These guys, uh, this is They've been on the show many times,
but this is our first time in the new studio. We have fifty percent
of the band Dead Harrison here with us. Welcome, gentlemen, good morning.
Hello, we have Andre Dumont and Axel. Vaguely am I saying your
last name correctly? Yes? I feel like we go through this every time.
It is vaguely yes, Okay, it's like a bagel with a lee.
Right. That's a great see. I wish I knew that. That's
a great way to remember it, or vaguely, but at least people remember
it vaguely. Andre, that's a good dud too, Yeah, vaguely awesome.
Yes, Yes, Jenny gets a bagel every Saturday morning. That's my
special treat. Yes, we got we got it still vaguely Facebook posts.
I have noticed that. No, I mean yes, you know I do
keep it vague for a reason. Yes. Anyway, we're not going to
talk about that on the air. But how do we show Have you guys
been seen you guys in a while? Yeah it has been a while,
yeah, other than too too long. I think we were at the open
house at the yes for a terminus, Yes, yes, yes, yes,
we do want to get to another show there. Our saturdays have been
hectic, but we would like to get to When is the next show at
Terminus? Is it June eighth? June eighth? And who's do you remember
Who's Who's on it? More in the light? Yes and almost honest.
Okay, and you guys too, are you guys playing that one? And
we are playing that one too? Excellent? Excellent? And we should have
physical copies of the CD and hand Oh yes, very good. Yeah,
they're coming in Okay, okay, cool, we're gonna play Actually, uh,
what do you guys want to play? We've got a bunch of music.
We did play one of them at the end of the first hour.
We played Monolith Lord, which is great. But what should we play next?
We'll play something and then we'll come back and talk and get caught up.
It's a nice summary feel out there it is. The day is wonderful,
the dead can be fun. So I say we go with beach zombies.
Beach zombies very good. Do they have to wear sunscreen or are they
does it? No, they don't need to. They don't need to.
If you want to know, If you want to know, you get to
listen to the phone. Oh is that addressed in the lyrics? It actually
is good. No nice, stay tuned because that's important. All right,
very good, all right, check it out. Beat Zombies. This is
Dad Harrison, gets change priest s one day and last night the UGO was
quite at right shuffling down the ball walk. Everyone was shocking. Bree song
based Man on the sand go the song is just lost a hand. Three
songs in the midday song got Bree, song Reserve so much fun, the
risings of their brass surfing in the last waves y all things to this show
stud sunscreen all your chest because they all right, flash they don't care stunning
like cool brains. So we song based bad on the sound Goo the song
bes one songs were songbieres Aday song Goo be song bees are having so much
fun. Watch the bottle rocks are random win parts over by cones. Let's
just saying upside pushing other zones c cons watches down increase suns again on the
sound one last son movies so so much fun on the sand Bezombies and the
songs so much Nice. That is Beach Zombies. The band is Dad Harrison
and we have a couple of the guys from the band here with us,
uh Axel vaguely and uh I learned how to a trick to say his name,
and of course Andre Dumont here with us live in studio and tell us
about now we were talking about it off air, but tell us about the
origins of that song Beach Zombies. Well, it was like a little one
off show that it wasn't a It was a one off song that we were
doing for a show that we had going on up in Rutland, Vermont that
was supposed to be just a beach theme party. Rotland, of course known
for their beaches. Yes, has great beaches, Yes and yeah, and
so it was thinking of the idea and Jason the bass player just uh he
kind of ran with the idea of let's do a song that represents being on
a beach and came up with beach Zombies and rought that some taste you licks.
I think he challenged us actually to make a reggae song but in a
doom formata. We ran through a lot of different type of reggae feels and
just different swings and it just it didn't hit until we just like we locked
in a like rock groove that was kind of kind of reggae, but it's
it's out of it, like wheel Wheelhouse. So you wanted to challenge himself
and us to like to make that type of idea. So and we did,
and like the the response has been great. Actually, I didn't think
that that song would have would have taken off like it did. Yeah.
