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Deborah, with her thirty years of
being an entrepreneur and creating over seven companies,

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knows exactly what it means to accept
the mission. When you make that

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decision, when you accept the mission
to become a solopreneur, to take yourself

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and your talents to market, then
you embrace a life of not only unlimited

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possibilities, but also the unknown.
It's an elixir of fear and bravery that

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only someone who's taken the leap really
understands. On our show, deb digs

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deep with her guests to highlight what
you the listener wants to know, the

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stories, the wise and the hows
to navigate the journey to success. Get

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ready to hear from some of the
most incredible mission takers from Generation Z to

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boomers. So sit up, perk
up, and get ready to be blown

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away. Now Here is your host, Deborah Drummond. Welcome bath amazing audience.

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Seriously, if you accidentally went will
accept it. I wonder what this

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is bout. You are in for
a treat. If you're here, you're

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meant to be here, and you
know people that are meant to listen to

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this interview. Once we go through
this interview with delipping well, I am

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no, I don't know. I
want to I'm so excited. I'm not

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excited. I'm honored. This is
a woman of great respect in her craft

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and otherwise, and you need to
pass this on now. You guys know

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that I think you're the best audience. Even when people have podcasts, you

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know they're sitting as my guests,
I still say you guys are the best

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audience. Then I always give you
something else. Well, I'm telling you

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guys are rock stars today, you
are frigging rock stars. And if you've

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just shown up again, what we
do here is we talk about the mission,

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why people take it, why they
stay, which is sometimes more important.

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Why these stay. Is there something
in you that makes you want to

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try something on the side full time, completely change your life. Is there's

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a mission inside that you're kind of
like, I don't know, I don't

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know. I don't know. I
don't know, because sometimes we get forced

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into our mission and sometimes it's a
choice. We have D Lipping Well with

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us today. And if you don't
know D, then you don't know music.

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Because this moment is taking more pictures
of the most iconic, iconic rock

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and roll musicians. I've ever seen. I mean, I'm looking at the

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front of her magazine or her book
here not magazine, and you've got Ted

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Nugent going to town, and you've
got everyone in here, You've got Stevie

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nixt You've got oh my gosh,
look at everybody in here. You've got

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to Sting, You've got I mean, I mean, you know what,

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I'm gonna let you tell people everyone
that's in here. But it just goes

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on and on and on. I've
been looking at these books because look at

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there's one, and then there's two, and then there's three. I mean,

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it is incredible. So Missy lipping
Well, thank you for joining us

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today on mission acceptance. Thank you
for having me absolutely four decades, four

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decades almost fine, who's counting?
Who's There's gonna be lots of There's gonna

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be lots of books here. Oh, there's gonna be so many books.

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Wow. And of course Bublet,
Olivia Newton, John Wow, clay A

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camm Okay, Selean Dion. I'll
look at that nineteen okay. So clearly

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you've had a life of photography.
Yes, I have started it out as

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just a hobby for my own personal
use satisfaction memories and then just evolved and

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just had people behind me, you
know, saying, go go for it,

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go for it, you have a
no go for it, go for

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it, and trous and tribulations.
I did enjoy it and it aroused something

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in me. It made me excited. I was working in the medical field,

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and which you know it was.
You know, I have an arthritic

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finger because of it, I think, right right, but it's it's it

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just took on a life of its
own. Let's just say that, and

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you know what I think, Yeah, yeah, I like to encapsulate that

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a little bit because I just said, sometimes you're at the back of the

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wall. Sometimes you need to make
a leap into another career because you know

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your company has been taken over by
another company or what have you. And

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then there's the passion hobby that grows
and grows and grows as you grow and

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grow and grow, and it's almost
like something that you have to do,

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you know, whether it's a hobby
with it's And then there's many times where

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something that starts, people are like, could I could, like I really

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make a living out of doing this, and many situations it's other people going,

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oh my gosh, you paint amazing, or oh my gosh, no

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one bakes bread like you, or
oh my gosh, like look at the

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clothes that you make for yourself,
you should be making those for other people.

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Right. What was the turning point
for you? When did you go,

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m I'm going to do this.
I think after I think after my

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very first show, and it wasn't
actually a show, it was just a

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I walked into a I walked into
a record store and they had a Paint

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Fluid concert, which I had been
at because I went with my brother and

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i'd have him to take my camera
and I had bored a five hundred millimeter

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lens which I could not hold,
so I getting my brother to hold the

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lens up. I'm trying to shoot
this band. And I knew of the

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band right because he had turned me
onto them. But I took off my

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took off my five hundred millimeter,
put on my regular went down shot the

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show, and then those pictures were
awesome. I don't know, it was

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like it was my third eye.
And I walked into this record store and

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they had a display of Floyd concert
photos and I gaffawed. I went up.

