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M h. The paper reports that
two of the male constitutes to give him

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a White Night two of the White
House last year. You want answers?

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I think I'm entitled. You want
answers? What the truth? You can't

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handle the truth? Pretty is?
Everyone? Welcome to the Nick Bryant Podcast

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Today. My guest is Jay Dyer
and he wrote two books called Esoteric Hollywood

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and also Esoteric Hollywood Too, which
I found to be very edifyed like no

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other book before it. His works
delve deep into the dark, mysterious undertones

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hidden in Tinseltown. After years of
scholarly research, Jay Dyer has compiled his

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most read essays combining philosophy compared to
religion, symbolism, geopolitics, and all

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kinds of other dark subject matter.
Readers will watch movies with new eyes,

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able to decipher on their own as
the secret medians of cinema are unveiled.

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Jay, how you doing today?
I'm doing good? Thank you, Nick.

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I know we've been talking for a
long time about doing a podcast and

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we finally got around to doing it, and I want to have you come

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on my channel as well and discuss
some of your work. I'll be more

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than happy to so you get into
a lot of esoteric stuff. I read

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esoteric Hollywood too, but you get
into a lot of esoteric stuff in your

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riding, I think, where you
really go below the surface to show an

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esoteric occult side. But with these
two movies, there are kind of no

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brainers as far as the occult side. And you can talk about them in

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your esoteric Hollywood too, you say, littered with Masonic and al chemical enter

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imagery. The Ninth Gate is a
film about a cult initiation as much as

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I argued Kubrick's Eyes Wide Shut is. So let's talk about The Ninth Gate

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and Eyes Wide Shut. Yeah,
those are good two pairs. They go

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together. They're very close in terms
of timeline when they came out in a

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few years of one another. There's
a lot of similar scenes going on.

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So you know, I don't know
what type of relationship Kubrick or Roman Polanski

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had if they if they knew each
other very well, but both scenes,

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you know, both films have the
themes of sort of a cult initiation,

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Satanic groups running and things in the
background reaching to very high levels of nobility,

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and and you know European dynasties and
you know these sort of quests that

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the protagonist is on to figure out
what's really going on, Who's running this

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stuff, What's what's a true Satanic
initiation or a true Satanic philosophy? I

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think. But but of course they
diverge in very distinct ways as well.

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They're very different films and other respects. But yeah, I think you probably

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couldn't think. I couldn't think of
two better examples of you know, accult

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Hollywood films other than Ninthgate and I
wad Shot. So in the first book,

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I devoted think about one hundred and
eighty ninety hundred pages to Kubrick,

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and I think the first significant essay
as the Eyes Wideshut essay. I put

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a lot of time and effort into
studying that film, particularly about eight or

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nine years ago, because I was
in college and taking film classes. We

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had a class on Oliver Stone.
That's actually what kind of introduced me to

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a lot of trying day books.
I ended up coming across the Senator Forces

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trilogy. I read the whole trilogy, and that kind of piqued my interest,

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as well as other books i'd read
on the connections between Hollywood cults and

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intelligence agencies, and there hadn't been
a whole lot of mainline literature at that

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time. You could really only find
a few academics like Tricia Jenkins and Donald

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I forget the guy's name, but
there's a book called Operation Hollywood, and

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those really kind of just scratched the
surface when it comes to the Pentagon and

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the CIA having kind of liaison offices
to Salt on various film projects. But

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I really wanted to go deeper into
you know, well, it seems like

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quite a few of these actors have
pretty consistent intelligence connections. Seems like some

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famous people in Hollywood have even been
spies at a high level, a listers.

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Even so, the more that I
dove into it, you just it

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turns out there's a whole rabbit hole
of information about the connection between these realms.

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And I think certain movies also are
really windows into that world as well.

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And these two, these two films
are great examples. It's so interesting.

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Oliver Stone's kid, Sean Stone,
made a documentary about the propaganda that

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Hollywood kicks out about the medical industrial
complex, and I was interviewed in that

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series. Actually it was true documentaries, and I thought it was very elucidating.

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So with Kubrick. He's born in
the Bronx, does all right as

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a photographer, starts to do really
well as a director, and he goes

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to the UK and kind of lives
almost he's very insulated, and I've always

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wondered about that. And then he
comes out with eyes wide shut. And

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what's really interesting about that. The
first time I saw it, it was

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before I got into the Franklin scandal
and all the other crazy stuff that I

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write about, and it didn't I
just it wouldn't have gotten more than thirty

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five or forty on the Tomato meter
for me Ron Tomato. But after I

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got into Franklin and this other stuff, I went, Wow, he is

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capturing a reality that no one has
yet captured in the way that he has

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captured it. Yeah, I think
you're right. I think you know.

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I remember hearing about your work many
years ago when I heard about other texts

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that books that just that discussed similar
types of you know, really grewsome subject

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matter. And I think in the
last maybe even eight years, as more

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and more of these types of things
came out with Epstein or with Savile in

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the UK, we started to see
this pattern that you know, this isn't

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really conspiracy theory. This is a
lot of fact, and it's an unfortunate,

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you know way that government's work,
which is to utilize compromise and to

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be involved in these kinds of high
level uh you know, escapades and parties

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and whatnot and filming it and all
of that. And then so it would

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just it just seemed logical to me
that if Kubrick has made for example,

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underage stuff and compromise, it's actually
made that a theme in many of his

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films, right going back to Lolita, going back to Barry Lyndon, It

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just seemed logical to me that when
we dissect something like Eyes White Shot,

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we're going to notice the same types
of patterns. We're going to see,

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you know, the the shop,
the costume shop owner. Right, He's

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got lely Sobieski there playing the role
of this underage girl who seems to kind

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of know what's going on in this
operation because she's the one that of course

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tells Bill Harford to wear an ermine
cloak, which signifies nobility to roll to

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the upper class in the traditional European
ideas, So so she knows what's going

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on. We see this with her
character as just one example, and yeah,

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I think that that's again why it's
emblematic of you know, Kubert was

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kind of like you said, he
he may have been exposed to some of

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this upper class stuff so to speak, when he was in the UK,

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and then he puts it into this
film. People at the time thought the

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film was kind of crazy. I
remember at the time when it came out,

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I was I've always been a film
buff, so I remember reading reviews

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and it was it was lampooned,
and it was just like, this is

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is boring, it doesn't make sense, it's irrelevant. But as time has

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gone by, I think he's been
vindicated that it does make sense. I

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agree with that one hundred percent.
More and more people that I've talked to

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understand eyes wide shut as the occult
and various initiation rights are kind of starting

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to just merge with the mainstream,
or basically on the verge of merging with

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the with the mainstream. And then
you got into They Live, which is

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a very interesting movie and I've always
liked it. It's about a guy who

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sees reality when he's living in the
matrix. Basically, extraterrestrials have taken over

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the world, and then they've made
everybody Stepford husbands and Stepford wives and Stepford

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kids. But this one guy can
see it, and you say, of

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they live amazingly. Carpenter's film even
reveals the core sign up of Hollywoodism that

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the narses sistic indulgence of fame and
the camera lens can bring fulfillment, probably

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demonstrated in the television scene with the
woman describing her fantasy of being famous and

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thereby attaining meeting in her life.
Yeah, I think Carpenter is interesting.

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I've always liked John Carpenter's movies.
I think the film is an allegory.

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I don't as far as I know, Carpenter doesn't believe in any sort of

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supernatural or any kind of alien to
existence. So I think he's using the

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imagery of the alien as kind of
a symbolic, allegorical description of the ruling

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class and the tendency that they have
to undermine us in ways that we wouldn't

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expect, even to the point of
perhaps even utilizing signals and signals intelligence and

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EMFVLF stuff that we don't even know
about, probably in the mainstream at a

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very high level. And I think
there's some truth to that. I'm not

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trying to go full crazy person,
but I mean there are you know,

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military studies research into that kind of
stuff. So I think probably Carbenter had

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heard of that kind of of a
of a weapon that existed or that weaponization

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going on, and then he expands
it into the consumer culture into uh two,

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mass media. And so I've always
appreciated directors and writers that use the

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medium that they that they use as
a means to critique that very medium.

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Right, So you know, when
we talk about the military industrial complex or

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Hollywood being connected to the CIA,
excuse me, CIA ME, and mild

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complex being connected to Hollywood and music, even what we start to see is

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that it's for a reason. It's
not it's not just trying to make a

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quick book. It's actually a huge
part of social engineering. So like at

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the beginning of the second book,
I cited the National Security Cinema book where

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they talked about thousands of declassified hundreds
of pages of doc documents that were declassified,

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discussing tons and tons of TV shows, hundreds of examples and movies where

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you know, the Pentagon, the
deep State had had specific messages placed into

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those films. So even things as
innocuous those Cupcake Wars or Hawaii five.

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Oh. I mean, it goes
way back. You've got the messaging going

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on for the purpose of defending the
overall superstructure of the regime. And I

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can think even when I was a
kid, my dad was in the Navy,

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and I remember all the Navy movies
that came out in the nineteen eighties,

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Top Gun, you know, and
there was Navy Seals with Charlie Sheen,

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and there's all this Navy propaganda,
military Propagain, that was because Reagan

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really at that time wanted to beef
up America's defenses and the national security state,

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right, and he did that on
purpose. And there was a lot

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of tie in with the Pentagon at
that time, between Hollywood and Pentagon at

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that time on purpose. So even
though we typically think of Hollywood as leftists,

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there can also be these phases where
there's a lot of militarization military propaganda

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as well. And that was kind
of an overturning of the previous era of

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a lot of you know, Oliver
Stone's style films or war films critiquing Vietnam

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and war films critiquing you know,
apocalypse. Now these kinds of films.

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Then you get a shift over to
the sort of Reagan Neo Connish era of

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Hollywood in the nineteen eighties. And
so in other words, these are examples

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of what you're talking about with with
They Live. That are it's being parodied

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in the movie, but these are
hard, hardcore, real life examples of

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what's in the film. Well,
you have a number of examples and They

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Live. Now propaganda just permeates everything, and you bring in Everard Bates and

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the tactics that he used. Edward
Barnees was the nephew of Sigmund Freud,

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and actually Sigmund wasn't doing so good, but Edward Burnees Readnicle Sigmund's books and

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he thought, you know, I
think I could do something with these books.

