WEBVTT 1 00:00:00.240 --> 00:00:02.279 How are you? Well your stay involuntarily and today we are going to talk 2 00:00:02.319 --> 00:00:05.719 about civil war EXML ninety- seven. Yes, it does. Daniel Villamil 3 00:00:05.799 --> 00:00:10.000 told me he did. I hope that it will and well, because they 4 00:00:10.400 --> 00:00:14.160 are in this programme. How are Carlos Andrés Mendiola, how are you, 5 00:00:14.160 --> 00:00:19.079 Carlos Hi fause very well and you, because I here wondering where Daniel is, 6 00:00:19.199 --> 00:00:23.000 what is going on. It' s like Wally, but we do 7 00:00:23.000 --> 00:00:25.239 where he is. There' s Paco marino, too. I didn' 8 00:00:25.280 --> 00:00:28.480 t start as always true, how you are. Pacu forgive me very well 9 00:00:28.559 --> 00:00:33.439 and to paus well all well. We' re going to start this way 10 00:00:33.439 --> 00:00:34.719 traditionally with our video. It' s always more. Don' t leave 11 00:00:35.000 --> 00:00:38.399 anymore. I put it on and we already started the show because I' 12 00:00:38.399 --> 00:00:41.560 m out of line. So, that' s life. Look then, 13 00:00:41.799 --> 00:00:47.479 as we are used to here, we change, we dress them and all 14 00:00:47.600 --> 00:01:07.000 exactly, for exactly talking. You' re hearing involuntary permanence with fausto ponce 15 00:01:07.120 --> 00:01:08.359 as they are now. Yeah, we' re back. I hope that 16 00:01:08.439 --> 00:01:11.719 all is well, thanks to the people who are with us, that they 17 00:01:11.799 --> 00:01:18.879 share us, that they echo us and gradually hear forgiveness nothing faster. Carlos 18 00:01:18.879 --> 00:01:22.920 Andrés Manola had told me that you had seen a Tarot movie. That' 19 00:01:22.920 --> 00:01:25.280 s not how there was one, but you seem to remember me. You 20 00:01:25.280 --> 00:01:29.840 just told me. It' s announced, it' s not released yet, 21 00:01:30.040 --> 00:01:32.079 but the official and I said no Taroth. This is fause that' 22 00:01:32.200 --> 00:01:37.640 s happening here. He gave pause how this movie is for me to get 23 00:01:37.719 --> 00:01:40.920 someone to explain to me and I don' t know exactly. Let' 24 00:01:40.920 --> 00:01:42.400 s see how not yes, I' ve seen some things. You sent 25 00:01:42.400 --> 00:01:46.120 it to me. I remember seeing things, but I don' t know. 26 00:01:46.359 --> 00:01:51.480 I don' t have much faith in him the truth, because no, 27 00:01:52.359 --> 00:01:57.920 but you know, it sounds like that one of just terror that takes 28 00:01:57.000 --> 00:02:00.920 advantage of any resource and leads him to exaggeration to see if that doesn' 29 00:02:00.920 --> 00:02:05.920 t get a couple of that right anymore. Sounds good. Greetings to Tito, 30 00:02:06.000 --> 00:02:09.800 Victor Rivera and greetings Hello from serada va California, Hello, Tito, 31 00:02:10.080 --> 00:02:14.360 greetings, we send you a super hug until now, until locked AA. 32 00:02:14.599 --> 00:02:19.520 He tells me I' m here, I' m here I' ve 33 00:02:19.599 --> 00:02:27.319 seen him I' ve been asking for you. But, well, all 34 00:02:27.319 --> 00:02:30.960 right, all in order, it' s not even good there' s 35 00:02:30.960 --> 00:02:32.919 no delay. You have some delay to see testing, testing, one, 36 00:02:34.120 --> 00:02:38.039 two, three, you don' t hear well I mean, I think 37 00:02:38.039 --> 00:02:47.479 you have a delay out there, I don' t know to see we 38 00:02:50.439 --> 00:02:53.560 ' re going to try yes, you have a delay to see out there, 39 00:02:53.719 --> 00:02:57.360 no more, it' s you that means you have to tell us 40 00:02:57.439 --> 00:03:01.360 rather why you don' t come in and reconnect. Yeah, let' 41 00:03:01.560 --> 00:03:06.680 s see if he connects me again, okay while we wait for you if 42 00:03:06.719 --> 00:03:07.960 while he tells me we' re not going to see Carlos from the tarot. 43 00:03:07.159 --> 00:03:10.800 I know we haven' t seen it, we haven' t seen 44 00:03:10.840 --> 00:03:13.039 it yet, but we' re with them now. Yes, they are 45 00:03:13.080 --> 00:03:16.400 told, they are told that a beautiful film inspired by Ron will come and 46 00:03:16.400 --> 00:03:21.680 we will see if it is indeed pretty or not. Ok let' s 47 00:03:21.680 --> 00:03:23.879 hear the reading very well. Yes, exactly in what is incorporated to Daniel, 48 00:03:24.159 --> 00:03:29.159 well, let' s talk about the film is Civil War and also 49 00:03:29.240 --> 00:03:34.199 saw it Lenzoeta will incorporate and she will tell us what' s going on 50 00:03:34.199 --> 00:03:38.080 with his life, when with his life and with the film, obviously, 51 00:03:39.360 --> 00:03:44.280 then, well, Paco will rip off a little bit with Civil Wack what 52 00:03:44.319 --> 00:03:46.400 the film is about, what a wave with sibil World. Yeah, well, 53 00:03:46.439 --> 00:03:51.240 this is an Alex Garland movie, which is a science director, mostly 54 00:03:51.240 --> 00:03:54.159 fiction that he has, which is me providing by ex- machine. This 55 00:03:54.240 --> 00:03:59.479 film of the two thousand carce Alicia well Kander, which is very, very 56 00:03:59.560 --> 00:04:05.000 good really for Netflix, with the traly Portman, which is also quite remarkable. 57 00:04:05.199 --> 00:04:13.919 And then that what' s called Alation or Portman annihilation and there were 58 00:04:13.919 --> 00:04:20.680 some alations. Yeah, yeah, I didn' t love that Millation like 59 00:04:20.879 --> 00:04:25.480 half I say I don' t know there' s something I didn' 60 00:04:25.480 --> 00:04:28.720 t like. It' s like there' s a kind of bubble and 61 00:04:28.720 --> 00:04:30.959 weird like in the middle of a hoom or a forest and they have to 62 00:04:30.959 --> 00:04:35.439 go investigate and dig in. Then there happens mysteries, very mysterious things, 63 00:04:36.319 --> 00:04:39.399 and then that' s the men' s that, well, yes, 64 00:04:39.759 --> 00:04:43.560 it' s a terrible thing and that I never thought I' d ever 65 00:04:43.600 --> 00:04:46.839 recover from something like that, because it' s a really very bad movie 66 00:04:46.839 --> 00:04:49.319 and notation. He didn' t have much faith in what followed him and 67 00:04:49.319 --> 00:04:56.439 Civil War came, which is a rather interesting dystopia, in which we see 68 00:04:56.519 --> 00:05:01.000 a fragmented United States. We don' t know, because we don' 69 00:05:01.519 --> 00:05:04.519 t care to know, because we only know that we are in the middle 70 00:05:04.560 --> 00:05:14.040 of the civil war and that, because we are following these war journalists who 71 00:05:14.199 --> 00:05:18.040 are covering this battle and trying to get to Washington quickly, in the White 72 00:05:18.079 --> 00:05:21.439 House, to get the President' s scoop in his statement or to see 73 00:05:21.480 --> 00:05:29.360 what is going on with the war and its development, because the forces that 74 00:05:29.399 --> 00:05:33.079 are like against the Government' s conservatism, because they are getting closer to 75 00:05:33.079 --> 00:05:39.279 Washington and the war is intensifying. This film was filmed in IMAX and if 76 00:05:39.360 --> 00:05:43.560 you can watch it on a large screen in imax, it would be ideal, 77 00:05:44.439 --> 00:05:48.079 because it is really fabulous to watch and listen to. It' s 78 00:05:48.199 --> 00:05:54.600 a sound job that literally explodes in the face. I saw her when I 79 00:05:54.720 --> 00:05:56.800 saw her, I saw her about 10: 30 in the morning. And 80 00:05:56.879 --> 00:06:03.600 so it was like a punk that immediately scares you out and makes you feel 81 00:06:03.920 --> 00:06:08.639 a really immersive experience, because you follow these journalists who, as the main 82 00:06:08.720 --> 00:06:18.079 one is Christian Dones on this trip to the White House. No, but 83 00:06:18.160 --> 00:06:23.720 well, within this journey, the interesting thing is that, well, we 84 00:06:23.759 --> 00:06:32.120 ' re going to see a little, maybe an interesting critique to see how 85 00:06:32.199 --> 00:06:41.560 it is that this question of the inhuman or the war has been