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You know, if you're going to
do a display. Make sure that

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you got good pictures. And of
course the manager said, I suppose you

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have better and I said, I
suppose I do. He said, well,

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if you do, you know,
bring them in. And I raced

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home and I'm fifteen minutes later.
I was back and I had the package

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of like five by seven color pictures
and he's leaving through them and he go,

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you took these? And I went
yeah. He goes, what's your

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name? And I told me,
goes, is that your like stage name

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or your photographer's name. No,
that's my name. And he said,

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do you mind if I put these
on display? I said no. He

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said yeah, Well he got his
girl to type out, you know,

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on the fax machine or something delipping
well, and he the poor other photographer,

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I don't know who it was,
but he took all his pictures down

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because they were awful. They were
like black and white blobs, white blobs

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black, you know, you couldn't
even see what the artist was. And

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that was my first. That was
my first in lane that wow, maybe

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I've maybe this is what I was
meant to do. And then just and

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that had the people behind me saying, wow, like look at these,

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you know, uh you know,
people were saying, oh, look,

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I'm getting goosebubs. You've captured such
a great moment. And so I just

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continued on and I practiced and I
practiced, and I sat up my own

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dark room and I had already,
you know, taught myself, you know,

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how to print my pictures. So
I was into trees and flowers and

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you know stuff right when I when
because I was always an avid concert war

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and after and I had an instematic. I didn't even have a thirty five

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millimeter I mean really, I mean
it's like, well and I had I

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had, I just had no idea
that I could I could do it.

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I it was it was wow,
like I'm going I take the picture.

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And it were like wow, how
to go to clubs? And I,

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you know, and I would be
at the back or at the back wall

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or whatever and just trying to remember, you know, moves or stuff like

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this, or how I was feeling, because that's basically how I shoot,

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as I shoot with when I feel
the music in here, but don't feel

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the music in here, I'm sorry, it just doesn't come across. I

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have to feel it, and when
I feel it, it transcends into my

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camera somehow, and then I'm in
the dark room and I see it developing

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and I go, wow, wow, I took that picture. Right,

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It was just it was love I
had. I had developer fluid in my

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veins instead of blood, you know, and it was you know, I

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didn't care lack of sleep because I
was working day jobs, my day job,

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and I was going out to clubs, and you know, it was

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like, well, can I get
in for free? Yeah, you can

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get in for free. Yeah,
I want to take some pictures. I'll

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give them to you. Right.
So all the club owners they were quite

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they were quite happy to see me
because I come back and I give them

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pictures of the bands playing there,
right, which they really appreciated it,

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even to this day. Right,
we're talking about doing a book on club

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Soda. Right, of all the
pictures that I took there, but my

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club Soda, lots of people are
many are club Soda. Anyway, it's

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you know, like I said,
it did take on a life of its

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own, but I didn't. I
wasn't sleep deprived. If I was in

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the dark room till three o'clock in
the morning and having to get up at

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seven, I didn't feel sleep deprived. Because I was doing something that was

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exciting. It was like every time
that picture, that image emerged, it

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was, you know, I'd get
goosebumps, right, And then teaching me

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all myself, all the dark room
work too. I actually was taught through

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time life books. They had a
whole series of books and I stumbled across

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these and they were just like pictures, how to do this, how to

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do that, And I just followed
them to the tea and I kept all

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these notes and well that didn't work. So yeah, it was like every

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role of film I developed, I
would put down you know, the temperature,

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the fluid and that, you know. I mean it was like how

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many times I agitated it per minute? And you know it was it was

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scientific as well, right, So
that's that's that's how that's how it started.

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And I just continued. And when
I told, when I told,

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like I had to go. I
had to create work for myself. And

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I knew it was out there,
but I knew most of it was taken

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up by a man. So I
approached the record companies and you know,

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and I begged board stole, you
know, can you can I get into

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this show? Can I get into
that show? Not shooting. I mean,

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well I was shooting. I was
shooting from the crowd, right,

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and you know, can I help
you? Do you have any gold album

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presentations? And I went to every
every record label in town right and said,

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you know, excuse me, this
is me, right, this is

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my work, you know, and
they said, oh yeah. So everybody

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was hiring me. And I had
the job at the Georgia Strait, which

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was like five dollars a picture and
you didn't get published every week, and

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you know, some months you made
like fifteen dollars. So it's like,

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you know, I had to teach
myself how to do wedding photography and how

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to do modeling, photography and lighting
and you know, the whole, you

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know, the whole, the whole
ball blacks. I was like, anyway,

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I'm I talking. No, no, you're not talking too much.

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But I think that first of all, I love Club Soda because I used

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to That was one of the clubs
we had club courtesy with because I used

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to work in the clubs in beautiful
Vancouver, and Club Soda, for those

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of you who don't know, it
was just an incredible club in downtown Vancouver

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that did have a number of bands
and it was just a great place to

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go. And I think, no, I don't think. I mean,

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I The one thing I love about
your experience ants, right, because it's

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you know, it's your story,
is that there is very much an organic

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flow. It had its own push, but it was like it was pushing

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you. I mean it made you
go search things that I think that you

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know, some people are really really
fortunate that they have that drive inside.

