WEBVTT 1 00:00:00.560 --> 00:00:03.399 How welcome you are to involuntary permanence and let us talk about the prophecy of 2 00:00:03.399 --> 00:00:07.320 rip and other things that are happening to us. Because I don' t, 3 00:00:07.400 --> 00:00:11.519 and well, well, thank you very much and we started. You 4 00:00:11.599 --> 00:00:34.920 are hearing involuntary permanence with Fausto ponce how they are thanks to the people who 5 00:00:34.960 --> 00:00:38.200 are with us, the people who will be incorporated. Please share the transmission 6 00:00:38.200 --> 00:00:43.000 if you are already watching us, share the transmission, put like, put 7 00:00:43.200 --> 00:00:47.159 the supports you want. We have a lot of support systems. We' 8 00:00:47.200 --> 00:00:51.960 re still talking about it as we go along with the program and I' 9 00:00:52.000 --> 00:00:54.159 m still really nailed to x MEN ninety- seven and I think Daniel Villamil 10 00:00:54.159 --> 00:01:00.679 is, too. How you watched the last episode of Daniel Villamil hijole this 11 00:01:00.039 --> 00:01:07.040 achieved that final moment the theme smokes in some ometo. Then I told you, 12 00:01:07.239 --> 00:01:08.040 son, what made you love. But yes, it' s good. 13 00:01:10.799 --> 00:01:14.799 It' s that the spirit of the x Men and that' s 14 00:01:14.799 --> 00:01:23.200 why it' s triumphing so much, and I think the previous episode this 15 00:01:23.280 --> 00:01:27.120 whole part of letting go and understanding that we' re going on new directions, 16 00:01:29.200 --> 00:01:34.120 because it was like to go preparing for this episode definitely, if it 17 00:01:34.200 --> 00:01:36.239 already breaks, not in a bad way, but it breaks a little bit 18 00:01:36.239 --> 00:01:38.239 with what the original series was like. Here he keeps what I mean by 19 00:01:38.439 --> 00:01:44.840 the Telenoveleska wave. But if you already take other themes than the original series, 20 00:01:45.120 --> 00:01:51.079 being more childish, so to speak, you didn' t talk as 21 00:01:51.159 --> 00:01:53.760 much about relationships as Wolver' s triangle in Cyclops. And that' s 22 00:01:53.920 --> 00:01:57.439 for sure, little bit, and here they' re playing more with it. 23 00:01:57.599 --> 00:02:00.719 I still think it' s Clubs It' s a pinazo gel, 24 00:02:00.719 --> 00:02:05.400 Sammy Scott. Is it too small? Is it too small? No more? 25 00:02:05.480 --> 00:02:07.599 Don' t you? No more? Don' t you? Here 26 00:02:07.640 --> 00:02:15.120 I like that they are achieving and comics alike in one of the many deaths 27 00:02:15.159 --> 00:02:19.840 or long vacations that Javier takes, that he remains of the leader, yes, 28 00:02:19.879 --> 00:02:23.479 he becomes more like Magneto and in fact, he has as second in 29 00:02:23.520 --> 00:02:27.319 command Magneto because they already begin to coincide in points and here, as he 30 00:02:27.400 --> 00:02:30.479 begins to let him see that they will also take that course. But I 31 00:02:30.520 --> 00:02:36.919 think they justify it better than that one in the comic book and here we 32 00:02:36.960 --> 00:02:43.400 are talking about one or two episodes ago of Newton Massacre' s crossover, 33 00:02:44.000 --> 00:02:46.360 where Thor comes out. They couldn' t bring Thor here. But that 34 00:02:46.400 --> 00:02:50.599 story, I mean, it' s all the Morlocks going over them and 35 00:02:50.639 --> 00:02:53.719 here they make it even more spectacular. Being Henocha, I say for those 36 00:02:53.879 --> 00:02:58.840 who did not see the episode is Henocha, to the island where the mutants 37 00:02:58.840 --> 00:03:04.120 were, already recognized by the one are celebrating, decide that Magneto is the 38 00:03:04.479 --> 00:03:07.879 Prime Minister President, or whatever they want to call it. And when they 39 00:03:07.919 --> 00:03:10.800 ' re all celebrating, there comes a new Master mold, which is the 40 00:03:10.879 --> 00:03:14.400 giant robot that creates the sentries. Let' s say the factory, yes, 41 00:03:14.520 --> 00:03:19.199 but it' s a mobile factory and it starts destroying everything. And 42 00:03:19.280 --> 00:03:25.199 in the middle of this we are seeing a love triangle between gambit Roake and 43 00:03:25.479 --> 00:03:32.000 Magneto And besides, they are making the chimit also between Giam Wolverine and knows 44 00:03:32.240 --> 00:03:36.240 Clop exactly that it was there very well. My Wolbik is up to it. 45 00:03:37.599 --> 00:03:39.120 It is that to see the context of this, I say already the 46 00:03:39.120 --> 00:03:44.000 medium told Daniel, but I return a little bit more, that is because 47 00:03:44.080 --> 00:03:47.080 Daniel has read the comics on which this plot is based and many things in 48 00:03:47.120 --> 00:03:51.319 the series. But if you come in there in the cell and you haven 49 00:03:51.400 --> 00:03:57.520 ' t seen anything, there are things that aren' t explained, so 50 00:03:57.759 --> 00:04:01.000 it turns out there' s a new nation where they just mutate that it 51 00:04:01.039 --> 00:04:01.879 ' s called a gene and then they' re going to visit it. 52 00:04:02.479 --> 00:04:08.560 Magneto Roague and Gambito invite them. Not so much as in a cool act 53 00:04:08.680 --> 00:04:13.240 one of the secretaries, of the secretary we' ve seen from the beginning 54 00:04:13.240 --> 00:04:16.639 of the show, then invites them because already the one I also go to 55 00:04:16.680 --> 00:04:25.079 United Nations. He recognizes Genosha and it turns out that they give him good 56 00:04:25.079 --> 00:04:29.199 forgiveness. They give him, for they invite Magneto, to be the leader 57 00:04:29.360 --> 00:04:32.240 of Genosha. Not so, not even President is the king, because there 58 00:04:32.399 --> 00:04:39.879 really is no democratic system and that is time Frost you have this knowledge Huth 59 00:04:39.879 --> 00:04:45.839 No, who is the ombi ah ok, so, well is Serro being 60 00:04:45.879 --> 00:04:49.240 part of the helfark Club exists and they put their ranks as in Chess is 61 00:04:49.639 --> 00:04:55.079 the white queen, Sebastian is the black king and Magneto wants to name it 62 00:04:55.160 --> 00:05:00.279 the white king, which explains it. In fact, in the tempora gives 63 00:05:00.360 --> 00:05:03.800 two, if I remember correctly when they make the c adaptation of the dark 64 00:05:03.959 --> 00:05:09.680 phoenix. And then, because that' s why they' re the two 65 00:05:09.680 --> 00:05:12.360 who have that status and power that even Magneto tells you about you guys what 66 00:05:12.360 --> 00:05:15.600 you' re doing here. This yes we almost have yes, yes, 67 00:05:15.920 --> 00:05:19.240 it is there yes And so, yes, we are in power. But 68 00:05:19.480 --> 00:05:23.519 you' re the one who' s accepted by the most right now. 69 00:05:23.519 --> 00:05:27.439 Then we want you as the official face and that makes the king as much 70 00:05:27.519 --> 00:05:30.079 as he does not sha, but officially, so that they are not so 71 00:05:30.160 --> 00:05:40.639 fez, the Prime Minister aha acha exact and there are his Council of men 72 00:05:40.639 --> 00:05:43.199 and a human. There' s no human. And to represent very pretty, 73 00:05:43.600 --> 00:05:48.600 yes, moira exactly people, moira friend romantic interest. Not Charles Javier, 74 00:05:48.959 --> 00:05:54.959 yes, so said creature Charles Javi. It wasn' t Charles ex 75 00:05:55.000 --> 00:06:00.000 Viera Charles Javier. Yeah. And well, there she is, she' 76 00:06:00.120 --> 00:06:01.199 s on the web secretary or not, I forgot her name, but good. 77 00:06:01.720 --> 00:06:04.720 And Madeline Prier is there and there' s some really funny stuff going 78 00:06:04.720 --> 00:06:11.360 on. While they' re there, Scotts suffering horribly, they' re 79 00:06:11.920 --> 00:06:15.000 doing interviews with all the mutants to get past another face of the mutants. 