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symphony of foundless auditories. One dude, you m n H rip the novels

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you're listening to w n H you
comand guy, don't get so greenly don

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matzelf. Welcome everybody. Here we
go as we enter our number three New

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Marrow trace of Matt Connorton unleashed and
we are live from the studios of w

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m n H ninety five point three
FM on Canal Street in beautiful Manchester,

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New Hampshire. It is Saturday,
April thirteen, twenty twenty four, and

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Jenny is here of course at the
news table accounted for Yes, yes,

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and we have now joining us live
in studio. So we have a gentleman

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who uh formerly for Shane Ballin.
But now your bag's ballin. That's right.

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So I want to ask you about
that right out of the gate.

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The rebrand. Yeah, I rebranded. Yes, yeah, last couple of

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times I was here, I was
talking about my dad and my dad everybody

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called them bags. Everybody called them
bags. Oh okay, that was his

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name. Yeah, and so now
I took over the name. My dad

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passed away. FI had a tough
battle. He fought hard, but he

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lost. He lost him in September, oh last year. Oh sorry to

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hear that. Sorry, thanks,
thanks, Yeah, but yeah, he

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was like real, like a manager, you know, felt like to me

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or like Mick or something. You
know. You know, he's talked to

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me and pumped me up. You
know. Yeah, I really liked uh,

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I really liked him, you know, doing that coming here and and

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so now I just really this one
I dedicate to my dad because he's not

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around, so I let his name
live on now. So it's uh,

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yeah, that's cool. That's cool. And you know, and and from

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a standpoint too, of it helps
you stand out, right because that's not

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a name here every day certainly,
so it kind of helps. Uh yeah,

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And I used to love hearing it
from his friends. You know,

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it's really hey bags, Hey bags, you know. Yeah, now somebody

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they called me and I walk into
some place and hey bags. You know,

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it gives you goosebumps. Oh that's
really cool. That's really cool.

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Yeah, one did when did we
have you? Was it more than a

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year ago? It's about it was
in the old studio. Obviously it was

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twice last year. So oh that's
right. Yeah, yeah, yeah,

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that's right. Yeah, and then
and the yeah two times. I think

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the second time was like in June
or something like that. Yeah, yeah,

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okay. Now this time though,
is unique because not only are we

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at our new Canal Street location,
but you've brought someone with you. I'll

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let you introduce him. That's right. I got my good friend here,

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Johnny. Johnny, how you doing? Yeah, hey Johnny? And uh

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yeah, he's a real talented guy. He plays something you haven't heard,

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probably, but he plays the Saw
old time Americana baby. He saw some

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and you know, he's going to
accompany me with some originals and some covers.

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So and as we discussed earlier,
that'll be the first time that a

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Saw has been heard on this program, certainly probably the first time on w

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m and h I reckon you saw
it here first. Oh but he's got

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puns And let me ask you to
before you guys play something for us.

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How how did you guys connect and
do you play together a lot now?

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Or yeah? We we met over
at Charlie Hill up in Lebanon. I

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talked about it for Charlie Hill.
What's up y? Yeah, much props

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Charlie Hill, Terry and Mike up
there, and uh, they've they've really

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parented you could say, so many
different up and coming musicians and bands.

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Yeah, you know Sepsis Award winning, you know, best metal band of

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New England just one that there.
They've been on here, they're from you

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know, essentially Charlie's been playing up
there a long time after the Winter played

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on here. They've been up at
Charlie's. You know, Me and Johnny

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have played on stage many times up
there or run fires. You know,

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I love playing around. It's usually
the one great big band. But yeah,

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we've heard about Charlie so a lot
on this show. Actually, yeah,

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yeah, I got to check it
out. Jenny and I got to

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check that out sometimes. Yeah,
yeah, where where is it? It's

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up in May and I've been playing
there exclusively this year. I finally got

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some you know, more more paid
gigs. You know, I've been.

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I've got a residency pretty much over
at chains it's called ironically Shane's Barbecue pitt

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over in Hampton, Okay, So
that is really really fun. And they

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have an outdoor beautiful uh tiki bar
style key West, you know, with

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hanging lights and beautiful paintings outside,
all open area for the summertime. Yeah,

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and you know, great food and
you know woodburn they got a nice

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hardwood burning when you walk in that
smell bar. So go check those guys

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out. Also at Ma's Cafe in
Deerfield. Played there in Saint Patti's and

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they have some great acoustic circle nights
Wednesday nights every other Wednesday. Great food

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there. You got to check them
out. Maz and Breakfast also in Deerfield.

