WEBVTT

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M h, Hello, creep,
it's me John can Fear, the voice

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of the crypt Keeper and you're listening
to Chronicle from the Crypt. Hello,

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kiddies, it's me Casualty Chris.
Yeah, he's corpsing over there real hard.

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I'm trying not to laugh. I
was unprepared for the crypt Keeper voice.

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I know it's okay. It's not
as good as John Cassire, but

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then again, as long as he's
not doing a Jamaican accent, what is

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true. We are the host of
Chronicles from the Crypt to twice a month

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look at the horror anthology series Tales
from the Crypt that aired on HBO from

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nineteen eighty nine to nineteen ninety six. Now, in each of our podcast

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we do two episodes of the television
series Tales from the Crypt, and along

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the way, in between seasons we
do tales related to Phemera And we've got

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one coming up after this and that'll
be it's for bonus episodes. And as

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for season six is the end.
Like Father Malone said, we normally do

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two episodes, but because we didn't
want to just do one episode on one

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episode, we're doing three episodes.
So we're rounding out season six with a

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look at episode thirteen, fourteen and
fifteen, Comes the Dawn, and we'll

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get to that fucking title nine and
another title. God the titles these first

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two titles, the second one is
a fucking trash can atrocious ninety nine and

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forty four pure horror, and you
Murderer. Oh hello, Creets, it's

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your old pal, the big Scahouna
enjoying a little surf and sand. Hey,

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babe, want me to rub a
little suntan lution on you? Boy?

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Do I love the beach? Hey? Hey, hey, you watch

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it? Good boy? I hate
getting sand kicked in my face. I'm

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not your average ninety pound weakling,
you know. But one thing, I

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don't wait that much. I tell
you, kiddies, I'm going to get

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that guy, which brings to mind
the two men in Tonight's a Tale.

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They're on a little shriek and destroy
mission of their own in a nasty undertaking

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icle. Comes the Dawn. So, if you're asking yourself, comes the

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Dawn? Isn't there an episode of
the show called Came the Dawn? Yes?

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There is? Um, I don't
get it. Um before we talk

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about comes it on? Do you
understand why there's an episode of the same

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name. Came the Dawn was last
season? Yeah, well, I suspect

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that was that Brookshield episode. I
think yeah, oh yeah, yeah,

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it certainly was with the Cabin.
Oh yeah, where the guys you know

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where it's it's the JK Rolling Fever
Dream where it's a trans man killing transwoman

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killing people. Right, great,
what a good one. I suspect to

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that. Well. With each of
the episodes, and like, no matter

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how much they go afield as far
as the plot or characters go, they

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always retain the title except one time. I guess Revenge is the Nuts,

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which was anyway anyway, I'm diagrassing, So I'm assuming because there were so

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many titles at EC that came the
Dawn was from I think, came the

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Domas from Shock Suspense Stories, and
comes the Donas from Haunt of Fear.

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So they when they were writing them
assumed people were getting different issues of different

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comics, so it wasn't that big
an issue. But it kind of becomes

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an issue when you have a straight
ahead television series and you kind of keep

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naming episodes effectively the same thing,
and you know, come on, Eileen

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was already taken. So but ump
bump that was a thing. So this

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episode is directed by John Hertzfeld.
It is written by Scott Nimmerfro again he

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wrote eleven episodes of the show.
Um, he's the MVP. He is,

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he has shown up more than anyone
else. Yeah, I'm not sure

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I would go as far as to
say MVP. And this episode has Michael

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Ironside in it and Susan Tyrrell,
who if you're a fan of Oingo Boengo

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like I am, like Father Malone
is, you'll recognize her from Oingo Bongos

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The Forbidden Zone And it's about vampires
I think in Alaska, so you know,

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you know Thirty Days of Night.
It's like that, but really bad.

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And also with a character whose name
is Colonel Parker un ironically true,

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which is interesting. Yeah, I'm
I'm sure that was a choice of Scott

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imofros the the comic book come it
has to be. Yeah, that comes

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to Dawn as a comic. It
is from Haunt of Fear twenty six,

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written by Auto Binder and drawn by
the amazing and impressive and there are not

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enough superlatives for Jack Davis. Now
here is a freely adapted story in that

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what we get in. The episode
is two former military guys wanting to hunt

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bears. Is it just grizzlies right, which is illegal? In the original

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comic, it is three gentlemen who
have come to Alaska to find uranium.

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They are uranium prospectors and they have
a guide who takes them out to this

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place. They've already flown over the
area and the Geiger counter went crazy,

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so they know there's a there's a
motherload of uranium and they're all going to

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be rich beyond belief. When they
land. They have an Inuit guide who

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takes them there. But before they
get in the dog sled to head out

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to the cabin. There is a
coffin encased in ice near the landing strip

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for the for their makeshift airport,
and the Inuit guide says, don't don't

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touch. Don't touch the coffin.
The vampires in there. Every year it

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thaws out and it causes havoc.
But we've got it frozen and we don't

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want it to get out. So
they go off to the cabin and then

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one guy decides he wants to bump
off the other two so he can have

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all the money for himself. He
goes and releases the vampire, and then

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it chases him back to the cabin. He calls the other two out and

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says the vampire is coming, and
then he runs in the cabin and closes

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the door in. The vampire kills
those other two guys, and the whole

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thing is told in flashback because he's
already in the cabin barricaded himself in when

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the vampires trying to get in at
him, and of course he thinks,

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I just have to wait this out
till dawn and then I'm a rich man,

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and just like thirty Days of Night, just like the episode we see,

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he realizes it's winter now and there's
not going to be a sunrise for

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you know, a month or so. Kind of can we point out for

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a second that not remembering the sun
doesn't come out in Alaska is like forgetting

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that San Francisco is on the coast. Yeah, like what fucking university.

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Of all the things in this episode
that bug me, the fact that the

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entire finale of this episode is predicated
on the character being so stupid he forgot

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that the sun does come up for
like six months in Alaska. Yeah.

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No, with the comic, at
least it's a bunch of uranium prospectors and

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effectively idiots who are you know,
aimless people and have gone up there because

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they heard about it. But with
the episode, we're given a he's a

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colonel or a general, and his
aid is like a lieutenant, and the

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third the guide that they that they
procure is also military and they would know,

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they would just know. So yeah, it doesn't. It's it's a

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payoff that is unearned because it makes
the lead character really, really dumb.

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Well, I can't even tell who
the main character is because at one point

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I'm assuming it's Bruce Payne playing Colonel
Parker because he's the one who ends up

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being the final character to die,
but it should be Michael Ironside because he's

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the one pushing the narrative along.
And then ultimately it's neither of them.

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It becomes Jerry Drumbeaterer. Yeah,
she is the titular vampire. Although it's

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not on the title. It's it's
really disappointing to me to see an idea

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like this one again, you know, not not talking about the fact that

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the movie is essential or this episode
that's touching, not touch on the fact

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that this episode essentially is Thirty Days
of Night, that same concept that would

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end up being mined a lot more
by Stephen Niles I believe his name is.