80 00:06:15.160 --> 00:06:17.800 And Scott' s already in bad shape. He' s breaking up and 81 00:06:17.879 --> 00:06:24.759 he' s turning into a fofo sea that' s almost this Scott isn 82 00:06:24.839 --> 00:06:27.160 ' t there very bad and he' s angry about the report, he 83 00:06:27.160 --> 00:06:29.000 ' s starting to ask questions about his son. What gets angry and without 84 00:06:29.120 --> 00:06:31.120 you humans, which is a little bit of that, that speech is a 85 00:06:31.120 --> 00:06:33.879 bit of a chafa, because you are also human, na more than you 86 00:06:33.879 --> 00:06:36.720 have powers. They' re humans there They' re all bad, but 87 00:06:36.720 --> 00:06:40.399 they have powers. So that you' re different, because you' re 88 00:06:40.399 --> 00:06:44.920 not different, you don' t have a ball of mutant madmen there who 89 00:06:44.920 --> 00:06:47.040 want to destroy everyone and are bad and misunderstood. Anyway, well, it 90 00:06:47.160 --> 00:06:50.360 gets kind of Loxscott and suddenly a couple of things happen that are really fun. 91 00:06:51.079 --> 00:06:57.600 One is a moment between Walverling and Jin Grey, which is strange. 92 00:06:57.680 --> 00:07:00.160 Your Scott doesn' t know who she is. Have Scott. All of 93 00:07:00.240 --> 00:07:04.399 a sudden you see my Walverring and my nasí swallow of the yes, how 94 00:07:04.560 --> 00:07:08.920 nice everything. But you and Scott are the rule. So I' m 95 00:07:08.959 --> 00:07:11.319 not going to get in and almost if you don' t get me into 96 00:07:11.319 --> 00:07:16.000 your troubles. And this is really cool, welvery applause not and then there 97 00:07:16.040 --> 00:07:21.240 ' s another momentous count it you Dan between syk Clops and there that was 98 00:07:21.240 --> 00:07:26.600 really funny. That infidelity is so funny. Yeah, because she' s 99 00:07:26.639 --> 00:07:30.439 after Cyclops breaks down in the interview, she goes to her room, they 100 00:07:30.480 --> 00:07:35.120 start talking to her. I say he and jin Aha are already reconnecting and 101 00:07:35.160 --> 00:07:39.240 they are like the good ondita and suddenly they are in their psychic wave. 102 00:07:39.399 --> 00:07:43.120 And there he is. There' s Madline and jin spot her and tell 103 00:07:43.120 --> 00:07:46.959 her to see you take her because she' s with my husband and she 104 00:07:46.959 --> 00:07:49.160 ' s obviously on the line. Jimmy des hears, since when. This 105 00:07:49.199 --> 00:07:54.000 was like our wi- me what' s up and it' s, 106 00:07:54.439 --> 00:07:56.000 what' s not here and the other. Ah, since he left at 107 00:07:56.079 --> 00:08:00.839 night I went to visit him to see how he is. But nothing else 108 00:08:01.399 --> 00:08:05.560 happened to see how he was doing. But then this is like all this 109 00:08:05.680 --> 00:08:07.519 liver. It' s so funny. That detail and everyone else gets angry. 110 00:08:09.639 --> 00:08:11.399 I say that if it was her, that Hin wasn' t her, 111 00:08:13.000 --> 00:08:15.199 she would have stayed with both of them and the Do would have stayed 112 00:08:15.199 --> 00:08:18.319 with him. What exactly does he care about, and he' s a 113 00:08:18.319 --> 00:08:22.240 father. They' re still winks to comics, because just as in one 114 00:08:22.319 --> 00:08:28.920 of the multiple times that gin went away they adopt well, they accept Emman 115 00:08:28.959 --> 00:08:35.320 the team returns to Jin and starts having Scott an afer with is Emma Frost 116 00:08:35.399 --> 00:08:37.759 and so are the Kachas, because they' re all doing it telepathically. 117 00:08:37.840 --> 00:08:41.919 They' re not really like interacting. And here' s a wink to 118 00:08:41.919 --> 00:08:48.120 that. But also when Madeleine is making, let' s say she' 119 00:08:48.200 --> 00:08:52.960 s gossiping, they make a little panning out of this emma that' s 120 00:08:52.960 --> 00:08:54.440 touching the gem. So, like, there she may be interfering with something, 121 00:08:54.559 --> 00:09:00.639 in the relationship and even in the visions that both Jin and Madreling had 122 00:09:00.679 --> 00:09:03.080 about the future, that that too is very fatherly. When the Sentinel Attack 123 00:09:03.080 --> 00:09:09.559 arrives, cable comes running to try and avoid it. Madeline realizes that he 124 00:09:09.600 --> 00:09:13.519 ' s her son, that he did it and great timing. But he 125 00:09:13.559 --> 00:09:20.480 tells him forgiveness then goes because his mute time, which allowed him to travel 126 00:09:20.519 --> 00:09:24.559 in time is run out, let' s say gasoline and returns to his 127 00:09:24.600 --> 00:09:31.000 time and cannot avoid this catastrophe c so much being genocated there having fun. 128 00:09:31.879 --> 00:09:35.360 It' s like an exarra, it' s like an ibiza and clear 129 00:09:35.440 --> 00:09:37.320 truth, because it' s music for both of us. Oh, and 130 00:09:37.440 --> 00:09:39.360 you say listen to the defenses. Then you realize that, but well, 131 00:09:39.519 --> 00:09:43.120 they get to a group of sentries and then you go a terrible slaughterhouse, 132 00:09:45.480 --> 00:09:48.039 of course, then you think about the following. Listen and the defenses, 133 00:09:48.080 --> 00:09:50.559 yes, because they had no army, because they had nothing. I mean, 134 00:09:50.720 --> 00:09:54.080 I tell you to ibiza there one that means the island of Leonardo DiCaprio, 135 00:09:56.639 --> 00:09:58.600 yes, I would sing as there were no more sentinelas, who was 136 00:09:58.679 --> 00:10:03.600 going to be the madman in the face, a place full of mutants with 137 00:10:03.600 --> 00:10:07.960 all the powers. But obviously let' s say they didn' t expect 138 00:10:07.960 --> 00:10:11.360 it. And besides, there' s a wink that was super father just 139 00:10:11.399 --> 00:10:18.200 before the master mold came in, they pan the island, complete the sky 140 00:10:18.279 --> 00:10:22.000 and leave it in the sky for about two three seconds because you see the 141 00:10:22.039 --> 00:10:28.039 outline of the watcher. So, of course, as I explained in wari 142 00:10:28.080 --> 00:10:31.080 Iff about me, I' m always gossiping, when something is going to 143 00:10:31.080 --> 00:10:33.600 happen, some tragedy, then, like from her they' re telling you, 144 00:10:33.799 --> 00:10:39.440 there' s something coming, there' s something coming, and I 145 00:10:39.840 --> 00:10:43.600 insist the tension is very well handled, because apart from before that big party 146 00:10:43.720 --> 00:10:45.879 that to make you see that it' s a novelist, they put up 147 00:10:45.879 --> 00:10:48.639 an ayse of base theme, which made me great. Of course, Roake 148 00:10:48.799 --> 00:10:52.159 ends up with Gambit because he says yes, love and everything, but I 149 00:10:52.159 --> 00:10:56.360 ' m Southern and you' re Southern and we like to play and you 150 00:10:56.399 --> 00:11:00.000 