depersonalized a 86 00:06:41.600 --> 00:06:46.040 lot and we' ve really normalized it the degree that, since these images 87 00:06:46.079 --> 00:06:49.560 do not generate or these realities do not suddenly generate much shock in the people 88 00:06:49.600 --> 00:06:53.959 around it and have been seen with a certain normality. That seems to me 89 00:06:54.560 --> 00:06:59.000 quite applaudable from the film which really takes this role very seriously, in which, 90 00:06:59.759 --> 00:07:05.839 then, it tries to see how violence has become completely something everyday and 91 00:07:05.920 --> 00:07:12.279 we also see the indifference of another part of the population. I don' 92 00:07:12.360 --> 00:07:15.439 t think these encounters that they have because, at the end of the day, 93 00:07:15.360 --> 00:07:19.319 it could also be a sort of road movie, a dystopian Road Movi, 94 00:07:19.759 --> 00:07:24.879 quite strange, in which we have different encounters, because we have these 95 00:07:24.879 --> 00:07:28.480 situations. No, but to me what stands out most, the more as 96 00:07:28.560 --> 00:07:33.720 I said, the job or what looks like a bomb is the whole part 97 00:07:33.839 --> 00:07:40.800 of the image as such. We' re talking about a photographer' s 98 00:07:40.879 --> 00:07:45.959 movie, in a movie where they' re really looking to have the perfect 99 00:07:45.959 --> 00:07:54.240 picture. They are questioning themselves all the time about various moral points they may 100 00:07:54.279 --> 00:07:59.040 have, because, at the end of the day, they are photographing deaths, 101 00:07:59.800 --> 00:08:03.800 they are photographing people who are being killed and at different times. They 102 00:08:03.879 --> 00:08:09.319 question more where we can be able to get to to get the perfect image 103 00:08:09.439 --> 00:08:16.240 that can really exemplify what we' re seeing. And in that I think 104 00:08:16.279 --> 00:08:20.720 it' s the most intense and cold part of the tape. But I 105 00:08:20.800 --> 00:08:24.120 also think it fits very well with the way Alex Garland manages to emphasize, 106 00:08:26.680 --> 00:08:31.399 the way he builds his own images, because the film is very well filmed. 107 00:08:33.039 --> 00:08:37.600 There is a very good put on camera that gives us frames that are 108 00:08:37.759 --> 00:08:43.559 really unique like the same ones that appear in the photographs that these photojournalists are 109 00:08:43.559 --> 00:08:48.080 looking for. And it seems to me that part in which we are looking 110 00:08:48.200 --> 00:08:54.080 for the visual here in the film, because it also blends very well in 111 00:08:54.120 --> 00:08:56.039 a very, very, very intense way. And I think that' s 112 00:08:56.120 --> 00:09:01.960 a great point of the film, because you' re also all the time 113 00:09:01.000 --> 00:09:09.639 meeting with these perfect images of violence and war and a lot of hopelessness inside 114 00:09:09.639 --> 00:09:11.639 the film. And it seems to me that that is a great success because, 115 00:09:11.960 --> 00:09:16.720 at the end of the day, not only is the film telling you 116 00:09:16.759 --> 00:09:18.480 this story, but you are also seeing it through what it builds you. 117 00:09:18.519 --> 00:09:24.080 And that' s what I applaud. Alece Garland, who really makes a 118 00:09:24.159 --> 00:09:28.960 great film, a very intermediate film, also, is not only of aesthetic 119 00:09:28.000 --> 00:09:37.120 admirations, but it also really allows us to have fun, well, have 120 00:09:37.120 --> 00:09:39.360 fun, but we do entertain and be on the edge of the chair. 121 00:09:39.360 --> 00:09:45.879 Arno was very stressed at many times if I managed to nail the movie, 122 00:09:46.000 --> 00:09:50.279 and well, the actors' work is also wonderful. Christo in Dons is 123 00:09:50.960 --> 00:09:56.759 exceptional, very stoic, but I think his role required just that of her 124 00:09:58.120 --> 00:10:01.399 And he also has a small because I don' t come, but he 125 00:10:01.440 --> 00:10:05.600 does have a very small participation Jessy Plemons, who is her husband in real 126 00:10:05.720 --> 00:10:11.000 life and here also plays a bond role, as a paper usually hears. 127 00:10:11.600 --> 00:10:15.679 You liked Carlos Andrés Mendiola, I liked it, I liked it very much. 128 00:10:15.799 --> 00:10:20.240 I was surprised by the fact that Alex Garland already had me a little, 129 00:10:22.080 --> 00:10:26.360 as with the abandoned one. Yes exactly, because I liked it very 130 00:10:26.440 --> 00:10:31.639 much ex- machine, but after annihilation it turned out to me like what 131 00:10:31.720 --> 00:10:35.720 ' s going on with that metaphistic film so I didn' t love it, 132 00:10:37.039 --> 00:10:39.399 but, I mean, I remember right now the VI a long time 133 00:10:39.399 --> 00:10:41.840 ago, I remember that I had noticed some things that didn' t make 134 00:10:43.200 --> 00:10:46.000 sense to me, that is, some inconguenses there, like it was very 135 00:10:46.080 --> 00:10:48.120 effective all in the end to keep you there thinking that it' s something 136 00:10:48.120 --> 00:10:52.399 much deeper. Then I didn' t love that anellation, but good forgiveness. 137 00:10:52.440 --> 00:10:56.039 I' m letting you go on forgiving there, too, and look 138 00:10:56.039 --> 00:10:58.120 what I read the novel. I very much applied to reading the novel to 139 00:10:58.120 --> 00:11:01.519 watch the film and I didn' t have any left to drink and I 140 00:11:01.519 --> 00:11:07.360 already saved the menem. But this civil war, the truth is that I 141 00:11:07.399 --> 00:11:11.879 was very curious because it was also a very controversial film, especially in the 142 00:11:11.879 --> 00:11:16.120 United States. There has been a lot of division and a lot of criticism 143 00:11:16.840 --> 00:11:22.840 in the sense that it has been considered for some as a little politically committed 144 00:11:22.840 --> 00:11:28.039 film, but it seems to me fair that that is Alex Garland' s 145 00:11:28.679 --> 00:11:31.840 proposal and also, on the other hand, that Paco already said it. 146 00:11:31.559 --> 00:11:41.559 It' s not an entertaining movie, it' s not a movie, 147 00:11:41.799 --> 00:11:46.080 it' s fun, or it' s a provocative movie, it' 148 00:11:46.080 --> 00:11:48.240 s a film that makes us uncomfortable at many times. Everything is a road 149 00:11:48.360 --> 00:11:54.679 mooge, because we follow these characters in this journey to see if they can 150 00:11:54.720 --> 00:12:01.000 interview the President and in that journey, because we are getting to know this 151 00:12:01.039 --> 00:12:07.960 group of journalists that, moreover, is quite diverse and it seems to me 152 00:12:07.039 --> 00:12:11.840 that there goes precisely this look that he wants to share. There are not 153 00:12:11.840 --> 00:12:18.200 even dialogues out there that have a lot to do with journalistic work in this 154 00:12:18.200 --> 00:12:22.279 sense, you are here to report and of course, there are these limits. 155 00:12:22.360 --> 00:12:26.960 From then on the journalist, if he sees something happening, he should 156 00:12:26.039 --> 00:12:31.120 act, he should intervene, but it' s not his role, even 157 00:12:31.120 --> 00:12:35.080 they say it. Over there. No. My job is to take this 158 00:12:37.200 --> 00:12:41.360 photograph and have the world interpret what it has to interpret. But it' 159 00:12:41.360 --> 00:12:46.039 s not an argument, it' s an old woman, because my whole 160 00:12:46.600 --> 00:12:50.519 city, journalism class, I don' t say old. I don' 161 00:12:50.519 --> 00:12:54.159 t mean that they' re disused without an objection, it takes a long 162 00:12:54.159 --> 00:12:58.960 time and it' s always taken in some way, it' s always 163 00:12:58.960 --> 00:12:58.639 taken back in some kind and I don' t know. There' s 164 00:12:58.679 --> 00:13:01.639 no answer sometimes because some people say yes, of course it' s your 165 00:13:01.759 --> 00:13:03.840 job, but I don' t know. Go back and take the picture, 166 00:13:05.200 --> 00:13:07.080 so now you can be Selvin, you take the picture and you help 167 00:13:07.080 --> 00:13:13.000 like that. I don' t know, I don' t know that 168 00:13:13.000 --> 00:13:16.200 ' s interesting. It' s interesting, yes, it has interesting approaches. 