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Alright, you got to know nice
and time two. This is the Fordham

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section of the Bronx. My home
a world into itself. You could get

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00:00:44,240 --> 00:00:47,640
Tenny Bong fifteen minutes from here,
but they might as well be three thousand

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miles away. That's Mount Carmel Church
and the sound of the bells would fill

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the neighborhood on the street to the
where. It was nineteen sixty and Duop

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was a sound on the streets.
It felt like there was a duop group

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on every corner back then. What
a time it was. The New York

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Yankees were playing the Pittsburgh Pirates in
the World Series and Mickey Mantle was like

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a god to me. My dad
would take me to Yankee Stadium and we

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would watch the Yankees win. That's
the shape Bipy. That's where all the

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guys hung out. But I'll tell
you about them later. That's my building.

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I lived right there on the third
floor six six seventies a hundred and

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eighty seventh Street. There's my stoop
and I war summer nights through the neighborhood

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you would hear sounds of young Italian
men ro man sing their women. I'm

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right getting a car, no getting
a car. Let me alone. Come,

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mom, baby, you know I
love it. Were you getting a

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car? And right there, right
there under that lamp post, Dan stood

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the man, the number one man
in the neighborhood, Sonny. Everybody loves

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Sonny, and they treated him like
a god. And in my neighborhood he

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was a god. And I would
sit on my stoop and watch him all

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day and all night. But he
would never even look at me, never

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until one day. If one were
to think of the countless movies that have

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taken place in the Bronx, there
would be many great films that come to

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mind. However, this week's film, sadly is often forgotten in the upper

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tier of films about the great city, despite having the known area in its

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title, and even though it can
be overlooked, it has carved itself a

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nice little legacy even over thirty years
after its initial release. This week's film

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is the directorial debut of screen legend
and my personal favorite actor of all time,

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Robert de Niro. Adapted from the
autobiographical One Man's Stage Play starring in

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written by Chas Paul Monterry, a
Bronx Tale, released in nineteen ninety three,

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presents us the story of Claire Duo, a young man that, over

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the period of ten years, finds
himself torn between a life in organized crime

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when he is befrinded by local mob
boss Sonny played by Paul Mon Terry in

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his honest, hard working bus driver
father Lorenzo played by De Niro. Our

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next clip will tell us how this
film came to be. Two years ago,

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De Niro, Paul me and Terry
Tommy Mottola were on The Today Show

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before the premiere of the Broadway musical
adaptation of this film. Paul Menary and

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De Niro speak on what led to
the film being made and the uniqueness of

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the deal broker between the two to
get it made the right way. Check

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00:04:50,319 --> 00:04:55,519
out this crew Oscar nominee Chas Pulmonary, Oscar winner Robert De Niro, Tony

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winner Jerry Zax and legendary music mogul
Tommy Mattola. They all share a love

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for the Bronx tail. It says
a one man show. Staring was a

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one man show starring Chaz Palm and
Tary back in the eighties. Robert made

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his directorial debut and appeared in the
nineteen ninety three movie version. Now,

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nearly twenty five years later, they've
turned a Bronx Tail into a Broadway musical.

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Chaz wrote the book. Robert and
Jerry codirect Tommy is lead producer.

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Wow, guys, good morning,
Nice to see you take this the right

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way. This is like a murderer's
row producing and directing talent here. This

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is your story. Yeah right.
I saw him at a basketball game not

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long ago. We walked up talk
to each other. When we brought this

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show up. You got a smile
on your face like I have never seen

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before. Why does it mean so
much to you? Well, you know

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it was my life story, you
know, growing up in the Bronx.

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You know, I witnessed this murder
when I was a kid. My father,

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Lorenzo, was a bus driver.
He played saxophone, you know,

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and he always wanted to play,
you know, be a saxophone player.

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Which I didn't bring it up in
the movie The Other One Man Show,

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but I was able to do it
in this new Bob saw me do it

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in the twenty five almost twenty eight
years ago, and he said this should

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be a movie, and Bob made
it happen as a movie. The way

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the story goes you're told, after
one night doing that one man show that

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he's in the house and in your
dressing room and wants to talk to you.