can' t and with magnetos you can. Then there you see yourself, 151 00:11:00.759 --> 00:11:05.639 for there is also a poor area, but everything goes sad. But like 152 00:11:05.720 --> 00:11:11.600 what phrase, there are things deeper than the skin or something like that, 153 00:11:11.600 --> 00:11:16.000 and it has its big time to dance Roke with magneto. Everyone is happy, 154 00:11:16.399 --> 00:11:20.120 they kiss and that' s when the attack comes and in the end 155 00:11:20.240 --> 00:11:24.279 it' s gambit who saves the day, but turning the comic around a 156 00:11:24.360 --> 00:11:28.200 little bit that I really liked in the comic after about ten years is that 157 00:11:28.240 --> 00:11:33.000 he had to do with the Humorlock massacre. Here he dies saving the place 158 00:11:33.120 --> 00:11:39.519 from Genosha. He destroys the master mold, but he dies. And besides, 159 00:11:39.840 --> 00:11:43.960 there' s the way Rob says I can finally grab him, and 160 00:11:43.639 --> 00:11:46.879 well, they don' t leave him in twigs, I can grab him, 161 00:11:46.879 --> 00:11:48.759 but I' m not sorry. She' s already dead. Sure, 162 00:11:48.000 --> 00:11:50.600 I mean, it' s very tragic. There' s that part 163 00:11:50.679 --> 00:11:54.279 that' s very poetic and it' s painful. But Bonita, I 164 00:11:54.279 --> 00:12:01.440 mean, a theme is very well executed. Yes, the design of the 165 00:12:01.480 --> 00:12:05.159 destroyed place and how she carries gan Beat is very similar to how Luisa carried 166 00:12:05.159 --> 00:12:09.879 Superman in Superman' s death, so even her winks are good. Oxa 167 00:12:09.960 --> 00:12:16.720 Gen on the exes telenovela and she' s Mutante' s lookout. Look 168 00:12:16.799 --> 00:12:20.240 at my telenovela Mirada de Mutante. I' ve seen my TV, the 169 00:12:20.240 --> 00:12:24.799 Zombie Look. I was my telenovela Mirada de Mutante. Hey and I think 170 00:12:24.840 --> 00:12:30.159 this magnet is alive. Not me who is the achievements to save. Yeah, 171 00:12:30.240 --> 00:12:35.600 I think a wolf kills take me, so very subtly remember you get 172 00:12:35.799 --> 00:12:41.960 one or two super fast flashbacks from him in the concentration camp as a kid 173 00:12:41.000 --> 00:12:45.039 that well, it' s something you don' t let go of, 174 00:12:46.960 --> 00:12:50.519 because let' s say that in these times it' s kind of weird 175 00:12:50.600 --> 00:12:54.799 now to support the Jews, but here they do and usually yes, Magneto 176 00:12:54.879 --> 00:12:56.960 is a victim of this and that' s why it' s like that. 177 00:12:56.559 --> 00:13:03.000 Then I liked that too. I just missed Andrew Proa says it' 178 00:13:03.120 --> 00:13:07.360 s what if. I don' t think, because the big difference is 179 00:13:07.440 --> 00:13:09.360 that the x mens what they do is they give in the tower to everything, 180 00:13:09.559 --> 00:13:13.240 but always a traveler in time fixes the escuals goes and we don' 181 00:13:13.279 --> 00:13:16.440 t go so bad at the end. Here, maybe you can' t 182 00:13:16.559 --> 00:13:20.679 save yourself completely. But I think that between Vishop and Cable they' re 183 00:13:20.720 --> 00:13:24.559 going to do something so they don' t do so badly, although they 184 00:13:26.000 --> 00:13:28.840 ' re probably going to change at the end of the season the roster of 185 00:13:30.000 --> 00:13:30.720 the team, which is also something very very much of the MEN x. 186 00:13:31.440 --> 00:13:33.320 Yeah, yeah, yeah, I think they' re gonna change it, 187 00:13:33.360 --> 00:13:37.679 too. Well, there it is. That' s how it goes in 188 00:13:39.000 --> 00:13:43.200 Mutante' s great Mutante stare telenovela. Yeah, all right, all right, 189 00:13:43.279 --> 00:13:46.840 hey, well, let' s take advantage right now to entertain him 190 00:13:46.919 --> 00:13:54.559 with payment that he also saw the prophecy as your straw jul you' re 191 00:13:54.399 --> 00:13:56.720 hello to sauz well and you well hear tell me, then you were too. 192 00:13:56.799 --> 00:14:03.039 You launched to see this film of prophecy, the first prophecy, the 193 00:14:03.120 --> 00:14:07.879 first pence, which the prequel of prophecy, of the film of the seventy 194 00:14:09.120 --> 00:14:13.399 - seventies, of the classic, of the classic of nine hundred and seventy 195 00:14:13.559 --> 00:14:16.480 - six, the prophecy. This is a movie and what' s going 196 00:14:16.480 --> 00:14:20.000 on? We do not see that the parents of mine, for we do 197 00:14:20.120 --> 00:14:26.080 not see them properly just how this evil was created, how was this antichrist 198 00:14:26.080 --> 00:14:31.399 created? It' s a little bit, this story that seems to me, 199 00:14:31.600 --> 00:14:35.919 I mean, it seemed fascinating, because I think that the film, 200 00:14:37.120 --> 00:14:41.639 apart from having a stage and a photograph and a score that are really shocking, 201 00:14:43.039 --> 00:14:48.000 is that I was shocked from the first moment, because it is very 202 00:14:48.039 --> 00:14:50.679 enveloping in terms of its atmosphere, in terms of how it begins to tell 203 00:14:50.720 --> 00:14:56.639 this story of a nun who then arrives in Rome because the race tells her 204 00:14:56.759 --> 00:15:05.159 to go to a convent and that it is time for me to support her 205 00:15:05.200 --> 00:15:11.440 to take the vows and take the habit. It is not just like the 206 00:15:11.440 --> 00:15:16.080 anteroom and we begin to see that, because in this convent there is something 207 00:15:16.080 --> 00:15:20.480 strange and that in this convent there are disappeared and that there is a girl 208 00:15:20.519 --> 00:15:24.559 who is strangely mysterious and who always hurts others. And from there a series 209 00:15:24.639 --> 00:15:30.320 of elements begin to unfold that operate more in the area of thriller and mystery 210 00:15:30.360 --> 00:15:35.480 than terror. As such, and that strikes me as a great success. 211 00:15:35.600 --> 00:15:41.519 The film moves away from all the common places of the genre to really build 212 00:15:41.600 --> 00:15:48.120 a story that is very entertaining, that sells you very well all its twists 213 00:15:48.679 --> 00:15:54.440 and that really leaves you hooked. Not because the whole story, for forgiveness 214 00:15:54.559 --> 00:15:56.840 for the spoiler, if they do not yet read the ones, but more 215 00:15:56.120 --> 00:16:00.600 or have not seen the seventy- six, for we think to go identify 216 00:16:00.679 --> 00:16:06.080 why the antichrist will arise? Who is the antichrist, because it seems that 217 00:16:06.200 --> 00:16:11.159 he is already out there walking near the city or that, because he is 218 00:16:11.480 --> 00:16:17.519 already to be born or will have an important role there. And the film 219 00:16:17.639 --> 00:16:26.320 skillfully puts us to various supposed antichrists or characters that could be this villain. 