169 00:13:16.480 --> 00:13:22.360 It seems to me that that is very good the just fact of photojournalism, 170 00:13:22.759 --> 00:13:28.039 this game you have with the two protagonists, which is the character of 171 00:13:28.039 --> 00:13:33.159 Crystan Dones, who is justly called Lee Smith and who is also referring to 172 00:13:33.320 --> 00:13:39.559 a journalist who is Bully Miller, who, in fact, alludes to this, 173 00:13:39.600 --> 00:13:43.759 is mentioned in the film itself and who will have a film by the 174 00:13:43.759 --> 00:13:46.159 end of the year. That way, with Kake Winsleds, if I remember 175 00:13:46.159 --> 00:13:50.000 correctly, and the other character, who is Kellytainy' s, the truth 176 00:13:50.080 --> 00:13:54.320 is that they don' t lose sight of that Spanishning, I think she 177 00:13:54.360 --> 00:14:00.159 ' s a very interesting actress. We saw her in Piscilla as the protagonist 178 00:14:00.200 --> 00:14:03.120 and we' re going to see her as the protagonist also of alien rumulus. 179 00:14:03.759 --> 00:14:07.279 And then we have this journalist, who is the mature journalist, who 180 00:14:07.320 --> 00:14:13.480 I have already seen a lot, who seems a little stoic, and we 181 00:14:13.200 --> 00:14:20.759 see this other journalist who is very young, who is eager to be there 182 00:14:20.799 --> 00:14:24.720 in action and to be able to take and report and who perhaps a little 183 00:14:26.559 --> 00:14:31.600 more daring, without therefore, being measuring the risks that obviously I won' 184 00:14:31.679 --> 00:14:35.639 t say you have to see him. But one of the moments of the 185 00:14:35.240 --> 00:14:41.240 end between these two actresses, between these two characters, is a very, 186 00:14:41.279 --> 00:14:48.840 very powerful moment that, as it also reveals us part of what Alex Garland 187 00:14:48.960 --> 00:14:52.919 is proposing. The truth is, I recommend it. I think it' 188 00:14:52.000 --> 00:14:56.240 s a great movie, I think it' s worth seeing. I think 189 00:14:56.279 --> 00:15:00.679 it' s okay that they know a little bit what they' re not 190 00:15:00.679 --> 00:15:03.919 going for, because if they feel like seeing something like maybe lighter or less 191 00:15:05.039 --> 00:15:07.399 provocative the same and it' s not the right time. But it' 192 00:15:07.440 --> 00:15:09.960 s a film that' s worth a lot, a lot worth it. 193 00:15:09.039 --> 00:15:15.240 It' s not one of those movies that leaves you thinking, talking, 194 00:15:15.639 --> 00:15:18.440 and a lot of ideas. Danielito Villamill, how did you like her? 195 00:15:18.279 --> 00:15:22.000 If you saw her, I know you saw her you liked her, she 196 00:15:22.000 --> 00:15:24.519 says yes, no, yes, yes, yes, no, she doesn 197 00:15:24.360 --> 00:15:26.679 ' t say," In fact, I coexist a lot with pacon that 198 00:15:26.679 --> 00:15:28.360 they go to see her. But ny Max, that' s how I 199 00:15:28.399 --> 00:15:33.919 could see it and yes, maybe it' s half dense at first, 200 00:15:33.679 --> 00:15:39.240 but the last act I think since saving Private Ryan there wasn' t a 201 00:15:39.360 --> 00:15:43.759 movie that also portrayed a battle at the end of the day has been I 202 00:15:43.799 --> 00:15:48.799 don' t know in a thousand nine hundred and seventeen right now that comes 203 00:15:48.960 --> 00:15:52.360 to mind or other movies that have battle scenes, but there' s always 204 00:15:52.440 --> 00:15:56.399 something you say this looks like video game or you see half fake that explosion, 205 00:15:56.559 --> 00:15:58.320 there' s always something or even the same angle of the Chafa cameras. 206 00:15:58.519 --> 00:16:02.279 Instead, here what they do you really feel in battle and you never 207 00:16:02.360 --> 00:16:04.879 think you' re playing call of duty or anything like that. On the 208 00:16:04.879 --> 00:16:08.000 contrary, yes, you do think you' re seeing a real battle, 209 00:16:08.240 --> 00:16:12.080 or which for me left me very surprised, because I insist from Spielberg I 210 00:16:12.159 --> 00:16:15.440 didn' t see anyone succeed as well. And as they go for thirty 211 00:16:15.440 --> 00:16:19.480 years of the soldier king then it really is a great merit. I really 212 00:16:19.559 --> 00:16:26.840 like the context of why this civil war is. They give it to you 213 00:16:26.840 --> 00:16:30.960 very little, but yes, they give it to you between conversations that you 214 00:16:30.120 --> 00:16:36.879 ' re picking up one or another question that the mentor asks this Christian Dones 215 00:16:36.960 --> 00:16:41.000 and the one that' s like his partner we could say is I think 216 00:16:41.039 --> 00:16:45.440 the first film also gives twenty- four that I don' t feel that 217 00:16:45.480 --> 00:16:45.320 about something on the contrary and I think this is one of the best that 218 00:16:45.320 --> 00:16:49.679 he' s ever released. Maybe in the end it' s very predictable 219 00:16:49.720 --> 00:16:55.320 from which you know the pada wond and the teacher by calling them somehow, 220 00:16:55.879 --> 00:16:59.679 but from there on out, it' s really very good movie And if 221 00:16:59.679 --> 00:17:04.880 you' re a fan of the or photography, it' s okay father, 222 00:17:06.599 --> 00:17:10.559 as the pictures that the chava takes are in film, then it does 223 00:17:10.680 --> 00:17:12.920 have the grain, it does have the kind of things that you should see 224 00:17:12.920 --> 00:17:17.960 in a roll photo. Instead, digital photos have other things, good things, 225 00:17:18.279 --> 00:17:21.880 bad things, but here they know how to respect very well, how 226 00:17:21.920 --> 00:17:23.599 they grab the camera. That' s also very fatherly, because then you 227 00:17:23.640 --> 00:17:27.880 watch every movie that grabs the camera like they just gave it to me, 228 00:17:27.960 --> 00:17:30.480 and I don' t know how you grab this, how it works. 229 00:17:30.599 --> 00:17:33.440 And here not both, especially the girl, well the padawane, because it 230 00:17:33.880 --> 00:17:40.119 is the camera more complicating each to use, because this analog then, even 231 00:17:40.319 --> 00:17:45.839 those small details, are very well cared for. I came out, I 232 00:17:45.920 --> 00:17:49.839 don' t know if it' s wonderful or the word, but you 233 00:17:49.880 --> 00:17:55.640 ' re going out like wow, what a great movie you' ve just 234 00:17:55.640 --> 00:17:56.960 seen, although what a horrible subject And yes, go see it, yes, 235 00:17:56.960 --> 00:17:56.960 it' s dense, that, yes, but it' s worth 236 00:17:56.960 --> 00:18:03.720 it. That' s because in the end, even the battle of the 237 00:18:03.759 --> 00:18:08.519 end, it serves as a catharsis of pulls, all the attention you' 238 00:18:08.559 --> 00:18:11.160 ve been having and like that of me leaving. I don' t know 239 00:18:11.160 --> 00:18:14.480 if they mentioned it, but black and white photos are based on real photos. 240 00:18:14.480 --> 00:18:19.759 So that' s also like a parent detail of photojournalism. Okay. 241 00:18:19.920 --> 00:18:22.519 Well Suara, there' s civilian, cool there' s everyone' s 242 00:18:22.519 --> 00:18:25.839 opinions. I think there is a lot of consensus in general. This time 243 00:18:26.720 --> 00:18:29.720 no one attacked anyone. That way, no one attacked each other. Then 244 00:18:29.839 --> 00:18:33.759 everything' s fine. Greetings from Ricardo Reyes. Say and see what a 245 00:18:33.839 --> 00:18:37.319 war would be like in American territory. It' s very interesting if totally. 