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And he's considered to be one of
the founders of modern pr and actually

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the United States hired him when we
fomented a coup in Guatemala. We wanted

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some good PR on that, and
so Edward Brene's came to the rescue.

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And then you will also get into
Michael Lachino, and he was a he

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was an American intelligence He was a
Satanist and he wrote a book from ssiop

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to Mind War, and that book
is about not necessarily doing a siop on

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your enemy, your enemy's populist.
It's about doing a siop on your own

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populace so you can make them all
believe in war. I mean, And

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I just found that pretty fascinating that
you would stick Yeah, I forgot in

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that essay. You're right, I
did stick that in there because it was

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a great example of the what what
Carpenter's lampooning or satirizing. But it's also,

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like you're pointing out, very serious
because you know in that essay,

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towards the end of it, in
the footnotes, uh A Keno and his

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co author talk about signals into I
mean, like using EM E, M

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F E, L F BLF signals
to actually alter people's body frequencies. So

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this is actually a real thing.
I don't know if John Carpenter knew about

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that. I just found it interesting
that, you know, the film is

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about UH signals and what not,
TV signals and satellite signals and all of

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that, and and how that brainwashes
us, and that the h the a

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keynote paper, UH just kind of
a sort of stating the the Army's doctrine

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of psychological warfare at the time and
how it would need it needed to transition

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over into a lot more what they
call in their white papers. There's a

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NATO document that came out that we
covered, I think a couple of years

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ago. In the NATO document on
cy war basically said the same thing.

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It said, it's time to go
beyond thinking about changing people's minds and rather

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thinking about changing their actual brains.
So the biological chemistry itself needs to alter.

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And that included everything from the same
types of elf elf stuff to microchips,

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et cetera. So yeah, so
it's becoming a lot more explicit in

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the white papers and the documents as
to what they're really referring to. And

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I just think that, you know, fiction always has this amazing almost quasi

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prophetic element where fiction will, whether
it's books or movies, a lot of

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times kind of predict the future in
a way. I mean, I don't

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literally think the predicting the future.
I think that, you know, if

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you think of somebody like Philip K. Dick, you know, he was

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hanging out with a lot of people
from Silicon Valley at the time, and

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he kind of knew what they wanted
to do, and so he would put,

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you know, in his fiction what
they planned to do, and so

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you get this dystopian fiction as a
result. And then in that way,

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you know, I think fish could
be kind of prophetic. I was amazed

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that the media and the government sold
the Iraq War to eighty percent of Americans

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because it was obviously predicated on lies, and those lines were being told almost

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they were being exposed almost in real
time on the Internet. But yet eighty

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percent of Americans wanted thought that Saddam
Hussein was connected del Kaida and not various

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things. And you talk about and
they live that the Pentagon hired pr firm

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Bell Pottinger and gave them five hundred
and forty million dollars to show what amenace

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ISIS was to America. Yeah,
a lot of these groups we find out

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have been I mean, there's a
degree to which the groups are real.

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They get funding. Of course,
ISIS is sort of the continuation of al

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Qaeda and the Mujahideen and so forth. But you know that's in the nineteen

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eighties. You know, they were
at the White House with Reagan. You

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have the Mujahideen freedom fighters. They're
being awarded and congratulated by Reagan. There

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was movies made at the Bond Films
in the nineteen eighties with Timothy Dalton have

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him fighting alongside the Mujahadeen. They
even have these sort of been lauden esque

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characters in the film. I think
it's a Living Daylights, but it's one

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of the Timothy Dalton installments which Rambo
as well. Rambo fights alongside the Mujahideen,

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and then of course we get in
the very nineteen eighty four fashion,

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the flipping oh no, actually there
are are enemies, and you know,

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we messed up and we did too
much. Now now it's blowback and all

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this kind of stuff. But yeah, I think a big part of al

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Qaeda, Mujahidin and then the creation
and rise of ISIS, a lot of

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it was pr A lot of it
was media played a big role in that.

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I mean, obviously there was also
I think funneling of aid and support

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from Turkey to ISIS throughout the particularly
during the attempt to overthrow a SOD.

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We saw a lot of Western support
for that that failed. But regardless,

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you know, it's kind of the
same game pattern I think we see with

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the CIA funding and aiding and supporting
rebels. In fact, I went and

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read. One of the talks I
did a couple of years ago was Miles

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Copeland's book Game of Nations, And
in that book, Copeland talks about being

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in Egypt and in Syria and basically
saying, of course we do false flags.

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Of course we fund radical Islamic groups. Like did you think we didn't,

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he says, He says, this
is one of our greatest tools is

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to utilize the Islamic radical for our
purposes. There's a old chapter on it,

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so yeah, it's pretty prevalent in
the literature. So yeah, but

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I'd forgotten about that specific amount of
money. But that's that's wild. It's

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so half a billion dollars. They're
really just to help create the image of

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ISIS. But and then and then
the threats also become the justification for the

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salvation that the system offers. So
then when they get rid of bin Lot,

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00:20:25,400 --> 00:20:27,920
and oh we'll see Obama's a hero. He got rid of bin Lad

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and they dumped the body at sea, and it's all nonsense in my view.

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And even say Hirsh writes a big
thing talking about how it was all

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seemingly fake and made up. So
anyway, long story short, back to

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Hollywood and Bernees and all that.
Yeah. I remember at the time when

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I wrote the second Hollywood book,
I wasn't I'd read Bernees and I'd read

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Propaganda, but I hadn't gone into
Walter Lippmann, hadn't gone deep into the

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Tavistock. I'd read Estlin's book from
Trying Day. But then I went and

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read doctor John Coleman's book on Tavistock
was actually really good, and he goes

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00:21:03,519 --> 00:21:08,599
into the history of how the same
Reese Report style of propaganda that they used

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00:21:08,640 --> 00:21:15,680
against the Kaiser to get World War
One, going that the predecessor to uh

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this Tavistock was the I forget the
name of it, but it's something starts

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00:21:22,200 --> 00:21:25,880
with a W. But it's like
it was the Ministry of Warfare that the

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00:21:25,880 --> 00:21:30,880
Brits used to start World War One
and say that the Kaiser what they called

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00:21:30,920 --> 00:21:37,359
him, the Butcher, They used
the same propaganda calling Saddam the butcher Bagnun

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because like they literally just mirrored one
hundred year old propaganda from Tavistock or the

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predecessor to Tavistock. And that's why
as you're pointing out y' all these guys

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00:21:47,720 --> 00:21:52,240
like Brene's, like Lipmann, they're
just borrowing from the techniques of both Freud

255
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and H. G. Wells,
who was a big forefather and pioneer of

256
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propaganda techniques. And then you see
that that gets used in film. Absolutely.

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In fact, Brene has said that
the greatest medium of propaganda the world's

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ever known is Hollywood. And he
even made his uncle's books in Vogue.

259
00:22:12,319 --> 00:22:15,720
Again. I mean, he was
a busy guy. And actually, it's

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00:22:15,799 --> 00:22:23,079
kind of interesting Joseph Gebels was quite
fond of reading Burnet's books despite his Jewish

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lineage. Well actually and Tavistock individuals
who were also Jewish were open about being

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fans of Gebels, and they appreciated
the type of propaganda techniques that he was

263
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using as well. So there's a
lot of cross pollination there in those areas.

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Gebels would be if he saw a
television today, I mean, that

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00:22:45,279 --> 00:22:48,079
would be his wet dream, which
we'll get into a little bit later when

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you talk about when I talk about
Poltergeist with Ghostbusters, you brought in something

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kind of interesting the government tapping into
metaphysical forces, and you mentioned Stargate there

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was an mk Ultra subproject that was
tapping into psychic abilities and with Stargate.

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Stargate was financed for twenty years and
then Bill Clinton said it doesn't work,

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and the military said it doesn't work. So they ostensibly financed something for twenty

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years that didn't work, and now
there's no more Stargate. But I believe

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that there is a stargate and it's
gone black. Yeah, that's interesting because

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we just revisited this topic. I
hadn't thought about this in many years,

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but I got some of my old
SRI at Stargate research out the other day

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because we did a podcast covering the
recent discussion of Gateway Process, which is

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another one of these declassified CAIA documents, where they were supposedly delving into a

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lot of kind of consciousness techniques and
meditation technique and trying to hit to hemi

278
00:24:02,400 --> 00:24:06,880
sync which has merged both hemispheres of
the brain, and see what you could

279
00:24:06,920 --> 00:24:11,799
tap into by doing this. And
so the guy who ran that was part

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of this Esslin connected institute. I
forget the name of the foundation that they

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00:24:17,839 --> 00:24:19,680
were doing this research at, but
it was all part of SRI as well,

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and a lot of the people at
SRI involved in that project, you

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00:24:25,079 --> 00:24:30,039
know, come up in a lot
of the text that Chris has printed at

284
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Trying Day, and that then the
Boharics and these characters so also have a

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00:24:34,039 --> 00:24:40,759
lot of interest in the occult a
gnosticism and quantum physics. So it's hard

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00:24:40,799 --> 00:24:44,680
to know what's real or not real
in that whole domain of a cult and

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00:24:44,759 --> 00:24:49,279
metaphysics and quantum physics and consciousness meditation
techniques. I think there's definitely something there

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because, as you pointed out,
what you get just double bind and the

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creation of the First Earth Battalion,
and you know, the book that Ronson

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writes, Minister at Ghats becomes the
George Clooney film. So here we get

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00:25:02,960 --> 00:25:07,200
another crossover into Hollywood with the very
stuff that we're talking about. Because although

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I don't I think I mentioned Minister
at Goats, I didn't do an essay

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00:25:11,200 --> 00:25:15,119
on it. You know, Clooney
is another character, for example, who

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00:25:15,160 --> 00:25:21,200
seems to pretty consistently have direct CIE
connections, perhaps even working with the CIA,

295
00:25:21,400 --> 00:25:23,440
much like Angelina Joe Lee being a
member of the Council on Foreign Relation.