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It's just not a good episode,
no, and well I think it's

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I think it's shot pretty well as
far as the look of it, but

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it doesn't deliver the scares. Which
this is a built in, uh scare

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factory. It's it's you know the
thing, but with vampires in the wilderness

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and they're in a erect former military
hut out in the middle of nowhere,

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like it like all the elements are
there for a really good either scary or

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gory. I mean, we get
some core, but as far as tension

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goes, like it's all there and
it pays off not at all. And

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I gotta say, like in the
comic book, at least it was like

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the guy and the vampires out there
like scrabbling around outside trying to force his

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way in, and that the comic
worked, like I thought, that's a

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pretty tense situation, and this they
eskew all that, so they can,

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you know, have this boring narrative
with the you know, their military service.

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This is like directly after the Gulf
War when they made this episode so

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I'm sure Scott was trying to make
a comment on that or something, but

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where he takes the story is boring
and it's it just doesn't I don't know.

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It's not the worst one of the
season, clearly, but it certainly

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isn't the payoff that we were hoping. But yet it feels like to me,

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another entry into Scott and Froze middle
of the road to bad entries in

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this show. And look, Scott
nimberfro passed away, you know, unfortunately,

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And so you know, I hate
to speak ill of the Dead's talents,

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but I feel like a lot of
the episodes that we've seen that he's

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written have been not very good.
No, I mean, at least we

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were spared the comedy because Scott tended
to write the comedic episodes of Tales from

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the Crypt. This one is at
least straight ahead, which is always preferable.

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And but yeah, I mean,
his best writing was not done on

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this series. Like he wrote a
really good episode of the television series Hannibal,

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which I would recommend to people if
they want to see what he can

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actually do. This one just feels
of a kind with everything else we've been

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given this season. Like the idea
is solid, but you know, we

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don't really care that much. Well, and then again, you have interesting

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looking creature design that is essentially just
the characters from DAWNA not DNA, the

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the characters from the vampires from Dusk
Till Dawn. Yeah, like, it's

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not even original. Like it's it's
so wholly unoriginal that no part of it

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works in the absence of the unoriginality. You know, even if this wasn't

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an unoriginal, even if this was
an original episode, nothing works anyways.

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No, because Michael Ironside's criminally wasted. I mean, he gives a typical

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Michael Ironside's performance, you know,
gruff. Yeah, he's I mean,

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Michael Ironside is amazing brain a Starship
Trooper see you with the potty Rick the

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like, I mean, fuck man, come on, He's been in some

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of the greatest sci fi films of
all time, Scanners, Starship Troopers.

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Wow, he plays um Sam Fisher
in splinter Cell. Like, whenever I

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hear Michael Ironside, I hear his
voice, I think of Sam Fisher and

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splinter Cell, I think of his
character in Starship Troopers. I'm never going

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to think of this and it's a
fucking shame because this is for me,

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this is the biggest problem with Tales
from the Crypt. You have a lot

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of really talented actors who are wasted
in like every episode they're in. It

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seems like it's few and far between
now with this show that actors are not

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being wasted when they come on and
do a guest appearance on this show.

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I think, Yeah, I think
Susan Terrell. You mentioned her at the

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top, like, I think she
acquits herself nicely, she gives a perfect

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Susan Terrell performance and always good to
see her whatever that whatever that means.

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Unfortunately, yeah, well you know
it's Susan Terrell. Um. She gets

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shot in the first five minutes episode
right up until and she's not wasted.

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That character does what she needs to
do, and she does it well.

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So I'll give it that. You
know, I can't recommend to the episode

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overall, but if I were too, it's because Susan Terrell is in it,

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because I just love her tiny bones
she is. If if for Dawn

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of the Dead fans out there,
there was a documentary Roy Frumpkey made back

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in the day, like while they
were filming Gone in the day. It's

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called Document of the Dead, and
Susan Terrell is the narrator and what a

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voice, man, She's she's spectacular, and you know, she tends to

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play really grimy characters and this is
no exception, but like I love her

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anyway, there you go, her
characters. Her characters look in this episode

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is buzzare Oh certainly with the blacked
out teeth which they're supposed to be broken,

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but they didn't bother to go ahead
and make dentsures or anything, so

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it just looks like the putty you
would get in like a novelty shop like

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missing. I was about to say, you and I could probably do better

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makeup on someone. Yeah. It
does have a pretty good line though,

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which is, yeah, it does
have a pretty good line, which is

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it's going to take a lot more
than a lesbian vampire biker whore to ruin

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my day. That's quality. And
the only reason it's a good line is

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because of how many superlatives there are
in that fucking sentence. Lesbian biker vampire

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horse excuse me, lesbian vampire biker
horror works for me? Yeah, boy,

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Yeah, this episode un skip skip
it, Let skip it skip its

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big skip big Skip. Speaking of
Big Ski, let's talk about the next

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UPO. Yeah, talk about Big
Skip. Let's talk about nine Terror.

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Yeah. Greetings, Hack and Field
fans. I hope you're in the mood

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for a little friendly competition. It's
that time of fear again, the annual

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All crypt Die Catalan. I've been
working out like crazy to get ready this

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year. I'm really going for the
cold, kind of like the woman in

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Tonight's tail. It's a putrid portrait
of an up and coming young artist that's

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sure to leave a nasty taste on
your palette. I call it ninety nine

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and forty four one pure horror.
So it's directed by Rodman Flender. It's

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written by Rodman Flender. It stars
Bruce Davison. Speaking of Scott and himerfro

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An x men, this episode stars
Bruce Davison and Christi Conaway. Yeah it

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does. They're in it, Yes, Anna and Ricky Dean Logan is in

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it. The horror fans out there
will recognize him as the character nice hearing

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from your Carlos from eight Marion elm
Street, the kid who gets his ears

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blown up right? Yeah, yeah, absolutely, Yeah, he's in this

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for like two seconds. Uh,
Christi Conaway plays a gold digging wife who

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kills her husband who owns a soap
company, and she turns him into soap

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and then she melts. And that's
literally the entire fucking episode. It is

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the fastest episode of this show I
have ever seen. It gets in there,

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does what it wants, and then
it gets out. What it wants

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to give us is pure direct though, and it does nothing very well.