Yeah, I like harder songs obviously, like something catchy like that. It
really makes you know, people dance and you get involved. And that's Jason
singing, right, that's Jason. Yeah. I had to give him a
shot at the mic and be like, hey, you know you wrote the
song. Why are you sing it? Because it sounds good and it gives
a different voice. It shows the diversity of the band. Is that the
first time he had done lead vocal and Dad Harrison yes, I'm well no,
no, no, no. He has a couple oh yeah, okay,
there's a couple of the older tunes. I can't put them together in
my head right now. Left March was one of them, right, yes,
where we all had like individual parts, like he had the whole first
verse, and then I ended up taking like the bridgey part, and then
my brother ended up taking up the last verse, okay, And so yeah,
it was definitely like we know that we all can sing, but here
was another chance to kind of like showcase stuff. John sings with me a
lot like my brother the guitar players, so it's like we have deaths where
and that and with Jason singing also just gives like nice full vocal depth in
the songs. Yeah. I noticed when we when we came to the open
house at Terminus, when you guys shit terror Grinder, I noticed you and
Sean singing together and I didn't he's actually your brother, Yes he is.
All these years, I never knew that same oven, different Baker. Okay,
understood, So that explains a different last name. I never knew that.
And I don't think you guys look anything alike, but as you said,
different baker. But uh, yeah, I had no I had no
idea. Yeah, no, it's a it's a really cool thing and just
the origins of like, you know, oh, my brother, like I
want to play some music together with him, and you know, yeah,
you know you think Dimebag and Vinny, sure, you know. So there's
the van Halen brothers. Yeah, and it's like there's definitely a cool aspect
of like having family in your music wheelhouse and yeah, you kind of know
each other and plus your vocal timbers just like match so well, yeah,
you guys singing together on Tara Grinder is really good. Uh you're hearing that
live? It's really good. Yeah yeah, I mean he also screams too,
yeah he's I can't scream like that, but like you put it together,
it's very harmonic. How they how they work together. Yeah. Because
like the influences, if we want to run down with the influences too,
ye that because you know Isaac Banks is going to ask as well as what's
your favorite Matchbox twenty? So I mean to answer it would be real world
over back to good because back to goods good? But sure way, what
are your influences? Andre? For what you think the sound of HS?
The sound of of what of d H? Sorry if my voice keeps coming
in and out like your side? Yeah, influences. I mean I go
a little bit more. I've always been just a huge fan of Typo negative,
but I like the good goth the kind of stuff, so I mean
I like Sisters of Mercy and but also like go into the rum of like
you know, corrosion to conformity and you know, different like aspects of rock.
Yeah, that big feel, you know, I guess that's the best
way that I can put I like things with a little bit of dynamics and
emotion in them rather than just like hard hit at y'all all the time.
Yeah, absolutely, Yeah, Well how about you axel Mine's more of like
the grunge area, Yeah, Slash Prague, so like Alison Chains, Sound
Garden, Melvin's kind of like the same same ones we went over before.
It's a very like early nineties alternative like uh two thousands Prague to APC Puss
for all that stuff. So like I'm a very like alternative type of person.
So there was a lot of I think it was like Caius like when
and when I was first getting into the band that like Sean, one of
Sewan's areas is Caius Queens of the Stone Age, and like rebirth, like
the stuff that I haven't listened to in a while, like like corrosion and
conformity where I'm like, oh yeah, so it's been it's been a long
time since I've like listened to like really grungy, sludgy stuff. It's like
that desert dune stuff very welcoming. Yeah, by the way, Isaac Banks
in the chat room, so this is the question now. This time he's
asking, have you ever listened to the eighties band the Outfield songs like Your
Love, all the Love in the World, I Don't Need Her every Time
You Cry and Winning It All from the movie of the Mighty Ducks soundtrack.
I don't think I have your thoughts. They don't particularly ring a bell.
Probably have heard one of the first one that was mentioned. I feel like
I've probably heard it. Well, I heard it, I would yeah,
well everybody knows that song your Love. I don't want I just want to
use fun fact. Yes, yes, when I was a kid and I
took guitar lessons, that's the first song I've ever learned on the guitar.
