WEBVTT

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Hey. Good afternoon, I'
m Karen Ramirez. We' re on

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one more broadcast of die radio the
design in your ears here in the program

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of designing ando in the new season
this year, that is, the first

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of the two thousand twenty- four, and I' m very happy to

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make it, along with Capo Laboro, who is here in San Luis Potosí

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one hundred and thirteen, here in
Colonia Roma, so don' t miss

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it. If you see a little
twist here the show rum because it'

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s amazing, it has high-
design furniture, so don' t miss

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it. And so we' re
very happy to do the new season here

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at your facility and today I'
m right with camp director Laboro, and

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he' s diego, diego,
how you are. Thank you very much,

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Cbe That' s good. I
am very happy to thank you for

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being here and, above all,
thank you for allowing us to make this

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season of going radio here with you
very well listen, because I want to

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start the interview strong and I would
like to know who is diego. I

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come from a good family. My
mom is architect and basically, when they

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studied the career, there was like
with the types of students who were the

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children of architects and the children of
non- architects, OK, poor of

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the children of non- architects,
how it helps. And that' s

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why I studied the race. I
studied at the Ibero- American University.

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I did an interior design theme and
when I got out of the race,

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I devoted myself for a while to
making interior design ok although at the same

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time I did construction and right now, because we do both things a little

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well, very well and how it
was that you introduced yourself to architecture.

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You said I' m going to
choose this. Yeah, well, as

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I was saying, I' ve
seen architecture forever. I saw consruction in

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architecture, since always I played in
works. Then he' s already with

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you all your life. It'
s you you know, I think,

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even though there are times that they
say ay no. I don' t

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want to do this. They'
re going for a totally overcomprehensible. The

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piss is hard. If the race
has that approach of being very hard and

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cleaning it from many people that I
never agreed with, I think reality plays

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very well perfect spot. So this
and where you studied architecture in the I

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vera of city or what if it' s a good career. Today,

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I would say the best exponents of
Mexican architecture. They come out of there

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and well, as I was saying, it' s a tough race.

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I lived the transition between building the
new wing that is now spectacular from an

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architectural department. But as that happened, we studied in anándale parking lot

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looking at it more likeáteras and
echo, ah, güey with echo.

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Above all, he hears how exciting
to see that transition and, suddenly see

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him and woe why there was not
this in my time. I' ve

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never been touched by the new building. He never touched me. You'

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ve seen it a lot of the
world, once I went to college,

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but I never took a single class. So, yeah, well, but

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you got the good start. Yeah, he touched me. It was my

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turn to be a part of that. I who should be called like us,

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very true, very true hears and
how were the beginnings of Diego Casanova

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in the world of architecture, that
is, how you started, since you

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got rid of the little bubble of
the University. How was your good during

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college, a friend with whom,
because you usually make lots of teams in

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the career, here your job and
it' s always the same. During

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your career you don' t make
a group and they take the same classes

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and are the same teams. So, a kid from my team told me,

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hey, they offered me a house. More like his dad' s

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office sees him of a house like
this and he doesn' t have time

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to do it. You' d
do it with me. It was an

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impressive project for the age I was
twenty- and- a- half and

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it was a house in bos that. The biggest take of course, good

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budget, with good dimensions, good
terrain or in location. And it was

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an incredible challenge to do it,
because I had to do it. So,

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we also call then, of course, as I say, the race

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is very immanent and the work is
very demanding and the design too, and

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the deal, especially the deal with
customers, is very demanding. Yeah,

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yeah, you see it, but
today and that' s good, that

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well, that you' re up
to the wheel, it was complicated and

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it scared me, but we did
it and that house had a publication when

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we finished, so where in a
number of Mexican architects. So, I

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heard what a father, how good
and how old you were when that happened,

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because she is the vice between the
ages of twenty- one and twenty

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- three. Today is super good
your first house and twenty- one years

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is amazing. It' s a
whole thing because it' s very good,

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but it has a negative part also
because it places you a little ok

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because ending that house, you think
you think you' ve already reached a

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peak in which you didn' t
get there, because that house came to

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you. It' s not like
you' re gonna get more of those

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houses from that you end up doing
a whole lot of bad work, getting

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customers, going talking and everything else
that you never think about, you think

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that' s gonna happen alone.
Not a bit, a valley of cold

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water, though a great satisfaction.
I remember. When I finished the house,

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you made more architectic and we left
the house that I got to know

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her and I told her something,
like I already reached the top, and

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she told me how many square meters
you have built in your life, since

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those of this house seven hundred and
fifty. I' ve built thousands and

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thousands of meters. He' s
not gonna be on top. Uy is

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a strong güepe. It was a
little strong for me, but that reality

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was clear. Then, after I
got it, I said, I'

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m not saying what a reason you
were, Mom. Yeah, it'

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s true, Mom, I'
m sorry and after that and what happened.

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I mean, you followed with interiors, they didn' t build a

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house and I made interiors without interference
and then there I got customers, entering

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that world and no longer with an
office that passes you a project, but

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only where you have to deal with
people that are often very complicated. It

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is very difficult to enter a family
to make it their home, because it

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is a very big intimacy that you
have with them, for which, in

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reality, it never prepares you the
career. The race prepares you for technical

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factors, of course, not for
such relationships. Sure, eat everything,

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fights, reconciliations, break- ups
in front of me. If it'

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s that then sometimes we do it
as a psychologist or not, that part

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that tells you that no one tells
you, no one tells you exactly.

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Then I was still working on it, and as I say to you,

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it' s not that I'
m soft on her pretty hard. Then

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the work was very disciplined there,
so I took off a little more,

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so if it was interior, but
finally I went back to construction with it

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and already works now. But I
went back to that part. OK.

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That' s when you already made
your own as such, your own office,

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which is today' s exact Look
of Genoa Nova architecture OK. It

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' s not that it' s
not like the city is that I'

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ll innovate and you don' t
go OK and right now the city and

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I said no. Oh, no, no, no, no, no,

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no, no, no, it' s not maybe the warrior and

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it' s not exactly the case. All right, and now how old

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he is, because look it'
s hard, it' s hard to

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split when that office starts OK.
But I would say that we were at

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least eighteen, maybe eight years old. Okay, so you never worked for

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an outside office or anything. Just
when I finished that house, shortly after

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my friend' s family office called
me and I worked there, but I

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worked there ten months. Okay,
I was working in companies. I hear,

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I watch series programs and other companies. Like I say, for example,

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I never worked in a company.
I have to ask myself. So

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that' s it, or is
it parabdia that and we tell myself if

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it is, yeah, yeah,
that? Yeah, that' s so

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boring, that' s what those
struggles are, but my espposi works in

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a company. If those struggles of
power and politics. And it puts you

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because I don' t know him. It makes me very strange to see

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how people fight to stand out by
putting someone else' s foot at the

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expense of the company. He usually
slept in the company, of course,

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and they don' t care.
That' s a little bit. The

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battle, the internal battles of that
company. Yeah, sure, and what

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didn' t motivate you not to
stay in the company, to say what

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better I do. I' m
still doing my thing, because I think

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it' s the family line.
Well, I think my mom used to

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tell me you don' t have
to work at the company and I think

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I turned it into my life.
So, I, today for today,

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believe that the children of independents are
independent, your children of employees are normally

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entered is what I have seen me
or I do not say that it is

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a condemnation in that if you have
a lifetime, but it is normal.

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There' s what you' ve
seen. Okay, okay, and after

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he' s out of je and
it' s not going to decide what

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motivated you to do field work now
capo labor capo labor worked that motivate you

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because I mean, I know that
you made interiors, but because here moves

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furniture of high design. You tell
me I started inside and in that house

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I got when there' s a
race at the end, certain furniture.

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Yeah, yeah, yeah, yeah, me, I didn' t do

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that with the office. I made
a table before lunch, a dining table

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and a chair. I think he' s an architect. I think the

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architects are very bad, well,
very good. Yes, the architects'

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furniture looks like building maquetitas. They' re always like architectural furniture. They

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are blankets, they are small buildings, they are usually very rough they are

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very straight, they are not very
economical, because they are a maquetita.

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Then I realized that it was another
subject, that it was something that had

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to be studied a lot and had
to be practiced a lot. And from

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there that was since I was about
twenty- three years old to this day

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that I am forty- seven.
Looks like after 40 to me. You

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don' t know well- conscious
anymore. I have practiced making furniture and

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in the two thousand eight I was
very eager to go to the furniture fair.

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A thousand had heard of her.
Then I was a big fan of

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Europe. My best friend went to
live in Paris. Then I left,

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went to see him and said I' m going to the furniture fair.

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So I remember that I had a
friend back then an old lady' s

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agency is what' s influencing me
all about getting a hotel and when he

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told me the prices and movies not
that you' re wrong, I'

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m not going to go there to
see what I know, because usually that

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' s how I did it.
When he travels aha, then I took

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a treuno in turn from Paris.
Quexales a station that no one knows is

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called in Parillare. So, okay, I went into the old trains back

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then, Italy. It' s
not like you' re dying of heat.

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I got to look at four o' clock in the morning. I

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remember waking you off because you mean
I left your office at ten o'

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clock since four in the morning that' s all closed. Six, then,

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sixty waiting for the tourist office that
I think I had to run and

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that I' m going to look
for hotels around here always to say it

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' s always like this. Man, they fill up on me all then

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I said okay me. I hope
it' s not a complication. I

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see the guy in the tourist cinema
uniform sitting there. He buys coffee,

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I see it from afar, they
walk, he takes his walking coffee.

