1 00:00:00,280 --> 00:00:03,359 These guys, uh, this is They've been on the show many times, 2 00:00:03,439 --> 00:00:07,639 but this is our first time in the new studio. We have fifty percent 3 00:00:07,719 --> 00:00:11,919 of the band Dead Harrison here with us. Welcome, gentlemen, good morning. 4 00:00:12,560 --> 00:00:15,919 Hello, we have Andre Dumont and Axel. Vaguely am I saying your 5 00:00:16,000 --> 00:00:18,399 last name correctly? Yes? I feel like we go through this every time. 6 00:00:18,519 --> 00:00:21,719 It is vaguely yes, Okay, it's like a bagel with a lee. 7 00:00:21,960 --> 00:00:24,960 Right. That's a great see. I wish I knew that. That's 8 00:00:25,000 --> 00:00:29,800 a great way to remember it, or vaguely, but at least people remember 9 00:00:29,800 --> 00:00:33,520 it vaguely. Andre, that's a good dud too, Yeah, vaguely awesome. 10 00:00:33,719 --> 00:00:37,159 Yes, Yes, Jenny gets a bagel every Saturday morning. That's my 11 00:00:37,280 --> 00:00:42,920 special treat. Yes, we got we got it still vaguely Facebook posts. 12 00:00:43,280 --> 00:00:47,200 I have noticed that. No, I mean yes, you know I do 13 00:00:47,359 --> 00:00:51,759 keep it vague for a reason. Yes. Anyway, we're not going to 14 00:00:51,759 --> 00:00:55,320 talk about that on the air. But how do we show Have you guys 15 00:00:55,320 --> 00:00:57,960 been seen you guys in a while? Yeah it has been a while, 16 00:00:58,119 --> 00:01:00,439 yeah, other than too too long. I think we were at the open 17 00:01:00,479 --> 00:01:07,599 house at the yes for a terminus, Yes, yes, yes, yes, 18 00:01:07,799 --> 00:01:10,280 we do want to get to another show there. Our saturdays have been 19 00:01:10,319 --> 00:01:11,840 hectic, but we would like to get to When is the next show at 20 00:01:11,920 --> 00:01:17,159 Terminus? Is it June eighth? June eighth? And who's do you remember 21 00:01:17,159 --> 00:01:21,280 Who's Who's on it? More in the light? Yes and almost honest. 22 00:01:21,439 --> 00:01:23,480 Okay, and you guys too, are you guys playing that one? And 23 00:01:23,599 --> 00:01:26,079 we are playing that one too? Excellent? Excellent? And we should have 24 00:01:26,519 --> 00:01:30,799 physical copies of the CD and hand Oh yes, very good. Yeah, 25 00:01:30,799 --> 00:01:36,599 they're coming in Okay, okay, cool, we're gonna play Actually, uh, 26 00:01:37,079 --> 00:01:38,040 what do you guys want to play? We've got a bunch of music. 27 00:01:38,200 --> 00:01:41,599 We did play one of them at the end of the first hour. 28 00:01:41,680 --> 00:01:46,920 We played Monolith Lord, which is great. But what should we play next? 29 00:01:46,959 --> 00:01:49,599 We'll play something and then we'll come back and talk and get caught up. 30 00:01:49,680 --> 00:01:55,439 It's a nice summary feel out there it is. The day is wonderful, 31 00:01:55,799 --> 00:01:57,719 the dead can be fun. So I say we go with beach zombies. 32 00:01:57,799 --> 00:02:02,040 Beach zombies very good. Do they have to wear sunscreen or are they 33 00:02:02,680 --> 00:02:05,879 does it? No, they don't need to. They don't need to. 34 00:02:06,560 --> 00:02:07,520 If you want to know, If you want to know, you get to 35 00:02:07,560 --> 00:02:12,199 listen to the phone. Oh is that addressed in the lyrics? It actually 36 00:02:12,319 --> 00:02:15,960 is good. No nice, stay tuned because that's important. All right, 37 00:02:15,080 --> 00:02:19,039 very good, all right, check it out. Beat Zombies. This is 38 00:02:19,280 --> 00:03:05,520 Dad Harrison, gets change priest s one day and last night the UGO was 39 00:03:05,599 --> 00:03:27,520 quite at right shuffling down the ball walk. Everyone was shocking. Bree song 40 00:03:27,680 --> 00:03:32,319 based Man on the sand go the song is just lost a hand. Three 41 00:03:32,520 --> 00:03:49,479 songs in the midday song got Bree, song Reserve so much fun, the 42 00:03:49,840 --> 00:04:00,800 risings of their brass surfing in the last waves y all things to this show 43 00:04:00,280 --> 00:04:11,000 stud sunscreen all your chest because they all right, flash they don't care stunning 44 00:04:11,280 --> 00:04:30,040 like cool brains. So we song based bad on the sound Goo the song 45 00:04:30,160 --> 00:04:38,519 bes one songs were songbieres Aday song Goo be song bees are having so much 46 00:04:38,600 --> 00:05:36,319 fun. Watch the bottle rocks are random win parts over by cones. Let's 47 00:05:36,399 --> 00:06:05,680 just saying upside pushing other zones c cons watches down increase suns again on the 48 00:06:05,839 --> 00:06:24,839 sound one last son movies so so much fun on the sand Bezombies and the 49 00:06:26,920 --> 00:06:48,199 songs so much Nice. That is Beach Zombies. The band is Dad Harrison 50 00:06:48,279 --> 00:06:51,279 and we have a couple of the guys from the band here with us, 51 00:06:51,480 --> 00:06:57,519 uh Axel vaguely and uh I learned how to a trick to say his name, 52 00:06:57,600 --> 00:07:01,240 and of course Andre Dumont here with us live in studio and tell us 53 00:07:01,240 --> 00:07:03,639 about now we were talking about it off air, but tell us about the 54 00:07:03,720 --> 00:07:10,399 origins of that song Beach Zombies. Well, it was like a little one 55 00:07:10,480 --> 00:07:14,160 off show that it wasn't a It was a one off song that we were 56 00:07:14,279 --> 00:07:17,000 doing for a show that we had going on up in Rutland, Vermont that 57 00:07:17,160 --> 00:07:24,000 was supposed to be just a beach theme party. Rotland, of course known 58 00:07:24,079 --> 00:07:29,680 for their beaches. Yes, has great beaches, Yes and yeah, and 59 00:07:29,839 --> 00:07:36,319 so it was thinking of the idea and Jason the bass player just uh he 60 00:07:36,439 --> 00:07:42,399 kind of ran with the idea of let's do a song that represents being on 61 00:07:42,480 --> 00:07:48,480 a beach and came up with beach Zombies and rought that some taste you licks. 