220 00:16:26.000 --> 00:16:30.840 And it' s changing us and it' s changing us and you keep 221 00:16:33.120 --> 00:16:36.559 buying yourself really every change. Not then, I think the film really does 222 00:16:37.159 --> 00:16:41.200 very well there. It also seems to me that the way it closes, 223 00:16:41.360 --> 00:16:45.000 because, of course, as a prequel, you have to be connected with 224 00:16:47.519 --> 00:16:51.200 what follows that here is already with that of seventy- six. And they 225 00:16:51.320 --> 00:16:53.679 do it because they leave you connecting to the seventy- six. But they 226 00:16:53.759 --> 00:16:59.080 also tell you what this can be a hit and we' re going to 227 00:16:59.159 --> 00:17:03.000 leave you a little hook around here so that we do a sequel to the 228 00:17:03.039 --> 00:17:06.720 prequel before the g school and they do it very well, that is, 229 00:17:07.279 --> 00:17:12.160 really yeah, it feels very like the Avengers of prophecy. So almost the 230 00:17:14.279 --> 00:17:21.279 last lines of the film is like going back to. Practically feels a little 231 00:17:21.319 --> 00:17:25.680 bit of a way, but I have to admit that I was surprised I 232 00:17:25.759 --> 00:17:32.240 had a great time. I didn' t expect the movie to be good 233 00:17:32.319 --> 00:17:33.519 and I was pleasantly surprised because I had an amazing time. I think it 234 00:17:33.640 --> 00:17:38.400 ' s a great proposal in terms of horror movies and something different, because, 235 00:17:38.519 --> 00:17:45.279 at the end of the day, we' re not depending on the 236 00:17:45.359 --> 00:17:53.279 sker and Jones, we' re not depending on the easy scare, we 237 00:17:53.400 --> 00:17:57.880 ' re not depending on some archetype or some structure that is, as usual, 238 00:17:57.880 --> 00:18:00.920 occupied in very archetypal ways. Here I did see about the church part 239 00:18:00.960 --> 00:18:06.119 and the nuns is something interesting. It deals in a very different way to 240 00:18:06.200 --> 00:18:07.640 how it happens in the nun, for example. I don' t mean, 241 00:18:07.680 --> 00:18:11.279 I think the fact that the Church is the protagonist here and that nuns 242 00:18:11.319 --> 00:18:15.839 also have something to do there is more focused on building the real monster. 243 00:18:15.839 --> 00:18:19.200 Here the Church is the munstruo in many ways, beyond, or it is 244 00:18:19.319 --> 00:18:25.480 the devil himself or the demon part of there yes, then I think it 245 00:18:25.759 --> 00:18:30.559 has the part also very good, because they know how to give a good 246 00:18:30.680 --> 00:18:33.279 twist and a good turn to this concept. And I don' t really 247 00:18:33.359 --> 00:18:38.599 recommend it. I liked it and I still really think that I was talking 248 00:18:38.680 --> 00:18:41.440 with my mouth open in the last few parts that I could no longer believe 249 00:18:41.480 --> 00:18:45.960 what was going on. There. Yes, I was surprised then and as 250 00:18:45.039 --> 00:18:48.559 long as I find a movie that achieves these kinds of situations and, above 251 00:18:48.640 --> 00:18:52.519 all, that put many maguuffins out there to sell you the ending with many 252 00:18:52.599 --> 00:18:56.240 turns and that all you can buy. For me it has on the other 253 00:18:56.359 --> 00:19:02.359 side, not then it does see the prophecy, the first prophecy. I 254 00:19:02.359 --> 00:19:04.240 think it' s a great bet and that, because many people, like 255 00:19:04.319 --> 00:19:07.119 me, may not have much faith but, well, I don' t 256 00:19:07.200 --> 00:19:15.519 think it' s better to go with bad hopes and come out completely renewed. 257 00:19:17.559 --> 00:19:22.480 Sure. Okay, well, I like that vision. You liked Danielito, 258 00:19:22.599 --> 00:19:25.559 you didn' t like the way you saw him. I agree with 259 00:19:25.559 --> 00:19:30.119 Paco, who is very entertaining. However, as a prequel it seems to 260 00:19:30.240 --> 00:19:33.720 me to have failed and, on the contrary, I do find it in 261 00:19:33.920 --> 00:19:37.559 many common places, that is, the first scene. Yes, it' 262 00:19:37.640 --> 00:19:41.799 s like yes, or that we are prequel to prophecy, because there is 263 00:19:41.960 --> 00:19:45.480 a death that is very similar, precisely to that of a character that is 264 00:19:45.039 --> 00:19:49.880 there, that is the only one that comes out in the original film, 265 00:19:51.119 --> 00:19:55.519 that in the original film was played that role by the second doctor hu as 266 00:19:55.519 --> 00:20:00.160 natogic. It' s like another movie, totally because of that, photography, 267 00:20:00.319 --> 00:20:03.359 yes, feels settery, yes, it' s all very accomplished father, 268 00:20:04.599 --> 00:20:08.720 but it' s not something that we go those who if we' 269 00:20:08.720 --> 00:20:14.279 re like more nailed to horror movies is another one of nuns, another one 270 00:20:14.319 --> 00:20:17.720 where the church has everything and in fact, those who saw the time marked. 271 00:20:17.799 --> 00:20:22.160 The new version is almost equal to the plot of the first episode of 272 00:20:22.400 --> 00:20:27.599 that failed reboot, which also in its auto we plant because it is that 273 00:20:29.279 --> 00:20:33.480 same plot and already if we see it as a prequel. I think one 274 00:20:33.559 --> 00:20:38.720 of the most shocking moments is when Robert Thorne discovers his son' s grave 275 00:20:38.880 --> 00:20:42.720 and whose mother he is. When it opens and who the mother is here 276 00:20:42.799 --> 00:20:48.079 they contradict you. Then from there. If you' re a fan of 277 00:20:48.400 --> 00:20:52.160 prophecy, as in the case, because if you say hijole it' s 278 00:20:53.319 --> 00:20:56.400 like I don' t know if in Batman they made a prequel and what 279 00:20:56.480 --> 00:20:59.799 you believe the parents didn' t kill them nothing else they left the chamaco 280 00:20:59.799 --> 00:21:03.000 because Bruce was a brinchudo. It' s like that degree of changing who 281 00:21:03.119 --> 00:21:06.319 the mother really was, who the father was. And besides, yes, 282 00:21:07.240 --> 00:21:07.839 I don' t know. There' s a scene I' ve been 283 00:21:07.880 --> 00:21:12.799 pictured a lot of from Stigmata. When they go to a den the protagonists 284 00:21:12.880 --> 00:21:18.440 there go like from their night of drinks, crazy night and it looks very 285 00:21:18.680 --> 00:21:23.160 stigmatized and it has the same results and apart the supposed turn of who it 286 00:21:23.160 --> 00:21:29.920 is. This all starts because the father is going to make another father confess 287 00:21:30.079 --> 00:21:34.079 to know how they' re doing wrong things towards the church and he says 288 00:21:34.160 --> 00:21:36.640 ah no, because it' s that a girl I don' t know 289 00:21:36.640 --> 00:21:40.960 what. But the girl grew up super, quick cut. They put us 290 00:21:41.240 --> 00:21:44.279 on a character and you say ah ok you already ruined me. I know 291 00:21:44.359 --> 00:21:48.920 where you' re going and then it' s those little details you say 292 00:21:48.000 --> 00:21:52.519 son, you could give him more, but you fall there, but the 293 00:21:52.519 --> 00:21:55.279 performances are really good. Of course, I insist on the great photographer and 294 00:21:55.359 --> 00:21:57.319 something that I liked very much that I also mentioned. Paces that don' 295 00:21:57.400 --> 00:22:00.799 t depend on Jonsker. There are one or two, but well executed very 296 00:22:00.880 --> 00:22:07.880 well achieved. And I came up with the idea that the director had this 297 00:22:07.960 --> 00:22:11.480 movie and someone said in fox or what it' s called. Now you 298 00:22:11.559 --> 00:22:17.359 know what, like you' re not going to hit him that' s 299 00:22:17.839 --> 00:22:22.559 a prequel to prophecy and we hit