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Walk open the office and sit me
in and say hello to him how about

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I don' t. I didn' t speak Italian. I don'

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t know that' s it.
Everyone who speaks Spanish thinks Italian is very

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easy. No, it' s
not. You understand, you understand and

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you can communicate to him you put
once in the end and you speak Italian

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and igua is the hand. If
Juanito and I don' t, don

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' t go that way. Then
I ask him. Hey, I'

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m looking for a hotel. Smile, he sees me smile and he tells

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me what the Sobrino furniture fair is. That' s why you' re

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crazy, like if I' m
crazy at the furniture fair I get up

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along with the formula one more important
that there is in Milan all year round.

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It' s going to be very
difficult to meet on TV and more

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at the price you' re looking
for. Sure, if you go to

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hotels, you can find TVs of
the price you' re getting expensive medication.

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I' ve quoted for five nights
and there are hotels that cost you

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300 thousand pesos in my life.
Then start looking and I see how it

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starts to expand the radio and radio
and it tells me no more, I

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' m not in Milan anymore.
How far he accepts true and then,

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going down encounters, he finally found
in a place called Letze, which gives

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the Lake of How, but is
not near How. It' s near

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the ah ok. So, what
do you understand me about the Move Fair

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for? I had to take a
subway to the train station. That subway

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' s so full. Then I
didn' t know how to move there.

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You' re going to stop all
the time and we' ll take

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you about fifty minutes, thirty more
stations, twenty- six tentes are coming

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to the station. You have to
take the last t that comes out like

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forty- five minutes ago, that
arrived five by eight, because at eight

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the last bus leaves. That'
s right and that bus the train in

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another 45 minutes. Then we'
ve been there in an hour and a

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half and that bus another hour and
a half ago. Alec total with mezcalas

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and so on. It takes three
hours to arrive and three hours in the

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morning. In the mornings I saw
him come out very early. There were

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00:14:28.639 --> 00:14:35.000
all the children who went to school
of all the Chapapa B family and the

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00:14:35.039 --> 00:14:39.320
first in my case I was Chao
and well, I went to that fair

210
00:14:39.679 --> 00:14:43.360
and it was a little like I
opened up the world of the Decio to

211
00:14:43.360 --> 00:14:50.919
say wow. This is the exact
Morilian design. There is the most important

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00:14:50.039 --> 00:14:54.320
fair in the world in terms of
design in novelties that there may be media

213
00:14:54.399 --> 00:14:58.559
fairs more exhibition in China. There
are cities that always die in China,

214
00:14:58.759 --> 00:15:03.919
but at the level of design and
innovation trends. There' s no more

215
00:15:03.000 --> 00:15:07.519
important fair to watch. No.
And there I' ve learned a lot

216
00:15:07.600 --> 00:15:11.200
of things From there decide every two
years and I' ve gone every two

217
00:15:11.240 --> 00:15:13.600
years since two thousand eight and we' re already in two thousand twenty-

218
00:15:13.600 --> 00:15:18.559
four. So, except when it
was the pandemic, it wasn' t

219
00:15:18.559 --> 00:15:22.679
accurate, because it was the only
year it was suspended. If that'

220
00:15:22.919 --> 00:15:26.320
s how it is this year,
you touch me ah ok, I went

221
00:15:26.320 --> 00:15:28.879
last year. Then I wasn'
t the two thousand seven. The first

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00:15:28.960 --> 00:15:31.759
time I remember or go a year
without peace. Ah well, then,

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00:15:33.799 --> 00:15:37.960
from there I have been seeing,
seeing, seeing and learning many things.

224
00:15:37.399 --> 00:15:41.559
It' s a lot, it' s a lot of work. Everyone

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00:15:41.559 --> 00:15:43.879
tells me that the father you'
re going to is not very tired,

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00:15:43.440 --> 00:15:46.279
very thought out, that it'
s endless. Not that. The fair

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00:15:46.799 --> 00:15:50.360
is an event that the city turns
towards the design is then you do not

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00:15:50.480 --> 00:15:54.360
forget the fair, that continues before. The fair is no way to finish

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00:15:54.360 --> 00:15:56.639
it, but there are days that
you go to the city, several days

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00:15:56.720 --> 00:16:00.519
that you go to the city and
divas go now. Right now, but

231
00:16:00.639 --> 00:16:03.679
then you' re discovering things that
you say wow, here' s this

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00:16:03.799 --> 00:16:07.879
father, so sea that' s
what we say has now now, I

233
00:16:07.960 --> 00:16:11.600
already know where they are, but
then it' s okay. But something

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00:16:12.919 --> 00:16:18.360
I didn' t notice at the
time, the Mexican presence was nonexistent.

235
00:16:19.240 --> 00:16:25.840
There was no one. Little by
little they have gone they have gone more

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00:16:25.919 --> 00:16:29.600
Mexican hello already it seems that they
organize us on tours, that they do

237
00:16:29.879 --> 00:16:32.879
a certain attitude and the cities do
not know how much they paid to pay

238
00:16:32.919 --> 00:16:33.600
expensive, but they carry them and
they make small groups, that they take

239
00:16:33.600 --> 00:16:37.039
them all. Not me, I
don' t like all three of them.

240
00:16:37.080 --> 00:16:38.559
Then I' ll just go to
whatever' s there. I ok

241
00:16:38.960 --> 00:16:44.799
Ah, then, from that trip
I decided to study Italian. Okay because

242
00:16:45.000 --> 00:16:48.480
when I went back, like I
told you, my entire trajectory is back

243
00:16:48.559 --> 00:16:51.799
to Letze. No. When I
got on the train at Milan station,

244
00:16:52.120 --> 00:16:56.759
I heard an announcement with that amplification
systems that there were then ah and everyone

245
00:16:57.639 --> 00:17:02.799
said to and what did he say? What did he say? What did

246
00:17:02.799 --> 00:17:03.000
he say? What did he say? What did he say?“ What

247
00:17:03.000 --> 00:17:06.160
did he say,” the king
said“ I was not going out?

248
00:17:06.319 --> 00:17:07.160
” Didn' t he go out? Didn' t he go out?

249
00:17:07.480 --> 00:17:10.160
And I was wondering what he said. Nobody. No one answered me.

250
00:17:10.519 --> 00:17:12.400
No one understood me. Of course, I meant it You don' t

251
00:17:12.400 --> 00:17:17.279
understand me. Then the train being
was traced for an hour. So,

252
00:17:17.640 --> 00:17:22.240
when I got to How, there
was nothing, no one, no trucks,

253
00:17:22.319 --> 00:17:25.480
no taxis, nothing. I came
in with the dead city suitcase.

254
00:17:25.519 --> 00:17:27.880
There was nothing. If nothing'
s like a polita. It took me

255
00:17:27.960 --> 00:17:33.160
an hour, an old man came
in a cab and I already told the

256
00:17:33.200 --> 00:17:36.920
hotel with a little paper. He
did take me and I saw that the

257
00:17:36.960 --> 00:17:41.599
cab touched me. I ran and
ran and ran and I tried to ask

258
00:17:41.720 --> 00:17:45.480
him several times in every language I
know how much is missing. Okay,

259
00:17:45.359 --> 00:17:51.640
he couldn' t get me until
we got there, which cost me more

260
00:17:52.200 --> 00:17:56.759
than the tax night than he did
not. I think you do want to

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00:17:56.799 --> 00:17:59.079
go back to this fair. You' re gonna have to speak Italian.

262
00:18:00.240 --> 00:18:06.640
Includingly I said I took a three- month course and that took eight-

263
00:18:06.880 --> 00:18:10.240
year classes. Totally. Okay.
Yeah, nothing simple, no, it

264
00:18:10.359 --> 00:18:12.319
' s nothing simple. But today
I defend myself and I can go and

265
00:18:12.400 --> 00:18:18.440
I' m not telling you that
it' s me they teligen, but

266
00:18:18.839 --> 00:18:19.319
I defend myself in italiet very well. It' s okay. I don

267
00:18:19.319 --> 00:18:22.799
' t think it' s good
that I' ve motivated you to mean

268
00:18:22.799 --> 00:18:26.240
it. I know it was a
very little trip and, maybe, very,

269
00:18:26.519 --> 00:18:32.680
very intense, exact, but it
motivated you, I mean, it

270
00:18:32.720 --> 00:18:36.400
didn' t discourage you. You
learned my new language at the chondrot and

271
00:18:36.799 --> 00:18:38.160
continued to encourage you to go every
two years and I continued to learn.