62 00:07:49,959 --> 00:07:56,000 I think he challenged us actually to make a reggae song but in a 63 00:07:56,120 --> 00:08:03,920 doom formata. We ran through a lot of different type of reggae feels and 64 00:08:05,120 --> 00:08:09,439 just different swings and it just it didn't hit until we just like we locked 65 00:08:09,480 --> 00:08:15,360 in a like rock groove that was kind of kind of reggae, but it's 66 00:08:15,439 --> 00:08:20,160 it's out of it, like wheel Wheelhouse. So you wanted to challenge himself 67 00:08:20,199 --> 00:08:24,439 and us to like to make that type of idea. So and we did, 68 00:08:24,600 --> 00:08:30,439 and like the the response has been great. Actually, I didn't think 69 00:08:30,680 --> 00:08:33,759 that that song would have would have taken off like it did. Yeah. 70 00:08:33,600 --> 00:08:39,200 Yeah, I like harder songs obviously, like something catchy like that. It 71 00:08:39,440 --> 00:08:43,200 really makes you know, people dance and you get involved. And that's Jason 72 00:08:43,279 --> 00:08:48,559 singing, right, that's Jason. Yeah. I had to give him a 73 00:08:48,559 --> 00:08:50,320 shot at the mic and be like, hey, you know you wrote the 74 00:08:50,440 --> 00:08:54,679 song. Why are you sing it? Because it sounds good and it gives 75 00:08:54,720 --> 00:08:58,200 a different voice. It shows the diversity of the band. Is that the 76 00:08:58,200 --> 00:09:03,000 first time he had done lead vocal and Dad Harrison yes, I'm well no, 77 00:09:03,360 --> 00:09:07,399 no, no, no. He has a couple oh yeah, okay, 78 00:09:07,600 --> 00:09:13,639 there's a couple of the older tunes. I can't put them together in 79 00:09:13,720 --> 00:09:16,480 my head right now. Left March was one of them, right, yes, 80 00:09:16,679 --> 00:09:20,759 where we all had like individual parts, like he had the whole first 81 00:09:22,000 --> 00:09:26,279 verse, and then I ended up taking like the bridgey part, and then 82 00:09:26,440 --> 00:09:31,039 my brother ended up taking up the last verse, okay, And so yeah, 83 00:09:31,159 --> 00:09:35,240 it was definitely like we know that we all can sing, but here 84 00:09:35,360 --> 00:09:39,840 was another chance to kind of like showcase stuff. John sings with me a 85 00:09:39,919 --> 00:09:46,240 lot like my brother the guitar players, so it's like we have deaths where 86 00:09:46,720 --> 00:09:54,039 and that and with Jason singing also just gives like nice full vocal depth in 87 00:09:54,159 --> 00:09:56,000 the songs. Yeah. I noticed when we when we came to the open 88 00:09:56,039 --> 00:10:01,039 house at Terminus, when you guys shit terror Grinder, I noticed you and 89 00:10:01,080 --> 00:10:05,559 Sean singing together and I didn't he's actually your brother, Yes he is. 90 00:10:05,879 --> 00:10:11,559 All these years, I never knew that same oven, different Baker. Okay, 91 00:10:11,919 --> 00:10:15,519 understood, So that explains a different last name. I never knew that. 92 00:10:15,759 --> 00:10:18,440 And I don't think you guys look anything alike, but as you said, 93 00:10:18,679 --> 00:10:20,720 different baker. But uh, yeah, I had no I had no 94 00:10:20,840 --> 00:10:24,279 idea. Yeah, no, it's a it's a really cool thing and just 95 00:10:24,399 --> 00:10:28,279 the origins of like, you know, oh, my brother, like I 96 00:10:28,399 --> 00:10:31,960 want to play some music together with him, and you know, yeah, 97 00:10:31,159 --> 00:10:35,960 you know you think Dimebag and Vinny, sure, you know. So there's 98 00:10:37,080 --> 00:10:41,440 the van Halen brothers. Yeah, and it's like there's definitely a cool aspect 99 00:10:41,519 --> 00:10:46,559 of like having family in your music wheelhouse and yeah, you kind of know 100 00:10:46,639 --> 00:10:52,360 each other and plus your vocal timbers just like match so well, yeah, 101 00:10:52,480 --> 00:10:56,519 you guys singing together on Tara Grinder is really good. Uh you're hearing that 102 00:10:56,720 --> 00:11:00,919 live? It's really good. Yeah yeah, I mean he also screams too, 103 00:11:01,559 --> 00:11:05,399 yeah he's I can't scream like that, but like you put it together, 104 00:11:05,480 --> 00:11:11,879 it's very harmonic. How they how they work together. Yeah. Because 105 00:11:11,960 --> 00:11:16,240 like the influences, if we want to run down with the influences too, 106 00:11:16,440 --> 00:11:20,720 ye that because you know Isaac Banks is going to ask as well as what's 107 00:11:20,759 --> 00:11:28,759 your favorite Matchbox twenty? So I mean to answer it would be real world 108 00:11:28,200 --> 00:11:35,039 over back to good because back to goods good? But sure way, what 109 00:11:35,840 --> 00:11:41,919 are your influences? Andre? For what you think the sound of HS? 110 00:11:43,120 --> 00:11:46,320 The sound of of what of d H? Sorry if my voice keeps coming 111 00:11:46,360 --> 00:11:52,559 in and out like your side? Yeah, influences. I mean I go 112 00:11:54,000 --> 00:11:56,799 a little bit more. I've always been just a huge fan of Typo negative, 113 00:11:58,080 --> 00:12:01,159 but I like the good goth the kind of stuff, so I mean 114 00:12:01,240 --> 00:12:03,639 I like Sisters of Mercy and but also like go into the rum of like 115 00:12:05,039 --> 00:12:09,519 you know, corrosion to conformity and you know, different like aspects of rock. 116 00:12:09,919 --> 00:12:15,559 Yeah, that big feel, you know, I guess that's the best 117 00:12:15,600 --> 00:12:18,919 way that I can put I like things with a little bit of dynamics and 118 00:12:18,000 --> 00:12:22,919 emotion in them rather than just like hard hit at y'all all the time. 119 00:12:22,120 --> 00:12:28,360 Yeah, absolutely, Yeah, Well how about you axel Mine's more of like 120 00:12:28,480 --> 00:12:33,399 the grunge area, Yeah, Slash Prague, so like Alison Chains, Sound 121 00:12:33,480 --> 00:12:37,679 Garden, Melvin's kind of like the same same ones we went over before. 122 00:12:37,279 --> 00:12:48,320 It's a very like early nineties alternative like uh two thousands Prague to APC Puss 123 00:12:48,480 --> 00:12:52,840 for all that stuff. So like I'm a very like alternative type of person. 