296
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So we see it. We always
see these patterns, and if you're

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00:25:26,559 --> 00:25:32,680
remembering Minister at goats. You know, he's doing all these different techniques the

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the George Clooney character, like cloud
busting with his mind and he's trying to

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00:25:37,400 --> 00:25:41,200
he's trying to kill a goat with
his mind. But what's what happens at

300
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the end of the movie is that
if I recall there, it fast forwards

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00:25:45,279 --> 00:25:52,200
to present day of Gulf War one
and they're in Iraq and they're figuring out

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00:25:52,359 --> 00:25:59,799
ways to hand out American DVDs and
movies to push American pop culture in Iraq.

303
00:26:00,079 --> 00:26:04,319
So again the irony is that the
movie becomes a sort of a testament

304
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to the movie itself being propaganda and
kind of you know, bringing a full

305
00:26:08,599 --> 00:26:12,119
circle. But yeah, you're absolutely
right to say that there's quite a few

306
00:26:12,160 --> 00:26:18,079
of these projects where the government's you
know, it's not just SRI and Uri

307
00:26:18,160 --> 00:26:21,680
gell Are and remote viewing. It's
it's quite a few things and probably much

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00:26:21,720 --> 00:26:26,960
more that we don't know about.
It's interesting you talked about under Poohich and

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00:26:27,200 --> 00:26:33,960
he worked at SRI and was was
part of startating and he was a notorious

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00:26:33,000 --> 00:26:41,519
pedophile. He was he was definitely
a very depraved individual and he was he

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00:26:42,160 --> 00:26:48,319
was the guy that founded or discovered
Jury Gallop and your his ability to bend

312
00:26:48,359 --> 00:26:53,319
spoons and other things. And but
there are accounts of poo Haich being like

313
00:26:53,359 --> 00:26:59,400
a notorious pedophile, and I knew
someone that was, well I still know

314
00:26:59,559 --> 00:27:03,720
him, don't really talk too much
anymore. I said he was involved in

315
00:27:03,079 --> 00:27:11,240
stargating slright And I said, how
did you guys rationalize using Andre Pouharich.

316
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Yeah, he's such a malignant character. And this guy said to me,

317
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well, we knew there was something
weird about him. And with Cloney,

318
00:27:25,359 --> 00:27:29,519
it's kind of interesting. You have
Confessions of a Dangerous Mind, you have

319
00:27:29,640 --> 00:27:37,119
Syriana, and then you have Michael
Clayton, which really show some amazing truths,

320
00:27:37,880 --> 00:27:41,559
right, but then he does a
U turn and doesn't seem to be

321
00:27:41,640 --> 00:27:45,440
making movies about stuff like that anymore. Yeah, that's a good point.

322
00:27:45,839 --> 00:27:49,720
I did like Michael Clayton. I
thought that was good sort of critique and

323
00:27:49,880 --> 00:27:57,559
exposing corporate power. And then Siana, I want to say, that's based

324
00:27:57,559 --> 00:28:00,680
on a Robert Bayer book, and
that would mean then that you know,

325
00:28:00,759 --> 00:28:07,160
that's kind of this supposedly critical side
of the CIA, which which Bear is

326
00:28:07,240 --> 00:28:10,920
kind of a similar character where every
now in he'll say is really kind of

327
00:28:11,839 --> 00:28:15,680
revealing things, and then help be
back on CNN touting the you know,

328
00:28:15,880 --> 00:28:21,359
Russia runs Trump narrative, which is
all nonsense in my view. But yeah,

329
00:28:21,400 --> 00:28:25,440
so it's hard to know with some
of these characters, like what where

330
00:28:25,440 --> 00:28:27,640
they're come. But you know,
with Clooney again, you know, you've

331
00:28:27,680 --> 00:28:32,680
got tons and tons of people who
that's more speculative in his case, I

332
00:28:32,680 --> 00:28:37,519
don't think it's outlandish, but quite
a few people in Hollywood have been actually

333
00:28:37,559 --> 00:28:42,960
you know, CIA assets, and
I think that speaks to really the where

334
00:28:42,960 --> 00:28:47,279
I'm going to take things in the
third book I'm working on, Sir Calywood.

335
00:28:47,279 --> 00:28:52,400
Three is I'm going to focus a
little more on hard cases and evidences

336
00:28:52,480 --> 00:28:56,480
of people who you know, were
Hollywood spies who did work with the OSS.

337
00:28:56,839 --> 00:29:00,440
When I was writing the first two
books, you know, there's a

338
00:29:00,440 --> 00:29:03,039
lot of information that wasn't even out
yet, and so you know a lot

339
00:29:03,039 --> 00:29:06,880
of books, biographies get written and
things get declassified since you you know,

340
00:29:06,920 --> 00:29:10,240
you're writing stuff eight ten years ago, and you learn a lot more about

341
00:29:10,279 --> 00:29:12,000
it and you realize, oh,
actually, you know, there's been Affleck

342
00:29:12,039 --> 00:29:15,559
in an interview saying that Hollywood and
the CIA are flip sides of the same

343
00:29:15,599 --> 00:29:22,079
coin. Here's you know, information
that comes out about this studio is actually

344
00:29:22,160 --> 00:29:25,799
up front for running intelligence operation.
You know, all these kinds of crazy

345
00:29:25,839 --> 00:29:30,319
stories that come out, all of
which are true. But yeah, I

346
00:29:30,359 --> 00:29:33,599
mean it's it's sort of like once
you see it, it's like, well,

347
00:29:33,640 --> 00:29:36,200
how did I never see that?
Of course, of course the CIA

348
00:29:36,359 --> 00:29:40,720
is using all these Hollywood people.
Of course, you know you've got people

349
00:29:40,720 --> 00:29:44,319
like going back to Julia Child or
the first TV chef, She's comes out

350
00:29:44,319 --> 00:29:47,480
of the OSS and people think,
well, why would that be, Well,

351
00:29:47,480 --> 00:29:51,920
it's because it's called culture creation.
So you mentioned Burne earlier. Uh

352
00:29:52,240 --> 00:29:55,880
brene is, I mean, that's
that's really what a lot of these groups

353
00:29:55,960 --> 00:30:03,720
do, is they want to create, grow, and steer culture. And

354
00:30:02,680 --> 00:30:07,640
then it makes perfect sense why they
would have, you know, assets in

355
00:30:07,680 --> 00:30:15,920
Hollywood. And let's jump to a
clockwork Orange and the drugs. You said

356
00:30:15,960 --> 00:30:25,160
something pretty interesting that Alex he was
the head drug who was on the homicidal

357
00:30:25,200 --> 00:30:30,359
side, and that you pointed out
and this was a Kubrick film, and

358
00:30:30,400 --> 00:30:37,480
you pointed out that he had endured
sexual abuse very early on, and ultimately

359
00:30:37,559 --> 00:30:44,720
he went through government sponsored mind control
give us some insights into a clackwork orange.

360
00:30:44,799 --> 00:30:48,079
Yeah. Actually I forgot about that
scene where they show Alex and his

361
00:30:48,559 --> 00:30:53,559
sort of government CPS handler agent guy
showing up, and it's very clearly implies

362
00:30:53,680 --> 00:30:57,839
that there's sexual something going on there
in that scene where he's standing in his

363
00:30:57,880 --> 00:31:02,279
white e tidies there with the CPS
guy or whatever that guy's supposed to be.

364
00:31:03,519 --> 00:31:07,960
Yeah, this is a near future
dystopio in the UK where basically we

365
00:31:07,000 --> 00:31:14,359
have these sort of street gangs running
wild. You've got the parental middle class,

366
00:31:14,480 --> 00:31:18,240
upper class people. They're all sort
of oblivious to what's going on that

367
00:31:18,319 --> 00:31:22,880
they really don't care. Alex's parents
are totally out to lunch. They're just

368
00:31:22,920 --> 00:31:26,400
sort of mesmerized by the TV,
the game shows and whatnot. And Alex

369
00:31:26,480 --> 00:31:30,759
is just sort of this one.
He's just sort of a creature of pure

370
00:31:32,000 --> 00:31:37,640
inner animalistic passion. Basically, he
just sort of wanders around the town sleeping

371
00:31:37,680 --> 00:31:41,359
with whoever he wants. But for
some reason he has this fixation on Beethoven

372
00:31:41,119 --> 00:31:49,559
h and he's always playing Beethoven.
And after a brutal rape event with him

373
00:31:49,559 --> 00:31:55,400
and his gang, he ends up
and put into this program which is called

374
00:31:55,440 --> 00:32:00,400
the Ludovico method. And to me
this really just smacks of again ultra.

375
00:32:00,839 --> 00:32:07,240
Its macks of reprogramming and imprinting and
the actual fact a lot of the MK

376
00:32:07,319 --> 00:32:15,319
ultra experiments were done with various prisoners. So we had cases in Kentucky not

377
00:32:15,400 --> 00:32:17,880
far from me, where they were
experimenting on people in prisons. We had

378
00:32:17,880 --> 00:32:24,319
people in military prisons and confinement that
were experimented on. So I think there's

379
00:32:24,319 --> 00:32:28,720
some truth to this. And actually
I read a book a couple of years

380
00:32:28,720 --> 00:32:32,160
ago about projects in Australia. It's
something I never even heard about. Some

381
00:32:32,200 --> 00:32:39,079
guy wrote a little internet online book
is a well written book about M culture

382
00:32:39,119 --> 00:32:43,960
projects that were done in Australia that
hardly anybody knew about. So M culture

383
00:32:44,039 --> 00:32:47,599
actually wasn't just a US based or
even a Canada based or it was actually

384
00:32:49,359 --> 00:32:52,319
particularly it seems to be places within
the Queen's Commonwealth, with which I think

385
00:32:52,400 --> 00:32:59,200
is suspicious. So a lot of
Canada, Australia, America and UK projects,

386
00:33:00,599 --> 00:33:04,559
but a lot of the stuff that
we that you read about in what

387
00:33:04,559 --> 00:33:09,039
what appears to be uh in culture
related projects in Australia also seem to match

388
00:33:09,119 --> 00:33:14,680
up very closely to Ludovico method type
of stuff. But yeah, so the

389
00:33:14,759 --> 00:33:20,279
idea is, can we can we
engineer out of the you know, wild

390
00:33:20,400 --> 00:33:25,200
teenage criminal, his basic animalistic nature
and turn him into this sort of just

391
00:33:25,680 --> 00:33:32,000
controlled pacifist character, right, And
what I like about the film, and

392
00:33:32,079 --> 00:33:37,400
I think probably the point of the
book too, is that you think that

393
00:33:37,440 --> 00:33:40,559
this is done for under the auspices
of, you know, reducing crime.