246 00:18:37.400 --> 00:18:41.279 Greetings Andrew Broa, how are you, Andrew, thank you for a 247 00:18:41.279 --> 00:18:44.079 super hug. Greetings also to Well, to Tito, we had already greeted 248 00:18:44.079 --> 00:18:47.759 Christina Cuellar we also give super super hug and put like. Do not forget 249 00:18:47.839 --> 00:18:51.079 to put the ake to both broadcasts, that is, if they are on 250 00:18:51.119 --> 00:18:52.640 Facebook not the two songs, because they are on Facebook. On Facebook, 251 00:18:53.000 --> 00:18:57.559 they' re on YouTube, on YouTube, I' m going to sit 252 00:18:57.640 --> 00:19:03.880 down and say stay here anyway to listen to Daniel and my talk about our 253 00:19:03.920 --> 00:19:12.880 favorite soap opera from Mutants. The last chapter is not yes is good, 254 00:19:14.079 --> 00:19:17.200 I mean if this pro is a drama, I mean if it is a 255 00:19:17.240 --> 00:19:19.240 dramon to put in this episode, because it is already the Afttermath, as 256 00:19:19.279 --> 00:19:23.680 it is, it is what comes after the terrible feeling that we have not 257 00:19:23.720 --> 00:19:29.640 already seen Professor Xavier. There' s this one who' s about to 258 00:19:29.640 --> 00:19:30.519 be the emperor, and then I' m my kids. So they put 259 00:19:30.559 --> 00:19:34.599 it in the Spanish translation, in the dubbing, so it says in English, 260 00:19:34.920 --> 00:19:37.960 my children refer to the piles like my children orale I mean, we 261 00:19:38.359 --> 00:19:45.680 are the children of the atom, they put it literal children of the atom, 262 00:19:45.079 --> 00:19:48.960 that is, the teacher is very toxic and all the x see have 263 00:19:48.960 --> 00:19:51.200 a theme. That' s where we go with love, that is, 264 00:19:52.079 --> 00:19:53.119 we go twenty at this door, there' s happiness. Come with me, 265 00:19:53.440 --> 00:19:59.160 not like this, the couple in his cyclopajian is the teacher and liland 266 00:19:59.279 --> 00:20:02.559 ah no, he returns, they return. There I have to go with 267 00:20:02.680 --> 00:20:04.400 the children, I have to go to war, I mean, it' 268 00:20:04.440 --> 00:20:10.079 s interesting, because the typical is the hero not that he can' t 269 00:20:10.079 --> 00:20:11.519 stop being a warrior. The way of the warrior who, because he is 270 00:20:11.559 --> 00:20:15.519 at home, is depressed, cannot lead a normal life because he misses war. 271 00:20:15.400 --> 00:20:18.799 If so, then, I mean, they have these very tragic lives. 272 00:20:18.839 --> 00:20:22.200 Ex- media, that is, all the time. Someone' s 273 00:20:22.200 --> 00:20:26.359 returning them to Wolverin too all the time is sad and they' re returning 274 00:20:26.359 --> 00:20:30.240 it again to the Men x see that' s all the time. So, 275 00:20:30.319 --> 00:20:34.640 well, there' s a tragic thing about this and it' s 276 00:20:34.640 --> 00:20:37.279 justified because yes, well, mutants aren' t free, because they' 277 00:20:37.279 --> 00:20:38.240 re never the same and they' re always at war. Yeah, okay, 278 00:20:38.400 --> 00:20:42.279 you understand, but they don' t love toxic. Not the axons. 279 00:20:42.839 --> 00:20:48.160 And then, well, in this last episode, Rock is already crazy, 280 00:20:48.400 --> 00:20:52.599 because they killed his man. It also says so. Yeah, it 281 00:20:52.680 --> 00:20:56.240 looks like telenovela to and Latina. You killed my man, she says so 282 00:20:56.960 --> 00:21:03.079 and now and then this one goes and Wagner tells your two men of ah 283 00:21:03.240 --> 00:21:08.000 two men, one way, two mutants, one way these mutants, one 284 00:21:08.000 --> 00:21:14.119 way Mira Roke and Magneto and Gambito and Cyk cloops with Jin Grey and his 285 00:21:14.359 --> 00:21:18.759 clone Adeline Prier, two mutants, one way. So, well, start 286 00:21:18.759 --> 00:21:25.880 breaking this one now you do break mandarins in gazos. I mean, start 287 00:21:25.960 --> 00:21:30.799 hitting people already, start getting the information out. And finally, well, 288 00:21:30.079 --> 00:21:33.880 everyone finds out that not by stealing, because grog is out of control. 289 00:21:33.960 --> 00:21:41.359 But he learns from cyclops that Mr Trask is behind everything. Again they had 290 00:21:41.480 --> 00:21:45.400 not broken, had not broken nor had any mold been destroyed. And he 291 00:21:45.440 --> 00:21:48.640 has the master mold and his new feel the asp has some up his sleeve 292 00:21:49.160 --> 00:21:53.960 and besides, in a very strange and very obvious act, he invites them 293 00:21:55.000 --> 00:21:56.839 to his house. Come on, I' ll talk to you and I 294 00:21:56.920 --> 00:22:00.319 ' ll tell you the truth. They' re all leaving, because it 295 00:22:00.400 --> 00:22:03.640 ' s an obvious trap. It was obvious it was a trap. And 296 00:22:03.720 --> 00:22:07.720 there we will see that there are other revelations and great revelations. I liked 297 00:22:07.720 --> 00:22:11.440 it. I liked it. Yeah, I still think it' s very 298 00:22:11.640 --> 00:22:14.680 telenovelesque, but it keeps hooking me up. I don' t know what 299 00:22:15.920 --> 00:22:17.839 you think your duty is Yeah, well, we were talking about it. 300 00:22:17.920 --> 00:22:21.400 I think since the first episode, the success of the x Mens has always 301 00:22:21.400 --> 00:22:26.799 been that it is a youthful soap opera, because yes, many years ago 302 00:22:26.880 --> 00:22:32.440 and it was for chavitos, but here we go then it is still that 303 00:22:32.559 --> 00:22:37.240 telenovela sale that we like and, for example, they know it is a 304 00:22:37.359 --> 00:22:40.640 trap, but they are so now. Yes, with so much courage that 305 00:22:40.640 --> 00:22:42.039 Wolvering of immediat pulls out the claws and excited, because it' s a 306 00:22:42.039 --> 00:22:45.319 trap. Let' s hit them with everything. And one thing I really 307 00:22:45.319 --> 00:22:52.160 liked is that, for a change, the one who runs to Mexico, 308 00:22:52.440 --> 00:22:57.400 then here they have to catch the villain and when he comes out he' 309 00:22:57.519 --> 00:22:59.440 s talking rock looking for him he flies by the angel. The angel looks 310 00:22:59.559 --> 00:23:02.960 good. Unlike movies, there' s no filter here, sepia, which 311 00:23:03.079 --> 00:23:06.799 is father. On the contrary, it is a colorful night and it seems 312 00:23:06.839 --> 00:23:08.640 like a dead day, because it passes through a cemetery, which is like 313 00:23:08.720 --> 00:23:14.759 where she finally takes out everything she brought for the death of Gambito and Magneto. 314 00:23:15.319 --> 00:23:18.240 When I told him about court and there were two of them, it 315 00:23:18.240 --> 00:23:21.599 wasn' t one. So they' re all designing two. Reminds you 316 00:23:21.680 --> 00:23:27.519 that they are why stepbrothers, why she at some point like that with her 317 00:23:27.559 --> 00:23:32.640 and Wagnerter exactly, is a very father moment. But it' s true, 318 00:23:32.759 --> 00:23:33.680 that' s because she' s always my man. But you never 319 00:23:34.079 --> 00:23:37.160 know it' s two. You know it' s two, but it 320 00:23:37.200 --> 00:23:41.880 never tells you who. You assume for a number of situations that happen. 