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Now, I do want to say
nine pure Terror is a mouthful, but

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I really like it. I mean, clearly it's based on the soap Bad,

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but the episode is based on a
not talis from the crypt Can you

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believe it? It's based on Vault
of Horror number twenty three, written by

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Al Feldstein and Bill Gaines and again
drawn by the amazing Jack Davis. It's

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it's similar to what we get and
that it involves a soap company and a

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murder. But the comic is about
a guy who is the assistant to the

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general manager of this plant that makes
soap, and the guy the boss just

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is gives him nothing but a hard
time and it's always on him, and

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he realizes that if the manager is
gone, he'll take his job, so

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he he kills him, chops him
into pieces, throws him in the vat

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of soap. He makes an entire
palette of soap of his boss and then

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gets the job, moves into his
apartment. It's sold in flashback, I

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should point out, and one day
goes to shower and realize that he doesn't

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have any soap, so he uses
one of the bars. Now in the

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episode, they go full gore and
they say that the you know, the

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the acid is melting them in this
a little more interesting where it's it's the

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shower. You know, it's one
of these stand up showers with the with

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the door that closes and the guys. Let's just say it for what it

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is. It's the kind of shower
rich people have. Yeah, exactly.

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So he's in it and he's washing
with the soap of his boss, and

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he blinds himself with it, although
he not totally blind, it's just he's

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got soap in his eyes. The
bar of soap drops to the ground,

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he slips on it breaks his leg. The soap covers the drain and he

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slowly drowns. It's much better than
what we get here. I mean,

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I love gore, and anytime I
can watch a person melt her. But

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this is much more diabolical what they
came up with in the comic. I

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think I think I would have really
liked the alternate version of this if they

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had gone with what the comic book
had me too, like, that's that.

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I mean, we talk about come
upances all the time. This one's

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pretty brutal. Like he's he's at
the bottom of this shower, the water

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is slowly filling up. There's nothing
he can do. He can't really move.

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So bravo Feldstein and Gaines and Jack
Davis in the comic, Not so

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much in the televisual experience we received
based on it. Yeah. No.

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The way that this episode concludes is
it feels like they're trying to just go

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yeah, well look there's gore.
Look. Oh and by the way,

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we have an actress in this episode. Again similarly to another thing that we're

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going to talk about on the next
episode, another episode of the show where

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you have a character who is not
naked but yet they're but they are nude,

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and it's like, what are you
doing show again We're not. It's

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not that I'd want nudity, it's
just why are you not showing it?

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This is Tales from the crypt.
Yeah that, I mean, there's sort

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of a pact between viewer and maker
that this show is about excess and extremes

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and we should delve into those because
we're going to go where the comic book

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couldn't and and ending up giving us
sort of softcore cinemax, which I would

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say even with the softcore cinemax,
you get more out of it. It

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gives you exactly what this is just
sort of titillation. But who cares because

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I don't like the character or the
actress or anyone involved, So I don't

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know. Would it have made it
better? Probably, but yeah, that's

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definitely a failing. We noticed that
this season more than any season I think,

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where they sort of hint at things
but don't actually deliver, and it's

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like, are you crazy? This
is what we came for. I mean,

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you know, I won't go as
far as to say it's what I

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came for, but it's what I
expect from this show. Well, I

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just mean, I mean, put
up until this season, we had gotten

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a lot of it. YEA,
yeah, yeah, no exactly, Yeah,

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sure, sure, it's you know, it's it's a it's a pup

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00:21:15.759 --> 00:21:21.240
poor novel, Like if they could
have shown nudity when they originally wrote the

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comic, they probably would have.
They totally would have. Yeah, But

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in the show, it's like this
is on HBO and like you should be

264
00:21:29.200 --> 00:21:33.079
pushing the boundaries and kind of being
edgy, and it's like you're just gonna

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show a character in the towel.
But she melts at the end. So

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maybe that's kind of the happy middle
ground, but it's not even happy middle

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00:21:40.680 --> 00:21:42.079
ground. Yeah, I mean,
you know, that could have been a

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00:21:42.079 --> 00:21:47.119
clever way to go where they they're
teasing us the entire time about showing her

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nude and then when they do reveal
it, it's because she's melting, Like

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that could have been a comment or
something, but it wasn't that. It

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was just another route. It's kind
of a love triangle, although the character

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doesn't really care about either of the
guys, and you know, we get

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that, and we get you know, some psychodrama that really goes nowhere,

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and we learned a little bit about
soap and then she falls to pieces,

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so you know, hooray, Well
she's dead at the end. So as

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00:22:14.200 --> 00:22:18.200
the audience member the show thinks that
that's all you need to do is kill

277
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the kill the villain and everyone's happy
and everyone can go home happy. It's

278
00:22:22.720 --> 00:22:26.079
like, no, I want more
from this show than that, and the

279
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show has become complacent at this point. I think we can both agree.

280
00:22:30.880 --> 00:22:37.400
Oh yeah, like the complacency that
this show has is just not shocking,

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because again, it's been on for
six seasons. But you would think with

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the names involved Zemeckis, Geyler,
Hill, they would be giving a shit

283
00:22:48.279 --> 00:22:51.839
more because their names are still connected
to it, right, But at this

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point they're just cashing the checks.
Although one of the original titans of Tales

285
00:22:56.559 --> 00:23:00.319
from the Crypt is on deck with
the with the final episode, yeah,

286
00:23:00.359 --> 00:23:03.559
so it doesn't. It doesn't make
a whole lot of sense. But let's

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00:23:03.559 --> 00:23:07.480
talk about the final episode of season
six, and again, let's just say,

288
00:23:08.240 --> 00:23:12.319
for sake of argument, because season
seven's kind of its own thing.

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00:23:14.119 --> 00:23:17.480
For all intents and purposes, this
is technically the end of the show.

290
00:23:17.880 --> 00:23:21.200
Yeah, certainly, I don't think
if they had intended, I don't think

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00:23:21.200 --> 00:23:23.039
anyone's gonna argue with us on that. Now. If they had intended to

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00:23:23.079 --> 00:23:26.519
do another one, it was not
going to be what we got, right,

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they did something that was so different
with the seventh season by going overseas,

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by focusing on you know, an
international cast, and you know they

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00:23:37.559 --> 00:23:41.240
did a lot of the folks that
worked on the show before weren't involved.

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00:23:41.720 --> 00:23:45.039
So this is, for all intents
and purposes, the final episode of the

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00:23:45.039 --> 00:23:48.759
show. We're still going to cover
season seven, don't get us wrong,

298
00:23:48.119 --> 00:23:53.039
but to put you in the mindset, You Murderer is technically the final episode

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00:23:53.039 --> 00:24:03.400
of the show. Hello, Hi
you, I'm fierst Goop. Care for

300
00:24:03.640 --> 00:24:11.400
a shock Colette? Mummy always sad. Life is like a box of shockolettes.

301
00:24:12.319 --> 00:24:18.160
You never know what you're gonna get. Know what else mummy said?

302
00:24:19.240 --> 00:24:27.599
She said, scary is as scary
does, which brings to mind the man

303
00:24:27.599 --> 00:24:34.440
in Tonight's Terror Tale. He's just
dying to get out of the mess he's

304
00:24:34.559 --> 00:24:47.400
in. Literally, it's a little
piece of horrid candy. I call you

305
00:24:47.759 --> 00:24:52.480
Murderer. So, like Father Malan
mentioned, it's directed by Bob's mecas our

306
00:24:52.519 --> 00:24:56.839
good friend Bob's a friend of the
Chronicles from the Crypt podcast Bob's Mecasum.