him two or three scenes and that' 300 00:22:22.960 --> 00:22:26.000 s it because even if you didn' t see the prophecy of the seventies, 301 00:22:26.559 --> 00:22:30.759 sorry, but the antichrist was born and let' s say the scene 302 00:22:30.839 --> 00:22:33.759 where inside the first scene there' s like a flashback to that. But 303 00:22:33.839 --> 00:22:40.480 then it turns out that that scene of how it is, how they' 304 00:22:40.519 --> 00:22:42.920 re conceiving it later and there it looks in a way the creature, to 305 00:22:44.039 --> 00:22:48.279 put it, in a way it looks like even the craftians, but they 306 00:22:48.400 --> 00:22:51.400 ' re like tentacles and something like that and in the end they turn it 307 00:22:51.519 --> 00:22:56.599 around and that it' s not always the way the monster is rather a 308 00:22:56.640 --> 00:22:57.079 jackal and it' s like a hijole, because I think the director would 309 00:22:57.079 --> 00:23:00.720 have left it. Your film would have been very good, but I feel 310 00:23:02.400 --> 00:23:07.160 like someone decided it was a prequel to prophecy and that' s why I 311 00:23:07.319 --> 00:23:11.640 know if for me they feel like lapsus here was a movie. These aggregates 312 00:23:11.960 --> 00:23:17.920 that are not badly glued, but apart from that ending that it is like 313 00:23:18.000 --> 00:23:22.319 Avengers, it is as you hear, but this character in the original told 314 00:23:22.440 --> 00:23:25.799 me something else about you and here you are like the hero. So you 315 00:23:26.720 --> 00:23:30.559 ' re not really clear what they want to make more than more money and 316 00:23:32.160 --> 00:23:36.720 see how they go box office to get them out. Let' s say 317 00:23:36.799 --> 00:23:41.480 this network with that of everything you didn' t see from Demian' s 318 00:23:41.559 --> 00:23:44.599 family, yes sonle. Okay, well, Richard Kingd I like the antichrist 319 00:23:44.640 --> 00:23:51.839 The Gooddowments better. Thank you, Gooddowments. Machistas are crazy. Hey, 320 00:23:52.200 --> 00:23:53.960 okay, look, they' re really against the finger, and everything I 321 00:23:55.039 --> 00:23:59.839 like is fine. We have different visions there to say close our episode of 322 00:24:00.279 --> 00:24:04.799 the first prophecy. How much you give the movie a seven point, five, 323 00:24:06.519 --> 00:24:10.720 Daniel, six and a half. Okay, there they are, there 324 00:24:10.720 --> 00:24:14.839 they are both, both versions. Choose the one that suits you best and 325 00:24:15.480 --> 00:24:18.599 we' ll close with the following. But not all of them are going 326 00:24:18.599 --> 00:24:22.440 out anymore. I think, Carlos Andés suggested the entrance as you are. 327 00:24:22.519 --> 00:24:30.559 Carlos Andres is very good and you well listen, because I don' t 328 00:24:30.920 --> 00:24:33.119 know tell me about ripley you heard many things. There were always a lot 329 00:24:33.200 --> 00:24:40.240 of things, but you see the ripley one I' m based on yes, 330 00:24:40.240 --> 00:24:41.640 yes, it is. It' s based on the talented Mr Replie. 331 00:24:44.119 --> 00:24:48.839 It is one of the most important novels of one of Patricia Heisming' 332 00:24:48.920 --> 00:24:51.519 s most important shrillas. I think cispatis hi smit doesn' t hear. 333 00:24:51.559 --> 00:24:56.559 This is freaking out. Yes, Padrici Jain. So, we' ve 334 00:24:56.680 --> 00:25:02.480 seen her with maybe John Malcovich. He played Mr. Ripley at some good 335 00:25:02.720 --> 00:25:10.599 time exactly. And another movie with what this boy' s name is with 336 00:25:10.599 --> 00:25:14.920 Matt Damon. Yeah, I got him in the' 90s. Very pretty, 337 00:25:15.039 --> 00:25:22.920 good movie, beautiful aesthetically and yes clear. I remember a lot about 338 00:25:22.960 --> 00:25:26.759 Just Low, because at some point he' s in a dialogue with Mat 339 00:25:26.799 --> 00:25:30.000 Damon' s ripley character and then he tells him it' s weird, 340 00:25:30.440 --> 00:25:33.240 tells him if you' re like him you' re spooky and starts singing 341 00:25:33.240 --> 00:25:36.960 him like jaz. That' s right, I' m really funny. 342 00:25:37.000 --> 00:25:38.599 It' s separate and I remember a lot. Then he kills him, 343 00:25:40.240 --> 00:25:42.480 obviously, because he doesn' t like the comment. You have to kill 344 00:25:42.480 --> 00:25:48.480 him, but well, anyway, then tell us, how he' s 345 00:25:48.559 --> 00:25:53.200 ripley and what he' s about in Netflix. Just knowing is because there 346 00:25:53.640 --> 00:25:57.559 are five novels and I remember well, between thr ripley there is the talented 347 00:25:57.559 --> 00:26:03.039 Mr. Replete. New account is now adapted into a series that adapts Steven 348 00:26:03.519 --> 00:26:11.839 Clian. He' s the screenwriter who won Schindler' s Oscar Award list. 349 00:26:11.960 --> 00:26:19.960 This proposal that makes us ripley has several successes and in those successes perhaps 350 00:26:21.119 --> 00:26:26.960 there are also some of the details that can make it a little more complicated. 351 00:26:26.119 --> 00:26:32.319 This series is a series of eight episodes. It is filmed in black 352 00:26:32.400 --> 00:26:41.440 and white, which is somewhat unusual but it is part of the whole proposal 353 00:26:41.559 --> 00:26:48.920 and has some other changes in terms of perhaps some actions, perhaps some characters. 354 00:26:48.400 --> 00:26:53.960 The general premise remains the same. It is tom replint this man who, 355 00:26:56.079 --> 00:26:59.160 because he is not having a really very successful life. Here' s 356 00:26:59.240 --> 00:27:03.319 a more mature man Antuscott who we saw in all of us are strangers. 357 00:27:03.880 --> 00:27:07.079 Then he' s already a man who' s in his 30s. But, 358 00:27:07.400 --> 00:27:18.359 well, he still agrees to go to Italy for Dicki, just this 359 00:27:18.359 --> 00:27:22.720 kid who is, well, living the comfortable life at the ribs of the 360 00:27:22.839 --> 00:27:26.960 dad and dad wants me to come back so, he starts to make something 361 00:27:26.960 --> 00:27:30.400 more profitable. And well, as we know and as you well said, 362 00:27:30.839 --> 00:27:33.920 he' s no longer a spoiler. They don' t want to kill 363 00:27:33.920 --> 00:27:38.960 us. In fact, that happens in the first act where, well, 364 00:27:40.119 --> 00:27:45.519 he is very comfortable with this life of luxuries that Dicky lives because he went 365 00:27:47.200 --> 00:27:52.400 and obviously, he does not return it, rather kills him, kills him, 366 00:27:53.960 --> 00:27:57.880 and then, then, he seeks to leave making Dicky' s identity, 367 00:27:59.119 --> 00:28:02.240 because it suits him to make resources and so on. No, then 368 00:28:02.640 --> 00:28:07.960 I say the premise is the same. The show' s fine. I 369 00:28:07.039 --> 00:28:11.680 think so. He' s got about two chapters left over, maybe at 370 00:28:12.480 --> 00:28:18.839 least one, because it' s a series that' s too artistic, 371 00:28:19.039 --> 00:28:22.680 I mean, I think you stand out from the part too much, because 372 00:28:22.680 --> 00:28:25.039 it' s very nice to see. I mean, photography' s great. 