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Presenting the transcription feature Superman under the
Sky. Look, it's a word,

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it's a queen, It's Superman.
And now Superman Superman walks the Earth and

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mingles with men as mild spectacle.
Clark Kent, news reporter for the Daily

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Planet, and our story opens to
day Superman and his character of Clark Kent

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had just telephoned his story of the
North star Mine to his editor, Perry

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White. White offers his congratulations and
also gives Kent a bit of welcome news.

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Listen, I'm all finished out here, mister White. Nice work.

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Can't you did a good job with
that North Carline story. I've little of

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surprise, boy, surprise ever hear
of San Miguel Penitentiary to a model prison

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there where you are, Sam mc
guil, sure i've heard of it,

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so view. Don't you remember that's
where they sent the Wolf and Keno,

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the two fellows who tried to direct
that train the Silver Clipper. Hey,

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that's right, the Wolf and Keno. Well, if you see them,

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give them my regard. What's the
idea, mister White, Justice Kenn We've

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sent Lowis Lane out to San Miguel
to do a feature Stork on the modern

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penitentiary. He's out there. Now
join her and bring her back with you.

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You'll be company for one another.
Gee. Thanks, mister White,

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I forget it. Have a good
trip, Kent, Bye, operator,

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Oh operator. Is there a garage
in town where I can rent a car?

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Yes, Kennedy's okay. Please connect
me hiring a car. Clark Kent

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heads out at once on the dusty
road to Sand Miguel, fifty miles away.

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Meanwhile, in the prison itself,
a strange John Rest has taken possession

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of the men within the walls.
All unknowing the authorities escort Lois Lane on

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the tour of the prison. But
even as Lois looks down from a window

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of the warden's office, two men
fall casually into step in the exercise yard

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below. One is Keno, the
other the dark, sinister figure we have

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come to know as the Wolf.
All right, Keno, just keep on

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walking, not too fast and not
too slow. We can tuck around the

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corner the steam plant board. No, no better, stay out in plain

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sight. I'll get this now,
Qino. The break is set for today.

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What time after supper in the dining
hall? It's all a right,

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hey, boys, what about the
time yep, Quiet about the tunnel,

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Keno, do you want to retard? They can hurry in on this all

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right? All right? How far
along? Is it almost done? And

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so far no one suspects a thing? How could they when it's being thrilled

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from the outside. That's what it
means to have a guy like the Yellow

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Mask on your side. Quiet is
it? God? Keep moving the hair,

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No hanging around in the corners.
Come on the move. You're out

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here for exercise. I knew the
man could spring us sooner, and lady

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h it's about time. You know. He's left us alone far too long.

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But what do you care if he
gets us out now? My friend,

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there'll be a settlement between me and
the Mask. I should never have

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gone to jail at all. He
knows what he's doing for us. And

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if you know what's good for you, you take what comes and don't tangle

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with him. Don't worry Keino.
If he can use me, I can

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use him. I'll let him get
us out of here and then we'll see

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for what else. Fors they're going
to ring the bell right away from what

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I say, you know, right
after supper, before we've marched out,

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they'll get disturbance. I've attended to
that. Who's in on it? All

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the men we need, most of
them will head for the gates. I've

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arranged that too. But you and
I and a few more will rush the

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steam plants. Well what's that for? Well, for one thing, it's

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close to the walls. For another, never mind, Now there goes the

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bell. Hey, horse, look
up in the window the warden's office.

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Hey, what's that chain doing?
Oh? Yes, yes, I understand.

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She's writing up the prison for a
newspaper Kino. Well, if she

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stays till supper time, she'll have
a real story. And that's less than

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an hour ago, less than an
hour to go, and all unconscious of

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the impending prison break, Lois Lane
works up the details of her story while

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the warden offers every assistance anything else, Miss Lane. You've been at it

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since erely afternoon. I'm not nearly
finished yet, Warden. Well you've seen

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about all there is to see.
Aren't you get hungry? What time?

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Is it? Very close to supper
time? That's another thing I want to

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know about the woman's angle again,
Warden, What are the men got to

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eat? Good wholesome food, miss
Lane? And nothing fancy of course,

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could I watch them see if they
get tonight for instance? Well, it's

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more or less what you'll get yourself, miss Lane, if you'll be my

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guess, Gordon, that's awfully nice
of you. But well, would it

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be against the rules if I watched
the prisoners in the dining hall mm,

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six o'clock dinner at past five?
Now, I'll tell you weren't. How

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would you like to see the INFIRMO? Well, now they're just about time,

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and when you get through their way, I'll drop you off for the

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dining hall. Whatever you say,
Warden, shall we start right along?

