Good night. Good night, it' s seven o' clock with nineteen
minutes since Tuesday, April nine. Welcome this day, let me get hit
a little bit, and we' re coming. Welcome, Dr Amel Hi,
how about good night, how nice it is to greet you once again.
Welcome, dear, Efra Baby girls, what a taste mercury, please
calm down, today until thirty, until twenty- five, it' s
not gonna happen to me, but well we' re gonna survive our mercury.
Retrograde. Thank you for being here with us. Thank you for greetings
Angel, aquieros from Medellin. Thanks to all those who are connected on Facebook,
thanks to all those who are connected also on YouTube, thanks to those
who arrive Spreaker, Spotify, iTunes, and Amazon Music. Thank you.
Thanks for sharing the podcast. If those platforms look for it and share it
and share it, we are also very pleased with it. We are live
on YouTube and face and good we go thanks to subscribers, of course,
to all who are members. Those who are members already have jellyfish for you
alone, as we are at the time of the warnings. We' re
going to do Jordahan Brown' s case tomorrow live one in our case,
number four of children in conflict, youth, conflict, problems with minors.
But very interesting this theme that emerged in broken souls from the case of Derek
Rosa, who still continues that still a lot of discussion, can be found
in many videos where they speak. The audience is divided there are many versions,
but that' s with respect to the most broken and we' re
also going to look for the most we find by tomorrow and comment that we
' re going to live, so we invite them tomorrow at ten o'
clock at night, or maybe ten and one, but tomorrow I live Hyke
is going to be carrying the broken ones. And now we' re going
to start this program today, because this program today we' re going to
since we' re in broken souls. We had touched on the subject of
Eithne Cramling and have already sentenced the parents no longer have a sentence. You
saw him medically, yes, of course. Very impressive, because we are
talking about this as an unprecedented subject. Apparently, no responsibility has been falsified
in both the father and the mother, and because they do face a sentence
of between ten and fifteen years, nothing more and nothing less, which I
think does, because it makes a lot of sense, because we, in
the case that we describe and that well, obviously there is a lot of
information in the news, but we did emphasize this responsibility of the parents,
starting with who has the gun, who puts it at their disposal, but
also in the genesis of this young murderer from the brutal and violent neglect of
this pair of parents. Exactly the name and biology to be called that exact.
Go review that case in broken souls, because it has a lot to
do and, indeed, today the news comes out this. He killed four
students in the two thousand twenty- one in Knoxfrod Michigan and, as you
said, they have sentenced parents from ten to fifteen years of age for manslaughter
and are the first parents to be charged and held responsible for this act of
the son' s. There are not many precedents. Tomorrow we will also
comment on this case of Jordan Brown, which was in two thousand nineteen,
and how things have been changing with respect to underage children and the responsibility of
parents. That case, tomorrow' s one is going to be very complete,
but well, we didn' t want to stop passing this news,
which for this channel is important because we have touched on the subject exactly and
it is news, because it is very important, that sets a precedent.
That is why it was necessary to mention it. He doesn' t hear
and a case that has caught attention. In the last few days there had
been a rumor that it is not even worth repeating regarding Tristan, the son
of already Ir singer and Carlos Iberio, but not the case. We'
re not going to repeat that. But what we' re going to talk
about is that speaking of children, of parental responsibility, it' s what
' s happening with Tristan, which is a we all knew him as a
kid, well, when he was a kid at the academy, he was
a little boy who couldn' t see him there, they took him to
the forum and, well, between that I was already doing his career and
no, because we didn' t stop seeing him and we recovered him long
after. But he gets into a wave of Only Fans. Ephraim, you
know something there that was going to open Only Fans, after he didn'
t open it anymore. But, because that has problems with addictions and so
on I don' t think poor Tristan imagine having everything, but not having
anything, that yes, only parents grow up fighting for it all the time.
I' m going, obviously, having I think a life so successful
and with so many tours and all that is, because I couldn' t
take care of it. And Tristan grows very lonely and is reflecting Ahorita,
because I only see in Triste an that he is already a man of twenty
years, since it is already up to him to go sounding only that it
is what we have said here to take the one that costs me work,
because finally he is a person who has problems with addictions and because there the
subject is different, because he has to have a whole system that contains it.
