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Hello and good morning. Hey,
good morning Arrow. It's John cafierrero John.

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What a creative man you are.
I'm so excited to talk with you

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because I got to know what your
hook is in the way that everything you

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touch has me singing right along with
you. I don't get how you do

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this all the time. Oh,
thank you. That's an amazing compliment.

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I really appreciate it. I'm so
happy to hear that. Well. I

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glad you dig my stuff. I've
sat here all morning listening to the Land

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of Hatchie Mulatchie, and the thing
is, I keep getting these flashbacks of

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when I used to buy all of
these K tail albums. I go,

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my god, this is exactly what
I had as a kid, songs that

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I could sing with. That is
so cool. Yeah, I mean the

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land Hatchie Malatchie. It actually is
this obscure children's song from the nineteen fifties

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and it's been out of print for
decades. It was originally performed by Rosemary

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Clooney, and I just thought it
was a really surreal and bizarre song that

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I felt really tied and would fit
in perfectly with this Sweetie Candividualante comic book

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that I'm producing and specifically covered it
with a highly unique approach for the series.

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I'm so glad that you're putting music
with this because my last two books

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that I published came with music as
well, and I thought, I just

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want to do a soundtrack because I'm
feeling this is it the same thing for

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you that when you were putting together
a story. It's like, man,

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there's music in my head. I
gotta get it out, absolutely without a

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doubt. In fact, when I
first heard the original version of the Land

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of Hatchie Malatchi, my wife Suzanne, who created and writes Sweety, and

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I were talking and I said,
are you listening to this? And I

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was hearing the song on this free
form radio show that had happened to play

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it, and I said, this
would be perfect for Sweete And I immediately

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just pictured doing this unique cover of
it that would be sort of what you

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would hear if you were watching it
as a film. To create it with

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that kind of a punk sound in
the background, I mean that sound is

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something that really resonates, is what
it does. And I remember sitting down

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with Johnny Rotten of the Sex Pistols
and he goes, it's not punk,

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It's blue. How do you describe
your sound, Well, I would really

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describe it as maybe power pop or
you know, punk pop. It's really

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just what I'm feeling. I mean, one of my favorite bands, really

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my favorite band of all time as
a kid and even to this day as

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The Ramones, and I always just
kind of view everything as if it was

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you know, the Ramones, but
through my own filter. So it's really

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just kind of like my own version
of the Ramones, which I think comes

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out as kind of like power pop
or you know, punk rock, punk

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pop. It's really just derivative of
my personality. You might even just call

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it like cartoon punk. Yeah.
Yeah. Being a part of the Doctor

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Demento journey, I mean, my
god, I mean what today, I

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mean with the platforms that we have, but it's still not Doctor Demento.

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How do you find your place in
space? You know, it's I think

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people find you. I think it's
really a matter of you just put out

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what you feel and what you believe
in, and there are going to be

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people that are like minded or just
have similar tastes that are just going to

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be drawn to it and hopefully find
it. And with like you said,

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there's just so many platforms out there
all over the world that everything it very

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easily just gets lost in the ether
and hard to find. So I think

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you just have to put your stuff
out there, really believe in it,

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and enjoy what you're doing, and
maybe even do it for yourself more so

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than anything else, and then just
hope that other people like it too.

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So when your wife is putting together
the the animation and you know in the

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in the comic book itself, what
is that like for your creative process as

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well, Because I mean you're coming
from a musical side, She's coming from

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an imagination that's just got to be
so vivid because I do see the colors.

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Oh absolutely, Yeah. She's very
imaginative and really has created an incredible

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series and an incredible, incredible storyline
and stable of characters, and she writes

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it and then from there I work
with the the different illustrators to get the

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book illustrated and colored and packaged.
And it really is I look at it

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like making a movie. It's really
just like taking a great script and then

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trying to make the best movie out
of it that you can. And music

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comes hand in hand with that.
One of the things that I've always wanted

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to understand is that how do you
know when to stop when you're doing a

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series? In other words, how
do you know, okay, this is

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this book, Okay stop, we're
we're going to create the series. It's

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going to go, Because I mean, would I would do five thousand books

