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Third lap the podcast with Alejandro Gaviría
and Ricardo Silva Romero, a podcast of

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the locutorio arroba el locutorio dese I
don' t like this kind of idealization

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of books that confuses life with reading. As if I summarized absolutely everything yes

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and how reading will suffice in life. I don' t think so,

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as if moms were the main thing
and as if I were reading when they

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tell people, you have to read, because this is going to be better.

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People there begin to fail chawinism.
Hi Ricardo, Hi Alejandro that more

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this week of the Colombian cultural world
had what was interpreted as a good news

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totally, and is that the syndices
how they are called readingability. The study

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is really called reading habits. It
is the subject of the study by the

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Colombian Chamber of the book and imbamer
Ibammer and showed that Colombians are reading more.

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Yes, all Colombians were reading more, according to the poll, but

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Colombians, who consider themselves readers,
who call themselves readers, went from reading

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five four books a year, that
the figures are always funny, because,

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yes, how I have a problem. Four is an average that' s

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a little funny when it comes to
truth. Although I have also read books

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in trecimal point in problem zero three
of an exact book I zero fifteen and

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are no longer reading five four books, but six ninety- one books.

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But this is a difference between the
study of two thousand seventeen and the study

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of two thousand twenty- four,
which is this two thousand seventeen, two,

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one thousand twenty- four, that
is, seven years of spo media

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increase so that the self- identifying
group identifies as readers the books read a

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year in almost one and a half. Of course it' s a lot.

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Lot. The self- called reader
group has grown and the same price

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that group has also grown, that
is, if we do not have all

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good news. They have grown in
readers and among readers the number of ready

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have grown and grown in the bookstore. Yes, exactly. The bookstore is

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more than five hundred in Colombia and
every month they open more and it'

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s amazing that there are more plans
and bookstore launches and the President of the

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Colombian Chamber himself, the book says
it has to do with the pandemic,

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which I found interesting, that is, this issue that the pandemic was going

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to produce behavioural changes, it seems
true. As for books, yes,

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he dares to say that and it
seems fair and logical to me, and

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if you feel one could have this
suspicion that you have increased the numbers of

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readers, for example, by taking
Instagram and seeing that there are a number

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of book reviewers with accounts of just
that book reviews, that there are reading

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clubs and workshops more and more.
One could suspect, seeing that they were

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launching bookstores, that this was growing, that there is something real, that

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is, the evidence that shows this
survey coincides with the anecdotes that one collects

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here beyond what exactly is happening you
who have looked at that rich with a

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little detail and or not that will
be read books or books bought. I

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believe that they are read free are
a lot more than in addition, in

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the study there is also talk about
that the growth in the purchase of books,

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that one notices it in both independent
publishing houses and more, as they

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are all independent, but that'
s what they call them. Smaller and

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larger publishers have an increasing growth in
their numbers. It keeps growing that and

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it' s, I guess,
hopeful, but it' s also amazing.

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Yeah, I think it' s
interesting. It has been said many

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times, but it is worth reiterating. They' re two very different things.

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Some are buying books, yes,
others are reading them yes. We

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all have true, many have a
fetish with books totally and buying books has

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a passion. So, it'
s a passion for me. I even

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remember that I told this story when
I was sick with cancer, that I

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wrote a notic or what I would
like to do. One of the things

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I thought was walking to the bookstore. Here St librarian I like clearly to

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choose two other books, not read
them full, see them in half,

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put them in the or exile them
there somewhere in the library and feel that

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from there and make them happy.
But it was the object that radiated something.

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It' s a fetish, a
little strange, but good there this

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but it makes sense, is that
you' re already very used to books,

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that they exist and that if you
think about it a little bit more,

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it' s very touching that someone
has. In fact, the impression

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going to a printing press is fantastic
to know a printing press to see how

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each book, the font, the
paper is made. That' s very

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beautiful. They are object or bellus, yes exact. New books have an

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attractive characteristic smell. The old ones, they' re even as good as

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you are as they are well made
to think it was very difficult to make

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them. Not like now. Well, there are computer software machines. In

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the old books. There are hidden
stories, some underlined ones, some phrases,

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some dedications that tell of other readers
who passed by. And I find

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that effectiche nice, interesting. I
don' t want to overdo it.

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Neither. I have always believed that
behind that fetish there is an illusion,

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and that there are promises to be
fulfilled. There' s some kind of

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epiphanies, to discover that those books
are hiding some sort of secret, some

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sort of secret that' s going
to be a little happier for us or

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I see it a little better.
If the other day I read a phrase

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from the writer that a children'
s book was invented. It' s

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very famous, it' s called
Charlotte' s web, which I'

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ve seen. It' s nice
and has very nice movie versions. It

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' s very sad too and she
said that what excited her to see books

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out there, libraries in bookstores,
was the suspicion that there was a person

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in there who was trapped there that
one was just going to know him and

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that that would be like the genius
of the bottle that you don' t

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know something is going to come out
of there exactly a friend, a friend,

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a story. What Gemi Sación hemy
Way said there is in the books.