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But the drive makes them not tired
in the morning. The drive makes them

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contact people they're afraid of. The
drive makes them walk into a room when

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you know the odds are against them. And and I think that too many

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times people are in their head when
it comes to entrepreneurship and they need to

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be in their body and they need
to let the passion lead them, right.

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And when I hear you talk,
I just hear you talk about how

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the passion led you and it led
you here and it led you there and

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it kind of spoke to you.
I mean it's such a I mean,

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such a creative art. And then
when you were at Georgia Strate, I

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remember you sharing that story about how
good you're getting five bucks picture, you

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know, and you know, what
does that look like, obviously that looks

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like a full time job somewhere else
because you can't sustain on that and just

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trying to make your craft come alive
enough to that's sustainable. When when did

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it flip? Like how long?
I mean, like you said, almost

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five decades. When did your business
flip over to being able to sustain you?

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It was? It took about It
took about five years. What excuse

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me? It took about five years
of me working my day job, going

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out working for the record companies and
working for promoters around town. And I

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worked hard. But I went to
one promoter and I said, you know,

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I'm thinking about quitting my day job
because I think I've got it so

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now that I have enough income coming
in that I can that I can handle

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it. And he laughed at me
and he said, I guess you didn't

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know me very well, because he
said, I, you're not going to

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make a living from shooting road bands. The musicians don't want them, and

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the promoters are to get them from
the van managers, and you're not going

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to make a living from it.
And I said, watch me, watch

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me. Don't say that I can't
do something. What are you talking about?

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Right? Yeah, yeah, I
can do this, and he just

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she went and you into this day
he sees me and he shakes his head

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and oh, I knew you could
do it all along day. I was

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just bullierously, right, right,
sure, sure, sure, Oh my

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gosh. Well, look, I
know that you have a lot of stories

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inside and a lot of incredible moments. Is there is there anything that you

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know? I'm sure there's a flood
of incredible moments, but can you share

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with us, uh, some moments
that like made it all? Were you

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know, has made it all worth
it? Or was he was really fulfilling

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to you or I'm kind of a
magical moment while you were doing your work.

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Well, when Tina Turner requested that
I do her book to her press

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in Vancouver, that was pretty much
jaw dropping, right, you know,

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asking for me personally, Well,
she didn't actually ask for d lipping.

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Well, she asked for that photographer
who did the album thing, who did

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all the interviews to the on thing, you know, the one with the

215
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great legs. A nice job,
Tina, nice job. And and of

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course the record rat went, oh
that's d wow. So that so yeah,

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and then and then when we actually
we did all the interviews and I

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did with her, and she was
she she walked into the hotel room where

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we were doing them, and she
said, oh, I'm so glad they

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found you. And I looked at
her and I went, you're wearing pants.

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We're supposed to have our legs a
picture of our lay. She said,

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oh, you have much better legs
than me, Darling, which wasn't

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true. Oh my gosh. I
mean yeah, she but you know,

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she's actually one of the only artists
that shushed me, right, you know,

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that's enough. It's you know on
David Bowie his his he did that

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too to me. He shished me. But Tina went, that's enough.

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Because I was. I was so
excited. This was when she released one

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of her albums and she was here
and she wasn't doing a tour anywhere,

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and she was doing all these interviews. And they rented this space in in

230
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False Creek before it was even you
know, it was like an old warehouse

231
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and they get it all out and
for the first interview, I think it

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was Terry David and Multigan was interviewing
her, and I was just like click

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click click, click, click,
click click right, and she she she

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put her hand on Terry's arm and
much music, right, she said,

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And she looked at me with that's
enough, say, I think you've got

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it so so and I was like, oh, sheepish, I was sheepish.

237
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There you got it. Then she
questioned you, yeah, yeah,

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wow. Do you have any other
stories of people that you took that there

239
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was a special moment there for you
or well, I worked I worked for

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many, many, many many years
with Lnjoon baldry h. So you know,

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the whole the Rod Stewart and that
whole thing pretty special to me.

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You know. It's this the stories
are. You have to read the stories.

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You have to read the stories because
the stories are things that actually happened

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to me, and I'm telling it
like it was and I can take you

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there. And one of the things
that people say about, you know,

246
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the stories in the book is I
was at that concert. I think I

247
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saw you shooting in the pit,
or you know, Alice Cooper fell on

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me, d are you all right? You know it's famous, it's famous.