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00:18:40.160 --> 00:18:45.240
As the Mexican desire told you,
the country to which I am company Mexico,

273
00:18:45.720 --> 00:18:48.359
which I feel was closer to be
compared. Yeah, and now so,

274
00:18:48.960 --> 00:18:55.160
okay, we both have natural resources, we have exotic mavidas, we

275
00:18:55.200 --> 00:18:57.480
have a similar historical process, but
from the beginning you don' t have

276
00:18:57.480 --> 00:19:03.759
it left. Brazil had much more
exposure than we did. Okay, and

277
00:19:03.839 --> 00:19:07.640
then I went into some research every
time I went. No, Brazil,

278
00:19:08.000 --> 00:19:15.279
you' ve got important moves stronger
than us. They have international renova designers

279
00:19:15.319 --> 00:19:18.519
that we do. We do not
have the Campana brothers, who would be

280
00:19:18.519 --> 00:19:22.039
the greatest exponien classo what we have
gone to. But no. There'

281
00:19:22.119 --> 00:19:26.200
s no Mexican designer like the Campana
brothers. There' s no mover,

282
00:19:27.400 --> 00:19:32.160
not modeling aha level. Yes no, because if we talk about the world

283
00:19:32.279 --> 00:19:36.160
top ten of furniture designers, the
brothers bells are definitely inside, i e,

284
00:19:36.400 --> 00:19:38.680
they are the designers of gaybra and
work. He does crazy things.

285
00:19:38.920 --> 00:19:41.079
Yes for them, yes, yes, yes, yes, it is,

286
00:19:41.240 --> 00:19:45.480
that is, the edra pavilion is
very crazy. So it is. Yes,

287
00:19:47.319 --> 00:19:52.279
exactly. It' s very creative, a couch like melted, like

288
00:19:52.319 --> 00:19:56.640
those are campannes. Yes, it' s at the height of pathicating that

289
00:19:56.640 --> 00:20:04.920
wave. I don' t know
there' s never that ingvel in Brazil,

290
00:20:06.079 --> 00:20:10.039
and there' s still no Mexican
designer on those lines. I hope

291
00:20:10.160 --> 00:20:11.759
there is. I hope so.
I hope no one else, too.

292
00:20:11.880 --> 00:20:15.599
But he' s right, I
mean, comparing it like that on a

293
00:20:15.599 --> 00:20:18.480
Latin American level with someone. Brazil
is right. I hadn' t thought

294
00:20:18.480 --> 00:20:23.240
of it this way, it has
a lot of similarity in terms of natural

295
00:20:23.319 --> 00:20:27.279
resources, but if we don'
t have someone like the Campana brothers,

296
00:20:27.359 --> 00:20:30.200
representative of us, because, to
say of architecture, architecture is another theme.

297
00:20:30.640 --> 00:20:32.559
Yeah, not totally. Yeah.
Yeah, yeah, yeah, yeah,

298
00:20:33.160 --> 00:20:36.759
no. There are stronger than us
in general, that is, their

299
00:20:37.079 --> 00:20:40.799
monkeyry, are stronger than the teachers. They have a greater international presence of

300
00:20:40.799 --> 00:20:44.880
the linings. Without a doubt,
then you feel that you lack furniture design

301
00:20:45.079 --> 00:20:48.119
here so that it is as important
as the Campana sisters when you are at

302
00:20:48.160 --> 00:20:52.319
the University. It was once I
do not remember the name of the person

303
00:20:52.400 --> 00:21:00.200
of a Spanish industrial designer who had
won the King Moto Spain Prize. There

304
00:21:00.279 --> 00:21:03.559
' s the same thing you guys
did thirty forty years ago. What happened

305
00:21:03.680 --> 00:21:10.480
was that a design house came in, a house of production demolished and paid

306
00:21:10.559 --> 00:21:14.680
for it by a renowned designer.
Then that house discovered that it could compete

307
00:21:14.799 --> 00:21:18.200
with the rest of Europe and from
there forced the others to do the same.

308
00:21:18.519 --> 00:21:22.839
Or me, I was once invited
by most of your topole to do

309
00:21:22.880 --> 00:21:30.680
an event mostly in Palmas, along
with some other designers that just sound something

310
00:21:30.720 --> 00:21:41.759
that is Maria helicoplan and each time
dig a shirt. I' m not

311
00:21:41.839 --> 00:21:45.240
very social I in the middle is
not that I got a lot with architects,

312
00:21:45.839 --> 00:21:51.759
I' m interior designers. I
would comment with them, I would

313
00:21:51.839 --> 00:21:56.079
say and above all I would comment
with the owners of your captel and I

314
00:21:56.240 --> 00:22:00.799
would say you should encourage a student
contest and you should produce the winning piece.

315
00:22:00.200 --> 00:22:04.400
I think it would be a good
incentive for students or for Rideña,

316
00:22:04.519 --> 00:22:11.240
too, because what I see is
that Mexico continues in that logic that design

317
00:22:11.279 --> 00:22:15.480
is expensive. I save it,
as we complain all architect designers. I

318
00:22:15.519 --> 00:22:18.799
' ll save it. I can
do it straight. If the carpenter shows

319
00:22:18.799 --> 00:22:22.039
a picture of a trait free goes
and I copy it as self- construction.

320
00:22:23.359 --> 00:22:27.000
I always tell people. People,
I mean, the carpenter is a

321
00:22:27.079 --> 00:22:30.680
carpenter and he' s gonna understand
what he' s seen. Sure,

322
00:22:30.839 --> 00:22:34.000
that carpenter I' ve never seen. It is the Iberian, because from

323
00:22:34.039 --> 00:22:40.480
the photo I interpret and it will
be like this. I don' t

324
00:22:40.480 --> 00:22:42.720
do carpentry. When I insist on
my Swedish wife, when you tell her

325
00:22:42.720 --> 00:22:45.799
in dreams I make may is,
they think you do it. Yeah,

326
00:22:45.920 --> 00:22:47.839
yeah, yeah, yeah, so
I get the way of the letter and

327
00:22:47.960 --> 00:22:52.319
I warn father, no. No. I ah is a designer. Yes,

328
00:22:52.839 --> 00:22:56.119
exactly, exactly. I don'
t know, but here, well,

329
00:22:56.440 --> 00:23:00.839
it' s the same person who
does everything and I think the result,

330
00:23:00.240 --> 00:23:07.960
when you do that is not deficient
notes, yes, nothing can be

331
00:23:07.039 --> 00:23:11.079
noticed, but people are very used
to it. Why do I think about

332
00:23:11.119 --> 00:23:15.599
strong mining in Mexico and YouTube and
a lot of the grinds for this majority

333
00:23:15.640 --> 00:23:21.720
that we just opened up recently and
great work to see what the strong ones

334
00:23:21.720 --> 00:23:25.759
are. I mean, yes,
of course it was Pirwicker even opened Mirán,

335
00:23:26.039 --> 00:23:32.640
then closed modesta. At the time
it was good, she didn'

336
00:23:32.640 --> 00:23:36.319
t fall behind. Yes, there
was one that was made of wood that

337
00:23:36.359 --> 00:23:44.119
was there where the palace of the
palaces is now called inside. I think

338
00:23:44.200 --> 00:23:48.640
and I do not know why it
has not been possible to consolidate an important

339
00:23:48.640 --> 00:23:51.839
majority or several. It should be
vir vis the country gives for that,

340
00:23:52.480 --> 00:23:56.640
because the people who sought furniture in
Mexico you seek go your house, you

341
00:23:56.640 --> 00:24:00.920
seek to furnish it, because it
is that complicated. They end up shopping

342
00:24:00.960 --> 00:24:04.880
in department stores like at home palace. And so nothing case palace, from

343
00:24:04.880 --> 00:24:08.400
the budget for house palace always,
I always say the palace the first or

344
00:24:08.480 --> 00:24:18.839
the second step totally or do not
even end up buying the liverpoollen you are

345
00:24:18.960 --> 00:24:23.960
do not give them importance from oy
what or ay or what ah. The

346
00:24:25.039 --> 00:24:29.759
fact that, I repeat, my
Swedish wife I have been doing well is

347
00:24:29.880 --> 00:24:33.880
that a lot of years ago.
Then I had my own furrows before I

348
00:24:33.960 --> 00:24:37.880
knew my things and at some food
I was there, it turns out that

349
00:24:37.960 --> 00:24:41.759
there was a friend' s aunt
very close in a barcant. The founder

350
00:24:41.759 --> 00:24:45.599
who worked there and who couldn'
t possibly have this woman in front of

351
00:24:45.039 --> 00:24:49.119
him and went with her and I
told him how much Mexico will open without

352
00:24:49.160 --> 00:24:52.440
life the market he has in Mexico. At that time it was about twelve

353
00:24:52.480 --> 00:24:59.599
years ago, explained we just opened
Russia and we just opened Chinese and that

354
00:24:59.759 --> 00:25:02.359
we are a company that is on
the Stock Exchange, its family company,

355
00:25:03.400 --> 00:25:06.839
of course and it is your company
that is doing very well. Then we

356
00:25:06.920 --> 00:25:11.799
like to consolidate markets, since we
consolidate that market, we will think about

357
00:25:12.000 --> 00:25:18.559
other markets and said I done,
opened Latin America until they had controlled their

358
00:25:18.640 --> 00:25:22.640
market, because they had the maximum
capacity were production. If they open up

359
00:25:22.680 --> 00:25:26.680
everywhere, they' re gonna get
crazy. Of course it' s not

360
00:25:26.680 --> 00:25:30.960
more. When they arrived in Mexico
it was a serious cartastrophe they didn'

361
00:25:32.039 --> 00:25:33.680
t have early because they arrived in
the middle of a pandemic. Oh,

362
00:25:33.759 --> 00:25:33.960
yeah, yeah, that' s
right, that' s right, that

363
00:25:33.960 --> 00:25:38.079
' s right. Then they didn' t. I was making some houses

364
00:25:38.200 --> 00:25:44.720
in Tepostlán and they are rent houses
the truth, because your prices are not

365
00:25:44.799 --> 00:25:47.880
going to compete with Ike. Then
they' re way higher than that.