321 00:23:41.319 --> 00:23:48.720 Well, because they' re in the wake of Remi de Gambito and then 322 00:23:48.759 --> 00:23:51.359 you assume it' s gambit, but you know what' s up with 323 00:23:51.359 --> 00:23:53.799 Magneto. So, when Wagner tells her it' s two, you say, 324 00:23:55.039 --> 00:23:56.640 of course, the pain is double, but she doesn' t know 325 00:23:56.720 --> 00:23:59.200 what her man is or who she' s thinking. He' s thinking 326 00:23:59.279 --> 00:24:03.200 about both problems. She' s in polyamourous, polyamourous. And like, 327 00:24:03.319 --> 00:24:07.240 besides, Magneta was like his air channel, since taking advantage of that he 328 00:24:07.279 --> 00:24:11.519 ' s bossing, then I think it' s a little bit more of 329 00:24:11.640 --> 00:24:17.799 an ambit, but it didn' t make the ugly Eric and it wasn 330 00:24:17.799 --> 00:24:18.640 ' t his face in the air. Yeah, yeah, it was like 331 00:24:18.640 --> 00:24:22.240 you' re having fun. Yeah, yeah, sir, there' s 332 00:24:22.359 --> 00:24:25.559 my shugar, Dady loves me and gives me things that you don' t 333 00:24:25.599 --> 00:24:26.920 give me in the field that I can' t touch you. It' 334 00:24:26.960 --> 00:24:33.400 s a very twiste thing out there, but it' s good And besides, 335 00:24:33.920 --> 00:24:38.200 it' s got these connections that just the same from now on, 336 00:24:38.400 --> 00:24:45.720 it' s easier to make connections to the Marvel universe, let' s 337 00:24:45.759 --> 00:24:47.759 say wider, General Tadeo Ross comes out, Captain America comes out, and 338 00:24:47.759 --> 00:24:48.920 from there there are very, very funny winks. As he says, because 339 00:24:48.960 --> 00:24:52.759 you' re useless and you' re not going to help fly your shield 340 00:24:52.839 --> 00:24:57.160 and he' s father because he begs in the comics, he starts as 341 00:24:57.200 --> 00:25:02.799 villain of the Avengers. So this one that they have this interaction, is 342 00:25:02.799 --> 00:25:06.960 father. Even the rock powers and that did get him out in some episode 343 00:25:07.000 --> 00:25:12.200 of the original series is because he stole them from Captain Marvel and let' 344 00:25:12.240 --> 00:25:17.400 s just say that they showed it to you, but they didn' t 345 00:25:17.480 --> 00:25:18.880 tell you the name, because they couldn' t for rights. Now, 346 00:25:18.920 --> 00:25:23.079 because they have it easier already they are all Marvel again and they have like 347 00:25:23.279 --> 00:25:27.000 these winks that, if you know who is under bol Ross is father, 348 00:25:27.319 --> 00:25:30.720 but because nothing more is the general to which Captain America will humiliate. I 349 00:25:30.720 --> 00:25:36.519 think it is now Everyone already knows it from the movies. So it helps 350 00:25:36.559 --> 00:25:38.720 to establish that it' s a bigger universe for the men x, even 351 00:25:38.759 --> 00:25:42.920 though the captain' s the captain' s the boy scout of the cool 352 00:25:44.079 --> 00:25:47.000 boy, doesn' t even support them 100% because mutants. So that 353 00:25:47.039 --> 00:25:52.400 ' s a good father issue, because it' s racism again. Or 354 00:25:53.440 --> 00:25:57.200 leave the other one aside, the different one and teach it to you with 355 00:25:57.240 --> 00:26:00.279 the one who has always been the embodiment of the dream America, which is 356 00:26:00.279 --> 00:26:03.839 Steve Rogers. And even here he doesn' t help the sn as they 357 00:26:03.920 --> 00:26:08.240 should and that' s why oak throws his shield and make a nice analogy 358 00:26:08.319 --> 00:26:10.960 to get out of the closet. When Roberto goes and tells his mom. 359 00:26:11.319 --> 00:26:12.640 Hey, I' m mutant and it' s okay. Father the scene 360 00:26:12.680 --> 00:26:17.759 and then you have that bad twist, but it also makes it very real. 361 00:26:17.799 --> 00:26:22.039 Then I insist the series remains very well maintained and is super fun. 362 00:26:22.759 --> 00:26:25.559 It' s very good, I mean. I really like it if you 363 00:26:25.680 --> 00:26:30.720 have those details of melodrama that I feel are on purpose that sometimes they can 364 00:26:30.759 --> 00:26:33.039 be. Suddenly it' s going to do a little bit of how I 365 00:26:33.119 --> 00:26:34.400 can say it, a little bit of crap. But it' s okay, 366 00:26:34.519 --> 00:26:38.160 I mean, it fits perfectly, it' s okay, it' 367 00:26:37.640 --> 00:26:40.920 s congruent, because it doesn' t, I mean, it doesn' 368 00:26:40.920 --> 00:26:41.839 t overflow as much as you say. I' ll pay you back then 369 00:26:41.880 --> 00:26:45.480 I like that, but I have an important connection there. Look at me, 370 00:26:45.480 --> 00:26:49.359 look at you. It has always been known that Gambito was going to 371 00:26:49.359 --> 00:26:55.960 have a tragic end, because what is called gambit notice, what is called 372 00:26:56.559 --> 00:27:03.039 gambit, Remiramille, obvious Oliver lousy, the rexact Remi, for that is, 373 00:27:03.359 --> 00:27:07.079 it cannot go. Well, the name' s from Steen in him, 374 00:27:07.599 --> 00:27:11.240 not poor Remi, too. How he suffered, how his how he 375 00:27:14.000 --> 00:27:18.000 has to be unexact and did not die. His heart rejoices, but the 376 00:27:18.079 --> 00:27:23.960 most he dies remin Yes, all bad with gambit and with Remi. But, 377 00:27:25.319 --> 00:27:29.160 okay, it' s our favorite show right now, not what' 378 00:27:29.240 --> 00:27:30.759 s going on,' cause we' re all back there. I just 379 00:27:30.799 --> 00:27:33.519 didn' t see her, I took the picture and I didn' t 380 00:27:33.559 --> 00:27:37.000 see the screen get normal. Well, all right, then. There' 381 00:27:37.119 --> 00:27:38.960 s this ninety- seven men x. So it goes how many or it 382 00:27:40.000 --> 00:27:41.960 ' s one more we missed. We' re already here. Daniel' 383 00:27:41.960 --> 00:27:45.440 s gonna be ten. I think this was the sixth. They' re 384 00:27:45.720 --> 00:27:49.279 not yes. It' s the seventh. 7th, 7th, and you, 385 00:27:49.640 --> 00:27:52.559 if you saw her before, you' re already seeing it. I 386 00:27:52.680 --> 00:27:56.880 see her. I felt like you wanted to participate. It' s my 387 00:27:56.880 --> 00:28:00.519 novel. You said nothing, too. I didn' t think so. 388 00:28:02.680 --> 00:28:06.359 There, you were kind of there, scared of fame, but Anhelan didn 389 00:28:06.440 --> 00:28:08.599 ' t want to talk to her. But Dani is my favorite narrator of 390 00:28:08.640 --> 00:28:12.640 my soap opera. It' s like I say they give the practice, 391 00:28:14.359 --> 00:28:18.599 because I greatly enjoy what he comments and if it' s a melodramon he 392 00:28:18.839 --> 00:28:25.400 looks at, they should learn the soap operas, because it would be better 393 00:28:25.480 --> 00:28:30.519 if they followed all these examples of X MEN ninety- seven. Yeah, 394 00:28:30.759 --> 00:28:34.559 it' s totally good. I don' t say no how you' 395 00:28:34.559 --> 00:28:38.759 re doing well. So tasty sarroson and already waiting that, then, we 396 00:28:38.839 --> 00:28:44.839 have to integrate these pieces, because already we discovered that the protector X because 397 00:28:44.920 --> 00:28:51.519 he was not dead was coming romance already storm, we already cover his powers. 398 00:28:51.880 --> 00:28:56.119 So, they' re already preparing us for that great climate battle that 399 00:28:56.200 --> 00:29:00.839 I imagine will happen in chapter nine between nine and ten, and they' 400 00:29:00.880 --> 00:29:07.519 ll all come together again. And the surprise of then look that all the 401 00:29:07.559 --> 00:29:11.920 trigger of the season of this new return, which was the sorrow that my 402 00:29:12.000 --> 00:29:15.960 player, Professor Charles Javier, is dead, because it turns out that not 403 00:29:17.039 --> 00:29:21.359 all that pain in vain see This is like in soap operas one suffering so 404 00:29:21.440 --> 00:29:29.480 that he is alive as he is, as he is, and that they 405 00:29:29.559 --> 00:29:33.279 will apply to the teacher the one in this suit is yours. As long 406 00:29:33.319 --> 00:29:37.759 as you' re lilating with me, if you leave it alone, they 407 00:29:37.759 --> 00:29:38.920 ' re gonna take your suit off. I don' t know how they 408 00:29:40.039 --> 00:29:45.319 ' re gonna keep him going,' cause comics did leave him, but 409 00:29:45.359 --> 00:29:49.559 eventually he broke down. The teacher has recovered his legs about three times, 410 00:29:51.200 --> 00:29:55.839 but eventually he loses control over them again. Actually he does have them well, 411 00:29:55.960 --> 00:29:59.680 yes, he can walk, but I think that and Jim Gray' 412 00:29:59.720 --> 00:30:02.680 s death are the things that happen to the X minus. That the teacher 413 00:30:02.680 --> 00:30:07.319 becomes invalid and that she dies is what is usually repeated every five or six 414 00:30:07.359 --> 00:30:12.160 years. Yeah, it' s the cycle. There can be no lack 415 00:30:12.319 --> 00:30:18.960 of that and I think that the whole title what is returning to so propu 416 00:30:18.039 --> 00:30:23.400 loses exactly as Luis Miguel Yes, it does help him a lot to the 417 00:30:23.400 --> 00:30:30.000 plot. They' re taking very long bows from comics that were suddenly boring. 