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Time passes ten minutes, twenty minutes, a half hour, and suddenly the

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quiet routine of prisoner is broken by
frantic bells and the shrieking whale of the

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sirens. Wharton, theyre going a
power of the guards in the dining room

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barricaded themselves in clancy quick who's the
leader the wolf? Some of them are

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getting ready to crash the main gates. Better call out the militia, warn

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the state police by short wave.
You'd better hurry, Warden, calling state

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bleek cause five rio at San Miguel
Prison. Close all roads leading to front

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San Miguel Stop all pause, close
off in triarrhea, stand by for further

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orders. I will repeat calling state
police cause five nine twenty seven sirens,

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State Police militia. All roads blocked
off. And meanwhile, Clark Kent,

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in his hired car, speeds northward
towards San Miguel through a forest of towering

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pine, closer, ever closer,
and presently a curious sound in the distance

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comes over the wilderness to his supersensitive
ears. The road makes a sudden turn,

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and in the twilight he sees men
in uniform barring his way. A

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police whistle stabs the quiet. Holly
up, buddy, this is as far

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as you go. What's the matter? Officer? Roadblock? Yeah, block

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right here, turn a round,
head back where you came from. Why

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can't I get through where you're bound? San Miguel? I have a date

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at the prison ere What kind of
a date. Why? I'm a newspaper

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man, Clark Kent of the Daily
Planet, a reporter. Hey, how'd

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you get winded? This so quick? Wind of? What? Don't give

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me that stuff? Who told you
about the I had at San Miguel?

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Riot? When right now, buddy, and we're under orders to stop all

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cars bounding or out. I'll look, Officer, I'm sorry, but I've

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just got to go through. What's
the matter death, I said, we're

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stopping all cars, come to think
of it. Climb out at your loppie.

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If there's trouble at San Miguel,
I just having time to stop having

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time. Say who do you think
you're talking about? You're sorry. I'd

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like to stay, but I really
can't. It's a long Officer. If

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I can't take my car, I'll
just make a run for it. See

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what's saying again? Hey guy,
Bill take him? Catch him? Hey,

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look at him. Go hop on
your motorcycle. Doyle, I'll catch

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him. He can't play tricks like
this on the jump in the side car.

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Herry got hit around that curve,
and I lay my hands on that

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fresh guy. I'll stretch him out
like a rug. Hang on and you'll

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be lucky to even see him.
Toyle, he's going like a jack rabbit

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all the way. We'll be hitting
seventy five. Alright, Cash, Look

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will you look? Who is that
guy? Toyle? He's leaving us behind

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like Fanny Still. Why he's flying? I'm seeing things. I don't believe

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it. Look we're doing seventy five, baby, and he's getting further away

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every second. Look at him.
Sorry, boys, I'd like to stay

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in chat, but I can't do
it now. If there's trouble at San

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Miguel, I've got to be there, and be there in a hurry up

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we go, and faster, faster, high over the desolate waste, Superman

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wings his way toward the gray walls
and towers of San Miguel, scene of

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riot and danger. While inside the
prison itself in the office of the warden,

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Hello, warden speaking, Why yes, Colonel Peppert, it looks bad.

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There's about one hundred of the million
above the yard for the rest are

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of the dining hall with their leader. You'll send two companies of militia.

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Good rust them, Colonel. Every
moment counts. Wharton, Wharton. They're

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going to rest the front gate.
They've got a battering ramp. Two companies

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of militia run the way. I
won't be time, Warton. You better

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call the tower, sir. Machine
guns will driving back. No guns,

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Clancy, warn the guards. I
can't shoot them down in cold blood.

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Try tear guess how we have,
but there's too much wind for gas.

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Bullets are the only thing. No
Clancy, Try tear gas again. Drop

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it from the roof. Now,
hurry, they're at the gate. Hurry.

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Ah, there's the prison and there's
the riot. That state trooper was

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right. I think it's time Superman
took a hand in this before somebody gets

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hurt. Down, down, down, out of the sky hurdles an amazing

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figure in blue costume and red cloak, whilst the high wall appears out of

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the tear gas smoke as the screaming
convict's mass for a concerted rush on the

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main gates of the prison, carrying
a huge timber as a battering ram.

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All right, we got it before
you guys. It's twenty feet on two

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feet tick, come on, let's
go. Hey, I hoo's that guy

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the guy that tap? Where did
the frock? Drop that timper? Lush

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you black and eight of the way, I said, drop that timper?

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All right? It just means I
got to take it away away. What

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the hey, he's got a temper. He just starts it roof bat get

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back is crazy. He's swinging it
like a baseball of bath, swinging the

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huge twenty foot timber like a bamboo
cane. Superman clears the space before the

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main gates and drives the screaming,
terror stricken convict back across the yard and

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into the cell block, where amazed
guards put them swiftly under lock and key.

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But what of the wolf and Keno
and the handful of convicts still at

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large? And what of Loa's Lane
trapped in the dining hall when the riot

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broke out? Is she in the
clutches of the wolf? Tune in next

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time follow the story, and remember
be sure to tune in the next thrilling

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installment of the Amazing transcription feature Superman
Up in the Sky Mook It's a bird,

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it's a thing, It's Superman.
Superman is a copyrighted feature appearing in

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Action comics magazines