366
00:25:48.519 --> 00:25:52.839
So I said and if half the
internity I made them, I half accessories

367
00:25:52.079 --> 00:25:57.359
things like that with my looks perfect. Then they had a page of followers

368
00:25:57.440 --> 00:26:03.079
who called you diego, so he
went to bed saying five arrived. Then

369
00:26:03.240 --> 00:26:10.039
from there running over there, to
buy you as if it were Black Frideng

370
00:26:10.319 --> 00:26:15.319
how funny you people are. Yeah. Now it seems to me that they

371
00:26:15.400 --> 00:26:18.960
are consolidating it better. Yeah.
I think so, because that did happen.

372
00:26:18.160 --> 00:26:22.680
I was also going to buy a
furniture for my house, right in

373
00:26:22.720 --> 00:26:26.799
the pandemic and told me that there
was no one. There weren' t

374
00:26:26.079 --> 00:26:29.720
people who wouldn' t with that
I' d say no more today because

375
00:26:29.839 --> 00:26:30.799
with people they call me fart there' s nothing. You' re not

376
00:26:30.920 --> 00:26:34.759
talking when they lived yes, nothing
and it' s a great mark.

377
00:26:37.240 --> 00:26:41.960
They' re quality products. The
slogan of valcamp pra was to make good

378
00:26:42.039 --> 00:26:48.799
design at affordable prices and thus managed
to be among the five marrutas of the

379
00:26:48.839 --> 00:26:51.480
Fian world I do not know what
they are in the middle of nothingness in

380
00:26:51.559 --> 00:26:56.519
Sweden, the video of the nothingness
of don yes the little to the south

381
00:26:56.559 --> 00:26:59.920
and they have their office there.
They put their office there their offices,

382
00:27:00.160 --> 00:27:04.200
their small office, with an old
desk, an old chair, their quaint

383
00:27:04.240 --> 00:27:08.839
one that was very austere. He
died. He still died with his dust.

384
00:27:10.160 --> 00:27:14.279
In a thousand nine hundred and seventy
orale fifth type. I remember in

385
00:27:14.319 --> 00:27:18.599
the world Wow was to buy islands
and already Tessin and I' m going

386
00:27:18.599 --> 00:27:23.279
to buy my plane and month of
Fanfarroner, not Austere Fanfarrado. He'

387
00:27:23.359 --> 00:27:27.920
s got the story of Queda and
when he started, he took all his

388
00:27:27.920 --> 00:27:32.200
employees to Ibiza. But when Ibiza
was something from Sweden, it was unthinkable,

389
00:27:32.720 --> 00:27:36.160
it was very expensive. Okay and
he took them all cool when people

390
00:27:36.519 --> 00:27:41.480
traveled it normally saw it clear wow. Yeah. It' s a four

391
00:27:42.400 --> 00:27:45.440
- year- old who knew which
father. It is very interesting that the

392
00:27:45.480 --> 00:27:48.000
richest in the world are so austere
and I say not all, but they

393
00:27:48.000 --> 00:27:53.119
are as relevant, as I don' t know mat Zuckenberg or the or

394
00:27:53.319 --> 00:27:57.960
Apol, that I ever wonder what
motivated you in those leagues to that was

395
00:27:59.000 --> 00:28:03.079
so. That doing more is no
longer the money, you already have it

396
00:28:03.079 --> 00:28:07.880
exactly, but a book that said
that from a hundred my scripts or my

397
00:28:07.960 --> 00:28:11.839
fears dollars, it is no longer
anything that you can buy more than the

398
00:28:11.880 --> 00:28:18.519
other is that you can buy a
car formed of diamond and you want it

399
00:28:18.519 --> 00:28:21.160
for what before. That is the
means of those who want to compete to

400
00:28:21.279 --> 00:28:26.240
make them seem clear beings, because
you already have to prove nothing. Well

401
00:28:26.640 --> 00:28:30.599
it' s sharing already come sonnets
pacte. Yeah, I' m already

402
00:28:30.599 --> 00:28:34.240
who I am. It' s
a very good couch. Yeah, yeah,

403
00:28:34.319 --> 00:28:37.440
yeah, it' s reality and
you hear how interesting, but yeah.

404
00:28:37.559 --> 00:28:41.359
As we return to the subject of
the nobleries in Mexico, I think

405
00:28:41.440 --> 00:28:47.400
you are right that we need a
stronger consolidated one and that you call the

406
00:28:48.200 --> 00:28:52.880
designers if we need, we need
some of this a talk here that the

407
00:28:52.920 --> 00:28:56.000
students brought me downtown and I told
you are students working on that there is

408
00:28:56.160 --> 00:29:02.519
no one. We have no international
representation, and if we have the workforce,

409
00:29:02.920 --> 00:29:06.039
we have the local materials, we
don' t even have to bring

410
00:29:06.039 --> 00:29:08.559
them in. There are times when
they bring us materials. What happens in

411
00:29:08.680 --> 00:29:12.039
countries like this you have the product, you have to take it to someone

412
00:29:12.920 --> 00:29:17.400
else to process it and they bring
it back to you already processed and they

413
00:29:18.000 --> 00:29:22.359
see you sink it clear, because
we do that certain things that we can,

414
00:29:22.559 --> 00:29:23.440
in things that are very expensive,
but in certain things. I think

415
00:29:23.440 --> 00:29:30.759
there' s this whole moe market
in Guadalajara, but it' s a

416
00:29:30.759 --> 00:29:33.279
long way from there. I thought
I' d go to the Molle de

417
00:29:33.319 --> 00:29:36.000
Guadalajara fair. Then I tell the
milan don' t go, not hours.

418
00:29:36.160 --> 00:29:41.480
That' s a sudden confrontation.
He what you did to go you

419
00:29:42.640 --> 00:29:45.400
get. There I was dying chocolate
and more than if they were in fashion.

420
00:29:45.480 --> 00:29:49.279
But many years ago, we did, like, twelve years ago studying

421
00:29:49.279 --> 00:29:52.359
just when I made my house,
in that ah Ok house in two thousand

422
00:29:52.440 --> 00:29:59.240
three. There I am chocolate and
I still am if I' m still

423
00:29:59.240 --> 00:30:02.799
twenty- one, twenty- two
years old, I thought that fashion was

424
00:30:02.799 --> 00:30:04.759
going to end a life. Not
yet that they like chocolate. And I

425
00:30:04.799 --> 00:30:07.839
really hate it at the time,
because it gives a very easy solution,

426
00:30:08.079 --> 00:30:11.640
because painted the wood that went out
and gave you the tone, you could

427
00:30:11.640 --> 00:30:18.160
use cheap wood and try the elegant
going, no, but in Mexico there

428
00:30:18.200 --> 00:30:22.279
are woods, so they are not
tropical woods. Right now, there are

429
00:30:22.359 --> 00:30:26.480
problems with mothers dealing with everyone on
tro has fallen a very rare thing that

430
00:30:26.519 --> 00:30:30.759
I want to get into. Greetings, or even the pine, which is

431
00:30:30.880 --> 00:30:33.359
most seen wine, is seen as
a mother- to- mother. No,

432
00:30:33.480 --> 00:30:37.119
if it' s a good treatment, it' s a good way.

433
00:30:37.440 --> 00:30:40.759
If I believe, I knew earlier
and remember I had clients who said

434
00:30:40.839 --> 00:30:44.240
I want the fine material i mean, I want an Italian stone, u.

435
00:30:45.839 --> 00:30:48.240
But there are Mexican stones. No. But a fine Italian is a

436
00:30:48.359 --> 00:30:52.200
stone. The stones over there and
the stones here and the zinc ones on

437
00:30:52.240 --> 00:30:56.160
the ground you do exactly. They
don' t think God said I'

438
00:30:56.160 --> 00:31:00.680
m going to give Talia there the
good stones to Mexico, the stones are

439
00:31:00.680 --> 00:31:03.480
here. It wasn' t Encende, yes, but that' s how

440
00:31:03.160 --> 00:31:08.920
the human being works, yes,
it works as a good thing, but

441
00:31:10.640 --> 00:31:12.799
I' m seeing right now in
cut marble, which is Mexican and medium

442
00:31:12.799 --> 00:31:17.160
- sized, which is Mexican and
cheaper. But I' m told by

443
00:31:17.160 --> 00:31:19.240
those who sell that they don'
t buy their carrara, because the race

444
00:31:19.240 --> 00:31:22.640
is from Italy. It' s
a stone, it' s a fart

445
00:31:22.720 --> 00:31:26.759
you find in the bush. Point
yes, it' s not like it

446
00:31:26.839 --> 00:31:32.200
marks us in the bush, not
whore, not anyone' s. There

447
00:31:32.319 --> 00:31:36.000
' s another thing that I feel
is happening in Mexico, that we just

448
00:31:36.039 --> 00:31:41.359
went to American Canadian now that was
all this art week. I feel like

449
00:31:41.519 --> 00:31:49.440
Mexico still has the problem I call
it, molcajete syndrome. Ok it'

450
00:31:49.480 --> 00:31:55.359
s funny in montecajete alone of stone, without the stone. In Basaltica Volcanica

451
00:31:56.599 --> 00:32:02.960
it is funny if you love salsas
and we continue presenting it as you are

452
00:32:04.000 --> 00:32:09.160
going to present to international fairs and
present a molcajete, do not stop reinterpreting

453
00:32:09.160 --> 00:32:12.400
the marker. It' s over. We already exploited that already leaving that

454
00:32:12.960 --> 00:32:17.160
behind and I played the mask of
fighter and the figures of fighter in all

455
00:32:17.160 --> 00:32:23.359
those reinterpretations that carry those basic elements
that end up being accessories, if exact,

456
00:32:23.599 --> 00:32:28.240
but since we have to compete with
Brazil, for example, with furniture,

457
00:32:28.720 --> 00:32:32.400
we cannot, because you cannot compete
a mulcajete against a Brazilian chair.