No, but I was thinking about the rumor this terrible thing that they
said is how there are characters that can be of someone as weak as Tristan,
that is already wrong, that we are seeing him, that he is
suffering, that if the addictions that she already said as a father, I
take a side because I can no longer do more, that it is also
worth. I think there' s a point where, like Dad, you
have to say I already might. I' m wrong, because we once
had different views here, because I just see him as a son and as
a brother, to say already, like Dad, he' s not here
and I' m saying what I was saying is like in a person as
weak as Tristan, who' s as bad as Tristan, who already does
then infans that if he' s bisexual, that if he' s not
bisexual, that he is, because they' re also things that I feel
he said is not to get attention, that is, I don' t
even think he' s part of the community. Elejebete or something will lend
himself to someone to continue harming a person who is already wrong, that is,
under the concept. I think that' s what really worries me and
that' s what' s so wrong. I have to go out and
say not everything you' re saying is not true, it' s done
to me is super unfair, that is because if you' re already slandered
you said Lutis gallo, of course, of course, of course, but
you know there' s a big difference. There' s a big difference
that a person like me, who already grew up to think and that I
' m okay identify yourself good for me to say whatever they want. It
' s not really going to affect me and you have your safe center and
so on. But, as you did not mention, Tristan is one is
a young man, vulnerable, who has addiction problems that take him. So
many people have gone against Yair for not wanting to support him, for not
continuing to support his rehabilitation and so on. To what extent would it be
necessary to leave Sad One alone, so much so that he touches the bottom
of his decision, because it is not the first case. We said it
the other day, when my parents go through a fight for judicial custody in
this lawsuit, they forget that the young people last 18 years and in that
way they will do them a lot of harm. And then you have 20
- year- old adults who say no well, leave him alone. But
then what happened in his childhood and everything else, how you get it right,
notice that yes again the controversy that so pointed out to Ephraim that there
came a moment that the parents already have to say so far look there is
no unique answer, because each case is different, because each family moves differently
and everyone has their ideas. Personally, I' d say you shouldn'
t throw a towel at a child. Never, never, ever, especially
when you know that you have a look at yourself, that we were talking
about Ithan Crowley, this responsibility that has been laid on parents with all justice,
because also when you know that there was something that didn' t do
all right and that somehow contributes, it doesn' t provoke, but it
helps the child not to develop in the best way and make terrible decisions and
so on. I think there' s a whole story here Notice that a
little bit of an interview appeared to me that I' m going to go
to Patricia Castañeda. I didn' t see her complete interview, but I
did see that little bit where he talks a little bit about this, not
what he gave. Yes, it got out of hand and then we saw
that the only possibility was already the rehabilitation centers, where he often does not
want to be and cannot be forced. So, that' s where the
problem comes in of a young man who' s already an adult, who
makes his own decisions, and you let him or her force him or her
not, is that if there' s no will for him to want to
heal, even if you can force him or you get a legal remedy and
lock him or her up. If he doesn' t have that desire to
change, it won' t work. And that' s what I do.
Don' t throw in the towel Sorry. I would refer to it,
because I say to try. I know it' s very difficult,
it' s not easy, I understand it, but trying to be close
to at least here I' m not when you want, I' m
still here, I don' t agree with what you do, it hurts
me, it hurts me, it hurts me anything, but I' m
still here because I' m going to be your dad or I' m
going to be your mom. Until the last day of my life. Notice
that, if you' re right, I agree with you that I wouldn
' t throw in the towel with respect to my son, or anything to
my children. But we have several examples. To see Julio Cesar Chávez Junior,
who also accuses a terrible childhood, a painful ne facia that either hurts
him. We' ve got Camilo, Camilo, Camilín Blanes, who'
s in pieces, which the mom says is that they' re looting him
the house is losing everything, and he says I don' t want to
heal, I don' t want to rehabilitate. And we have this case
of Tristan that if I' m happy, I keep smoking, I don
' t know what, and I keep doing and, of course, that
' s easy maybe, not easy, but maybe, it' s very
timely. I don' t know, I don' t know how to
qualify it. To say good is that the parents have to be there or
the parents because they let him get to the bottom, when in reality,
the problem is inside those people, the issues they have to heal, inside
there has to be a spiritual work where they have to heal that childhood that
hurt them. So much for that you read. That is why we raise
our voice in cases such as cabezut. If you do what you want,
but what about the little ones, not the little girls. They' re
the ones you' re really hurting. Not then more than the parents.
I think that parents would have to approach you or maybe you could approach it
for stopping consuming or because it does have to be no, that is to
say to approach and be defeating you and dad apologizes and dad talks about it
and save it Ephraim is that consuming something finally alone in symptom. No,
because regularly on a case- by- case basis it' s very adventurous
what I' m going to say, but here' s my advisor who
won' t tell us. But regularly in these cases, I' m
so angry with my parents that I' m going to destroy. I want
you to see how I destroy myself as long as possible. Not then the
point, for yes, is not to take him to the center, but
to touch that heart of that child who was so wounded, that he is
very angry with his parents. Good as I am. I' ve always
thought that parents, even if they' re very good, always give it
away. Then forgive them determinedly and perhaps I say so from my privilege that
he did not have a childhood. Maybe so hard or I was stronger,
I don' t know, but yes, all the Navan parents are going
to be wrong and you have to forgive them. But in these cases what
we' re seeing is someone who wants to destroy himself to punish his parents.