307
00:24:57.039 --> 00:25:02.119
It stars Humphrey Bogart and no,
you didn't misshear me say that. But

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00:25:02.160 --> 00:25:04.279
there's no way. There's no way
if you watch the show, you don't

309
00:25:04.359 --> 00:25:07.119
know about this episode, because this
an episode for me, is kind of

310
00:25:07.160 --> 00:25:14.559
notorious. Um, certainly good and
bad. Also starts John lyfco Isabella Rosselini

311
00:25:14.680 --> 00:25:19.640
and uh, you know Sherilyn Fenn
Fenn, I mean, come on,

312
00:25:21.000 --> 00:25:25.359
give her her ad, Yeah,
give her a wide berth because Twin Peaks

313
00:25:25.519 --> 00:25:32.680
Rylyn Fenn, I think, and
uh, fuck you? I mean,

314
00:25:32.839 --> 00:25:36.240
is Sherilyn Fenn known for a lot
of things other than Twin Peaks. When

315
00:25:36.240 --> 00:25:38.960
I think of her, I think
of her very brief but super powerful and

316
00:25:40.000 --> 00:25:42.359
amazing performance in Wild at Heart.
Yeah, but what about Twin Peaks?

317
00:25:42.400 --> 00:25:45.480
Oh yeah, no, I built
Look, man, I think, Okay,

318
00:25:45.559 --> 00:25:48.599
of course she's spectacular. I think
if you point, if you hold

319
00:25:48.640 --> 00:25:51.799
up a picture of her, everyone's
gonna say Twin Peaks, no question.

320
00:25:51.880 --> 00:25:55.359
Yeah, they're not gonna say this
episode. No, Why would they?

321
00:25:56.359 --> 00:26:00.960
Right? I mean, so this
so this, this episode's so you have

322
00:26:00.200 --> 00:26:07.680
a It kind of reminds me of
a noir film that I watched earlier this

323
00:26:07.759 --> 00:26:12.400
year, featuring Humphrey Bogart. It's
very close, actually, right down to

324
00:26:12.480 --> 00:26:17.599
the first person perspective. What's the
name of that film? Again? The

325
00:26:17.720 --> 00:26:22.200
desperate hours, the what the desperate
hours? No, it's not. I

326
00:26:22.200 --> 00:26:29.359
can't actually remember what it's not.
It's called Dark Passage. Dark is that

327
00:26:29.400 --> 00:26:33.920
what it is? Yeah, he's
trying to escape. So this episode reminds

328
00:26:33.920 --> 00:26:37.839
me of a film that I watched
earlier this year called Dark Passage that we

329
00:26:37.880 --> 00:26:42.839
did on another podcast that I do
when we're talking about noir films. And

330
00:26:45.319 --> 00:26:48.759
it's a film in first person perspective
part of it where you have Humphrey Bogart

331
00:26:48.839 --> 00:26:55.240
changing his face too. Humphrey Bogart's
face in that film as well, and

332
00:26:55.400 --> 00:27:02.559
this is very similar. But the
whole crux of this episode is pulling out

333
00:27:02.559 --> 00:27:07.119
your CGI wiener and slapping it on
the screen. I mean, that's what

334
00:27:07.200 --> 00:27:10.319
it feels like. I mean,
it kind of does. I mean,

335
00:27:10.839 --> 00:27:12.880
I mean, look, that's I
have no problem saying that. That's what

336
00:27:12.960 --> 00:27:18.319
James Cameron has been trafficking in recently
in his career. Look at my seat.

337
00:27:18.359 --> 00:27:21.799
Look how big I can make my
CGI penis me slap it against you

338
00:27:21.799 --> 00:27:23.680
a couple of times for you to
understand how big and girthy it is.

339
00:27:23.720 --> 00:27:29.680
Like what the This episode's not that
bad. There are good parts in this

340
00:27:29.720 --> 00:27:33.279
episode, but anytime they cut to
Humphrey Bogart, CGI, what a night

341
00:27:33.799 --> 00:27:38.000
boy. Run, don't walk,
Run for the exits, because that thing

342
00:27:38.079 --> 00:27:41.480
is going to come out of the
screen and haunt your dreams. They you

343
00:27:41.519 --> 00:27:45.480
know, they may in a lot
of the shots that they may as well

344
00:27:45.519 --> 00:27:48.200
have just had a cardboard cutout of
him on the set, like it would

345
00:27:48.200 --> 00:27:51.519
have been. They should have just
had Robert Zacki. They had him on

346
00:27:51.559 --> 00:27:55.400
there anyways, and already looks like
Humphrey fucking Bogart. Yeah, I mean,

347
00:27:55.799 --> 00:27:59.920
look, clearly Zemeckis is high off
of Forrest Gump and what you can

348
00:28:00.119 --> 00:28:03.599
do with a computer, and you
can manipulate that. Clearly Zemeckis is high.

349
00:28:03.680 --> 00:28:08.640
Yeah, well this is I think
this episode actually marks his slow descent

350
00:28:08.720 --> 00:28:12.359
into CG everything, because they were
for a while there he was only making

351
00:28:12.440 --> 00:28:17.599
CG movies and had sort of,
you know, not officially announced, but

352
00:28:17.680 --> 00:28:19.319
certainly said that that's the only way
he wanted to make movies from now on,

353
00:28:19.440 --> 00:28:23.880
and that has now reversed itself years
later. But this was the first

354
00:28:23.960 --> 00:28:29.480
kind of attempt to take it further
and see what they could do, and

355
00:28:29.799 --> 00:28:34.599
what they could do is garbage.
It's the technology was not there for this

356
00:28:36.680 --> 00:28:41.519
and you know, having just the
I don't know, the voice is not

357
00:28:41.359 --> 00:28:47.359
spot on, and the certainly the
visuals are absolute and nightmare. Just it

358
00:28:47.440 --> 00:28:51.880
really seems like you could have just
like green screened in a shot from any

359
00:28:51.920 --> 00:28:53.799
of the movies and it was going
to look better somehow, somehow, it

360
00:28:53.920 --> 00:29:02.279
always looks like just the tone of
the image doesn't match. And you know,

361
00:29:02.359 --> 00:29:07.880
it's just eye. It's yeah,
it's he's dead eyes like adult eye.