394
00:33:42,640 --> 00:33:47,160
But as we pointed out earlier with
the methodology of a Kino, that research

395
00:33:47,200 --> 00:33:51,880
and development of that technique in that
study is not just about reducing crime.

396
00:33:51,920 --> 00:33:54,480
It's about how to take those techniques
and turn it on the population to make

397
00:33:54,519 --> 00:34:00,279
sure the population is docile and controllable. That's the key point here. And

398
00:34:00,000 --> 00:34:04,279
and you know, and I think
Chris has the same idea. I never

399
00:34:04,359 --> 00:34:08,840
understood Vietnam until I started trying to
understand it from that perspective. And if

400
00:34:08,880 --> 00:34:14,199
you read Douglas Valentine's book on Vietnam, he makes the point that really Vietnam

401
00:34:14,320 --> 00:34:20,519
wasn't even about research and development for
warfare, it was about how to manage

402
00:34:20,519 --> 00:34:24,519
population and control population. And that's
kind of the ending thesis because then he

403
00:34:24,599 --> 00:34:30,679
transitions over into the Bush era and
how the Bush Ran Contrast stuff and the

404
00:34:30,719 --> 00:34:36,559
School of Americas and all that was
the development out of the Vietnam sciops programs.

405
00:34:36,880 --> 00:34:39,440
So I think the same thing's going
on here with what Burgess and and

406
00:34:39,480 --> 00:34:44,559
clukoral Orange is talking about is that
these are these are these are It's an

407
00:34:44,599 --> 00:34:52,079
artistic portrayal of the techniques that are
done for the excuses of reducing crime and

408
00:34:52,159 --> 00:34:58,280
helping society or whatever. But it's
all just for control. What's interesting about

409
00:34:58,400 --> 00:35:07,320
Valentine's book about Vietnam the Phoenix program. We're training people, Our government is

410
00:35:07,440 --> 00:35:14,920
training Americans to be serial killers,
right, I mean, it's I don't

411
00:35:14,960 --> 00:35:20,199
know how else you can put it. And there was a movie called Apartment

412
00:35:20,360 --> 00:35:27,920
Zero and it was about South African
mercenary and he was quite fond of killing

413
00:35:27,960 --> 00:35:31,559
people. And then and then all
the wars dried up, at least the

414
00:35:31,599 --> 00:35:37,440
ones that he could be part of, so he returns. He goes to

415
00:35:37,519 --> 00:35:40,440
London and lives with somebody, and
then he starts killing people because he had

416
00:35:40,519 --> 00:35:46,440
learned to enjoy it. And my
uncle he died last year. He was

417
00:35:46,480 --> 00:35:53,320
in Vietnam, and he and I
had a number of talks about Vietnam.

418
00:35:53,719 --> 00:36:00,400
And he felt really guilty about Vietnam, and I said, al, you

419
00:36:00,480 --> 00:36:07,840
were put into a situation, and
a highly abnormal situation, and that's a

420
00:36:07,880 --> 00:36:13,440
normal response, is you want to
kill somebody, I mean they're trying to

421
00:36:13,480 --> 00:36:16,119
kill you, they're killing your friends, of course you're going to want to

422
00:36:16,199 --> 00:36:22,280
kill them. And he died last
year and I went to La and married

423
00:36:22,320 --> 00:36:31,159
him, and I saw he had
painted paintings of g I's standing over dead

424
00:36:31,360 --> 00:36:38,880
children. And at that point I
realized, now I know why he just

425
00:36:38,920 --> 00:36:44,400
could I mean, he couldn't shake
it. It haunted him his entire life.

426
00:36:45,039 --> 00:36:51,679
Yeah, really really sad, and
we were very close, but he

427
00:36:51,760 --> 00:36:54,719
kept that from me. I just
like I said, I didn't find out

428
00:36:54,719 --> 00:37:00,239
about it until he died. Yeah, I didn't really understand movies like Apocalypse

429
00:37:00,320 --> 00:37:02,679
now, you know, like I
was telling you earlier, I grew up

430
00:37:02,679 --> 00:37:07,079
in the eighties, so I didn't
really experience or know that kind of stuff

431
00:37:07,320 --> 00:37:09,800
from you know, sixties, seventies
and so forth. But you know,

432
00:37:09,840 --> 00:37:13,760
when I was in high school,
I really got into film and became a

433
00:37:13,840 --> 00:37:16,119
movie buff. And I watched Apocalypse. Now back in high school, I

434
00:37:16,119 --> 00:37:19,480
did, but I didn't really understand
it or know what the point of it

435
00:37:19,639 --> 00:37:22,960
was. After reading Valentine's book and
then going back and watching you know,

436
00:37:22,960 --> 00:37:27,559
Apocalypse, now it makes a lot
more sense than I can understand. You

437
00:37:27,599 --> 00:37:30,960
know, You've got not just LSD, but you got this sort of like

438
00:37:30,000 --> 00:37:35,360
people going like Colonel Kirks going nuts, and but he makes sense in the

439
00:37:35,400 --> 00:37:37,039
in the light of a Phoenix program
idea, now I do. I'm not

440
00:37:37,119 --> 00:37:40,159
saying that he's supposed to be the
Phoenix program. I don't know, but

441
00:37:40,840 --> 00:37:46,360
definitely in the film you get a
lot of elements of what was experimental psychological

442
00:37:46,440 --> 00:37:52,199
warfare at the time of Vietnam,
like well Kubrick's Full Metal Jacket, for

443
00:37:52,239 --> 00:37:57,280
example. You have the idea of
it being filmed live time. That was

444
00:37:57,320 --> 00:38:00,400
the first war that was that was
filmed. They would send the transmissions of

445
00:38:00,440 --> 00:38:05,599
the war live, which was a
new I think that was a new experiment

446
00:38:05,679 --> 00:38:10,920
in social engineering to to show to
the domestic population war in lifetime. You

447
00:38:12,039 --> 00:38:15,400
get, you know, the playing
of Wagner as the helicopters are coming over

448
00:38:15,480 --> 00:38:22,639
the horizon. That was another experiment
in psyops to villagers who'd never heard something

449
00:38:22,719 --> 00:38:24,320
like this. So and then,
of course, as you pointed out,

450
00:38:24,360 --> 00:38:30,440
you know, you've got this this
training of and probably profiling of like like

451
00:38:30,480 --> 00:38:35,320
we've said, like you know,
the CIA being involved, even corporate consultants

452
00:38:35,320 --> 00:38:37,280
going over and being involved. It
was a run out of Michigan University,

453
00:38:37,320 --> 00:38:42,400
Michigan State, which is odd.
And then they're they're basically consulting on finding

454
00:38:42,480 --> 00:38:46,159
serial killers to go and murder and
put corpses in the most you know,

455
00:38:46,880 --> 00:38:53,440
offensive terrorizing way, particularly with the
eye of God and nails in the third

456
00:38:53,480 --> 00:38:59,000
eye there to freak out the Buddhists
and whatnot. So, yeah, you

457
00:38:59,320 --> 00:39:01,320
basically were any people to be serial
killers. This is kind of wild,

458
00:39:01,360 --> 00:39:05,480
this is nuts. And then you
find out, you know, you dive

459
00:39:05,519 --> 00:39:10,960
deeper into people like William Colby and
his whole background and his role in Gladio

460
00:39:12,159 --> 00:39:15,639
and the whole fiasco Operation Gladio.
I mean, all this stuff for me

461
00:39:15,800 --> 00:39:23,079
just kind of came unraveled with you
know, being sort of a GOP Navy

462
00:39:23,119 --> 00:39:29,760
family raised by GOP Navy family.
You know, after nine to eleven,

463
00:39:29,800 --> 00:39:32,880
I pretty much just sort of gave
up all that kind of stuff because you

464
00:39:32,880 --> 00:39:36,480
see, you see that these big
families are all kind of in the same

465
00:39:36,519 --> 00:39:38,719
crime syndicates, right, So it's
not like, well, I'm gonna switch

466
00:39:38,760 --> 00:39:42,519
from the Bush Family to I like
the Bill you know, I like Bill

467
00:39:42,559 --> 00:39:45,679
Clinton. Now, well they're all
involved in you know, the same stuff.

468
00:39:45,719 --> 00:39:47,599
So for me, the good part
of all that was that, you

469
00:39:47,639 --> 00:39:53,000
know, this kind of broke the
left right paradigm for me back around the

470
00:39:53,039 --> 00:39:58,719
time of you know, two thousand
and three. But that's biographical data.

471
00:39:58,760 --> 00:40:00,840
We were talking about the movies Apologize
I got all fun to We're talking about

472
00:40:01,199 --> 00:40:06,440
Vico Method, and we were talking
about I like, but you know what,

473
00:40:06,559 --> 00:40:08,559
Yeah, that's the thing is a
lot of movies actually have this theme

474
00:40:08,719 --> 00:40:15,920
of the uh, you know,
the crazy Vietnam Vet, and that's a

475
00:40:15,039 --> 00:40:17,320
kind of a joke that people do, and I don't I don't mind the

476
00:40:17,400 --> 00:40:22,880
joke. But there turns out the
reason for the crazy Vietnam Vet is that

477
00:40:22,920 --> 00:40:28,159
the military was trying to find crazy
guys right to tournament into serial killers.

478
00:40:29,079 --> 00:40:34,719
And my uncle was just a runner
of the milk kid from the Midwest.