Not because, besides, Tristal likes it, he likes to be asked
and put in and wrapped to send the images to Yair who hurts, because
imagine I think Yair must be disturbed and exactly this week, girls, how
sad. What I' m going to say we don' t differ anymore.
Yeah, I think dads shouldn' t take off the crazy shirt,
because I do think a lot of what' s going on doesn' t
happen that as adults, because it' s the responsibility of the ifages we
had, of course, and then everyone, uh, everyone and maybe we
can take a lot of years to heal. But the joke is that there
is that will to heal. When they can realize they' re not going
to hurt, they' re not going to punish or collect from the parents
what they did, they' re destroying them. But yes, it is
a problem that would be extremely important to raise much more awareness among parents today
to stop punishing children because it uses them to use children as hostages as a
shield. It' s not a saying that you use the shield and then
throw it away. You already won, you throw it away and you go
on with your life, but your son is already hurt, assuming the dad
didn' t want it, that the dad abandoned him, the mom abandoned
him, things that devalue, that lower his self- esteem meter. Yes,
something very serious must have happened there so that, as they say,
it has gone into their hands in such a way, because, yes and
there may be a great deal of hostility towards parents and I agree, it
can be, as Ephraim says, among other things, because in the end
it is also, for yes, it is self- destruction. So the
hostility is directed towards the outer objects, real parents, and to the inner
parent objects that I bring in, and that' s why I do it
to myself and you know how many more things. But there also a very
great denial, because he says no, for I am fine no, as
why would I want to change, as why would you say heal. He
has to think about healing from what he doesn' t, because he doesn
' t even seem to be aware of anything. So, like a dad
being around at least and trying to rescue the affections can be a way that
helps a little. To Teresa Mira I remembered some situations that are different in
form, but they can be very similar in the background of people that I
have known, who say that their mothers, for example, were very bad
moms, were very cold, very detached, they ignored them, I don
' t know what. And all of a sudden, when this woman,
for example, this man is an adult, gets sick of something very serious
and then that mom comes and takes care of him and takes him to the
treatments, she accompanies him well thinks of a strong disease that I don'
t want to name, but she needs this kind of periodic treatments not very,
very, very aggressive for the immune system and then that mom is there.
And many times these children say so little. He didn' t take
care of me when I was a little boy He didn' t even show
up and now he says I' ll take you with me. Listen how
good it' s better late than never, because if you have that problem,
then who' s going to cure you, who' s going to
take care of you, sorry, who' s going to accompany you.
And of course we must receive it. And that' s where those childhood
wounds are often partly repaired. Watch me say Mira. When I was little,
I might not have had the resources to excite them the maturity of intelligence
at best or time. But today that I am living a serious moment,
although I am an adult, how well I like to have the support of
a mother or of course we make it to you that I think it is
that the other one that we did a narcissistic parent program with with with Juan
and Salazar, is also that it has a lot to do with that and
you are right, that is, that father would be that, but when
your same parents did not mature for being parents that I understand we have said
it until tiredness. There are no infallible parents. They do not exist,
but there is a time when everyone has to realize that there is something that
is not working well in them, in parents and in children. I think
Ephraim is good and taking up the subject of the note, as a society,
they will take care of the vulnerable because, in other words, there
is a nice plan if he is going to throw fores at us, how
nice we touch the subject of Tristan, I mean, we are not playing
with him. On the contrary, we are not being in an analysis.
It' s very deep in what' s happening to him. Because,
as a society, I do think that throwing out these kinds of notes as
yellow and as unpleasant as what they said last week to be denied is a
vulnerable person, it makes me think, as a society, what rotten is
putting this really, that is, occupying the vulnerable to make mockery of him.