362
00:29:08.079 --> 00:29:11.640
It's a very good This is an
odd experience watching this. It was

363
00:29:11.680 --> 00:29:15.079
super cool. I gotta say,
like back in the day when this episode

364
00:29:15.079 --> 00:29:18.160
first aired and the credits come up
and it says starring harm Frey Bogart,

365
00:29:18.200 --> 00:29:22.640
it was like, oh, that's
cool. And forty years man, forty

366
00:29:22.720 --> 00:29:26.400
years since he had been building anything. Yeah, so it was kind of,

367
00:29:27.200 --> 00:29:30.440
you know, a bit of giddiness
when when you saw that. But

368
00:29:30.519 --> 00:29:37.759
then what we end up getting it's
just so bad lifeless ghoul, the lifeless

369
00:29:37.839 --> 00:29:41.039
ghoul of Humphrey Bogard is stinking up
the screen. And you know, to

370
00:29:41.160 --> 00:29:45.640
that end, like why not make
it a horror thing because you know,

371
00:29:45.799 --> 00:29:51.039
look, this is as one might
expect given the subject matter you mentioned,

372
00:29:51.079 --> 00:29:55.240
it's very noir, and it is
very noir. You Murder is from Shock

373
00:29:55.359 --> 00:29:59.880
Suspense Stories Shock Suspense Stories fourteen,
written by Auto Binder, who also wrote

374
00:30:00.240 --> 00:30:04.200
Comes the Dawn, And this was
actually drawn by Bernie Kriegstein, who's not

375
00:30:04.319 --> 00:30:08.519
my favorite. His style is a
little bit wacky, but I will point

376
00:30:08.519 --> 00:30:12.799
out that in this particular comic he
chose to credit himself as doctor Caligary Kriegstein.

377
00:30:14.400 --> 00:30:22.839
Interesting the comic is, it's right, yeah, The comic is as

378
00:30:22.920 --> 00:30:26.559
the episode is first person, which
is interesting, and it's this guy just

379
00:30:26.680 --> 00:30:36.559
walking home and he ends up running
into a mesmerist who hypnotizes him and convinces

380
00:30:36.640 --> 00:30:40.599
him that he has to go kill
his wife's lover in front of her.

381
00:30:40.839 --> 00:30:42.720
If there's any sort of drama in
the episode, it's that the guy is

382
00:30:44.559 --> 00:30:48.559
morally incapable of committing murder, so
he refuses, even under the sway of

383
00:30:48.640 --> 00:30:55.759
hypnotism, and the mesmerist ends up
convincing him that the guy is a Fifth

384
00:30:55.759 --> 00:31:02.240
Columnist here to set off a nuclear
bomb and he has to and this all

385
00:31:02.279 --> 00:31:03.640
pays out. He goes and he
does it. He beats the guy to

386
00:31:03.640 --> 00:31:07.799
death with a chain, which is
pretty brutal. I think he I don't

387
00:31:07.839 --> 00:31:10.920
know if he kills the wife as
well, but she doesn't seem well when

388
00:31:10.960 --> 00:31:14.440
he leaves them. And then the
last couple of panels are him waking up

389
00:31:15.000 --> 00:31:18.480
and the mesmerist is in the guy's
apartment and he's saying, haven't you read

390
00:31:18.519 --> 00:31:22.000
the paper? You killed two people
and they have your fingerprints on the chain

391
00:31:22.039 --> 00:31:25.119
and they're coming to get you now, and then that's the end. Imagine

392
00:31:25.119 --> 00:31:29.039
if that was their plan for the
end of a Tales from the Crypt season

393
00:31:29.079 --> 00:31:33.200
and potentially the whole series. There's
like, it's so beyond the pale sort

394
00:31:33.240 --> 00:31:37.440
of morally. This poor guy just
gets roped into this scheme and then he

395
00:31:37.480 --> 00:31:41.440
has to pay for it at the
end. That could have been much more

396
00:31:41.519 --> 00:31:45.960
interesting. Not that I wanted them
to do another hypnosis or you know,

397
00:31:45.039 --> 00:31:49.319
a failed showman like committing murder on
his wife or whatever, but it would

398
00:31:49.319 --> 00:31:53.559
have been better than what we got, because we got just kind of boilerplate

399
00:31:55.000 --> 00:32:01.240
noir tropes and attempts at said it, and you know, some of the

400
00:32:01.279 --> 00:32:06.200
look Isabella Rossellini's fucking great, she's
always good. John Lythgo, what can

401
00:32:06.240 --> 00:32:09.119
you say? It's John Lythgo,
and even Cherylyn Fenn holds her own in

402
00:32:09.119 --> 00:32:13.359
the mousey kind of way, and
then they do the stupidest thing ever with

403
00:32:13.400 --> 00:32:15.359
her character at the end, where
she basically just walks up and hands them

404
00:32:15.400 --> 00:32:22.000
the gun. It's I don't know, this episode is a huge failure.

405
00:32:23.440 --> 00:32:27.559
Like Across the Park, It's got
some things to recommend it. I just

406
00:32:27.640 --> 00:32:31.519
mentioned there the actor's names. But
and I guess it's skillfully shot. I

407
00:32:31.519 --> 00:32:36.039
mean, you can't say Robert Semeckis
doesn't know how to move a camera around.

408
00:32:36.480 --> 00:32:40.920
But anytime we have to join it
up with the horrible living corpse of

409
00:32:42.079 --> 00:32:45.839
Humphrey Bogart, it just knows dives. Yet again, like you end up

410
00:32:45.839 --> 00:32:47.559
wondering what the hell we're doing here? Why are we doing this other than

411
00:32:47.680 --> 00:32:52.519
as an experiment, that's all it
is. I mean it is a literal

412
00:32:52.640 --> 00:33:02.839
experiment in it is experimental filmmaking because
this, this level of repurposing the dead,

413
00:33:05.759 --> 00:33:09.960
would not really become a thing until
like five years ago. True,

414
00:33:10.160 --> 00:33:14.480
I mean this is when they did
when they did Rogue one, right,

415
00:33:15.119 --> 00:33:19.960
Yeah, where they actually sort of
having the cars. I mean there had

416
00:33:20.000 --> 00:33:22.680
been little gasps of it here and
there where they were cgiing, like you

417
00:33:22.720 --> 00:33:28.599
know, Fred Astaire dancing with a
with a vacuum cleaner back. Wasn't there

418
00:33:28.640 --> 00:33:32.000
a Humphrey Bogart commercial where he was
like in a Zales ad. No,

419
00:33:32.240 --> 00:33:37.519
he was in a Coca Cola ad
where they I think they repurposed a shot

420
00:33:37.559 --> 00:33:39.319
from Casablanca with him sitting at the
bar and they put a coke in front

421
00:33:39.319 --> 00:33:44.559
of him. So it's not like
it was completely unknown at the time that

422
00:33:44.599 --> 00:33:46.960
they did this, And certainly Zamagas
had just done it with Forrest Gump where

423
00:33:46.960 --> 00:33:52.880
he has Tom Hanks interacting with John
Kennedy, uh and John Lennon and you

424
00:33:52.960 --> 00:33:58.839
know, so this is sort of
the birthing ground of this kind of thing.