458
00:32:34.279 --> 00:32:37.839
Yeah, no, we don'
t have to leave. It' s

459
00:32:37.880 --> 00:32:40.720
part of our culture. Okay,
I accept it, but leave it where

460
00:32:40.799 --> 00:32:44.519
it has to be. It'
s not our main element. It'

461
00:32:44.559 --> 00:32:50.559
s an access. Yes, of
course here what we wanted, that what

462
00:32:50.680 --> 00:32:58.240
we wanted to do was that it
took so much work to find furniture and

463
00:32:58.359 --> 00:33:02.039
then I thought you had two parts
between two sectors Mexico, you go to

464
00:33:02.160 --> 00:33:06.759
the wrongs of liberpolicides or you go
to the European brands, with a huge

465
00:33:07.119 --> 00:33:13.880
difference my impression aha, then I
thought I used a mall for me,

466
00:33:14.240 --> 00:33:16.559
I could buy if it was my
house. Then we decided to make furniture,

467
00:33:17.920 --> 00:33:21.720
we and we own the games.
It was a lot of work,

468
00:33:22.000 --> 00:33:23.160
but here we go. I think
we' ll see a very good producer.

469
00:33:23.240 --> 00:33:29.960
And then you said I' ve
learned a lot from the Milan Fair,

470
00:33:30.759 --> 00:33:34.799
from the fairs here in Mexico.
I' m already going to do

471
00:33:34.839 --> 00:33:37.799
what I look like and be interior
today and so on, it' s

472
00:33:37.880 --> 00:33:40.920
not a bit of a foreword during
the field and capo worked. How long?

473
00:33:42.039 --> 00:33:43.640
Do you? Do you have a
little bit? Do you have a

474
00:33:43.640 --> 00:33:45.440
little bit? We opened in September
last year. Ah has little, but

475
00:33:45.519 --> 00:33:50.240
it' s the result of a
long time, I mean, it wasn

476
00:33:50.279 --> 00:33:53.759
' t clear what we came up
with last year. We have been here

477
00:33:53.839 --> 00:33:57.279
for ten years now since the year
two thousand and seventeen. I think since

478
00:33:57.440 --> 00:34:00.039
two thousand seven you went to your
first fair, since I had the idea.

479
00:34:00.559 --> 00:34:04.559
But there are many things that they
do have to give, that they

480
00:34:04.960 --> 00:34:08.679
saw us clear until the pandemic,
that helped as everything closed down. He

481
00:34:08.719 --> 00:34:13.800
helped us focus on this. Of
course, yes, very accurate and what

482
00:34:13.840 --> 00:34:16.920
you expect with capo elaborates where you
want, what your goal is. I

483
00:34:17.000 --> 00:34:23.119
' d like to sell furniture to
people for them Uh- huh See,

484
00:34:23.599 --> 00:34:27.400
that' s more than selling to
TVs and making grown- ups and selling

485
00:34:27.400 --> 00:34:30.000
five hundred chairs. The idea that
we work to make products for people,

486
00:34:30.239 --> 00:34:37.199
for your house for you Ok you
people who can afford it, but for

487
00:34:37.280 --> 00:34:44.760
them not. No, I wouldn' t want to sell in chains,

488
00:34:45.159 --> 00:34:49.679
either good or bad. I mean, it' s not our idea to

489
00:34:49.719 --> 00:34:52.880
sell a lot of mons' bestial. They are specific products as they call

490
00:34:52.880 --> 00:35:00.280
it ra, they are potik products
ajá bran mercante ok very well, n

491
00:35:00.280 --> 00:35:05.119
s ne believable, that has the
truth many congratulations and well, well,

492
00:35:05.400 --> 00:35:08.199
I think it is a pretty complicated
guild, because in Mexico, yes,

493
00:35:08.840 --> 00:35:14.960
there really is not like a detachment. I do not think that just like

494
00:35:15.000 --> 00:35:17.679
the fairs that I have gone here, in Mexico, I have seen an

495
00:35:17.800 --> 00:35:23.559
evolution yes that we are already looking
more inwards to take advantage of the resources

496
00:35:23.639 --> 00:35:28.679
here, not so much from other
European sides, etcetera, but to look

497
00:35:28.800 --> 00:35:34.000
from here for example, say Wick
already most of the Mexican furniture produced here.

498
00:35:35.320 --> 00:35:37.800
I don' t think that'
s a good step, but there

499
00:35:37.920 --> 00:35:39.559
' s still a lot more to
be positioned. And besides that the other

500
00:35:39.639 --> 00:35:44.320
part is missing, which is to
reassure people so they have a taste for

501
00:35:44.400 --> 00:35:47.320
design. Unlike a place in Italy, where last time I went to dinner

502
00:35:47.360 --> 00:35:52.679
with friends and friends, then I
talked to a guy who said well,

503
00:35:52.440 --> 00:35:55.679
yes, I do, I have
a dining room for the lining. I

504
00:35:55.719 --> 00:35:59.960
mean, yeah, it' s
very expensive, but I saved, saved,

505
00:36:00.599 --> 00:36:02.000
and finally I could buy it.
So, if someone that idea and

506
00:36:02.039 --> 00:36:06.800
I want a good project for my
house, I don' t want to

507
00:36:06.880 --> 00:36:10.320
get home and buy everything and start
as cheap as possible, because that happens

508
00:36:10.400 --> 00:36:15.280
in Mexico. It also hates me
that in castellist I stress that I want

509
00:36:16.039 --> 00:36:20.119
to worry about nothing and that they
do not cost as little as possible and,

510
00:36:20.480 --> 00:36:21.719
in the middle of clear cases,
make more money. Yes, but

511
00:36:22.119 --> 00:36:24.440
at its level we could turn on
that culture that we don' t have

512
00:36:24.519 --> 00:36:28.920
a pale, not a real culture
of design. In Mexico see in tip.

513
00:36:29.440 --> 00:36:34.119
It' s starting, but it' s missing, there' s

514
00:36:34.199 --> 00:36:35.599
a lot of Tatarreja that has also
evolved very well. And in Genero ge

515
00:36:35.800 --> 00:36:40.239
Innova, what are they doing right
now in Gino Va we are building a

516
00:36:40.320 --> 00:36:44.800
building in the Narbarte and we are
building you just started a building in the

517
00:36:44.840 --> 00:36:49.039
beginning ok and that building is apartments. We almost departemen and what father if

518
00:36:49.320 --> 00:36:53.840
we do everything we all find the
land, not get the permits to design

519
00:36:54.199 --> 00:36:58.320
it, build it and sell it. There' s no good, okay

520
00:36:58.400 --> 00:37:00.679
they do like the whole package they
all enter parks and it was always your

521
00:37:00.760 --> 00:37:07.000
goal, always making apartments. Or
life led you to function. I think

522
00:37:07.079 --> 00:37:09.119
life goes into a lot of things, which is what you want. No,

523
00:37:09.199 --> 00:37:13.639
when I got out of the race
and said I want to make a

524
00:37:13.639 --> 00:37:15.760
scratch, so okay I decided to
make a Skyscrapers where the bibus is pulling

525
00:37:15.800 --> 00:37:21.320
out of s is a despised space. I still think it' s a

526
00:37:21.320 --> 00:37:23.079
scornful space. Yes, it is, but pure I say no. No,

527
00:37:23.199 --> 00:37:28.639
no, no, there' s
a lot of things you lose control

528
00:37:28.639 --> 00:37:30.559
of. I mean, it'
s got to be a lot of half

529
00:37:30.559 --> 00:37:34.320
- businesses they do. I saw
through the wings of the destiny the construction

530
00:37:34.719 --> 00:37:37.599
process of the Bancomer Tower, which
is a very good project. But if

531
00:37:37.880 --> 00:37:43.840
between very large companies, everyone knows
how to make their own clear and there

532
00:37:43.920 --> 00:37:46.079
is no one who is seeing precisely
the detail. Each company does its part

533
00:37:46.119 --> 00:37:51.679
and in the end there is someone
who closes a frame becomes difficult, very

534
00:37:51.679 --> 00:37:54.880
extraordinary, but you have no control
over you have no control over your project.