Let him know who' s likely to have done it. Yes,
because you don' t, you don' t support much, but you
also forget that within your environment there may be something like that or that eventually
no one is exempt from a problem. No one was born untouchable. So,
well, that' s a topic I think it' s important to
follow up the children, not the children of and as you say, you
should treat it in a responsible way, not and appeal, because if you
' re going to talk about this case, listen, because it speaks in
the best way, because it' s not going to destroy what' s
already collapsing. It' s not about that. It' s not about
that, says the saying one. Don' t make wood from the fallen
tree. Look says Claudia Ogelo. It will always be easy for humans to
blame others who assume our own responsibilities and consequences. Mira says prevention and caring
for children is important, not just giving them shelter food, sustenance, reviewing
their emotions and saying affective that I believe that in this generational transition we are
living, because that' s how I think we' re dads a few
years back and forward, we' re a transition stage. It' s
up to some parents who didn' t care. That' s why not
and well yes. Besides, look at thinking I just end up with this
thinking. I kept thinking about this right now, but it' s just
that he' s an adult, and then he has to take care of
it. Of course I do. Of course we do, but we all
need everyone and the people closest to us and the ones we can most should
love our parents. I ask you if you had an adult friend who was
also in trouble, you wouldn' t help him or you would say that
he' s an adult who will fix himself just fine you would do it
for a friend, for God' s sake, like not then for your
son. Yeah, making a net out of a network, because there'
s one thing I' m not saying happens in every case, but it
might be that your parents have no way of getting close to you, because
this anger the kids have. Anyone can be against their parents, not because
of the upbringing they had, because of the lawsuit they had. But there
must be someone in all your surroundings, someone you can trust, not who
you can trust. That I see the case of for example, Camilo Blanes,
because his father dies, he is disoriented, he receives a great,
great, great fortune because because he continues to receive money, inherited houses,
inherited everything, and because his father' s music remains accurate, he continues
to report to him profits and many, because Camilos, this is still heard
with a career that he himself could have done as a singer, but very
truncated, and his only support that we could see would be the mother.
And maybe, I don' t mean, maybe getting closer to you is
impossible, but there must be someone around who can get closer. I don
' t know. I, I think I set the example of Camilo,
but everyone else, I mean, everyone in life, we can have but
the people I have, because it' s very hard to say is that
my parents hurt me and pretend it' s your parents who get you out
of there is very difficult. It' s not very, it' s
very rare, that is to say that existing him there hears he will be
able to contribute financially what his child needs, but it is very difficult for
him to be the one to take it out then there has to be someone.
There must be someone outside that environment who is not contaminated with painful memories,
who can take out the person who is going through it famous or not
and son of famous or unfamous. Of course I' m sorry. I
' m seeing Abelly Ramos say that the interview with Isabel Lascura and I was
wrong was not to love forgiveness. You' re right. The fragment I
saw is from the interview with Isabel Lascura. Not there with very nice interview,
very pretty, very prudent, very I think very good, very empathetic,
and cure them. I don' t know a woman that the husband
has until he' s left because he didn' t burn the case until
he lived with him and still has more. He spoke ill to his father
' s children. They weren' t not that they were not that it
is sometimes that it is not to speak exactly the facts speak and, of
course, that you can' t be talking, no, but you can
' t deny what is evident to that, if you can' t deny
what is evident, because in any way you have to protect, that is,
human and family relationships. We' ve seen him here. I think
that even reached well, I never tire of talking about it, but we
have seen it exhaustively. They are very difficult and each one is different and
each one moves in the same waters, but they swim different. The truth
looks and I' m gonna tell you one thing, girls that I ask
you how moms. I do, I think it' s the children'
s right to know the truth, that' s if the dad and it
' s bad stuff. Why are you going to cover for Dad? That
' s my idea, that' s because we' re also suddenly like
kids having pictures of dads that are non- existent. So, then,
why didn' t you tell me the truth but I think the secret is
you know that Ephraim I think I don' t know if you agree wrong,
but I think the secret is how you tell them, because if you
' re going to talk about what his dad did or what his mom did,
sowing resentment on your kids, it' s going to hurt them a
lot if you otherwise drive them saying that at the time an emotional situation that
probably didn' t happen because of the lawsuit was with me, but not
with you. I don' t, it can' t be that that
' s better understood, but not otherwise. If you tell them things,
no man, your dad the bastard wine doesn' t hear, because he
' s going to think the kids think it' s against them. Yeah,
I think it' s the way and the intention, not the way
you say it, and the intention. The intention is, as you said,
the truth, but not to use, against, not poison, not
take it out, because that ends up hurting the son more. No.
Then I think that would be important. And another thing I' m seeing
here is absolutely right. Iris Castro also says that there are people with problems
of this kind of addictions and others who are helped a lot, but they
are very destructive, violent. Sometimes they steal hits. Okay. I think
that' s also where one should know how to set limits. That'
s why I said that each case is different. When this person endangers the
integrity and life of a family, as you say of the grandfather of whoever
he is, for of course you have to put limits also then that'
s why I said it depends on everyone and every situation, but in general,
say something like and then throw the towel, I' m not sure.
Maybe I keep the towel in my hand, but maybe I' ll
give it to someone else, like Lupito said, another person who gets done.
I don' t know. There are no other ways, because that
' s what I meant. I totally agree. Yeah, that' s
what it' s about, and you can' t think that you'
re going because you' re already uncompromising. No, it' s not
that more sense. There' s one thing to see. You' re
already a singer, too. He doesn' t have the tools of a
professional to get out, to understand, I mean, no, why would
he have. He' s a dot dad and maybe he' s not
even the most experienced, because he didn' t live with dad and mom.