418 00:30:30.079 --> 00:30:33.119 Some were good, others were pretty bad, because they should have lasted 419 00:30:33.200 --> 00:30:37.200 for six months and lasted for a year and a half and here they are 420 00:30:37.400 --> 00:30:41.480 knowing how to compress is what I should tell you. That arc and they 421 00:30:41.480 --> 00:30:47.279 ' re doing super well in one or two episodes and apart from something that 422 00:30:47.319 --> 00:30:51.519 made the X- mint comic very good were the sub- trams, something 423 00:30:51.599 --> 00:30:56.759 that now almost no series in nor any comics. Sadly they manage to tell 424 00:30:56.920 --> 00:31:00.599 you the adventure I wanted to tell you, or they are this story and 425 00:31:00.640 --> 00:31:03.759 that' s why they' re left with characters or I don' t 426 00:31:03.759 --> 00:31:08.480 know what to do, because almost no one uses a subframe well anymore And 427 00:31:08.480 --> 00:31:14.119 here, although it seems that I didn' t know that Storm is suddenly 428 00:31:14.200 --> 00:31:15.200 leaving, he leaves with Forge and those who paid attention in the photos that 429 00:31:15.200 --> 00:31:17.039 he teaches to force Storm. There you see Bastian, you can see the 430 00:31:17.039 --> 00:31:19.359 body of bascient without the face that we already saw in this episode. So 431 00:31:19.440 --> 00:31:23.400 it' s those little details that everything is coming together, as Ahorita Carlos 432 00:31:25.160 --> 00:31:27.400 said, that that comes directly from the comic book. Suddenly I didn' 433 00:31:27.480 --> 00:31:33.039 t know Clermont put you in a bullet that you said this what the hell 434 00:31:33.039 --> 00:31:34.920 and a year later you understood why I put him in. I' d 435 00:31:36.039 --> 00:31:38.200 put in one or two little vines per number. And that' s something 436 00:31:38.480 --> 00:31:42.079 I insist on. It has been lost in almost all mass media and here 437 00:31:42.160 --> 00:31:45.359 it is taken directly from the comic book. And that' s why it 438 00:31:45.440 --> 00:31:48.960 also works very well, because let' s say you already know what people 439 00:31:48.000 --> 00:31:52.160 liked and what it was that drove them away a little, for example, 440 00:31:52.400 --> 00:31:56.160 the clone saga in Spiderman. Here his clone saga with Jin shortened an episode 441 00:31:56.240 --> 00:32:02.000 and they did very well. In the Spiderman series they also cut it instead 442 00:32:02.039 --> 00:32:05.799 of years. It was, I think, three episodes or two. I 443 00:32:05.839 --> 00:32:08.359 don' t remember right now, but you know where to go. And 444 00:32:08.480 --> 00:32:13.240 the only bad thing is what a good series it is. But then they 445 00:32:13.279 --> 00:32:15.279 ran to the runner show. Then let' s see what happens next season, 446 00:32:17.480 --> 00:32:22.720 why they ran it. If it' s all right, it went 447 00:32:22.720 --> 00:32:25.839 wrong here. I don' t think it' s been said if Carlos, 448 00:32:25.960 --> 00:32:30.519 because I' ve found more track notes. No, but they did 449 00:32:30.559 --> 00:32:37.880 comment a little bit that it had to do with what had as abusive behaviors 450 00:32:37.960 --> 00:32:42.480 as in the correct production and that then, because they gave him neck? 451 00:32:42.559 --> 00:32:46.519 But I understand that they already had the whole approach, at least from the 452 00:32:46.519 --> 00:32:52.160 next season, and it seems that already of a third not, but yes, 453 00:32:52.240 --> 00:32:54.640 it was like very much because practically I do not remember whether it was 454 00:32:54.720 --> 00:32:58.960 a few days before or just at the premiere and because they gave him neck. 455 00:32:59.200 --> 00:33:05.160 Thank you for leaving r and Bebe, but yes, it is already 456 00:33:05.200 --> 00:33:13.559 some issue that has to do with ill- treatment or intimate abuse not very 457 00:33:13.759 --> 00:33:16.000 appropriate and good. Besides, I think that the character in question had it 458 00:33:16.039 --> 00:33:21.279 as exact, that besides here androu Broa is mentioning it, that he had 459 00:33:21.359 --> 00:33:25.000 his little blue page. It also seems that it was like a content, 460 00:33:25.440 --> 00:33:31.400 because because Disney does not exactly promote that his talent is sharing those talents very 461 00:33:31.759 --> 00:33:39.799 natural, that is in these new platforms and charging for CoA yes, ok, 462 00:33:39.920 --> 00:33:43.279 well, there it is then, there is ex one thousand ninety seven. 463 00:33:44.440 --> 00:33:46.759 Listen and good to close the program as well as on time, because 464 00:33:47.640 --> 00:33:52.640 I don' t know if they want to talk about something or to close. 465 00:33:52.680 --> 00:33:58.319 So to fire you from your audience some more recommendation, a very important 466 00:33:58.440 --> 00:34:01.240 recommendation. Just premiered Go to the movies. They' re gonna thank us. 467 00:34:01.319 --> 00:34:06.920 I know. It calls defiant that it' s Luka Walagnano' s 468 00:34:06.920 --> 00:34:13.760 new film. I enjoyed it enormously. It' s a very good movie. 469 00:34:14.760 --> 00:34:20.400 It' s Tashi' s story, which plays Zendaya, she' 470 00:34:20.840 --> 00:34:25.159 s a former tennis player who now takes care of her husband' s coach, 471 00:34:25.320 --> 00:34:29.320 who' s a tennis player, who' s not having a great 472 00:34:29.400 --> 00:34:35.559 time, isn' t having the best time and will face whoever was his 473 00:34:35.599 --> 00:34:37.519 friend and who was also Tashi' s partner. So Tashi, then, 474 00:34:37.880 --> 00:34:47.800 is preparing to take advantage of this situation to perhaps motivate her husband and, 475 00:34:49.800 --> 00:35:00.320 therefore, rekindle that energy and interest in tennis. Sayama is Ayama is a 476 00:35:00.360 --> 00:35:05.159 story that has elements of romance, but it goes much further. The film 477 00:35:05.199 --> 00:35:08.880 is built like a tennis game, which I thought was really stupid, because, 478 00:35:08.920 --> 00:35:15.559 besides, if you go dancing, let' s say it doesn' 479 00:35:15.719 --> 00:35:20.639 t go in the present time of the Tennis game, but you go traveling 480 00:35:20.679 --> 00:35:24.679 to the past to get to know where these characters come from, when how 481 00:35:24.760 --> 00:35:27.599 they met, what is the relationship between them three? This is literally a 482 00:35:27.679 --> 00:35:31.719 love triangle, because, because now everyone is against everyone or everyone else, 483 00:35:31.920 --> 00:35:37.320 as you want to see, everyone has a friendly relationship with each other. 484 00:35:42.119 --> 00:35:46.159 That' s very good. I also liked this part of the work of 485 00:35:46.199 --> 00:35:52.639 the directorship of the actors very much, because the time in which the story 486 00:35:52.800 --> 00:35:58.719 passes is about fifteen years since they know that they are teenagers, to make 487 00:35:58.719 --> 00:36:05.159 mature young people and here you do see this work that then in soap operas 488 00:36:05.199 --> 00:36:12.000 they do not work, where the actors bodily see them and you believe that 489 00:36:12.039 --> 00:36:16.320 they are dolescentillos out there from I don' t know seventeen, eighteen years 490 00:36:16.360 --> 00:36:22.000 and that now they are already young adults who are already married, they have 491 00:36:22.000 --> 00:36:24.920 children and others, and that they do so, with some questions, of 492 00:36:24.960 --> 00:36:30.679 course, of characterization, with a change of haircut and so on, but 493 00:36:30.840 --> 00:36:37.880 above all with the work of these three actors who are also the three, 494 00:36:38.079 --> 00:36:40.559 since they are very good actors. This is a character that already allows us 495 00:36:40.679 --> 00:36:45.719 to see Zendaya, because beyond teen roles, she is the main character. 