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And the Cavern in Pembroke that's another
one too, and that's uh they

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got great food, nice bar,
great tvsh was that run on Route three

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going through there? Yeah? Okay, yeah, I know I know where

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that is, yeah, before the
tolls. So those places, you know,

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I just want to give shouts and
people should check those outs. Can

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be good music playing there. I'll
be playing there and uh on Facebook and

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stuff, I'll post the time excellent, excellent, all right, So I'm

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dying to hear you guys, especially
now that you have this new component with

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the sauce. So this will be
this will be very interesting. This will

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be very interesting. And uh,
i'll bring that once you get started,

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I'll bring another mic up to m
h y good and mm hmm, I've

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got h I'm going. I'll be
coming home at my bags. Let's get

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movie whose I'm brown to win When
I'm gone, I'm gone. Oh you

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don't have to work no more?
Gone inside you see it's I've got that

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of trapping bomb. What was this
scene? Want what I want? I

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won't he lose in my way?
No, no, no, he said,

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see day hey, hey, good
and the whizzle what I feel I've

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got. But I'm going, I'm
gone, I'm getting home. Listen on

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your side, can see your side, let me see on your side?

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See ah see m m yeahs MIC's
on there, very nice, very nice.

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We got bag spelling here with us
and Johnny. Do you just go

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by Johnny Johnny Goden, Johnny Goden. Okay, I mean I picked up

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many nicknames off. Yeah, yeah, oil it? Oh all right?

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Oh my god? Yeah, how
was it? Like I sometimes get really

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I probably could pick the hell out
of that. No, it sounds good,

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you guys sound great? All right? Well, uh, I think

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we're gonna go right into Uh,
let's go to an original here. This

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is called song I Broke Cold with
a good friend of mine who played it

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on here before. It's called Daddy's
Truck And oh yeah I remember the song,

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yes, yes, yeah, So
you can find this song out there

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on all the music outlets. I
was produced by mister good Bars and Toy

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Box Studio, which props mister good
Bars, Young Hustle League YHL. Yep,

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he's on the show the Goddess and
mister good Bars and bang. What's

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going on? Guys and girls?
All right? You remember the YHL Young

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Hustle League now Johnny? Yeah,
so so this song the song was a

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song written by Jeaneine and myself and
one day spoke four years ago, five

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years ago, I love you and
yes she is, and I started playing

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this chord progression. She started thinking
of her father. Tears started falling down

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her eyes, and the only thing
she could think of was his old beat

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up truck that she had, you
know, for years and years. Then

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she used to just go out back
and it was the only thing she had

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left of him. She would go
out, she'd smell his smells and his

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tobacco is the ordinance. Smell would
be still in the air, and she

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remembers driving down an old road and
the first time between his legs teaching her

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how to drive a car. She
was down on her luck and she didn't

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have she didn't have anything really,
but she needed a couple of bucks,

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so she had to go to a
junkyard. And this is the story of

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Daddy's truck and trading it into the
junkyard. Now for a few couple bucks,

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I can steal smell tobacco. When
I climbed inside my daddy three on

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the tree, he armed at his
knee. He taught me he had to

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try down or to lucky strikes in
a spain or two smells that hit my

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heart. Now let them memories in
his more Dutch worth more than money.

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And at your off, gonna pay
me if I was his soul. Down

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on my luck right now, keep
that truck and die. I'd hang on

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to my daddy. I'm runly a
child running white. You didn't know how

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to take me. That is where
I want his work. All this stuff

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he's gating me. I didn't care. I just wanted to brow up pen

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be fore memories. Any so did
struck food with more than the money that

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you have gonna pay me? Okay, if I wasn't so down on my

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luck like now, I keep that
truck, hang on till my day as

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I took that gun racked down.
Now my heart reads with the holy pak

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tonera spell that make feels win.
Now clean your man pain these it syrup,

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don't you shall do'n do? My
dad kind of memories say, it's

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the Dutch trucke worth more than the
money that you have gonna in me.

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If I wasn't so down on my
luck back now, I'll keep chucking.

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I hang on to my daddy,
to my gonna call. SI was too

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soon, and I don't think you
would. Yeah. That is a beautifu

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full song. Thanks, absolutely beautiful. Yeah, I remember you played that

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00:18:03,599 --> 00:18:06,400
the last time. It's like,
wow, that's that's intense. And the

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00:18:06,440 --> 00:18:14,359
whole story behind it too, it's
pretty amazing. Yeah, and Johnny and

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Johnny was good friends with with her
as well. Oh okay, so it's

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just self fitting. Yeah, yeah, totally, totally, yeah, yeah,

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if you're just joining us, we
have Bags Balin and Johnny go Goden.

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00:18:33,720 --> 00:18:36,720
Is that your I said, that's
right, Johnny Goden here with us

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00:18:37,039 --> 00:18:41,359
live in studio and playing some songs. And this is the first time that

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00:18:41,440 --> 00:18:44,920
the two of you have been here
together. So how many how many songs?

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How many live shows have you guys
done together? A couple of A

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couple of times, you know,
over just a lot of informal stuff,

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00:18:53,160 --> 00:18:56,599
but a lot of you know,
gatherings, and then a couple of shows

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you know that we've done together.
Yeah, And do you of other musicians

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00:19:00,799 --> 00:19:03,960
you play with too, or you
know, not really a couple of guitarists,

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I guess I would say, you
know, and stuff like Brian Munger

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and maybe you know, like Madison
West and things you don't really and that

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much props Madison West. Go for
Buddy, He's gonna go for win Hampton

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Idol. He's in the finals.
He's not the Charlie Hill guy right there?