So, not then if you don' t have the tools. We
have to go back and I think we have also said so many times.
You have to seek help, you have to seek help from people who do
not know exactly. That or that I think I hear and, on the
other hand, to see well, let' s just mention that we had
said here that Eduardo that Petillo was going to present Metropolitan No and had announced
great guests here. The point and I don' t make fun of Eduardo
Capeti came. But why some people will believe that if you disappear from the
musical firmament you leave your career. On the one hand, you' re
famously jealous that you took a lot of money in Azteca, they didn'
t produce anything. Besides, you' re gonna open a date and there
' s gonna be hordes asking to come in when, for example, if
I did, I might know another timer. I don' t know Mariana
Garza, who has been in force than doing theater, because maybe it would
be a little easier. But eduardo chapeto that I, frankly I do feel
quite far away. I don' t know how you guys see it.
And weird because because I guess there' s another production there. I don
' t know if he himself was the producer, and that' s why
he just left with this idea. But I always think that there is a
company that is going to produce and that surely has a lot more idea than
us and yet look at it. We have to say someone who hasn'
t been on the screens, who hasn' t generated any interest right now,
especially since he' s hardly going to fill a space where he wants
to give a concert, where we don' t know what he' s
going to sing or what it' s going to be? So, how
is it possible that we can think of that and the company can' t.
That' s what makes me curious, because the artist looks like every
artist, because he must be narcissistic. And I don' t mean it
like a bad thing. It' s just part of wanting to be in
front of an audience a certain dose of narcissism, some more, others less,
but the artist is basically going to have that and sometimes that narcissism can
blind us and tell him clearly that they' re going to see me,
because I know it' s more. I have my social networks and there
are people who follow me, they look for me, they say yes and
you go with that one, but the company is the one that catches my
attention. Not how. The company does not calculate whether or not they were
going to do it, because perhaps a long time before, make a lot,
a lot, a lot of noise so that then this no longer works.
Right now you just said write here pau you had. I think no
more than two musical hits watch. There are people who with a musical success,
are playing everywhere, because they manage to fill a place because this song
is slow. Maybe, not then the wow we' re all going to
go slowly one hundred and fifty times. But there' s no hit here,
there' s no radio, and there' s no repertory you call
a name. I remember disco one and two. I' m happy to
sing that one, because it' s not Ephraim, but it has to
do with how iconic you are, not because you know what it is,
because there wasn' t fourteen years and the factor really and with all peace.
We didn' t go to the Rebed. No one went to see
Rebed. We went to see and didn' t get angry because they were
angry with Jorge Posa, because the truth was we went to look at the
daughter and the others there was Javier Posa forgiveness, that is, they were
angry with Javier Pozo, but we went to see there with the others,
that is. There are very iconic people who can go 20 years, but
they' re a hundred and lope but they come back and you' re
going to see them because but it' s true that Peeti I' m
not iconic, I mean, no, I think so. I think so.
There the word narcissism that he mentioned is very applicable to me, because
it is true narcissism, not as a defect, it is indeed, to
be together in front of the public and of course, that it is a
narcissism to the best even healthy and it is well one' s own.
It is also necessary to confront the audience and fans and everything. But I
think it' s already becoming a narcissism that' s not very healthy.
When you yourself lose sight of yourself exactly you are, when you see the
proportion of those who are, you want to equal Thalia, for example,
no, no, no, no, so ras de Timbiriche, but you
are not. You' re not this Paulina Rubio and you see that Paulina
takes a long time, but there' s the 90 poptor asking for demands
and you' re still the last. No, then, Paulina Rubio and
if I delay capetillo, for not accurate look says Imelda Mesa. Patrick Hernandez
' s only success your b for your b Life will be that was yes,
I didn' t even remember, but well, I knew who I
remembered. I remembered Alice you remember the obvious lis, Slice our phone a
princess lupita square that sang or the bush. Yeah, yeah, yeah,
I remember, I don' t know your song. Well, they remember
straight all their lives. I mean, of course, I remember this one
singing nothing but a lin. He made a world gino with a song,
but after something very strong floricento came and I didn' t auditorium it,
because it was comical. Eduardo capetillo of truth and this word that now occupy
it for everything and it is not well, for it sees that petillo is
no longer iconic nor hears way. But I' m sorry to see Patricio.
It says here, Patrick, that one thing was narcissed, that I
was trading. Indeed, they are two different things. But it does apply
narcissism here. The self- centered need not be famous to be self-
centered and the sex exact, exact and and there may be a narcissite,
there may be a narcissistic singer who is not so self- centered. Sure,
yeah, sure, but yeah, they' re two totally different things.