373 00:28:26.000 --> 00:28:30.519 He' s got a lot of symbolisms. He builds parallels, for 374 00:28:30.519 --> 00:28:36.079 example, with Caravaggio, with his art, with the same question as him. 375 00:28:37.640 --> 00:28:41.799 Well, there are these criticisms around or these doubts about whether there was 376 00:28:41.920 --> 00:28:45.440 some crime and so on, in addition to all the exploration around the character 377 00:28:45.519 --> 00:28:52.160 of Tonry Pick is a very interesting character, of course, but yes, 378 00:28:53.880 --> 00:28:59.319 suddenly you can get a little tired. I mean, all of a sudden 379 00:28:59.400 --> 00:29:03.160 it' s kind of good, as something happens in this last hard chapter. 380 00:29:03.279 --> 00:29:07.079 I think an hour with eleven minutes a thing like that is almost a 381 00:29:07.240 --> 00:29:15.559 little peliculite by itself. But other than that, the truth is that the 382 00:29:15.599 --> 00:29:21.319 performances are very good. There' s Andrew Scott, there' s Dakota 383 00:29:21.359 --> 00:29:26.000 Fanning, who makes Marge Sharewood, the character that Winnet Patrol plays in the 384 00:29:26.079 --> 00:29:32.039 adikiy movie, Johnny Plin, who is perhaps not so well known. But 385 00:29:33.039 --> 00:29:37.400 if you don' t get into the rhythm that I was like the first 386 00:29:37.480 --> 00:29:44.599 thing I thought I said this series isn' t going to go so well 387 00:29:44.759 --> 00:29:48.200 commercially and I think it' s like one of those whims that you can 388 00:29:48.599 --> 00:29:52.240 enjoy doing on a platform because yes, it' s very well done, 389 00:29:52.559 --> 00:30:02.039 yes, it has good values, yes it' s worth it, but 390 00:30:02.160 --> 00:30:06.119 it may be that for many people it' s different or difficult to get 391 00:30:06.160 --> 00:30:08.839 into a series that has a rhythm that is very different from the usual series 392 00:30:08.920 --> 00:30:11.440 today, which goes much, much, much faster. This way, Catherine 393 00:30:11.480 --> 00:30:17.240 asks what is the point of doing another. I would think that Talina that 394 00:30:17.279 --> 00:30:23.279 the point is in the proposal, in the interpretation that steve sayan makes precisely 395 00:30:23.519 --> 00:30:27.880 of this story. I don' t think that' s a little what 396 00:30:27.960 --> 00:30:33.200 he did at the time or just recently Guillermo del Toro with pinocho that we 397 00:30:33.279 --> 00:30:34.200 said we' ve already seen her like twenty million times. Yes, but 398 00:30:34.279 --> 00:30:41.319 if you have something to say as a director, well, it' s 399 00:30:41.400 --> 00:30:42.880 worth seeing that you do have something to say, that is, if there 400 00:30:44.400 --> 00:30:45.519 ' s a proposal, if there' s a lot of details. The 401 00:30:45.559 --> 00:30:52.480 photograph is spectacular. Yeah, it' s a series you have to be 402 00:30:52.599 --> 00:30:53.720 watching with details. I mean, this isn' t a series we' 403 00:30:53.799 --> 00:30:59.720 ve talked about about there' s company. That' s where I put 404 00:31:00.279 --> 00:31:02.279 it and there I' m gonna find out and nothing' s gonna happen. 405 00:31:02.559 --> 00:31:07.279 No, this is a series more like an art movie with many good 406 00:31:07.880 --> 00:31:14.480 moments, not of silence, properly, but without dialogues. Let' s 407 00:31:14.480 --> 00:31:18.960 say not where we have to be seeing the actions, where we have to 408 00:31:18.279 --> 00:31:25.319 be seeing the frames, because in what the director is showing us there is 409 00:31:25.359 --> 00:31:30.319 something that is being expressed through gargoyle paintings. There are many very cute games 410 00:31:30.400 --> 00:31:36.640 in terms of the photographs in how the character is framed and they want to 411 00:31:37.119 --> 00:31:41.880 tell us about all of it. But time has to be spent on it. 412 00:31:41.079 --> 00:31:45.200 I mean, it' s a series in that sense. And even 413 00:31:45.000 --> 00:31:48.160 though as I tell you, because I already gave him the time, I 414 00:31:48.200 --> 00:31:52.359 already saw the eight episodes because it happened eight. So, after I saw 415 00:31:52.480 --> 00:31:55.839 the eight, I thought the truth. Yeah, we could' ve saved 416 00:31:56.039 --> 00:31:59.599 up, like I told you one or even two. No. But well, 417 00:31:59.680 --> 00:32:04.319 and out there. If you like history, if you want something to 418 00:32:04.440 --> 00:32:06.920 which you are going to devote a little more time, if it is worth 419 00:32:07.000 --> 00:32:12.079 it, if you want to see other things or if you just want to 420 00:32:12.079 --> 00:32:15.440 know the story, it has me in less time, because the film will 421 00:32:15.480 --> 00:32:20.119 tell you in two hours. Of course there are their differences. Of course, 422 00:32:20.240 --> 00:32:22.559 because, as I tell you, there are changes in the ages of 423 00:32:22.640 --> 00:32:28.599 the characters, there are changes in some of the ages of the actions. 424 00:32:28.839 --> 00:32:32.079 For example, there are changes in the end. The end is different and 425 00:32:32.200 --> 00:32:37.119 in the end I think it' s a good end. If it leaves 426 00:32:37.160 --> 00:32:42.880 you as well as you open your mouth a little bit I think that' 427 00:32:43.559 --> 00:32:45.160 s father. But I don' t. I mean. The truth is 428 00:32:45.200 --> 00:32:49.160 that if you want to know the story in less time, because Anthony Minguela 429 00:32:49.200 --> 00:32:53.720 ' s film does quite well, although it also has its freedoms. No. 430 00:32:53.799 --> 00:32:58.519 For example, the character that Planchet in Anthony Minguella' s version was 431 00:32:58.519 --> 00:33:01.759 created for that persus does not exist in the novel. Obviously, it doesn 432 00:33:02.599 --> 00:33:07.359 ' t exist in this series either. Not then, because Mira is an 433 00:33:07.440 --> 00:33:15.960 alternative, depending on how much time they have and want to devote to the 434 00:33:15.079 --> 00:33:22.400 series and how much they like Patricia Higgsmith' s work in case they feel 435 00:33:22.400 --> 00:33:24.920 like having a little eye, because they can watch it perhaps little by little. 436 00:33:25.039 --> 00:33:30.200 It doesn' t happen, it' s not going to be a 437 00:33:30.640 --> 00:33:36.200 series that can be marathoned perhaps so easily. Sure. Okay, well, 438 00:33:36.240 --> 00:33:40.359 that' s fine. Sounds good, sounds dense, but if you kind 439 00:33:40.440 --> 00:33:43.480 of discouraged dancing, uh, I' m gonna see her. Not if 440 00:33:43.599 --> 00:33:46.640 they want to see the movie. But, well, to see I feel 441 00:33:46.680 --> 00:33:50.000 that good, so as the count. I feel like it' s okay, 442 00:33:50.680 --> 00:33:52.839 and then if it' s demanding, then we' ll all know 443 00:33:52.839 --> 00:33:55.319 no more. Well, if it' s demanding, it feels. I 444 00:33:55.480 --> 00:33:58.640 haven' t seen him. I' d like to see her, because 445 00:33:58.640 --> 00:34:01.079 she' s a father. That' s the one I saw, by 446 00:34:01.519 --> 00:34:04.640 the way, from my friend Robot. She' s beautiful, but not 447 00:34:04.720 --> 00:34:07.639 only that. It was surprising to see Lucy Gabriel nailed herself to the movie. 