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Yes, what do you remember about
that meeting? No, I had

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been hearing about the show and so
on, and I said, I want

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to go see it. And that's
how it then one. I mean,

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it had been running for a while, a couple of months or so.

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I went and so chazed, he
said, we'll talk blah blah blah.

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Next thing you know, you say, he changed your life. And I

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want to mention there were other offers
you had gotten to buy the story.

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Why was his offer the right offer
at that time? Well, because what

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Bob said was well, first of
all, Bob was the one who said,

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you should play Sonny and you'll write
the screenplay because it'll be honest.

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He was the one who gave me
that opportunity. Everybody else wanted it,

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but they didn't want me. They
wanted to put a star in the role.

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But Bob let that happen and he
let me write the screenplay. And

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really, I mean, and he
looked at me and said, if you

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do it with me, I'll make
it right. I'll never forget those words.

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And he said, shake my hand, and that's the way it'll be.

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That was the deal right there.
Oftentimes in gangster films there is this

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poll of good versus evil. Many
times our primary character falls into the pitfalls

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of a life in organized crime.
However, in this film, Sonny doesn't

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want this life for Claire Duro.
In a way, Lorenzo and Sonny want

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the same thing for the young man, but they cannot see it through their

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different standings in the community. Our
next two clips are examples of this.

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First, when Lorenzo finds out his
young son has earned over six hundred dollars

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working at Sonny's bar and shooting craps, he angrily confronts the mobster. Then,

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00:08:01,319 --> 00:08:07,959
in the second clip, Sonny schools
the teenage Colaire Dureau or See as

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he is known as, on life
and hearkening back to the ending of our

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previous clip, Sonny answers if it
is better to be loved or feared Sonny

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around. Yeah, I think he's
in the back. We can't accept that

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I didn't give you. I give
you your son. He worked, that's

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right, my son, and I
don't want my son involved in what goes

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on here. What what are you
talking about phase. I'm not a stupid

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man. Okay, Please, I'm
not stupid. You know what I'm talking

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about. Just stay away from my
son. Okay, hey, you stay

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right over here. See, why
don't you go outside? I want to

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00:09:00,159 --> 00:09:03,080
to your father. I'll speak to
my own son. Go out your wait

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00:09:03,120 --> 00:09:07,720
outside. First of all, I
respectul the rent. So you're a stand

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00:09:07,840 --> 00:09:11,639
up guy from the same neighborhood.
But don't ever talk to me like that

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00:09:11,720 --> 00:09:13,559
again. I tell your son to
go to school, to go to Carl.

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00:09:13,720 --> 00:09:16,159
Understand, it's not what you say. It's what he sees. It's

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the clothes, it's the cars,
it's the money, it's everything. He

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tried to throw away his baseball cards
the other day because he said Mickey Mann

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will never pay my rent. He
said that that's not funny. Not funny

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when your nine year old kid has
a bigger bank account than you do.

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I offered you a job, but
you said a note to me. That's

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right, and I say no.
Now, just leave my son alone.

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Please. Hey, don't you see
how I treat that kid. I treat

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that kid like he's my son.
Yeah, your son, he's my son,

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he's what he's my son. I'm
not afraid of you. You should.

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I know you are Sonny. I
know what you're capable of, and

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00:09:48,600 --> 00:09:50,639
I would never step out of the
line. You can ask anybody in this

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neighbor who knows me. But this
time you're wrong. You don't fool the

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man's family. This is my son, not yours. What are you gonna

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do? You stay away from myself? Here? Before I give you a

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flock, you'll just stay away from
my what? How could you do that?

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Yet? He was my money.
That's bad money. I don't want

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you to have that money, I
said, I want you to stay away

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00:10:13,200 --> 00:10:18,320
from him. I said, you
stay away from him. Did you hear

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00:10:18,360 --> 00:10:20,320
what I said? You stay away
from him? Said? He was right

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00:10:20,360 --> 00:10:24,720
the Woo community. He's a sucker. Yet he's a sucker. He's wrong.