But ah I' ve already been hit since you don' t make
me and let me change my glasses so it squeezes so they don' t
have them. There he is as a couple, little would you tell me,
oh my love no. I don' t think we do it better,
we do something smaller, but because you' re denying and you'
re in a narcissistic relationship and he says yes, I love you, I
' m going to see you around everyone' s going to see you there.
It made me think of that is this adjective of naive. Don'
t be ingenuity. I' ll tell you. The truth is that today,
in this life governed by marketing in such a powerful way, if he
wanted to go back, I think he could have done it Lupita, but
for that I should have done first I have a campaign of what is from
many apparitions, even notice, if you want, even from some minor scandal,
a rumor I say I will hear it fatal, but it is what
we see it first every day to release a rumor of divorce or something to
sell then since it warmed up a little bit the mood around them, then
I started to go to programs and that if the interview here and that something
no and then we try to sell that presentation or concert not so out of
nothing. That' s what surprises me, because really right now, everything
can be done, only you have to know how we' ve seen it.
Of course, we' ve seen it, please, well, not
because you remember well, yes, you' re right, but remember that
those who came out of the house of the celebrities who had been razing in
the audience and you because they didn' t fill either and then they go
to the hospital to covid that we all said that everyone in the end,
if they won' t be able to present us that they have covid and
then there are all those who didn' t sell Ephraim. It' s
not to be clear, you know that Tony Lopez doesn' t get you
Eduardo Cafetán' s record, because he' s doing it there. I
' ve got it, neither you nor you. I don' t know,
you don' t even have that good one, because he says Verty
branch, but what happened to a capetillo. Nothing goes Rama. Precisely he
showed up, set a date to appear in Metropolita with great guests, which
was his family and has not sold many tickets. And well, the question
is no more because sometimes people think that even though you are absent, holy
that is not seen, it is not something adored. So they think that
even if you' re away, because people are going to keep waiting for
you outside a theater to come and see you, even if they don'
t know you' re singing, what you' re doing and nothing.
They' re not going to pay for a ticket that they' re not
going to pay, because now it' s not enough to sell tickets,
better peace and you pay otherwise not and they weren' t that expensive.
Lupita, because I checked how much they were, because the mask was in
a thousand two hundred. They weren' t that expensive. Hey, it
' s expensive, so you don' t see anything, you hear forgiveness.
Listen with all the dough and I say it with all the peace,
because it is because of me the epis you can go to the theater and
see a very good one. What' s more, you can go to
the Lucerne forum, go see Pablo Perroni, who is a great actor and
you would be very happy and would reach you for two plays that are very
worthwhile, because the Lucerne forum has a lot, has three theaters. Then
you can go see three different theaters. But, well, I meant it
with all peace, making friends the most nasty, making very many friends.
Hey, by the way, yesterday we made a lot of friends because they
wrote to us that we were already known to be ultra- right, because
I' ve always been told that you' re ultra- right. I
' m not ultra- right. Then whenever they told me clearly that I
was born, I had suffered in my childhood, because no, no,
I did not suffer in my childhood and I said that I would have done
what else they wrote to us of the many friends and ran I said.
I didn' t even say who I' m going to vote for and
I' m not going to say it yet. It' s no more.
I' m not going to say it because the vote is free and
secret and I reserve that right and yet it touched me too. You were
also touched by the master. Not that I, because I' m gay,
can' t say I' m a panista, because it looks like
I' ve always been a panista and I have a confession to them.
Sole girls, I have a confession because I' m the outside baby.
I' m very small, it' s clear, I know I fell
into the claws, by fitting, in the claws. A few years ago
I ordered the chick claws. Hey, I' m an oppressed. I
mean, I haven' t been all my life as I am right now,
I' ve been coven I' ve had mistakes and I' ve
always said it. I voted for the lord and I am a redeemed that
everything is going very badly, I mean so that they come and tell me
clearly, Ephraim, always this one sees that hepanist, but he can'
t say it, no, no, he doesn' t hear. Another
thing they said was that the violent meter that we were super violent, because
so don' t confuse what one person says with what another says. That
' s for starters, I, personally never mean a person' s physical,
I don' t mean his work. I do not put epithets regarding
that, I do not put adjectives with respect and much less, for everyone
who is born as it is and already physical Punckin and already, but not
in question of violence, no, no, no. I don' t
think so. I think we' re not violent on this show. So
they told us we used those nicknames that we used in life. No.
We' re never done with that nickname. Not me, I said it.
Actually, I don' t like it. But let' s talk
now. Tell me you' re going fast. Don' t be intrusive,
I mean, because all of a sudden here you' re cute and
suddenly I get written in instagram. Ayora, I feel like we' re
friends. Yes, by the good way, but being intrusive and getting into
our lives, that is to say judging, because besides, yes, I
think the tenor of the program is not that, that is, everything here
is clearly with dads and with a lot of love. Nets. It is
not about that and the analysis of the debate, for it is not.