479
00:40:35,239 --> 00:40:40,480
I did well in high school,
very smart, and what he was turned

480
00:40:40,519 --> 00:40:47,480
into obviously was pretty horrific. You
tangle twin Peaks, which I find interesting,

481
00:40:47,639 --> 00:40:52,000
and you address a number of the
occult teams in Twin Peaks, and

482
00:40:52,039 --> 00:40:58,159
some of them jump right out at
you, but you focus on Jack Parsons

483
00:40:58,440 --> 00:41:04,599
when you talk about Twin Peaks.
Give us some background about Jack Parsons aka

484
00:41:04,840 --> 00:41:14,360
the Beast. Well, he was
a prodigious rocketeer and scientists, I guess

485
00:41:14,400 --> 00:41:19,599
you could say. And of course
the jet Propulsion Laboratory is sort of his

486
00:41:19,719 --> 00:41:24,800
baby. It's it's it comes from
his work. He was into the occult

487
00:41:24,840 --> 00:41:30,639
and for a time was involved in
the circles of Croley, the Oto and

488
00:41:30,519 --> 00:41:37,280
various lodges out in California. And
his specific plan was this idea that you

489
00:41:37,280 --> 00:41:42,800
could meld science with full on you
know, occultism and kind of produce these

490
00:41:42,840 --> 00:41:45,880
big ritual workings. And one of
those, I mean, I think all

491
00:41:45,960 --> 00:41:49,519
rockets are also kind of like in
his mind, like sending the rocket into

492
00:41:49,559 --> 00:41:52,880
space is like this you know,
phallic sort of seminal transmission where you're impregnating

493
00:41:53,119 --> 00:41:58,039
the universe or something like that.
But he also had this idea of the

494
00:41:58,079 --> 00:42:04,119
Babylon working, which was to re
enact or actually create the apocalypse. So

495
00:42:04,280 --> 00:42:07,519
for Crollians and people in that sphere, they tend to think that John's apocalypse

496
00:42:07,519 --> 00:42:12,599
at the end of the Book of
the Bible is this sort of coded magical

497
00:42:12,719 --> 00:42:17,440
text that you can invoke through some
sort of ritual working. So Parsons was

498
00:42:17,440 --> 00:42:22,280
involved in I think an incestuous sort
of ritual working at one point, and

499
00:42:22,320 --> 00:42:24,519
then there was another incident where he
thought he could create a homunculus, and

500
00:42:24,840 --> 00:42:30,360
so he really seemed to want to
take these occult ideas and put them into

501
00:42:30,400 --> 00:42:36,400
practice. Probably people have heard of
l Ron Hubbard and I think it was

502
00:42:36,400 --> 00:42:40,320
was it l Ron Hubbard stole Marjorie
Cameron from Jack Parsons, right, so,

503
00:42:42,280 --> 00:42:45,920
and some money too, Yeah,
yeah, okay, yeah, I'm

504
00:42:45,920 --> 00:42:50,719
trying to remember all these details.
But yeah, but what's interesting about Parsons

505
00:42:50,760 --> 00:42:54,159
is that he seemed to take everything
that you would think is science and kind

506
00:42:54,199 --> 00:42:59,199
of give it this esoteric alchemical meaning. So, you know, the idea

507
00:42:59,199 --> 00:43:01,800
of splitting the me or something like
that. I mean, this is not

508
00:43:02,039 --> 00:43:07,000
Parsons, but you know, people
who have that attitude would think that it's

509
00:43:07,000 --> 00:43:12,119
like a ritual working where you're releasing
the energy and perhaps even opening a portal.

510
00:43:12,159 --> 00:43:16,320
And the reason that relates so that
you have this this idea that Parsons

511
00:43:16,360 --> 00:43:21,920
thought he might could open up some
sort of dimensional spiritual portal, and I

512
00:43:21,960 --> 00:43:25,280
remember when I was watching Twin Peaks, I didn't actually I wasn't actually sure

513
00:43:25,360 --> 00:43:30,639
that that's what Mark Frost and David
Lynch had in mind. So I wrote

514
00:43:30,639 --> 00:43:35,920
a pretty speculative essay that I put
in I think the first Hollywood book about

515
00:43:35,920 --> 00:43:38,639
Twin Peaks, because I'd noticed throughout
the series I had to watch it a

516
00:43:38,679 --> 00:43:42,559
couple of times to really understand what
was going on, because it's a pretty

517
00:43:42,639 --> 00:43:45,519
sophisticated kind of deep thing there,
with a lot of philosophy and a lot

518
00:43:45,559 --> 00:43:51,079
of esoteric stuff. And it's also
a satires because David Lynch is kind of

519
00:43:51,079 --> 00:43:54,480
making fun of soap operas, which
were really popular in the early nineties.

520
00:43:55,920 --> 00:43:58,760
But then when you watch it,
it's like, well, there's this really

521
00:43:58,760 --> 00:44:00,880
weird kind of esoteric stuff going on
too. I wonder what that's all about.

522
00:44:01,440 --> 00:44:06,519
And I first encountered the idea that
it might be something deeper in the

523
00:44:06,559 --> 00:44:09,360
centersor Force's trilogy, where there's a
discussion of David Lynch in one of the

524
00:44:09,440 --> 00:44:13,079
chapters, and so I thought,
well, let me just dive deeper into

525
00:44:13,119 --> 00:44:15,760
this and see what I can come
up with. And I noticed in some

526
00:44:15,800 --> 00:44:21,440
of the scenes that you know,
actually put ritual magic schiguls up there on

527
00:44:21,480 --> 00:44:24,920
the board where Cooper is doing a
lot of his investigation work. And so

528
00:44:24,960 --> 00:44:29,960
I wrote an essay basically saying that
I think this probably relates to the Babylon

529
00:44:30,079 --> 00:44:34,599
working of Parsons and Crowley and this
kind of stuff. And then Mark Frost

530
00:44:34,599 --> 00:44:37,119
puts out this big fat book on
the history of Twin Peaks and says all

531
00:44:37,159 --> 00:44:42,320
of that. So I'm not saying
that Mark Frost read my essay. Maybe

532
00:44:42,360 --> 00:44:44,480
he did, I don't know,
but I just thought it was funny to

533
00:44:44,519 --> 00:44:47,480
be vindicated because literally, in the
Twin Peaks history book by Mark Frost,

534
00:44:49,000 --> 00:44:51,559
I mean, he goes into Crowley, he goes into the Parsons, he

535
00:44:51,599 --> 00:44:54,039
goes into the Babylon working, he
goes into all of that, saying that,

536
00:44:54,119 --> 00:44:58,400
yeah, that's really what we were
drawing from when we did the mythology

537
00:44:58,400 --> 00:45:06,360
of Twin Peaks. So, yeah, another example of esoteric Hollywood's ohto,

538
00:45:06,760 --> 00:45:15,760
that's what Jack Parsons embraced. He
was a croleide and and he helped develop

539
00:45:15,360 --> 00:45:22,360
rocket engines, as Jay was saying, and he was a fairly nasty piece

540
00:45:22,360 --> 00:45:27,239
of work. But there's a crater
on the moon named after him, Yeah,

541
00:45:27,559 --> 00:45:34,039
a crater named after an Alison appolyte. And then he took in a

542
00:45:34,239 --> 00:45:42,719
very I think shell shocked l Ron
Hubbard, and Elron stole his wife and

543
00:45:43,239 --> 00:45:46,800
some money too, and oh and
I forgot Parsons also sold the secrets to

544
00:45:46,840 --> 00:45:52,360
Israel. Yes, he got in
trouble for that and what he had his

545
00:45:52,639 --> 00:45:59,480
top security clearance revoked like five times
for I mean, you know, he's

546
00:45:59,559 --> 00:46:02,880
a he's a guy that's quite fond
of black magic. I could see,

547
00:46:04,119 --> 00:46:07,519
you know, that could rub certain
people wrong. Although I'm I mean,

548
00:46:07,559 --> 00:46:10,280
he always got a security client's bank, so it's kind of interesting. Yeah,

549
00:46:12,079 --> 00:46:16,800
but I find it interesting that he
after el Ron Hubbard stole his wife

550
00:46:16,800 --> 00:46:23,199
and money, that he blew himself
up. Yeah. Wasn't this in this

551
00:46:24,039 --> 00:46:29,360
humunculous experiment or what he thought was
going to create some kind of space being

552
00:46:29,480 --> 00:46:30,639
or something. I forget what he
thought it was going to do, but

553
00:46:31,440 --> 00:46:35,159
it ended up blowing up? Right? Or do you do you think there

554
00:46:35,199 --> 00:46:40,000
was something else like he was he
was killed or I don't know, I

555
00:46:40,000 --> 00:46:44,920
could see a guy like that,
well he was, I mean, he

556
00:46:45,119 --> 00:46:50,760
was a genius with those types of
chemicals. I mean, without a doubt,

557
00:46:50,760 --> 00:46:57,960
he was way ahead of everybody.
Did he kill himself or was it

558
00:46:58,079 --> 00:47:04,119
something going awry? I do not
know, but I can see how a

559
00:47:04,119 --> 00:47:10,840
guy like Jack Parsons could have a
lot of enemies and what a better way

560
00:47:10,880 --> 00:47:15,199
to get rid of him than to
blow him up? All he works on

561
00:47:15,320 --> 00:47:22,119
chemicals. Well he got blown up. Convenient and I don't subscribe to that,

562
00:47:22,719 --> 00:47:30,599
but it's a possibility. Let's get
into Poultergeist and it's director Toby Hopper.

563
00:47:31,760 --> 00:47:36,880
You said some very interesting things.
And again we've got a connection with

564
00:47:37,440 --> 00:47:44,280
Alistair Crowley because the television, the
cathode ray that was designed, and the

565
00:47:44,320 --> 00:47:49,800
television plays a central part in Polterge, a central piece of it's an essential

566
00:47:49,800 --> 00:47:55,440
piece of poultry Poultergeist, and and
it was developed by someone who is also

567
00:47:55,599 --> 00:48:02,400
in The Gold Guy, right,
which which probably was. So we've got

568
00:48:02,440 --> 00:48:08,840
some heavy duty occult stuff going on
there. Give us tell us about Poultrygeist

569
00:48:09,000 --> 00:48:15,760
and what Toby Hooper was trying to
get at. Yeah, if I remember,

570
00:48:15,880 --> 00:48:22,039
If I remember, the screenplay is
Spielberg and it specifically mentions the beast,

571
00:48:22,320 --> 00:48:25,599
but you don't really hear that if
you're watching the movie. I had

572
00:48:25,599 --> 00:48:30,079
to go look up the screenplay to
see what what what the original attention was.

