WEBVTT 1 00:00:00.080 --> 00:00:05.639 Heidi Ho, let's get into the Menasa Goodbye you ready, Jennifer, I'm 2 00:00:05.639 --> 00:00:09.199 ready, all right, here we go. Happy Friday, Dave and Jenny. 3 00:00:10.119 --> 00:00:12.839 I've been meaning to write for a while, so finally doing it because 4 00:00:12.839 --> 00:00:16.160 I want a sticker. But I got a few questions I'm curious on just 5 00:00:16.480 --> 00:00:19.120 one just popped up yesterday, so it felt like the right time to mail 6 00:00:19.160 --> 00:00:23.320 in. I heard you guys won a Marconi Award. Congratulations, curious why 7 00:00:23.399 --> 00:00:26.800 you didn't go to accept it like the Grammys of the like if it's the 8 00:00:26.800 --> 00:00:30.480 Grammys of the radio world, I apologize if you talked about this on Tuesdays 9 00:00:30.559 --> 00:00:34.640 or Thursdays, Minnesota, Goodbye. I had not had time to listen to 10 00:00:34.799 --> 00:00:40.399 that one yet. That is a funny thing, and we kind of laugh 11 00:00:40.439 --> 00:00:43.640 at it because you know, iHeart Channel. Our iHeart Channel almost called them 12 00:00:43.679 --> 00:00:46.119 Clear Channel because we used to call Clear Channel. That was our old company, 13 00:00:46.320 --> 00:00:49.640 Chip Channel. Did you ever know that we called them cheap Channel. 14 00:00:49.920 --> 00:00:55.920 And it's like any business that is trying to trim budgets, and so in 15 00:00:55.960 --> 00:00:59.840 a way, I'm glad that we get to keep our jobs by them trimming 16 00:01:00.240 --> 00:01:03.719 little things like you don't get to go to Marconi's. We're not paying for 17 00:01:03.759 --> 00:01:07.560 your airfare, your dinner, hotel, your ticket or whatever, but you 18 00:01:07.599 --> 00:01:11.959 get to keep your job. Yeah, So it is almost laughable that we 19 00:01:12.000 --> 00:01:15.000 won this award and didn't get to go. I mean, if I would 20 00:01:15.000 --> 00:01:19.640 have paid my way, sure, but I'll be honest with you, I 21 00:01:19.680 --> 00:01:22.400 was okay with not going, yeah, even though I wanted to go, 22 00:01:22.439 --> 00:01:26.480 because going to an awards ceremony like that is not the always the best experience. 23 00:01:26.640 --> 00:01:29.920 And I think we talked about this off the air yesterday. We did 24 00:01:30.000 --> 00:01:30.599 yeah, because I asked Dave. I was like, oh, are you 25 00:01:30.680 --> 00:01:34.680 kind of bummed you didn't go? Because Dave had gone last year because he 26 00:01:34.680 --> 00:01:38.040 was up for a nomination, and then he went in to say why he 27 00:01:38.120 --> 00:01:40.959 was okay this year. Well, when you go to an awards dinner like 28 00:01:41.000 --> 00:01:45.120 that, you're nervous all night and you're like socializing, but at the same 29 00:01:45.120 --> 00:01:47.719 time, you're nervous whether you're going to win, and you're nervous about making 30 00:01:47.760 --> 00:01:51.959 a speech, and so you have to wait through everybody else's awards, which 31 00:01:52.000 --> 00:01:55.239 you're happy for and you know you're proud of them or impressed or whatever, 32 00:01:55.640 --> 00:01:57.920 and then they get to yours. And you are on the edge of your 33 00:01:57.959 --> 00:02:02.079 seat, and at that moment they go and the winner is and it's everything. 34 00:02:02.599 --> 00:02:08.039 And I've been nominated four times, I've lost twice, and I've won 35 00:02:08.080 --> 00:02:13.360 twice. And when they called my name the first time that I won, 36 00:02:14.479 --> 00:02:17.400 I was not expecting it because I sat in the very back of the room, 37 00:02:17.479 --> 00:02:23.199 not expecting it. I sat with Susan on my right and a friend 38 00:02:23.199 --> 00:02:25.919 of mine, a radio friend of mine named Art Volo, on my left. 39 00:02:27.599 --> 00:02:30.199 And when they said my name, I was so shocked. I stood 40 00:02:30.280 --> 00:02:34.039 up. Susan stood up, Art stood up, Susan turned to hug me. 41 00:02:34.520 --> 00:02:40.000 I hugged Art instead, left Susan hanging, went up and made a 42 00:02:40.159 --> 00:02:44.919 speech that I don't remember the only thing about the speech that I remember is 43 00:02:44.960 --> 00:02:47.159 there was a timer in front of me, a red digital timer that counted 44 00:02:47.199 --> 00:02:52.120 down like thirty seconds, like hurry the fuck up with his speech, bitch. 