Good morning, Mother? Sphere good morning bad, sphere communicates of the cover
three, two, one and welcome to a new episode of good morning Mother
Wait you know that every month we have a section dedicated to children and youth
comic and in which our friend and admired partner Semte and I with these beards,
helps us to introduce ourselves in the field of comic in matile and youth.
And, above all, it gives us recommendations, Recommendations I leave Carlos
squire remember eh see we miss recommendations for good, so that when you approach
your neighborhood bookstore with the chicks, the chicks, with the creatures, because
you approach the section of children and youth comic, and you can choose what
you remember. I was reminded of this on good morning, Mother Sphere and
I with Stox, with stocks and I with this a comic book. How
are you on good morning, welcome to our comic books. All right,
all right, how about good to everyone, to all the listeners who listen
to us. And we are already in the mess another month here with everyone
and all of you, what are the novelties of everything last, already from
March, that we are already in April. March has already passed, we
already have in the Zurron all the things that have come out last month and
as always, because we bring you the most pomegranate. A selection of what
we have seemed more interesting in terms of reading children' s comics for the
kids and the youngest girls in the house with a selection this month. Well,
every month they are, but in this month we have Javier how cool
I am, how cool I am. The program you' re already one
- off that we bring in really cool stuff. I love this all the
time, always here preparing well. The land is worth nothing. You know
for those of you who already know the program. You know, now we
' re told how many volumes you' re going to recommend to us,
how many books. I have five recommendations. Today is worth five recommendations and
I also have a particular one that from my side, so now, then,
we will detail you and, as always, we will leave you at
the end, when we already publish the podcast You will have published on our
blog Mother Sphere, com the whole episode. The written recommendations. In all
titles. In addition to that, what is always left in the inkwell,
because, in fact, not only five books, five new, new titles
are published in the market. Obviously not, and we want to do a
little review of what you can find in the market of the new so that,
well, then, you have your little list choose or you aim it
for the list. So we go there whenever you want, because the Frandley
Remander did effectively what we always tell you, which are books and comics fresh
off the market. Last month you still have the shops, obviously passed by
anyone, and there you will be able to see them and if you do
not go to your head libraries in your neighborhoods, you can ask them there
to bring them to you that you will regret us. The first of the
readings I bring you today, as always, we will go from the smallest
of the house to the oldest. It' s something that comes from the
hand of a new couple, a fashionable couple in the neighborhood, and it
' s no less than Simon and Chester Super Detectives. It is a publication
that comes from the hand of EDV, from the editorial LDB and is a
recommendation for readers, because from six years of first electors, which, therefore,
is very good. Always start with this kind of thing. Who brings
us Simon and Chester Super Detectives, as this is the work of Kale Atkinson
as a full author, full author to the script and drawing with Mari Carmen
Díaz Villarejo in the translation. It is a work edited in cartoone sixty-
four pages by thirteen Europeans. What' s Simony Chester about, well,
because Simon is this character here, he' s a ghost who lives with
Chester, this other character here who both or my colleagues live in Chester'
s family house. And well, we dedicate that history starts with Simon or
Simon who walks his stuff, he' s writing a story in his spare
time. And there' s a moment when Chester suffers from a massive boredom
attack and they both decide to play detectives and come so high up that they
really set up the trick of dressing themselves up as such and, in addition,
create their own detective agency, going out looking, of course, for
cases to solve, because obviously, you have to find clients, because if
not if you' re a detective, you don' t have any cases
or clients because in short often manage and it turns out that the first case
they encounter is found in their own house, they go down to the living
room, they hear some noises to the kitchen and it' s related to
a dog that mysteriously appears precisely from the kitchen, stirring everything up, putting
in purple some mysterious little cookies that appear out there. And well, this
is put on the table, and the mystery really is about to solve it
and, as I always say, because I am not going to give any
more mysteries because if I don' t know, spoilers don' t go
with this game show. I invite you to read it that you dive in
it to accompany the characters in this first adventure and I really think it will
be worth it. Things to comment now on this volume. Another great editorial
deb in this generalist case that firmly bets on showing a children' s comic
line, because, although I DV has already edited children' s and older
comics before, now they have put together a distancing and differentiating seal on the
cover DBE comic is worth putting it here to make the product more recognizable,
which is always to be thanked for in the eyes of the consumer. I
am very grateful for these details. Many times we go to the linear ones
of the bookstores or of the large areas and the big shops and we see
that, therefore, that with this type of work mix a little churras,
with merinas. Sometimes they mix together we see that didactic books are together,
with illustrated narrative, with colorables, with comics, etcetera. And for me,
everything that is differentiating this type of product and making it easier for consumers,
because I am very grateful. This series me from good to good,
I have to say that I' m loving at least for the moment what
we' re carrying. He threw two. At the same time. We
have this, which is the first volume, and then we have this other
Simon and Chester having us here at home the two super pajamas party is the
second, which is a sales strategy that is very typical. It is done
a lot to generate hooks to launch the first volumes at once and in this
case, because it works very cool because it is a series that I am
seeing many successes and is that, in the background, it is a very
well done comic. I believe one of the first successes, for example,
because the narrative rhythm. I liked the narrative rhythm very much of a rhythm
that goes very well. It' s a comic book that you read the
first two or three pages and you think. It' s got this vibe
of comic beginnings like that Second thing, second thing I' m liking that
show for. I liked the characters, that the characters I think are also
very well done, they are well created, they are well composed, they
work very well. As a duo, as a couple, which is what
it has to be if it' s what you' re going to focus
on, I don' t really like Simon' s design so to make
a small paragraph makes me very funny. It just reminds me with these three
lower appendages that it has reminds me a little bit of a giant tooth,
floating more than certain. If you read it, one thing that caught my
attention. Perhaps I do not stress this enough in the programs, but it
is good that the author almost completely dispenses with the funds and yet, the
comic does not suffer at all, because here the author does one thing that
is very good, and is that he plays a lot with the textures to
generate sensations to fill these spaces that would be empty. If you don'
t put anything in there how it does it, it' s using,
it uses plots, it uses stains, it uses blows and effects like brush
things of this kind. Let' s say it' s kind of half
- way between generating a background and leaving the space completely empty. And it
fills it, because with this resource that looks very good, in the vignette
that composes very well and that allows the reader to enjoy the reading, but
focusing on the characters and focusing on the things that the story tells you,
obviously, at the level of creation. For the author it also works well,
because it is something that saves time and workflow and can generate works faster.