573
00:48:30,159 --> 00:48:35,599
And so the critique there, I
think is that television is the means

574
00:48:35,679 --> 00:48:43,000
by which you would have a sort
of spiritual toxifying of the youth, in

575
00:48:43,039 --> 00:48:49,760
particular because it's the little girl that's
really transfixed by the TV, and she's

576
00:48:49,800 --> 00:48:53,280
she's the one that's really having the
experiences with you know, the dead and

577
00:48:53,320 --> 00:48:58,559
the spirits and the demons by the
TV, and and the rest of the

578
00:48:58,719 --> 00:49:01,440
family and particularly the parents, they
don't even notice. They're sort of oblivious

579
00:49:01,480 --> 00:49:07,039
to what's really going on because we
have the story that it's built on an

580
00:49:07,320 --> 00:49:12,000
Indian burial ground or something like that. But I really think that's secondary to

581
00:49:12,039 --> 00:49:15,480
the point of, you know,
the the movie is really about, again

582
00:49:15,119 --> 00:49:20,280
similar to what we find and they
live, except that it's pointing out,

583
00:49:20,320 --> 00:49:23,320
maybe maybe even in a revelation of
the method way that the real way that

584
00:49:23,480 --> 00:49:27,840
the society and the youth will be
sacrificed to the beast. I think is

585
00:49:27,880 --> 00:49:32,159
what I said, is via the
toxic culture that would come through mainstream media,

586
00:49:32,159 --> 00:49:36,840
through the TV. And you were
talking about the Goldandawn, it was

587
00:49:36,920 --> 00:49:40,840
Crooks William Crooks. The Crooks Tube
is the origin of the of television.

588
00:49:40,840 --> 00:49:44,760
And that's a guy who was in
the Golden Dawn, which is Curly's a

589
00:49:44,840 --> 00:49:49,360
first magical group before he started the
the OT or before he joined the OTO.

590
00:49:49,440 --> 00:49:53,760
He didn't start it, but he
joined. H yeah, yeah,

591
00:49:54,239 --> 00:49:59,440
yeah, so so yeah, that
was my reading of Poultry, guys.

592
00:49:59,519 --> 00:50:02,039
I' watched it in a long time, went back and watched it and you

593
00:50:02,039 --> 00:50:05,239
know, took a lot of notes
and paid close attention to it when did

594
00:50:05,239 --> 00:50:07,280
a bunch of research on it and
kind of what the screenplay was originally intended

595
00:50:07,320 --> 00:50:13,360
to be. So sometimes movies go
in a different direction than what the screenplay

596
00:50:13,360 --> 00:50:16,159
has, right, So sometimes there'll
be stuff like the Beast, you know

597
00:50:16,239 --> 00:50:19,960
that's in the screenplay, that's not
that doesn't really come out of the movie.

598
00:50:20,000 --> 00:50:24,960
But it makes a lot more sense
when you know that what's interesting the

599
00:50:25,360 --> 00:50:31,880
television becomes the vortex, the wormhole. Well, and what did Levey say,

600
00:50:32,000 --> 00:50:37,880
right? LaVey said that trying to
paraphrase him of something like every home

601
00:50:37,920 --> 00:50:44,559
would have a satanic altar and that
would be the TV. He said something

602
00:50:44,599 --> 00:50:47,639
like that. Yeah, and you
get into MK ultra at that point.

603
00:50:47,719 --> 00:50:54,679
Again, you talk about John Lilly's
work with children as far as being able

604
00:50:54,679 --> 00:50:59,639
to make tomatons out of children,
and he actually wrote a book about it.

605
00:51:00,760 --> 00:51:04,840
Yeah, he's got a book called
What's Up over Here? It's Programming

606
00:51:04,840 --> 00:51:07,639
and meta Programming in the Human Biocomputer. And actually bought that because I didn't

607
00:51:07,679 --> 00:51:10,559
think that. I was skeptical.
I thought surely he wouldn't put that in

608
00:51:10,599 --> 00:51:15,280
the book. Man, it's almost
unreadable. If you try to read the

609
00:51:15,320 --> 00:51:17,280
book, it just most of it
doesn't make any sense. I have no

610
00:51:17,320 --> 00:51:22,519
idea what he's talking about. Which
that could be that I don't know the

611
00:51:22,559 --> 00:51:25,639
science of what he's trying to talk
about, or it's just he was so

612
00:51:27,079 --> 00:51:29,679
tripped out on LSD that he didn't
know what it was. I could go

613
00:51:29,760 --> 00:51:32,559
either way. But there is a
chapter towards the end where he does talk

614
00:51:32,599 --> 00:51:37,880
about doing this with children, and
he claims he was able to sort of.

615
00:51:38,199 --> 00:51:43,280
He talks about it as if everything
is a program. So he's basically

616
00:51:43,320 --> 00:51:47,320
saying the human mind is like a
biological computer, and that there's these base

617
00:51:47,599 --> 00:51:52,039
layer programs that run like which are
your drives, like to eat, to

618
00:51:52,119 --> 00:51:55,880
sleep, and then there's other layers
and programs that have been tacked on.

619
00:51:57,159 --> 00:52:00,760
Maybe through genetic memories. I'm going
from I haven't looked at the book in

620
00:52:00,800 --> 00:52:05,679
many years, but something like that, Like maybe he thinks there's genetic memories

621
00:52:05,719 --> 00:52:09,519
that evolved and are in your programming
through your ancestors, and then there's things

622
00:52:09,519 --> 00:52:14,960
that you encountered in your life that
the program that imprinted you. And he

623
00:52:15,039 --> 00:52:20,480
thinks that through a lot of LSD
and then reprogramming, kind of like you

624
00:52:20,559 --> 00:52:23,320
and Cameron did with the reimprinting,
you can wipe the slate and kind of

625
00:52:23,360 --> 00:52:30,559
create a new being by tinkering with
their base programs. And this is interesting

626
00:52:30,639 --> 00:52:34,480
because there's something to this. I
don't know a whole lot about this field,

627
00:52:34,480 --> 00:52:39,159
but I was watching the famous Jordan
Peterson course a couple months ago,

628
00:52:39,639 --> 00:52:43,440
the one that he did that he's
had up online for a long time.

629
00:52:43,719 --> 00:52:47,599
It's his full psychology personality course.
It's I don't know, twenty thirty lectures

630
00:52:49,119 --> 00:52:52,079
and about four or five lectures.
Then he actually gets into this and he

631
00:52:52,199 --> 00:52:54,599
uses a very similar type of menal. I'm not saying that he does what

632
00:52:54,719 --> 00:52:58,679
Lily does. I'm just saying that
there's something to this because he starts talking

633
00:52:58,679 --> 00:53:04,239
about base your programming that is how
the human mind functions and so forth.

634
00:53:04,239 --> 00:53:07,000
So I think there's something to this, and that leads me to think that

635
00:53:07,440 --> 00:53:12,920
Lily is talking about something legitimate.
But a lot of the book is like

636
00:53:12,960 --> 00:53:19,760
I said, it's really just the
the terminological baggage is just who knows what

637
00:53:19,800 --> 00:53:22,480
he's talking about. But it's it's
a real book. It's crazy. I

638
00:53:22,480 --> 00:53:25,360
mean, it's like wow, but
it should. I don't guess it's that

639
00:53:25,400 --> 00:53:29,679
far fetched though. If we know
that Alfred Kinsey, you know, he

640
00:53:29,760 --> 00:53:30,960
did this kind of stuff to kids, So I don't guess it's that far

641
00:53:31,000 --> 00:53:36,440
fetched that Lily would be involved in
doing this kind of stuff. Subproject went

642
00:53:36,559 --> 00:53:42,079
thirty six talks about giving a life
for a shock to children. And then

643
00:53:42,280 --> 00:53:47,400
you've got Loretta Bender. She was
a famous psychiatrist at Melview and she was

644
00:53:47,559 --> 00:53:52,079
dosing children for weeks on end.
I mean, well, there you go.

645
00:53:52,119 --> 00:53:54,559
There's another example. Yeah, so
it's not fun. That is youngest

646
00:53:54,599 --> 00:53:59,960
five or six. Wow, she
would dose them for months and she was

647
00:54:00,159 --> 00:54:07,480
being uh the Human Ecology Fund,
which was the CIA front, So who

648
00:54:07,519 --> 00:54:10,639
knows. I mean, these are
examples that we know about what the CI

649
00:54:10,760 --> 00:54:17,199
has done to children. Yeah,
and most of that mk Altra documentation was

650
00:54:17,239 --> 00:54:22,360
destroyed, destroyed, right, but
it really shows how sadistic they were,

651
00:54:22,639 --> 00:54:28,320
how sadistic they were to children.
And I just, uh, when I

652
00:54:28,360 --> 00:54:34,000
started reading about this type of stuff
made me very very angry that that there

653
00:54:34,039 --> 00:54:38,360
was no lines. I mean,
there's no moral lines. Yeah, it's

654
00:54:38,400 --> 00:54:45,519
like a mad science thing, right, like Mangola's idea of science or you

655
00:54:45,519 --> 00:54:49,400
know, there's a lot of parallels
with well thing back to like didn't Skinner

656
00:54:49,519 --> 00:54:52,599
Skinner put his daughter in a box? Didn't he because he thought he could

657
00:54:52,679 --> 00:54:58,000
program his daughter. It wouldn't surprise
me, but there's some story about him

658
00:54:58,039 --> 00:55:05,400
like putting his putting his kids in
his Skinner box to reprogram them. So

659
00:55:05,519 --> 00:55:13,480
you write that Hollywood, with all
points where are confronted by phony dialectics,

660
00:55:13,559 --> 00:55:19,039
which are essentially false paradigms of opposition, and they are almost always wrong,

661
00:55:19,239 --> 00:55:22,960
maintaining only a piece of the puzzle. And when you write about that,

662
00:55:23,239 --> 00:55:32,400
you write about individualism versu the collective, and you talk about Hollywood trying to

663
00:55:32,440 --> 00:55:40,559
destroy the individualism and make everyone a
part of the collective consciousness of the propaganda

664
00:55:40,599 --> 00:55:45,360
that's being produced in Hollywood. Could
you explicate that a little bit. I'm

