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Attorneys, Mack of All Trades.
The name says it all. Leo's,

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the official bakery delian cafe of Vilified, has everything you need for back to

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What's the best thing about Leo's Everything
on Despatch Drive in East Rochester and open

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every day. It's just like the
old radio show with the additibility to swear

44
00:02:57,479 --> 00:03:02,000
a lot from the Mac of All
Trades studio in Fairport and driven by Victor

45
00:03:02,080 --> 00:03:17,759
Chrysler Dodge Jeb Braham. It's Bilified
the Bill Moran Podcast. Well, hello

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00:03:17,840 --> 00:03:22,280
and welcome. Thanks for getting your
pot on. Thanks for telling a friend.

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That's how we spread the word about
the pirate ship. I'm very excited

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today because Arnie Rothschild has agreed to
come in for a one on one.

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And I was looking up Arnie just
online just to see how you're described these

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days. Why would you see,
o, dear, it has strategists and

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consultant at Arnie Rothschild Political Consulting.
Then there's another thing that says, Arnie

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Rothschild is the current chairman and CEO
of the Rochester Broadway Theater League, which

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really has been a project of yours
and you've spearheaded for many years. Arnie

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was previously the owner of Arnie Rothschild
Political Consulting and Rochester Broadway Theater League.

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Did you own the Rochester Okay?
I always asked, yeah, five oh

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one C three That's what I thought. Yeah. Uh. And then it

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says president CEO of Normal Communications and
Growth Marketing of New York political strategist,

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board chair at RBTL. How would
you describe yourself today? Oldest? You

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know, when you when you have
all those things describing you. You've got

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to be elderly, Okay, all
right, I wouldn't say elderly. I

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think that there's a lot of energy
and youthfulness there, right, appreciate.

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No, Well, you've got to
be sharp to be in charge of all

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these different things. The I don't
know about sharp, but you have to

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be you know, probably delusional.
I think that's probably a better word.

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Where does it all begin for you? Where? Where? Where did you

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grow up? What did your parents
do? So? And actually this is

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kind of a fun story in terms
of of the Rochester Broadway Theater League.

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So, okay, I grew up
in Syracuse. Okay, my dad was

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a boxing promoter. I remember you
saying this. That's why I wanted to

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ask. My dad was a boxing
promoter who promoted the first title fight in

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Las Vegas in nineteen sixty one.
That's amazing. Yeah. He also when

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there was a fighter that ended up
living in Rochester named Carmen Basilio, and

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uh in my dad's promotion punch every
time I saw him. Yeah, I

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know, he was great. And
I grew up you know, around Carmen

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at the Main Street Gym in Syracuse, New York. But but my dad

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was a boxing promoter and my mother
was a vaudeville tap dancer. Really so

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so part of the allure, if
you will, of urd BTL is,

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you know, my dad's promotion mindset
and my mother's tap dancing. Yeah,

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yeahs strange. Did she do vaudeville
in Syracuse? She did vaudeville around New

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York State, around New York State. Yeah, because and because her real

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name was Adel Levitts. Her her
stage name was Maxine Reynolds. So Ada

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Levits dodn't sound like a tap dancer, no, right now, it doesn't,

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right? And so did you learn
any of these things? Did?

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Did you tap as a child?
Did you play piano? Sadly? My

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mother made me go to tap lesson
sure, as a guy. But then

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you look get older and you think
what a cool skill to have? Well,

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and and it would have been cooler
if I didn't, you know,

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just lay down on the floor all
the time because I hated it, and

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so I got I got dishonorably discharged
from from tap. Then she wanted me

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to play the accordion. I have
no idea why, but the and and

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then I traveled out with my dad
when he was promoting fights. Yeah,

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so were you at that first fight
in Vegas in nineteen sixty one? I

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was not. I was. I
was when Carmen Vasilio fought Jean Fulmer,

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which probably about nineteen fifty eight fifty
nine in Salt Lake City, which was

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the second time they they fought.
Okay, I was in Salt Lake for

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the summer and and I and then
my dad also promoted the first co promoter

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the first title fight in Nigeria,
which was was Gene Former who was a

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middleweight champion, fought a Nigerian fighter
named Dick Tiger whose real name was Ahidi

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I had you but the uh and
and that was in I believe Ligos.

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Wow. So I wouldn't even begin
to think like overseas fighting, especially Africa,

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right, I just you know the
well, you know the although Ali

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fought George Foreman in Africa. But
but you know, so we're talking about

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in the late in the fifties and
early sixties was when my dad was really

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active. Yeah, and that was
sort of a prime time for boxing.

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It was there was something called the
International Boxing Club. They and the International

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Boxing Club held the television contract and
there was there was Wednesday Night fights.

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There were Friday night fights that then
moved to Saturday night, but the IBC

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International Boxing Club owned by a very
wealthy guy from Chicago named James Norris.

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The fights came from Madison Square Garden
or Saint Nick's Arena, Okay, Chicago

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or Syracuse, those were the locals. Wow, I wouldn't have thought Syracuse.

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I knew Madison Square Garden. And
my grandfather was loved boxing, you

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know, when I was a kid, he was a big boxer. He

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was supposed to be in the Olympics. Was sprinting down at Madison Square Garden

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and tripped over a reporter's knee who
was taking pictures and had ribs break and

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puncture his lung and actually his heart
floated. But they didn't realize that he

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had the punctured lung for a while, so that, you know, cause

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all kinds of infections and things and
prevented him from going any further in that.

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But and then after that, was
very very cautious with my dad and

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my uncle in terms of sports,
was very afraid of them getting hurt.

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So the only sport they really did
was swimming because it was less likely to

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get hurt. Me he could drown. But if you could swim, you're

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alright, right, and there's less
there's less injury in that in that sport,

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unless you're Riley Gaines and you run
into Leah Thomas and you can get

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hurt. Very good art, very
good. So then from in Syracuse,

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is that where the radio career begins
for you? Do you go to uh

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Syracuse University? I don't know.
I went. I went to a small

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college in Iowa called Parsons really in
Fairfield, Iowa. What what What was

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the attraction to Iowa? I wanted
to play baseball, Okay, and it

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was it was actually a college with
very lucid mission standards, which I needed

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at that stage in my life.
The U and but but and then when

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I went back to Syracuse, I
started working in radio, then moved to

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television, okay, and then I
left the business for about ten years to

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help my dad open a car dealership
in Fulton, New York. And then

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I went back to radio at ws
YR in Syracuse, and then came Most

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people don't even know I worked in
radio, by the way, which is

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00:09:52,720 --> 00:09:56,440
really funny. In Rochester people,
Yeah, people know me from OURBTL,

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00:09:56,600 --> 00:10:01,399
but they don't know that I ever
really was in eloped in the broadcasting business.

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00:10:01,519 --> 00:10:05,399
Yeah, that is that is very
interesting. So were you what was

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00:10:05,440 --> 00:10:09,480
the attraction baseball in Iowa what we
think field of dreams and that and that

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00:10:09,559 --> 00:10:16,000
whole thing there. Did you were
you looking to play possibly professionally semi pro

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00:10:16,200 --> 00:10:20,000
Oh everybody that yeah, everybody that
thinks they can play at that level.

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00:10:20,399 --> 00:10:22,759
Yeah, you know, their aspiration
is to play in the major leagues.