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It don't take much strength to pull
a trigger. But try and get

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up every morning, day after day
and work for a living. And let's

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see him try that. Then,
well, she was the real tough guy.

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The working man is the tough guy. Your father is the tough guy.

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But everybody loves him. Do you
think everybody loves you? In the

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bus to say thing, No,
it's not the same. People don't love

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him, They fear him. There's
the difference. And now Sonny imparts a

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lesson on Claire dream Sku Dumpsolvia.
You know hees me twenty It's been two

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00:11:01,039 --> 00:11:05,440
weeks now, and every time he
sees me keeps dodging me. He's becoming

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a real pain in the ash.
I mean, should I crack him on

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a one? Somebody? What about
it? Telling me sometimes hurting somebody in

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00:11:11,440 --> 00:11:15,440
the answer? First of all,
is he a good friend of yours?

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Yeah? I don't even like him. You don't even like him? Does

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00:11:18,519 --> 00:11:20,279
your answer right? Then look at
it this way. Of course, you're

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00:11:20,279 --> 00:11:24,480
twenty dollars to get rid of him. Right, He's never gonna bother you

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00:11:24,519 --> 00:11:26,879
again. He's never gonna ask you
for money again. He's out of your

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life. For twenty dollars, you
gotta have cheap forget it. You're always

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00:11:31,000 --> 00:11:33,120
right, You're always right. Yeah, I'm always right. If I was

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00:11:33,120 --> 00:11:37,039
always right? And when he done
ten years in the giant, what did

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00:11:37,080 --> 00:11:39,360
you do every day? There's only
three things you can do when the joint

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00:11:39,440 --> 00:11:43,320
kidden, lift weights, play cards, and get into trouble. What did

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00:11:43,360 --> 00:11:50,200
you do me? I read it? What did you read over here?

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Machiavelli. Who Machiavella. It's a
famous writer from five hundred years ago.

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Availability. That's what he always said. Availability. That's right. Listen to

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00:12:00,679 --> 00:12:03,159
me. I could live anywhere I
want to. You know why I live

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in this neighborhood. Availability. I
wanna stay close to everything cause being on

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the spot, I can see trouble
immediately. Trouble is like a cancer.

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You gotta get it early. If
you don't get it early, it gets

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too big, then it kills you. That's why I gotta cut it out.

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00:12:20,039 --> 00:12:26,799
As come on. You worried about
Louie Thoms, nobody cares. Nobody

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00:12:26,919 --> 00:12:31,399
cares. Worry about yourself, your
family, the people that are important to

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00:12:31,519 --> 00:12:37,000
you. That's what it comes down
to. Availability. The people in this

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00:12:37,039 --> 00:12:39,200
neighbor that see me every day,
that are on my side, they feel

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safe because they know I'm close and
that gives them more reason to love me.

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00:12:45,480 --> 00:12:48,559
But the people that want to do
otherwise, they think twice because they

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00:12:48,639 --> 00:12:52,840
know I'm close and that gives them
more reason to fear me. Is it

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00:12:52,919 --> 00:12:58,759
better to be loved or feed It's
a good question. It's nice to be

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00:13:00,279 --> 00:13:03,720
but it's very difficult. But if
I had my choice. I would rather

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00:13:03,799 --> 00:13:09,879
be feared, fear less longer than
love. Friendships that are bought. Would

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00:13:09,879 --> 00:13:13,960
money mean nothing? You see what
is around here? I make a joke.

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00:13:13,039 --> 00:13:16,440
Everybody laughs. I know I'm funny, but I'm not that funny.

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00:13:18,720 --> 00:13:22,000
It's fear that keeps them loyal to
me. But the trick is not to

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00:13:22,039 --> 00:13:24,320
be hated. That's why I treat
my men good, but not too good.