535
00:37:55.079 --> 00:37:59.519
Yes, neither the architect, the
architect who in this case was to

536
00:37:59.679 --> 00:38:02.280
refuse to go along with Correta.
I think Le Gorreta took over the task

537
00:38:02.320 --> 00:38:07.400
of landing it Mexican normivity and Le
Gorrita did more of the project which is

538
00:38:07.480 --> 00:38:08.400
how manly it works. Yeah,
yeah, yeah, yeah, but maybe

539
00:38:08.480 --> 00:38:14.719
Richard Rogers went to the opening They
learned me by something next, the world

540
00:38:14.719 --> 00:38:17.639
skits. Yeah, no, it' s not a problem for him not

541
00:38:17.719 --> 00:38:22.920
to get other scratches. Nor is
there that personalization that we do have with

542
00:38:22.960 --> 00:38:27.360
our projects. I' m not
saying we' re better than developments at

543
00:38:27.440 --> 00:38:30.239
all, but they' re two
different aspects of design and victor. Greetings

544
00:38:30.280 --> 00:38:36.039
to Richard Rogers. It also doesn' t explain to anyone many things that

545
00:38:36.119 --> 00:38:37.840
you have to realize. He said
things that take you a long time to

546
00:38:37.840 --> 00:38:40.559
figure out. Yeah, yeah,
hey, and how' s your design

547
00:38:40.639 --> 00:38:45.239
process, both when you' re
designing furniture and being designing, I don

548
00:38:45.280 --> 00:38:47.320
' t know any apartment building is
the way it is. I mean,

549
00:38:47.519 --> 00:38:52.440
if you have like a routine together
with your team, something they do.

550
00:38:52.719 --> 00:38:54.599
I don' t think you'
re fit for routine. I think you

551
00:38:55.599 --> 00:39:01.000
always start with paper. You definitely
have to see first you start more than

552
00:39:01.039 --> 00:39:07.719
with stripes or written things, either
written things of all kinds of ideas,

553
00:39:07.119 --> 00:39:12.559
or what you want, what you
want to accomplish, or what you need.

554
00:39:12.639 --> 00:39:15.920
There, in the case of departments, because you' re also part

555
00:39:15.960 --> 00:39:24.719
of a market, because you can' t do anything either and you can

556
00:39:24.840 --> 00:39:28.719
' t get out of it,
partner with the market and do whatever you

557
00:39:28.800 --> 00:39:30.719
want, because you finally have to
sell it to me. Then see what

558
00:39:30.760 --> 00:39:35.480
is needed, what is working.
And we try to do things that are

559
00:39:35.519 --> 00:39:38.159
different, little, things that have
a certain quality. Also that it has

560
00:39:38.280 --> 00:39:42.840
led to problems too, so sometimes
I say why I don' t do

561
00:39:42.920 --> 00:39:47.360
things more commercial or easier. It' ll be the same, but I

562
00:39:47.360 --> 00:39:52.920
love to get good. Yes,
it has, that in the end I

563
00:39:53.320 --> 00:40:00.239
say why we get so into trouble. That' s measuring satisfaction, and

564
00:40:00.239 --> 00:40:05.679
if I don' t suffer anymore, there' s a lot more head

565
00:40:05.679 --> 00:40:08.280
odors. Of course it' s
the way it is. I think then

566
00:40:08.360 --> 00:40:15.519
if you start over there you write, then you go over the stripes and

567
00:40:15.559 --> 00:40:17.119
then you see it work, then
you spin it around a lot. I

568
00:40:17.320 --> 00:40:22.559
call to let a project cool.
You have to let it cool, you

569
00:40:22.599 --> 00:40:23.280
have to distance yourself a little,
you have to go back. Yeah,

570
00:40:23.360 --> 00:40:27.000
' cause if you don' t
marry the idea and you don' t

571
00:40:27.280 --> 00:40:29.079
get out of there and it gets
a little bit like something, everything comes

572
00:40:29.079 --> 00:40:34.039
up. Anyone who knows why I' m a slug in there will know

573
00:40:34.199 --> 00:40:38.000
to God why you' re driving
him changed that mistake. Yeah, and

574
00:40:38.079 --> 00:40:42.639
he' s got the best.
Anyone who tells you something says yes,

575
00:40:42.920 --> 00:40:47.280
is that sometimes customers think it'
s a very easy process that you get

576
00:40:47.360 --> 00:40:51.960
to go to plasmas and point is
not that you' re right. Let

577
00:40:52.000 --> 00:40:55.800
it cool down. Just this week
we had three deliveries with clients and,

578
00:40:57.000 --> 00:41:00.920
suddenly, if it was like letting
it cool and we focused on the other

579
00:41:00.960 --> 00:41:05.119
because I already married this, it
has to mature a clear suisen, you

580
00:41:05.159 --> 00:41:08.000
have to do then you have to
think, then you have to leave it,

581
00:41:08.400 --> 00:41:10.920
you have to come back when you
have the time. It' s

582
00:41:10.920 --> 00:41:17.239
a bit, like the airport they
did now at discharge. It' s

583
00:41:17.280 --> 00:41:21.639
a project that they had to do
something pop is very fast. A project

584
00:41:21.880 --> 00:41:24.079
is not done this way and it
will surely have the mistakes that I have

585
00:41:24.159 --> 00:41:28.239
already built, as they will already
notice. Right now, I think that

586
00:41:28.280 --> 00:41:31.840
' s the coughing like the pilafón, for example, that there are greetings

587
00:41:31.920 --> 00:41:38.360
to the ipa, but it'
s a very vital thing that no one

588
00:41:38.360 --> 00:41:42.320
I think has commented here that if
you have to let it be offered suddenly,

589
00:41:42.519 --> 00:41:44.800
it' s like I already put
the door wrong. I haven'

590
00:41:44.840 --> 00:41:46.119
t noticed, let me get cold
when I get back, I realize,

591
00:41:46.639 --> 00:41:49.599
and I don' t introduce you
every year when we' ve gone wrong.

592
00:41:50.239 --> 00:41:52.280
Yeah, yeah, sure, and
there are constructions that are really bad.

593
00:41:52.440 --> 00:41:54.599
You say no, I mean no. I' m not saying that

594
00:41:54.599 --> 00:41:59.039
they don' t go wrong,
but if some little detail you say is

595
00:41:59.039 --> 00:42:01.639
correct. It' s very good
and in the design process, well.

596
00:42:01.679 --> 00:42:08.119
While they' re designing, listening
to music, or you' re motivated

597
00:42:08.239 --> 00:42:10.119
by something so you can concentrate egg. I really like the story, very

598
00:42:10.119 --> 00:42:15.840
well you know the story and I' ve been watching history videos for quite

599
00:42:15.920 --> 00:42:21.840
some time. I hear history videos
on YouTube really what a father. Then

600
00:42:21.880 --> 00:42:25.400
I' m hearing things. I
accept that you don' t understand everything,

601
00:42:25.519 --> 00:42:27.599
because there are things that need to
be paid a lot of attention.

602
00:42:27.880 --> 00:42:31.239
Uh- huh, but I go
back there, I go back to the

603
00:42:31.639 --> 00:42:34.000
same thing, like, eight times
in the end you get it. It

604
00:42:34.119 --> 00:42:36.880
' s a background sound, of
course, of course, of course,

605
00:42:37.239 --> 00:42:39.039
and that' s like your motivation
for all of a sudden, if they

606
00:42:39.079 --> 00:42:39.599
say something you say wait, that' s something I' ve heard.

607
00:42:39.719 --> 00:42:45.760
Oh, you have to see sochi
chis and yes, but I see a

608
00:42:46.280 --> 00:42:49.599
lot of World War II documentaries.
I' ve seen a lot like this.

609
00:42:49.679 --> 00:42:53.239
Wow, I love things or unusual
things, a christobanic wine that I

610
00:42:54.239 --> 00:42:58.159
talk a little bit like because if
you did in history a little bit of

611
00:42:58.239 --> 00:43:01.679
a linear process say, a little
bit like question you things that says yes,

612
00:43:02.000 --> 00:43:05.480
right, I' ve never worn
it. Christopher Columbus recently arrived as

613
00:43:05.519 --> 00:43:09.559
a doctor. Just like that.
I' m leaving all right, I

614
00:43:09.639 --> 00:43:13.199
come and it' s impossible for
us, because no one had been able

615
00:43:13.199 --> 00:43:15.559
to do that before China. If
it' s easy enough, I'

616
00:43:15.559 --> 00:43:17.280
ll be all right and I'
ll get there. It wasn' t

617
00:43:17.320 --> 00:43:22.039
that simple. He didn' t
live in Madeiras and he says something.

618
00:43:22.119 --> 00:43:24.280
I don' t know if conspiracy
theories are something like that and he says

619
00:43:24.280 --> 00:43:29.000
that when he lived in madrides that
are in the Atlantic there they sometimes saw

620
00:43:29.239 --> 00:43:34.519
dry branches coming from plants that they
had never seen and that he brought the

621
00:43:34.599 --> 00:43:37.000
current and once came a corpse of
a race that they didn' t know.