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00:10:22,840 --> 00:10:26,639
Did you get a look from anybody
at any point? I got a yeah,

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00:10:26,720 --> 00:10:31,639
yeah. But but the but I
caught a guy named Charlie Williams who

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00:10:31,679 --> 00:10:35,000
the New York Mets signed. And
then Charlie was the the New York Met

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00:10:35,120 --> 00:10:39,080
that got traded to San Francisco to
bring Willie Mays back to New York to

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00:10:39,120 --> 00:10:43,519
finish his career. Wow. And
then Charlie uh became a New York City

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00:10:43,559 --> 00:10:48,360
cab driver. That's amazing and then
passed away. Yeah. Now, so

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00:10:48,360 --> 00:10:52,399
when you say you were a catcher, I was, yeah, and that's

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00:10:52,399 --> 00:10:54,519
one of the toughest positions I think
on the on the baseball field. It

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00:10:54,600 --> 00:10:58,919
was the way I played it.
Yeah, I always think it really,

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00:11:00,039 --> 00:11:03,039
I mean, you're squatting down that
entire time wearing all that gear, you

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00:11:03,159 --> 00:11:05,519
got to see what's happening on in
all aspects of the field. If you

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00:11:05,519 --> 00:11:09,120
can see something, you can kind
of tell the other players in terms of

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00:11:09,120 --> 00:11:13,279
batting stance and being able to read
those guys. You know, I've been

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00:11:13,279 --> 00:11:18,480
watching I don't watch baseball very much, but I watched how much the position

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00:11:18,759 --> 00:11:22,039
of catcher has changed. Yeah,
you know that because the catcher used to

158
00:11:22,080 --> 00:11:26,519
be essentially the quarterback. That's the
way I saw it. Yeah, and

159
00:11:26,559 --> 00:11:31,480
you call it cutoffs and you position
people, but that's really not the you

160
00:11:31,519 --> 00:11:35,080
know, the dugout kind of overwhelms
things now. And the other thing is

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00:11:35,519 --> 00:11:41,120
I wish that I had the equipment
that catchers where today, because did you

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00:11:41,159 --> 00:11:43,919
have the throat guard then or no? He didn't know. I got hit

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00:11:43,000 --> 00:11:48,440
in the throat with a foul ball
one day immediately after I broke two fingers.

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00:11:50,080 --> 00:11:52,080
I broke two fingers at the beginning
of the ending. Then I got

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00:11:52,159 --> 00:11:54,240
hit in the throat by a follow
tip later in the ning. Yeah,

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00:11:54,440 --> 00:11:58,639
that's one of the hard I mean, that really is the position where you're

167
00:11:58,039 --> 00:12:01,799
the most contact of the ball.
Right, But besides the picture throwing and

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00:12:01,840 --> 00:12:05,120
he's hopefully not going to injure himself
in any way, and then you were

169
00:12:05,240 --> 00:12:09,759
catching what hundred eight? Yeah,
not, you know, not not in

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00:12:09,799 --> 00:12:15,679
my era. People didn't throw with
that loss and he the I marvel at.

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00:12:16,559 --> 00:12:18,559
I mean, the game has changed
so much. You know, I

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00:12:18,600 --> 00:12:24,480
said to someone recently that I couldn't
even hit in today's environment. That you

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00:12:24,480 --> 00:12:30,000
know, the hitting technique has changed
so much that it's all about trajectory now

174
00:12:30,200 --> 00:12:33,720
and that old Charlie Low kind of
breakaway with your trailing arm stuff. But

175
00:12:35,159 --> 00:12:37,440
so that that's so I went.
I went to college to do that.

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00:12:37,919 --> 00:12:41,519
Uh, played two years. Then
when I stopped playing, I went to

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00:12:41,559 --> 00:12:46,879
work for a college radio station and
started doing color in baseball and then became

178
00:12:46,919 --> 00:12:50,919
it became a play by play guy
in football, in basketball really, and

179
00:12:50,919 --> 00:12:56,799
then I went to I went.
So we were at college station, and

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00:12:56,600 --> 00:13:01,120
you know, you would know the
term carrier current, but others won't carrier

181
00:13:01,159 --> 00:13:03,879
current stations weren't over the air.
They came through you know, electricity in

182
00:13:03,919 --> 00:13:07,600
the building. Yeah, and the
so I went to the town station and

183
00:13:07,639 --> 00:13:13,120
said I wanted to put my game
broadcast basketball on the town station, which

184
00:13:13,200 --> 00:13:18,000
was an ABC daytimer. Uh.
The the general manager slash owner told me

185
00:13:18,399 --> 00:13:22,200
I could do that if I sold
the commercials. So I went out and

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00:13:22,240 --> 00:13:26,120
sold commercials to put my broadcasts on, and then came out at school and

187
00:13:26,120 --> 00:13:30,279
went to work for an FM network, then moved to television. Yeah,

188
00:13:30,480 --> 00:13:35,200
that's uh interesting that the hustle,
right, I mean, I feel like

189
00:13:35,240 --> 00:13:37,960
in a way, for a while, it was guys on the air were

190
00:13:39,000 --> 00:13:41,840
also selling. Oh yeah, I
was. I was gonna do mornings at

191
00:13:41,960 --> 00:13:46,679
w R and Y and run New
York and sell Yeah, And that was

192
00:13:46,840 --> 00:13:50,799
that was kind of the way it
was done. And then it became over

193
00:13:50,840 --> 00:13:54,240
the years. When I started in
radio sales for the Pariah, you didn't

194
00:13:54,320 --> 00:13:58,159
want to talk to them, and
it was, you know, everybody got

195
00:13:58,159 --> 00:14:01,360
on the air was doctor Johnny Fever
and the cool guys, and that's who

196
00:14:01,360 --> 00:14:03,879
you wanted to hang out with.
And as I got further and further into

197
00:14:05,159 --> 00:14:09,879
the business, I went, this
is a this is the wrong philosophy here.

198
00:14:09,919 --> 00:14:13,320
You gotta have a kind of a
collaboration and the on air talent should

199
00:14:13,320 --> 00:14:20,240
be at least part of the sales
process rather the when I was at ws

200
00:14:20,360 --> 00:14:26,320
YR, it was you were absolutely
at arm's length with the on air folks.

201
00:14:26,440 --> 00:14:30,039
Yeah, and one day, the
sports director who shall remain nameless,

202
00:14:30,919 --> 00:14:33,519
came to my cubicle at the time
and he said, you know, for

203
00:14:33,559 --> 00:14:39,720
the last twelve years I've gone to
Indianapolis five hundred. They told me I

204
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can't go this year unless all the
commercials are sold. So I but two

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days sold all the commercials, half
of them to the che Chevy Dealer group.

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And he came to my cubicle and
he said, thanks very much.

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Tell me what I can do for
you. I said, bring me back

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a program from the Indianapolis five hundred. So he went to the race.

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He came back and he came to
my Q bole and he said, hey,

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listen, thanks again, here's your
program. And I said, thank

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you. He said, that'll be
three dollars. Why they charged me three

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dollars for the program? Kidding,
No, I'm not. It's a true

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story, but so he really charged
me. But the uh, that's that's

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that's out there there. You would
meet some people like that, and radio

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had the weirdest like as you got
in and and and a lot of I

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remember starting out in Poughkeepsie at w
e OK and the first guy that I

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worked for, uh, he just
did the the AM and he was great,

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but just a strange guy and sort
of the same thing. But so

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and I love uh Poughkeepsie. Yeah, I love the area. And w

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KIP was where Franklin Roosevelt did the
fireside chats. Yes it is, but

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the but but it was funny because
on the hundredth anniversary of Wham, one

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of the on air folks, Joel
Monico, came over and did an interview

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with me. And I said to
him afterwards, you know, most people

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in Rochester don't even know I worked
in radio, And he said, because

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it's been twenty five years. And
I went, Dam, I had no

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sense of that, you know,
but but you know I was. I

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was fortunate because I was at I
came here with Wham Radio, which at

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the time was what we called an
Mr. Middle of the road personality music

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station where we played Andy Williams about
every seven minutes in the and but we

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were part of the I think the
best Am turnaround that's probably ever been done.

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Yeah. And then and then I
was, you know, as I

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got promoted through the company. Uh. Then we had a country station in

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northeast Ohio that just exploded. We
just you know, in beginning in about

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nineteen ninety one. I think when
when Garth Brooks started to change country music

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and the so I was. I
was involved with two great radio station turnarounds,

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which were incredible fun for me.
And you were what in what capacity?