So, well, let' s also say that in that sense it
' s a good thing. That' s right for him. I want
to invite you when you read comics and have a little bit of that vision
of trying to take a few moments to look at the backgrounds, because there
you will have a clear reference to appreciate all the work behind a comic,
not all the time, all the effort that it takes to generate a cartoon
in general or, therefore, create a comic from scratch. The funds are
often symptomatic and, as I say well, because here is all this visual
creation exercise is very well crafted here. With regard to history, for example,
more things than I want to tell you about is that in this adventure
they go with all the clichés of the detective genre were also out there and
that' s precisely where you are. Without a doubt, I create the
most amusing points of the work and here again I am going to make a
minimum point because I believe that in this respect, I believe that these details
should be more amusing to older readers than not the age at which it is
highlighted or differentiated. This one I eat and I explain a little because I
think sometimes we miss some things too. And it is that I believe that
with six years old I do not believe that whoever reads this comic book has
still accepted all these codes of the genre of detectives of the nuar that is
really where the emphasis is made a little bit on most of the humor that
is in this work. And I' m saying that because, obviously,
at six years old I don' t think the vast majority, because they
have seen neither the alcombalts nor Leave Frey Bogar or the series of I know,
by Philip Marlowe, or not even to say Serlo Holmes or so many
other productions of classical detectives of the genre, which is where they reproduce and
where all these clichés are generated. So I think this work read, this
age is going to work better as a work of anticipation, that is,
when you grow up and start reading or seeing all these works that I was
saying before, it will be that when you begin to recognize more than you
can have read and seen here in this type of comic as the sigmuni Chester,
than that which does not cease to be. On the other hand,
also and paradoxically, something very beautiful, also start with works of this type,
because this to imagine, this the illumination of those of the Blinds,
where the light enters so intercuted, these black and white royalties, the penetrating
looks, all this type of codes and things are those that one carries sucked
in a cultural way and that is why they reflect here, because they are
funny, but let' s say that here we would have to do this
game a little bit inversely. I believe, in any case, large text,
large vignettes or caviñeta per page, a good work, design, everything,
of labeling behind. Everything seems to work. It' s all very
good. It doesn' t overwhelm at all, reader. Let' s
say all the fundamental features that are asked of a first- reader comic book,
and we have it here is a really good comic. Done. I
liked many with sagacity, with humor, with mystery. Okay. For me
it has been quite a discovery your collection the truth, and I consider this
a very very interesting release, really, highly recommended, very funny. If
you see it, then, take a look at it, because I think
you. You and the children of your home will like details of the edition
to comment quickly eighteen by twenty- three centimeters, a normal size, quite
acceptable. He has no extras worth mentioning that if we talked about after the
cover too, we also have him on the counter. And I am also
interested in detail and I like to put also the age to which this work
is recommended, which is six years from here what I have said before,
because the same thing, because it is an information that at the point of
sale, because it makes life easier for customers. I think I think this
kind of thing is a good one. So good. The first recommendation of
today' s March program, Simon and Chester Super Detectives. Let' s
go with the second one, that' s good. Here we are going
to say to get into something totally different, than well, because I invite
you to discover everyone and all the inhabitants of a very particular planet and is
planet planet PUM number one change of plans. That is a work brought to
us by the friends of Liana Editorial, also for readers and readers from six
years old. And who brings us planetapu who has created all this. But
that, this is the work of Miguel can In the script and Cecilia Moreno
in the drawing. It is a rustic work with seventy- two pages for
sixteen euros. And what Planetapu is about, which is this planet thing,
well, the story is that planet P is a very peculiar planet. This
is full of very peculiar inhabitants, obviously, and each with its different characteristics
and equally remarkable abilities. The planet is structured on the basis of different neos
levels, of different strata. You have a very wonderful descriptive drawing to the
beginning of the comic book and in the center of it, because there is
the city, which is where the great majority of the inhabitants of this planet
live, and above that level, above the level of the city, is
the level where the jungle is located. We have three characters in this story,
we have Tremenda, they all appear on the cover, we have top
Tpu and we have porfapu who are on holiday precisely in the jungle. And
it' s just that it' s been a good idea for this little
person to be here with such a cute heart shape. This is the idea
you' ve had to go there and let' s say it has a
characteristic. There is a very peculiar power and that is that with its super
Cooki power of persuasive look and the warmth of its please, that you ask
it and all things, because no one can deny it anything. In fact,
his colleagues didn' t want to start, but well they' ve
seen each other. Let' s say they' re dragged by their magnetic
influence and they' ve gone to the jungle. And what happens, because
back home, the influence that normally confers to others, by fapu seems to
get out of control in an exaggerated way and already begins to request things of
the most eccentric at the same time, dangerous that is there a little already
where the thing becomes interesting so good. All this offers a rather bleak aspect,
we can say, to its increasingly excessive and uncontrolled influence and good to
know why it begins to act like this, what consequences everything has and if
there will be anyone in its surroundings able to stop it. These are all
these questions that, as I say, you will have to read them in
the comic book and discover them for yourselves by putting your heads in this tbas.
So nothing invites you to read it, to discover it and to give
it to the pages, things that I would love to comment on and that
I want to tell you about this comic, what great you see I am
bringing you seriously today for the little ones of the house. If the first
one has been good, this is also another wonderful piece of reading another comic
that already started, when I opened it just by looking at the first pages,
I loved everything. I wanted to start by commenting on a crucial aspect
that I see in this comic that I think is also worthy of mention and
is the design so simple but at the same time so effective, of the
characters and, above all, the treatment of color. I don' t
know if from here, showing the cover goes to the Chamber. You give
yourself a little idea, but well I tell you because in the background I
have fun, I think and how intelligent it is that these authors demonstrate here,
moving everything that is the code of how children usually draw to create something
so well done in the background, so beautiful, so aesthetic and with so
much rigor and as much sense as the comic that they have created putting us
into the color. And that' s how he explains it to me.
Coloring is created in a way by imitating the strokes of craions or carayolas.
It depends on what you call it in your area, on this colored wax
that we all used when we were little, and it' s something that
' s really cool. It is a detail that is very well done And
what is more this, the simple drawing of simple shapes with the coloring gives
a unifying roll to the product towards what is the main board, which are
the small children. And of course, on the one hand, obviously,
these kids, they can read it and they can understand it and they can
enjoy it. But I think that besides and at the same time with this
little wink that they have made with the treatment of these forms and these colors
of the comic in general. The authors are adding or want to add.
I want to think that not an extra layer and I explain to myself that
with this layer, with this way of working it here they are making the
kids can somehow feel reflected in what they are seeing. It' s also
like a kind of creating or the idea of creating an extra connection between them
and he sees you. I see it and I can think that the reader,
the girl or the boy who takes it may think this sounds familiar to
me. I also draw so it is generating in them the sensation and the
ability to think of hears the best. I could also be something similar as
well and why not, and in that sense, I see very easy and
very feasible and with the girl or a boy who reads the planet po and
who liked, then, that he takes a paper and rips off with some
waxes and puts on and to draw, to want to copy and draw on
the characters and create as new stories. I see it, I see it
in a very direct way and reflecting. Let' s say to me this
is the coolest thing I' ve ever thought of, which is another approach
to approach, animation and motivation for reading and reading that in this case I
start from the plastic rather than from the traditional literary, which is perhaps something
that I think we' re a little more used to than to me is
not something that happens to me with the vast majority of comics that I read
but with this yes that happened to me, I think it' s very
well thought out in that sense, all this frame, all this background design
that they' ve given it, this background, or at least it'
s something that I want to think about and I' ve taken out directly.