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Oh all right? Oh wow,
yeah, oh cool? Check him

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00:19:21,480 --> 00:19:23,759
out, check him out. Good
job, Madison excellent, Buddy excellent.

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00:19:26,400 --> 00:19:30,519
I've played with a lot of people
like I usually fill in with a lot

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00:19:30,559 --> 00:19:34,160
of people like Yeah. When I
originally started playing sol, like, I

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00:19:34,200 --> 00:19:38,559
grew up playing drums for my dad. Oh okay, that was your first

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00:19:38,640 --> 00:19:44,200
instrument drums. Yeah. And then
when he passed away in ten ten fourteen,

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I inherited his bass guitar and his
bass A nice so I started to

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00:19:48,440 --> 00:19:52,480
learn how to play right handed.
I'm left handed, but I've learned to

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00:19:52,480 --> 00:19:56,279
play pretty much other guitar, banjo, everything else left handed. Yeah,

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00:19:56,359 --> 00:20:00,680
he's the right hand world, I
guess. Yeah. Yeah, even the

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00:20:00,119 --> 00:20:04,880
technically is right handage, is it? Yeah? Is that a difficult instrument

186
00:20:04,920 --> 00:20:08,079
to learn or you know, I
mean it takes a couple You know,

187
00:20:08,319 --> 00:20:11,599
you can make it sound in a
day, but yeah, like after a

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00:20:11,720 --> 00:20:15,880
day or two you start to have
to work on some form. But it's

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00:20:15,920 --> 00:20:18,799
about at least for me, it
took a couple of months to get some

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00:20:18,920 --> 00:20:22,559
of the learning curve, but years
to really start to master the pitch,

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00:20:22,680 --> 00:20:26,839
because this taught me about pitch way
more than any other instruments. Really.

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00:20:27,279 --> 00:20:32,960
There's no attenuation, but you can
play in between frequencies, so that's where

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00:20:33,000 --> 00:20:37,160
you can start resonating when I open
my mouth like my jaw, I can

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00:20:37,240 --> 00:20:41,000
feel the resonance. Yeah yeah,
oh interesting, so that's why you do

195
00:20:41,160 --> 00:20:45,039
that the technically, Yeah, I
could transfers over to other instruments that I've

196
00:20:45,079 --> 00:20:48,079
played, like, oh you know, I have a better understanding. It

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00:20:48,160 --> 00:20:53,000
kind of breaks me. Oh that's
interesting. I'm always like changing different kinds

198
00:20:53,039 --> 00:21:00,359
of core progressions or yeah on like
banjo specifically. Yeah, yeah, but

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00:21:00,519 --> 00:21:03,960
anyways, yeah, yeah, cool, cool. Well I'm dying to hear

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00:21:04,039 --> 00:21:06,960
some more if you got right,
Yeah, we're ready. I want to

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00:21:07,000 --> 00:21:08,799
play another one? Yeah yeah,
sure, all right, Johnny, how

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00:21:08,799 --> 00:21:17,000
about uh, we're just fun?
Well do the one follow along with this

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00:21:17,440 --> 00:21:22,519
is gonna be like the same corp
porgression as we do. Is a little

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cover song by Bailey's Zimmerman. It's
called rock in a Hard Place. H

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Me see it rocket Men on whits
Call. It's just different, wnleave the

206
00:22:23,400 --> 00:22:37,400
talking about forevisist better makes me think
better off it off this boat Guardian between

207
00:22:37,519 --> 00:22:47,799
a rocket Hard Please, Red Won
and Muscardes Red fun down your faces,

208
00:22:48,160 --> 00:23:03,880
I wanted That's when I love it. Mid nine in of the is so

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00:23:03,319 --> 00:23:18,119
fold this where it mans or it
brings how much more is this? Can

210
00:23:18,640 --> 00:23:56,039
t Ford the record time bas record
round ride out for bell Wether Together ten

211
00:23:56,160 --> 00:24:07,640
of Rocking Hard Please read while LUs
tears falling down as I walked out that

212
00:24:07,920 --> 00:24:32,440
door. Y have awful? This
s where it has it breaks? How

213
00:24:32,640 --> 00:24:59,000
much more this can we take?
H? Wow? Thanks? Who does

214
00:24:59,039 --> 00:25:03,880
that? Bailey's DIMMERM. I'm not
familiar. Yeah, he's a he's pretty

215
00:25:03,920 --> 00:25:07,519
hot right now on you know Country's
uh top. You know he played it

216
00:25:07,240 --> 00:25:11,079
New Year's Eve shows and everything like
that. Okay, yeah, he's a

217
00:25:11,160 --> 00:25:15,799
young kid. He's good. Really, that's a great song. And I

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like the way you sing it.
That's a that's a really good song.