425
00:33:58.920 --> 00:34:01.359
And it's how many years later,
twenty five years later, it's still

426
00:34:02.440 --> 00:34:07.400
the uncanny valley is undeniable. You
know, Well, I don't even think

427
00:34:07.400 --> 00:34:12.880
there's anything uncanny about it. It's
just the ghoulish visage of Humphrey Bogart with

428
00:34:13.280 --> 00:34:16.400
dead, soulless eyes and a mouth
that moves like a puppet's mouth. Yeah,

429
00:34:16.440 --> 00:34:21.559
you can see they tried to find
lines where they didn't have to manipulate

430
00:34:21.599 --> 00:34:22.679
the mouth at all, like so
it would fit into the plot. But

431
00:34:22.760 --> 00:34:25.519
it's always the most generic thing.
It's not like he looks at the camera

432
00:34:25.519 --> 00:34:30.519
and gives us a speech. It's
always someone asks a question, the camera

433
00:34:30.599 --> 00:34:34.760
pans to a mirror, and he
says like one thing, and then back

434
00:34:34.800 --> 00:34:38.559
to the horrible narration and glimpses of
him in mirrors for the rest of the

435
00:34:38.599 --> 00:34:43.800
episode. It's I've never seen so
many I've never seen a character look into

436
00:34:43.800 --> 00:34:47.280
a fucking reflective surface so many times. Yea, I have in this episode.

437
00:34:49.400 --> 00:34:52.840
It's real bad. If this is
the way this show ended, Okay,

438
00:34:52.920 --> 00:34:58.119
Let's let's play a theoretical thought experiment
here, right, Let's say this

439
00:34:58.159 --> 00:35:01.880
is how the show ended. Okay, this show would have been an abject

440
00:35:01.880 --> 00:35:05.320
failure as a show. Yeah,
I mean, look, we can't you

441
00:35:05.360 --> 00:35:08.440
know, I haven't seen how the
series actually ends yet, but this would

442
00:35:08.559 --> 00:35:13.800
be an ignominious way to go out
no matter how you slice it, considering

443
00:35:13.800 --> 00:35:16.760
how one of the episodes of the
show is still one of my favorite twenty

444
00:35:16.760 --> 00:35:21.960
three minutes of television, The first
episode of the show, Yeah there you

445
00:35:22.000 --> 00:35:25.280
go. I mean, look from
that to this, like all the potential,

446
00:35:25.719 --> 00:35:32.800
all of the every sort of element
that can make the show great and

447
00:35:34.280 --> 00:35:36.800
right in the first episode and then
by the time we get here, it's

448
00:35:36.840 --> 00:35:39.679
just like, oh boy, what
the fuck are you guys doing? Like,

449
00:35:39.920 --> 00:35:44.760
yeah, we go from a William
Sadler episode where he plays an executioner

450
00:35:44.800 --> 00:35:49.840
who gets executed because he's taking the
law into his own hands too cgi Humphrey

451
00:35:49.840 --> 00:35:54.599
Bogart, how far we've fallen?
Yeah, precipitous drop at best. It's

452
00:35:55.280 --> 00:36:00.119
yeah, shocking, you know.
And the thing is, when you look

453
00:36:00.119 --> 00:36:02.920
at, say, the first season
of the show, you can say that,

454
00:36:02.960 --> 00:36:07.440
you know, these guys are just
playing around, these filmmakers, like,

455
00:36:07.599 --> 00:36:12.079
you know, this is a chance
to explore and experiment and things,

456
00:36:12.079 --> 00:36:15.320
so like, it's not an unprecedented
move that one of these filmmakers would use

457
00:36:15.400 --> 00:36:22.079
this smaller format to do that,
but it seemed to be serving the material.

458
00:36:22.840 --> 00:36:25.840
No matter how masturbatory some of those
episodes ended up being. This one

459
00:36:27.119 --> 00:36:30.639
is pure masturbation. It's just like, I have a budget because it's an

460
00:36:30.639 --> 00:36:34.679
episode of the show, and there's
something I want to try, and let's

461
00:36:34.760 --> 00:36:37.320
let's go ahead and do that,
and you know, find me a story

462
00:36:37.360 --> 00:36:40.880
that that you know can make that
happen. And then they did. It's

463
00:36:40.920 --> 00:36:45.239
not even laziness, it's it's it's
more of an affront because it's, like

464
00:36:45.239 --> 00:36:52.679
I said, it's just a filmmaker, like having no regard whatever other than

465
00:36:52.719 --> 00:36:54.039
he wanted to do this. Well, he didn't want to do anything other

466
00:36:54.079 --> 00:37:00.960
than show you something quote unquote cool. And that was my whole analogy or

467
00:37:00.039 --> 00:37:05.039
kind of my you know, gibe
my jab at the beginning of this talking

468
00:37:05.039 --> 00:37:08.000
about this episode was it's just him. It's Zamaca's flaunting his CGI penis,

469
00:37:08.559 --> 00:37:13.199
Like look how much money I can
look how much money and time I can

470
00:37:13.199 --> 00:37:17.000
get people to throw at something,
like someone spent time and effort making a

471
00:37:17.039 --> 00:37:22.039
CGI. Humphrey Bogart move his mouth
like a sock puppet Like if I put

472
00:37:22.079 --> 00:37:25.119
my if I put my thumb underneath
my fingers and move my thumb, my

473
00:37:25.159 --> 00:37:30.920
thumb moves more like a human mouth. Yeah, it's just it's it's just

474
00:37:30.079 --> 00:37:37.800
it's bizarre because you could have done
this episode without showing Humphrey Bogart's fucking face.

475
00:37:37.880 --> 00:37:44.480
You could have done like nose up
or just his eyes in the mirror

476
00:37:44.519 --> 00:37:46.239
of the car. You didn't have
to show his entire face, and you

477
00:37:46.239 --> 00:37:51.639
could have had the final shot of
the episode be his face. But he's

478
00:37:51.679 --> 00:37:55.519
not talking anyways. So it doesn't
matter, right, I mean, they

479
00:37:55.559 --> 00:38:00.760
if they could have spent all their
budget on one le fantastic shot instead of

480
00:38:00.800 --> 00:38:05.079
trying to give us all of these, yeah, I mean, you know,

481
00:38:05.519 --> 00:38:09.480
just just just realistically, you know, does this guy look at himself

482
00:38:09.559 --> 00:38:16.039
this much? It's a lot.
He must. And you know, it

483
00:38:16.039 --> 00:38:21.519
goes into any sort of first person
point of view when you when you choose

484
00:38:21.599 --> 00:38:27.039
that as your format for your film
or television series whatever, it always ends

485
00:38:27.119 --> 00:38:30.679
up feeling wildly unnatural, like where
the camera just always pans down to what

486
00:38:30.719 --> 00:38:35.719
they're doing, you know, like
I'm getting my keys out of my pocket,

487
00:38:35.760 --> 00:38:37.039
so the camera pans down, looks
at the pocket in the hand going

488
00:38:37.039 --> 00:38:40.599
in and whatever, and it's just
like for that, who does that?