448 00:34:07.840 --> 00:34:12.559 I mean, we don' t know what we were going to see 449 00:34:13.280 --> 00:34:15.360 Basically, we knew it was pretty, because it' s not a dog 450 00:34:15.440 --> 00:34:17.440 and a robot, and we' re going to take the kids. They 451 00:34:17.599 --> 00:34:22.119 were so nailed. I mean, awesome, well, not because I' 452 00:34:22.119 --> 00:34:23.639 m beautiful. Great movie, no, but wait for Lucy. I think 453 00:34:23.679 --> 00:34:27.880 he suffered. I mean, for Lucy it was a horror movie several times, 454 00:34:28.159 --> 00:34:31.280 I mean, Gabriela and how you think this happened and it was like 455 00:34:31.280 --> 00:34:36.239 that. How nice it is that Lucia as soon as they treat the robot 456 00:34:36.360 --> 00:34:38.480 badly, that is, when the sailors who are sinking in the boat aha 457 00:34:38.559 --> 00:34:40.880 and cut off his leg, you don' t know Lucia in the movies. 458 00:34:40.920 --> 00:34:47.119 That' s why Mom' s because they cut her leg and just 459 00:34:47.280 --> 00:34:51.360 a few people back there is filling up. As well as what a cute 460 00:34:51.519 --> 00:34:54.360 little girl, no, but I started to get nervous because Lucy did, 461 00:34:54.360 --> 00:34:59.760 suddenly she started to suffer. I mean, yeah, that part' s 462 00:35:00.039 --> 00:35:01.239 like, yeah, it' s kind of traumatic. It' s not 463 00:35:01.320 --> 00:35:04.519 why he' s dreaming, because he didn' t come across the dog. 464 00:35:04.599 --> 00:35:06.079 But why isn' t he with him? But no, no, 465 00:35:06.119 --> 00:35:10.039 no, no, no, Lucia was this one in bloom. Then that 466 00:35:10.119 --> 00:35:15.480 ' s where you see it. Like many times, this one looks good 467 00:35:15.559 --> 00:35:20.360 at all ages, but as many times you plan to do trash for children, 468 00:35:21.320 --> 00:35:23.960 it' s film or put an animation on it. So to get 469 00:35:24.039 --> 00:35:28.760 the attention, to get them stuck, to get them hooked and what you 470 00:35:28.840 --> 00:35:31.199 need is to tell a story well, not to mean having the emotions clear 471 00:35:31.360 --> 00:35:36.599 a good direction and the children are there very deep. So, I say 472 00:35:36.639 --> 00:35:38.280 it happens to us adults too, that is, suddenly we see because there 473 00:35:38.360 --> 00:35:44.440 hooked up why, well, because sometimes it' s nice to eat papits, 474 00:35:44.920 --> 00:35:47.199 freets and one alcohol thing, nothing more, no, but yes, 475 00:35:47.880 --> 00:35:51.840 Gabriel and Lucy were very attached and remember a lot. Luci and all that 476 00:35:51.920 --> 00:35:54.760 string in the movie still tells me, but the robot was really dreaming dad 477 00:35:55.559 --> 00:36:00.599 if he wanted to meet the dog and I say yes, my life and 478 00:36:00.599 --> 00:36:02.760 gabey or be very happy both. Then it' s a wonder. Later 479 00:36:02.800 --> 00:36:07.639 we' ll talk more deeply and spoil everything, because we' ve been 480 00:36:07.760 --> 00:36:12.000 fascinated by the film as well. He hears a movie, and besides, 481 00:36:12.440 --> 00:36:15.119 it' s a good thing he doesn' t romanticize friendship. I think 482 00:36:15.159 --> 00:36:19.760 that' s important, because it' s relationships. It is not a 483 00:36:19.760 --> 00:36:23.159 metaphor and of relationships and loving relationships. And basically there, because they put 484 00:36:23.199 --> 00:36:25.800 you in a little bit of inclusion because at some point, it' s 485 00:36:25.800 --> 00:36:29.320 a gay relationship. No, or you could think about it, but what? 486 00:36:29.960 --> 00:36:31.480 But the point is that the robot becomes neutral, because you could, 487 00:36:34.280 --> 00:36:37.480 you could identify yourself anyway, not or you identify yourself in every way, 488 00:36:37.039 --> 00:36:42.199 but what you were going to say. I' m also sorry that if 489 00:36:42.320 --> 00:36:46.960 the scene of the gutter didn' t mistook you too, because it' 490 00:36:46.960 --> 00:36:50.599 s more like they screamed in my living room. Yes, there were several 491 00:36:50.639 --> 00:36:53.880 so see Mira you also had the experience children, because yes, yes, 492 00:36:55.079 --> 00:36:58.719 yes, you have. It' s a nice metaphor for relationships. I 493 00:36:58.800 --> 00:37:01.880 know I could say that half of it doesn' t go beyond friendship orlene 494 00:37:02.039 --> 00:37:07.360 is one is talking about couple relationships. For it to work well, it 495 00:37:07.440 --> 00:37:12.239 must be a couple, because a friend will not stop seeing it as good, 496 00:37:12.440 --> 00:37:15.559 already has another friend, because to me it is not. But for 497 00:37:15.639 --> 00:37:16.280 it really, by the way, yes, it has to be a couple. 498 00:37:16.320 --> 00:37:21.679 So that' s like my only theme being a bought robot. It 499 00:37:21.760 --> 00:37:24.719 ' s like I told him then why you took them and bought another one. 500 00:37:24.840 --> 00:37:30.480 Then it' s both of them. That' s how interesting we 501 00:37:30.559 --> 00:37:32.960 are, you see, with relationships. I broke it and you broke the 502 00:37:34.000 --> 00:37:37.559 robbery It' s no good. I' m going to buy another one 503 00:37:37.639 --> 00:37:42.760 and just because the dog is very lonely. Yeah, no, this approach 504 00:37:42.760 --> 00:37:46.400 to how you' re alone is great, that is, yeah, and 505 00:37:46.480 --> 00:37:53.119 playing punk In addition, I was excited, because if you' re eighties 506 00:37:53.199 --> 00:37:58.199 are very well represented there until New York, dirty and dangerous, although it 507 00:37:58.519 --> 00:38:01.519 ' s very nice, drawn, but you understand that it' s not 508 00:38:01.559 --> 00:38:02.360 the no good, neither is the current one, because now it' s 509 00:38:02.360 --> 00:38:07.400 really good. Not damaged by other issues, but it is if you know 510 00:38:07.440 --> 00:38:09.079 the 80s, that part in which you are very father, what you achieved 511 00:38:10.320 --> 00:38:15.639 and it is very good movie, the squeaks jins or commercials. This one 512 00:38:15.719 --> 00:38:21.920 you want the city to be a character. Yeah, yeah, I mean 513 00:38:22.199 --> 00:38:27.440 what a great movie, I mean, yeah, and it' s clear 514 00:38:27.639 --> 00:38:30.440 that I insist, yeah, friendship, yeah, but it' s also 515 00:38:30.599 --> 00:38:37.159 this first relationship. It' s not a relationship, yes, I think 516 00:38:37.400 --> 00:38:40.360 it' s mostly homosexual, but, but it' s very well written 517 00:38:40.360 --> 00:38:43.199 and the magic in the narrative. What it does to you is it becomes 518 00:38:43.199 --> 00:38:45.440 universal. So it identifies you if it can be that robot, it can 519 00:38:45.440 --> 00:38:51.840 be a woman, a man like you see it, we' re not 520 00:38:52.079 --> 00:38:53.400 going to do it, because finally, I mean, come on, it 521 00:38:53.400 --> 00:38:55.960 ' s the repository of your desires. Finally, and in the end, 522 00:38:57.280 --> 00:39:00.960 Mr Miyagi comes out. So what else do you ask for from Yes? 523 00:39:00.119 --> 00:39:04.480 Sure, sure, sure, yeah? Yeah? Yeah? Of course, 524 00:39:04.719 --> 00:39:07.880 I said that character did, yes, the character that prepares and everything makes 525 00:39:08.199 --> 00:39:12.679 me a little familiar. Yes, it' s very nice. I just 526 00:39:12.760 --> 00:39:15.239 wanted to comment on my children' s reaction, I mean, because right 527 00:39:15.320 --> 00:39:17.360 now, I' m not going to talk about the plot anymore, or 528 00:39:19.039 --> 00:39:22.679 anything, but yes, the children' s religion is important and it really 529 00:39:22.719 --> 00:39:28.800 caught my attention. Not that sometimes I say you don' t try not 530 00:39:28.840 --> 00:39:31.760 to underestimate children. Obviously not, but they always surprise you as of the 531 00:39:31.760 --> 00:39:35.079 things that you can be, that you can understand and that you can understand. 