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00:13:24,360 --> 00:13:28,039
I give them too much, then
they don't need me. I give

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00:13:28,080 --> 00:13:31,679
them just enough where they need me, but they don't hate me. I'll

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00:13:31,720 --> 00:13:37,600
forget what I'm telling you. This
film builds up to one of the most

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heartbreaking climaxes one can see in a
quote unquote gangster film. Sonny is murdered

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00:13:46,480 --> 00:13:52,039
by the man that Colaire Dureau as
a young man witnessed him murder. Sees

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00:13:52,279 --> 00:14:00,360
unwillingness to identify Sonny as the shooter, starts the friendship slash mentorship between the

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00:14:00,440 --> 00:14:07,720
two. In our final brief clip, Lorenzo and c finally put their differences

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aside, and Lorenzo admits to Sonny, laying in his open casket, why

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he disliked the mentorship that Sonny gave
to his son. Dude, what are

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00:14:22,759 --> 00:14:33,480
you doing here. I came to
pay my respects to your friend. Are

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00:14:33,519 --> 00:14:39,960
you okay? Yeah? And I'm
sorry if I've heard him anyway, It's

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00:14:39,000 --> 00:14:54,440
okay. Everything's gonna be okay,
Sonny. I want to thank you for

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00:14:54,559 --> 00:15:03,639
saving my kid's life. I never
hated you. I guess it's that I

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00:15:03,759 --> 00:15:11,759
was just mad at you because you
made him grow up so fast. Make

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00:15:11,840 --> 00:15:26,159
God have mercy on your soul.
The way over here, Sonny, did

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00:15:26,200 --> 00:15:35,279
you hear that my father didn't hate
you? Nobody cares. You were wrong

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00:15:35,320 --> 00:15:58,080
about that one. What is the
talent she around? Sonny? Let's go

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00:15:58,200 --> 00:16:06,720
home and see Some of you may
be asking, wondering, or even be

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00:16:06,919 --> 00:16:12,120
upset that I spoiled the ending of
this film. I feel comfortable doing so

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00:16:12,480 --> 00:16:19,159
because knowing the ending doesn't diminish this
film's impact or how great it is.

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That's because this film transcends its ending
the powerhouse performances from pulmonarian de Niro,

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00:16:30,440 --> 00:16:37,120
the accurately depicted and at times uncomfortable
showing of racial tensions in the Bronx,

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00:16:38,639 --> 00:16:44,679
and a story that we all can
relate to, the mentor that made us

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00:16:45,039 --> 00:16:48,919
into who we are is what this
film is truly about. I dare any

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00:16:49,000 --> 00:16:53,720
of you to watch this film and
state that knowing the ending made this film

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00:16:53,960 --> 00:17:00,759
any less enjoyable, because I believe
this film is much better and greater than

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00:17:00,799 --> 00:17:07,160
a simple ending. I hope you
join me when we will look at the

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00:17:07,279 --> 00:17:15,920
crowning achievement of director Ridley Scott's career
and our first sand in Sandals Roman epic

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00:17:15,119 --> 00:17:23,359
film covered on Classic Film Reviews.
The film is the two thousand release Gladiator

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00:17:23,920 --> 00:17:29,079
for W. M. N H
and Matt Connorton. Unleashed. This has

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00:17:29,160 --> 00:17:36,480
been a classic film review with Eric
Pilcher on the street of the rocks,

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00:17:38,079 --> 00:18:00,799
well on a f standing on the
corner, seeing goodle homy uh all the

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00:18:00,119 --> 00:18:26,759
maco lo the creach some please good
job. Oh but time you w want

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00:18:27,000 --> 00:18:48,559
want to set I'll dump up and
down about see my brady shiny col want

199
00:18:48,000 --> 00:18:56,559
the streets is where I want a
beef. That's where I wanna be,

200
00:18:56,920 --> 00:19:10,200
all shaping in harmon on the streets
where among a fields, where of coin

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00:19:10,599 --> 00:19:30,160
of bothering Parmaskita bruns, Where one
of me on the corner the mindty seven

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00:19:30,599 --> 00:19:49,960
streets of the way are the medico
long discovered me standing on the corner scene

203
00:19:51,519 --> 00:20:06,640
good Homon. On the streets of
the Pass is where I wanna be.

204
00:20:07,079 --> 00:20:10,799
Where one be