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There' s a loyalty inside there' s a loyalty something that'

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s going to be loyal. I
think that' s interesting. But on

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the other hand, when you buy
those books, you know if they bring

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me happiness already far away. But
that, too, I have to recognize

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anxiety. Yeah cool as a kind
of when you go home with the books

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in the bag, just bought to
a task. Yes, there is a

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task, and we already have many
tasks in the world. Then do another

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task, for example, of poetry
that are read in another way, that

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you don' t have to read
them from the first, the last page,

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that I couldn' t open them
anywhere, they give me a little

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more peace of mind because there is
no such obligation. If there are two,

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yes, there are two ways.
There, well, I' m

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impressed with the books you haven'
t read, that you know there'

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s a fair one, a person, but a life that got into a

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game, that is, every book. One knows that it is a tremendous

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effort and that it is the same
effort to make a bad book as a

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good one. For example, it
requires the same dedication, the same discipline,

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the same is to give everything to
make a bad book and a good

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one and have them piled up.
You feel like I' m failing that

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person who put his life behind the
books. There is much effort and in

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all books, even in the worst, there is something respectable, accurate,

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also accurate. I don' t
like this kind of idealization of books,

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which confuses life with reading as if
I summarized absolutely everything and how reading will

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suffice in life. I don'
t think if, as if Mom were

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the main thing and as if she
played reading when they told people, you

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have to read, because this will
make it better. Person there begins to

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fail chauinism, not exact showinism.
This week I' m talking to my

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brother and I talked a lot here
and he told me he had a friend

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and he said that man is crazy
about books. He' s reading five

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or six books a week. No, and I said that idea of a

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bora book. I' ve never
liked it. I don' t think

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it' s overwhelming. I think
he blames people. Five six books a

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week. That I said why I
don' t want to talk to that

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hand. I wasn' t gonna
tell her a little bit more about Netflix

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or Twitter. Do not recommend anything
you can see. Yeah, you start

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out like you' re against that
thing in life, do something useful,

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watch TV and go eat something else. Yes, that chawinism of books and

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that Leeres does it to a better
one and that the one who does not

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read is below, sounds even discriminatory. Sometimes I don' t have one.

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I have it, too, and
we may have it for now that

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we' re talking about books.
When I got on a plane, I

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always look good at the survey,
who' s there, how many readers

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there are here and I see few
people reading and I open my book.

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I concentrate an hour and a half. It' s a good place to

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read airplanes today and it doesn'
t feel a bit superior. But if

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it has to be like this,
doesn' t it have to be?

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It' s a bit like people
who are religious, and there are some

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who bother others with that and there
are others who don' t. I

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like people who are religious and do
not impose it on anyone or go around

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evangelizing, but live it as inside
and assume it. And there are readers

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who are like this, very good
readers who take out their readings in ways

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that are not ostentatious neither yes nor
do they impose themselves. It is a

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way of being a quiet reader and
useful for everyone. There' s a

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question I' m asking myself these
days that I didn' t ask myself

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before, and well, what do
we read for? I would like Ricardo

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to explore an answer, but with
a particular optics that we have on the

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night table. Those chevers, what
books are there, what are we reading

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them for, what are we looking
for? Yeah, what' s that

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got, what' s on the
night table, because I' ve been

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thinking about what I got there and
I know it' s a long tower.

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So am I and the foundation of
the tower is the biography of famous

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Openhaime, which is huge and which
I read from a few and which I

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keep ringing from the film and you
are reading it orderly. Or I'

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m not looking for parts. I
haven' t been so judicious. I

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read a lot of biographies. That' s what I like to read the

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most, especially about artists. I
prefer to read about painters, musicians,

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filmmakers, writers. I like that
a lot. I thought I liked it

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because biographies prove that it is possible
to live in general. Yes, yes,

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they endure the roads, that there
are setbacks and people overcome them and

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there are high and low, Well, some things that sound like girlfriends,

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but that from one' s perspective
sometimes, because it doesn' t look

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so clear that where life goes is
interesting recarto so that you' ve been

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above all a fictional life fritter.
Totally, but you like to read biographies.

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It does relieve me. I'
m relieved to see eight see that

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contraction. It does relieve me.
Novels make me more anxious than biographies and

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make me connect with work rather than
life. I have on my night table

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a big novel that I wanted to
read almost as obligations imposed on you.