I' d be in talking to the authors to see if they'
ve also thought about it a little bit like this. I think that all
of that, as I say, makes this comic in trunque a lot with
originality, with dynamism, with freshness, that one can find perfectly what infantile
thought is and that therefore should start easily and directly, because or should in
more than one smile in many of the kids, And is that this comic
in the background looks very nice, It is very very very very cool.
There' s not a lot of colorful comics this way and well, let
' s just say that everything works great here. I think it is a
great idea for the large text to be capitalized in favour of reading. All
right, few wines per page, although well, if you have texts,
there are long texts, there are cartoons that have snacks, that have a
generous amount of text, but well you read well anyway, has a very
careful narrative, goes everything very fluid, that is, that works very well.
It' s all an unknowing thing that a comic book appears to me,
the truth, a discovery and, well, then, apart from all
of this is so obviously the themes that the comic book already deals with,
that focus above all on the character of Porfapoom, all this history of power
that makes them satisfy and obey all their desires and, however crazy and senseless
they have no and clear, then, how toxic and how dangerous they are
all. These are characters or people of this type who take you deep down
to act and want to do or obey you blindly and without thinking about the
things that neither the consequences of what they are asking you or what you are
doing. And that is also a good thing that there is always on the
other side, because those who can and want to look beyond all this to
see why the things that are happening happen and pose in a certain way and
courageously and decisively, as these solutions to these problems and put a criterion and
a raison d'être. Saying he hears this or not, he has
no head feet. So, well, honestly, I' m looking forward
to seeing what more adventures these people aren' t proposing to you, this
couple of authors in the future, because it seemed to me like a comic
book that' s quite a point, even more stuff to you. I
am going to say now about the details of the seventeen by twenty- three
centimetres edition, as I said, rustic and with flaps. But what a
beautiful edition, being a rustic And I explain myself because, on the one
hand, I love in the characters, in the flaps, both in front
and in adras, different characters, different flaps in front and behind. The
description of the world, as I said on the inner covers, both in
front and behind, that is, that they are different at the beginning of
the book and at the end of the book. And the good thing is
that there' s narrative in one' s own, in one' s
own flap. I mean, let' s say there' s a story
already being told here. These details freak me out because deep down, what
they' re doing is exploiting to the fullest the possibilities of the format.
They are comic book spaces that are used in this case to tell us things
that are not filled or merely decorative, although they are. And I'
m already telling you that I love it, because this is making good use
of what you have in front of you and what the medium offers you and
in two parts, both on the part of the one who believes and on
the part of the and I say them clearly of the money that the one
who buys is investing. This, that is, this is squeezed to the
very least. I already tell you even all the interiors are squeezing them for
the development of the work and with what the comics are worth. Today,
this seems like a blessing to me, is to tell me, ro is
something super important that really does not come with big extras, but it is
that up to the index of the end it seems something very nice. It
is designed with great grace and is very original, integrating as in a small
part of what is the city, where the characters and the text are also
relating a little bit to each other. And then the page about the authors
is also vignetteed and I also find it another authentic delight. So, well,
I just want to congratulate Miguel and Cecilia, the patriotic authors here.
Besides, because you' ve created a really cool comic that I really liked.
So, as I say, congratulations on this work planet or already in
publishing, change of plans. New month of March, keep an eye on
it and keep moving forward. And if I bring you two good things,
let' s go with another one that we' re finally going over here
on the ladder, is that we' re going on a space trip back
and forth. We present cosmo in Asti Berry' s publishing space. Here
it is the portadita work for readers and readers from seven years old. It
' s going very well. Who brings us cosmo in space, as this
is the work of Javi de Castro, a complete author in the iony and
in the drawing. It' s a rustic comic book, also with sixty
- four pages for eleven eurosper super well and more with what I' m
going to tell you now what' s good about the first before going into
Harina, what' s Cosmo going on in space, as it' s
always a story that goes first. Well, Cosmo in space is the story
of a return, basically a return home. Cosmo is an astronaut who has
created, along with his team, a rocket backpack, a prototype, a
jet pack that is known and that on the test flight to test it,
as the thing gets out of control, something goes wrong and Cosmo gets fired.
I mean, he fired him into space at high speed. And well,
there, in the void of space, finally manages to stop the propulsion,
manages to stand. But of course, he is floating and lost in
the void, in the middle of space, there adrift and waiting for his
team, then, to rescue him. But in this case they will not
be his companions, the first ones to appear and we will say that is
simply the beginning of a space adventure, with a quantity of surprises, of
surprises, of appearances, of rocky situations and encounters with all kinds of beings.
And this is where we' re gonna throw the rest out. Because
well, as it was totally inevitable in this month, the first children'
s comic book by Javi de Castro had to be brought to the program as
well or yes, Javier de Castro, author who I love that he has
become known best known in recent years with his latest adult works, the comic
book by Ice, which was nominated for the Isners, the illustrated book of
the illustrated crimes, the comic by Villanueva also that is the previous that he
has published with astiberrit and now he has gotten into children' s comic book
that is good, good, good, with due, maximum and total respect
to all other releases. I think this really is the release of March as
far as comics are concerned, or children' s comic or comic a little
bit in general, country, because in short, what prodigy of planning,
friends, that prodigy of wit, of development, of proposal and result that
has been marked here this man, please, what prodigy of work? And
it is that if you still have any listeners to this program who has not
heard you read anything about this novelty over those previous months. Well, here
Mr Javier de Castro has brought a comic book that is literally a two by
one or a two by one. Either of those two things is good for
me because it' s a comic book that is read in its normal sense
is good and when we get to the end, we get to the end,
we turn it around and, physically, we open the comic and we
can read it again from the back, that is, for you to come
up with an idea is that it' s double reading within the same pages.
Yes, that' s how you can stay, that is, how
this wonder is possible, how this could have been done, because basically that
' s what friend Javi has worked out. It is a simple, but
very well thought out and wonderful narrative premise that consists. Let' s say
that in separating the dialogue snacks by colors, the drawing works like any comic
you go reading. The drawing part works like any comic and then there are
the sandwiches that we have in two colors. We have yellow sandwiches and we
have white sandwiches. The story begins with the blank mouthpieces, which are the
ones you should read, and the yellow god part of mouth you should ignore.