622
00:43:38.800 --> 00:43:44.320
They start to question each other,
because bringing the other side, something

623
00:43:44.400 --> 00:43:50.760
will have been gone. And then
he talks there about someone who could have

624
00:43:50.760 --> 00:43:52.840
come back. I don' t
know how true that is very bad,

625
00:43:54.199 --> 00:43:59.079
that he came back and he talked
to him and told him about things that

626
00:43:59.079 --> 00:44:06.039
he had seen, of currents,
that Christopher Columbus when he crossed his sailors,

627
00:44:06.599 --> 00:44:07.800
that imagine crossing and if he didn' t have riots and if he

628
00:44:07.840 --> 00:44:12.039
told me this crazy and he'
s going to kill us all already knew

629
00:44:12.039 --> 00:44:15.199
that things were going to happen like
they weren' t going to happen and

630
00:44:15.280 --> 00:44:15.840
thanks to that he was telling his
sailors, this is going to happen and

631
00:44:15.840 --> 00:44:22.840
it happened. He had that thing
like he' s a sage, he

632
00:44:22.920 --> 00:44:25.360
knows he hasn' t been told. Ah look, uh, then,

633
00:44:25.599 --> 00:44:30.320
well, that' s how thumb
sounds more logical. Well, that does,

634
00:44:30.559 --> 00:44:32.079
I mean, sound more human,
not because at the same time we

635
00:44:32.119 --> 00:44:37.159
avenge her like a superhero. No, then, how easy to pay a

636
00:44:37.239 --> 00:44:39.239
cayak and rem as far as you
can go or you' re going,

637
00:44:39.400 --> 00:44:42.440
you' re going to get to
horitas dos o en tus manes. Yeah,

638
00:44:42.599 --> 00:44:45.880
' cause the currents are coming back
to you. So they come back

639
00:44:45.880 --> 00:44:49.960
to you, if you' re
right, and but I find it very

640
00:44:50.079 --> 00:44:55.559
curious that you in your process of
creating, designing to listen to history is

641
00:44:55.639 --> 00:45:00.800
really lame, because it' s
like the usual is musical, not or

642
00:45:00.880 --> 00:45:02.599
something news, you don' t
say to notice anything else and I'

643
00:45:02.599 --> 00:45:06.440
m usually selling a program. You' re not so stupid in your story,

644
00:45:06.840 --> 00:45:08.360
what a father you are. She' s amazing. That' s

645
00:45:08.440 --> 00:45:13.679
funny your design process of learning a
lot of things, yes, because you

646
00:45:13.760 --> 00:45:15.599
always keep learning all the time it
was a lot of things. You like

647
00:45:15.639 --> 00:45:19.119
to learn truth. Yeah, which
noticed the last thing I tried to learn

648
00:45:19.159 --> 00:45:22.119
that the truth didn' t go
well, it was Swedish, no,

649
00:45:22.440 --> 00:45:27.320
it didn' t go well,
no more. I didn' t understand

650
00:45:27.400 --> 00:45:29.719
some things that after those forty years
is the same. You' ve been

651
00:45:29.760 --> 00:45:31.519
told that all your life. But
until you' re there, there,

652
00:45:31.519 --> 00:45:36.800
we understand. Ah yes, I
learned when I finished Prepa, I went

653
00:45:36.920 --> 00:45:40.559
to France and learned French. Then, as I tell you, I learned

654
00:45:40.880 --> 00:45:47.639
Italian and I 15 to 16 years
old mixed up and the Talian already questioned

655
00:45:47.639 --> 00:45:52.440
it more. But the Swede went
after forty years and then he begins to

656
00:45:52.440 --> 00:45:57.440
question many things. How do you
say such a thing? He was never

657
00:45:57.440 --> 00:46:02.719
an apprentice This is never going to
happen. You don' t say relationship.

658
00:46:02.800 --> 00:46:07.440
I mean, ten million people talk
about it. One thousand three hundred

659
00:46:07.440 --> 00:46:12.119
million speak in Spanish, because I
am going to learn something that speaks ten

660
00:46:12.119 --> 00:46:14.920
million people. They already speak to
him the guys of English salt people.

661
00:46:15.639 --> 00:46:21.119
Or it' s very difficult the
Swede, because because you climb me very

662
00:46:21.119 --> 00:46:22.639
well, you don' t get
followed by a furrow. They answer you

663
00:46:22.639 --> 00:46:28.280
English, but you' ve had
to go to a lot of family reunions.

664
00:46:28.360 --> 00:46:32.039
They are from me I have to
be in the inner world for all

665
00:46:34.159 --> 00:46:38.840
and it is good that they all
came more. When I go I have

666
00:46:38.880 --> 00:46:44.199
a daughter of four and a half
years and I am learning Swedish and I

667
00:46:44.280 --> 00:46:46.519
would have talks in which I do
not understand anything. Learn with it.

668
00:46:49.880 --> 00:46:52.400
It couldn' t be done,
and how hard it was. I'

669
00:46:52.440 --> 00:46:55.960
m gonna pick it up sometime,
but I' m gonna put it on

670
00:46:55.960 --> 00:47:02.000
the floor. Let it cool,
let it cool hey and who are your

671
00:47:02.119 --> 00:47:07.960
three favorite architects? And who are
your three favorite industrial designers? Well,

672
00:47:07.440 --> 00:47:15.639
look at my international architects. When
I was in the race adored Santiago Calatrava.

673
00:47:15.679 --> 00:47:19.079
To date I have seen several works
of him. He' s had

674
00:47:19.159 --> 00:47:21.880
certain scandals of works that have had
problems. It' s given, it

675
00:47:22.679 --> 00:47:27.039
' s given good. His works
are very different, especially when someone does

676
00:47:27.119 --> 00:47:31.000
something you say to me that never
happened to me. I don' t

677
00:47:31.079 --> 00:47:34.960
know how you can think of it. It is like the ton a whole

678
00:47:35.000 --> 00:47:38.119
that is in malmonts of it is
in a co skyscraper that is in bad

679
00:47:38.199 --> 00:47:45.519
mood here Copenhagen, a building turned
like a torso. How no one came

680
00:47:45.559 --> 00:47:49.960
up with this, a rescuer who
has a design, because in the cancillas

681
00:47:50.039 --> 00:47:54.360
are usually linear small boxes of New
York can be a drawer with numbness,

682
00:47:54.480 --> 00:47:58.440
which is what they have done in
Nuerio, for example founder mto put some

683
00:47:58.480 --> 00:48:01.559
in detail, but finally in the
beginning that same is a rectangular box,

684
00:48:01.880 --> 00:48:07.000
as it was and here it turned
that God me by very interesting circles.

685
00:48:08.159 --> 00:48:15.400
That' s one with all the
scandals we had those extraordinary Herzogne Neurón archtec

686
00:48:15.440 --> 00:48:21.360
from Switzerland. It makes me that
they are architects who invent materials that do

687
00:48:21.360 --> 00:48:27.199
not exist, they did not exist
before them. So it looks like his

688
00:48:27.239 --> 00:48:30.199
principle is that we' re going
to invent things that haven' t been

689
00:48:30.199 --> 00:48:35.400
seen. If you see the bird' s nest of the Beijing Games,

690
00:48:36.519 --> 00:48:42.000
I imagine when the structuralist introduced him, that project must have renounced several crises.

691
00:48:42.719 --> 00:48:44.320
If he' s not here,
he' s not coming out.

692
00:48:44.440 --> 00:48:47.360
This is not the last one I
say watching, because here in my engineer

693
00:48:47.400 --> 00:48:50.719
would never have done to me.
I shouldn' t have done something like

694
00:48:50.719 --> 00:48:53.199
that. Yeah, yeah, yeah, yeah. Right. On the other

695
00:48:53.199 --> 00:49:01.239
hand, I also loved Saharis at
the time. I don' t believe

696
00:49:01.760 --> 00:49:05.920
much in the fact that architects'
name signatures continue. They' re not

697
00:49:06.039 --> 00:49:10.639
like clothing brands like amenu chingon.
The architects' marks. They' ve

698
00:49:10.719 --> 00:49:14.199
hardly ever been able to do that. It still exists, although it takes

699
00:49:14.360 --> 00:49:17.039
out a dome that some, some, eight or nine years or so ago.

700
00:49:21.360 --> 00:49:23.400
I can imagine the pressures that that
woman has to experience. He died.

701
00:49:24.159 --> 00:49:27.320
Yeah, I don' t know
if it was about that, but

702
00:49:27.320 --> 00:49:32.039
he died. But I remember Maxi
Signing in Rome has a spectacular flying.

703
00:49:34.880 --> 00:49:38.800
It has that I think it was
the one that went into the parametric architecture

704
00:49:38.840 --> 00:49:46.400
that previously did not exist. Although
the parametry has its problems, sometimes the

705
00:49:46.519 --> 00:49:52.119
spaces have to be orthogonal and the
parametry is just a scenario of that square

706
00:49:52.159 --> 00:49:55.039
space that passes, for example,
in the boom handy vill Bao defend then

707
00:49:55.960 --> 00:50:00.880
it is inside and you say no
what joke your squad. Yeah, he

708
00:50:00.920 --> 00:50:05.079
loves it there for the whole thing. So outside you decorated it, but

709
00:50:05.159 --> 00:50:06.639
you' ve got holes and inside
it' s square. No. No.

710
00:50:07.079 --> 00:50:13.599
Although I think the google henes is
an extraordinary piece that made that when

711
00:50:14.599 --> 00:50:17.440
I went to France, I met
people from the bal I went to Va

712
00:50:17.480 --> 00:50:22.320
before Googhan and Bilbao did not exist, it was nothing, nothing, it

713
00:50:22.360 --> 00:50:23.599
was an industrial AIDS, nobody wanted
to go ok. Since they put in

714
00:50:23.679 --> 00:50:31.800
Googlengham, people are going to live. As much as Vales made your city

715
00:50:31.840 --> 00:50:36.079
appear and exist there, people talked
about it. How many years. Yes,

716
00:50:36.199 --> 00:50:38.800
the increase, the plus was not
basically project. You changed the physiognomy.