That is a great song. Actually, yeah, I don't mind it because
look, you listen to it musically, it's got all those cool elements.
Yes, yeah, yeah, it is a great song. Absolutely. Melanie,
who by the way, is from Vermont, and I'm sure it's quite
familiar with the beaches of Rutland, says uh. I do question the referring
to the song I beat Zammies. I do question the use of sunscreen though,
because well they're dead. Well, I I've always said, though,
you're never too old to take care of your skin. You know you don't
want, you know, skin cancer. Well, yeah, you know,
it probably would help maintain a little bit of flesh still on you for a
while rather than drying out right crisping off and falling apart exactly exactly, because
there what you have left exactly exactly. Yes, I'm all about it.
She also said, this is so fantastic. Everyone knows zombies love to make
sam castles sometimes body castles if they try to climb over a wall. Yes,
exactly. World Wars. World Wars there freaked me the hell out back
then, because like, up until that point I was used to, like
twenty eight days later, zombies like ants, and I'm like, oh man,
that's kind of freaky. They're running. Yeah, these ones are like
full on sprinting and throwing themselves at walls at Brad Pitt for like an hour
and a half, and I'm like, I can't deal with this. If
this was real life, I would not make it right. No, No,
that's intense certainly not, certainly not. And and tell us about because
Andre you. Hauld commented on this software about the album and kind of exploring
those different elements with people singing other than you know, because you're you're primarily
the lead singer. But actually when I first met you guys, before Axel
was in the band, you were the singing drummer. You had a lot
of lot going on there at once. Yeah. Well, it was like,
you know, so many things in my head that I had to try
and get out. It was like, how do you do it? You
just you just have to do it, And so it put me into that
place to just create. H Yeah. You know, Now with this album,
it was a little bit different. It was more of like understanding that
every band member has great talent and also has really good songwriting abilities, and
so I kind of like took that little step back and let those guys like
bring a lot of those ideas to the table. I mean, there was
a couple of things that were like share I think lyrically, my only input
was like in the choruses of a Lord and there were just a cool set
of lyrics that I had written, a little thing that I had written down
in a notebook. But then when Sean brought the song to us to be
like, hey, listen to this. I kind of made this song up
and like, you know, he had some lyrics that and I was just
like, we can blend both of these together and like yeah and that,
and that's how the song ended up coming. And it was just like also
that weird connectiveness of the universe having multiple or a single idea but it spreads
across on multiple planes. And the fact that my brother was kind of like
thinking of the same thing and that and the monolists were popping up all over
the place too. At the time, it was like that whole we just
discovered a modelith out here. And you, mistess remember that, Oh I
do remember that. There was like WHATB five five that ended up popping up
just randomly throughout the like a good week was just like every other day,
another one and another one. Was that ever solved and it stopped for a
while and they just found another one recently really overseas. It's weird. Was
that was that difficult for you to kind of let go a little bit or
was it a relief or you know, to let the other guys in on
that process or what was what was that? Like? I thought about it,
and I mean, I could it was a choice because I could be
disappointed with it, or I could look at it as like a relief,
just not even to be a relief, but just let other people have a
chance. Yeah, you know. And and that's how I looked at it,
and was like, great things could come out of this, right,
you know. It's like and but that's also what creates that that inter connectivity
amongst all the members, you know, because we are we're we're all equal
and together, so creating what is dead Harrison. So it's like, yeah,
it's not just my show. So we're we're well past the establishment of
just the first starting and like here's my ideas, and now we're into like
a cohesive group. And so it's like really good to be able to showcase
what everybody. Eventually he'll write a song, he just doesn't know it yet.