When you get to the end and turn the comic book around. The
reading part starts with the snacks you should read, with the yellow background and
obviating the sandwiches with the white background, and let' s say that'
s it. This is the part that corresponds to you depending on the colors
of the snack where you go and forget about the rest, and the narrative
flows and works and has all its meaning in a surprising way. I mean,
blowing your head off is really something you see and you don' t
believe it. I mean, it' s a whole display of graphic engineering
at the service of narrative development and the use of the material that you'
re going to freak out, that is, for the price of what the
comic would be. You have reading and enjoyment and entertainment and adventure in duplicate,
that is, you read it right and you are upside down. It
is so, as it was at first, it is true. It'
s happened to me that your eyes inevitably went to the sandwiches that didn'
t touch you. But let' s say that quickly, as soon as
you internalize this, this situation, this fact, let' s say that
you stay with the part where it touches you and you continue to read parallel
ping pan ping pang and without problems and I don' t want to imagine
the mental work that the creation of this comic has had to suppose, that
of pirouettes and turns to the puzzle jar crevices to fit all this puzzle that
has been marked here by friend Javier de Castro, because this is a boast
of ingenuity put in the service of entertainment and the generation of amazement. We
' re going awesome for the little ones, of course. But deep down
and in the reality of anyone who is reading it and I believe that,
in fact, it seems to me precisely this that amazement is what surpasses here,
since any other consideration, however good it is everything else, that it
is also, in fact, and that the author is here playing with many
things, is playing with many elements that enable precisely this whole narrative and that
make it plausible. Focusing and focusing history on space makes it play with a
whole series of resources, such as weightlessness, like jumps. All this movement
that has that there is in the comic, the dynamism that offers you,
does not make it work perfectly and that enable this game to be able to
reverse the comic to continue reading valid in a second reading. So I don
' t know. Besides, Javi' s drawing freaks me out. I
like it so much. I love that clean stroke, so soft, so
simple, that it has the design of how it does everything, so fine,
so well placed and structured, all how it applies, how it traces
the colors. I like everything, and I think this also gives this childish
drawing profile a glove. So, well, I hope you don' t
want it there and, please, you bring us more things Javi, as
flimsy and as surprising as Cosmo in space because I go see you, you
have marked yourself, boy, that is, he took off my hat if
I had it, put it away to say you chapo Javi, chapo astiberrip
bet on a comic as original as cos Good spaces that is a true past.
Regarding the details of the edition, well, fifteen by twenty- one,
six centimetres more details to highlight the truth, Yes it is true that
it is required that this is where they explain you first home page, where
they tell you all the functioning of what you are going to read, of
how you must read this book to be able to squeeze it correctly that well,
you already have a small sticker here to advance on the cover where they
tell you this turns it and continues reading as in the space Javier de Castro.
Ultra mega good recommendation for your little house jo what a win to get
with that. Yeah, yeah, yeah, yeah, I love these things.
It' s a floppy challenge, it' s a flop that,
by the way, is a master javia, it' s a master in
those things, in turning all these stories around. But, well, here
' s the video game you know how to pass, it' s all
gone so cool. And besides, it' s those books, and that
' s right, those books that you stay with when you' re older,
and you remember, when you read them as a kid and played to
find them, because the things hidden in the secret hand, you remember the
book of the secret hand. It was called The Secret Hand, didn'
t you have to go looking at the. Well, I loved that book.
I wasn' t, but I was thinking about the library in my
neighborhood. And, well, well, well, well, I mean,
I was freaking out about being proposed or Paul and Sussi' s Journal,
those books that change you in the same book. The format has the endless
history, with the tapes, two texts in two colors. That' s
clear. Don' t look at this, it' s just that this
isn' t really new. No, no or you haven' t seen
it, you' ve seen it, well, on a sheet, on
a page. Or what it weighs is that this is the whole comic book,
I mean, it' s a serious head blast. Yeah, yeah,
yeah, I mean, I love the thread of that already. I
want to recommend, although it' s not childish or youthful, well maybe
youthful a little bit, but I want to hear. This is my show,
and I do. It' s not well brought, it' s
not this snowy Ben Trobato, because that other fact you know if I don
' t speak in my programs, my crazy and my hobbies, where I
' m going to do it. No, I just have the podcast for
that. Everything else is accessory. Actually, this thing that I' ve
been into now is a hundred percent of podcasts, except for some attention are
so really clear to see clear one mounts Sotchin on YouTube is to talk about
his case and that before I go with the novelty that I bring you and
to the thread of this, that I love the formats that put you challenges
in terms of literature and that you can think that everything is invented, it
' s not true. Not everything is invented and you can always find things
that can motivate you or challenge you or say how cool this book that brings
me. No, and it is a book that is for adults and that
is a few years old already, but that in Spain came last year finals
and that is called the boat of theseo h To Trump is creator of lost
of j Abrams and another author, Dug Dug Tramps. Looks like two tran
Dug Dubsts to me, Doug Dourst. And so it was all a phenomenon
in Spain. When it came to the end, if there was a very
interesting marketing campaign, it ran out and that made it possible for the person
to run out of it, because the people who have special cravings of this
book, because it is a book with first, that is of jh Abrahams
and then that man habitual things have to be done to him, there are
usual things, it does not do if there are visitors. This is a
good thing. If you have followed the universe of lost in the series of
lost, then you will like it more or less, but indifferent leaves us
and then this book. What he has is that, in addition to that,
he has imitated a library book, an old library book, and it
is full of notes and objects, as a wheel of coordinates to calculate at
last, because as if it were a library book the dates that has a
wonderful edition of duo modiciones that in Spain have made it prices. There it
is full of objects, postcards, sheets, manuscripts and annotations in the pages
that is all the book is full of notes from people of two who write
in the book for several years, that this book is caught for several years
and there it returns among them, apart from more people, and they write
notes. And then you have to follow the circle, you have to follow
the story that brings you the book, the notes that the translator gives you,
because that' s another, the notes at the margins of the book,
It' s going, putting together all the pieces of a puzzle to
get to guess who the author v m is. Straka, you don'
t know who he is. It' s a mystery and you' re
taking challenges all over the book and then, besides, now it' s
no longer equally active. But when it was launched in the United States,
they came out with websites that appeared in the book. I mean, it
' s clear that those of us who like these little moves, because imagine
what a mind- blowing flip. I think he' s back in stock
in Spain. Now you can buy it back, but it' s been
a few months that you couldn' t and it was like God, God,
God, we wanted it onndes. It' s a pass, a
pass for those who like puzzles, you like mysteries. Like the one about
the work of j Abrams and you have patience, because it is a difficult
book to read, having so many different planes. You can' t read
it in a linear way and find out everything. He doesn' t have
one. It requires a lot of concentration capacity and reading one thing after the
other. Come back after you' re back. I don' t know
what to look for, but absolutely recommended. Cool? Yeah, yeah,
yeah, it' s a book worth hearing about. I think it'
s safe, because my obsessive loop of things. When I like something,
I tell everyone around me. I can' t just talk about this around
here for passive. Yeah, yeah, it has to be then. Well,
either there or I recommend it and now I' ve already done the
parenthesis of cool books for all audiences. I return to news about children'
s and youth comics with a novelty that has brought us to Naya Vale,
who arrived early in March. Well, we were just finishing the previous and
March program called the Escape Cat. Episode One Koki Kat on Vale Road is
by Aaron Blabe, who is an Australian best seller chosen as Australia' s
ambassador of children' s literature. I think it' s at two thousand
twelve. If I' m not mistaken, the author of animalotes that has
been supersale, supersales, supersales, supersales, and then now starts a new
series. And it does, because in Spain it comes with Ana Ianna Naya
has more titles. This author stage also lasts Carton and from eight years old
is valid and presents us, as a new character who starts this series,