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pages just to get one story out. Well, you know, most comic

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books actually are kind of capped at
about twenty two pages. The average comic

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book is about twenty two pages of
original content and then the rest is just

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ads and other miscellaneous stuff. So
for the very first issue of Sweetie,

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because it was the debut issue,
we went about ten pages longer than you

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normally do, and then issues two
through six in volume one more twenty two

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pages apiece. And we are thrilled
that the reception for the first six issues

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and the first volume was so good
and less people wanting more that we just

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kicked off a sequel series, which
is now Sweetie candividual Ante Volume two,

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Issue number one was just released last
week, and the first six issues of

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Volume one were collected as a trade
paperback that just came out at the end

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of January. So you in comic
books, you do have some confines to

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work within because there is sort of
an expectation of roughly twenty two pages for

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your average issue, but you can
go on with as many issues as it

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takes to tell your story. And
we knew that this was going to be

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a multiple volume thing because the storyline
is so rich and there's just constantly new

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things being revealed about the character in
her world and the other characters that exist

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within it. And the first volume
really just scratched the surface. But we

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were thrilled to death that people liked
it to the extent that they did,

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and the fact that now that volume
two has launched, there's been so many

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people that are saying I was so
thrilled when I saw that more was coming

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out, because I was kind of
disappointed to see it end. Wow.

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See, it's fun to go to
a comic book store and just listen to

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everybody's stories and when they pick up
a book that they haven't seen before and

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all of a sudden, they begin, you know, sharing their journeys as

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well. How did you get involved
with comic books? Was it a kid

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thing? I mean, what was
the journey? Yeah, I've always loved

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comic books ever since I was a
kid. And honestly, even when my

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wife and I first started dating,
we used to go to comic book stores

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and buy comics and then go back
home and read them together. So you

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know, we both love comic books, and I think was just fate that

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we'd wind up working on one together
somewhere down the line and doing something completely

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original, and that is really refreshing
with this because a lot of comic books

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today, there's very few original properties. Most of them are based on pre

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existing properties, just like films,
and that's cool because it's great to see

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something that you love in another medium. But it was a challenge to take

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something that was completely new and new
character in a new world introduce it.

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And we're really thrilled with the reception
that people took to it, because that's

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not very common for new properties to
survive among so many other big properties.

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And literally our publisher Dynamite, who
from the very beginning I felt was the

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right home for this, And after
talking to a number of different companies and

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then finally talking to Nick Perucci of
Dynamite, it was evident to me that

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they were the right home and Nick
was immediately like, we want this,

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and we ink to deal with them
and with Dynamite, we're an incredible company.

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But all these very well established properties. I mean they're the home of

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red Sonia, Vampirella, Army of
Darkness based on the famous Sam Raimi movies,

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James bondub Seven, Alvira, Mistress
of the Dark, Game of Thrones.

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So there's so many incredible properties there
Barborella, and to be among them

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is just an absolute thrill for both
Suzanne and I. For you guys to

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collaborate like that is it? Because
the way that I run my house is

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that is when I go into the
studio, that's my studio time. I

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get to arrow. But when I
get to come out, then I can

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be mister husband. When when when
do you guys get to need I mean,

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do you separate and then come back
at lunch or what do you guys

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do? No, you know,
it's kind of like, uh, you

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know, I'm very much like a
doctor sort of on call twenty four hours

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a day, and my work date
does not ever really end. I mean

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there are little moments in between where
I'll have downtime for just personal life or

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whatever. But things just happen all
the time, and when you're creating or

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working on things. You know,
for me, quite a bit of the

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middle of the night is sometimes when
I like to work on stuff the most.

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So yeah, there's really it's kind
of like our house is sort of

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like this weird studio. Yeah yeah, yeah. Now I have a show

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on iHeartRadio called Creativity is the addiction? Do you find yourself in that position?

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It's like, I've got to keep
creating. I've got to feed it,

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I've got to give it more.
Absolutely, yeah, without a doubt.