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00:25:18,559 --> 00:25:19,920
Wow. I like that a lot. What's that called again? Called rock

220
00:25:19,960 --> 00:25:22,799
and a hard Place? Rock and
a hard Place. I gotta look that

221
00:25:22,920 --> 00:25:25,839
up. Yeah, really really good. If you're just joining us, we

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00:25:25,960 --> 00:25:30,640
have bags Balance live in studio with
us, and Johnny Godin is here as

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00:25:30,680 --> 00:25:37,240
well, playing the song my family. Awesome. I'm glad you here,

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00:25:37,319 --> 00:25:41,400
Johnny. By the way, uh
Iris Ivison Lemire is in the chat room

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00:25:41,440 --> 00:25:47,240
and says in all caps, wow
love this. Very nice, mom,

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00:25:47,759 --> 00:25:48,839
very nice. Oh that's your mom? Oh she was she was in there

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00:25:48,920 --> 00:25:52,839
last time. You were on too, wasn't I thought the name was familiar.

228
00:25:52,920 --> 00:25:55,359
Yeah, she's my manager? Oh
is she? Yeah? Right?

229
00:25:55,480 --> 00:26:00,759
Oh? Good, good, excellent, excellent. Well, hi mom,

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00:26:00,599 --> 00:26:04,720
welcome to the show. And I
see a legion of Solace is in there

231
00:26:04,759 --> 00:26:10,200
as well, and be pin Art
and some other folks joining us on this

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Saturday morning. All right, alright, we're gonna play a little long in

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the watchtower for you kinda. We'll
go psychedelic with that. Thah, all

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00:26:22,839 --> 00:26:48,960
right, that'll be your Jimmy,
all right, m mhm, mhm it

235
00:26:49,119 --> 00:27:03,599
must be soda. He see the
joke to the thief fi, I can't

236
00:27:03,680 --> 00:27:11,160
get on me me it's missus Mason, contrip my wine hand now, man

237
00:27:11,400 --> 00:27:21,240
dip my word. But none of
them along the line the man it is

238
00:27:21,359 --> 00:28:00,920
worth you. Don't you get excited? Thief? He kindly spoiled. There

239
00:28:00,000 --> 00:28:06,559
are many here on my hole to
feel. Their life is part of joking

240
00:28:07,319 --> 00:28:12,640
with you, and I be burning
through that. This is not our thing.

241
00:28:15,400 --> 00:28:22,920
Let's stop talking possibly now, baby. The hours dating low your ye,

242
00:28:44,160 --> 00:28:51,680
no watch time, This says taking
you? Why love? Will?

243
00:28:51,839 --> 00:29:08,440
I came if for sucn student outside
leaving the forest, approaching the wound,

244
00:29:29,799 --> 00:29:52,359
watched that skipped the woman again if
the series? Yeah, all right,

245
00:29:52,400 --> 00:29:57,640
well no, that was that was
excellent, excellent. We've got bags balance

246
00:29:57,839 --> 00:30:03,960
with Johnny Goden here in studio this
morning on Matt Connorton Unleashed and Deb Windsor

247
00:30:04,079 --> 00:30:07,279
is in the Facebook. Oh,
he says, Hi, Johnny Godin,

248
00:30:07,480 --> 00:30:12,319
you guys sound awesome. That's my
boss. Oh very nice? Oh no

249
00:30:12,400 --> 00:30:18,079
kidding? Yeah, oh yeah,
I'm sure Tom would love that. Shout

250
00:30:18,119 --> 00:30:22,640
out southun out of sales six o
three four zero nine sixties zero. I'm

251
00:30:22,680 --> 00:30:25,920
a salesman. I've reached a venge
for him. He does festivals as well.

252
00:30:26,079 --> 00:30:29,079
Yeah, yeah, yeah, he
sells cars like candy bars. Oh

253
00:30:29,119 --> 00:30:32,359
okay, I did that once in
upon a time in Blue Moon down in

254
00:30:32,440 --> 00:30:36,119
Orlando, because I'm from Florida.
Really, Oh okay, okay, Florida.

255
00:30:36,559 --> 00:30:40,200
Love you mom, love your family. But how do you uh,

256
00:30:40,319 --> 00:30:44,319
how'd you find your way to New
Hampshire. So back in twenty seventeen,

257
00:30:44,880 --> 00:30:49,680
my uh, my hot dealer needed
to right up to Massachusetts and he didn't

258
00:30:49,680 --> 00:30:55,599
have a driver's plic, so he's
going to mid I learned all about this

259
00:30:55,759 --> 00:30:59,839
newings and experience since then, and
my cousin he lived in Dover, my

260
00:31:00,200 --> 00:31:03,599
mom's side of family from Cape Cod's. Yeah, and actually my uncle Danny

261
00:31:03,720 --> 00:31:07,640
used to be a DJ for Oh
he's gonna kill me for not remembering this,

262
00:31:07,839 --> 00:31:11,279
but it's one one something I think
from a long time ago, Danny

263
00:31:11,319 --> 00:31:15,680
Towers. Okay, I love you, Dany, but yeah, that was

264
00:31:15,759 --> 00:31:18,519
my connection to up here. But
I travel around the country and really fell

265
00:31:18,559 --> 00:31:22,240
in love with New Hampshire. Yeah. Like the diversity, Oh good,

266
00:31:22,319 --> 00:31:26,440
good, we're glad you're here.
And musical talent from everybody. Yeah,

267
00:31:26,519 --> 00:31:30,880
oh yeah, Oh there's there's so
much great talent all around here. Absolutely

268
00:31:30,440 --> 00:31:37,039
absolutely well. I was gonna do
well, we didn't do Aaron No,

269
00:31:37,160 --> 00:31:40,640
I didn't do that one, all
right, Yeah, it's gonna do Aaron

270
00:31:40,720 --> 00:31:42,559
Lewis song. Okay, yeah,
check out Aaron Lewis lately. He's great.