532 00:39:35.159 --> 00:39:37.599 Also not when I was Chico and we talked like that in the past, 533 00:39:37.960 --> 00:39:40.320 like, well, we talked about the kids like we never were kids, 534 00:39:40.840 --> 00:39:45.599 but we forget that we had there in that situation. But good says, 535 00:39:45.719 --> 00:39:51.679 greetings Andrés Broa who is here, to Ricardo Reyes also greetings to whom 536 00:39:51.800 --> 00:39:57.199 more here in Catalina is seen crisis. Chris is over there. We also 537 00:39:57.239 --> 00:40:00.760 send them a great, great, great greeting. Christo Ochen is out there, 538 00:40:00.000 --> 00:40:04.159 too. Thank you, a great greeting to all the people who are 539 00:40:04.239 --> 00:40:07.639 with us. Share the transmission mole lax support us and thank you, Andrew 540 00:40:07.800 --> 00:40:13.840 brual We send you a Sticker, a nice Stickert. They' re very 541 00:40:13.840 --> 00:40:17.119 talkative there in the celat so much that I move him and I can' 542 00:40:17.159 --> 00:40:21.360 t see him for anything is the New York that Homer Odia says. Ricardo 543 00:40:21.440 --> 00:40:34.159 Reyes, yes, it' s true, yes, we lost faus but 544 00:40:34.239 --> 00:40:39.480 Ahorita, I vote summer, she worries, she' s vocalizing, but 545 00:40:39.519 --> 00:40:45.000 Ahorita, comes back New York, Homer Odia just because they put her cat 546 00:40:45.119 --> 00:40:50.039 and she can' t go to the bathroom yet in the twin towers, 547 00:40:50.119 --> 00:40:52.719 so they banned the episode of a good time. Then he came back for 548 00:40:52.719 --> 00:40:53.800 the best. He came back to that Michael Jackson guy, which I' 549 00:40:53.800 --> 00:40:57.159 m sorry about,' cause I don' t like the New York guy 550 00:40:57.159 --> 00:41:00.119 that much. And instead, Michael Jackson' s is great and you say 551 00:41:00.159 --> 00:41:04.760 he' s not back. But besides, he has all this detail that 552 00:41:04.840 --> 00:41:07.320 I' ve only seen him once. I want to see her a second 553 00:41:07.440 --> 00:41:12.639 time and I thought about why we see we focus on the main characters, 554 00:41:13.159 --> 00:41:17.440 no, but then you look at the secondary ones and there' s a 555 00:41:17.519 --> 00:41:20.920 lot of detail about everything they' re doing, too. No and well, 556 00:41:20.960 --> 00:41:25.440 of course, this whole relationship with Septenberg, with Artwine Windown Fire' 557 00:41:27.079 --> 00:41:31.800 s song, which I was listening to out there an interview with the director 558 00:41:34.079 --> 00:41:38.920 and just because he mentioned how important this element becomes, because in the end 559 00:41:39.079 --> 00:41:45.000 the song is projecting a lot of what is also being told through the characters. 560 00:41:45.119 --> 00:41:47.719 No, yes, I totally agree. Hey, I just got my 561 00:41:47.760 --> 00:41:51.920 mic rebooted. I know what happened, I mean, and he had a 562 00:41:52.039 --> 00:41:54.599 technical glitch, but anyway, it' s amazing. He says I did 563 00:41:54.599 --> 00:41:58.320 eighty- five my own Paid for MX thirst as much as I do in 564 00:41:58.320 --> 00:42:01.519 New York. Yeah, yeah, yeah, oh, yeah. If you 565 00:42:01.639 --> 00:42:05.800 have a faith experience in Mexico City, uff because it can be a city 566 00:42:05.840 --> 00:42:09.559 that welcomes you or hides you horribly. Well, listen, thank you very 567 00:42:09.639 --> 00:42:16.039 much. Follow Carlos Andrés Mendiola, on Carlos a Mendiola on Instagram and on 568 00:42:16.280 --> 00:42:20.960 tiktok, and you can also follow him on Carlos Andrés Mendiola on Facebook, 569 00:42:21.159 --> 00:42:25.519 Carlos Amendiola on Instagram and Tiktok, or Carlos Andrés Mendiola on Facebook. Thank 570 00:42:25.599 --> 00:42:29.199 you very much, Carlos Sandez. Manuel. We' re talking about the 571 00:42:29.199 --> 00:42:32.360 actor. Then I promise you a bad actor, because it' s not 572 00:42:32.440 --> 00:42:35.280 to hang us so much because I' m already giving them. So, 573 00:42:35.519 --> 00:42:38.079 I know I' ve been saying it for almost two years now or Gabriel 574 00:42:38.159 --> 00:42:44.880 ' s age, but it' s real I promise you and well, 575 00:42:45.400 --> 00:42:50.599 Daniel Villamil follow him thanks to Miamil following him in arrobadan Wake Wake le Boka 576 00:42:50.719 --> 00:42:52.280 and double Arrobadawnwake on Twitter and Instagram. Thank you, Daniel, thank you. 577 00:42:52.360 --> 00:42:55.880 I' ll see you later, thanks to him and Paco Marín. 578 00:42:55.960 --> 00:43:00.079 Thank you very much, Paco Marín, and follow him on Twitter as well. 579 00:43:01.079 --> 00:43:06.679 Arroba Paco, screenplay under ml o. Arroba Paco ml seven in Intagram. 580 00:43:06.840 --> 00:43:09.559 Right, Paco. Thank you. I' m paying something else you 581 00:43:09.639 --> 00:43:15.280 want to tell your audience. Not anything that varies from movie to movie. 582 00:43:15.280 --> 00:43:20.480 There' s a lot of premieres. The billboard is really changing constantly and 583 00:43:20.599 --> 00:43:23.719 from the option to Mexican films, as is always the recommendation right now, 584 00:43:24.599 --> 00:43:28.440 which I think is the one that is worth the most love and math of 585 00:43:28.480 --> 00:43:34.239 Claudia Santrus, a dear friend and a great director. So, go see 586 00:43:34.320 --> 00:43:38.360 quickly before this priviw that whoever has seen a bad actor, how much they 587 00:43:38.360 --> 00:43:42.199 give her and then we talk about her how much you give her. Paco 588 00:43:43.280 --> 00:43:49.800 four, I mean, she' s bad. Carlos Andrés, Manuel I 589 00:43:50.039 --> 00:43:52.519 haven' t ready him yet, but Daniel yes, Daniel yes, sorry. 590 00:43:52.119 --> 00:43:54.239 I' ll give you a six. I think it' s the 591 00:43:54.320 --> 00:43:57.400 film that Michel Franco has always wanted to make and he hasn' t been 592 00:43:57.400 --> 00:44:00.199 able to make. This guy pulled it off. Or that doesn' t 593 00:44:00.199 --> 00:44:04.320 mean it' s the big movie, but I think it' s worth 594 00:44:04.320 --> 00:44:07.639 the good time. Okay, that' s good, because there' s 595 00:44:07.639 --> 00:44:13.320 Oku. To thank Claudia Cuevas for her super charte. Thank you, Carlas, 596 00:44:13.599 --> 00:44:15.400 greetings from Denmark. I don' t miss its contents. Oh, 597 00:44:15.480 --> 00:44:19.159 Claudia Cuevas, thank you very much. We' ve never read you I 598 00:44:19.239 --> 00:44:21.039 almost think the softies come out Good shows, guys. Thank you, thank 599 00:44:21.159 --> 00:44:22.800 you two all until the next hear well. Thank you all. If we 600 00:44:22.840 --> 00:44:25.679 see each other, if we hear each other in the next episode of involuntary 601 00:44:25.679 --> 00:44:37.639 permanence, until then, the audio editing is done by the Creak Ives Sounds 602 00:44:37.639 --> 00:44:42.519 outs. If you want to make a podcast or musicalize multimedia content, sound 603 00:44:42.679 --> 00:44:46.920 a movie or a play or make a jingle between in the out com MX