45 00:02:52.240 --> 00:02:55.800 So that's really all I remember. So going to these awards dinners are 46 00:02:55.879 --> 00:03:01.319 not the most pleasant experience. They're a whole lot better if you win, 47 00:03:02.319 --> 00:03:06.400 but it's no fun to lose. Yeah, but you got to be a 48 00:03:06.400 --> 00:03:08.000 good sport and your chance is really of winning. Are about one in five 49 00:03:08.080 --> 00:03:12.159 or one in six because you're nominated with all these other wonderful people. So 50 00:03:12.840 --> 00:03:15.199 they just did it because they didn't want to spend the money. Yep. 51 00:03:15.639 --> 00:03:17.360 And that's fine. I mean it's not fine, but I get it. 52 00:03:17.520 --> 00:03:23.680 Jenny. I'm curious if you wanted the second chair position when Fallon left, 53 00:03:23.000 --> 00:03:27.080 or if you preferred the producer job and just kind of had to fill in. 54 00:03:27.120 --> 00:03:29.800 I remember Falan always saying she wanted to host her own morning show, 55 00:03:30.039 --> 00:03:32.240 but I don't know if I ever heard what your thoughts are on your career 56 00:03:32.280 --> 00:03:35.879 path. Oh, Jenny, this should be good. Okay, So that's 57 00:03:35.919 --> 00:03:38.120 a great question. I got into radio thinking like, oh, I want 58 00:03:38.120 --> 00:03:42.319 to be a co host, and I just like that's what I wanted to 59 00:03:42.400 --> 00:03:44.800 do. I wanted to be on air, and then when I got thrown 60 00:03:44.840 --> 00:03:49.000 into more of like a producer position when I joined Dave's show, I actually 61 00:03:49.039 --> 00:03:52.560 really felt like I grew in that position a lot, and I really liked 62 00:03:52.639 --> 00:03:54.719 the production side of things, but I also liked the on air side of 63 00:03:54.719 --> 00:03:58.560 things. So I kind of shifted my mindset of like I like being a 64 00:03:58.599 --> 00:04:02.360 producer, I still like to be on it, and so I guess I'm 65 00:04:02.719 --> 00:04:08.080 very happy with the position. I don't know that I was like so gung 66 00:04:08.120 --> 00:04:11.159 ho, like I need to do this now, but like you might remember, 67 00:04:11.199 --> 00:04:13.319 you might not a few years ago. I mean, I was up 68 00:04:13.319 --> 00:04:15.319 for a job in Buffalo and I was going to be a co host on 69 00:04:15.360 --> 00:04:20.720 a show, and then Dave and I had many many conversations of trying to 70 00:04:20.720 --> 00:04:24.800 figure out what the best decision was for me, and ultimately I obviously decided 71 00:04:24.800 --> 00:04:28.000 to stay, and I very much am happy with that decision. So I 72 00:04:28.040 --> 00:04:30.959 feel like I'm happy because I was able to grow and learn a lot more 73 00:04:31.439 --> 00:04:36.279 and then understand a co hosting position more by watching Dave and Fallen over the 74 00:04:36.360 --> 00:04:41.519 years. So now I feel I guess I feel better qualified at this point 75 00:04:41.600 --> 00:04:43.920 than I probably would have been a few years ago when I was like, 76 00:04:43.959 --> 00:04:46.800 I want to be a co host. So yeah, I'm hyped about it. 77 00:04:46.839 --> 00:04:48.279 Well good, everybody wants to be a co host on the radio. 78 00:04:48.319 --> 00:04:50.279 Not everybody, but a lot of people, you know this like what they 79 00:04:50.279 --> 00:04:53.279 want to do, or they want to be the host of their own morning 80 00:04:53.319 --> 00:04:58.839 show, and you have stepped in marvelously. The only thing that I feel 81 00:04:58.839 --> 00:05:01.120 bad for Jinny about it is she's old doing most of what she did before. 82 00:05:01.319 --> 00:05:04.199 Yeah, and that is why we are trying to find somebody. And 83 00:05:04.199 --> 00:05:08.319 we got a couple of lines on a couple of people. One of the 84 00:05:08.360 --> 00:05:11.319 things that we've I think we've talked about this on the Minnesota Goodbye. I 85 00:05:11.360 --> 00:05:13.920 was going to open this up to like, hey, if you're listening to 86 00:05:13.959 --> 00:05:16.759 the show, we need an assistant producer, go ahead and go online at 87 00:05:16.800 --> 00:05:20.680 this website and apply. And we talked about this a week or so ago. 88 00:05:21.319 --> 00:05:25.600 That would have been a bad idea because we would have gotten so many 89 00:05:25.639 --> 00:05:29.399 people who were not qualified, and we would have had to root through all 90 00:05:29.439 --> 00:05:35.040 of these people who were not right for it in whatever way. The thing 91 00:05:35.079 --> 00:05:40.040 about being on the radio, but be real honest with you, is everybody 92 00:05:40.120 --> 00:05:46.079 thinks they can do it, but it is not something that really comes naturally. 