --> 00:51:25,760 was hard at first, Like I didn't even know how to play keyboards for 469 00:51:25,920 --> 00:51:29,480 my first album, and I bought it. I'm like, oh, I've 470 00:51:29,519 --> 00:51:31,840 never worked with Midi before. First I was drawing Midi, you know, 471 00:51:32,000 --> 00:51:36,679 and then I got a keyboard and I started doing that and I learned how 472 00:51:36,719 --> 00:51:37,920 to do that, and then all of a sudden, I'm thrust into a 473 00:51:38,000 --> 00:51:42,719 band playing keyboards. Oh my god. The anxiety was through the roof like 474 00:51:42,840 --> 00:51:46,519 that. Towards the end, like every gig, like I was shaking and 475 00:51:47,559 --> 00:51:51,559 causing a scene and everything, and then again on stage it's all fine, 476 00:51:51,599 --> 00:51:52,760 but yeah, you know, once you once you hit that first note, 477 00:51:52,800 --> 00:51:58,559 everything's fine. But it was rough. I made some weird investments, like 478 00:51:58,679 --> 00:52:04,639 I bought a uh eighty eight key fully weighted, heavy, heavy keyboard, 479 00:52:05,079 --> 00:52:07,239 you know, and I'm like, oh my god, I'm in my forties 480 00:52:07,320 --> 00:52:10,239 lugging this giant thing around. But I got two keyboards and then my computer, 481 00:52:10,360 --> 00:52:14,800 my whole setup, all my sense and everything, and that my anxiety 482 00:52:14,920 --> 00:52:16,960 was through the roof at the end. Yeah, and it like it took 483 00:52:17,000 --> 00:52:21,920 me a while, but like the best thing was like, like I wasn't 484 00:52:21,960 --> 00:52:25,760 made to be a keyboard player. Why you left? I mean it was, 485 00:52:27,039 --> 00:52:29,360 yeah, it was. It was a lot. It was a lot 486 00:52:29,400 --> 00:52:32,599 of it was all me, yeah, you know, and you know rightfully 487 00:52:32,679 --> 00:52:37,719 so at the time, but like, uh, it was like the time 488 00:52:37,840 --> 00:52:43,079 in that band really like forced me to like get good quick, get good 489 00:52:43,199 --> 00:52:47,360 quick, learn how to jam, learn how to make changes on the fly. 490 00:52:47,719 --> 00:52:51,480 Yeah, because we were doing it all the time. And if I 491 00:52:51,559 --> 00:52:53,679 didn't do that, have that whole experience, I would have never put out 492 00:52:53,719 --> 00:53:00,079 Destroyer. Immediately after and like, uh, it was just it was really 493 00:53:00,360 --> 00:53:04,239 the best thing that could have happened to me at that time. Yeah, 494 00:53:04,760 --> 00:53:07,639 it pushed me. It pushed me, and and here I am now, 495 00:53:07,719 --> 00:53:12,119 and you know I got three more albums out of it so far, Problems 496 00:53:12,159 --> 00:53:15,360 and an EP. So yeah, that's the goal. I think we have 497 00:53:15,519 --> 00:53:19,199 time. I'd like to if I can find it online quickly, I'd like 498 00:53:19,280 --> 00:53:22,679 to play that other you were telling me about, Yeah, tech death whistle 499 00:53:22,239 --> 00:53:25,800 that's off of Zero Rested Burn. That's the techno EP. Let me see 500 00:53:25,840 --> 00:53:30,840 if I if I can find it quickly, I'd like to play that. 501 00:53:30,639 --> 00:53:39,599 I think there's something to get your attention. Well, Aaron was talking about 502 00:53:39,599 --> 00:53:44,559 it earlier because Auto is on this track right right from Dust Profit. He 503 00:53:45,039 --> 00:53:47,800 plays guitar on that track. Yeah. I reached out to him and he 504 00:53:47,920 --> 00:53:51,480 was he was, yeah, no problem. He had it back to me 505 00:53:51,559 --> 00:53:55,159 in like like three days. That's awesome. Yeah I found it. Yeah, 506 00:53:55,519 --> 00:53:59,199 yeah, So I'm curious to hear this and now. But it was 507 00:53:59,280 --> 00:54:00,880 off are you were talking talking about it? Right? Do you want to 508 00:54:00,880 --> 00:54:05,920 explain everybody what that is? Death whistle? So my friend gave me this 509 00:54:06,039 --> 00:54:09,880 whistle. It's black and it's in the shape of a skull. It's about 510 00:54:09,960 --> 00:54:14,079 fist size. It's pretty good size. You blow into it and it sounds 511 00:54:14,119 --> 00:54:19,159 like a scream, like a real breathy, ghostly banshee scream. And back 