I mean that that thank you for that, for that, uh,
that encouragement. I got nothing lyrically in the brand saying, but I I
just hit things. What what he gave me a chance to do was to
think outside of my own cohesive box of like what I what I think drums
should be or what I think hard metals should be. I know, I
like keep jumping on the way. You gave me the choice of like do
you want to do this? Do you want to do that? Like do
you do you want to just stay in this like rock and roll format or
do you want to like learn something? And like it was a like the
first year was was very very hit or miss because like I play a certain
way and he plays a certain way, you know what I mean, Like
not like he plays better or I play better, Like we just play two
different styles, right, I mean, And it took us a while to
figure out that, Like we were thinking the exact same thing, but like
we were coming from two different playing playing fields. So like we he he
gave me the opportunity of like morphing of how I could make a fingerprint with
this band instead of just like playing the same stuff. It's like, here's
what I can do with this. So when you joined the band, did
you did you try to learn exactly how Andre played the songs? And then
but over time that kind of morphed a little bit. Well that's a necessity,
right, Like that's an absolute necessity. If you want a job,
then you have to do what the requirements are. The general aspect so once
you have that footing, then you can just muscle memory your own stuff as
you go along. Yeah, And like there were other things I was doing,
like my own practices and my own projects in my own career that were
teaching me did different stuff. So like I would always learn and then come
back learn and then come back to here to make it better. Like I
no offense to myself, but I was trash the first like six months.
Like you guys are very very gracious, because like I must have been like
a timid leaf the very six months, like I really was. Yeah,
I was like, oh no, oh no, because because Andre, you
play a certain way that requires not like you want to it work acquires like
endurance. It requires a technique and precision, and like you need to know
certain things to do certain things, and I off hand did not know how
to do certain like thrash stuff or punk stuff that he's like fluent fluent with.
So like I learned a lot of old techniques that I should have learned
in the first place. Not now now about that ross bird in power,
like he just plays like in a raw emotion. I definitely puts me in
my paces. So it's it's not like it's not like we as I said,
we don't play on the same level. We just we have a very
aggressive way of playing two different two different ways. And even on stage we
can we can swap out and I'll just go up front with some percussion and
he'll just jump on the drums. So yeah, do you ever do that?
Yeah, okay, I've done that a couple of times. There was
another thing that I was trying to do too. And it's nice if you
have the stage and that's bring two drum sets. Oh yeah, We've done
that and and do a couple of songs with double drums. Is like people
are just like, what is that? That's awesome? Yeah, and it
sounds so big. Yeah. Is that hard you? I mean you don't
see it often. You know, once in a while you'll see a dual
drummer situation. It's easier, is it? Yeah? Way easier. It's
it's not no when when you know the songs and you know the things,
and yeah, as a drummer, you are learning to pay attention to the
other instruments that are going on at the same time. But you know,
having two drums can really like lock things in. Yeah, and it allows
different stuff to happen too, because somebody can be carrying the regular rhythm and
then the other drummer can go, oh, I'm going to put in some
little polyrhythms. Well, that's what I'm wondering. Does it when you when
you do that, does it require one of you to kind of lay back
and not because you don't want to be doing fills at the same time,
right, or it's gonna get messy, or maybe you do. I don't
know. I mean, I'm not a drummer. I mean, but I'm
fascinated by that dynamic, you know. I think it's a very interesting thing.
Yes, I'm sure that there's times where it can be hit or missed,
but yeah, I mean, when you're in the moment, it's just
like a drumming circle. Yeah, yeah, you know, except you have
other instruments that are also going on that just help make that feel even that
much. But I mean, at the same time, you know, you're
already playing a song that you know, right, so it's not like you
may be making some stuff up, but you already have the gist of it
that you're gonna just glide right through it. Yeah, and you both lock
in. Yeah, it just happens like super cool. Yeah, well that's
awesome. We should we should play another track. I what do you think
should we play Terror Grinder? I love I love this song. I love
here. I think a great one another? Like where does this southern gospel
rock from? Like it's like, what is this? Well? What?