93 00:05:47.040 --> 00:05:50.879 I wasn't a natural when I first started. I had to learn by 94 00:05:50.920 --> 00:05:56.319 doing the overnight shift and talking just a little bit and only reading the scripts 95 00:05:56.319 --> 00:05:59.240 that they gave me. And then you get a little bit more experience, 96 00:05:59.279 --> 00:06:00.720 you get to come up with your own stuff, and then they learn to 97 00:06:00.759 --> 00:06:05.480 trust you, and you learn how to respond to people and how you you 98 00:06:05.560 --> 00:06:11.439 got to know things like when to show up with a comment and when to 99 00:06:11.600 --> 00:06:14.759 shut up. Ooh, that's good. When to show up and when to 100 00:06:14.800 --> 00:06:16.680 shut up? Write that down. I like that. When to show up 101 00:06:16.680 --> 00:06:19.839 and when to shut up. Jenny has gotten much much better at that. 102 00:06:20.120 --> 00:06:25.920 Fallin was really good at that too, when to show up and support the 103 00:06:25.959 --> 00:06:29.600 other people that you know that you know, if you need me to say 104 00:06:29.600 --> 00:06:33.639 something, they call it yes. And so in the improv business, if 105 00:06:33.639 --> 00:06:36.000 somebody goes, god, you know what I found. I found a mouse 106 00:06:36.040 --> 00:06:41.519 in my kitchen this morning. You go, yeah, And that's really awful 107 00:06:41.560 --> 00:06:45.319 because if you got one mouse, you probably got more. Yeah. And 108 00:06:45.439 --> 00:06:46.639 I put out traps, so you know what I mean. So there's a 109 00:06:46.720 --> 00:06:50.639 yes and and a lot of people don't know that instinctively. But then you 110 00:06:50.680 --> 00:06:56.040 also know when to shut up. So if Jenny's telling a great story, 111 00:06:56.160 --> 00:06:59.199 I don't sit there. I think one of the worst things a radio person 112 00:06:59.279 --> 00:07:01.279 can do when they're to his stories go yep, uh huh, yep, 113 00:07:01.560 --> 00:07:06.360 yep, yep, shut the fuck up and let them tell the story. 114 00:07:08.399 --> 00:07:12.800 All show radio people or anybody in you know in this business, I guess 115 00:07:12.839 --> 00:07:15.879 would would. When you shut up, you let that other person tell their 116 00:07:15.920 --> 00:07:18.360 story. And I remember one time Kate Rattits was on the show and she 117 00:07:18.439 --> 00:07:25.959 was telling a very engaging and touching story about infertility, and Steve, God 118 00:07:26.000 --> 00:07:29.160 love him, he was going, yeah, oh uh huh uh huh, 119 00:07:29.279 --> 00:07:31.360 yeah, well but tell me more about it. And I gestured at Steve 120 00:07:31.399 --> 00:07:35.519 and I said, stop, like wave my hand like stop and let her 121 00:07:35.560 --> 00:07:40.560 just tell her story because it was so powerful without a couple of dudes going 122 00:07:40.680 --> 00:07:44.040 yeah, uh huh yeah yeah. So you get to know when to shut 123 00:07:44.120 --> 00:07:46.360 up or show up. I can write that down. I like that too. 124 00:07:46.040 --> 00:07:49.680 It is a crutch I think of certain people starting in radio and I 125 00:07:49.759 --> 00:07:53.079 do it. I know too. I've pulled back a bit on the yaes 126 00:07:53.240 --> 00:07:57.079 uh huh uh huh, because you just naturally feel like you should be reacting 127 00:07:57.160 --> 00:08:01.720 in some way, but then you are taking away from the story when you 128 00:08:01.720 --> 00:08:05.040 when it's yeah, every other sentence from the person who's saying the story, 129 00:08:05.360 --> 00:08:09.600 you're exactly right because you want to show some support, but not constant uh 130 00:08:09.680 --> 00:08:13.360 huh yeah, uh huh, because to me, that is kind of saying 131 00:08:13.800 --> 00:08:18.000 fucking move your story along, you know what I mean? Yeah, uh 132 00:08:18.079 --> 00:08:22.759 huh yeah, uh huh means I'm not really listening and I need you to 133 00:08:22.800 --> 00:08:28.680 move your story along. But an occasional hm, oh wow or a laugh 134 00:08:28.560 --> 00:08:33.399 is a good response. Right next one old topic, it says, but 135 00:08:33.480 --> 00:08:37.320 since another version of Taylor's version's coming out soon, can you explain to me 136 00:08:37.360 --> 00:08:39.519 the dumbed down version of how this works and how she makes money? I 137 00:08:39.519 --> 00:08:43.039 mean, it's basically the same song with a chord change here in a word 138 00:08:43.080 --> 00:08:46.440 here, But it isn't like sampling another artist's work and the original artist still 139 00:08:46.440 --> 00:08:48.440 gets paid. So Scooter will still make money since he owns the originals. 140 00:08:48.440 --> 00:08:52.240 Makes zero sense to me. That's from Jillian and Fargo. Okay, so 141 00:08:52.519 --> 00:08:58.440 what I know about it is this, when a new artist gets signed to 142 00:08:58.480 --> 00:09:03.240 a major record label, that is a dream. Because the major record label, 143 00:09:03.279 --> 00:09:05.440 let's call it like Universal Records. I don't know what label she's on. 144 00:09:05.440 --> 00:09:07.679 Do you know what label she's on? I have no idea. Well, 145 00:09:07.759 --> 00:09:13.120 let's say Universal Records or whatever, or Capital Records. It doesn't matter. 