124 00:12:52,039 --> 00:12:58,960 So there was a lot of I think it was like Caius like when 125 00:13:00,039 --> 00:13:03,559 and when I was first getting into the band that like Sean, one of 126 00:13:03,600 --> 00:13:09,919 Sewan's areas is Caius Queens of the Stone Age, and like rebirth, like 127 00:13:11,080 --> 00:13:13,600 the stuff that I haven't listened to in a while, like like corrosion and 128 00:13:13,679 --> 00:13:20,159 conformity where I'm like, oh yeah, so it's been it's been a long 129 00:13:20,240 --> 00:13:26,799 time since I've like listened to like really grungy, sludgy stuff. It's like 130 00:13:26,919 --> 00:13:33,840 that desert dune stuff very welcoming. Yeah, by the way, Isaac Banks 131 00:13:33,080 --> 00:13:37,679 in the chat room, so this is the question now. This time he's 132 00:13:37,720 --> 00:13:41,080 asking, have you ever listened to the eighties band the Outfield songs like Your 133 00:13:41,200 --> 00:13:45,600 Love, all the Love in the World, I Don't Need Her every Time 134 00:13:45,679 --> 00:13:50,480 You Cry and Winning It All from the movie of the Mighty Ducks soundtrack. 135 00:13:52,799 --> 00:13:58,720 I don't think I have your thoughts. They don't particularly ring a bell. 136 00:14:00,000 --> 00:14:03,720 Probably have heard one of the first one that was mentioned. I feel like 137 00:14:03,840 --> 00:14:07,960 I've probably heard it. Well, I heard it, I would yeah, 138 00:14:07,039 --> 00:14:11,039 well everybody knows that song your Love. I don't want I just want to 139 00:14:11,559 --> 00:14:15,919 use fun fact. Yes, yes, when I was a kid and I 140 00:14:15,960 --> 00:14:18,519 took guitar lessons, that's the first song I've ever learned on the guitar. 141 00:14:18,759 --> 00:14:20,519 That is a great song. Actually, yeah, I don't mind it because 142 00:14:22,000 --> 00:14:26,639 look, you listen to it musically, it's got all those cool elements. 143 00:14:26,799 --> 00:14:33,799 Yes, yeah, yeah, it is a great song. Absolutely. Melanie, 144 00:14:33,840 --> 00:14:35,919 who by the way, is from Vermont, and I'm sure it's quite 145 00:14:35,960 --> 00:14:41,039 familiar with the beaches of Rutland, says uh. I do question the referring 146 00:14:41,080 --> 00:14:43,039 to the song I beat Zammies. I do question the use of sunscreen though, 147 00:14:43,639 --> 00:14:48,000 because well they're dead. Well, I I've always said, though, 148 00:14:48,240 --> 00:14:50,080 you're never too old to take care of your skin. You know you don't 149 00:14:50,120 --> 00:14:54,480 want, you know, skin cancer. Well, yeah, you know, 150 00:14:56,039 --> 00:15:00,600 it probably would help maintain a little bit of flesh still on you for a 151 00:15:00,720 --> 00:15:05,559 while rather than drying out right crisping off and falling apart exactly exactly, because 152 00:15:05,559 --> 00:15:11,240 there what you have left exactly exactly. Yes, I'm all about it. 153 00:15:11,519 --> 00:15:15,360 She also said, this is so fantastic. Everyone knows zombies love to make 154 00:15:15,440 --> 00:15:22,879 sam castles sometimes body castles if they try to climb over a wall. Yes, 155 00:15:22,639 --> 00:15:28,000 exactly. World Wars. World Wars there freaked me the hell out back 156 00:15:28,039 --> 00:15:31,159 then, because like, up until that point I was used to, like 157 00:15:31,240 --> 00:15:33,480 twenty eight days later, zombies like ants, and I'm like, oh man, 158 00:15:33,799 --> 00:15:37,679 that's kind of freaky. They're running. Yeah, these ones are like 159 00:15:37,960 --> 00:15:43,360 full on sprinting and throwing themselves at walls at Brad Pitt for like an hour 160 00:15:43,399 --> 00:15:45,480 and a half, and I'm like, I can't deal with this. If 161 00:15:45,519 --> 00:15:48,759 this was real life, I would not make it right. No, No, 162 00:15:48,960 --> 00:15:54,200 that's intense certainly not, certainly not. And and tell us about because 163 00:15:54,480 --> 00:16:00,320 Andre you. Hauld commented on this software about the album and kind of exploring 164 00:16:00,320 --> 00:16:03,600 those different elements with people singing other than you know, because you're you're primarily 165 00:16:03,679 --> 00:16:08,679 the lead singer. But actually when I first met you guys, before Axel 166 00:16:08,759 --> 00:16:11,000 was in the band, you were the singing drummer. You had a lot 167 00:16:11,039 --> 00:16:14,960 of lot going on there at once. Yeah. Well, it was like, 168 00:16:15,519 --> 00:16:17,519 you know, so many things in my head that I had to try 169 00:16:17,600 --> 00:16:18,919 and get out. It was like, how do you do it? You 170 00:16:19,080 --> 00:16:22,200 just you just have to do it, And so it put me into that 171 00:16:22,360 --> 00:16:27,320 place to just create. H Yeah. You know, Now with this album, 172 00:16:27,759 --> 00:16:33,399 it was a little bit different. It was more of like understanding that 173 00:16:33,639 --> 00:16:41,080 every band member has great talent and also has really good songwriting abilities, and 174 00:16:41,200 --> 00:16:45,440 so I kind of like took that little step back and let those guys like 175 00:16:47,000 --> 00:16:48,879 bring a lot of those ideas to the table. I mean, there was 176 00:16:48,919 --> 00:16:56,039 a couple of things that were like share I think lyrically, my only input 177 00:16:56,320 --> 00:17:03,000 was like in the choruses of a Lord and there were just a cool set 178 00:17:03,039 --> 00:17:06,599 of lyrics that I had written, a little thing that I had written down 179 00:17:06,640 --> 00:17:11,400 in a notebook. But then when Sean brought the song to us to be 180 00:17:11,559 --> 00:17:12,920 like, hey, listen to this. I kind of made this song up 181 00:17:14,000 --> 00:17:17,440 and like, you know, he had some lyrics that and I was just 182 00:17:17,559 --> 00:17:21,920 like, we can blend both of these together and like yeah and that, 183 00:17:22,240 --> 00:17:25,400 and that's how the song ended up coming. And it was just like also 184 00:17:25,519 --> 00:17:33,480 that weird connectiveness of the universe having multiple or a single idea but it spreads 185 00:17:33,519 --> 00:17:37,799 across on multiple planes. And the fact that my brother was kind of like 186 00:17:37,960 --> 00:17:42,240 thinking of the same thing and that and the monolists were popping up all over 187 00:17:42,279 --> 00:17:48,680 the place too. At the time, it was like that whole we just 188 00:17:48,759 --> 00:17:51,480 discovered a modelith out here. And