496 00:36:49.199 --> 00:36:54.320 But also she is accompanied by Joshu Connor, who we saw as Prince Charles 497 00:36:54.360 --> 00:37:00.440 in the young years in The Crown and there is the güerito. It' 498 00:37:00.519 --> 00:37:02.880 s Mike Face, an actor we' ve already seen in barrier- free 499 00:37:02.880 --> 00:37:07.800 love. He' s an actor mostly theater and well, all three of 500 00:37:07.800 --> 00:37:10.880 them are. The truth is, very well. It is a film, 501 00:37:13.159 --> 00:37:17.679 very exciting and good, in addition, a film that has many ideas, 502 00:37:19.000 --> 00:37:23.079 a great approach. I don' t mean to say over but remember that 503 00:37:23.119 --> 00:37:27.840 we' ve talked like a movie like this, which is a tennis movie, 504 00:37:28.000 --> 00:37:30.920 should be a lot more than tennis. Well, that does happen here. 505 00:37:31.559 --> 00:37:37.000 Not tennis is simply a device or narrative to talk about something else. 506 00:37:37.360 --> 00:37:42.280 So, super recommended. Go to the movies. If they don' t 507 00:37:42.320 --> 00:37:44.880 like tennis, it doesn' t matter. They' re gonna like this 508 00:37:45.320 --> 00:37:52.840 movie and they' re gonna have a great time. Perfect. Well, 509 00:37:52.840 --> 00:37:58.400 there are the defiants. Paco some movie you want to talk about and recommend. 510 00:37:58.760 --> 00:38:00.760 Well, it' s too long for me. Challenging. I really 511 00:38:00.800 --> 00:38:04.599 think it' s one of the best movies we' re watching this year. 512 00:38:05.360 --> 00:38:07.840 It' s a great, great movie. Guanino is a surprising director. 513 00:38:09.679 --> 00:38:12.519 I wouldn' t say it' s an affair. I think it 514 00:38:12.559 --> 00:38:17.159 ' s a movie of struggle for domination between the people involved and it' 515 00:38:17.280 --> 00:38:20.679 s and it' s brilliant. I think editing and music is what makes 516 00:38:20.760 --> 00:38:24.800 it even bigger. The film is very well worked with synthetics from the nineties 517 00:38:24.800 --> 00:38:31.199 and also the editing is amazing. Not here all three, as Carlos already 518 00:38:31.239 --> 00:38:37.119 said, are fabulous mkfis is, I think my favorite of the three for 519 00:38:37.239 --> 00:38:38.880 the whole character thing and I think it' s a great, great movie. 520 00:38:39.039 --> 00:38:43.000 Go see her and they' re also in Mexico City, Ahorita. 521 00:38:43.119 --> 00:38:49.440 There' s just a small, small cycle of probes. Here, in 522 00:38:49.519 --> 00:38:52.079 Mexico, in Essas and Nepolis. There are several films that are very worthwhile, 523 00:38:53.400 --> 00:39:00.400 several many documentaries and also some fictions that I think are impossible. There 524 00:39:00.840 --> 00:39:04.159 are twenty days in Maripul that won the Oscar this year that, because, 525 00:39:04.280 --> 00:39:09.639 if they could not see it illegally they can see it right now in cinemas 526 00:39:09.719 --> 00:39:15.719 see it legally is gon for Tin Mariachi, which is about a school of 527 00:39:15.760 --> 00:39:19.400 a mariachi college in the United States. It' s a rather bizarre and 528 00:39:19.400 --> 00:39:22.639 strange thing, but very good. The documentary is interesting. I didn' 529 00:39:22.719 --> 00:39:27.559 t know about that situation at all, and I think the one that made 530 00:39:27.639 --> 00:39:31.519 my favorite up to the moment of this election, George Monster, who has 531 00:39:31.519 --> 00:39:36.239 Melisa Barrera as the protagonist. This is a film, it' s a 532 00:39:36.320 --> 00:39:42.039 musical horror rom com, a mix of genres, quite strange, very bizarre 533 00:39:42.079 --> 00:39:47.119 and that strangely works. I mean, I never thought what this whole thing 534 00:39:47.159 --> 00:39:54.039 was really gonna work out. Also when you' re seeing it, you 535 00:39:54.159 --> 00:39:58.960 ' re surprised because it' s very charming. The film really moves away 536 00:39:59.039 --> 00:40:05.440 from all the clichess that might exist within these films and also gives you a 537 00:40:05.599 --> 00:40:10.239 story of a very interesting gemeine perspective about self- love and also about the 538 00:40:10.920 --> 00:40:16.679 way you rebuild yourself after a fateful event in your life. I think it 539 00:40:16.760 --> 00:40:22.119 is a film that plays very well with its analogies and metaphors and that also 540 00:40:22.199 --> 00:40:28.960 has music just like all musical, because very well designed for the film and 541 00:40:29.000 --> 00:40:32.679 for the occasion. And Melisa Barrera, I think this is the role that 542 00:40:32.760 --> 00:40:36.280 defines her as an actress right now. I mean, I think he' 543 00:40:36.280 --> 00:40:40.119 s an artist who' s served by trying more and more and more, 544 00:40:40.559 --> 00:40:46.400 and I saw him in this movie had just seemed spectacular. The whole last 545 00:40:46.480 --> 00:40:52.480 part is wonderful. It shows that he knows how to sing, that he 546 00:40:52.639 --> 00:40:55.280 knows how to make comedy, that he knows how to give you drama, 547 00:40:55.360 --> 00:41:00.000 that he knows the screen who and here tulos everything in the same movie is 548 00:41:00.000 --> 00:41:00.000 the truth of the must- haves and there is still work. Please see 549 00:41:00.039 --> 00:41:04.639 her, because she doesn' t have a layer of stellar here in Mexico 550 00:41:04.719 --> 00:41:07.400 yet or not. I hope so, because it' s Melisa Barrera and 551 00:41:07.599 --> 00:41:14.559 her name is Bigain. They' re not two different, they' re 552 00:41:14.559 --> 00:41:17.599 two different. Or what it' s called is in the if there' 553 00:41:19.280 --> 00:41:22.599 s no Abigail' s. It' s a vampire movie that' s 554 00:41:22.599 --> 00:41:24.679 commercial. This one brought her in as a probe. In fact I think 555 00:41:24.679 --> 00:41:28.519 there' s no longer the jury prize or the grand public game prize. 556 00:41:28.880 --> 00:41:32.079 I don' t remember which one won and because it still doesn' t 557 00:41:32.079 --> 00:41:35.920 have a release date, either here or there. But if you can see 558 00:41:35.960 --> 00:41:37.960 her here in the functions she has, don' t miss her because she 559 00:41:38.280 --> 00:41:49.079 ' s very funny. Okay. Okay, so how to ormanliculate Monster Monster. 560 00:41:49.159 --> 00:41:55.159 Sure, sure, I' m your monster. Ok well, there 561 00:41:55.199 --> 00:42:00.239 ' s the recommendation of Paco Your Monster Menni saba with Melisa Barrera, but 562 00:42:00.400 --> 00:42:05.440 it' s in the century of Sondans Cinépolis. No, then you can 563 00:42:05.480 --> 00:42:07.400 see this one from here until Sunday. I think he' s got phone 564 00:42:07.400 --> 00:42:12.239 numbers. If you put the lexact, then, if you' re left 565 00:42:12.320 --> 00:42:21.519 with something, don' t take advantage of weird popcorn that I miss, 566 00:42:21.519 --> 00:42:23.360 you have a strange feeling. I mean, I' m already leaving, 567 00:42:24.280 --> 00:42:27.280 guys, or I' m dreaming or I' m leaving. But, 568 00:42:27.519 --> 00:42:32.800 yeah, surprise, well, today I don' t know, but well, 569 00:42:35.000 --> 00:42:37.920 listen to Daddy something else out there, so, speaking of Melisa Barrera, 570 00:42:39.320 --> 00:42:45.039 Abigail' s is a pigeon movie. It' s like the plan. 571 00:42:45.079 --> 00:42:47.280 I don' t remember forgetting the name of Brad Pitt and George Clooney, 572 00:42:47.719 --> 00:42:52.239 where they' re all thieves. It' s that with dracula. 573 00:42:52.239 --> 00:42:55.360 She' s funny, she' s entertaining. If you think about it, 574 00:42:55.840 --> 00:43:00.360 it' s got a lot of crazy stuff. It steals a lot 575 00:43:00.440 --> 00:43:04.960 from resident Evil the video game the first, especially from Frag Knight, the 576 00:43:05.119 --> 00:43:07.119 80th film. There' s even a scene that looks like it' s 577 00:43:07.119 --> 00:43:10.119 set. At the end of the day vampires and that' s one of 578 00:43:10.199 --> 00:43:13.440 the great vampires. So, if you' re gonna steal from someone, 579 00:43:13.599 --> 00:43:17.320 you might steal from them. But the girl' s doing very well and 580 00:43:17.320 --> 00:43:21.760 Melissa' s doing very well. They both hold the film along with that 581 00:43:21.880 --> 00:43:22.880 ' s why I forgot the name of the actor, but it' s 582 00:43:22.960 --> 00:43:29.599 the one that came out of Fett in the series that adapted to Guillermo del 583 00:43:29.599 --> 00:43:32.920 Toro' s vampire novels. So let' s say he already had experience 584 00:43:32.920 --> 00:43:37.400 with vampires. I insist on that pigeon movie, but if you want something, 585 00:43:37.679 --> 00:43:40.440 have fun paying for your brain and laughing that' s the option. 