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Vice president of sales general man?
Yeah, I was vice president of

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sales for the company for them,
and then yeah, well I got first

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I got promoted over Rochester, then
Rochester and Buffalo, then the company.

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Then I got into what in the
industry is called a sweat equity ownership position.

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And then when the regulation came,
we started selling the stations. So

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when the Telecom Act passed. But
and it's funny because it was my being

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at Wham and the Rochester stations that
led to my going on the board of

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the Broadway Theater League. Yeah.
Broadway Theater League was a struggling arts group.

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Owed a lot of money to the
to the properties, and it was

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the kind of kind of board that
I would call an arts headed board,

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you know, where there were a
lot of people that cared about the arts

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and the company was upside down several
hundred thousand dollars And the first board meeting

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I was in was three hours arguing
about a four color brochure, which another

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new board member and I called the
meeting to rearrange the deck chairs on the

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Titanic because they had no sense that
they they were going to go out of

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business if they didn't do something differently. And and then, I don't know,

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a year and a half or two
years later, suddenly I was the

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chairman. And so now for thirty
one years, i've been under thirty one

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years, well, thirty one years
twenty nine as board chair. The last

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seven also is or eight as CEO. So just let's go with the RBTL.

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Then now staying at the Auditorium theater, callowing that their headquarter. I

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always thought that was just such a
beautiful theater. It is. But the

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problem was, and I intentionally said, was that there's there's two thousand,

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four hundred and sixty four seats there. And our concern was that with the

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ever increasing cost of Broadway productions,
that if we didn't have twenty eight hundred

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and fifty seats to three thousand seats, that the cost of tickets would be

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prohibitive. And fortunately, post COVID, the industry change their pricing model to

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something that they're calling dynamic pricing,
which is in no small part what airlines

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do. As demand increases and sellout
increases, ticket price moves up. So

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now that the essentially twenty five hundred
theater will work, where before we thought

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we had to build new, Yes, And that was the impetus to begin

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to look at the acquisition of the
rest of the complex and in that complex,

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because we only owned the theater,
so the auditorium rest of the complex

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house twelve churches at the time,
there are old ritual rooms. This was

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the Masonic headquarters of the Northeast and
there are some amazing rooms in there.

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So currently there are four other stages
that we can restore and I'm using the

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word to restore intentionally as opposed to
renovate, because we want to bring it

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back to what its glory of nineteen
thirty and And how what's the capacity in

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those rooms, Well, they range
from five hundred and thirty yeah, down

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to one hundred, all different sizes. Now a performing arts center and its

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purest use is a multi stage.
Then you housed within a complex, and

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the stages are of different size and
different dimensions, so you can do different

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kinds of things. So the and
along along with the acquisition of the other

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side of the building, which happened
in March. We also acquired all the

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parking lots behind, and then we
bought a parking lot on the east side

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of the building from the armory was
across the street. And so now between

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that, between our spaces that we
own and a joint venture we've done with

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Pike Construction right next door, we
can accommodate over five hundred cars, which

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solves a lot of the parking hills
of the venue. Yeah, so you've

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got the parking issue. And then
you sold the naming rights, yeah,

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which I think was a big deal, right. I mean that's especially when

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I heard your opening and so there
was so the with with Victor, right,

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So yeah, we sold that.
We sold on that as well.

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So we sold the the naming rights
to west her Automotive and west her Is

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has thirty nine dealerships. They are
the largest dealer group in New York State

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now and the and we announced that
a week ago. And it's a great

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partnership because the CEO and majority holder
is a man named Scott Bielder, who

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whose sense of what we want to
do with this building and what it can

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mean for Rochester made it one of
the easiest transactions I've ever been involved in.

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Good about the third third meeting with
this man. This is an extremely

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honorable guy. And after the third
meeting, I said to our folks,

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you know I would do this deal
with with him without a contract. You

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know, this is the kind of
guy you can you can do things on

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a on a handshake. He's a
very honorable guy. Uh. Jay Vanderstein,

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by the way, Rochester Arian,
it was Vanderstein. Toyota is the

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person that that introduced us to Scott
and and Jay had a had a strong

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sense of what the auditorium could be
and is. The auditorium is a little

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unusual because you know, the it's
it's a venue that the entire community embraces,

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you know, the from the suburban
community to the urban community. The

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schools do graduations there, you know, so it's a it's it's really a

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wide range of use kind of venue
and all we can do now it's one

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that many people are familiar with two, which which makes that a little more

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reckonable. You know, when you
deal with the arts, arts people seem

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to have a different head than a
business head, where you know, you

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come in and seem to have that
at a little both a foot in each

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side in terms of even you know, you recognize talent radio wise, you

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were able to sell that bringing the
business knowledge to that. I think it's

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amazing that they're very lucky to have
you and have that. I appreciate that,

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you know. The The interesting thing
is that my greatest critics have been

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you know, the traditional arts folks, and because for a couple of reasons,

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not the least of which is I
was saying something they didn't want to

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hear, and it was well intended, and if I had it to do

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all over again, I probably would
have softened how I was saying this.

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But what I kept saying to people
was, first of all, government's not

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going to subsidize the arts. They're
there are too many other government priorities.

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We're not going to subsidize the arts. And if your business model relies on

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that, your shelf dated. And
so unless you get into the realities of

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of what you need to do to
survive. You know, it's a business.

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You know, you may love it, you recognize what it does for

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a community, but but it is
not going to be the role of government

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to subsidize the arts. Now they
can do tax incentive programs to do things

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like get shows ready to go to
the road, or movie tax credit programs

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or but but in terms of operating
dollars, it really it's going to be

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very, very difficult for arts organizations. And you know, when you are

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when you are the proponent of change
and you're you're telling people that things are

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going to change, that they don't
want to hear are going to change,

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you open yourself up your criticism.
But that's okay because you know, in

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no small part, I'm not sure
what a calling is Bill, you know,

335
00:24:59,319 --> 00:25:03,519
you know, but I'm not a
theater guy, and historically I haven't

336
00:25:03,519 --> 00:25:06,839
cared about going to the performances.
I could stand in the lobby for hours

337
00:25:07,359 --> 00:25:11,359
and watch people love it. But
from the time I began to look at

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the business model of what this had
to be for people to survive in the

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00:25:17,960 --> 00:25:26,400
performing presenting entities, and I looked
at the the aggregate of the arts as

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kind of like college football team and
basketball team allowed the fencing team, the

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swimming team, the smaller and and
the So we are in no small part,

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00:25:40,799 --> 00:25:45,319
by the way, give you another
example. When Fantom of the Opera

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00:25:45,359 --> 00:25:48,640
came to Rochester, it was it
was the a lot of people's first exposure

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00:25:49,079 --> 00:25:56,599
to anything opredic, and that gave
birth to three tenors, and then three

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00:25:56,640 --> 00:26:00,319
tenors gave birth to a growth and
opera. So we're kind of a point

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00:26:00,319 --> 00:26:03,759
of entry with a lot of the
touring Broadway stuff. But it's going to

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00:26:03,799 --> 00:26:08,480
allow a lot of the other arts
organizations to prosper because a rising tide does

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00:26:08,519 --> 00:26:12,640
in fact lift all boats, and
when people are used to coming back downtown

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and when they now would be able
to accommodate smaller entertainment events and more diverse

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entertainment events and do it in a
cost effective way in the venue that we're

351
00:26:25,759 --> 00:26:30,079
going to bring in it that no, Dad, it's going to help the

352
00:26:30,240 --> 00:26:34,279
entire arts organization. Do I understand
that? For a long time I was

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a voice they didn't want to hear. I absolutely understand it. And by

354
00:26:38,039 --> 00:26:42,440
the way, so I was watching
comments on Facebook when we did the announcement

355
00:26:42,960 --> 00:26:49,359
and someone said a Buffalo automobile dealership
group and I wrote back, that employs

356
00:26:49,519 --> 00:26:57,119
one thousand people in Rochester, and
he wrote back, there should never be

357
00:26:57,640 --> 00:27:02,200
a name on a the it or
to which I wrote back, and if

358
00:27:02,240 --> 00:27:04,519
you ran an arts group, how
would you keep it in business. Give

359
00:27:04,559 --> 00:27:08,240
me your plan. Yeah, because
the truth it's very easy to criticize something

360
00:27:08,279 --> 00:27:14,319
and it's very hard to execute it. I agree that is absolutely true.