you, mistess remember that, Oh I 189 00:17:51,519 --> 00:17:56,319 do remember that. There was like WHATB five five that ended up popping up 190 00:17:56,839 --> 00:18:00,079 just randomly throughout the like a good week was just like every other day, 191 00:18:00,119 --> 00:18:06,160 another one and another one. Was that ever solved and it stopped for a 192 00:18:06,240 --> 00:18:14,400 while and they just found another one recently really overseas. It's weird. Was 193 00:18:14,480 --> 00:18:17,559 that was that difficult for you to kind of let go a little bit or 194 00:18:17,720 --> 00:18:21,039 was it a relief or you know, to let the other guys in on 195 00:18:21,160 --> 00:18:23,200 that process or what was what was that? Like? I thought about it, 196 00:18:23,759 --> 00:18:29,680 and I mean, I could it was a choice because I could be 197 00:18:29,799 --> 00:18:33,119 disappointed with it, or I could look at it as like a relief, 198 00:18:33,920 --> 00:18:40,240 just not even to be a relief, but just let other people have a 199 00:18:40,400 --> 00:18:44,680 chance. Yeah, you know. And and that's how I looked at it, 200 00:18:44,720 --> 00:18:48,319 and was like, great things could come out of this, right, 201 00:18:48,440 --> 00:18:53,400 you know. It's like and but that's also what creates that that inter connectivity 202 00:18:55,119 --> 00:18:59,599 amongst all the members, you know, because we are we're we're all equal 203 00:18:59,680 --> 00:19:06,359 and together, so creating what is dead Harrison. So it's like, yeah, 204 00:19:06,880 --> 00:19:14,200 it's not just my show. So we're we're well past the establishment of 205 00:19:14,480 --> 00:19:18,279 just the first starting and like here's my ideas, and now we're into like 206 00:19:18,359 --> 00:19:22,559 a cohesive group. And so it's like really good to be able to showcase 207 00:19:23,440 --> 00:19:27,200 what everybody. Eventually he'll write a song, he just doesn't know it yet. 208 00:19:30,839 --> 00:19:33,359 I mean that that thank you for that, for that, uh, 209 00:19:33,799 --> 00:19:41,079 that encouragement. I got nothing lyrically in the brand saying, but I I 210 00:19:41,279 --> 00:19:47,839 just hit things. What what he gave me a chance to do was to 211 00:19:48,279 --> 00:19:53,319 think outside of my own cohesive box of like what I what I think drums 212 00:19:53,319 --> 00:19:59,079 should be or what I think hard metals should be. I know, I 213 00:19:59,200 --> 00:20:03,720 like keep jumping on the way. You gave me the choice of like do 214 00:20:03,799 --> 00:20:04,559 you want to do this? Do you want to do that? Like do 215 00:20:04,640 --> 00:20:08,279 you do you want to just stay in this like rock and roll format or 216 00:20:08,319 --> 00:20:12,240 do you want to like learn something? And like it was a like the 217 00:20:12,480 --> 00:20:18,200 first year was was very very hit or miss because like I play a certain 218 00:20:18,240 --> 00:20:21,799 way and he plays a certain way, you know what I mean, Like 219 00:20:22,200 --> 00:20:26,240 not like he plays better or I play better, Like we just play two 220 00:20:26,279 --> 00:20:30,359 different styles, right, I mean, And it took us a while to 221 00:20:30,400 --> 00:20:33,200 figure out that, Like we were thinking the exact same thing, but like 222 00:20:33,279 --> 00:20:40,680 we were coming from two different playing playing fields. So like we he he 223 00:20:40,759 --> 00:20:47,839 gave me the opportunity of like morphing of how I could make a fingerprint with 224 00:20:47,920 --> 00:20:49,799 this band instead of just like playing the same stuff. It's like, here's 225 00:20:51,480 --> 00:20:53,279 what I can do with this. So when you joined the band, did 226 00:20:53,319 --> 00:20:59,680 you did you try to learn exactly how Andre played the songs? And then 227 00:21:00,599 --> 00:21:03,680 but over time that kind of morphed a little bit. Well that's a necessity, 228 00:21:03,759 --> 00:21:06,160 right, Like that's an absolute necessity. If you want a job, 229 00:21:06,240 --> 00:21:11,400 then you have to do what the requirements are. The general aspect so once 230 00:21:11,440 --> 00:21:17,839 you have that footing, then you can just muscle memory your own stuff as 231 00:21:17,880 --> 00:21:21,319 you go along. Yeah, And like there were other things I was doing, 232 00:21:22,640 --> 00:21:26,920 like my own practices and my own projects in my own career that were 233 00:21:26,960 --> 00:21:32,200 teaching me did different stuff. So like I would always learn and then come 234 00:21:32,279 --> 00:21:37,440 back learn and then come back to here to make it better. Like I 235 00:21:37,759 --> 00:21:41,680 no offense to myself, but I was trash the first like six months. 236 00:21:41,920 --> 00:21:45,440 Like you guys are very very gracious, because like I must have been like 237 00:21:45,519 --> 00:21:48,079 a timid leaf the very six months, like I really was. Yeah, 238 00:21:48,319 --> 00:21:55,160 I was like, oh no, oh no, because because Andre, you 239 00:21:55,319 --> 00:22:00,240 play a certain way that requires not like you want to it work acquires like 240 00:22:00,519 --> 00:22:07,400 endurance. It requires a technique and precision, and like you need to know 241 00:22:07,680 --> 00:22:11,839 certain things to do certain things, and I off hand did not know how 242 00:22:11,920 --> 00:22:18,599 to do certain like thrash stuff or punk stuff that he's like fluent fluent with. 243 00:22:19,279 --> 00:22:23,279 So like I learned a lot of old techniques that I should have learned 244 00:22:23,319 --> 00:22:30,319 in the first place. Not now now about that ross bird in power, 245 00:22:32,519 --> 00:22:37,759 like he just plays like in a raw emotion. I definitely puts me in 246 00:22:37,839 --> 00:22:41,759 my paces. So it's it's not like it's not like we as I said, 247 00:22:41,799 --> 00:22:47,079 we don't play on the same level. We just we have a very 248 00:22:47,160 --> 00:22:52,880 aggressive way of playing two different two different ways. And even on stage we 249 00:22:52,960 --> 00:22:56,720 can we can swap out and I'll just go up front with some percussion and 250 00:22:56,720 --> 