which is Kuki Kat. A cat influencer. It' s an influencer cat
It' s not like I have a channel. He has an emporium of
entertainment. Or it' s become like me what I know is that if
you' re going to look for a similar character, but it' s
just that it' s beyond the Christian Ronalda of entertainment. This, then,
maybe I wasn' t going to tell you that I knew it was
going, but more, that is, millions and millions of followers And it
also comes out that it has an entire factory that puts its name, that
is, as a tsar you know worldwide and has created fame by being a
funny kitten, making funny videos of YouTube and social networks. Vale has made
a very famous influence on social media and then, suddenly he is accused of
a crime that has not competed. And this first episode, this first episode
of this series, because it narrates the first part in theory not clear,
explains us, presents us who is the character who, besides is an influencer
with all those of the rules, say, a little tyrannical, a little
manic, very vain, treats badly in that way his person is already up
there in all total. It' s not a character that you like,
either, because it' s true that they put it to you in a
humorous way and you don' t like it, you don' t get
to be evil at all. She' s not a villain at all on
the prota. Besides, and it also poses as she is innocent. It
hasn' t been, or someone has set him up and then he'
s been posed from the look on his channel as having committed some kind of
crime and then he has to go to jail bye, he has to serve
time. And there, well, things are going on that' s what
you' re finding in the book. It' s a story that,
in principle, seems simple. Then we don' t know the whole approach
they have in mind. You know, they don' t know how many
volumes there are. You don' t know how deep it' s gonna
be either. The story in principle seems like a good story, more or
less simple, preparing a character of love, because it is true because it
has those connotations as a spoiled child, that it has everything, but that
good, because it has to depend on the others. In the end,
you' ll have your morale for sure. And then there is one thing
that interests me very much, it seems to me the most interesting, beyond
aesthetics, which is, well, because it is striking. In addition,
it has the use of color. I find it very interesting, because it
' s all black and white, which is an interesting bet, also risky.
The whole book is black and white, except for certain details in red.
He chooses small details in red, which are, as they are usually
things that the author chooses. But then there are other occasions where you have
to look a little bit more, because there' s something there that I
know, for example, this sign of the scorpion. Well, he'
s gonna tell us something. There' s something right there, so he
' s gonna throw you. Apparently he' s associated with things he'
s going to say clearly that book you' re going to. Yeah,
well, it' s the red color. We already know the connotations you
have, but the whole text, that is, the whole book, is
in black and white. It is an artistic resource that I find very interesting
and all the protagonists are animals, following the line of the author, who
always throws himself by this type of characters, all are animals. So,
stereotyped and humanized as it were. And then, what interests me most about
the book is the vision that it already gives in that way, that is,
considering that it is going an eight- year- old audience that is
not an essay also because I see it with those eyes and I also analyze
that message. Perhaps the author does not have such a marked intention either,
but to me it seems significant the vision that gives of how the Internet everything
that has uploaded to the kitten is protagonist. He' s made him head
of the world, because whatever he does and in fact, he' s
recording at first a video that just putting on a heer say and putting on
glasses like that with jumping eyes and making them type on a computer. He
already has millions of visitors and likes and comments. Very good, you know
everything very good, very good and all of a sudden, when something comes
out that incriminates her without having done anything. That same love that has been
generated before, neither without a reason either or too convincing. He hasn'
t saved any global crises, he hasn' t invented anything. It'
s not a pretty superfluous merit, and that' s also pretty obvious from
some comparison with another character who does, who has a lot more merit and
she sees it as you say. He' s a cat he' s
done, because everything that goes up suddenly goes down to degrees. Imagine until
you accuse her, want to kill her, want to destroy humanity. And
I thought it was very interesting. He even reminded me of chapters of Darkim
Mirror, that vision a little Black Black Mirror, which I always confuse.
I have there the two terms Black Mirror of certain episodes in which the worst
of humanity is taken out through social networks, in this case very sweet and
very satirized and in cartoons and in front of an audience and also you are
looking to entertain no, but that has there of background that message of eye
that what makes you very famous. All of a sudden, tomorrow makes you
what I know in the movie is public enemy number one. You don'
t remember giving it all away and taking it all away even faster. Yeah,
yeah, yeah, yeah, so he' s got a powerful message.
We don' t know where he' s going,' cause he
leaves a lot of stuff there. So this first episode is just an introduction
to introduce the characters and leave you there a little bit to see what'
s going to happen and generate you there connection with him. The story has
a very characteristic, very striking style. With that, with the absence of
colors, I would find it interesting to be able to ask him in the
author, for example, because that choice of colors already brings him as a
serial or bad testes in black and white. It' s also saying that
it' s a format that the guy works. He' s comfortable.
That' s where it works. Well, you see I do. It
works. Yeah, yeah. Of course I do. And I' m
also curious to know why I' m sure maybe investigating they' ll have
commented on it sometime, already being super sales. Besides, you' ll
be sure you' ve been asked. But good for followers as long as
they know them. It maintains that line and then to capture new followers.
Then he arrived had an effort of the publishing house in the marketing campaign and
it came to me in my case, it came with a very funny detail,
which was that I left it around here, that were some wives,
little girls, roses, roses that the truth is that when you stay scad,
yes they are some my fearsome ones that I am using as a keychain
and then some sunglasses very cookis with the style of cat, because I guess
that for boys and girls more infantile and good the original touch. So of
the action that good me, for it already increases the attention. You don
' t get a cute little box. This then, in the bookstore does
not normally come, although sometimes passions do the protagonists sometimes and sometimes make sales
with some merchance. I' m thinking ras, for example, that goes
with rasí yes, that packages are made that are sold with dolls and t
- shirts. And when that has, when people depend on the closure they
make and the strap and so on, because as in magazines, crimes don
' t rule out that if it goes well, because it has, that
is, it can be merchandized. If there' s that, all the
characters you practically know. I see it, I see it, so nothing
to hook up to this genre, for example, I see it ideal and
because it has little text, because it is a simple, striking story,
which does not involve too much complications and effort. The boys, the girls
are not that it costs them a little bit, they either look for a
lot of action or they want something small, but they want more to hook
them in some sense. And then stress the message in the background of the
topic of networks, which is not a bad age to talk about it,
to say hey you have seen, you have noticed, not like from one
day to the next. What was top trending topic suddenly disappeared. And by
the way, I don' t know if there' s any disto the
Lindi this total pic. I don' t know if you' ve seen
what happened on Twitter on x yesterday. Now we' re recording one day,
because the day before they' ve suspended block. I mean, suddenly
and without any explanation, because I don' t know how many accounts there
are many women, a lot of scientists, a lot of divulgators, researchers,
there are some men. They' re not just women, you don
' t know. Ah Well, the last thing I' ve seen was
that mother in Marcelino Adrigal bet there was a group from Bueno, because ultra
that they are moving a campaign of blockades, from mass denunciations on Twitter to
profiles demanding profiles of a certain tendency against those that this group was going against
and have managed to knock down. I don' t know how many,
but a lot of accounts and this came to me there, related to the
social media, thinking if they shut you down and suspend your account tomorrow,
if they suspend your YouTube channel or your Twitter channel, you instagram, with
all your content, your work, everything, everything, they suspend you and
you can' t do anything. You' ve lost everything. All of
a sudden it' s a piece of cloth, because you see, of
course, I' ll just leave it there. Eh, but I look
at power, because it seems that I don' t exist what I was
talking about with the comic book before, because there is blind obedience people who
tell you and that things you do and that you move in ways that you
think a little rationally. You say this no and keep it in mind.