361
00:27:14,160 --> 00:27:18,079
Where does all this come from?
I mean you were also a political consultant

362
00:27:18,079 --> 00:27:23,119
and strategists and all that. So
you've done many different things, but all

363
00:27:23,160 --> 00:27:30,359
in the same vein of guiding people
to reach their goals or their dreams.

364
00:27:30,440 --> 00:27:36,039
Right, we want to keep theater. I think a vibrant city needs arts.

365
00:27:36,960 --> 00:27:41,039
A vibrant city needs an arts community. It really does. And so

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00:27:41,519 --> 00:27:45,119
you've been able to keep that afloat. When you look at political strategists and

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00:27:45,119 --> 00:27:48,960
things, I mean, you're helping
people get their message out. You help

368
00:27:49,039 --> 00:27:53,039
people. Did you ever think of
yourself that way as really helping people?

369
00:27:53,039 --> 00:27:56,640
I know you said you don't know
what a calling is, but you've been

370
00:27:56,680 --> 00:28:00,079
able to help people get their message
across, whether it was sales and radio,

371
00:28:00,720 --> 00:28:04,720
possibly helping talent, you know,
figure out how to say or communicate

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00:28:04,799 --> 00:28:08,720
more effectively. Doing all that,
do you ever realize that when when I'm

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just I'm putting that together as we
speak, but I'm seeing kind of a

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00:28:12,920 --> 00:28:18,960
common thread throughout Arnie's career here you
know, the first of all, with

375
00:28:18,000 --> 00:28:22,440
OURBTL, I think I get way
too much credit we have. You know,

376
00:28:22,039 --> 00:28:26,920
there's a sounds like you get a
lot of the criticisms. But that's

377
00:28:26,920 --> 00:28:30,160
okay, that's that partly okay.
So there's a really amazing guy named John

378
00:28:30,160 --> 00:28:37,640
Parker's who knows more about about about
everything in the business than anybody that I've

379
00:28:37,680 --> 00:28:42,759
ever met, along with the person
who is as knowledgeable named Linda Glosser,

380
00:28:44,160 --> 00:28:48,079
who books a lot of the shows. John's our chief operating officer, Linda's

381
00:28:48,119 --> 00:28:52,480
our executive vice president. We have
a great Broadway producer partner and Albert Nachelino,

382
00:28:52,559 --> 00:28:57,519
who who who's a seven time Tony
Award winner. And we've got a

383
00:28:57,519 --> 00:29:03,240
great young staff. You know.
The one of the advantages in having gone

384
00:29:03,240 --> 00:29:07,920
to Dumb Guy College is that I
have to simplify concepts. So even in

385
00:29:07,960 --> 00:29:14,000
my message in my political messaging strategy, or I do Batavia Downs Gamings messaging

386
00:29:14,039 --> 00:29:19,880
and you know the Palmer family of
companies. The I think that if I

387
00:29:19,880 --> 00:29:23,519
can take something that's kind of complex
and simplify it. You know, we

388
00:29:23,519 --> 00:29:30,000
were talking about earlier about Franklin Roosevelt
and w KIP Radio, so Franklin Roosevelt

389
00:29:30,039 --> 00:29:33,559
knew that the United States wasn't ready
to go into World War two, that

390
00:29:33,599 --> 00:29:37,720
we didn't have the productive capability,
you know that had to become ability,

391
00:29:38,200 --> 00:29:42,400
and he had to buy time,
and so he decided he could arm Britain.

392
00:29:44,400 --> 00:29:47,160
But it was kind of a complex
concept. So we went on w

393
00:29:47,359 --> 00:29:49,559
KIP radio and he said, if
your neighbor's house is on fire and you

394
00:29:49,640 --> 00:29:53,400
have a hose, you loan it
to your neighbor until the fire is extinguished,

395
00:29:53,400 --> 00:29:56,839
at which time you expect the hose
back or payment and kind with that,

396
00:29:57,839 --> 00:30:03,920
which became len Lee. He armed
Britain with that that simple explanation.

397
00:30:03,039 --> 00:30:11,440
So one of the things that I
hopefully can do in politics or for our

398
00:30:11,519 --> 00:30:18,880
BTL or is take something that is
somewhat complex and make it logical and simple

399
00:30:18,920 --> 00:30:21,559
for people. I always think you
had to make it like the iPhone.

400
00:30:21,640 --> 00:30:23,200
You have to make things intuitive.
Yeah, you know, I mean,

401
00:30:23,319 --> 00:30:27,279
I think they dropped off, or
at least I've read somewhere the iPad in

402
00:30:27,319 --> 00:30:32,599
the middle of nowhere, Africa,
and the hardest thing to do was to

403
00:30:32,599 --> 00:30:34,880
figure out how to turn it on. After that, it was all intuitive

404
00:30:36,000 --> 00:30:37,960
and people could figure it out and
I think that that you know, with

405
00:30:38,039 --> 00:30:42,359
messaging and anything, you need to
make things user friendly. And in the

406
00:30:42,400 --> 00:30:48,400
case of so during the press conference, I said something that that is absolutely

407
00:30:48,440 --> 00:30:52,079
true. First of all, understand
that Rochester, New York is the only

408
00:30:52,119 --> 00:30:56,240
major city in New York State that
doesn't have a state office building. That

409
00:30:56,759 --> 00:31:00,839
Rochester, New York has not had
a performing arts because back in the day

410
00:31:02,160 --> 00:31:04,720
expression that I find interesting. But
back in the day, it's the reason

411
00:31:04,759 --> 00:31:11,759
that Thruway doesn't come up towards Rochester
because what was called smugtown just thought they

412
00:31:11,799 --> 00:31:17,480
were they didn't need anybody that Between
Eastman, Kodak, Xerox, and Bauschan

413
00:31:17,519 --> 00:31:22,119
Laum, everything got built because of
those companies and they're officializing them. And

414
00:31:22,160 --> 00:31:26,799
so people at my age or your
age that should have been doing major capital

415
00:31:26,839 --> 00:31:30,839
deals in a community didn't have to, and so the skill set wasn't there.

416
00:31:30,880 --> 00:31:34,559
Well, we're in a different period
of time and today, so it's

417
00:31:34,640 --> 00:31:38,279
not going to be Kodak, Zerox
or Bausch that are going to help us

418
00:31:38,279 --> 00:31:42,359
do anything. And you know,
so Buffalo is a great professional sports town

419
00:31:42,440 --> 00:31:48,359
and they have great venues, and
Syracuse is a great college sports town with

420
00:31:48,480 --> 00:31:52,359
a great venue used to be called
a Carrier dome, and Rochester is a

421
00:31:52,480 --> 00:31:57,720
great music, entertainment and theater town
with the dearth of the right venues.