00:22:59,039 he'll just jump on the drums. So yeah, do you ever do that? 251 00:22:59,240 --> 00:23:00,440 Yeah, okay, I've done that a couple of times. There was 252 00:23:00,440 --> 00:23:03,519 another thing that I was trying to do too. And it's nice if you 253 00:23:03,640 --> 00:23:07,720 have the stage and that's bring two drum sets. Oh yeah, We've done 254 00:23:07,759 --> 00:23:11,839 that and and do a couple of songs with double drums. Is like people 255 00:23:11,880 --> 00:23:15,359 are just like, what is that? That's awesome? Yeah, and it 256 00:23:15,480 --> 00:23:19,559 sounds so big. Yeah. Is that hard you? I mean you don't 257 00:23:19,599 --> 00:23:22,319 see it often. You know, once in a while you'll see a dual 258 00:23:22,400 --> 00:23:26,599 drummer situation. It's easier, is it? Yeah? Way easier. It's 259 00:23:26,880 --> 00:23:32,400 it's not no when when you know the songs and you know the things, 260 00:23:32,480 --> 00:23:37,039 and yeah, as a drummer, you are learning to pay attention to the 261 00:23:37,119 --> 00:23:41,440 other instruments that are going on at the same time. But you know, 262 00:23:41,640 --> 00:23:47,079 having two drums can really like lock things in. Yeah, and it allows 263 00:23:47,960 --> 00:23:52,000 different stuff to happen too, because somebody can be carrying the regular rhythm and 264 00:23:52,079 --> 00:23:55,559 then the other drummer can go, oh, I'm going to put in some 265 00:23:55,640 --> 00:23:57,680 little polyrhythms. Well, that's what I'm wondering. Does it when you when 266 00:23:57,720 --> 00:24:02,680 you do that, does it require one of you to kind of lay back 267 00:24:02,759 --> 00:24:06,079 and not because you don't want to be doing fills at the same time, 268 00:24:06,200 --> 00:24:10,160 right, or it's gonna get messy, or maybe you do. I don't 269 00:24:10,200 --> 00:24:11,559 know. I mean, I'm not a drummer. I mean, but I'm 270 00:24:11,640 --> 00:24:15,640 fascinated by that dynamic, you know. I think it's a very interesting thing. 271 00:24:15,799 --> 00:24:18,640 Yes, I'm sure that there's times where it can be hit or missed, 272 00:24:18,720 --> 00:24:21,599 but yeah, I mean, when you're in the moment, it's just 273 00:24:21,720 --> 00:24:25,359 like a drumming circle. Yeah, yeah, you know, except you have 274 00:24:26,799 --> 00:24:30,720 other instruments that are also going on that just help make that feel even that 275 00:24:30,880 --> 00:24:33,799 much. But I mean, at the same time, you know, you're 276 00:24:33,839 --> 00:24:37,200 already playing a song that you know, right, so it's not like you 277 00:24:37,319 --> 00:24:41,000 may be making some stuff up, but you already have the gist of it 278 00:24:41,119 --> 00:24:45,519 that you're gonna just glide right through it. Yeah, and you both lock 279 00:24:45,640 --> 00:24:48,880 in. Yeah, it just happens like super cool. Yeah, well that's 280 00:24:48,920 --> 00:24:53,279 awesome. We should we should play another track. I what do you think 281 00:24:53,440 --> 00:24:57,640 should we play Terror Grinder? I love I love this song. I love 282 00:24:57,720 --> 00:25:07,559 here. I think a great one another? Like where does this southern gospel 283 00:25:07,119 --> 00:25:11,680 rock from? Like it's like, what is this? Well? What? 284 00:25:12,119 --> 00:25:15,359 Yeah? I was going to ask you about, you know, if there's 285 00:25:15,359 --> 00:25:18,759 anything we should know about this before we play it, because uh, you 286 00:25:18,839 --> 00:25:19,920 know, I'm curious. Like I said, it's for me. It's one 287 00:25:19,920 --> 00:25:26,319 of my favorites that you guys have done. I don't know it just like 288 00:25:26,440 --> 00:25:29,559 what is just the way it happened? Like Sean brought the lyrics to the 289 00:25:29,640 --> 00:25:30,799 table and was just like, hey, I got this song and he had 290 00:25:30,880 --> 00:25:34,119 some kind of cool riffs and I was just like, oh, like I 291 00:25:34,359 --> 00:25:40,119 just had this spontaneous idea like let's make it this kind of feel and then 292 00:25:40,319 --> 00:25:45,680 switch it up into the chorus and and that's what it became. And this 293 00:25:45,839 --> 00:25:48,160 and this is you guys singing together for the whole thing, right, Yeah, 294 00:25:48,240 --> 00:25:49,920 yeah, now this is really good. The Terror Grinder. It's just 295 00:25:51,039 --> 00:25:56,839 it's a an entity that just grinds everything into the powdered dust and it's just 296 00:25:56,119 --> 00:26:02,400 it's a terrored thing. Like you have to look at the album cover of 297 00:26:02,440 --> 00:26:06,599 what it actually looks like. It's menacing a beast that just crying things. 298 00:26:06,799 --> 00:26:10,279 Yeah, yeah, all right, let's give this a spin. This is 299 00:26:10,359 --> 00:26:12,759 really good. This is Terror Grinder, this is Dad Harrison and they are 300 00:26:12,839 --> 00:26:23,640 with us in studio. Check this out song The games in from the city 301 00:26:26,279 --> 00:26:36,119 Lord the Chamber, Rob your gun. We stay asleep for a lot of 302 00:26:36,240 --> 00:27:03,240 time. The teams around to have some fun fun. See that's with the 303 00:27:03,519 --> 00:27:18,799 mastyle hop the bread drag bier but the bestnot be of a row but till 304 00:27:19,319 --> 00:27:26,920 riders rolling. It's tasteful blood it's real. Look go and as trailer. 