And to keep that in mind because we spend a lot of time, we
give a lot of content, we generate a lot of everything in practically all
of our content for those networks that are not ours, that we don'
t have your control over them, that if it' s suspended because they
' ve considered something x, never better said x reasons, it' s
over. You have no right to anything else and you have lost all your
content. You' ve lost it and there' s another butterfly thing.
And that' s it, I mean, that it' s important to
keep it in mind and that our children, also our daughters, also good,
because they know it, that they are aware of what weight we put
in our digital identity, what we put in the work we put there and
what weight is out there? I' ll leave you with more different,
what country, what things come from children' s and youth' s covids.
But this has to be said, is that these issues, this is
on the street. Change this is there next wing of x van Come on.
Let' s get back to the fact that we' re all left.
We leave with the last two recommendations and finish quickly. We' re
going with a caravan that' s going through a whole country like you'
ve never imagined. I want to talk about the long march of turkeys.
A spaceship publication for readers from twelve years old, although I have also been
looking at this in France. It is recommended for even younger ages from ten
years old. Nine. You can read perfectly who brings us the long march
of the turkeys, as this is the work of Leon Biskov in the script
and drawing and is adapted. They are adapted from the novel of the same
name, the same novel by Katline kar Eva. Reyes translation work Cartone the
good one hundred and forty- four pages by twenty- seven with ninety-
five euros. What about the long march of payments, this story that tells
us well, because history is located in the heart of the North American West
in the year 1, 8060, half of the 19th century. For you
to get an idea and Simon, the protagonist, we have here on the
cover, because he is a 12- year- old boy who finishes school
and does not know very well, because what to do with his life.
From that point on, he has lived sheltered by his uncles, his cousins,
and so on since he was a kid. He is not particularly well
treated by the truth that is not happy there, much less, by what
is good, animated by a seed of protoidea that his teacher plants in his
head at the end of this last year of the school, a project is
forged in his mind and he decides to carry it out anyway, putting in
it and for it all his will, his courage, his time and his
resources. He wants to be rich. At the end of the summer,
he has decided and for this, thanks to a loan, he will buy
from a farmer of his village a whole pack of thousand heads of native turkeys
from the areas raised there that this farmer has as surplus and since there they
have no commercial exit in that area where he lives, he wants to move
it to the city of Denver, crossing for it the whole country, more
than a thousand kilometers, through the most inhospitable territories, to sell them for
a large sum and thus to start creating fortune, since in Denver they sense
that they can sell it for a very, very, very higher price.
In essence, basically then the story is this, that' s the paradigm
of the famous American dream. And for this, well, it will be
done with partners, with fellow travelers most unsuspected and who will be helping him
along the way to complete, because this is all incredible and indescribable and rocky
in mission that has been thrown here in the back of friend Simon, and
that is that, deep down, when the reward is, it is a
better future, because it seems that the decision is more or less clear.
Things to comment about this good comic book first children' s comic by Leoni
by Biscov. I really love this, thinking we' ve been talking about
horse librarians recently. I also love everything that smells like stories of pioneers of
what is American, because from there they usually come up fascinating stories by the
very idiosyncrasy of the situation basically is that one has to assume that everything was
there to do, to build, there were people and opportunity. Logically and
precisely for that reason for everything, to literally do whatever kind of thing you
' re going to go through the head for is too big and they made
it up and I imagine that obviously many, maybe most would end up in
disaster and that we don' t know them. But good that all of
this, in the end, is already part of what is the universal imaginary
of that time and of that place, I would say, is a story
that raises the truth that very interesting ideas and where, above all, they
are intuited a well- stocked compendium of values that still continue or should remain
in force today when it comes to achieving objectives that take you to the ports
where you want to arrive in your life, that is, perseverance, things
like honesty, courage, solidarity, the desire to want to learn, resilience,
of course, optimism, effort, ce in your ideas and in its
value, in the value that they have and also in what you think is
right of things. It is not a story in the background, it is
a deepening of friendship, of friendship understood in a sincere way and without negotiations,
without specific conditionings. Obviously, there are aspects of the other side of
the coin here too. Obviously, because it is not a path of roses
that they have is understood and I give no more details for not making spoilers.
It is not true that it is a history of cutting, very classic,
of predictable end, but with a fantastic aroma of total adventure that touches
you in the heart and makes you think, because without rescarce too deep,
go how hard those conditions of that place and of that time for everyone where
you were exposed to all kinds of situations of unforeseen and messy and where,
in the end, the survival, after all, depended on what wind that
day blew. That' s clear. I really liked the premise of this
twist of classic history in which the normal are adult cowboys transporting cattle. And
here what we have is a kid shepherding a pack, that is, a
flock of turkeys, a thousand heads of turkeys out there walking around the field.
And it is no longer something that in principle, at least it happens
to me that you would at all associate with a possibility or remotely similar of
no longer success, but that can be done. No, because one always,
I' ve always had the idea of these poultry farms as totally static
sites and that' s it. But you can move on with that.
I think it' s a crazy idea out there. But of course,
if there are goose shepherds, because there are, then why not turkeys.
No. After all, because it still makes all the sense and seems to
me something as plausible as very funny and fun to imagine. It' s
a really cute comic book. I have loved that it leaves you a great
taste of mouth, that offers you on a tray, in short, a
beautiful and beautiful lesson of life, that conquers your heart with its strong and
determined characters, that, for example, reminded me very much this protagonist.
It reminded me of the protagonist girl if you' ve seen the movies any
of the versions of value of law, because she' s a protagonist who
has a little bit of that air to give you an idea. I have
enjoyed putting in value, being consistent and being decided with the decisions and challenges
that you pose and especially, because this mantra that repeat you several times throughout
history, which is a door, in short, to optimism and hope,
that is to give you time and see that you are given good and what
your place is, that that is important in history, that is that it
is something so far away, from the so harmful enclosures of always and the
beliefs that we cannot change, think, that nothing we are given the s
is good. No, it' s not, I mean, keep looking,
keep testing, that it' s about discovering your talent, in short,
because we all have one there. I am a firm believer in that.