717
00:50:38.840 --> 00:50:43.480
It' s the right city.
Few projects in the world that I

718
00:50:43.800 --> 00:50:50.159
can tell you right now the tower
and happy at Cidney' s opera aha

719
00:50:50.159 --> 00:50:54.800
medan tipo. Yeah, yeah,
yeah, how many a lot lift me

720
00:50:54.800 --> 00:50:59.400
up in town. Yeah, it' s a job, the truth is

721
00:50:59.480 --> 00:51:02.880
pray to him, and this is
industrial raves or you know a lot.

722
00:51:04.079 --> 00:51:08.119
Yeah, yeah, yeah. Piter
Son ok I like it. It'

723
00:51:08.199 --> 00:51:14.199
s very linear, but it'
s very clean. Patricio Quiola, if

724
00:51:14.320 --> 00:51:16.639
long ago for that, that which
does everything is in everything, in everything,

725
00:51:16.880 --> 00:51:22.840
it is better. And Antonio Joke
me too very linear and very clean,

726
00:51:24.920 --> 00:51:29.840
but all basic designs go through it. Okay. Piero li sony is

727
00:51:29.880 --> 00:51:34.639
the director of the life fair.
That' s why it is, and

728
00:51:34.719 --> 00:51:37.280
then you get in if he'
s the director of several brands. I

729
00:51:37.400 --> 00:51:38.320
don' t know community do to
be directors of various brands. No.

730
00:51:38.360 --> 00:51:40.639
No. I don' t know
how that Gremmy works either, really.

731
00:51:42.840 --> 00:51:45.760
But those are great designers. Yes, yes, it is, and well,

732
00:51:46.039 --> 00:51:50.760
as I said earlier, the bells
here for innovators, for things we

733
00:51:50.760 --> 00:51:53.920
wanted, if they dared and,
because the world, well, they would

734
00:51:54.000 --> 00:51:58.280
captivate the world and keep doing it, they would do very timeless things.

735
00:51:58.320 --> 00:52:01.119
I' m sorry I like it
being what I' m doing. I

736
00:52:01.159 --> 00:52:05.920
' m a little bragged, who
cron like that, yeah, he'

737
00:52:06.000 --> 00:52:07.320
s a little favor, but he' s talented. I mean, here

738
00:52:07.320 --> 00:52:12.039
he is and he' s dressed
up and I mean, I don'

739
00:52:12.039 --> 00:52:14.679
t know he looks much better.
Many colors are used, these above all

740
00:52:14.760 --> 00:52:17.920
the rose. Yes, a hotel
in Caco, El Temptation. Oh,

741
00:52:19.000 --> 00:52:23.440
yeah, Hinn' s the,
yeah, it' s good, but

742
00:52:23.679 --> 00:52:29.519
it' s pretty much like you
say Fanfarrón is a little bit, as

743
00:52:29.519 --> 00:52:30.679
Philip Stack also flaunts me a lot. Yeah, even though it' s

744
00:52:30.840 --> 00:52:35.519
a game, it' s double. Yes or no. We have to

745
00:52:35.519 --> 00:52:39.079
accept it. Greetings to Philipster,
we must accept it. The three of

746
00:52:39.159 --> 00:52:43.280
us who stencil a teacher. That
is the most serious and most yes,

747
00:52:43.760 --> 00:52:46.679
most productive and you have no more
or yes. I' m looking good.

748
00:52:46.679 --> 00:52:50.800
So and above all that functional things
are done, that is, things

749
00:52:51.039 --> 00:52:53.480
that are used. They' re
used exactly that they' re inside our

750
00:52:53.480 --> 00:52:55.119
environment. I think they have to
see the logs. You have to see

751
00:52:55.199 --> 00:52:59.800
that piece of some impact that,
maybe it' s not worth anything very

752
00:53:00.079 --> 00:53:01.280
expensive personal than having a lot of
cursions. But behind that must be the

753
00:53:01.280 --> 00:53:05.719
pieces that do work. Of course
it' s not a little more.

754
00:53:05.719 --> 00:53:10.920
The architecture also has to be a
raking that makes a very striking piece,

755
00:53:13.159 --> 00:53:15.840
because there has to be a kalache
class that does work exactly, accurately,

756
00:53:16.360 --> 00:53:21.039
very well that will give face as
a character to the city. It'

757
00:53:21.039 --> 00:53:22.880
s amazing, very good. There
you have to drink a balance. It

758
00:53:22.000 --> 00:53:27.480
gives me a lot of thinking.
I like to hear and finish, because

759
00:53:27.519 --> 00:53:30.920
it' s been a great talk
and believe me I' ve learned a

760
00:53:30.000 --> 00:53:32.119
lot right now in this talk.
Really. Thank you for being here with

761
00:53:32.119 --> 00:53:37.719
us. Diego. What would you
say to the new generations of architects and

762
00:53:37.239 --> 00:53:42.760
designers who are entering into having the
same, as well as your own office?

763
00:53:42.840 --> 00:53:49.880
What would you say to them whenever
you say you' re an architect

764
00:53:50.000 --> 00:53:54.159
of people you think you' re
very loving. Oh what father I tell

765
00:53:54.800 --> 00:54:01.239
you work primarily involves dust and mud
that that. You don' t see

766
00:54:01.320 --> 00:54:06.320
it when you finish a project,
whether it' s an interior project or

767
00:54:06.400 --> 00:54:07.719
a construction project, or my design. You' ve seen so much,

768
00:54:08.639 --> 00:54:10.840
you' ve already had so many
problems that you' ve got us and

769
00:54:10.840 --> 00:54:15.559
you' re sick of it.
You want to finish, and that'

770
00:54:15.599 --> 00:54:19.840
s where people say wow, that
is, you get in here, you

771
00:54:19.840 --> 00:54:21.079
turn on the light, you don' t feel. That' s not

772
00:54:21.159 --> 00:54:27.599
my job. My job was to
be with half- legged water in a

773
00:54:27.599 --> 00:54:32.440
casting, in rain or cutting marble
or varnishing that that' s the worst,

774
00:54:32.760 --> 00:54:37.320
varnishing all pain, tremendous that'
s the chamba you don' t

775
00:54:37.320 --> 00:54:39.880
see. So I think you have
to do a lot more research around that

776
00:54:42.199 --> 00:54:46.880
whole back that it' s like
behind the loom to see how the whole

777
00:54:46.960 --> 00:54:54.400
show is set up and that you' re prepared for it and, above

778
00:54:55.639 --> 00:54:59.880
all, to succeed. You have
to go through a lot of them going

779
00:54:59.880 --> 00:55:02.840
wrong. Several times they have to
endure, they have to ride well,

780
00:55:04.079 --> 00:55:07.719
they have to have that resilience to
get back up. Get back up because

781
00:55:07.880 --> 00:55:13.039
they' re not going I know
a case that someone who hasn' t

782
00:55:13.159 --> 00:55:15.559
had a problem does, so they
don' t see that because you get

783
00:55:15.559 --> 00:55:17.000
a problem. It' s the
end of the world to see more and

784
00:55:17.079 --> 00:55:21.800
sometimes you don' t get paid
and sometimes you have to water the chamba

785
00:55:21.880 --> 00:55:24.239
and sometimes you have to hear stuff
you' re never worth today and sometimes

786
00:55:24.239 --> 00:55:30.679
you don' t. I have
customers who lie more about me and customers

787
00:55:30.800 --> 00:55:38.440
who flatter me, ok ok that
thanks me very much for everything and try

788
00:55:38.480 --> 00:55:44.400
to always, even if you have
that customer differences that your product is the

789
00:55:44.480 --> 00:55:47.880
best possible but to the circumstances in
which you did not do aha. That

790
00:55:47.920 --> 00:55:52.800
' s my recons very well.
Diego, so thank you so much for

791
00:55:52.920 --> 00:55:55.760
being here with us on radio day
and above all, allowing us to do

792
00:55:55.880 --> 00:55:59.400
this season with you in the labor
field. The truth is that it'

793
00:55:59.599 --> 00:56:01.719
s amazing and I invite you to
come and take a walk here to the

794
00:56:01.760 --> 00:56:06.239
show room that is in San Luis, Potosi one hundred and thirteen. The

795
00:56:06.280 --> 00:56:09.239
truth is, it' s amazing
the design that you' re really happy

796
00:56:09.280 --> 00:56:13.000
about, and I know that labor
field has a lot to offer around here.

797
00:56:13.199 --> 00:56:15.599
Very good. Thank you very much, Diego, and I' ll

798
00:56:15.599 --> 00:56:16.880
see you next time. We'
re at the beginning of the season.

799
00:56:17.000 --> 00:56:20.920
Don' t miss the other programs
and remember that you can find us on

800
00:56:21.039 --> 00:56:25.880
all music streams. So there'
s no, no excuse for not missing

801
00:56:25.960 --> 00:56:30.159
the new episodes. Thank you so
much, Bye Bye.