Yeah? I was going to ask you about, you know, if there's
anything we should know about this before we play it, because uh, you
know, I'm curious. Like I said, it's for me. It's one
of my favorites that you guys have done. I don't know it just like
what is just the way it happened? Like Sean brought the lyrics to the
table and was just like, hey, I got this song and he had
some kind of cool riffs and I was just like, oh, like I
just had this spontaneous idea like let's make it this kind of feel and then
switch it up into the chorus and and that's what it became. And this
and this is you guys singing together for the whole thing, right, Yeah,
yeah, now this is really good. The Terror Grinder. It's just
it's a an entity that just grinds everything into the powdered dust and it's just
it's a terrored thing. Like you have to look at the album cover of
what it actually looks like. It's menacing a beast that just crying things.
Yeah, yeah, all right, let's give this a spin. This is
really good. This is Terror Grinder, this is Dad Harrison and they are
with us in studio. Check this out song The games in from the city
Lord the Chamber, Rob your gun. We stay asleep for a lot of
time. The teams around to have some fun fun. See that's with the
mastyle hop the bread drag bier but the bestnot be of a row but till
riders rolling. It's tasteful blood it's real. Look go and as trailer.
It's quick, you know, big three. You can feel but to let's
saddle Bryda Rhill kings on its wrong now, I'm ja don send this battle
cry and bank of us. It's no real bad rider shoot God knows and
make journey to see its. Claire going to Swaye of Tho Silk Turner of
fis long taping place motes were gone and spent. The latch came to us
about of space. It's blindly ray try to rather a game to a human
grade looked up the sky around us. It's falling through the sea. This
thing you call your night time will soon be just a tree. The tall
line at take it and get it done to thee when all the world is
getting called one thing was still rookie. He said, stuff fin, I
don't I pla s s so s S. That is Sarah Grinder. The
band is Dad Harrison and they are with us in studio. Half of the
band is here. We've got axle vaguely and Andre do mine here with us
in the in the studio and great track. You got to hear that live.
If you have not seen Dad Harrison, you should see them live.
And uh that that song is uh because you guys opened with that a terminus
and that for the open house. Oh yes, I really like you always
open with that one. That's a strong not usually it's a strong opener.
I think it is a good strong opener. Yeah, it just so happened
that that same day we had band practice, so you probably just have been
a bunch of rehearsals. Oh yeah, that's right. I think I think
you guys even said that during your set. Yeah, yeah, I think
Jason Skulls said something like yeah, this is like you're you're basically watching our
bit our rehearsals. Welcome to our rehearsal. And it was oh, it
was good. It was really good, really good. Now, so the
album is out right, but only digitally, but you're gonna have physical copies
soon. Is that just a little supplant back in the duplication process, you
know? Yeah? Yeah? And where does the name none for all?
Let's the name of the album, Where where does that come from? Is
that of any significance? Sir? It does kind of to me it's a
little uh, a little nod to type O negative because then the lyrics of
the dream is dead. There's a line that is all for one and none
for all ah, And so the more I thought about it, I was
like, how do I give this little nod? And we had the album,
it wasn't even an album before this. We had like six songs that
we released that weren't that were all singles that were put out. But I've
always had it in my head that there's actually the two parts. And so
those first bunch of singles they never made it out to a CD, they
never made it out for like physical copies, and they're still not out there,
but those are all for none okay, and none for all is kind
of like the part two. Ah gotcha. So eventually there's going to be
a double CD set that has like those two things cohesively together plus some extra
stuff on there. Oh, very cool, very cool. It must be
nice to being able to like with with Terminus, being able to play there
and to uh you know, because it's it's just I I tell everybody when
we went to the open house, it was like I think I probably said
this to you in fact when we were talking. It's like walking into another
world walking into that room, it's so cool and walking into my world now.