665
00:55:45,360 --> 00:55:49,119
trying to remember that. I think
that's in the context that when I was

666
00:55:49,159 --> 00:55:54,519
talking about B for Vendetta and how
bper Vendetta is about, you know,

667
00:55:54,639 --> 00:56:01,760
anarcho individualistic rebellion, but the the
way it's presented in the story is kind

668
00:56:01,800 --> 00:56:07,719
of like, yeah, but in
reality, we're all collectively Guy Fox or

669
00:56:07,760 --> 00:56:09,760
something like that. And so I
think I was just trying to point out

670
00:56:09,800 --> 00:56:16,159
that, in my view, anarchism
has a long history of being a tool

671
00:56:16,199 --> 00:56:22,079
as well for intelligence operations and false
flags. I think in one of the

672
00:56:22,079 --> 00:56:28,679
British intelligence writers, maybe Conrad,
you know, there's this discussion of where

673
00:56:28,679 --> 00:56:31,079
the I think it's British intelligence does
a false flag with anarchists or something like

674
00:56:31,119 --> 00:56:36,199
that. So that was kind of
what I was getting at the same idea

675
00:56:36,280 --> 00:56:43,880
comes up in the Guy Ritchie Sherlock
Holmes. This the part two where these

676
00:56:43,880 --> 00:56:49,880
anarchists engage in these bombings. But
it turns out it was actually Moriarty who

677
00:56:50,000 --> 00:56:52,920
in the story actually kind of appears
to be a British and he's like an

678
00:56:52,920 --> 00:56:59,159
Oxford professor or Cane British and he's
working with military Dove complex to arm difference

679
00:56:59,239 --> 00:57:04,559
both sides the war for World War
One. In the Robert Downey Junior Jude

680
00:57:04,639 --> 00:57:07,639
Law Guy Ritchie version of Charlot Combs. I always thought that part two of

681
00:57:07,679 --> 00:57:12,079
Charlot Combs is pretty revealing in that
regard to But yeah, That's what I

682
00:57:12,119 --> 00:57:15,920
was getting at, was just that
when the movies give you even the idea

683
00:57:16,039 --> 00:57:22,119
of something like the rugged individual or
the anarcho individual, even that's really just

684
00:57:22,400 --> 00:57:27,920
kind of a corporate, fraudulent type
of rebellions. It's an inauthentic rebellion,

685
00:57:27,960 --> 00:57:30,639
I guess, is what I was
trying to get at. And you're right.

686
00:57:30,719 --> 00:57:37,519
Both cultic groups and government agencies have
the desire for control, and particularly

687
00:57:37,559 --> 00:57:43,159
the control of thought. And one
of the most effective groups to achieve this

688
00:57:43,519 --> 00:57:51,920
is through childhood manipulation, which we're
just talking about. And I've got a

689
00:57:52,000 --> 00:58:02,079
quote here that I that I liked. There are many many There are many

690
00:58:02,119 --> 00:58:08,920
many problems for positing ultimate reality or
the absolute as an impersonal force. If

691
00:58:09,000 --> 00:58:14,840
ultimate reality is impersonal and chaotic,
then all localized of ads, phenomena,

692
00:58:14,880 --> 00:58:20,639
and objects are also devoid of any
ultimate meaning. Language, mathematics, logic,

693
00:58:21,079 --> 00:58:27,199
et cetera. Are thus also annihilated
as merely mental fictions or at best

694
00:58:27,519 --> 00:58:34,239
some cosmic force we do not understand. These are servants of chaos and the

695
00:58:34,320 --> 00:58:43,199
abyss. So basically what you're saying
is that there you can look at come

696
00:58:43,199 --> 00:58:50,440
at reality one of two ways,
metaphysically or materially, And if you come

697
00:58:50,440 --> 00:58:58,440
at reality materially, then everything loses
its meaning. Yeah, if all reality

698
00:58:58,519 --> 00:59:06,280
is reduced to is pure matter reductionism, then ultimate reality is impersonal and other

699
00:59:06,320 --> 00:59:10,280
things would follow from that too,
Like in philosophy there's fancy words like the

700
00:59:10,840 --> 00:59:15,719
world of the universe would be disteleological. That just means that there's no telos

701
00:59:15,800 --> 00:59:19,239
or purpose to it. Everything's just
sort of random chaos. So if everything's

702
00:59:19,280 --> 00:59:22,519
random chaos, then it follows from
that that, well, my life is

703
00:59:22,519 --> 00:59:28,199
also chaos. This week is chaos, today's chaos. My argument is our

704
00:59:28,199 --> 00:59:31,320
discussion today is chaos. So essentially
kind of it becomes a form of nihilism

705
00:59:31,400 --> 00:59:37,239
ultimately, And yeah, I think
I was trying to argue that nihilism is

706
00:59:37,280 --> 00:59:40,480
sort of the end result of a
lot of revolutionary anarcho philosophy. Right,

707
00:59:40,519 --> 00:59:45,960
So the same would apply to communism
as well, Right, So I'm not

708
00:59:45,039 --> 00:59:51,400
just just saying that revolutionary philosophy in
terms of anarchists are problematic, but also

709
00:59:52,039 --> 00:59:59,480
socialism, collectivism. All revolutionary philosophies
kind of have this this issue with whether

710
00:59:59,719 --> 01:00:02,639
the actually makes sense and has a
purpose or a goal. And you know,

711
01:00:02,639 --> 01:00:07,159
if you read Brave New World,
he kind of says, well,

712
01:00:07,440 --> 01:00:10,199
all the revolutions were for this,
for Brave New World. So well,

713
01:00:10,199 --> 01:00:14,599
wait a minute, I thought revolutions
were about freedom and humanity. No,

714
01:00:14,599 --> 01:00:17,719
no, they're actually anti freedom and
they're antihum. So so it's like revolutions

715
01:00:17,800 --> 01:00:24,639
kind of seem to go in that
uh, irrational disteleological direction. And I

716
01:00:24,679 --> 01:00:30,159
was pulling from an argument there that
doctor Phil Cherrard and father Dimitri Steniloi,

717
01:00:30,199 --> 01:00:37,679
a famous Orthodox theologian. They kind
of make this point that certain religions posit

718
01:00:37,880 --> 01:00:44,039
and impersonal absolute and if if all
reality is impersonal, if the absolute is

719
01:00:44,079 --> 01:00:47,360
just a force or impersonal, then
you would have this sort of nihilistic end

720
01:00:47,400 --> 01:00:53,440
result. What would you call,
Well, you've got like hardcore atheism,

721
01:00:53,559 --> 01:00:59,800
but then you've got deism, which
basically says that God made a watch and

722
01:01:00,480 --> 01:01:06,079
this is the watch. There are
Buddhists, like they're about of Buddhism doesn't

723
01:01:06,119 --> 01:01:08,800
believe in a God, but they
believe in karma. But to me,

724
01:01:10,679 --> 01:01:16,280
if you're going to believe in karma, you're believing in something metaphysical and incomprehensible,

725
01:01:16,480 --> 01:01:22,800
which I think could easily substitute for
God. And actually am manual Kant,

726
01:01:22,840 --> 01:01:25,559
that's one of his arguments for the
existence of God is karma, and

727
01:01:25,599 --> 01:01:32,360
of course he doesn't call it karma. But so I like your take on

728
01:01:32,440 --> 01:01:37,159
that. Yeah, there's areas of
Kant that I like. For example,

729
01:01:38,360 --> 01:01:43,880
I believe in what I think is
the best sort of logical philosophical argument for

730
01:01:43,880 --> 01:01:49,159
God's existence is the transcendental argument for
God's existence, and it has some parallels

731
01:01:49,199 --> 01:01:52,840
and overlap with Kant in that Kant
did a lot of transcendental arguments. He

732
01:01:52,920 --> 01:01:57,719
didn't, however, do the transcedental
argument for God because Kant thought that all

733
01:01:57,719 --> 01:02:02,719
the transcendental categories were purely mental,
and so they're kind of mental structuring features

734
01:02:02,760 --> 01:02:07,800
that you impose on the world for
the raw sense data that comes in.

735
01:02:08,039 --> 01:02:12,960
I'm not a Hegelian, but one
interesting thing that Hegel did was he took

736
01:02:13,480 --> 01:02:16,480
that insight from Kant and he said, it doesn't really make sense to think

737
01:02:16,519 --> 01:02:21,119
that these categories are grounded in the
human mind, because the human mind is

738
01:02:21,159 --> 01:02:25,760
finite, and there's a pretty serious
problems and cons of you. For example,

739
01:02:25,880 --> 01:02:31,440
Kant couldn't ever know if other minds
operate the way he thought the mind

740
01:02:31,519 --> 01:02:35,880
worked, because other minds would be, for example, in the realm of

741
01:02:35,920 --> 01:02:39,840
the numena that goes outside of what
Kant thinks you can know the phenomena.