And this is Simon' s root and starter engine in this story the
child protagonist. Obviously there are many factors that can favor this, both in
the story and, of course, in real life and propitiate you. That
push, the environment, etcetera. And, of course, no one is
saying it' s either fast or easy. Obviously, there are people who
obviously don' t, because they still don' t make it in their
whole lives. But, this is part of the optimistic message that they try
to give you here without being something Mister Wonderful type, Len has nothing to
do with it, but they are life lessons speaking in positive, they are
good to take into account and they leave your heart, because this warms the
drawing, for example, Yes that good and it is also something that is
very good. It' s not pretty, it' s not tremendously flashy.
They are very well done, it is very well narrated and good already
level what is of the comic book as such, because it has been awarded
with the La Geness prize of two thousand twenty- three at the Festival of
Angulem in France, what good, because it is always synonymous with quality and
work of great interest, as I say to you to take an eye,
especially now that there are very marked times the Saint Jordis, the days of
the book, book fairs and other spring, because good that you take it
into account or to ask it from your library or as a gift for someone.
I think it' s a very, very interesting comic book. Details
of the edition to finish, as it is also a book of large format
twenty- one by twenty- seven, five other extras the truth they appreciate,
but well has a nice guard here of turkeys with the doggy shepherd who
walks there a chulada of comics. I loved it, that is, as
I told you at the beginning in March, that comic books have come out
very, very, very cool and I liked them very much. Everyone I
bring you this month has liked me very much. And we' re gonna
finish. We have finished with the last of the recommendations that we want to
make to you, and that is that this is already about teenagers, it
is about adolescents with superpowers in a school environment. How you resist that,
because we can hardly. And this is an ordinary number one edited by Harper
Collins, which is not Harper KITTSS Harper Collings directly, which is not Harper
' s children' s division and if it is a recommended reading for readers
from twelve years old. This for me, well I put it anyway,
is not that they put it doubt, because that is the own recommendation that
the publisher makes and that is precisely why I bring it to you. But
well, it would also fit perfectly as a reading for young adults, perfectly
from fourteen. It could go even better. This is the work of Uruchan,
author script and drawing. Author completes with Marta armengol roll in translation work.
It is a rustic edition three hundred thirty- six pages, that is,
it is a generous book for nineteen with ninety euros. What' s
this about, that it' s going to be non- ordinary. Well,
this is John' s story that this kid right here on the cover
is a zero student in a high school where the most popular students and students.
Well, they' re the ones who get it, and above all,
they have the most important powers of compromise. And so I say,
they' re powers literally, because this is a world where that story develops
in which people have superpowers like something everyday and John, as I said,
is a zero, because that' s what people are called, because as
he lacks powers, he doesn' t have any kind of power, that
is, they' re the total assholes of society, except in this case
he actually has two sleeves to survive in this very hostile environment and that,
after all, they let him study with a little peace of mind and live
with a little peace within what fits. The first one makes the manga is
the passing, the ability that he has, the passing away from being unnoticed,
the knowing, in short, to convince others that they look, is
not worth even the effort that they mess with him. No, this is
typical of menda, don' t mess with meals and total I' m
so little that I don' t deserve even the effort you' re going
to do to make me have a hard time this time. So don'
t do it. And the second and he really gets it. Get it,
that works for him. And the second advantage he has is that he
is mysteriously getting closer to serafina, this girl also from here on the cover,
his partner, to the cover that is the de facto queen of the
Institute and, therefore, he is under the threshold of his to the protector
with the immunity that that confers on him in theory and in practice and yet,
precisely because of all this it is a behavior that he manifests, that
is raising suspicions and there are people behind him trying to figure out what secrets
he hides that he has. And this whole process, let' s say
that it causes a whole possible revolution that is going to affect and subvert and
threaten, because let' s say that the whole order established in the Institute,
basically broadly, is what this story is about. Without adding more details
or more spoilers things to comment good the main thing. This is another of
these editorial bombings that jump from time to time from the webtoon macroplatform, which
we have already talked about on other occasions. Here we recall the example of
Miriam Bonastre and her very celebrated hooke and good, because, in fact,
she intends to drag into the physical format the whole legion of fans who drag
their original digital formation by putting data on the table. According to Harper'
s own website, it' s one two billion hits. I mean,
to imagine these ciphers seems something to me, I don' t know,
I can miss the understanding of five seven million subscribers and a score of nine
seventy- five in Webtoon. It is, therefore, a phenomenon of worldwide
projection in the United States, in Europe, in Spain, the United Kingdom,
Italy, in many countries four hundred and zero followers in instagram of the
author who seem to me to really see what has been seen, I mean
a pepinaco of these. There' s a lot of background ideas. It
' s worth things here that have caught my attention and that I' d
like to highlight from the ones I' ve seen in this comic book to
tell you about it. Finish today' s show. The first thing is
the different approach to the world of people with superpowers, because here we are
in a society has a very stratified and hierarchical environment and who more power has
more influence than in the background, it is how life itself is worth because
everything is public and it is in sight and it is on the order of
the day and people, obviously, then, use it. Basically, this
is the law of the strongest. But here, focusing on the field and
the school environment, here let' s say that everyone plays their role depending
on the stratum in which they are being found, because all this is linked
to the power that one endures and, therefore, that you can exercise and
you are able to exercise. And the College, after all, because it
' s also a reality of what' s outside that College and that'
s basically the same thing. So, for example, of course, imagine
the bulgis, the bullies and at first I was shocked as soon as I
started, I was shocked at the beginning so much violence because they start this
sticking and so on and I was a little confused. And this is why
the age issue, i e, hear this maybe it' s not the
same, this isn' t as childish as it seems not, but then
you see that at the level of the script history that has also its why.
Because, for example, of course, so it turns out in the
College, if we have this approach of powers or abilities. If in school
you have a nurse with healing powers, that you manage the costalada, that
you just stick and recover then mid- morning at the end, because it
is another roll, of course, and all these things seem to me reflections
that are, as well, have seemed very interesting to the prey teenagers who
are going to read this series. Here too there are vigilantes who fight for
the good in the style of Marvel but in the background, without disemboweling the
plot much, they do not seem very well released in this case, at
least in the beginning of the series and well, neither do they have a
specific weight as such in the history, at least in this first volume.
Then, another thing that basically this is a story of action and how it
said about balances, power, betrayals and intrigued blind shovels in a high school,
but with superpowers in between, that is, that it results from all
of this, because basically and so I think it' s a cocktail that
' s hard to beat if you put it a little bit on the table,
not if you think about it right. That' s why I think
you' ve been so successful. The interesting character of all this is fair.