146 00:09:13.519 --> 00:09:16.720 They have the marketing power, they have the staff, they have the 147 00:09:16.720 --> 00:09:20.240 connections at the radio stations and all the different you know, to get you 148 00:09:20.279 --> 00:09:22.480 on the Tonight Show. So if you're just you know, Jenny's playing the 149 00:09:22.480 --> 00:09:26.919 guitar, and Jenny's really really, really good. Jenny's gonna have limited ability 150 00:09:26.960 --> 00:09:31.320 to get her song on the radio. So if Jenny auditions or sins of 151 00:09:31.360 --> 00:09:35.720 audio to Capitol Records and they go, fuck, Jenny's really good, let's 152 00:09:35.759 --> 00:09:39.639 sign her. They're gonna market you and promote you and get you on KTWB, 153 00:09:41.440 --> 00:09:43.320 get you on the Tonight Show. Have a team of people that does 154 00:09:43.320 --> 00:09:46.879 your TikTok and makes you, all of a sudden amazing. What do you 155 00:09:46.919 --> 00:09:50.080 have to offer them? You ain't got, Dick, You got nothing. 156 00:09:50.519 --> 00:09:58.000 So you pay them by giving them the rights to the songs that you wrote 157 00:09:58.320 --> 00:10:01.759 and recorded. Usually recorded, you don't always give up the songs that you 158 00:10:03.519 --> 00:10:07.519 wrote. So there's the recording yep, and there's the song writing. So 159 00:10:07.600 --> 00:10:13.279 you still own the song writing. But Capitol Records owns the songs, right. 160 00:10:13.440 --> 00:10:18.279 So, and I think, and I'm getting a little bit unsure here, 161 00:10:18.639 --> 00:10:24.000 but Scooter bought her songs, the audio recordings of the song, her 162 00:10:24.000 --> 00:10:28.360 full catalog. Yeah, so he made money on the album sales. He 163 00:10:28.360 --> 00:10:31.080 made my blah blah blah blah. But she owns the song, right, 164 00:10:31.360 --> 00:10:37.320 the written song. So she can re record it and now it's hers. 165 00:10:37.840 --> 00:10:41.000 Yes, So she is making money now on all of these re recorded versions 166 00:10:41.039 --> 00:10:43.919 because she has full ownership of it. It is not owned by Scooter or 167 00:10:45.000 --> 00:10:48.399 the record label anymore. She has ownership of these new versions. So she 168 00:10:48.600 --> 00:10:52.600 is making money now on the tailor's versions of these albums. Yeah, and 169 00:10:52.919 --> 00:10:54.080 well she should. But a lot of people were like, she really got 170 00:10:54.120 --> 00:10:58.639 screwed. She really got screwed. And in a way she did because she 171 00:10:58.759 --> 00:11:03.480 wanted to buy the album from the record company or whoever. Scooter sneaked in 172 00:11:03.519 --> 00:11:05.440 the back door and bought it, and she wanted it herself. It's not 173 00:11:05.480 --> 00:11:11.279 the first time that happened. Paul McCartney, who had all these amazing Beatles 174 00:11:11.320 --> 00:11:18.039 songs Yesterday and Hey Jude and let it Be, he did not own those 175 00:11:18.120 --> 00:11:20.879 recordings. You know who? Did you know? Who bought them? Michael 176 00:11:20.960 --> 00:11:24.039 Jackson? Bottom? Oh, I did not know that. Okay, yep. 177 00:11:24.480 --> 00:11:28.799 So Michael Jackson had more money than Paul McCartney in the eighties. He 178 00:11:28.919 --> 00:11:33.279 bought all the Beatles. They call it a catalog. So Paul McCartney still 179 00:11:33.320 --> 00:11:37.039 owns the song writing, I believe, but I'm not even sure about that, 180 00:11:37.200 --> 00:11:43.120 but Jackson owned the Beatles music, okay, and Paul McCartney was pissed 181 00:11:43.120 --> 00:11:45.600 because he wanted to own his own music. And to this day, I 182 00:11:45.639 --> 00:11:48.559 still don't think he owns his own music. So there we go. Jillian 183 00:11:48.639 --> 00:11:52.360 good questions. Really like that. That was totally different and I really appreciate 184 00:11:52.440 --> 00:11:56.320 that. Uh, clicking on the next one. Let me find a good 185 00:11:56.320 --> 00:12:01.720 one here. Okay, I'm just I'm clicking through. I haven't preread these. 186 00:12:03.639 --> 00:12:05.320 Hey, Dave, Jenny Drake. I've been listening since middle school. 