586 00:43:40.920 --> 00:43:46.280 There are one or two black humor jokes that aren' t very well done, 587 00:43:46.760 --> 00:43:53.960 but I insist it' s to hang out and get fun. It 588 00:43:54.039 --> 00:43:58.599 ' s worse. I don' t know what' s worse than the 589 00:43:58.599 --> 00:44:02.599 movie. What a movie. I wrote two movies of terrible vampires. Yeah, 590 00:44:02.719 --> 00:44:06.239 I forgot the name, but I think you guys saw them We' 591 00:44:06.280 --> 00:44:12.039 ve already talked about them here or we' ve finally talked about the movie 592 00:44:12.039 --> 00:44:14.719 on the shift. Or ah it' s not, no, it' 593 00:44:14.719 --> 00:44:17.719 s bad. Yeah, no, this isn' t, it' s 594 00:44:17.760 --> 00:44:22.159 not entertaining, I mean, it' s a dove to be entertained, 595 00:44:22.119 --> 00:44:25.800 but not that you' re saying any bad thing I saw because I insist, 596 00:44:27.159 --> 00:44:30.559 everyone' s performances are very good, but they' re the two 597 00:44:30.639 --> 00:44:35.239 of them who keep the movie, because you still think she' s a 598 00:44:35.239 --> 00:44:40.599 cool girl, you think she' s a vampire that' s going to 599 00:44:40.639 --> 00:44:42.360 kill you and Melisa you really believe all the doubts she has and why she 600 00:44:42.360 --> 00:44:45.079 has them. So, I insist, everything does well, but the two 601 00:44:45.599 --> 00:44:47.559 of them and the one who played fet in the series, they' re 602 00:44:47.639 --> 00:44:52.280 the one who, for me, holds the movie and she' s funny, 603 00:44:52.599 --> 00:44:54.559 she' s not, I insist, the big movie, but she 604 00:44:54.559 --> 00:44:58.199 ' s father. All of a sudden see nothing more than a little pigeon 605 00:44:58.199 --> 00:45:00.440 to entertain you and make it well done. In addition, the music version 606 00:45:00.519 --> 00:45:06.559 that she released exactly appears in Matilda and it is fantastic, because the time 607 00:45:06.599 --> 00:45:12.199 in Matilla and she sings Baila is a charming matilde and here, as Dani 608 00:45:12.199 --> 00:45:17.880 rightly says, you have her in this first one as a fearful child, 609 00:45:19.360 --> 00:45:22.960 because she is there frightened because they have kidnapped her and she has passed and 610 00:45:22.960 --> 00:45:25.320 you pity for her. And then he gives you the twist and the surprise 611 00:45:25.440 --> 00:45:30.719 and you believe him, then, in both versions, in this child, 612 00:45:31.480 --> 00:45:39.039 because apparently harmless, and then in predatory and the victim of these kidnappers, 613 00:45:39.719 --> 00:45:45.480 and he changes them, therefore, completely the play. Not that there' 614 00:45:45.559 --> 00:45:49.639 s pity for the trailer. I think that surprise, watching the movie, 615 00:45:49.639 --> 00:45:53.360 would have been more powerful than it would have been, because that' s 616 00:45:53.360 --> 00:45:54.480 where I' ve seen it. I' ve done well, but I 617 00:45:54.519 --> 00:46:00.480 think that turn would have been more of a father to find him in the 618 00:46:00.519 --> 00:46:01.000 movies than since he' s already been telling you what the turn of the 619 00:46:01.000 --> 00:46:05.280 nut is. But sometimes you have to sell the film and I think they 620 00:46:05.280 --> 00:46:07.920 didn' t have that much faith in it. They oversold her on the 621 00:46:07.920 --> 00:46:15.440 plio oi. And the other vampire is the one from Sidney Swiny who comes 622 00:46:15.599 --> 00:46:20.519 out second. There' s this one. I think Megan Fox, his 623 00:46:20.519 --> 00:46:24.400 name is Knight, TeVe fangs of night, a horrible ex also in Netflix, 624 00:46:24.719 --> 00:46:30.440 a nice set of steps a Knight. Yeah, well, they' 625 00:46:30.440 --> 00:46:34.920 re one of the two movies I' ve seen lately. Then I have 626 00:46:34.920 --> 00:46:37.039 bad experiences. I don' t want to see any vampires lately. Oh, 627 00:46:37.199 --> 00:46:44.920 yeah, how about and less about Megan Fox. And yes, in 628 00:46:44.960 --> 00:46:46.519 fact, that' s where I met Sydney Swinnin and I told Mira she 629 00:46:46.519 --> 00:46:50.599 ' s gorgeous. That one was really funny to Megan Fox. There, 630 00:46:51.079 --> 00:46:53.840 then I got in and after, or just like a couple of months later 631 00:46:53.840 --> 00:46:57.400 I was everywhere, that is, it' s kind of fashionable. She 632 00:46:57.400 --> 00:47:01.000 ' s the fashion actress right now a rising is coming in Mexico, by 633 00:47:01.400 --> 00:47:07.000 the way, next week. Yeah, just as they do get to Mexico. 634 00:47:07.519 --> 00:47:10.599 So, thank you very much, thanks to people. Pauses of the 635 00:47:10.639 --> 00:47:15.400 night. Pau yes knockd because it' s a yes. According to me 636 00:47:15.400 --> 00:47:17.440 in Spanish, it must be like this. It' s kind of weird. 637 00:47:17.480 --> 00:47:22.360 It' s a I think since it was that I don' t 638 00:47:22.480 --> 00:47:23.760 even remember the plot anymore. I think he' s a kid who' 639 00:47:23.840 --> 00:47:28.599 s suddenly a cabbie and gets two vampires in his car and then suddenly gets 640 00:47:28.800 --> 00:47:32.400 wrapped up in a vampire world and meets girls and vampires and suddenly you realize 641 00:47:32.480 --> 00:47:37.639 there was like a bunch of vampire hunters who keep vampires at bay. Then 642 00:47:37.800 --> 00:47:42.440 the vampires broke the pact and I don' t know what weird things there 643 00:47:42.440 --> 00:47:45.920 are anymore. You remember that he was also like the driver' s brother 644 00:47:45.039 --> 00:47:52.119 or cousin and the brother a thing like that and he' s taking her 645 00:47:52.159 --> 00:47:57.559 along like a series of killer moons. And there' s something out of 646 00:47:57.679 --> 00:48:01.760 control for you. And so this is like the pretext and that of Carlas 647 00:48:01.840 --> 00:48:08.320 all day shift, but you can save them two are with the Drobdog, 648 00:48:08.880 --> 00:48:15.639 with the Snobdog and Jamie Fox. Not exactly. Well, all right, 649 00:48:15.920 --> 00:48:19.880 then. Thanks a lot thanks to Carlos Andrés Manuela follow Carlos Andrés sold in 650 00:48:20.159 --> 00:48:27.519 arroba, Carlos Andrés Mendiul on Facebook and Carlos am on Twitter Instagram. Then 651 00:48:27.519 --> 00:48:30.679 stay here Los Andes sold Carlos to Instagram and Twitter, to forgive on tiktok 652 00:48:30.760 --> 00:48:37.159 and Instagram. Discuss Tiktok and Instagram. Carlos A Mendiola and Carlos Andrés Mendiola 653 00:48:37.360 --> 00:48:44.679 on Facebook. Thank you so much for being here. Follow Daniel Villamiren, 654 00:48:45.159 --> 00:48:52.440 Arroba, Dan walkie k, Dan Wake on Twitter and Instagram and, of 655 00:48:52.519 --> 00:48:58.559 course, follow Paco Marine on Paco Guiml on Twitter and Paco ml seven on 656 00:48:58.679 --> 00:49:01.280 Instagram. I' m paying. Thank you very much. Thank you, 657 00:49:01.960 --> 00:49:08.800 Danielito, thank you Carlos Andrés and thank you to the people again Talina and 658 00:49:08.800 --> 00:49:12.599 the people who were here with us, with whom we were chatting in our 659 00:49:12.599 --> 00:49:15.400 chat. And, well, we' ll see each other and listen to 660 00:49:15.400 --> 00:49:23.440 the next episode of involuntary permanence. See you later, audio editing takes place 661 00:49:23.440 --> 00:49:30.000 in charge of Outs Creative Sounds. If you want to make a podcast or 662 00:49:30.119 --> 00:49:37.679 musicalize multimedia content, sound a movie or play or make a kingle enter outlos com MX