422
00:31:57,880 --> 00:32:02,240
So that's what we need. Yeah, it's interesting when you look at all

423
00:32:02,240 --> 00:32:06,720
this stuff, you know, when
you look at the arts or just entertainment,

424
00:32:07,440 --> 00:32:12,400
politics, radio, all that,
things have really changed a lot over

425
00:32:12,519 --> 00:32:16,440
the years. But yet the messaging
should stay the same. And it's a

426
00:32:16,440 --> 00:32:21,519
form of communication, it's a form
of entertainment, and we complicate this stuff,

427
00:32:21,920 --> 00:32:24,519
you know. Do you think when
you look at you had a long

428
00:32:24,559 --> 00:32:29,440
career in radio, you were part
of a group that owned in multiple markets

429
00:32:29,440 --> 00:32:32,839
and things. But I wonder as
I look at the like just the radio

430
00:32:32,880 --> 00:32:37,920
model coming back to the local level, I think you start to see things

431
00:32:38,039 --> 00:32:43,079
I think that would you know.
I'll hear people in the business say radio

432
00:32:43,160 --> 00:32:45,599
is dead, and I always think, no, it's not. I disagree

433
00:32:45,640 --> 00:32:49,640
with that. I think that on
the local level, you know, to

434
00:32:49,759 --> 00:32:52,559
promote your local arts and to be
able to talk about have a voice for

435
00:32:52,599 --> 00:32:58,720
your local politicians. Bring it back
to where almost a version of the fireside

436
00:32:58,759 --> 00:33:02,400
chat, let's hear our account executive
come on and be interviewed somewhere and have

437
00:33:02,599 --> 00:33:07,640
one of them. And there seems
to be with these big conglomerates now that

438
00:33:07,720 --> 00:33:09,799
own so many and having been part
of that myself, I mean, look,

439
00:33:09,839 --> 00:33:13,359
I was on eighty stations around the
country, right, it was one

440
00:33:13,559 --> 00:33:16,480
voice you heard everywhere. My kids
live in Athens, Alabama. I was

441
00:33:16,519 --> 00:33:21,440
on in Huntsville. I mean,
I've never been to Huntsville, you know.

442
00:33:21,559 --> 00:33:24,880
And I think that that sort of
stuff really hurts the community in a

443
00:33:24,920 --> 00:33:30,640
wet in a way that when we
talk about the strength of community with arts

444
00:33:30,920 --> 00:33:34,839
and and even local politicians people,
you can see people who can be the

445
00:33:35,000 --> 00:33:39,599
voice right and connect. I think
coming back to that smaller stuff is the

446
00:33:39,640 --> 00:33:43,200
way the future will go. I
think. I don't know. So that's

447
00:33:43,640 --> 00:33:47,839
proof of your theory. Yeah,
is that small market radio is very healthy,

448
00:33:49,000 --> 00:33:52,480
Yeah, I believe. And in
small market radio they do very local

449
00:33:53,039 --> 00:33:59,640
you know, like rido obituaries on
the air, talking about garage sales or

450
00:33:59,680 --> 00:34:04,519
Yeah. And the more local radio
station is the better. So back when

451
00:34:04,640 --> 00:34:13,119
we made the the change from music
on WHAM, and you know what what

452
00:34:13,159 --> 00:34:19,039
we decided to do was we decided
to be first a breaking news station and

453
00:34:19,119 --> 00:34:22,119
secondly, we wanted to be the
station that everybody relied on for accurate weather

454
00:34:22,159 --> 00:34:27,800
forecasts and storm warnings, and that
was our point of entry. So and

455
00:34:27,920 --> 00:34:30,159
what I used to say to people
back in that period of time was think

456
00:34:30,199 --> 00:34:35,519
of FM as a mall, and
people wander around the mall and they look

457
00:34:35,559 --> 00:34:38,559
in the windows. But think of
AM as being like the old Hicky Freeman

458
00:34:38,719 --> 00:34:43,119
factory store. You have to leave
the mall to drive to that store.

459
00:34:43,199 --> 00:34:45,119
Once you find out what's in the
store, you may love it and want

460
00:34:45,119 --> 00:34:49,039
to be there, you know,
all the time, but you have to

461
00:34:49,039 --> 00:34:51,480
get them out of the mall.
So, you know, part of the

462
00:34:51,519 --> 00:34:54,079
marketing challenge was getting people out of
the mall to sample that radio station.

463
00:34:54,199 --> 00:34:58,239
And then and then we had an
ice storm. You know, we were

464
00:34:58,280 --> 00:35:01,320
the weather station, and then we
had an ice storm and everything exploded.

465
00:35:02,079 --> 00:35:07,679
But and and that goes back to
the same thing that we talked about earlier

466
00:35:08,320 --> 00:35:14,280
with the role of touring Broadway.
You got to get somebody to sample something

467
00:35:14,320 --> 00:35:17,480
and then you can move them to
other things. One of the most amazing

468
00:35:19,400 --> 00:35:25,559
things about Hamilton about the show Hamilton's
was the impact on teens who knew every

469
00:35:25,599 --> 00:35:31,639
word of the of the song and
they probably learned more American history about the

470
00:35:31,639 --> 00:35:37,800
revolutionary period of time by seeing that
show than they were learning in class.

471
00:35:38,360 --> 00:35:42,000
And then in class, if they
circle back to it, they go,

472
00:35:42,840 --> 00:35:49,239
yeah, well, here's what happened
when Washington had to split his force and

473
00:35:49,519 --> 00:35:52,280
abandoned Kipp's Bay and moved towards Harlem. You know, I mean, it's

474
00:35:52,280 --> 00:36:00,000
just like the so part of that
we can entertain and educate at the same

475
00:36:00,119 --> 00:36:05,159
time. And Rock had that,
you know what I mean, And you're

476
00:36:05,199 --> 00:36:07,920
absolutely right because one of the things
we don't I think we don't do is

477
00:36:07,960 --> 00:36:13,519
meet kids where they are. Yeah, this education system and that show was

478
00:36:13,519 --> 00:36:16,079
was amazing. I would also tell
you, by the way, that there

479
00:36:16,159 --> 00:36:22,199
is a show in this season's lineup, which is a great lineup, but

480
00:36:22,280 --> 00:36:25,880
there's a show about the Temptations called
at two Proud Now. I was in

481
00:36:25,960 --> 00:36:32,280
Buffalo the day of the top shooting. I was in the Chaise in Buffalo

482
00:36:34,559 --> 00:36:38,559
seeing that show and it is an
amazing show to begin with. H and

483
00:36:38,719 --> 00:36:45,800
right before intermission my phone exploded because
of the shooting, and then a swat

484
00:36:45,800 --> 00:36:50,360
team had to secure the backstage because
it's an all black cast and no one

485
00:36:50,440 --> 00:36:52,199
knew if there were multiple Shooters.
So here you are sitting in a theater

486
00:36:52,320 --> 00:36:54,880
thinking, well, this is not
a place I want to be right now,

487
00:36:55,320 --> 00:36:59,639
you know. But the but when
people have an opportunity to see that

488
00:36:59,679 --> 00:37:06,760
show. The reason I say that
is that music has transcend It transcends age.