187 00:12:05.600 --> 00:12:09.039 I'm thirty one and live out of state, but I still listen to the 188 00:12:09.039 --> 00:12:11.679 podcast most days. You're my little piece of home. I miss Fallon, 189 00:12:11.759 --> 00:12:16.159 but you guys are doing amazing keeping the show going. I have a random 190 00:12:16.200 --> 00:12:18.399 memory I've been wondering about that I could could be an interesting topic for the 191 00:12:18.440 --> 00:12:22.559 Minnesota Goodbye. I remember, years ago, probably in middle school, the 192 00:12:22.559 --> 00:12:28.919 Morning Show offered a job to Paris Hilton for one million dollars. Am I 193 00:12:28.960 --> 00:12:31.279 making up this memory or was it real? If it was real, do 194 00:12:31.320 --> 00:12:35.720 you have any interesting behind the scenes details from this. I kind of remember 195 00:12:35.759 --> 00:12:41.279 that only because it sounds like something we would do. It totally does I've 196 00:12:41.320 --> 00:12:45.279 never heard the story before though, when Paris Hilton was like on everybody's mind 197 00:12:45.279 --> 00:12:48.080 and she had her dog and she had the Simple Life Show and you know, 198 00:12:48.519 --> 00:12:52.080 her little chihuahua, and I think we did offer her a job, 199 00:12:52.879 --> 00:12:56.360 but I don't think it was for a million dollars. I don't know, 200 00:12:56.480 --> 00:12:58.679 because I think we would have said, oh my god, if she takes 201 00:12:58.720 --> 00:13:01.200 it, we ain't got a million dollars going to say who was kind of 202 00:13:01.480 --> 00:13:05.039 working up that cash, but it was just tending to get get you know. 203 00:13:05.039 --> 00:13:07.720 We knew that Paris Hilton wasn't going to move to Minnesota and work on 204 00:13:07.759 --> 00:13:09.399 the morning show, so I think we thought we were pretty safe. So 205 00:13:09.720 --> 00:13:13.679 that definitely sounds like us Rachel, who is in Seattle, by the way, 206 00:13:13.039 --> 00:13:16.600 But I don't know that it was a million dollars. On to the 207 00:13:16.639 --> 00:13:22.120 next one. No need to mention my name. I'll start by stating my 208 00:13:22.159 --> 00:13:28.960 husband and I have never actually had anyone babysit our boys age seven and ten. 209 00:13:28.440 --> 00:13:31.960 Okay, with the exception of occasional wedding where the kids were in needed 210 00:13:33.000 --> 00:13:35.120 to go overnight to grandparents, we never had anybody watch our kids for any 211 00:13:35.200 --> 00:13:37.720 length of time. So we really don't know how the babysitter thing works. 212 00:13:39.240 --> 00:13:41.639 Well, we decided to get all crazy and buy tickets to a show where 213 00:13:41.679 --> 00:13:45.960 we wouldn't be bringing the kids. My brother agreed to watch the boys for 214 00:13:46.000 --> 00:13:50.679 a few hours or so. We pre ordered three pizzas to be delivered for 215 00:13:50.720 --> 00:13:52.879 the three of them for dinner. Some of the boys are seven and ten. 216 00:13:54.440 --> 00:13:58.080 Fast forward eleven pm. We get home and we're starving for a leftover 217 00:13:58.120 --> 00:14:00.440 slice. But no, the pizza was gone, by god, I mean 218 00:14:00.600 --> 00:14:03.799 gone. We could even find the empty boxes. Now, I know my 219 00:14:03.879 --> 00:14:05.960 brother better than that. There's no way he would walk outside and take the 220 00:14:05.960 --> 00:14:11.759 boxes to the trash. Never we casually talked for a few minutes about how 221 00:14:11.799 --> 00:14:13.440 the night went. I bit my tongue and didn't ask about the missing pizza. 222 00:14:13.759 --> 00:14:16.799 But what the heck? Three pizzas for three pizza people would be more 223 00:14:16.799 --> 00:14:20.399 than enough, especially when it's seven to ten year old boy. I say, 224 00:14:20.440 --> 00:14:22.559 that's way too much pizza for three people, So where's our pizza? 225 00:14:22.840 --> 00:14:26.120 After he left, I went outside and checked the trash and recycling just to 226 00:14:26.159 --> 00:14:33.399 ease my mind. Nope, no empty boxes. He stole our pizza. 227 00:14:33.960 --> 00:14:37.679 Ha haha, who does that? It's patty, I know, but dang 228 00:14:37.679 --> 00:14:41.720 it. Haha. Staff Rider Tammy in spring Lake Park. I think that 229 00:14:41.799 --> 00:14:45.240 your brother probably was justified. And I'm gonna tell you why. Why. 230 00:14:45.480 --> 00:14:48.679 He baby sat your call, He baby sat your kids. He fed the 231 00:14:48.759 --> 00:14:54.759 kids, the kids got to eat pizza. He figured I'm gonna maybe there 232 00:14:54.799 --> 00:14:58.399 was one pizza left, or maybe there was a little bit of each of 233 00:14:58.480 --> 00:15:03.120 the three pizza pies. I don't have a problem that he took it. 234 00:15:03.159 --> 00:15:05.440 I don't think it sounds petty. I think it's kind of funny, and 235 00:15:05.480 --> 00:15:07.919 he probably thought, I'm a young person, I need food in my house. 