This is John, who is the perfect counterpoint, because the one who
makes a discordant note and personality, the person in whom he has is the
subversive of this entire ecosystem. It is really an antisystem within the system,
because it does not act how it is supposed to act on someone of its
condition, a zero, a character full of fears and that, because that
is the punching bowl of others, a guy without power or influence to any.
And what makes how he survives in that jungle makes him, because he
is precisely an attractive and even extraordinary character. It' s conforming what'
s the appeal you' re going to see how the improbable is making its
hole and finding its way. It' s how about this kid, how
these people survive here with no power, no, you know, they work
it out. No. So, well, it' s a work where
there' s intrigue, there' s secrets, there' s details,
information that' s hidden from us, obviously, that we' re discovering
little by little. And so, as I say, well, because all
this cocktail makes quite understandable the appeal and success that is having and that has
had the series among the kidda. No, with this one, with this
hook of so many people on webtoone and the and the mass that follows and
that is razing. Not if you add to this that the drawing is 100
% manga aesthetic and also in color it is not a classic sleeve, but
it is colored, because obviously, the result that it is the idea that
this is sold, because as churros newly made on a cold morning, a
cold winter afternoon. I see it this way, there are cool little details
on the cover. We can see it. There' s like a kind
of graph of the extra abilities of the characters, which is like a prism
type you' ll have seen them sound. It is like a kind of
pentagon in which each at the top of each pentagon you have associated. One
of the specific skills, in this case is power, defense, speed in
gathering and skills. And if you draw a line from the vertex to the
center of the pentagon, there you go putting a little bit of the value
of zero skills, which would be in the center to the ten or the
maximum, which would be the right one where the vertex is, and you
' re uniting a little bit per point, if you get these figures from
what make up the map of your powers and your abilities in general, it
' s something like a lot of video game and it' s a pretty
cool detail because at one glance you' re going to see if this character
has more power, less power and where a little bit of that goes basically.
This is a series to keep throwing him out. Angry. I am
also agreeing that at the same time I am watching at Disney Plus in the
extraordinary series, which is also very funny, with which they maintain quite obvious
parallels, especially in the background, although the other is a pure and hard
comedy and they do share things like in this universe or Harry Potter, in
which there are people living together with powers and without powers and extraordinary abilities and
some are suffering a little bit from each other. Finally, the details of
the edition fifteen by twenty- two, with nine centimetres. There are no
special extras or details, except for a brief description of any of the characters.
That which teaches that in the back cover and the video of the author,
inside the cover of the end, with hers to the corresponding regular social
networks of Harper Collins number one, new series for the grown- up girl
of your family. Last of the recommendations of March. All right, well,
we have a Fina list, Fina, well, cool. Yeah,
this, yeah, and watch what' s coming,' cause May is
the book fair. The book fair begins in Madrid. It is Saint Jordi,
now on the twenty- first of May, but April in Cali,
as it is. Yes, yes, or 23 April is Sant Jordi.
I think it' s like the start date. Already the big track,
I pass it clear and then the cold of the book of Madrid starts also
in May, not at the end of May, it seems to me on
June day, but well, in June and you are already sure. I
think it starts at the end of May. And there are many launches that
come out just now in May, then in Maya the Comic Hall of Barcelona.
I mean, there are also many times and the saints who live a
little bit in this world know that the good agenda. In fact, presentations
begin to coincide. You can' t go to the presentations anymore because you
' re eight. At the same time it' s crazy, but well,
anyway, if we already know where we are, by the way and
so much so that we do go where I left him the book. Speaking
of introductions, the blank book is presented this afternoon. How to focus the
attention, memory and motivation to learn from Juan Fernández that I have the luxury,
the honor and the responsibility to prologue, to do the prologue like this
and I will be with him this afternoon presenting the book El apprac de Goya.
Evidently, this is how it will come out later, because it will
already have happened, but John will be on the podcast to tell us all
about this book. Which is what it is. It' s not about
parenthood or motherhood, but it' s a little jewelry for everyone you study,
even if you don' t study continuously, but you do like to
understand a little how learning works. You like to take advantage of time as
well and know how badly you spend time learning is what resources work and what
resources don' t work. And if you have sons, daughters, and
you' re there, a fera mother, that' s precisely why,
how your sons and daughters study, what resources can help them best, how
not to stay blank when it comes to the exam. A wonder, a
wonder or not really that it is a pure book and I, now that
I am teaching, it is also very interesting to see it from that perspective.
Not how to also help your students prepare the materials, advise them how
to study, ask them how they study, how the content of preparation is
posed, the content they are going to study. Very, very, very
interesting and highly recommended. It' s not going into our subject today either,
but it' s that I wanted to tell it and well, it
' ll be here soon on the podcast. You' ll be able to
listen now, because because this has to come anyway. This is a jewel,
this book is a jewel. I' m telling you, I don
' t want you to do anything with him as an editorial platform. Friends,
friends, hit the play there like there' s no tomorrow. Yeah,
yeah, yeah. I recommend it very much in white and nothing that
all that, apart from all the books that today have brought us sem and
the one that I have recommended to you the two that I have recommended to
you that really everything for some art, but that is that what we like,
because they have to curl. It' s not like we' re
so purple in books. So much for the books, and that' s
how they eat the books. We put on yes, one place at a
time. I used to have room at home, but, well, I
haven' t, I' ve always been overrun with books. We'
re going back with a new episode of and me, with these April release
comics, which is also going to be safe. Tremendous next month and with
a new episode of good morning Mother sphere next week, because now we are
in weekly format, unless on some occasion we have to include another because by
circumstances, because it is, another will come out because it comes. But
now the dynamics of our work have changed. It' s changed the dynamics.
We' ve closed the community. If you are listening to us and
you have not seen through networks are you, it has reached new letters we
confirm it and we have closed a part of mother sphere. So, then,
the podcast number is reduced a little, but Podcast continues and space and
telephone foundation continues to open the doors for us. We will be on May
25th will be the next mother space sphere we will be talking about. In
addition, here' s a preview, not so many spoilers, but a
preview that we' re going to talk about cyber bullying, cyber bullying,
bullying, school bullying and eyeballing, because Pablo duche Men and Martina Massana are
coming, two people, one very young and another very admired, also because
we know it a lot of programming And we' re going to talk about
technology, family, outreach, prevention, social networks, the Internet, harassment,
that which makes us so afraid of parents. So now, when they
come out, they' re going to cut the total ninety million. But
it' s a luxury to have both. Martin Aliendes of Barcelona, so
from the Canary Islands. We must take advantage of that programme. Friends friends,
so well, so a little overview of the whole picture. We won
' t be back on good morning, Made Fira Next week is good,
thank you very much, my friend. Always take care of that eye,
uh, which I realize that what this has is my stylus that accompanies me
when it' s about to greet the orcero. I' m gonna name
it too. Well, we' re leaving, folks, thank you very
much. Bye bye bye, Happy Readings. I' ve got you so
much producer, so much trying to tempt. Try to bet.