249
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Is Alice Cooper falling off the stage
in Vancouver is a famous story and

250
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a lot of people know that he
fell on me, right, I was

251
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okay, yeah, but they made
me sign a waiver saying that if you

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fell off the stage again and fell
on me, that I wouldn't There's a

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prime example of when you're building a
business, you don't know what you don't

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know until it happens. You're like, okay, we didn't know we would

255
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have to do a stage falling contract
NDA. You know. Well, Sting

256
00:20:11.400 --> 00:20:15.880
thought I was stalking him because I
met him in the lobby with my book,

257
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my first book, and it was
like, did he think that we

258
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were stupid in Vancouver, that we
wouldn't know where he would be stayed?

259
00:20:25.000 --> 00:20:30.680
I mean, hello, But he
came down really hard on the on the

260
00:20:30.720 --> 00:20:34.359
record rep. She's stalking me.
This is the third time that I've seen

261
00:20:34.359 --> 00:20:38.319
her. Well, I was doing
the I was doing shoot for the photography

262
00:20:38.359 --> 00:20:41.960
for the record companies. Of course
he saw me before, but that was

263
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stalking. I don't think so.
And he was in my book, right,

264
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He did sign the book. He
did sign the book, though,

265
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you know, and I think,
you know, it's sort of an apology

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to me, even yeah, you
know, I mean, there's there's so

267
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well the stories in the book just
show that you can you can be successful,

268
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but you know, you have to
be ready to accept the fact that

269
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you're going to have a couple of
running shoes in your mouth at some moment

270
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in time. Right, I would
do something really stupid. And most of

271
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the stories are funny about the stupid
things that I've done. Meeting these people.

272
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Well, I mean you must be
talking about this book here first three

273
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songs, no, right, yeah, I mean that's the one that's got

274
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all these incredible stories. I was
just looking at you know, and and

275
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Nancy, you know you did some
you did some touring with heart I did.

276
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I did imagine writing in a jet
down to Seattle about myself. Oh

277
00:21:42.839 --> 00:21:48.119
my god, it was incredible.
Right, And then we picked them up

278
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and see how the jet picked them
up in Seattle, and Howard was deathly

279
00:21:52.279 --> 00:21:55.720
afraid of flying. We were only
going to Portland, right, And you

280
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sat there the whole time, and
and Nancy or Fabbi lists I don't.

281
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That was probably the first time that
I was made aware of some of the

282
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stupidity of some of the interviewers and
the people who are writers, who all

283
00:22:17.359 --> 00:22:22.319
asked exactly the same question, right
and did It was obvious that they had

284
00:22:22.400 --> 00:22:26.480
only read part way down on the
bio and they didn't continue right, you

285
00:22:26.480 --> 00:22:30.039
know, and Ann and Nancy were
just so gracious and so kind and so

286
00:22:30.119 --> 00:22:38.039
warm and tried to defer them to
actual like song making, writing, lyrics

287
00:22:38.119 --> 00:22:42.240
doing who does the music? Like
you know, it was like, so

288
00:22:44.440 --> 00:22:48.559
do you think that Tom being married
to two guys in the band is helpful

289
00:22:48.640 --> 00:22:56.640
to you or him or a hindrance? What what number one? What business

290
00:22:56.759 --> 00:22:59.720
is it of yours? And number
two? What does that have to do

291
00:23:00.359 --> 00:23:04.680
with our songwriting skills or or the
band skills as as musicians? You know?

292
00:23:06.359 --> 00:23:10.480
Yeah, yeah, anyway, I
did it. Yeah, I did

293
00:23:10.480 --> 00:23:17.400
go on tours cc taal on taking
Texas to the World tour. I wasn't

294
00:23:17.440 --> 00:23:22.240
allocated to where the cows were,
but you know I was that was I

295
00:23:22.279 --> 00:23:26.359
had to rest for three weeks.
I was only on the road for seven

296
00:23:26.480 --> 00:23:33.319
days. At the longest seven days
of my life. Uh. You know,

297
00:23:33.400 --> 00:23:36.759
you go to different you go to
three different cities and you don't know

298
00:23:36.799 --> 00:23:38.519
the cities, and you have to
find a place that's going to develop your

299
00:23:38.559 --> 00:23:45.559
film, like in an Hour on
Earth, like we're like, you know,

300
00:23:45.680 --> 00:23:48.240
so I had you know, roadies
like driving me around you know,

301
00:23:48.519 --> 00:23:52.880
Dallas. I was like, oh
god, where are we right? And

302
00:23:52.960 --> 00:23:57.160
CC talk, we're really really upset. When the first book came about Best

303
00:23:57.200 --> 00:24:03.759
Eating the House and they weren't in
it. They were They said, d

304
00:24:03.079 --> 00:24:10.799
we took you on tour. You
were our tour photographer for a week,

305
00:24:11.519 --> 00:24:14.599
right, Uh you know the management. I said, well, look,

306
00:24:15.079 --> 00:24:21.200
okay, that tour, that actual
tour thing was you hired me, you

307
00:24:21.279 --> 00:24:25.160
paid me. The film was yours. I didn't even I didn't get it.