489
00:37:06,840 --> 00:37:08,800
So there's gonna be a lot of
kids in high school who knew a

490
00:37:09,280 --> 00:37:15,880
ton of Temptations songs, right And
and by the way, I didn't know

491
00:37:15,920 --> 00:37:17,480
this till I saw the show that
there are twenty four different members of the

492
00:37:17,480 --> 00:37:22,159
Temptations over the years. I didn't
know that either. Yeah, I remember,

493
00:37:22,360 --> 00:37:25,679
so I was such a radio file. But I kept that to myself

494
00:37:25,679 --> 00:37:29,800
because it wasn't cool. I didn't
think and I never shared that really with

495
00:37:29,840 --> 00:37:35,360
my friends. But there was a
morning team in Los Angeles called Mark and

496
00:37:35,400 --> 00:37:39,199
Brian, and Mark and Brian got
an NVC deal and it was really short

497
00:37:39,239 --> 00:37:43,800
lived, but it was the Adventures
of Mark and Brian. And I was

498
00:37:43,880 --> 00:37:45,760
so excited because I was going to
sit down and watch this show. I

499
00:37:45,800 --> 00:37:49,280
had to be in maybe seventh or
eighth grade. And one of the first

500
00:37:49,280 --> 00:37:52,480
things they did was try out to
be members of the Temptations, and they

501
00:37:52,519 --> 00:37:57,000
went through the dancing and the singing
and the whole thing. There's got to

502
00:37:57,039 --> 00:38:00,519
be something on YouTube about that.
And right after I was like, man,

503
00:38:00,559 --> 00:38:02,159
that music's great. I hadn't,
you know, I had never really

504
00:38:02,159 --> 00:38:07,760
heard that. And my parents were
strange at best when I look back at

505
00:38:07,800 --> 00:38:10,960
things, because there wasn't a whole
lot of music and stuff. But my

506
00:38:12,039 --> 00:38:16,639
dad loved theater and my sister was
all the leads and musicals, and growing

507
00:38:16,760 --> 00:38:22,679
up ninety miles outside of Manhattan,
we had people who came in from Broadway

508
00:38:22,719 --> 00:38:25,559
to direct the high school musicals.
The one guy had was written up in

509
00:38:25,559 --> 00:38:30,639
the New York Times for having the
most death defying feet in cats. I

510
00:38:30,639 --> 00:38:36,159
guess he jumped and did some flip
off on Broadway for years, and he

511
00:38:36,239 --> 00:38:39,599
and his wife directed a couple of
musicals up there, and my sister had

512
00:38:39,599 --> 00:38:43,039
the lead and my father was in
so there was always music like that in

513
00:38:43,079 --> 00:38:46,039
there. But other than that,
it was Janis Joplin and Simon and Garfunkel

514
00:38:46,079 --> 00:38:50,760
and maybe a little Willie Nelson and
I Love The Stones and the Grateful Dead,

515
00:38:50,760 --> 00:38:55,039
and I don't know, so it
was not as much as much exposure,

516
00:38:55,079 --> 00:38:58,559
but you were exposed to the arts
and things. I'm trying to think

517
00:38:58,599 --> 00:39:02,079
of plays and things, you know, rhymeback you had woodstocks, certainly had

518
00:39:02,159 --> 00:39:06,639
a summer stock and theater and all
that stuff that you would go to guys

519
00:39:06,679 --> 00:39:09,320
and dollars or remember as a kid. But I find the arts such an

520
00:39:09,360 --> 00:39:15,000
important part of a city's culture,
and I always thought that Rochester had a

521
00:39:15,000 --> 00:39:19,440
lot of that. You ever surprised
that Eastman didn't build a performing arts set.

522
00:39:19,559 --> 00:39:23,920
Actually people don't don't know that they
had a RBTL at one time merged

523
00:39:24,000 --> 00:39:29,039
with the Philharmonic, okay, and
then the Philharmonic decided they did not want

524
00:39:29,079 --> 00:39:35,000
to do popular entertainment, and so
in the in the early the mid eighties,

525
00:39:35,039 --> 00:39:38,639
they they spun off RBTL. That
went back. RBTL was founded in

526
00:39:38,679 --> 00:39:43,800
nineteen fifty seven as what was at
the time called the bus and truck kind

527
00:39:43,840 --> 00:39:46,199
of theater company, where you know, the casts would come in a bus

528
00:39:46,199 --> 00:39:50,239
and there might be a one truck
full of sets. Yeah, and you

529
00:39:50,239 --> 00:39:54,519
know, like Jerry Lewis and Dan
Yankees. But but so they merged,

530
00:39:54,559 --> 00:39:59,760
then they decided they didn't want to
want them there anymore. And so that

531
00:39:59,880 --> 00:40:02,840
was period of time when I came
on the board as we were restructuring the

532
00:40:02,880 --> 00:40:12,880
board and the but originally what we
now call CMAC, which was early on

533
00:40:13,039 --> 00:40:16,679
was called Flea Pack was supposed to
be the summer home of the Philharmonic,

534
00:40:16,920 --> 00:40:22,079
and in their period of time,
John Parkhurst was running that venue on behalf

535
00:40:22,079 --> 00:40:29,679
of the Philharmonic. But they they
and the Eastman is not, you know,

536
00:40:29,760 --> 00:40:34,679
because it's owned by the university.
Their mission is not or their mission

537
00:40:34,719 --> 00:40:39,880
has not been to uh to do
popular entertainment. It was more that they

538
00:40:40,280 --> 00:40:46,119
saw themselves as an education component that
did classical music. And you know,

539
00:40:46,119 --> 00:40:51,360
if you think about it today,
if you you know, you you might

540
00:40:51,400 --> 00:40:54,639
put the Pops out as the key
part of the of what they do.

541
00:40:55,000 --> 00:41:00,159
And again goes back to my my
comments about opera. So somebody, here's

542
00:41:00,239 --> 00:41:06,480
the Pops. They are enthralled by
these great musicians and the amazing sound,

543
00:41:07,119 --> 00:41:10,360
and that may allow them to recycle
them. It's all on entry, right,

544
00:41:10,360 --> 00:41:14,559
It's all entry. Exposure is the
greatest thing that we can do for

545
00:41:14,599 --> 00:41:20,159
people and exposed that. I always
think that even in college and stuff,

546
00:41:20,480 --> 00:41:23,119
I would always get the argument,
but knowledge for the sake of knowledge,

547
00:41:23,159 --> 00:41:27,480
if you can actually go, it
is a luxury that we've turned it into

548
00:41:27,760 --> 00:41:30,159
I have to have an endgame here
and I have to be trained as well

549
00:41:30,199 --> 00:41:34,679
whatever to pay back this enormous bill. And I think, yeah, but

550
00:41:34,760 --> 00:41:37,480
if if you have the overall exposure
and you could actually take the knowledge for

551
00:41:37,559 --> 00:41:43,400
knowledge, you'll find your way in
life so much better than having this path

552
00:41:43,559 --> 00:41:47,719
that you're so young, you may
not really like it, and you get

553
00:41:47,800 --> 00:41:51,880
in there and it becomes a grind
and you miss out on things. And

554
00:41:51,920 --> 00:41:54,880
I think that exposure is the greatest
thing you can have. And there was

555
00:41:55,079 --> 00:42:00,000
I heard a line in the country
song called the song is called by Dirty

556
00:42:00,760 --> 00:42:04,920
But Yeah. The line, the
line says, do what you love and

557
00:42:05,039 --> 00:42:07,639
call it work. Yeah. And
the thing is that, you know,

558
00:42:07,760 --> 00:42:12,519
for me in the broadcasting business and
what I've been doing with RBTL, what

559
00:42:12,679 --> 00:42:16,360
I do in my political career,
I don't feel like I've ever worked today.

560
00:42:16,599 --> 00:42:22,519
Yeah, I just have fun,
you know, trying to change things.

561
00:42:22,679 --> 00:42:27,320
Who had the biggest impact on you, the biggest influence as you look

562
00:42:27,360 --> 00:42:30,360
back, Was there anybody that kind
of changed the trajectory? Was it your

563
00:42:30,440 --> 00:42:32,079
dad with the boxing? I don't
know. It was actually a man named

564
00:42:32,119 --> 00:42:38,559
Bud Worthheimer now deceased, who was
the majority holder the Lincoln Group, which

565
00:42:38,639 --> 00:42:43,599
is a company that owned WHAM,
the r p X, y H,

566
00:42:43,679 --> 00:42:50,559
T, k w F, and
Buffalo and stations in Ohio. Bud's real

567
00:42:50,639 --> 00:42:55,559
name was Albert Lincoln Wortheimer. Okay, because he was born on the day

568
00:42:57,159 --> 00:43:00,360
the date that Lincoln had been assassinated. It was the same you know,

569
00:43:00,440 --> 00:43:07,639
calendar date month and and time month. But he was the most fascinating,

570
00:43:09,039 --> 00:43:19,639
most fascinating guy to learn from.
Uh. And he changed my mindset about

571
00:43:19,679 --> 00:43:24,400
about what someone can do. Yea. He used to have a line it's

572
00:43:24,440 --> 00:43:29,320
fun to watch people bite off more
than they can chew and learn to chew

573
00:43:29,360 --> 00:43:31,480
it. Yeah, which is true. And then and then there's a second

574
00:43:31,519 --> 00:43:37,679
person that has had tremendous impact on
me. That is a man named Kip

575
00:43:37,719 --> 00:43:43,800
Palmer, who owns the Palmer family
of companies. Uh, because what what

576
00:43:43,880 --> 00:43:49,239
he what I've learned is and he's
a great man of faith. But what

577
00:43:49,280 --> 00:43:54,519
I've learned is that you that your
values drive everything else. Yeah, you

578
00:43:54,559 --> 00:43:59,880
know, we had to make it
a decision during COVID as an operating company.