It's it's such a surprise. You know, who are some of the
bands that you've had there. You've had a bunch of cool bands. Uh,
Whalen Park just played there, Yl Park last week. I love Electric
I know you had you had Conduit, right, we had gran were there
for that, Uh already dead and then there was when the dead Bolt bring
Oh yeah yeah from Connecticut. Yeah yeah. Well that's the thing is like
just there's so many, so many good bands, and it's it's awesome to
be able to like do some things that obviously being in the scene like how
and watching the state of our venues just go away, you know, and
it but it's trying to reinstill that element of like actually going to a place
to enjoy music, right, you know, Nashua really needed that, right
absolutely, it still does. Yeah. Yeah, I was surprised at how
you know, because you know, there's quite a few places to play around
here, but Nashua. Yeah, it was like, there's really not that
many places to play original music. So it's it's wonderful to have that,
to have terminus. Yeah, unless you're a cover band then you can go
and well yeah of course, yeah, but if you're doing original music like
you're doing now, that's that's great. Oh we should mention too now,
So Grinder, was you recorded that with Eric Solder? Yeah? Yeah,
Blackheart was the whole album done done there or it was it was okay,
Yeah, we had him on the show. I think it was a couple
of months ago now and his name comes up all the time. Of course,
I Eric Sotter from Black Hearts. I was a very busy man.
Absolutely, absolutely, He's one of the best in the business, hands down,
at least in the New England sector. He is one of the most
prolific, if not like very masterful of his craft audio engineer and producer.
Yeah, at least out here. Yeah, really very highly respected. Now
you worked with him before none for all? Or is this the first thing
that dead Harris was the first time with him? Okay, So like the
other stuff was, you know, the first album was done with my brother's
friend who had just completed you know, audio engineering school. Oh, no
kidding, So we were his like first thing that he was just trying to
do out of school. Yeah. So it was, you know, no
cost or anything like. Yeah, it was just like we're gonna do a
bunch of stuff and we came up with an album. It sounds okay,
and then just ended up making more connections. I ended up playing, uh,
filling in bass for another band, Hunter and the drummer Connor is an
excellent has an excellent ear for recording. Yeah, we've had that a long
time ago. We have We've had them on the show. Yeah. Yeah.
And now he's in No More Blues Tomorrow, that's his new project.
Okay, but he's got a great ear. Yeah, he recorded like four
songs for us and then our friend Joel Simkiss from Toughs University radio station.
He's their audio engineer. Was that is that w MFO? Yes? Okay,
yep and uh And so he recorded another two songs I believe, and
those were the latest two singles before this one here. Yeah, Nameless Dream
being one of them, Nameless Dream and I'm trying to think of what my
brain is just like it' there's too much. Yeah, it'll it'll come to
me. It'll come to you when you're not thinking about it. Yeah,
but that's one of them. Thirty minutes down the road. When you started
recording with Eric at Blackheart, was the intention to do a full album from
the beginning or yeah, okay, we definitely like had the material at that
point. Yeah. It was good to also be able to like put that
focused energy and really work on making something good and solid. I mean there's
there's a moments where you're just like, oh, I want to put this
in, and I want to put this in, and I want to put
this in, but it's a long process. Yeah. So yeah, it
was just let's get it focused, let's get it done, and having somebody
that kind of understands the music genre that you're kind of in. When I
like what do you put us in as a genre? You can't really put
us in as a genre. We're weird like that. Yeah, we have
a sound, but we're also a little bit everywhere right right, you know.
And so yeah, just going into studio there was just let's focus and
get it done and make something really cool and good. Yeah. Yeah.
How long are you did this come out digitally? How long ago? It
hasn't been that long. No, it's it was released last month. Yeah,
okay, we've actually been done with the recording since the last October.
Okay. It's just the process of it's the process of going through getting the
right mixes, getting and then mastering and then you know, and on top
of that, I was holding it off from the world for a little while
while I was finishing up the artwork for the album. Oh okay, yeah,
I want to look at have your have your band camp page open?
Yeah? Do you always do the artwork? Dude? Do you do all
the covers for Dead Harrison and all the Do you do that? I do?
Actually, now that I think about it, Yeah, No, it's
really striking. Yeah, And I mean that's it. They are their own
things. Yeah. I was challenged a little bit this time, you know,
because I had made some minor mistakes in the first album, and like
I didn't know anything about rasterizing print and all this other stuff, so I
ended up sending it off and like in the CD the print was kind of
hard to read. Oh okay, things like that, and so you know.