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He' s back here. It
is a novel by a great Polish writer

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named Olga tor Kartzuk. So,
if you play Zuck there' s like

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a s and a zeta. There' s a Nobel Prize in Literature.

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They are called Jacob' s books
on the arrival in a supposed messiah in

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Poland, eighteenth century, that interesting
moment of humanity, where it was coming.

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The illustration was implanted in the world. But there is still another medieval

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world, full of a kind of
animism. We could put it that way

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about beliefs that had nothing to do
with science, that was gaining space and

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it' s interesting. But the
first part of the book, which is

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many pages, is a marriage.
We get a lot of people and write

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every float, every dress, every
kai button and at some point I thought

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good for what I' m reading
all this. Yeah, which one'

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s interesting. It' s interesting, but I wouldn' t miss the

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truth. It would be my catch
at some point I saw myself doing a

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task. Yes, and that'
s very interesting, because one pushes one

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to think about the essence of literary
genres, that is, one does have

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to be very tuned to a novel. It seems to me yes, this

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is a very long novel, plus
a thousand pages about a moment, in

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space and in time, and I
started learning a lot of things not from

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what these Jewish communities were in central
Europe in a thousand seven hundred and fifty

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- fifty and learning more and more. I even got on the Internet,

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I saw the story of that false
Jewish messianism back then. But at some

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point I started thinking good like it' s already, but I haven'

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t decided if I' m going
to abandon her. One is that it

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does seem to me that each is
clearer that novels are documentaries of a world.

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It is a comprehensive document of a
world. There are short novels that

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have other goals, which are more
stories. Let' s say and this

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is a documentary. This is a
documentary. I' m fascinated by that,

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but I don' t get involved
if that world of entry doesn'

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t catch my eye. Yes,
that is, the gentle gift, the

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novel, this famous Russian Chollo Hof, which is what happens around the Don

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River. Everything interests me and fascinated
me and I read it the world of

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the Caramazov brothers. Well, it' s a document about that moment and

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how that society works. But of
course, it has a hundred pages about

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star et I don' t know
which one. I mean, one has

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to be very tuned, very interested
in that world, in the world of

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a novel. To continue is complex
I think there is one of these lectures

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by Blaymir Nabokoks or everything stoy about
Ana Caranina. At some point he says

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look this was the carriages. Draw
each little part what a carriage is like

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inside. If you want to learn
exhaustively, and that' s the part

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of the world, of course,
it' s a reverse at some point,

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I' m good, and if
I want to know so much about

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carriages, that' s what can
happen. On the other side, I

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have on the night table a book
of poems by that melancholy poet, Ray

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Bradbury, the writer he made.
But deep down he is a melancholy poet

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and he opens on any page,
and that excites me more that way as

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the poetry sings a certain vision of
the world and I find myself on the

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side of the exhaustive description of that
world. On the other hand, a

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poem that says because no one had
told me about the advantages of crying in

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the shower, not wonder, who
it was. I' m excited,

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though. No and then there,
in that contrast I see a certain superiority

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of poetry. Ricardo, I'
ve always seen that poetry is your thing.

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It is true that the verses give
with a precise verse. That'

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s a form of glory. That
is an incredible thing when someone manages to

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articulate in a verse, be it
the Lionor Rigby of the Beatles, in

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which there are verses of songs that
one says they gave with the key,

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with the nail of the world,
with the key of human experience, exact

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with the key of mystery. Father
Mackenzie of Lionor Rigby is sewing some stockings

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and one says this is the world. This lord is only in half light,

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he is making the stockings that image, that absolute for what I read

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in the background, looking for these
epiphanies, of these findings that are typical

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of literary language and poetry. Perhaps
it is a much more effective shortcut to

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finding that total, this work that
I admire from novelists as artisans, yes,

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who work many months, many years
in that documentary. Yeah, totally,

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but it' s good to have
that dive in that world. I

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recently arrived at an apartment building to
make a visit and found a comfortable image

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and was the doorman of the building
reading a big novel yes, Gorda Gorta,

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and I saw it opened the door
quickly because it was hooked on the

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novel. It was obvious. I
said good. No yes, what a

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man is not here, because he
doesn' t have to be here,

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he' s in another world.
That note is actually immersed in the documentary

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and I would think it is the
essence of that. Yeah, that.

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This was clear because to narrate,
which means to drag, is to keep

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a person in another world for a
long time, is to stop him from

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life, to force him to reject
the stimuli of the world that, moreover,

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we are today overstimulated. And it
is his grace at this time that

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someone spends eight hundred pages slowing down
his liberating life, is very liberated,

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an act of resistance. But of
course, the novelist does not, although

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he gives with findings and with shortcuts
and converts and sentences in the middle of

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the description of the carriage, if
he is in another task, which is

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basically the task that people do not
abandon. That' s what the book

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comes down to, hooking it up
there, how to hook it up?