579
00:44:00,039 --> 00:44:04,199
At ourbtail, we had a bunch
of really great young people, no

580
00:44:04,199 --> 00:44:06,920
one you know, we closed for
what we thought was two weeks. We

581
00:44:06,960 --> 00:44:13,159
reopened almost two years later. But
we made a decision that what was important

582
00:44:13,400 --> 00:44:16,840
was we had great young people and
that we had to figure out how to

583
00:44:16,920 --> 00:44:24,320
retain everyone, which is a really
interesting mindset compared to what broadcasting companies and

584
00:44:24,440 --> 00:44:29,480
other companies did. And when you
start with that value, that that the

585
00:44:29,519 --> 00:44:35,639
asset that you have is really people, it every other decision begins to follow.

586
00:44:35,760 --> 00:44:38,840
Nine. When you start with the
assumption, as Bud did and as

587
00:44:39,079 --> 00:44:45,679
Kip has done, where your values
and your belief system drive everything else,

588
00:44:49,079 --> 00:44:54,480
it changes your entire mindset. We
talked earlier about radio. If your if

589
00:44:54,519 --> 00:45:01,480
your mindset is we have to deliver
because of Wall Street, you make decisions

590
00:45:01,519 --> 00:45:06,320
that have nothing to do with people. If your mindset is first and foremost,

591
00:45:06,320 --> 00:45:12,480
we're going to protect our people because
there are resource then it's a whole

592
00:45:12,519 --> 00:45:15,559
different set of decisions. It is. And you know you'll also I'll hear

593
00:45:15,639 --> 00:45:21,360
the word often all these big evil
companies, these big evil things, they

594
00:45:21,400 --> 00:45:24,239
don't start out that way. Everybody's
trying to grow. You get to a

595
00:45:24,239 --> 00:45:30,760
certain point and then you start serving
maybe the wrong master, so to speak,

596
00:45:30,800 --> 00:45:34,519
where you're going in a direction that's
a little different, like investors and

597
00:45:34,599 --> 00:45:37,239
things. People want their money back, and so that that becomes the thing.

598
00:45:37,239 --> 00:45:39,800
But you're absolutely right. And I
would always say, and I say

599
00:45:39,840 --> 00:45:43,679
this to my sons all the time, that one of the things is,

600
00:45:44,679 --> 00:45:47,199
you know, you'll hear this whole
thing in life of work hard and grind,

601
00:45:47,599 --> 00:45:53,000
and I would change that slightly to
instead of the grind, I get

602
00:45:53,039 --> 00:45:58,320
to I get to do this because
it's a mindset changed. The grind is

603
00:45:58,320 --> 00:46:00,320
such an ugly word. And then
the other is I would say, work

604
00:46:00,400 --> 00:46:05,480
hard on yourself, because then you're
going to be more valuable to everybody else

605
00:46:05,960 --> 00:46:09,840
when you work hard on yourself values, that sort of thing, it all

606
00:46:09,880 --> 00:46:15,320
falls in line when you do that. It's kind of a funny, funny

607
00:46:15,320 --> 00:46:19,039
thing. So I went to you
know, Parsons College was known to have

608
00:46:19,239 --> 00:46:24,480
very loose admission standards, and to
this day, I every day I work

609
00:46:24,519 --> 00:46:30,480
out wearing a Parson's College T shirt
because I never want to forget where I

610
00:46:30,519 --> 00:46:35,159
came from. You know, no
matter what what happens, or when you

611
00:46:35,159 --> 00:46:37,639
think you're on a great role,
or you know the good things have happened

612
00:46:37,639 --> 00:46:43,440
to you, is that you have
to always remember where you came from and

613
00:46:43,480 --> 00:46:49,320
then and then your values can become
kind of a right, kind of a

614
00:46:49,480 --> 00:46:52,599
roadmap. My dad only went to
seventh grade, and he was a boxing

615
00:46:52,639 --> 00:46:55,679
promoter. He became the Republican chairman
of Boundwey County. He ran the New

616
00:46:55,760 --> 00:47:00,679
York State Fair, and and he
wasn't a man of of great traditional faith.

617
00:47:01,039 --> 00:47:05,519
But he had a poem that was
his roadmap that he gave me.

618
00:47:05,599 --> 00:47:09,079
And it's a poem by Rudyard Kipling
called if, and it starts with if

619
00:47:09,079 --> 00:47:12,960
you can keep your head when all
about you are losing there is and blaming

620
00:47:13,000 --> 00:47:15,440
it on you. You know,
the thing is that there's there's a ticklist

621
00:47:15,519 --> 00:47:21,119
here of things that you learn along
the way. Earlier, you know,

622
00:47:21,280 --> 00:47:24,800
we were talking about what's wrong with
radio. If if the if, the

623
00:47:24,840 --> 00:47:30,360
only measure becomes dropped to bottom line. If that's the measure, then what

624
00:47:30,440 --> 00:47:37,400
you do is you eliminate localness,
You eliminate staff, you eliminate and the

625
00:47:37,480 --> 00:47:45,039
net result is that accountants begin to
run a broadcasting company, and you end

626
00:47:45,119 --> 00:47:50,920
up with no real sense of who
you are. I said earlier, I

627
00:47:51,000 --> 00:47:54,440
want to be sure that we bring
this entire complex in without debt. I

628
00:47:54,480 --> 00:48:00,599
don't want down the road that the
RBTL is making decisions on what they do

629
00:48:00,760 --> 00:48:05,840
because of debt and debt service.
I want them to make decisions that are

630
00:48:06,360 --> 00:48:10,199
that are based on what the market
wants and needs. And we put eight

631
00:48:10,199 --> 00:48:15,480
thousand kids through education programs last year, eight thousand. That's amazing. And

632
00:48:15,800 --> 00:48:17,599
the thing is that, you know, we don't talk about it a lot

633
00:48:17,679 --> 00:48:22,239
because you know, the I don't. It seems to me as though people

634
00:48:22,280 --> 00:48:24,280
say, hey, look at me, look at what I did. You

635
00:48:24,280 --> 00:48:30,039
know, I put eight thousand kids
through education programs. No, that's your

636
00:48:30,119 --> 00:48:32,960
value. Get it done. Figure
out how you're going to pay for it

637
00:48:34,039 --> 00:48:39,000
without you know, beating your chest. Uh So, what the move to

638
00:48:39,039 --> 00:48:44,679
acquire the auditorium complex and restore it
and renovate it. The relationship with West

639
00:48:44,719 --> 00:48:50,559
turn sorry the people that ire that. The relationship with West tur is because

640
00:48:50,559 --> 00:48:58,440
we're building a foundation for entertainment wherever
that goes, because it's going to change

641
00:48:58,960 --> 00:49:01,559
for the next fifty years to Rochester. Yeah, oh you know what I

642
00:49:01,599 --> 00:49:05,480
like about it? The most though
I was thinking of this is a word

643
00:49:05,559 --> 00:49:10,000
of people use a lot as freedom. Well, what is freedom? Freedom

644
00:49:10,119 --> 00:49:15,480
is being able to choose and do
the right things without having to have someone

645
00:49:15,519 --> 00:49:20,400
over your shoulder telling you what to
do. So when you're making decisions because

646
00:49:20,400 --> 00:49:24,000
you're in debt, we can't bring
this in for and expose people to it.