305 00:27:26,119 --> 00:27:30,880 It's quick, you know, big three. You can feel but to let's 306 00:27:30,920 --> 00:27:37,920 saddle Bryda Rhill kings on its wrong now, I'm ja don send this battle 307 00:27:38,039 --> 00:28:18,720 cry and bank of us. It's no real bad rider shoot God knows and 308 00:28:18,960 --> 00:28:33,920 make journey to see its. Claire going to Swaye of Tho Silk Turner of 309 00:28:34,240 --> 00:28:48,559 fis long taping place motes were gone and spent. The latch came to us 310 00:28:48,720 --> 00:29:00,039 about of space. It's blindly ray try to rather a game to a human 311 00:29:00,240 --> 00:29:08,799 grade looked up the sky around us. It's falling through the sea. This 312 00:29:10,119 --> 00:29:15,200 thing you call your night time will soon be just a tree. The tall 313 00:29:15,599 --> 00:29:22,079 line at take it and get it done to thee when all the world is 314 00:29:22,279 --> 00:29:37,240 getting called one thing was still rookie. He said, stuff fin, I 315 00:29:37,559 --> 00:31:52,359 don't I pla s s so s S. That is Sarah Grinder. The 316 00:31:52,440 --> 00:31:55,039 band is Dad Harrison and they are with us in studio. Half of the 317 00:31:55,079 --> 00:32:00,720 band is here. We've got axle vaguely and Andre do mine here with us 318 00:32:00,920 --> 00:32:04,480 in the in the studio and great track. You got to hear that live. 319 00:32:04,599 --> 00:32:07,279 If you have not seen Dad Harrison, you should see them live. 320 00:32:07,359 --> 00:32:09,720 And uh that that song is uh because you guys opened with that a terminus 321 00:32:09,759 --> 00:32:13,920 and that for the open house. Oh yes, I really like you always 322 00:32:13,960 --> 00:32:15,920 open with that one. That's a strong not usually it's a strong opener. 323 00:32:16,240 --> 00:32:21,599 I think it is a good strong opener. Yeah, it just so happened 324 00:32:21,640 --> 00:32:23,400 that that same day we had band practice, so you probably just have been 325 00:32:23,519 --> 00:32:29,119 a bunch of rehearsals. Oh yeah, that's right. I think I think 326 00:32:29,160 --> 00:32:31,880 you guys even said that during your set. Yeah, yeah, I think 327 00:32:32,160 --> 00:32:36,640 Jason Skulls said something like yeah, this is like you're you're basically watching our 328 00:32:36,680 --> 00:32:38,960 bit our rehearsals. Welcome to our rehearsal. And it was oh, it 329 00:32:39,039 --> 00:32:44,119 was good. It was really good, really good. Now, so the 330 00:32:44,240 --> 00:32:47,279 album is out right, but only digitally, but you're gonna have physical copies 331 00:32:47,319 --> 00:32:52,039 soon. Is that just a little supplant back in the duplication process, you 332 00:32:52,119 --> 00:32:54,839 know? Yeah? Yeah? And where does the name none for all? 333 00:32:54,920 --> 00:32:58,720 Let's the name of the album, Where where does that come from? Is 334 00:32:58,759 --> 00:33:06,240 that of any significance? Sir? It does kind of to me it's a 335 00:33:06,279 --> 00:33:12,759 little uh, a little nod to type O negative because then the lyrics of 336 00:33:13,079 --> 00:33:16,640 the dream is dead. There's a line that is all for one and none 337 00:33:16,720 --> 00:33:22,000 for all ah, And so the more I thought about it, I was 338 00:33:22,119 --> 00:33:24,559 like, how do I give this little nod? And we had the album, 339 00:33:25,079 --> 00:33:28,920 it wasn't even an album before this. We had like six songs that 340 00:33:29,039 --> 00:33:32,079 we released that weren't that were all singles that were put out. But I've 341 00:33:32,119 --> 00:33:36,920 always had it in my head that there's actually the two parts. And so 342 00:33:37,400 --> 00:33:42,880 those first bunch of singles they never made it out to a CD, they 343 00:33:42,960 --> 00:33:46,200 never made it out for like physical copies, and they're still not out there, 344 00:33:47,680 --> 00:33:54,559 but those are all for none okay, and none for all is kind 345 00:33:54,599 --> 00:34:00,440 of like the part two. Ah gotcha. So eventually there's going to be 346 00:34:00,480 --> 00:34:07,200 a double CD set that has like those two things cohesively together plus some extra 347 00:34:07,359 --> 00:34:09,840 stuff on there. Oh, very cool, very cool. It must be 348 00:34:09,960 --> 00:34:14,920 nice to being able to like with with Terminus, being able to play there 349 00:34:15,280 --> 00:34:20,320 and to uh you know, because it's it's just I I tell everybody when 350 00:34:20,360 --> 00:34:22,639 we went to the open house, it was like I think I probably said 351 00:34:22,679 --> 00:34:25,320 this to you in fact when we were talking. It's like walking into another 352 00:34:25,400 --> 00:34:30,840 world walking into that room, it's so cool and walking into my world now. 353 00:34:30,559 --> 00:34:36,199 It's it's such a surprise. You know, who are some of the 354 00:34:36,280 --> 00:34:37,519 bands that you've had there. You've had a bunch of cool bands. Uh, 355 00:34:38,079 --> 00:34:44,159 Whalen Park just played there, Yl Park last week. I love Electric 356 00:34:45,320 --> 00:34:51,159 I know you had you had Conduit, right, we had gran were there 357 00:34:52,199 --> 00:34:59,960 for that, Uh already dead and then there was when the dead Bolt bring 358 00:35:00,559 --> 00:35:05,719 Oh yeah yeah from Connecticut. Yeah yeah. Well that's the thing is like 359 00:35:05,880 --> 00:35:09,719 just there's so many, so many good bands, and it's it's awesome to 360 00:35:09,800 --> 00:35:15,280 be able to like do some things that obviously being in the scene like how 361 00:35:15,679 --> 00:35:19,960 and watching the state of our venues just go away, you know, and 362 00:35:20,079 --> 00:35:28,719 it but it's trying to reinstill that element of like actually going to a place 363 00:35:28,840 --> 00:35:32,119 to enjoy music, right, you know, Nashua really needed that, right 364 00:35:32,679 --> 00:35:38,199 absolutely, it still does. Yeah. Yeah, I was surprised at how 365 00:35:39,440 --> 00:35:42,719 you know, because you know, there's quite a few places to play around 366 00:35:42,719 --> 00:35:45,239 here, but Nashua. Yeah, it was like, there's really not that 367 00:35:45,280 --> 00:35:49,679 many places to play original music. So it's it's wonderful to have that, 368 00:35:49,840 --> 00:35:52,480 to have terminus. Yeah, unless you're a cover band then you can go 369 00:35:52,559 --> 00:35:54,599 and well yeah of course, yeah, but if you're doing original music like 370 00:35:54,679 --> 00:35:58,840 you're doing now, that's that's great. Oh we should mention too now, 371 00:35:59,599 --> 00:36:02,360 So Grinder, was you recorded that with Eric Solder? Yeah? Yeah, 372 00:36:02,480 --> 00:36:07,119 Blackheart was the whole album done done there or it was it was okay, 373 00:36:07,519 --> 00:36:08,239 Yeah, we had him on the show. I think it was a couple 374 00:36:08,280 --> 00:36:10,679 of months ago now and his name comes up all the time. Of course, 375 00:36:10,679 --> 00:36:13,880 I Eric Sotter from Black Hearts. I was a very busy man. 376 00:36:14,239 --> 00:36:17,039 Absolutely, absolutely, He's one of the best in the business, hands down, 377 00:36:17,199 --> 00:36:21,000 at least in the New England sector. He is one of the most 378 00:36:22,559 --> 00:36:28,400 prolific, if not like very masterful of his craft audio engineer and producer. 