271
00:31:42,559 --> 00:31:45,559
I know he's been kind of canceled
here and there, but you know,

272
00:31:45,799 --> 00:31:48,880
political reasons whatever, but great musician. Yeah. Originally it's Stained for

273
00:31:48,960 --> 00:31:52,440
anyone I was gonna say, yeah, for anyone listening who thinks, oh

274
00:31:52,480 --> 00:31:53,960
that name is familiar, but I
don't quite can't quite play some Yeah,

275
00:31:55,119 --> 00:31:56,400
just came out with a new album, Stained, But what he Oh,

276
00:31:56,440 --> 00:32:00,319
it's stand at years old. They
just came out with a rock. Oh,

277
00:32:00,359 --> 00:32:04,400
I didn't realize that. Oh that's
okay. But his solo stuff is

278
00:32:04,680 --> 00:32:07,000
all country, right, country,
it's it's country. Yeah, it's country

279
00:32:07,039 --> 00:32:10,200
mixed with like he even sings staying
songs with a little country slag. Oh

280
00:32:10,200 --> 00:32:15,880
okay, okay, all right cool. Uh. This song is called Lost

281
00:32:15,960 --> 00:32:22,480
and Lonely, the song about he
wrote it about being on the road and

282
00:32:22,759 --> 00:32:24,680
uh, being away. I think
he was like in jail or something for

283
00:32:24,680 --> 00:32:27,960
a little bit, oh okay,
thing off of tour, you know,

284
00:32:28,119 --> 00:32:30,720
and brook Brooks the young One was
kind of talking about that a little bit,

285
00:32:30,880 --> 00:32:32,880
uh in the the Our First Hour
today, not being on the road

286
00:32:32,920 --> 00:32:36,920
and being lonely and not not the
jail park, but being on the road

287
00:32:36,960 --> 00:32:40,920
and being exactly Yeah, yeah,
that's the that's the that's what he's trying

288
00:32:40,920 --> 00:32:46,079
to capture in this song. And
uh and I think you'll you'll feel it

289
00:32:46,319 --> 00:33:19,119
all right. H m hm hm. My bed shattered broken. Most of

290
00:33:19,519 --> 00:33:36,039
my money that I've done fai with
the child way God pecently that I've bought

291
00:33:36,240 --> 00:33:52,960
me her that I read ho these
things that I do that I couldn't have

292
00:33:53,559 --> 00:34:06,680
you tell me, love me,
tell me you stay. I'm watch over

293
00:34:06,960 --> 00:34:15,440
this house. I go away.
He just promised to be here. Will

294
00:34:15,599 --> 00:34:22,320
I get back home so we can
start where he left on all those years

295
00:34:22,559 --> 00:34:44,400
ago before my demon by the control. I sitting lonely out m hm m

296
00:34:44,559 --> 00:34:59,039
hm hm. Well I'm careless and
I've got myself from spect I'm a have

297
00:34:59,440 --> 00:35:10,960
a try. I was hanging round
handle and I play the food. I'm

298
00:35:12,159 --> 00:35:29,360
so hard he loove because I break
on all these things that high to because

299
00:35:29,400 --> 00:35:40,960
I couldn't have you tell me you
love me, tell me stay and you

300
00:35:43,559 --> 00:35:55,039
watch over this high. I go
well out to paget back so we can

301
00:35:55,840 --> 00:36:12,519
start merely after oh go on years
my money they took control. Yeah here,

302
00:36:43,360 --> 00:36:45,000
Well that is a great song.
Yeah, yeah, thank you.

303
00:36:45,639 --> 00:36:49,480
So it's Lost and Lonely by Aaron
Lewis, right, yeah, yeah,

304
00:36:49,719 --> 00:36:52,199
verty cool, very cool. If
you're just joining us. Bags Balin is

305
00:36:52,239 --> 00:36:59,159
here with us in studio this morning, and Johnny Godin also accompanying. Accompanying

306
00:36:59,280 --> 00:37:04,480
him. I always have a time
with that word accompanying him on the song

307
00:37:05,679 --> 00:37:10,760
and uh playing some stuff and uh
mostly just mostly just playing, not as

308
00:37:10,880 --> 00:37:14,880
not as much talk more just playing
because uh, you know, we've we've

309
00:37:14,920 --> 00:37:17,280
had a bags has been on the
show a few times and love to hear

310
00:37:17,360 --> 00:37:22,400
you play, love your voice,
thank you so much, absolutely absolutely and

311
00:37:22,679 --> 00:37:30,400
uh oh I'm not singing about what
this whistle? Yeah? Yeah, there