But that was like twelve years ago, and then I was like starting
to work on this, but also gaining a little bit more knowledge and how
to do everything, and at the same time honing my graphic designing skills a
little bit because I like to do all of our flyers and stuff like that
too. So yeah, it was. Uh. Even my brother was like,
hey, let's, you know, get an actual graphics person to put
all the stuff together, get a designer together, and just like when you
realize and understand the cost of this, yeah it's a different story. I'm
like, trust me, brother, I have this. Yeah, you know,
I've gained so much knowledge and like so and even the when I submitted
all the artwork for it to get duplicated, even the the guy over there
was just like, your art that artwork is amazing. It's going to look
so good in this album. Oh that's cool, It's good to get that
that kind of validation, you know, because obviously, you know, he
probably doesn't say that to a lot of people. You know, that's really
good when you're putting out like hundreds of thousands of CDs over the course of
your career. Yeah, yeah, no, that's really cool. That's awesome.
That's awesome. Well we should, uh, I want to make sure
we have time to get this last dots in. But what should people know
about dead Harrison? How to find you guys online? And what the next
show is? The show at Terminus in June? Is that the next show
you have? The next live show? Yep? Okay? So, and
that's a uh one street in Nashua. It's our our little home base,
and we've decided to like kick it up a notch and start presenting other bands
and other talent. And it's like, no, you come to see a
show there, you're gonna get a good show, you're gonna get good sound,
you're gonna every it. Just the feedback from everybody has always just been
amazing. Oh yeah. So being a person that you know, as a
musician, I know what I kind of would like at a show, and
to give those other musicians the same thing. It makes such a huge difference,
and you get that energy and you get that feeling and emotion out of
the music too. Absolutely, get Dead Hairs dot com, Dead Harrison dot
com. We have website, Facebook, Instagram. I don't usually use the
instas and stuff like that. Yeah, uh, but yeah, we're all
out there online. You can easily search it in any search bar and it'll
probably come up at this point. Yeah, you guys are you guys are
very googleable, as I like to say, yes, uh uh. Find
the music Spotify, YouTube, the iTunes, everywhere, everywhere with it everywhere
it's either Dead Harrison or Dead Harrison Official minus anywhere. Yeah, excellent,
excellent. So we're gonna close with this track, Hurricane Hell. Anything we
should know about this? What is it? I mean? Is is this
expressing a concern about the upcoming hurricane that this is my brother going down on
vacation down to Florida and being witness of what a hurricane did down there.
What hurricane do I can't remember. I think it was after the after effects
of either Sandy or Katrina, one of the it was. It was a
major one of the major recent ones in the past few years. Oh,
okay, so okay, yeah, there was like still that aftermath. Yeah
yeah, stuff, and he had went down there recently after it and like
saw that and it kind of inspired him to write a song about it.
Okay, So no, that makes sense. There's a Sean song. Yeah,
oh excellent. And does he sing on this one too? Yep?
So he wrote the lyrics and he sings this one. I sing this one
you sing? He also is like backup vot vocals like gotcha, another good
one with some nice harmonies in there. Yeah, yeah, no, you
guys sound great when you sing together. Absolutely, guys. Thank you again,
so much wonderful to see you both, Andre and Al. Thank you,
Matt. Always always a pleasure to have you guys on. We're big
fans as you know, and we will close out with this. This is
Hurricane Hell and the band is dead. Harrison keep from on High with barely
a warning or sigh, what's our Rainforts from the sky, you Biden setlasts
were a train on a crash of whip old ooh shungriscus stop at last,
came last, last, snapping on Shi stands survives a wheel listen like a
wheel churning up from the sea. Your coastistically desert slaves. Boo said,
we made eating more but not taking fly there actions. We'll see their own
day work okay, time cause sha rising and say no where wrong. You
don't try to hide. Life has changed. Nothing seems as free love sound
Hey, oh well we in this Jack at