Peter Vazquez. Well, I don' t know if I imagine you did
in all the Farandula shows yesterday you talked about this news, but this one
nobody talks about it like we do. We' re different. Yeah,
look at that. There is an issue that is given a lot in women,
and it is that women, usually, when they say they express themselves,
have a partner was a young man. They are usually women who are
exploited. If I want, they' re old and usually explodes almost always.
I don' t exhaust the old ones, but a lever profile of
that lady and she sees it looking but bad, like she said that chere
said she likes the young because those of her age already died in that case,
then she would have to go on to do it is empowered and keep
that colage. So what rapper said, a rapper who calls him the threat.
He said women in love should keep their man. They must keep the
man. The women who are in love how poor and then it applies the
same. Then men in love must keep their wives. So is man,
naturally, the women who have wanted a natural historical fusion of man in the
life of women. He has been a protector, supplier and great for the
safety of feminin. I mean, it' s given and understood that you,
as a man, have that responsibility. But, given the reality,
what I think is that the man who' s waiting for a woman to
keep him because he' s in love with you is an exact creep,
because the best you can have self- sufficiency from that, that, that
' s where we give him transactional relationships don' t work. I think
the woman has fought hard enough to deny that power to the woman. I
mean, I mean, you have to keep up. If a woman falls
in love with a man and the man understands that because she is in love,
she has to provide or give him to pay for things. That'
s not going to work in the end, but look because then there'
s a distortion going on. From what I have seen in all transactional relationships
always end, almost always end in tragedy. Or very problematic, because then
you, when you have a loving relationship, that is, I am loving
to, gives me love and the agreement we have, etcetera. Well,
today I' m not okay let me pay you for gas. Oa is
overtaken, but when you are in a relationship that what you receive is why
you are materially giving, you are unconsciously assuming material property over that individual.
That' s when the individual comes in and I' m not a psychologist,
but when the individual sees that in the middle of that transaction they want
to embezzle him, that is, take their investment without turning back everything he
' s spent and what he' s paid for and what he' s
provided. That' s where violence comes from. I just, because always
the fourth mess ends if it doesn' t matter I loan you a debt,
sheath everything that implies the feeling of material ownership of the other and ends
badly look. What' s going on and as Don Luis says and he
said secretive prostitution. First one has to know his liss s and don Luis
is right. One has to know their limitations and be clear, because,
for example, those women who express themselves in that way who seek a certain
profile of man in most cases do not know their limitations. So when they
get it, they have to hold it. How they hold him. Okay.
The gentleman spoke of colajaro the lady as seventy years old, fortunately famous,
is rich, that kind of thing that has that added value. But
one, one, a lady who doesn' t have that profile, who
looks for a man profile, as they say. I want a pretty young
guy, but I' ll give you the money if he points at the
mile in order to keep that colageum she' s necessarily looking for, she
has to monetize it. It' s the only way. It' s
true, because if you don' t, you' ll never have it
and understand that you know it' s about the money, because it'
s not quella te. That' s the complicated part that many times you
don' t know that because of the money you' re with him.
You saw yesterday how an exact pass is. It' s either you know
or you don' t know anything. It' s just that really,
no matter how much surgery you do, I' m not sorry. He
' s not 80 years old, he' s about 80 years old.
If you don' t get 80, you' re itching if it was
Anda, he' s jumping for the 80s, just like he was born.
Chergel was born about in the forties, because imagine chel comes from the
sixties giving so much sunk that year we bird of evil look. That'
s got all the surgery and you all know that when there' s a
nuclear attack, they' re gonna survive the cockroach and chacho. The 22
- year- old boyfriend is seventy- seven years old. Mom, please,
in one thousand nine hundred forty- six, when she already hit vile
Leefs, she was fifty- two years old. That' s why I
' m almost eighty, that was at the end of ninety- eight.
You' re young, yes, yes, with all the production of all
those things. Ah shelle so sense, then they' re celebrating the sit
- down makes it. The part that doesn' t understand people who get
involved in a relationship so they' re looking for a relationship with a partner
or a partner with that characteristic is that they think they' re with them,
because they' re really in love. Then that' s where this
gentleman' s word comes in The woman in love must keep her mother a
man. I certainly remember you' re in love. If you are looking
for a profile that you know, that you relish the conditions for having it,
then keep it totally welcome to the world to reality. That' s
why, when I hear ladies expressing themselves that way, I look at her,
but she hasn' t seen herself since. You know there' s
a question Peter Back that' s with respect to that. Depending on the
age, the amount goes up or down, if there are three, so
much polaje tuice, if it depends. We' re going to be the
business letters of the Dominican Republic that they already have to pay. Dominican women
entrepreneurs. No, no, you can' t. Let' s see
the mate coming. Let' s go to Wow, to my emotionalist.
Come on Dominican businesswomen who have to pay so that I have Alberto in them
and you take the war bath one of che that I had not heard this
one. I' m the whippy chea thing. Or they' re talking
about it, so age is noticed in dryness. Oh, my God.
Well, nice to be here. Okay. Let' s pause. We
' re here with Don Luis. After the break, come out in the
morning Rhythm ninety- six five, the best excuse to get up early.
We' ll be right back.