308
00:24:25.480 --> 00:24:27.480
You got it all. And the
management said, well, we would

309
00:24:27.519 --> 00:24:30.640
have shown it to it. We
would have given it to you if you'd

310
00:24:30.640 --> 00:24:33.319
ask, right, So I said, okay, no problems. So I

311
00:24:33.359 --> 00:24:37.000
think I wrote that story. And
there's two songs anyway. They mean,

312
00:24:37.119 --> 00:24:42.200
you know it's isn't it interesting?
Right? You can't make everybody happy,

313
00:24:42.319 --> 00:24:48.799
and you know it's interesting. But
yes, in this one, I'm looking

314
00:24:48.839 --> 00:24:52.160
at George Michael, you know.
I mean, I think the whole thing

315
00:24:52.200 --> 00:24:56.160
about reading something like this, or
I getting to know the artist more,

316
00:24:56.319 --> 00:25:00.200
is that it gives you more depth
to your experience with them. Know,

317
00:25:00.440 --> 00:25:03.039
like my son's nineteen and he came
in the kitchen, I don't know,

318
00:25:03.200 --> 00:25:07.359
maybe six months and ago he goes, mom, I found this new band.

319
00:25:07.480 --> 00:25:08.519
I'm like, sweet you know,
we're a bit of a music.

320
00:25:08.559 --> 00:25:11.839
I'm like, put it on,
and he's playing it. I'm like,

321
00:25:11.039 --> 00:25:15.640
Ocean, that's the Thompson Twins.
You know, that's the Thompson Twins.

322
00:25:15.720 --> 00:25:19.680
Right. And we're coming back from
my daughters. We're driving back from missions,

323
00:25:19.720 --> 00:25:22.000
so it's about an hour and he's
like, mom, I just found

324
00:25:22.039 --> 00:25:25.960
this music for my playlist. And
I'm like, okay, and I'm expecting,

325
00:25:26.079 --> 00:25:29.319
you know, because he's he's he
loves all music. But I'm I'm

326
00:25:29.359 --> 00:25:32.720
not expecting this. And he goes
listen to these guys. Then he puts

327
00:25:32.720 --> 00:25:37.279
it on. It's the Bags.
I'm like, Ocean, Okay, you

328
00:25:37.359 --> 00:25:40.000
know what. I think we need
to tell you some things about these artists,

329
00:25:40.079 --> 00:25:41.640
right, But once you get to
know the artists, like when you

330
00:25:41.680 --> 00:25:45.799
when I read the stories that you
have in here, I feel more connected

331
00:25:45.880 --> 00:25:52.559
to the memories that that music gives
me exactly exactly how I meant it to

332
00:25:52.559 --> 00:25:56.519
be. All along work, Yeah, yeah, I mean, this is

333
00:25:56.599 --> 00:26:03.160
this is this is historical, this
is lineage. It's it's it's not it's

334
00:26:03.240 --> 00:26:06.599
not dated. It's not dated.
It's not like, oh, you put

335
00:26:06.759 --> 00:26:10.559
you published this book how many years
ago. They're still the stories are still

336
00:26:10.920 --> 00:26:15.119
relevant today because now we're more interested
in those artists and what they were like.

337
00:26:15.279 --> 00:26:18.319
Right. I mean, I'm working
on now my slides to do another

338
00:26:18.359 --> 00:26:23.240
book. It'll probably take me five
years. It'll keep me busy. Uh

339
00:26:23.279 --> 00:26:29.200
you know my ask Somebody asked me
what the title was going to be,

340
00:26:29.240 --> 00:26:30.759
and I said, well, I
don't have a title, but after looking

341
00:26:30.799 --> 00:26:41.519
at some of these photographs, it
should be rock Stars before Wrinkles. Okay,

342
00:26:41.759 --> 00:26:44.960
that's not the name of the book. It darn wells needs to be

343
00:26:45.000 --> 00:26:51.519
a T shirt in your merchandise line. I mean that's that this person is

344
00:26:51.559 --> 00:26:55.319
in marketing. And he said,
boy, talk about grab attention, right,

345
00:26:55.400 --> 00:26:57.640
you know, he said a great
marketing to oh yeah, rock Stars

346
00:26:57.720 --> 00:27:03.839
before Wrinkles. I said, well, I wanted it to be a little

347
00:27:03.839 --> 00:27:07.960
bit more, you know, oh
not or something He was not one to

348
00:27:08.039 --> 00:27:11.279
know. Oh no, he said, no, go for it, go

349
00:27:11.400 --> 00:27:14.240
for it. So yeah, you
know, I don't know if we I

350
00:27:14.240 --> 00:27:18.680
don't know if we need to grow
up. You don't. You got your

351
00:27:18.759 --> 00:27:22.359
scarf around your neck, so I
just think that this is incredible. So

352
00:27:22.480 --> 00:27:27.079
tell us about your scarf, because
I mean, this was this was a

353
00:27:27.079 --> 00:27:30.759
long time in the making because people
I couldn't get across the people that I

354
00:27:30.799 --> 00:27:37.480
wanted on a soft, silky material, and I wanted to put six photos

355
00:27:37.559 --> 00:27:41.920
on one side and six different photos
on the other side at the bottom.