236 00:15:07.960 --> 00:15:13.360 I love pizza. It's left over, I'm gonna take it. I 237 00:15:13.399 --> 00:15:16.279 mean, I'm not saying he's in the wrong for taking it. I think 238 00:15:16.320 --> 00:15:20.679 it's just weird that he didn't just come up front with them and say, 239 00:15:20.759 --> 00:15:22.759 yeah, I'm taking it home with me, you know, like I would 240 00:15:22.759 --> 00:15:24.960 totally if my sister was like, watch my niece and nephew, I'll be 241 00:15:24.000 --> 00:15:28.159 like, cool, I'm keeping this pizza. It is kind of funny, 242 00:15:28.360 --> 00:15:31.320 honest with them, But I don't know what the relationship is, So maybe 243 00:15:31.320 --> 00:15:35.440 he just felt weird about saying I'm keeping the pizza, but I I'm on 244 00:15:35.639 --> 00:15:39.440 his side, but I get your side. Next one, Beth, and 245 00:15:39.519 --> 00:15:43.080 he says, Hey, y'all, congrats on you're well deserved. You find 246 00:15:43.080 --> 00:15:46.519 yourself using y'all more often I do. I feel like I said to you 247 00:15:46.559 --> 00:15:50.519 guys. I try not to say it on the radio as much because I 248 00:15:50.519 --> 00:15:54.960 feel like it makes this false Southern accent or something that I don't have, 249 00:15:54.120 --> 00:15:58.519 but I do say it. I would have never ever said y'all until the 250 00:15:58.559 --> 00:16:00.200 last year or so, when it's kind of like, you know, if 251 00:16:00.240 --> 00:16:03.039 I go up to a bunch of like you know, if I meet a 252 00:16:03.039 --> 00:16:04.159 bunch of people out of an event and I say, hey, y'all, 253 00:16:04.159 --> 00:16:07.639 you're ready to go get some food or are you all ready to go see 254 00:16:07.639 --> 00:16:11.320 the show or whatever? It sounds better than you guys, because I don't 255 00:16:11.320 --> 00:16:15.840 want anybody to go We're not all guys here, and I just don't want 256 00:16:15.879 --> 00:16:21.120 to start off a conversation by pissing somebody off. I still use you guys, 257 00:16:21.279 --> 00:16:25.279 even if it's women, and most people are totally fine with that. 258 00:16:25.360 --> 00:16:27.200 But I'll say y'all once in a while. Anyway. She goes, congrats 259 00:16:27.200 --> 00:16:30.279 on your well deserved, Marconi, I just had a NERD deep dive on 260 00:16:30.279 --> 00:16:33.519 the Marconi Awards historic winners, and I'm seeing a pattern that there are a 261 00:16:33.519 --> 00:16:37.600 lot of Minnesota station winners. What's up with that? In the past ten 262 00:16:37.679 --> 00:16:41.440 years, no other city or state repeated itself for large market. You mentioned 263 00:16:41.480 --> 00:16:45.120 Chris Carr Show was nominated this year, which begs the question, has Dave 264 00:16:45.200 --> 00:16:48.679 Ryan been the influence to elevate all of our twin city stations? What is 265 00:16:48.720 --> 00:16:52.240 bringing the talent here? Side note, the show Nabisco is on one and 266 00:16:52.360 --> 00:16:59.120 Dave Ryan did give him his start, just saying I never thought about it 267 00:16:59.120 --> 00:17:03.679 that way, but I will tell you a little bit of behind the scenes 268 00:17:03.799 --> 00:17:10.799 information. It is up to the station whether to nominate themselves, because radio 269 00:17:10.799 --> 00:17:15.559 stations basically nominate. You submit a nomination to get nominated for any award like 270 00:17:15.599 --> 00:17:19.519 this, because they don't sit around and the National Associated Broadcasters doesn't sit around 271 00:17:19.519 --> 00:17:23.759 and listen and research every freaking radio station in the country. So you have 272 00:17:23.799 --> 00:17:27.839 to nominate yourself. And the last couple of years, I mean for there 273 00:17:27.920 --> 00:17:32.680 was maybe a many year gap where we just did not do nominations. So 274 00:17:32.759 --> 00:17:36.920 I said, hey, we should nominate Katie wb our show. I think 275 00:17:36.960 --> 00:17:41.079 somebody down the hall said, hey, well Dave's nominating their show. Let's 276 00:17:41.160 --> 00:17:45.559 have Chris nominate their show. So it's not like I said, we're super 277 00:17:45.680 --> 00:17:48.559 cool. I just said, Jenny and Fallon and Drake, let's make sure 278 00:17:48.559 --> 00:17:52.599 our show gets in the running. So you sin in your nomination, which 279 00:17:52.599 --> 00:17:55.799 is what is in the nomination. So there's a piece of audio that's about 280 00:17:55.880 --> 00:17:59.200 two minutes long that kind of just shows the different elements that the show is. 281 00:17:59.319 --> 00:18:02.440 It's different for like different categories, but our show just kind of shows 282 00:18:02.480 --> 00:18:06.240 like the funny parts, the serious parts, the goofy stuff, the improv. 