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I mean, I'm always doing something, and I always have a million

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different projects going on at once.
I mean literally, right now, I'm

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producing volume two of the Sweetie Candy
Vigilante comic book series. I'm also in

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the process of producing Doctor Demento coven
in Punk Volume two, which is,

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as you know from the first volume, the huge undertaking and a really rich,

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diverse project. I'm working on new
Osaka pop star material, Managing the

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Misfits, the State of d d
Ramones. There's always a lot of different

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things going on, all things that
I really love and feel fortunate to be

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involved with. Well, I love
what you do. I mean, you

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really do bring us the story in
so many different ways, and it's like

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it doesn't catch us off guard.
It catches us in a moment of oh

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my god, I found my escape, and it's coming from you and your

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wife. Oh thanks. I'm really
glad to hear that. And the way

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that the world is today with all
of the chaos in the world and negativity,

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I mean, having an escape really
is a valued treasure in my opinion.

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Even with the song Milanda Hashie Malatchie. When I hear it, I

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mean, one of the reasons I
wanted to do it is because I felt

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that it was sort of our version. Osakopopsto's version is imagined as it's coming

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from Sweeti's candy coated glasses point of
view, but through her sort of unhinged

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mind, And when I listen to
it sometimes I think, boy, with

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the state of the world right now, it'd really be great for us all

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to have a land of Hatchie Malachi
to go escape to. Oh my god,

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you just said two of my favorite
words, except you said candy coded

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view. I live by this mantra, candy coded plastic bathroom mirror smile,

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and we all have that great And
so for you to say that, I'm

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going, holy crap. Yeah,
Well, I always enjoy your interviews Arrow

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because you're really You've got a really
imaginative mind yourself, and you're really thorough

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and into the things that you talk
about. So it's always a pleasure to

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thought in vision the viewer and the
listener, because every time I come into

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this studio, it's like, Okay, they're waiting, now I need to

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deliver. Do you You've seem to
be that type as well. Yeah,

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you know. I want to make
sure that anything I do is fun and

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entertaining for anybody that's going to take
the time to give it a listen.

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So I really do try to put
my best foot forward in everything I do,

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and at the same time, I
really am genuinely passionate about it.

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So I think the two together is
just it's a combination that's worked really well

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for me, and I take pride
in it. Wow, where can people

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go to find out more about you? This entire project? And I'm sure

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that you know, if you're going
to be doing any visiting of any stores

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or comic book conventions, I mean
you've got to be somewhere. Oh absolutely,

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Yeah. Well for starters for Osaka
pop stores, music and to check

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out our animated music videos and learn
more about the band Osaka pop Star just

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visit Osaka Popstar dot com. It's
just like the city in Japan O s

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A k A p O P s
t a r dot com. And to

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learn more about the Sweetycandy Vigilante comic
book series, visit our official website for

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the series, which is sweety s
w E E t I E Candy Vigilante

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dot com. And you can order
the records at Osaka Popstar dot You could

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order the comics at Sweetyandyvigilante dot com. You could check out the music on

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all the digital platforms Spotify, Apple
Music, you know, Amazon, pretty

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much all of them. And you
can find SWEETYE Candy Vigilante literally in your

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favorite comic book shop. So if
you want to support your mom and pop

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shops, stop into your local comic
bookshop and ask for it. And if

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you want the convenience of having it
delivered to your door, check out the

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website and order everything from us online
because we've got rare, variant covers,

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autograph copies, and pretty much everything
you could you could look for in a

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sweet shop online. Wow, how
long did it take you to let it

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roll off your tongue the way that
you say sweetye candy vigilante. I mean,

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come on, that's like seeing say
it five times in a row and

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see if you can do without shripping. Yeah, now, it's it's an

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amazing title. At the point my
wife first mentioned it to me, I

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immediately thought, you know, this
is definitely something that I think has legs

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and could catch on because it's certainly
entertaining me. Please come back to the

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show anytime in the future. Hour
is always going to be open for you.

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John. Oh, thank you Arrow. It's always a pleasure and I

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really appreciate all of your support and
I'm so glad that you like what I

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do. Will you'd be brilliant today? Okay, thank you to Arrow.

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Have a great win. I'll speak
with you next time.