We don' t know about politics and we don' t talk about politics.
In fact, and without it, you should not talk about politics.
It' s a good thing we don' t talk about politics. We
talked about a show was put on TV dot and a country we live in
hears. But changing the subject, as the protagonists of the new adaptation of
Romeo and Juliet came out and there have already been different controversies regarding films that
have been made according to the topic of inclusion that I insist as well as
with the children. So there are always new themes, new studies, new
trends. And now this inclusion in Rome and Juliet has been highly criticized.
You see him as Ran Efra. I see it as super irrelevant. I
mean, for what reason, because when they did to Black Cleospatra I got
very angry with a bolena I handled a lot. But, because Juliet and
the Little Mermaid are fictional characters that if we change their ethnicity really, I
don' t think they will change the same and we would contend to explain
and change the whole context, which is already a work that can be very
free, because already versions of Rumi and Juliet there is a variety. In
fact, right now in a group and there' s one called and Juliette
that' s about what would have happened if they hadn' t both killed
each other. It' s not like the sequel to what might have happened
if suicide had existed in the literary work. And last, alternative final forgiveness,
an alternative ending, that is. I think that in these things you
can already, because there are freedoms, that is, if you ask me
what I think of the actress, because well, people let themselves go ugly
that is, because if she wasn' t the prettiest she was, that
is, yes, it is clear to me that literary works have the characters
described, but nothing happens. I think that' s my opinion in this
case. But we can' t get carried away because if it doesn'
t happen what happened in Croopatra, which then they already did Black Anne Boleyn,
I think so, we have to be very judicious to say good here
is nothing. If we have a Black Juliet, from my point of view,
I don' t think anything will happen. He' s a fictional
character. There is no context there that has to be accentuated, as it
was with Ana Bolena and Cleopatra, that well the documentary even the Egyptians came
out very angry to say let' s do our own document me because then
it is very unscattered. So, well, that' s the opinion.
I don' t think anyone' s bad. I don' t think
that' s forced inclusion. From my point of view, I think they
' re gonna bully him like that. But I don' t think so.
Okay. I think I do feel it as forced the truth, because
there are so many stories that are something more universal, not here, well,
they are the lovers of Verona, not that it has certain features others
you are also right that there are many versions in which well these films have
also been criticized. I remember one with Leonardo DiCaprio, where she was very
modernized and the soundtrack many people criticized her because it' s not possible and
so on, so I think I do feel that it' s a little
bit like the time we' re going to force someone in here like this
to look good, and I think that' s what people have Sometimes they
don' t know him at all well because they don' t feel genuine,
they don' t feel honest, it seems to me. But then,
to be disrespectful to the work or the author, I don' t
think so either. Just play a play, for whoever wants to see it
and who doesn' t and is not. But yeah, I think the
point is that' s the reason. On the other hand, it reminded
me a lot of the version that was made at the time of The Wizard
of Oz with Michael Jackson, Diana Ross and other actors, which also contrasted
greatly with the iconic film The Wizard of you, because it had made Judy
Garland. So what happened there, because the success was the music, the
music of Quincy Jones, which is what people really liked. And then it
went to the background to say that, whether or not it was wise to
show the characters as originating a different race. And then nothing happened. Then
I think the interesting thing here is to see the play if it' s
well done, well carried. I think that would be what Shakespeare would have
to go at the end, and finally Lieta told me. But I'
m going to tell you something. All these kinds of discussions would end in
humanity, end up on the earth phase if we weren' t so concerned
about each other' s race as we said earlier, five minutes ago.
If you don' t mean a person' s physique, well, I
don' t care if they' re tall, low, fat, honest,
because I don' t care. I mean, every one I don
' t care about, for no way you' re born again or killed
or what you do, no way. That' s who we are and
that' s it. It would be awful if the world had to stop
paying attention to how important a person' s skin color, a person'
s eye color, hair color, height, competition would be so important is
that there would not be these exact discussions. I' m going to get
into pauses again there goes Ephraim, because how I like it then if they
' re going to bring in controversial history. What I was telling you about
the sequel to and Julieth, which is right now on Broadway, makes her
a trans girl from my perspective. That' s where I' m going,
yes, I' m already being forced, because if history is totally
distorted, because that didn' t exist from a context at that time.