356
00:27:41.000 --> 00:27:47.160
They they they, these designers just
couldn't get it through their head. And

357
00:27:47.759 --> 00:27:51.119
I met this wonderful woman and she
said, I had made one up.

358
00:27:51.599 --> 00:27:56.880
I'd actually got the silk. I
had printed up the pictures right, I

359
00:27:56.000 --> 00:28:00.799
glued them onto the silk. Okay, this is what I want. And

360
00:28:00.920 --> 00:28:03.559
she said, well, no problem. How come people haven't been able to

361
00:28:03.920 --> 00:28:11.720
I said, so we decided this
material is made out of one cool back.

362
00:28:11.960 --> 00:28:18.559
Oh there you go, fantastical.
Yeah, this made This material is

363
00:28:18.640 --> 00:28:23.240
really light, lightweight. It's made
out of one hundred percent recycled water bottles.

364
00:28:25.240 --> 00:28:27.920
And he has all my favorite artists
on Stevie Nicks, you know,

365
00:28:27.920 --> 00:28:33.920
Mick Jagger, Staying Elton, Steven
Tyler, Roth Stewart on one side,

366
00:28:33.640 --> 00:28:40.440
and on the other we have Pete
Townsend, we got Tom Petty, Tina

367
00:28:40.519 --> 00:28:47.640
Turner, David Bowie, who am
I missing? Bruce Springsteen, Bruce Eric.

368
00:28:47.839 --> 00:28:52.759
Yeah. Yeah, and not only
for women, but for men.

369
00:28:53.119 --> 00:28:59.440
I mean I've got right now,
uh An artist who is wearing my scarf

370
00:28:59.519 --> 00:29:03.839
on stage. So it's like,
oh, send me a photo. Yeah

371
00:29:03.960 --> 00:29:07.880
that's right now, you things,
you know, I mean, I have

372
00:29:07.359 --> 00:29:14.279
I have a picture of Rod Stewart
reading my book. Somebody sent me a

373
00:29:14.319 --> 00:29:18.599
picture of Rod Stewart reading my book
and you you can't really see his face,

374
00:29:18.680 --> 00:29:23.000
but you know it's Rod Stewart,
the hair, the port of it,

375
00:29:23.599 --> 00:29:27.880
right, but he's engrossed. And
it's like, oh, so get

376
00:29:27.880 --> 00:29:30.680
an artist to wear something on stage
and then I can take a picture of

377
00:29:30.720 --> 00:29:34.720
it and then I can flogged.
But these are very exclusive. Yeah,

378
00:29:34.799 --> 00:29:42.519
yeah, these are exclusive. We
we made we made fifty. Wow,

379
00:29:44.000 --> 00:29:51.519
yeah, we made fifty and I
signed them, right, and so we

380
00:29:51.799 --> 00:29:55.559
so we don't have very many left, but we yet we have enough.

381
00:29:55.640 --> 00:29:59.359
I think we have about twenty left, right because I haven't really been flogging

382
00:29:59.400 --> 00:30:03.799
them. Yeah, no, doing
other things, doing other things, living

383
00:30:03.880 --> 00:30:10.039
living life. So look as we
kind of wrap up and as we come

384
00:30:10.079 --> 00:30:14.519
off our podcast going I want your
life, you know the truth right,

385
00:30:14.559 --> 00:30:21.039
okay, like seriously the truth of
our running your own business getting told no,

386
00:30:22.759 --> 00:30:26.559
what was what was the toughest part
for you? And how did you

387
00:30:26.640 --> 00:30:29.680
overcome that? So there's a lot
of people that are listening that I mean,

388
00:30:29.720 --> 00:30:32.680
and we do that right after you've
been after you've kind of been in

389
00:30:32.720 --> 00:30:37.440
the sawmill for a while, I
call it. People think you become not

390
00:30:37.519 --> 00:30:41.799
untouchable, but things don't affect you
that you don't have. You don't have

391
00:30:41.839 --> 00:30:48.920
things. I think it was the
financial the as the financial aspect of it

392
00:30:48.240 --> 00:30:55.279
that was the most difficult part because
at some you know, like I didn't

393
00:30:55.519 --> 00:30:57.920
There wasn't a Okay, here's your
paycheck for this week. It was like

394
00:30:59.359 --> 00:31:03.400
everything that I made it had to
come in and if I couldn't make the

395
00:31:03.559 --> 00:31:04.799
rent, it was like, okay, now what am I going to do?