312
00:37:30,440 --> 00:37:35,119
you go, there you go.
I'd like to play. I don't know

313
00:37:35,119 --> 00:37:37,039
if Johnny noticed or not. You
can chime in, my friend, I've

314
00:37:37,039 --> 00:37:45,639
been doing its you I mean I
played that no completely. Yeah, I

315
00:37:45,760 --> 00:37:49,000
just love this song. I've been
playing this cover lately. I just want

316
00:37:49,000 --> 00:37:54,199
to want to feel like playing it. We'll take a chance. I gotta

317
00:37:54,199 --> 00:37:57,079
go out of your range every now
and then. Right there you go,

318
00:37:57,320 --> 00:38:04,719
there you go. What what is
it? You're like Chris Isaac? Oh,

319
00:38:06,239 --> 00:38:09,760
we've we've heard some Chris Isaac in
the Okay studio recently. Yeah.

320
00:38:09,800 --> 00:38:13,639
Yeah, I'll try to match him
up. All right, it's a wicked

321
00:38:13,679 --> 00:38:30,480
game, all right. Mm hmmm, I do this like this m H

322
00:38:52,719 --> 00:39:04,800
World sound five and going on you
save me h. It's strange, but

323
00:39:05,239 --> 00:39:17,719
it is not make forless people who
do her ever Dream and I me somebody

324
00:39:19,039 --> 00:39:40,239
live you her never Dream and somebody
and Lo Lo fall in love, Holy

325
00:39:40,440 --> 00:40:19,039
go take a long falling life with
you. When don't we get the name

326
00:40:19,679 --> 00:40:29,840
playing make me feel? Say?
When do we get things to who?

327
00:40:31,280 --> 00:40:42,920
Let me dream of you? When
don't we get there to say never feltiest

328
00:40:43,239 --> 00:40:52,480
way? When do we get thee
to do make me dream of you?

329
00:40:52,920 --> 00:41:37,519
Man? Fall in love with you? Nobody? Oh? Very nice.

330
00:41:37,440 --> 00:41:45,639
That's bags Balance here with us live
in studio, and we also have Johnny

331
00:41:45,679 --> 00:41:50,679
Goden here with us. Yeah.
I don't remember if you had played that

332
00:41:50,760 --> 00:41:54,119
one before on the show. Oh
did you? Yeah? Yeah, yeah.

333
00:41:54,400 --> 00:41:58,920
Jenny's son, Jesse Coffee, he
played it. Actually, he's played

334
00:41:58,920 --> 00:42:05,239
it a couple times on the show. Yeah. Yeah, No, that

335
00:42:05,400 --> 00:42:14,159
was great. That was excellent,
excellent. I just because I just I

336
00:42:14,280 --> 00:42:16,039
wanted to just you know, go
for it. Do a falsetto on the

337
00:42:16,239 --> 00:42:20,880
radio? Yeah? Is that?
Do you find that challenging or does it

338
00:42:20,920 --> 00:42:22,000
come? Yeah? It's hard to
do with sitting down, you know.

339
00:42:22,400 --> 00:42:25,800
Oh yeah, yeah that's right.
You mentioned stretch. Yeah, yeah,

340
00:42:25,880 --> 00:42:30,480
finding that, you know, standing
a lot a lot better for vocally,

341
00:42:30,599 --> 00:42:37,960
but yeah you're old then it hurts
your knee. Yeah, we got we

342
00:42:37,079 --> 00:42:39,400
got time for for a couple more. Okay, great, yeah, we

343
00:42:39,480 --> 00:42:43,760
got a couple more. Cool.
Cool. Here's the original I wrote this

344
00:42:43,840 --> 00:42:49,239
song is called Charlie Okay, and
this song is very special talking about Charlie's

345
00:42:49,280 --> 00:42:53,199
Hill. This is dedicated to Terry's
daughter. Charlie passed away several years ago,

346
00:42:54,239 --> 00:42:59,000
and I wrote this song. Something
came to me in a dream where

347
00:42:59,280 --> 00:43:05,360
I was having a commonversation with her
mother about a conversation and about her daughter

348
00:43:05,519 --> 00:43:07,559
passing. I didn't even know that. Well, it's just interesting how that

349
00:43:07,639 --> 00:43:10,440
happened. And I wrote a song
that night, had to write it,

350
00:43:12,079 --> 00:43:15,840
and it was real emotional with it, and I ended up getting to know

351
00:43:15,960 --> 00:43:20,320
them very well after that, and
I sang this several times there. But

352
00:43:21,239 --> 00:43:22,960
it's said a kid to her daughter
best way. And it's about all the

353
00:43:23,079 --> 00:43:29,280
things that we see or we think
we feel and we kind of we sense

354
00:43:29,440 --> 00:43:31,559
we don't think it, we really
sense it that we feel the presence in

355
00:43:31,639 --> 00:43:37,480
a sense of the the essence of
the people we lost, and this is

356
00:43:37,719 --> 00:43:43,480
especially so for them. So I
love you Terry, I love you Mike.

357
00:43:43,800 --> 00:43:47,440
Here you go, Yeah, here's
Charlie. We'll see each other again.