That' s my opinion. In this situation, what they' re going
to do is just change Juliet' s ethnicity. It doesn' t make
me so crazy to start changing the sexes and talking about non- existent things
at the time. Yes, for all forgiveness, for opinion, yes,
that is, this is my opinion. I don' t think this version
that we' re talking about is so crazy that Juliet is really colored I
don' t think so and they say it here in the comments, but
it describes it and so on, but it' s the least substantial thing
in history, that is, Roby Juliet goes beyond the color of Juliet'
s skin. But in this idea of the sequel they make to the alternative
end of putting a trans woman into a historical context in which she didn'
t even exist. That well, if it existed, it wasn' t,
it wasn' t, as it is mounted right now, and the
play to me that does make forced inclusion. And I want to sit him
down because it' s like what happens, like a Cleopatra, that is,
take us to something that doesn' t exist, that couldn' t
have succeeded, because I may have existed a colored Juliet at that time.
Of course, yes, yes, there may have been a cut of color,
but a trans cutlet does not look. I' ll tell you clearly,
but I' ll tell you something. I' ll tell you what.
I think that all humanity is forgotten that the works were written at a
historical moment, in a place so many years ago, where it was.
Why don' t you take the argument. They rewrite the story and make
another story where you can talk. For example, britgear Jon, for it
is not one if it is a book in what you want, but it
is not a Nari It is fighting for German inclusion, but why it is
in itself, as they say here. Well, yeah, they' re
actually two young Italians from Verona, because they wouldn' t even have to
be super white and Caucasian. Italians are gorgeous, a little Latino, and
they are. Then you would have to be very exacting and put Italians point
out nothing of orerite and obs claritos, because not because it does come.
Shakespeare was English, but that' s in Verona, in Italy. So,
well, look, I' m gonna read, look, they change
everything says, but they' re not gonna change our way of thinking.
Forced acceptance doesn' t work, it' s not acceptance. Indeed,
we are going to get into politics. Sorry grey is in the inclusion,
but you have to be realistic, romy Julieterani Italians exactly, because lupis.
Looks like the cast of that version is for theater. Indeed, even the
Pope who has been, even the Pope who has been quite inclusive, is
already ordering to quote the real one. It was already wrong to exact that
I have not touched on that issue and we will not discuss it. We
' re not going to discuss it, but I' m going to say
it. It seems incongruous to me, it seems irrational to me that in
this world still exists the death penalty, the punishment of others, the abortion
in which everyone who thinks I insist I will not discuss it, that you
can take the lives of others in your hands, but do not allow themselves
so. I understand. I don' t understand, because that' s
yours, you' re with you, of course. Yeah, yeah,
yeah, I like to talk, no, no, yeah, paradox,
well, yeah. But in the end, I think it' s interesting
to have all these points of view and, in the end, then,
that everyone has the decision, those who are able to go or not to
see this play at the theaters there in the United States, because they will
already decide and one can, just like we do here, talk, mention
the points of view. And that, then, also leads me to think
of a comment that I would like to leave here that would be the fact
that one thinks, as he says, lupita of a show, if you
want to, see or of an event that was presented on television in our
country and with our citizen' s right to talk about it doesn' t
mean that we should think in the same way, not even between the three
of us and much less with the rest of the people and the one that
we think differently in any way makes us ignorant to tell ourselves that we don
' t know anything about politics because we don' t share the opinion of
who is telling us. I think that' s a bit of an accurate
adventure to see We almost said goodbye. But I want to answer to see.
Ruth Martinez says you don' t talk about the physique lupe and the
sausage finger of Charles of England, because he has them like me. He
' s got them like me. Look at him, he' s got
them like me. That' s why they caught my attention and you can
tell him the same thing. I' ve always said that' s why
he didn' t wear rings,' cause my fingers are from Sanchez.
I compared them to mine. But it' s not an insult point.
The thing about Carlos is that he had done not even with the ink.
That' s right, his attitude was wrong. Well, Ephraim, I
' m telling you, they' re on. They put us at retrograde
costs. We' re going to say good- bye now, so we
' d say good- bye to history in history. I love them all
well write nice things and they see how sometimes we differ and we don'
t fight. I mean, it' s not like we have to fight
and hunch, and nothing exactly happens. I' ll comment, Patricio,
very good comment. Also, Patrick, what you' re saying. That
' s what it' s all about if you can' t make Shakespeare
out of Roman, Juliet Quiesa is another. There is love without barriers,
Lati version is fine, totally being good and said so without scolding us exactly
and to those who gave us barrierless Love. Thank you, Matricius, for
saying it nice. Thank you very much, dear, dear doctor, thank
you. Let' s keep using the power of the neuron and see ourselves
adding the neuron. Thanks, Encrypt, babyst Thanks girls, b good guys,
bye Bye. We' re going to go history and go see?
Go see women making footprints and, of course, tomorrow at ten o'
clock at night, we have broken souls, so get ready over there.
Thank you so much. Jellyfish records for everyone. What we' re pardoning
women leaving footprints. It' s jellyfish. It' s ready for everyone
now. Right now, right now, I' ll put it on for
everyone now. Sorry. If I am, I can' t be in everything.