396
00:31:04.960 --> 00:31:08.880
Okay, Well, I have two
cameras and I had a really good

397
00:31:08.920 --> 00:31:15.559
understanding with a pawnshop, and I
would take one camera into the pawn shop

398
00:31:15.160 --> 00:31:18.640
and they would they would say how
much do you want? I had to

399
00:31:18.680 --> 00:31:23.279
set up a you know, a
rapport with of course you know I need

400
00:31:23.480 --> 00:31:26.960
I need one hundred dollars. So
this was a four hundred dollar camera.

401
00:31:27.319 --> 00:31:30.440
So I need one hundred dollars and
I want to only want upon it for

402
00:31:30.519 --> 00:31:34.799
ten days and then they charge you
like two bucks, right, And I

403
00:31:34.839 --> 00:31:38.519
would come back, I would because
I would be waiting for a check from

404
00:31:38.599 --> 00:31:42.200
A and M Records or CBS Records
or whatever, and as soon as that

405
00:31:42.319 --> 00:31:45.920
check came in, then I would
go and I would get my camera out.

406
00:31:45.200 --> 00:31:49.000
Well, I did this a lot, right because nothing was nothing was

407
00:31:49.079 --> 00:31:56.720
for sure, but there was no
way that I was going to not do

408
00:31:56.880 --> 00:32:00.920
my not do what I was doing. Even enter my head, it was

409
00:32:00.000 --> 00:32:05.160
just like, Okay, we got
this this purple patch and we'll just get

410
00:32:05.200 --> 00:32:08.759
over that and we'll just continue on. Yeah, And I think that's yeah.

411
00:32:08.799 --> 00:32:15.680
People, people should should not be
afraid or be But you know,

412
00:32:15.880 --> 00:32:19.640
here's the interesting thing. Here you
are right, here you are, and

413
00:32:19.680 --> 00:32:23.640
here you'll be. And I think
that you know, entrepreneurship whatever that looks

414
00:32:23.680 --> 00:32:29.759
like for people, right. I
Mean sometimes people think that being a musician

415
00:32:29.920 --> 00:32:32.559
or being an a photographer or being
in the arts is an entrepreneurship. But

416
00:32:32.839 --> 00:32:37.920
it's an entrepreneurship. I mean,
you got to sell yourself and what you

417
00:32:37.039 --> 00:32:39.640
do, right, So it's the
same thing that we do in the world

418
00:32:39.640 --> 00:32:44.359
of entrepreneurship. But and then a
lot of times it is you hear like

419
00:32:44.359 --> 00:32:47.960
all the money and it's hard to
explain to people that there will be thin

420
00:32:49.079 --> 00:32:54.200
times, but you will get through
it because that's the time that you get

421
00:32:54.240 --> 00:32:59.920
the most resourceful. Like you have
resources, you just haven't had to put

422
00:33:00.039 --> 00:33:02.079
them to task because maybe you've got
a paycheck, could be two weeks or

423
00:33:02.079 --> 00:33:07.039
whatever. But the funny thing is
everybody still ends up standing at the end

424
00:33:07.079 --> 00:33:09.200
of the day, right, Everyone
ends up standing at the end of the

425
00:33:09.279 --> 00:33:14.960
day. So I think that's when
you dig deep. That's when you dig

426
00:33:15.000 --> 00:33:20.880
deep, all right. So here's
something really interesting. So first of all,

427
00:33:21.200 --> 00:33:22.480
I know that in the show notes, people are going to be able

428
00:33:22.559 --> 00:33:27.519
to go to your site. You've
got all your books there, you've got

429
00:33:27.559 --> 00:33:31.400
your scarps there, You've got some
incredible photography to look at. And we

430
00:33:31.440 --> 00:33:37.359
do want to make sure that people
understand it's dlippingwell dot c a right because

431
00:33:37.359 --> 00:33:40.079
this woman lives in Oh gosh,
am I so lucky Vancouver, Canada?

432
00:33:40.359 --> 00:33:45.240
Where do I live? So that's
cool and gay for me? Good decision,

433
00:33:45.200 --> 00:33:47.079
good, you know, good call
on my parents, I guess.

434
00:33:47.400 --> 00:33:54.160
But one question I have for you
is the same question that I ask every

435
00:33:54.279 --> 00:34:00.240
single person that comes on to the
show, and it relates to my to

436
00:34:00.359 --> 00:34:04.880
music, not so much go an
entrepreneurship. I don't even know how you're

437
00:34:04.880 --> 00:34:07.239
gonna answer this one, or maybe
it's gonna come off super super fast.

438
00:34:07.639 --> 00:34:10.440
But my question to you is,
if you're on your way to a desert

439
00:34:10.480 --> 00:34:14.719
island, that's it, you're checking
out. It's there's an island, and

440
00:34:14.760 --> 00:34:19.719
there's you and one suitcase, and
you have room in that suitcase for just

441
00:34:19.920 --> 00:34:23.320
one album because we know it's going
to be an album. What album are

442
00:34:23.320 --> 00:34:27.719
you taking with you that you couldn't
imagine not listening to for the rest of

443
00:34:27.760 --> 00:34:35.719
your days. The band that started
it all, You're gonna be surprised.