512 00:54:19,199 --> 00:54:22,639 in the day when the Aspects would go to war, there would be a 513 00:54:22,679 --> 00:54:24,719 thousand of them over the hill like blowing these things all night, keeping the 514 00:54:24,880 --> 00:54:30,159 enemies up, not letting them sleep. And then they charge in blowing these 515 00:54:30,199 --> 00:54:34,400 whistles, and it just sounded like ghosts screams. Amazing. You can hear 516 00:54:34,559 --> 00:54:37,719 like it's the first sound on here and it repeats all right track, so 517 00:54:37,800 --> 00:54:39,360 you can kind of hear it. Cool. Cool, I'm really curious to 518 00:54:39,400 --> 00:54:43,039 hear this, So let's give this a listen. So this is Acid Death 519 00:54:43,039 --> 00:54:49,000 Whistle Aaron Bilodeo featuring the Great Auto Kinsel. I'm very curious here it is. 520 00:55:01,119 --> 00:56:39,519 And jo Da bookays, any you're doing you anything you do you? 521 00:57:54,360 --> 00:58:15,280 Y? Is? That is that it again? At the end? That's 522 00:58:15,320 --> 00:58:17,000 it? Wow, very cool, very cool. While we learned something. 523 00:58:17,159 --> 00:58:22,079 I like it, very catchy. Wow. We are rapidly running out of 524 00:58:22,159 --> 00:58:25,760 time. So the new album comes out Tuesday, Tuesday twenty first, all 525 00:58:25,880 --> 00:58:30,119 right, right before the Turkey Day. Thank you for everyone that shouted us 526 00:58:30,159 --> 00:58:31,559 out. Yeah, yeah, thank you, Thank you guys. That was 527 00:58:31,599 --> 00:58:36,159 a lot of fun, amazing. Should you maybe for people looking for you 528 00:58:36,239 --> 00:58:38,239 online? Should you maybe spell your last name for Yeah, sure, it's 529 00:58:38,800 --> 00:58:43,639 Aaron A A R O N billod oh b I L O D E A 530 00:58:43,840 --> 00:58:46,599 U. You can find me everywhere. Find me on YouTube. I got 531 00:58:46,679 --> 00:58:51,880 like two hundred videos on there. Yep, yep, very good. Yeah, 532 00:58:51,960 --> 00:58:54,440 and check out the video for is it doctor Milligram, Doctor Milligram. 533 00:58:54,559 --> 00:58:59,880 That's the newest video today off of Drone at Home. Yeah, very cool, 534 00:59:00,119 --> 00:59:02,840 very cool. I played it without all this stuff today, kind of 535 00:59:02,880 --> 00:59:06,719 acoustic or whatever. And do you have any you have any live shows coming 536 00:59:06,800 --> 00:59:08,119 up in the area. No, that's it for now. I'm booking. 537 00:59:08,320 --> 00:59:13,199 I'm looking yeah, yeah, but yeah, they say you were the last 538 00:59:13,199 --> 00:59:15,079 one for now. All right, all right, well guys, thank you 539 00:59:15,199 --> 00:59:17,920 so much. Aeron, billidoh Huey the Gecko. I appreciate you both. 540 00:59:19,000 --> 00:59:22,079 Thank you for having us. Thank you, yes you guys. Absolutely, 541 00:59:22,280 --> 00:59:25,440 and Jenny, did you want to plug your plug your website or absolutely, 542 00:59:25,559 --> 00:59:29,719 you can always check me out at Gencoffee dot com. J E. N. 543 00:59:29,880 --> 00:59:31,800 N C. O f f u I dot com, my work, 544 00:59:31,960 --> 00:59:36,480 my artworks up there, my writings, things of that nature. And if 545 00:59:36,639 --> 00:59:39,679 you are an artist and you'd like to be featured on Matt Comments and Unleashed, 546 00:59:39,760 --> 00:59:44,760 make sure you message me or reach out to Matt. We'd be happy 547 00:59:44,840 --> 00:59:46,880 to get you booked. Yes, yes, indeed, and uh, of 548 00:59:46,960 --> 00:59:52,119 course thank you again to William and Zach and Lexi from Sepsis for coming in, 549 00:59:52,239 --> 00:59:55,480 and of course Eric Pilcher for another great classic film review. And if 550 00:59:55,519 --> 00:59:59,320 you miss any part of today's show, it'll be up in just a little 551 00:59:59,320 --> 01:00:04,159 bit at w mnhradio dot org at my website, Matt Connorton dot com. 552 01:00:04,559 --> 01:00:07,599 Our first, our first Saturday morning show in the books. And thank you 553 01:00:07,679 --> 01:00:10,079 all, and we'll talk to you a little bit later. Bie, everybody, 554 01:00:10,400 --> 01:00:45,880 bye bye. Were listening to w U n H. Come on, 555 01:00:46,159 --> 01:00:51,840 guys, don't get so freely Matz. Thank you