283 00:18:06.680 --> 00:18:08.200 And then that's about two minutes long. And then you send in about 284 00:18:08.200 --> 00:18:12.960 a two to three paragraph description of the show and kind of why they deserve 285 00:18:14.000 --> 00:18:17.519 the nomination, and that's usually written by our program director a Ga Rich, 286 00:18:18.440 --> 00:18:21.559 And that's about public service and like you know, cleaning up the trash and 287 00:18:21.599 --> 00:18:25.039 doing Roger's rescue ride. No, not that stuff is kind of included in 288 00:18:25.079 --> 00:18:27.279 the audio element. Any kind of public service stuff, charity or when we 289 00:18:27.319 --> 00:18:30.839 have like Sharon McMahon or something that shows just the wide range of things we 290 00:18:30.880 --> 00:18:34.319 do on the show. But yeah, that's about it, all right, 291 00:18:34.359 --> 00:18:38.160 get into another email here, I think. Let me uh oh boy, 292 00:18:38.160 --> 00:18:41.480 I hope I didn't just close my email link. Yeah, I think I 293 00:18:41.480 --> 00:18:44.720 did. I close my email link. So it's going to take another minute 294 00:18:44.799 --> 00:18:45.559 or so to get into it. Let me just say you want to stall 295 00:18:45.599 --> 00:18:49.759 for a minute, Jenny, So I will say that I am. I 296 00:18:49.799 --> 00:18:53.920 feel like I'm overly excited for boob Bash this weekend because it's on a Saturday, 297 00:18:55.039 --> 00:18:56.960 and a lot of times with our events, we do it on a 298 00:18:57.160 --> 00:19:00.599 Tuesday or a Thursday or something, and I'm just like really higed that i 299 00:19:00.599 --> 00:19:03.880 can go out enjoy and not be stressed about the fact that I'm gonna have 300 00:19:03.920 --> 00:19:07.920 to wake up super early the next morning. So shout out to the promotions 301 00:19:07.920 --> 00:19:10.640 department for having us have a party on a Saturday for once. You know 302 00:19:10.680 --> 00:19:12.799 what I'm saying. No, that's you're absolutely right, because Booty Cruz used 303 00:19:12.799 --> 00:19:15.839 to be on a Thursday night. Yeah, and then booth Back I'm still 304 00:19:15.839 --> 00:19:19.480 water all the way and still water, and then Boo Bash has been and 305 00:19:19.519 --> 00:19:22.960 Boo Cruz also on a weeknight. So this is the first one on a 306 00:19:22.039 --> 00:19:26.480 Saturday night and a long time. I get a super busy weekend I'm going 307 00:19:26.480 --> 00:19:30.920 to speak at school later on today over in Saint Paul, and then I'm 308 00:19:30.920 --> 00:19:37.039 going to dinner with a friend and their wife tonight, and then tomorrow I'm 309 00:19:37.079 --> 00:19:38.160 probably I don't know what I'm doing tomorrow. I got a little bit of 310 00:19:38.160 --> 00:19:44.000 a free day tomorrow, and then Boo bashes tomorrow night. So anyway, 311 00:19:45.319 --> 00:19:51.400 we were continuing with this email from Bethany and she says, congratulations day Fallon 312 00:19:51.480 --> 00:19:52.960 Jenny Drake. You are a delightful part of my days. I listened in 313 00:19:53.000 --> 00:19:56.519 the morning most of the morning, then the Minnesota Goodbye, and I've been 314 00:19:56.640 --> 00:20:02.319 enjoying Fallon and Jenny's I'm Still Fun podcast as well. Keep up the amazing 315 00:20:02.400 --> 00:20:10.039 work, Bethany from Minute Trash, I think I should give a shout out 316 00:20:10.359 --> 00:20:14.519 to your podcast with Fallon, the I'm Still Fun podcast. What does this 317 00:20:14.680 --> 00:20:15.920 tell me? When and where and what? So? You can listen to 318 00:20:15.960 --> 00:20:19.599 it on the iHeartRadio app if you search I'm Still Fun with Fallon and Jenny, 319 00:20:19.640 --> 00:20:22.880 it'll probably pull up if you just search I'm Still Fun. But we 320 00:20:22.960 --> 00:20:27.839 have new episodes out on Tuesdays. We do get like some emails, but 321 00:20:29.000 --> 00:20:33.279 it's not as much of an email friendly podcast. Like what the Minnesota Goodbye 322 00:20:33.319 --> 00:20:37.119 is. It's a lot of like life stuff or very inappropriate things. We 323 00:20:37.319 --> 00:20:41.680 I think our first episode was probably the most inappropriate episode we've done. And 324 00:20:41.680 --> 00:20:45.480 we why tell me why because do you know the bug bite thing? The 325 00:20:45.720 --> 00:20:49.839 it's like a suction thing. Okay, So I talked about what we use 326 00:20:49.960 --> 00:20:55.319 that for my boyfriend and I that didn't involve using like having a mosquito bite, 327 00:20:55.359 --> 00:20:59.519 So that was well. He joked about putting it on a certain body 328 00:20:59.519 --> 00:21:02.440 part of mind and I said no, but let's try it on your body 329 00:21:02.440 --> 00:21:06.160 part. And so we did try it on his body part. And so 330 00:21:06.279 --> 00:21:08.279 that's a little sample of what you might get in some of these episodes. 331 00:21:08.359 --> 00:21:12.319 But it's got a tiny little suction area about the size of I can't imagine 332 00:21:12.359 --> 00:21:15.039 that would leave a mark and leave a big purple bruise. It didn't do 333 00:21:15.079 --> 00:21:18.319 anything of that. It left like a little bit of a sensation, but 334 00:21:18.559 --> 00:21:23.000 it wasn't anything that was painful or enjoyable. I think I think it was 335 00:21:23.119 --> 00:21:26.480 just a feeling. I want to bring up an idea, and that's funny. 