489
00:38:40.719 --> 00:38:47.159
It's insane. Well, Humphrey Bogart
does in this episode. He sure does

490
00:38:47.199 --> 00:38:54.440
and will forever and always as this
is the capstone, the headstone for the

491
00:38:54.480 --> 00:39:00.519
American involvement with Tales from the Crypt. What a Danum was It was just

492
00:39:00.599 --> 00:39:06.760
the final just the kiss of shit
on top of an otherwise uneven show.

493
00:39:07.199 --> 00:39:10.480
Have I said skip it because skip
this one, skip this one and don't

494
00:39:10.519 --> 00:39:15.199
look back, Yeah, or no, look back back to the first season.

495
00:39:15.039 --> 00:39:22.000
Yeah right, yeah it um yeah, what an ignominious way to go

496
00:39:22.039 --> 00:39:27.840
out. Really, just what a
shame. There's like, there's so few

497
00:39:27.960 --> 00:39:30.440
things that this episode does write that
for me, it is the total skip.

498
00:39:30.559 --> 00:39:37.519
It is just a bizarre exercise in
flaunting your CGI in your budget,

499
00:39:37.079 --> 00:39:42.880
and it hasn't aged well in twenty
twenty because now we have CGI so good

500
00:39:42.880 --> 00:39:46.199
that they can make fur look realistic, and even even taking that out of

501
00:39:46.199 --> 00:39:50.920
it, it's still not a good
episode because it doesn't do anything, because

502
00:39:50.960 --> 00:39:54.719
it's so worried about showing you Humphrey
Bogart's face over and over again that it

503
00:39:54.719 --> 00:40:00.239
doesn't even do anything else. As
clumsy in episode as comes to Dawn is

504
00:40:00.880 --> 00:40:02.840
I know it's tales from the cript
while I'm watching it. This one,

505
00:40:04.360 --> 00:40:06.960
it's tails in a crip because of
the people involved, because they got the

506
00:40:07.000 --> 00:40:12.719
banner title on it, but doesn't
feel like anything of a piece with everything

507
00:40:12.760 --> 00:40:15.800
that we've gotten before, and it's
a skip for me. Give it hard.

508
00:40:16.480 --> 00:40:20.679
So that's the end of season six, folks. So you know what

509
00:40:20.719 --> 00:40:23.000
we do at the end of every
season, We give our favorite and our

510
00:40:23.079 --> 00:40:28.400
least favorite episode. Yes, indeed, so Father Malone, which episode in

511
00:40:28.480 --> 00:40:34.320
season six stuck out to you as
your least favorite episode. Oh, not

512
00:40:34.360 --> 00:40:38.440
the worst, just your least favorite. Probably. I'm gonna say it's kind

513
00:40:38.440 --> 00:40:45.320
of a tie between The Pit and
Revenges the Nuts. It might be Revenges

514
00:40:45.360 --> 00:40:49.280
the Nuts just comparatively, which we
do a lot here, given that we

515
00:40:49.480 --> 00:40:53.679
already received a film version of that
particular story, and it is harrowing and

516
00:40:53.960 --> 00:40:59.960
wonderful, and what we got here
is let's say not so I'll say Revenge

517
00:41:00.079 --> 00:41:02.400
is the Nuts is the worst of
this for me. It is also a

518
00:41:02.440 --> 00:41:10.960
tie. It is a tie between
Operation Friendship featuring Peter Dobson, who is

519
00:41:12.000 --> 00:41:15.519
a terrible actor and I'm not going
to change my opinion on that until I

520
00:41:15.559 --> 00:41:19.119
see something that he's in that's good, and another episode that is just as

521
00:41:19.159 --> 00:41:27.239
bizarre as it is tone deaf The
Assassin featuring a sex changed CIA agent.

522
00:41:27.679 --> 00:41:32.199
Yeah, that's almost fucks Carrot Corey. Oh he almost, he being Corey

523
00:41:32.320 --> 00:41:38.559
Feldman almost fucks the person he's trying
to kill. It's just fucking weird.

524
00:41:38.920 --> 00:41:44.679
I also believe that it's another Scott
number fro episode. It is so great.

525
00:41:45.440 --> 00:41:49.800
Um, which episode of season six
stuck out to you as your favorite,

526
00:41:49.800 --> 00:41:53.960
though that would be only skin deep. That one. Uh. I

527
00:41:54.000 --> 00:41:57.519
don't know how, I don't know
how great it is, but it uh

528
00:41:57.719 --> 00:42:02.079
it uh I. If I think
about any of the episode of the season,

529
00:42:02.440 --> 00:42:06.039
that one sticks out of my mind. I liked it sort of visually

530
00:42:06.280 --> 00:42:09.039
and it had this weirdo kind of
you know, we talk a lot about

531
00:42:09.719 --> 00:42:15.719
the show not pushing boundaries and taboos, and I think that one felt like

532
00:42:15.280 --> 00:42:19.559
I want to tales from the Crypt
episode to be I'm not saying it's great,

533
00:42:20.440 --> 00:42:23.079
but of this season, that's the
one I'm actually going even farther back

534
00:42:23.079 --> 00:42:28.599
in season six, I'm going to
talk about the first episode. My favorite

535
00:42:28.599 --> 00:42:31.360
episode of this season is let the
Punishment Fit the Crime because it has Catherine

536
00:42:31.400 --> 00:42:36.320
O'Hara in it, and it has
Peter nichol in it. Peter McNichol in

537
00:42:36.360 --> 00:42:38.320
it. Yeah, that I agree
that. I mean, it's it's it's

538
00:42:38.320 --> 00:42:44.119
a bad It has bad moments,
namely the ending is just bogus to say

539
00:42:44.159 --> 00:42:46.960
the least. Yeah, but Catherine
O'Hara is always great and Peter McNichol,

540
00:42:47.039 --> 00:42:52.000
I mean, we await the word
of vegle like Peter McNichol. Yeah,

541
00:42:52.039 --> 00:42:58.599
Peter McNichol is always good in anything. So you know, here's the thing,

542
00:42:59.440 --> 00:43:06.280
there's like only two or three good
episodes this season. Yeah, hard

543
00:43:06.320 --> 00:43:07.960
one race to figure out what was
really good here. It's they're only a

544
00:43:07.960 --> 00:43:12.920
handful. Yeah, And I feel
like if you hadn't said only skin deep,

545
00:43:12.920 --> 00:43:15.000
you would have said let the punishment
fit the crime. I might have

546
00:43:15.000 --> 00:43:19.079
said Doctor of Horror because I like
that one. Really. Yeah, I

547
00:43:19.119 --> 00:43:24.199
like that one. Yeah, what
can I tell you? It's okay?