444
00:34:36.280 --> 00:34:50.599
Pink Floyd, nice like a googe
bumps, Pink Floyd and any anyone of

445
00:34:50.679 --> 00:34:54.719
their albums. It doesn't make any
difference, Yeah, whatever, whatever,

446
00:34:54.920 --> 00:35:01.119
it's Yeah, it's it's incredible music. It's incredible music. Well, look

447
00:35:01.199 --> 00:35:08.000
worse because my first album, actually
it was Frank Sinatra I'll do It my

448
00:35:08.079 --> 00:35:12.639
Way or I Did It my Way
or whatever. Yeah, that was my

449
00:35:12.760 --> 00:35:15.880
first album. My second album was
Bank Floyd. So well, you know,

450
00:35:16.000 --> 00:35:21.559
I gotta sayd knowing you a little
bit now, I'm not that surprised

451
00:35:21.559 --> 00:35:23.960
that you are attracted to an album
called I Do It My Way. I'm

452
00:35:24.000 --> 00:35:28.239
not I'm not thinking. I'm not
thinking that's just too far off for you.

453
00:35:28.800 --> 00:35:32.239
I'm not thinking, you know,
someone who walks into Georgia straight and

454
00:35:32.320 --> 00:35:36.039
you know Guildoff is sitting there,
and you know you go and go,

455
00:35:36.079 --> 00:35:39.039
hey, you need to buy my
pictures kind of thing. No, I'm

456
00:35:39.039 --> 00:35:43.559
thinking that you think that you own
that. I think that it's funny.

457
00:35:43.599 --> 00:35:45.320
I just went and bought a Sammy
Davis junior album not too long ago.

458
00:35:46.159 --> 00:35:53.679
Oh my heavens. Oh excellent.
Yeah, I'm pretty good. No,

459
00:35:54.000 --> 00:35:58.840
but and my son wanted to buy
Eddie money. Remember Eddie money? Oh

460
00:35:58.920 --> 00:36:04.320
of course. Oh yeah, two
tickets to Paradise. Two tickets to Paradise.

461
00:36:07.719 --> 00:36:08.840
All right. We could go on
all day, but we're gonna come

462
00:36:08.880 --> 00:36:14.119
back when you have your next book
ready, and probably more before then,

463
00:36:14.119 --> 00:36:19.440
because we can't can't wait five years
for it. So yeah, anything to

464
00:36:19.480 --> 00:36:25.079
say before we sign off and let
these rock stars? No a that,

465
00:36:25.280 --> 00:36:29.239
Nope, nope, nope, nothing. Just go to my website. Check

466
00:36:29.239 --> 00:36:31.559
it out, you know, if
you see, if you see anything you

467
00:36:31.639 --> 00:36:35.320
like, just you know, if
you want to talk to me, you

468
00:36:35.320 --> 00:36:38.960
can go through my website. I
can always be reached through Lippingwell at gmail

469
00:36:39.559 --> 00:36:45.800
dot com. I'm on Facebook,
so you can. You know, I

470
00:36:45.280 --> 00:36:51.239
do get a lot of Facebook friend
requests. Some of them I sort of

471
00:36:51.280 --> 00:36:55.519
totally ignore because they're stationed in Iraq
or they're you know, in Bulgium.

472
00:36:58.760 --> 00:37:01.800
But you know, there's lots of
ways to get in touch with me.

473
00:37:01.840 --> 00:37:05.559
And I don't mind talking to people, and I don't mind giving advice.

474
00:37:06.559 --> 00:37:12.000
Don't quit your day job. Don't
quit your day job. So you're making

475
00:37:12.000 --> 00:37:15.400
more than five dollars a photo of
people? Yeah, yeah, exactly.

476
00:37:16.239 --> 00:37:19.679
Wow. Well, thank you so
much for sharing with us today. D

477
00:37:19.840 --> 00:37:22.400
And look you guys, you're incredible. I love you. You're the best

478
00:37:22.440 --> 00:37:27.639
audience ever. And now that we're
talking about music a little bit, you

479
00:37:27.679 --> 00:37:30.440
guys know what I'm going to talk
about next. I'm going to send you

480
00:37:30.480 --> 00:37:35.039
to dy did It Tour dot CAA. So that's the big walk that myself

481
00:37:35.159 --> 00:37:37.880
and my girlfriend Kareem are going to
be trekking across Ireland to raise money for

482
00:37:37.920 --> 00:37:42.400
the music community. And look at
you don't have to do the eight marathons.

483
00:37:42.639 --> 00:37:45.119
We're just asking it. You go
to the donate page and this is

484
00:37:45.119 --> 00:38:13.800
what I say. I say,
clear your music karma. Unity of my very