379 00:36:28,800 --> 00:36:31,559 Yeah, at least out here. Yeah, really very highly respected. Now 380 00:36:31,760 --> 00:36:36,239 you worked with him before none for all? Or is this the first thing 381 00:36:36,280 --> 00:36:39,480 that dead Harris was the first time with him? Okay, So like the 382 00:36:39,599 --> 00:36:45,400 other stuff was, you know, the first album was done with my brother's 383 00:36:45,840 --> 00:36:50,079 friend who had just completed you know, audio engineering school. Oh, no 384 00:36:50,239 --> 00:36:54,119 kidding, So we were his like first thing that he was just trying to 385 00:36:54,239 --> 00:36:59,000 do out of school. Yeah. So it was, you know, no 386 00:36:59,199 --> 00:37:01,119 cost or anything like. Yeah, it was just like we're gonna do a 387 00:37:01,159 --> 00:37:05,360 bunch of stuff and we came up with an album. It sounds okay, 388 00:37:07,159 --> 00:37:12,440 and then just ended up making more connections. I ended up playing, uh, 389 00:37:13,119 --> 00:37:16,679 filling in bass for another band, Hunter and the drummer Connor is an 390 00:37:17,840 --> 00:37:22,760 excellent has an excellent ear for recording. Yeah, we've had that a long 391 00:37:22,800 --> 00:37:24,280 time ago. We have We've had them on the show. Yeah. Yeah. 392 00:37:24,320 --> 00:37:28,079 And now he's in No More Blues Tomorrow, that's his new project. 393 00:37:28,239 --> 00:37:32,239 Okay, but he's got a great ear. Yeah, he recorded like four 394 00:37:32,320 --> 00:37:39,800 songs for us and then our friend Joel Simkiss from Toughs University radio station. 395 00:37:40,440 --> 00:37:45,199 He's their audio engineer. Was that is that w MFO? Yes? Okay, 396 00:37:45,280 --> 00:37:51,840 yep and uh And so he recorded another two songs I believe, and 397 00:37:52,119 --> 00:37:55,880 those were the latest two singles before this one here. Yeah, Nameless Dream 398 00:37:57,000 --> 00:38:05,480 being one of them, Nameless Dream and I'm trying to think of what my 399 00:38:05,639 --> 00:38:08,159 brain is just like it' there's too much. Yeah, it'll it'll come to 400 00:38:08,239 --> 00:38:10,280 me. It'll come to you when you're not thinking about it. Yeah, 401 00:38:12,000 --> 00:38:15,079 but that's one of them. Thirty minutes down the road. When you started 402 00:38:15,159 --> 00:38:19,840 recording with Eric at Blackheart, was the intention to do a full album from 403 00:38:19,880 --> 00:38:23,320 the beginning or yeah, okay, we definitely like had the material at that 404 00:38:23,440 --> 00:38:30,039 point. Yeah. It was good to also be able to like put that 405 00:38:30,199 --> 00:38:35,960 focused energy and really work on making something good and solid. I mean there's 406 00:38:36,199 --> 00:38:38,119 there's a moments where you're just like, oh, I want to put this 407 00:38:38,239 --> 00:38:39,840 in, and I want to put this in, and I want to put 408 00:38:39,880 --> 00:38:45,719 this in, but it's a long process. Yeah. So yeah, it 409 00:38:45,840 --> 00:38:49,320 was just let's get it focused, let's get it done, and having somebody 410 00:38:49,400 --> 00:38:55,199 that kind of understands the music genre that you're kind of in. When I 411 00:38:55,880 --> 00:38:59,360 like what do you put us in as a genre? You can't really put 412 00:38:59,440 --> 00:39:01,440 us in as a genre. We're weird like that. Yeah, we have 413 00:39:01,559 --> 00:39:08,239 a sound, but we're also a little bit everywhere right right, you know. 414 00:39:10,079 --> 00:39:16,480 And so yeah, just going into studio there was just let's focus and 415 00:39:17,000 --> 00:39:22,119 get it done and make something really cool and good. Yeah. Yeah. 416 00:39:22,559 --> 00:39:25,599 How long are you did this come out digitally? How long ago? It 417 00:39:25,679 --> 00:39:29,760 hasn't been that long. No, it's it was released last month. Yeah, 418 00:39:29,840 --> 00:39:35,840 okay, we've actually been done with the recording since the last October. 419 00:39:36,119 --> 00:39:38,920 Okay. It's just the process of it's the process of going through getting the 420 00:39:39,000 --> 00:39:44,760 right mixes, getting and then mastering and then you know, and on top 421 00:39:44,840 --> 00:39:46,400 of that, I was holding it off from the world for a little while 422 00:39:46,480 --> 00:39:51,480 while I was finishing up the artwork for the album. Oh okay, yeah, 423 00:39:52,559 --> 00:39:55,320 I want to look at have your have your band camp page open? 424 00:39:55,400 --> 00:39:58,519 Yeah? Do you always do the artwork? Dude? Do you do all 425 00:39:58,559 --> 00:40:01,119 the covers for Dead Harrison and all the Do you do that? I do? 426 00:40:01,519 --> 00:40:05,800 Actually, now that I think about it, Yeah, No, it's 427 00:40:05,880 --> 00:40:13,960 really striking. Yeah, And I mean that's it. They are their own 428 00:40:14,119 --> 00:40:17,760 things. Yeah. I was challenged a little bit this time, you know, 429 00:40:17,800 --> 00:40:23,079 because I had made some minor mistakes in the first album, and like 430 00:40:24,079 --> 00:40:29,000 I didn't know anything about rasterizing print and all this other stuff, so I 431 00:40:29,079 --> 00:40:32,480 ended up sending it off and like in the CD the print was kind of 432 00:40:32,559 --> 00:40:37,519 hard to read. Oh okay, things like that, and so you know. 433 00:40:37,639 --> 00:40:43,639 But that was like twelve years ago, and then I was like starting 434 00:40:43,679 --> 00:40:49,440 to work on this, but also gaining a little bit more knowledge and how 435 00:40:49,480 --> 00:40:53,280 to do everything, and at the same time honing my graphic designing skills a 436 00:40:53,320 --> 00:40:57,360 little bit because I like to do all of our flyers and stuff like that 437 00:40:57,519 --> 00:41:02,079 too. So yeah, it was. Uh. Even