548
00:43:24.480 --> 00:43:29.960
Yeah, I mean again, it's
better than these last three, certainly better

549
00:43:29.960 --> 00:43:31.840
than most of them. Like,
like I said, it's maybe two or

550
00:43:31.920 --> 00:43:37.760
three episodes this season, I really
enjoyed. It's it's a real shame to

551
00:43:37.800 --> 00:43:42.119
me because thinking about season five,
season five had some really good episodes in

552
00:43:42.199 --> 00:43:47.800
it. Yeah, death of some
salesman forever ambergreed, well cooked Hams has

553
00:43:47.800 --> 00:43:53.840
its moments. But like, man, this season, even the episode I

554
00:43:53.880 --> 00:43:57.920
like from this season, the episodes
that I would go to bat for,

555
00:43:59.440 --> 00:44:01.679
are nowhere near as good as anything
we saw in season one, two or

556
00:44:01.800 --> 00:44:07.039
three. No, like, not
even close. And it's just a damn

557
00:44:07.039 --> 00:44:10.599
shame because the show has fallen off
so hard by this point. Yes,

558
00:44:12.519 --> 00:44:15.360
this is why I'm I'm actually hopeful
for season seven. I mean, it

559
00:44:15.400 --> 00:44:20.480
can't be worse, right, I
couldn't tell you, Yeah exactly, I

560
00:44:21.360 --> 00:44:27.840
legit can't tell you it could it
could be worse. But I feel like

561
00:44:27.880 --> 00:44:30.840
that bar Is set solo. There's
not a whole lot that they have to

562
00:44:30.840 --> 00:44:34.000
do to be better, you know, I would I would like to just

563
00:44:34.360 --> 00:44:37.400
remember back to the days of season
four with you know, Christopher Reeve,

564
00:44:38.119 --> 00:44:45.800
Joe Peshi, anything but where we
are now, David Warner getting a David

565
00:44:45.840 --> 00:44:50.840
Warner getting a dummy throat at.
Yeah, Like that's the thing. Like

566
00:44:51.440 --> 00:44:55.199
it's not like the series got too
self serious or something, but there was

567
00:44:55.239 --> 00:45:00.880
a level of play at work in
previous seasons even if it wasn't the best

568
00:45:01.199 --> 00:45:07.480
plotted or shot, like you could
still have a bit of fun with it.

569
00:45:07.559 --> 00:45:10.400
And this season in particularly, didn't
feel that way, like even when

570
00:45:10.400 --> 00:45:14.559
they were shooting, in fact,
especially when they were shooting for sort of

571
00:45:14.719 --> 00:45:17.280
a lighthearted episode. Not that any
of the ones I'm mentioning necessarily were,

572
00:45:17.599 --> 00:45:25.639
but I'm just saying there seemed to
be an attempt at entertainment in some way.

573
00:45:25.920 --> 00:45:29.840
Well, and again, it also
feels like in the previous seasons at

574
00:45:29.920 --> 00:45:34.039
least one through four or five.
To some extent, it also felt like

575
00:45:34.079 --> 00:45:38.360
there was a lot more oversight when
it came to the scripts and the quality

576
00:45:38.400 --> 00:45:42.599
of the show that was being put
out, because those first five seasons are

577
00:45:42.639 --> 00:45:47.199
pretty damn good television from a scripts
quality standpoint, and then as soon as

578
00:45:47.199 --> 00:45:52.559
you get to season six and later
parts of season five, boy, it

579
00:45:52.679 --> 00:45:58.320
just starts nosediving. That's you know, I don't think that's an uncommon problem

580
00:45:58.360 --> 00:46:00.960
with any television series. You start
off and you've got to know, most

581
00:46:00.960 --> 00:46:04.280
of the time, they just get
too big for their britches. That's not

582
00:46:04.280 --> 00:46:07.800
even what happened. Here's always like
a corps of writers, and as the

583
00:46:07.800 --> 00:46:09.559
show gets more popular, they go
off to do their own thing, as

584
00:46:09.599 --> 00:46:14.519
anyone would, and you're left with
the people they hired, as you know,

585
00:46:14.559 --> 00:46:16.719
assistants and stuff, and they kind
of take over the ship, and

586
00:46:17.079 --> 00:46:22.599
their vision isn't necessarily what the original
guys who kind of came to it to

587
00:46:22.760 --> 00:46:27.599
deliver what it's supposed to be.
You have people who are just like involved

588
00:46:27.639 --> 00:46:30.679
and they know the formula, and
so they keep churning them out. And

589
00:46:30.719 --> 00:46:36.320
that's what the past couple of seasons
it felt like I can't agree more so.

590
00:46:36.400 --> 00:46:38.519
On that note, on the next
episode of Chronicles from the Crypt,

591
00:46:38.519 --> 00:46:44.360
we're gonna be taking a look at
the final Tales from the Crypt film,

592
00:46:44.440 --> 00:46:46.960
though it's an official Tales from the
Crypt film, but technically the name has

593
00:46:47.000 --> 00:46:51.480
just slapped on Thereafter the fact,
we're gonna be talking about two thousand and

594
00:46:51.480 --> 00:46:55.639
sixes Tales from the Crypt presents ritual. So if you haven't seen it,

595
00:46:55.800 --> 00:47:00.800
don't don't, but listen to us
talk about it and you'll get a pretty

596
00:47:00.840 --> 00:47:05.480
good idea as to why you shouldn't
watch it. There's a lot of things

597
00:47:05.519 --> 00:47:07.360
in that movie that are not great, and the way the film ends is

598
00:47:07.480 --> 00:47:15.760
kind of the that's the worst bit
of them all. Until then, Okay,

599
00:47:16.000 --> 00:47:19.360
I don't even want to bring it
up again. So until then,

600
00:47:19.400 --> 00:47:22.880
where can people find you? Father
Malone? Find me over on father Malone

601
00:47:22.000 --> 00:47:27.280
dot com. I have a new
podcast up called Dark Destinations. It's a

602
00:47:27.360 --> 00:47:31.800
travelogue of frightening fictional towns. You
can also check out my YouTube channel Ought

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00:47:31.840 --> 00:47:36.280
five Films O U G H T
F I V E f I l MS

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00:47:36.400 --> 00:47:39.320
for a bunch of content there,
and you can also hear me over on

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00:47:39.440 --> 00:47:43.960
Dreams for sale. The Twilight Zone
eighty five podcasts, which I do with

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00:47:44.320 --> 00:47:47.960
Casualty Chris here and our friend,
our man in Detroit, mister Mike White.

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00:47:49.280 --> 00:47:52.320
As for me, you can find
me on Twitter at Casualty Underscore Chris.

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00:47:52.360 --> 00:47:57.400
You can find the podcast on Twitter
at Chronicles FTC. I do a

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00:47:57.440 --> 00:48:02.440
movie podcast called The Culture Cast and
a spooky paranormal true crime podcast called Scary

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00:48:02.440 --> 00:48:06.679
Stories We Tell if you want to
check those out. We are also on

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00:48:06.719 --> 00:48:12.000
the internet at Chronicles ftc dot com. Big thanks to you, our listener,

612
00:48:12.000 --> 00:48:15.159
and to John because here for doing
the intro for the podcast, and

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00:48:15.199 --> 00:48:30.400
we'll catch you in the next episode.