647
00:49:24,079 --> 00:49:28,440
And I think that that's really really
smart. So to me, what

648
00:49:28,519 --> 00:49:32,400
you've done is given the theater League
freedom freedom to make you know, great

649
00:49:32,480 --> 00:49:36,599
choices right, the freedom to do
that. And you know, it's really

650
00:49:36,639 --> 00:49:42,360
fun to be in a room when
a decision is being made. You know,

651
00:49:42,480 --> 00:49:46,719
URBTL, for example, has what
we call a risk position, you

652
00:49:46,760 --> 00:49:53,760
know that where you take half of
the financial downside, and so we made

653
00:49:53,760 --> 00:49:59,480
a decision to take half the risk
on the Bob Dylan Show, which sold

654
00:49:59,480 --> 00:50:02,039
out in a man hours, right, and you know, the you don't

655
00:50:02,119 --> 00:50:06,760
know that going in. You just
you try to understand your market and your

656
00:50:06,800 --> 00:50:09,159
audience and what they want. You
know, this is going to be an

657
00:50:09,159 --> 00:50:15,159
amazing season, uh for OURBTL,
because it's it's a mix of things people

658
00:50:15,239 --> 00:50:19,880
want, including I talked about Am
Too Proud. There's also the Tina Turner

659
00:50:19,960 --> 00:50:22,760
show, Oh great, And then
there's more traditional stuff like Mulan Rouge,

660
00:50:22,840 --> 00:50:28,119
and then there there's something that we
bring back with Annie, and there's you

661
00:50:28,119 --> 00:50:30,079
know, Missus Doubtfire and on and
on and on. But there's always there's

662
00:50:30,079 --> 00:50:32,360
a play version of Missus Dowlfire.
I didn't know that. Yeah, oh

663
00:50:32,360 --> 00:50:35,800
I didn't know. Did they do
that on Broadway? Yes? Oh boy.

664
00:50:36,159 --> 00:50:37,960
By the way, I was in
London about three weeks ago, and

665
00:50:39,440 --> 00:50:46,039
uh and it's there. But I
also went and saw Hamilton's there because I

666
00:50:46,079 --> 00:50:50,400
think seeing a show about the American
Revolution in London would be cool. And

667
00:50:50,480 --> 00:50:54,440
they and what they did, which
was really fun was they kind of changed

668
00:50:55,079 --> 00:51:00,519
the character of the King from the
American version and made him a much more

669
00:51:00,599 --> 00:51:05,039
likable you know, he'd be over
on you know, the side of the

670
00:51:05,079 --> 00:51:08,000
stage when things were going wrong in
America, kind of cheering and animated.

671
00:51:08,360 --> 00:51:13,159
But the uh no, a lot
of these, a lot of these shows.

672
00:51:13,159 --> 00:51:15,559
Tina was in London. Lion King
was in London, by the way.

673
00:51:15,559 --> 00:51:20,079
When we did the press conference the
other day, one of the great

674
00:51:20,119 --> 00:51:23,360
things for me was that Garth Fagan
came to the press conference. Yea,

675
00:51:23,519 --> 00:51:29,320
and when you when you think about
and I introduced him as if there's a

676
00:51:30,159 --> 00:51:37,039
if there's a lion of choreographers,
and it would be the man who choreographed

677
00:51:37,079 --> 00:51:42,440
the Lion King and Garth Fagan.
So just it's all a cool period of

678
00:51:42,440 --> 00:51:45,559
time for our community. Yeah,
it really is a cool period of time.

679
00:51:45,760 --> 00:51:49,039
I appreciate your time. I know
that. I'm sure you're very busy.

680
00:51:49,159 --> 00:51:52,880
Got a lot of things happening.
When you don't do things very well,

681
00:51:52,920 --> 00:51:55,320
you have to do them over and
over and you look busy. Well,

682
00:51:55,360 --> 00:51:59,280
that's the way to the SS.
What were here? That's what I

683
00:51:59,320 --> 00:52:01,639
do every day. I have the
as I hit the wrong thing, I

684
00:52:01,719 --> 00:52:06,199
do that every day. I do
that every day. Arnie Rothschild a man

685
00:52:06,239 --> 00:52:08,480
of many, many talents, but
I think the one calling would be helping

686
00:52:08,480 --> 00:52:13,000
you get your message out right.
You help people get their message out,

687
00:52:13,280 --> 00:52:22,360
and I think that's wonderful. I'm
Bill Moran, will see you Tomorrowail didn't

688
00:52:22,400 --> 00:52:30,599
know what to do. I'm trying
a TV and bad. Iron Smoke Distillery.

689
00:52:30,719 --> 00:52:35,719
Check out their website Ironsmoke Distillery dot
com to see all they have to

690
00:52:35,800 --> 00:52:37,679
offer. No matter where you are
on your whiskey journey, they're gonna have

691
00:52:37,719 --> 00:52:42,480
something special for you. You can
even schedule a tour right on the website

692
00:52:42,480 --> 00:52:46,079
by emailing Scully. Again, that's
Ironsmoke Distillery dot Com. In addition to

693
00:52:46,079 --> 00:52:51,000
all that, it's a great place
to hang order up a craft cocktail,

694
00:52:51,599 --> 00:52:55,920
sit back and enjoy some kick gass
karaoke Tonight. That's right, you singing

695
00:52:55,920 --> 00:53:00,440
with a live band. You picked
the song, the band plays it,

696
00:53:00,679 --> 00:53:02,679
and you get to be a rock
star. Tomorrow night, Thursday Night.

697
00:53:02,679 --> 00:53:07,039
That day is Beautifully Pink, a
tribute to the female rock i con Pink

698
00:53:07,079 --> 00:53:10,400
will be playing all her hits.
Friday night catch Ethos playing the Sunset Acoustic

699
00:53:10,440 --> 00:53:15,480
Sessence from five to eight, and
then con Artist takes the main stage at

700
00:53:15,519 --> 00:53:19,760
eight thirty playing your favorite rock alternative
hits. Unleash your Taste for Greatness and

701
00:53:19,800 --> 00:53:22,960
Iron Smoke Distillery in Fairport, New
York. Baby for the hottest kicks in

702
00:53:23,000 --> 00:53:28,119
town. You gotta get to the
five eight five Processes. Elite Sneaker Red

703
00:53:28,159 --> 00:53:31,840
Apparel resl shot rotated inside of the
Eastfield Ball where high end fashion meets unique

704
00:53:31,840 --> 00:53:35,719
clothing brands for the five. You're
looking forward Comedy at the Carlston's got some

705
00:53:35,760 --> 00:53:38,360
cool stuff coming up this weekend.
Improv one on one class Graduation. It's

706
00:53:38,440 --> 00:53:45,280
Rochester's newest improv group called Panic Button. Their first full show in the Rickles

707
00:53:45,360 --> 00:53:49,599
Room, Get Ready to Drink,
eat and laugh with the night of improvised

708
00:53:49,760 --> 00:53:53,280
comedy and then for four shows total, two on Friday September eight, two

709
00:53:53,320 --> 00:53:58,400
on Saturday September ninth, It's Tom
Green. You remember the Tom Green Show,

710
00:53:58,440 --> 00:54:02,000
which aired on Canadian television in the
later MTV between nineteen ninety four and

711
00:54:02,039 --> 00:54:07,920
two thousand, is back. You
can get tickets at Carlson Comedy dot com.