336 00:21:27.119 --> 00:21:32.440 I was thinking about an idea on The Minnesota Goodbye called Naughty Tuesday, 337 00:21:33.240 --> 00:21:38.680 where it's all naughty emails, Okay, so write it down because if we 338 00:21:38.839 --> 00:21:44.960 do Naughty Tuesday, then that would be an appropriate part for that story. 339 00:21:45.359 --> 00:21:48.480 And then also what did you once make love to? That might be if 340 00:21:48.519 --> 00:21:52.519 we get emails in what did you once make love to? When you were 341 00:21:52.759 --> 00:21:57.680 I don't know, younger and stupid, and maybe that would be a good 342 00:21:57.720 --> 00:22:02.799 thought starter. And I don't know that we would get enough emails to carry 343 00:22:02.799 --> 00:22:07.880 out Naughty Tuesday every week, but it could be like sexual misadventures, like 344 00:22:07.960 --> 00:22:11.039 I'll give you one right now. I was with a woman when I was 345 00:22:11.039 --> 00:22:14.640 probably twenty five years old, and we were on my dining room floor and 346 00:22:14.759 --> 00:22:18.160 I had taken my glasses off to enjoy the lovin and set them on the 347 00:22:18.240 --> 00:22:21.880 kitchen counter. After we're all done on the dining room floor, carpeted, 348 00:22:22.400 --> 00:22:27.359 we get up and she gets up and I see something on the carpet, 349 00:22:29.519 --> 00:22:32.319 but I didn't have my glasses on, so I wasn't sure by put my 350 00:22:32.319 --> 00:22:37.880 glasses on, she had pooped on the carpet, okay, And so I 351 00:22:38.000 --> 00:22:42.640 was horrified. Yeah, because at that age you're horrified at anything that goes 352 00:22:42.680 --> 00:22:48.039 wrong during sex. You're horrified if somebody farts, if somebody burps, if 353 00:22:48.079 --> 00:22:52.240 somebody queeps, and I hate that word because but you know exactly what happens. 354 00:22:52.319 --> 00:22:53.839 So let's just be adults about it. Don't happen. But that's the 355 00:22:53.880 --> 00:22:57.640 thing. When you're twenty two or twenty five years old, you're so shocked 356 00:22:57.680 --> 00:23:00.000 by anything, But when you get a little bit older, you're like, 357 00:23:00.000 --> 00:23:03.720 oh, well, sheep shit on the floor. I'm sorry you're embarrassed, 358 00:23:03.720 --> 00:23:06.480 but I'm not going to make you more embarrassed. I was mortified. She 359 00:23:06.559 --> 00:23:08.480 picked it up with her fingers, went and threw it in the toilet, 360 00:23:10.039 --> 00:23:12.680 washed her hands. She came back out, and I looked like like I 361 00:23:12.720 --> 00:23:18.519 had just seen a ghost. I am just so confused by the story off 362 00:23:18.519 --> 00:23:22.319 her behalf, because I mean, it happened like during the love in, 363 00:23:22.799 --> 00:23:26.359 like while you guys were hooking up. I just I don't know. I 364 00:23:26.400 --> 00:23:30.319 mean, unless she had had some bad Chinese the night before, it was 365 00:23:30.359 --> 00:23:34.519 a solid That's what I'm saying. Now, what's funny When Jenny said solid 366 00:23:34.720 --> 00:23:38.440 that was a few minutes ago and our hard drive got full of audio. 367 00:23:38.599 --> 00:23:41.319 Yeah, so there was a little bit that was cut off and we were 368 00:23:41.319 --> 00:23:47.240 talking about how you know, whatever, like naughty Tuesday, So let's shoot 369 00:23:47.279 --> 00:23:51.279 for that. Send in your stories about your awkward, weird hook up, 370 00:23:51.640 --> 00:23:53.440 Send in your stories about whatever thing that you might have made love to, 371 00:23:53.599 --> 00:23:56.039 whatever you got stuck in your butt and you had to go to the emergency 372 00:23:56.119 --> 00:23:59.480 room. If you want to stay anonymous, and I'm sure you do, 373 00:23:59.759 --> 00:24:03.440 I will not say your name on the radio. Just say Minnesota goodbye, 374 00:24:03.880 --> 00:24:07.480 and then somewhere near the top say naughty Tuesday, and we'll try it. 375 00:24:07.559 --> 00:24:10.440 We'll see whether it catches on. Yeah, So I think people would kind 376 00:24:10.480 --> 00:24:12.079 of like that, I think so. I'm sure there's plenty of stories out 377 00:24:12.119 --> 00:24:15.839 there that people would love to share, and they can do it anonymously, 378 00:24:15.039 --> 00:24:18.680 so we don't have to use your name at all. Yeah, So send 379 00:24:18.680 --> 00:24:22.880 that in to Ryan's show at kadiwb dot com Naughty Tuesday. We'll try that 380 00:24:22.960 --> 00:24:26.400 next week. Have a great weekend, and thank you for listening.