358
00:44:05,920 --> 00:44:07,280
I remember the song from last time. Yeah, this is a beautiful

359
00:44:07,360 --> 00:44:43,400
song. M Saturday Night Jams,
Loving you big time and Barbie cards,

360
00:44:49,519 --> 00:44:59,880
The distance between is closer than anything. The next time you're in the fee

361
00:45:00,239 --> 00:45:15,800
Dan Stars give away, just remember
that I'm waiting here in sleep, just

362
00:45:16,119 --> 00:45:27,119
like campers, in your feel on
your treat. I am flickering light.

363
00:45:29,719 --> 00:45:37,079
I am three he's done here fire. I am the curl in your cream,

364
00:45:37,719 --> 00:45:45,800
and I am the chills upon your
I am the whistle in the wind,

365
00:45:46,599 --> 00:46:02,199
and I'm silence. Can you living
love and laughter? Survive in a

366
00:46:02,320 --> 00:46:10,960
hot stuff? Move? Keep saving
me a whole sick life. It's the

367
00:46:12,079 --> 00:46:34,320
resonation still resigned. Ho is you'll
find your I am the flickering light and

368
00:46:34,440 --> 00:46:46,039
the reason Yeah in your grim and
I'm excuse up your knee. I am

369
00:46:46,239 --> 00:46:54,039
the whistle in the wind, and
I'm in that silence when you when living

370
00:46:54,440 --> 00:47:08,920
life in laughter or so bad the
head stole keep Steyn music line, it's

371
00:47:09,079 --> 00:47:25,920
that last shut it still side song, This sho f it's me longly,

372
00:47:27,079 --> 00:47:44,559
eye's me, mis me, it's
me, hits me, it's me everything

373
00:47:45,480 --> 00:47:54,119
see let me, it's me,
oh myes me. I am shocking to

374
00:48:22,800 --> 00:48:36,199
Charley mm hmmm, beautiful beautiful song. Absolutely if you're just joining us bags

375
00:48:36,239 --> 00:48:39,480
Balin is here with us, live
and studio with Johnny Godin and uh,

376
00:48:40,119 --> 00:48:43,559
you got you want to do one? We got time for one more if

377
00:48:43,599 --> 00:48:45,480
you want to do yeah, yeah, we'd love to hear another one.

378
00:48:47,239 --> 00:48:55,760
Okay, And uh, by the
way, where where's where's your next show?

379
00:48:55,760 --> 00:49:00,480
Where are you playing next? So
I'll be over at Shane's Barbecue Pit

380
00:49:02,159 --> 00:49:07,239
on the eleventh of May, but
before then, I'll be playing at the

381
00:49:07,280 --> 00:49:14,480
Cavern, I'm pretty sure next week
Cavern Pember and I'll be in May over

382
00:49:14,639 --> 00:49:17,280
in Auburn Tavern. I'll be playing
in shout out to Auburn Tavern, my

383
00:49:17,360 --> 00:49:27,000
hometown, and over at Shane's again
throughout each month until December. And you

384
00:49:27,079 --> 00:49:30,079
got to check out the place in
the summertime. There great back area with

385
00:49:30,639 --> 00:49:35,360
that tiki bar set up in Key
West styles beautiful, very nice, very

386
00:49:35,480 --> 00:49:44,079
nice. Okay, I got one
final one. Here's little Chris Stapleton for

387
00:49:44,159 --> 00:50:32,920
you. So it's called fire away, honeypol your princess, pick up your

388
00:50:34,480 --> 00:50:50,639
sick and he don't mpretin. I'm
a shelter for hardage that don't have a

389
00:50:50,880 --> 00:51:08,079
home. Use the words that out
lie or rage all lie to my grave.

390
00:51:17,000 --> 00:51:43,280
You find way, thank you,
best shot show me munch got spre

391
00:51:43,360 --> 00:52:28,000
backing taking h h bel shy could
say everywhere before, but honey, I

392
00:52:28,239 --> 00:52:43,920
know that I keep on coming back. M hm, yos my bigpair nation

393
00:52:49,159 --> 00:53:45,599
that I lied to my grave,
show me thy thanks in h h thanks,

394
00:53:45,320 --> 00:53:50,239
thank you so much. Bags balanced
been great and my good friend Johnny

395
00:53:50,280 --> 00:53:52,920
Godin, I'm so glad to be
here again. Thank you. Thank you

396
00:53:52,039 --> 00:53:58,880
for to out with me. No, no, great to have you here.

397
00:53:58,960 --> 00:54:00,800
Great to have you both here.
Thanks. And uh, now that's

398
00:54:00,800 --> 00:54:05,159
a cool song. What is I
called again? Fire away? Chris Stapleton.

399
00:54:05,159 --> 00:54:07,119
Okay, yeah, yeah, very
very cool. Where should people go

400
00:54:07,199 --> 00:54:10,840
online to find you? Well?
I got a YouTube channel bags ballin b

401
00:54:12,000 --> 00:54:15,400
A g z b A l o
N. Please subscribe to that, and

402
00:54:15,679 --> 00:54:20,320
uh also Facebook bags ballin b A
g Z b A l o N.