my brother was like, 438 00:41:02,199 --> 00:41:07,519 hey, let's, you know, get an actual graphics person to put 439 00:41:07,639 --> 00:41:12,199 all the stuff together, get a designer together, and just like when you 440 00:41:12,360 --> 00:41:15,199 realize and understand the cost of this, yeah it's a different story. I'm 441 00:41:15,280 --> 00:41:20,599 like, trust me, brother, I have this. Yeah, you know, 442 00:41:20,760 --> 00:41:27,000 I've gained so much knowledge and like so and even the when I submitted 443 00:41:27,039 --> 00:41:30,960 all the artwork for it to get duplicated, even the the guy over there 444 00:41:31,159 --> 00:41:35,119 was just like, your art that artwork is amazing. It's going to look 445 00:41:35,320 --> 00:41:37,920 so good in this album. Oh that's cool, It's good to get that 446 00:41:38,159 --> 00:41:42,559 that kind of validation, you know, because obviously, you know, he 447 00:41:42,679 --> 00:41:45,320 probably doesn't say that to a lot of people. You know, that's really 448 00:41:45,360 --> 00:41:50,119 good when you're putting out like hundreds of thousands of CDs over the course of 449 00:41:50,199 --> 00:41:52,760 your career. Yeah, yeah, no, that's really cool. That's awesome. 450 00:41:52,920 --> 00:41:58,519 That's awesome. Well we should, uh, I want to make sure 451 00:41:58,519 --> 00:42:00,960 we have time to get this last dots in. But what should people know 452 00:42:02,159 --> 00:42:07,039 about dead Harrison? How to find you guys online? And what the next 453 00:42:07,079 --> 00:42:08,800 show is? The show at Terminus in June? Is that the next show 454 00:42:08,840 --> 00:42:12,480 you have? The next live show? Yep? Okay? So, and 455 00:42:12,599 --> 00:42:17,920 that's a uh one street in Nashua. It's our our little home base, 456 00:42:19,000 --> 00:42:22,400 and we've decided to like kick it up a notch and start presenting other bands 457 00:42:22,440 --> 00:42:24,760 and other talent. And it's like, no, you come to see a 458 00:42:24,840 --> 00:42:29,280 show there, you're gonna get a good show, you're gonna get good sound, 459 00:42:29,719 --> 00:42:34,679 you're gonna every it. Just the feedback from everybody has always just been 460 00:42:35,360 --> 00:42:39,159 amazing. Oh yeah. So being a person that you know, as a 461 00:42:39,280 --> 00:42:44,480 musician, I know what I kind of would like at a show, and 462 00:42:44,599 --> 00:42:50,880 to give those other musicians the same thing. It makes such a huge difference, 463 00:42:50,920 --> 00:42:53,679 and you get that energy and you get that feeling and emotion out of 464 00:42:53,760 --> 00:43:00,440 the music too. Absolutely, get Dead Hairs dot com, Dead Harrison dot 465 00:43:00,480 --> 00:43:06,559 com. We have website, Facebook, Instagram. I don't usually use the 466 00:43:06,679 --> 00:43:09,559 instas and stuff like that. Yeah, uh, but yeah, we're all 467 00:43:09,639 --> 00:43:13,840 out there online. You can easily search it in any search bar and it'll 468 00:43:13,880 --> 00:43:15,599 probably come up at this point. Yeah, you guys are you guys are 469 00:43:15,679 --> 00:43:21,519 very googleable, as I like to say, yes, uh uh. Find 470 00:43:21,559 --> 00:43:29,480 the music Spotify, YouTube, the iTunes, everywhere, everywhere with it everywhere 471 00:43:29,719 --> 00:43:34,599 it's either Dead Harrison or Dead Harrison Official minus anywhere. Yeah, excellent, 472 00:43:34,679 --> 00:43:37,159 excellent. So we're gonna close with this track, Hurricane Hell. Anything we 473 00:43:37,199 --> 00:43:39,800 should know about this? What is it? I mean? Is is this 474 00:43:40,360 --> 00:43:45,000 expressing a concern about the upcoming hurricane that this is my brother going down on 475 00:43:45,199 --> 00:43:52,679 vacation down to Florida and being witness of what a hurricane did down there. 476 00:43:52,880 --> 00:43:58,039 What hurricane do I can't remember. I think it was after the after effects 477 00:43:58,039 --> 00:44:00,480 of either Sandy or Katrina, one of the it was. It was a 478 00:44:00,559 --> 00:44:05,000 major one of the major recent ones in the past few years. Oh, 479 00:44:05,039 --> 00:44:07,840 okay, so okay, yeah, there was like still that aftermath. Yeah 480 00:44:07,880 --> 00:44:10,440 yeah, stuff, and he had went down there recently after it and like 481 00:44:10,519 --> 00:44:15,920 saw that and it kind of inspired him to write a song about it. 482 00:44:15,119 --> 00:44:19,760 Okay, So no, that makes sense. There's a Sean song. Yeah, 483 00:44:19,920 --> 00:44:22,199 oh excellent. And does he sing on this one too? Yep? 484 00:44:22,320 --> 00:44:23,920 So he wrote the lyrics and he sings this one. I sing this one 485 00:44:24,039 --> 00:44:30,519 you sing? He also is like backup vot vocals like gotcha, another good 486 00:44:30,599 --> 00:44:34,480 one with some nice harmonies in there. Yeah, yeah, no, you 487 00:44:34,519 --> 00:44:37,519 guys sound great when you sing together. Absolutely, guys. Thank you again, 488 00:44:37,599 --> 00:44:39,679 so much wonderful to see you both, Andre and Al. Thank you, 489 00:44:39,840 --> 00:44:43,199 Matt. Always always a pleasure to have you guys on. We're big 490 00:44:43,239 --> 00:44:45,519 fans as you know, and we will close out with this. This is 491 00:44:45,960 --> 00:45:40,679 Hurricane Hell and the band is dead. Harrison keep from on High with barely 492 00:45:40,880 --> 00:45:53,679 a warning or sigh, what's our Rainforts from the sky, you Biden setlasts 493 00:45:54,519 --> 00:46:02,840 were a train on a crash of whip old ooh shungriscus stop at last, 494 00:46:07,559 --> 00:46:39,440 came last, last, snapping on Shi stands survives a wheel listen like a 495 00:46:39,639 --> 00:46:52,159 wheel churning up from the sea. Your coastistically desert slaves. Boo said, 496 00:46:52,320 --> 00:47:01,599 we made eating more but not taking fly there actions. We'll see their own 497 00:47:01,760 --> 00:47:47,320 day work okay, time cause sha rising and say no where wrong. You 498 00:47:47,440 --> 00:48:00,519 don't try to hide. Life has changed. Nothing seems as free love sound 499 00:48:00,039 --> 00:49:29,920 Hey, oh well we in this Jack at