742
01:02:39,960 --> 01:02:45,960
So Hegel says a better move would
be to say that the structuring categories or

743
01:02:45,960 --> 01:02:52,199
the transcendental categories that make knowledge possible
are grounded in the divine mind. Now,

744
01:02:52,199 --> 01:02:55,639
I don't believe in Hegel's view of
God or his political philosophy. I

745
01:02:55,800 --> 01:03:04,280
just specifically think that that move that
he made is a possible solution to one

746
01:03:04,280 --> 01:03:07,480
of the problems in CONT's view.
And so the transcendental argument for God is

747
01:03:07,480 --> 01:03:13,280
basically saying that the transcendental categories that
talks about have to be the case for

748
01:03:13,440 --> 01:03:16,519
knowledge to even be possible, and
that God's existence is the very thing that

749
01:03:16,559 --> 01:03:22,480
would make knowledge possible. So that's
the move I would agree with. As

750
01:03:22,480 --> 01:03:25,400
for Buddhism, I'm not super studied
in Eastern philosophy, but I think that

751
01:03:25,440 --> 01:03:32,400
a lot of Eastern philosophies tend to
kind of fall over into basically viewing reality

752
01:03:32,440 --> 01:03:37,960
typically as something illusory, or they
tend to sort of embrace a lot of

753
01:03:38,000 --> 01:03:45,679
contradictions at times. So to me, that would kind of just negate whether

754
01:03:45,760 --> 01:03:50,440
they have the ability in an epistemic
sense to justify knowledge. So I always

755
01:03:50,559 --> 01:03:54,199
put a high value in my argumentation
on whether the knowledge that we have or

756
01:03:54,199 --> 01:04:00,079
the knowledge claims can be epistemically justified. And typically, uh, I've never

757
01:04:00,119 --> 01:04:03,400
I had one interaction with a Buddhist
gay maybe three years ago, we had

758
01:04:03,400 --> 01:04:10,119
a discussion on a podcast, but
it's not it's not a field I've interacted

759
01:04:10,159 --> 01:04:13,719
with a lot, But typically they
don't really care about the kinds of things

760
01:04:13,760 --> 01:04:16,559
that people in Western philosophy are looking
for, like justified true belief. I

761
01:04:16,559 --> 01:04:19,280
think most Buddhists said, well,
we don't really, we're not really interested

762
01:04:19,280 --> 01:04:27,840
in doing that. I read Hegel
as an undergrad, and we're he'd completely

763
01:04:27,880 --> 01:04:33,599
lost me was absolute spirit hovering over
Prussia. Yeah, I definitely think that

764
01:04:33,679 --> 01:04:38,239
his overall, his system is ridiculous. So I don't want to give the

765
01:04:38,239 --> 01:04:41,760
impression that I'm a Hegelian. I
just thought that one move that he makes

766
01:04:41,800 --> 01:04:45,480
to critique con is an interesting insight. It actually works for people who do

767
01:04:45,559 --> 01:04:50,199
believe in uh in philosophy, it's
theology. It's called divine conceptualism, and

768
01:04:50,239 --> 01:04:57,280
this is an approach where reality is
grounded in the divine mind. Basically is

769
01:04:57,599 --> 01:05:02,840
what that's all about. So with
Kant, you had the rationalists and they

770
01:05:02,920 --> 01:05:10,000
said that truth can be deciphered within, and then you had the empiricists who

771
01:05:10,079 --> 01:05:17,440
said that you can only decipher truth
by measuring by external experience. And they

772
01:05:17,440 --> 01:05:23,559
were at odds with each other.
But Emmanuel Kant brought them together and he

773
01:05:23,719 --> 01:05:30,639
said that we have twelve categories of
reason, and that we have this we

774
01:05:30,760 --> 01:05:35,519
called it intuition of space and time, and that these twelve categories of reason

775
01:05:35,599 --> 01:05:42,639
have to align with the space and
time, and that's how we ultimately discern

776
01:05:42,719 --> 01:05:45,239
truth. So he was able to
bring the rationalists and the empiricists together.

777
01:05:46,519 --> 01:05:51,880
And a lot of people have argued
that so cont is basically saying, and

778
01:05:53,239 --> 01:05:56,559
I don't know how many categories and
pure reason there are, but it sounds

779
01:05:56,599 --> 01:06:01,559
like I'm sure that I believe that
humans are hardwired. And that's one of

780
01:06:01,559 --> 01:06:08,960
the things that Kant is driving now
and an Eastern thought. In many Eastern

781
01:06:09,000 --> 01:06:15,920
schools, humans are hardwired. Plato, humans are hardwired. And we had

782
01:06:16,039 --> 01:06:23,039
Chomsky come out and say that humans
are hardwired for language, which was kind

783
01:06:23,039 --> 01:06:29,960
of revolutionary because it completely overturned what
we thought was tabula rasa. But when

784
01:06:29,960 --> 01:06:36,719
we get into mathematics, I've got, you know, I'm kind of our

785
01:06:36,760 --> 01:06:44,159
mathematics a truth. There is mathematics
a truth. I'm a little bit torn

786
01:06:44,280 --> 01:06:54,360
with that because I believe, I
mean, the Fibonacci sequence shows up a

787
01:06:54,400 --> 01:07:01,360
lot of places in nature, so
obviously that is mimicking reality, the Fibonacci

788
01:07:01,400 --> 01:07:06,800
sequels. Now, with Kant,
he would say he had what's called an

789
01:07:08,360 --> 01:07:14,960
a priori synthetic argument, And what
he meant by that is such truths are

790
01:07:14,960 --> 01:07:19,280
known a priori since they apply with
strict and universal necessity to all objects of

791
01:07:19,320 --> 01:07:25,840
our experience, what without having been
derived from that experience itself. So Kant

792
01:07:25,880 --> 01:07:31,079
would say that when you're measuring the
hypotenuse of the right triangle, a escort

793
01:07:31,159 --> 01:07:35,480
plus b s cort equals c squord. He would say that that because that's

794
01:07:35,639 --> 01:07:40,840
always going to be that way.
He would say that we have knowledge of

795
01:07:40,880 --> 01:07:47,440
that within ourselves and that it is
a constant truth. And here is my

796
01:07:48,679 --> 01:07:59,280
problem with kant and mathematics those when
you get into Euclidean geometry, you've got

797
01:08:00,280 --> 01:08:08,599
wonderful equations that are really simplistic and
elegant, like the pythagora in theorem maysquare

798
01:08:09,119 --> 01:08:15,640
scored equals scored. But then Einstein
came along with general relativity and he showed

799
01:08:15,640 --> 01:08:20,560
that straight lines are only in the
minds of humans, that they do not

800
01:08:20,720 --> 01:08:29,600
exist in reality. And Euclidean geometry
is predicated on straight lines. So what

801
01:08:29,720 --> 01:08:32,079
are we to make of that.
Well, one way that you could kind

802
01:08:32,079 --> 01:08:38,239
of bypass that whole discussion about the
status of geometrical objects or whatever would be

803
01:08:38,239 --> 01:08:42,600
to talk about universals and universal claims. Right, So, for example,

804
01:08:42,680 --> 01:08:48,039
to say, like all straight lines
only exist in the mind as a straight

805
01:08:48,119 --> 01:08:54,319
line would be a universal claim.
So, even though perhaps Einstein wouldn't be

806
01:08:54,359 --> 01:08:59,159
interested in revisiting these kind of medieval
discussions, the fact that people don't want

807
01:08:59,199 --> 01:09:02,880
to revisit those tops which doesn't mean
that they're not underlying the possibility of predication.

808
01:09:03,079 --> 01:09:08,439
So I think that this just brings
us back to questions of uh,

809
01:09:08,520 --> 01:09:13,720
you know, the existence of universals, which I think that language I always

810
01:09:13,720 --> 01:09:17,279
already the language requires it. So
we need we need metaphysics, we need

811
01:09:17,479 --> 01:09:23,600
universals, we need universal categories,
and we can't escape those things by you

812
01:09:23,680 --> 01:09:29,039
know, the Kantient move to psychologize
it, or the skeptical move to basically

813
01:09:29,159 --> 01:09:32,000
say that there's only particulars like David
Hume or something like that. All of

814
01:09:32,079 --> 01:09:38,520
those positions end up being kind of
destructive to the possibility of having knowledge.

815
01:09:38,600 --> 01:09:44,600
So so I would just say that
we can broaden the question beyond the status

816
01:09:44,680 --> 01:09:49,159
of math or geometrical objects to return
it to the question of universals. And

817
01:09:50,279 --> 01:09:54,439
there have to be universal categories.
The only way to have a universal is

818
01:09:54,520 --> 01:09:59,680
to say that there's a divine mind
that houses the universals. I would agree

819
01:09:59,720 --> 01:10:04,840
with that. It's interesting. I
wrote a book that or a co author

820
01:10:04,880 --> 01:10:13,920
of a book that run in Kantian
thought, and there were two other co

821
01:10:14,039 --> 01:10:16,319
authors, and they weren't really familiar
with Khan. So I was the guy

822
01:10:16,359 --> 01:10:20,640
that kind of carried the water on
that one. And I didn't realize you

823
01:10:20,720 --> 01:10:24,600
were a philosophy guy until today,
So I just knew of you as kind

824
01:10:24,600 --> 01:10:30,439
of the you know, the journalist
guy that writes about well, I am

825
01:10:30,560 --> 01:10:34,960
somewhat multi dimensional, but Kanty is. If you look at his critigue of

826
01:10:35,000 --> 01:10:40,399
Peer Reason, I mean it's a
t KO in the first like five pages.

827
01:10:40,439 --> 01:10:44,560
For most people, it's probably the
most esoteric book ever written, except

828
01:10:44,640 --> 01:10:55,640
for maybe James Joycean's Wake. But
I became a kantient to a certain degree.

829
01:10:55,720 --> 01:11:00,439
I mean, I see where his
thought is problematic. But I rated

830
01:11:00,520 --> 01:11:04,880
Kant into this book that we wrote
and what was interesting and which kind of

831
01:11:04,920 --> 01:11:08,680
gives you an idea that you know, I have pretty good working knowledge of

832
01:11:08,760 --> 01:11:12,399
kind. And I was going out
with a woman who had the Critique of

833
01:11:12,479 --> 01:11:16,960
Pure Reason on her bookshelf. Wow, And I started to page through it

834
01:11:17,960 --> 01:11:20,359
and I started to read it,
and then I realized, you know,

835
01:11:20,399 --> 01:11:27,399
if I continue to read this book, I will not know con I'm more

836
01:11:27,439 --> 01:11:30,199
amazed that you were dating a woman
that was in the I've never heard of

837
01:11:30,439 --> 01:11:33,600
of a woman at the cont That's
interesting. So, Jay, I really

838
01:11:33,680 --> 01:11:36,319
want to thank you for coming on
the Nick Brian podcast. You've been a

839
01:11:36,359 --> 01:11:40,279
great guest. Thank you. Yeah, I want to have you on and

840
01:11:40,319 --> 01:11:42,720
we can get into some of your
work as well. I didn't mean to

841
01:11:43,359 --> 01:11:45,640
to uh, pigeonhole you as one
dimensional. I just didn't know that you

842
01:11:46,640 --> 01:11:50,680
those other topics I didn't. I
don't mind being pigeonholed, doesn't me too

843
01:11:50,760 --> 01:11:54,840
much. Have yourself a great night, all right, Thank you, Nick,

844
01:11:54,880 --> 01:11:56,680
appreciate it. Have a good night. Take care. Jay,