403
00:54:20,440 --> 00:54:24,880
And I'll be posting my UH times
and play in events schedules and again I'll

404
00:54:24,880 --> 00:54:31,079
be over at Shane's Barbecue Pitt in
Hampton and uh then over at the Cavern

405
00:54:31,119 --> 00:54:36,119
in Pembroke, and I'll be at
mos Tavern and Cafe over in Deerfield,

406
00:54:36,519 --> 00:54:39,800
and uh a couple others here and
UH looking forward to uh getting some new

407
00:54:39,880 --> 00:54:44,599
songs they just have to finish something
a lot in the works but just not

408
00:54:44,679 --> 00:54:46,199
ready yet. Yeah, yeah,
yeah, awesome, awesome, No,

409
00:54:46,320 --> 00:54:50,000
wonderful to have you both here.
Johnny, what about you? Where should

410
00:54:50,000 --> 00:54:53,039
people find you? Know? Right? So it's been I've been thinking around,

411
00:54:53,119 --> 00:54:57,360
like, Okay, I'm usually shy
like, but I think this is

412
00:54:57,360 --> 00:55:02,519
probably gonna bringing me out to actually
start to do a world of things science

413
00:55:02,559 --> 00:55:07,000
experiments anyway and stuff. But I'd
love to start making a video. Probably

414
00:55:07,039 --> 00:55:09,400
find me just well, you could
definitely find me Johnny Golden and Jaen and

415
00:55:09,480 --> 00:55:14,679
why God in g O d I
on Facebook. But so this is probably

416
00:55:14,719 --> 00:55:17,119
gonna push me into a bunch of
things I've been wanting to. I need

417
00:55:17,199 --> 00:55:21,440
to get a looper, I need
to clean up this sauce I can get

418
00:55:21,679 --> 00:55:24,199
and register and I got like a
bunch of instruments and just ready to go.

419
00:55:24,480 --> 00:55:30,800
Yeah you know yeah, thank you
yea world, and thank you for

420
00:55:30,320 --> 00:55:36,239
you gave me some great inspiration.
You know, I'm getting old. Do

421
00:55:36,400 --> 00:55:38,280
something in this world. We're alive. I might as we live and do

422
00:55:38,360 --> 00:55:42,719
everything you want to do. I
don't care about anything. Do everything you

423
00:55:42,760 --> 00:55:45,400
want to do out there. Anybody
listening, don't ever be afraid of anyone's

424
00:55:45,440 --> 00:55:47,679
looking at you or how you feel. Just do what you want to do,

425
00:55:47,760 --> 00:55:51,239
because then you look back and say, I did that, and some

426
00:55:51,280 --> 00:55:53,039
people aren't even alive right now and
they wish they could do these things.

427
00:55:53,519 --> 00:55:58,679
Don't spend your life being insecure.
Okay. That was also kind of a

428
00:55:58,800 --> 00:56:01,039
theme when we were talking earlier to
brooks Young. That kind of came up

429
00:56:01,079 --> 00:56:04,960
too interesting. Today, I guess
it's a day for that, which is

430
00:56:05,000 --> 00:56:07,159
good, very very positive. Gentlemen. Thank you both so much much,

431
00:56:07,559 --> 00:56:10,239
absolutely, and thank you, of
course to Brooks Young for joining us in

432
00:56:10,280 --> 00:56:14,239
the first hour, and of course
our friend grim Rock for skyping in from

433
00:56:14,280 --> 00:56:17,119
PA, and of course Eric Pilcher
for another great classic film review this week

434
00:56:17,159 --> 00:56:21,199
he did. It was actually a
replay of a Touch of Evil from nineteen

435
00:56:21,280 --> 00:56:24,960
fifty eight, as he is featuring
Orson Wells this month during his film review.

436
00:56:25,159 --> 00:56:29,159
Jenny, thank you. You want
to mention your website absolutely, You

437
00:56:29,239 --> 00:56:31,320
can check me out at gencoffee dot
com. J E N N co O

438
00:56:31,559 --> 00:56:36,559
f f EUI dot com. And
I might have some surprises coming up towards

439
00:56:36,599 --> 00:56:38,320
the end of next week, yes, middle of the week, something like

440
00:56:38,440 --> 00:56:40,840
that. Yes, keep an eye
on Jenny. She's doing good stuff.

441
00:56:40,920 --> 00:56:44,239
So and if you missed any part
of today's show, it'll be up in

442
00:56:44,360 --> 00:56:47,760
just a little bit at wmnhradio dot
org and at my website, Matt Connorton

443
00:56:47,840 --> 00:56:51,719
dot com. And that's it for
us for now. We'll talk to y'all

444
00:56:51,719 --> 00:57:09,920
a little bit later. Bye everybody, Hello, bye bye. Bring your

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happy Dizze's Cafe. You are listening
to WMNHLP ninety five point three FM broadcasting

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from the top of one thousand Elm
Streets. Our studios are located at one

476
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nineteen Canal Streets and license tomn Western
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Contact us by email at w m
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