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The story, the plot, traps, characters, humor, all resources.

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I tend to be a little impatient
and distracted. That' s why.

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To that is difficult and that is
why my self imposes this task that is

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not finished to pass you that has
been exciting of this great novel, but

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I am attracted to the poetry that
is there. And I also have another

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00:21:00.119 --> 00:21:03.680
interesting little book that sometimes I like
that it' s not biographies, but

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interviews and conversations with writers. This
is rich. He may like to learn

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the trade how they write. I
think it' s interesting. I like

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it when they reflect on what has
been left in a dedicated life of letters

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and writing. I like certain phrases. I like to read when writers reflect

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on their craft. That' s
right, that' s also given with

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some very good investigations of his temperament. There was a time when Roberto Rubiano,

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the Colombian writer, made an anthology
of those phrases. I just deleted

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the title, but it was very
popular among writers in the nineties. A

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book of quotations from writers, talking
about different topics, the relationship of writers

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with cinema, their daily work,
their relationship with politics, different themes of

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writers, and he gathered their testimonies
and there is much there that is valuable.

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It is a very concrete form of
self- help. I also have

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in the month a little book that
I review a lot. This fictional book

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by Jorge Luis Borges published back in
the 1940s. He was forty- three

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forty- four years old and has
on an initial note. That fiction book

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is the collection of two books.
One is the garden of paths that Fork

267
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was seen is a collection of tales. He says there' s one interesting

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thing. He says a 500-
page novel. Like he says he wouldn

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' t be able to write the
series. Too laborious for me, for

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readers. I' d rather write
a foreword of a few pages from that

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so- called 500- page novel
that doesn' t exist. So Borge

272
00:22:56.400 --> 00:23:00.480
made those shortcuts. He didn'
t write the five- hundred- page

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novels because he saw a review of
that non- existent novel. Of course

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it' s interesting, yes,
and that mentality and it' s very

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enviable. I' ve dedicated myself
to making novels really from all genres.

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I have rehearsed them several, but
I have dedicated myself to novels and it

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gives me fascination when a poem has
inside a novel or when a Borges story

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has inside everything an encyclopedia in the
background. There and that effectiveness in the

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00:23:30.119 --> 00:23:33.920
background is interesting, It is very
interesting the or the tale of bor It

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00:23:34.000 --> 00:23:40.599
is the alef that goes there and
that ends with that vision of the lef

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of the point where all the points
of the world are, because it is

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a little that. That' s
what a novel aspires to make a point

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of everything. But this gentleman manages
to insinuate it there and is therefore enviable

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for the task of someone who is
dedicated to making novels. And those Borks

285
00:23:59.599 --> 00:24:03.759
tales have always seemed to me to
be very interesting, because you don'

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00:24:03.839 --> 00:24:07.119
t get it in a first reading, understand everything, then they relent.

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It seems to me, yes,
they endure very well and there are many

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more readings and they are very precise. Yes, and always admired. I

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' ve never seen it or that
precision. I was thinking about Bradbury,

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at the night table, and maybe
the one who best caught the chauvinism of

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00:24:33.279 --> 00:24:37.200
books and the passion for books that
already starts to be annoying, like when

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00:24:37.200 --> 00:24:41.079
there' s a Pink Floyd fan
who dries it today for God that exist

293
00:24:41.160 --> 00:24:45.279
and shows him the collection, they
show him the data that the only good

294
00:24:45.359 --> 00:24:47.759
thing that' s ever happened in
life is that good. Start one already

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despairing with those chicks and I think
it was Bradbury, with Firenheit four or

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five. One completely is that the
readers in that book are the chosen ones.

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They are the people who will save
us in the twenty- second century.

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I do not know what it is, but it created a sect of

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people who learn the books by memory, because, as they are all burning

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them, there is one, so
there is one person who is in charge

301
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of mambo varies. I think it' s the quijote. And he'

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s one, because he has love
for those characters. One like when one

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00:25:26.680 --> 00:25:32.960
enters the plane and likes the one
reading for these Bradbury characters who are saving

304
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books and reading. You say they' re fantastic. But there is also

305
00:25:37.400 --> 00:25:44.839
chawinism. There is chauvinism, but
it describes a kind of anti- intellectual

306
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cultural environment. Art also captures some
of what is happening now and that reader,

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00:25:51.799 --> 00:25:56.160
like Heredoe, also seems attractive to
me in another if not. I

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like this time that I lack specialized
publications, that is, after a time

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00:26:03.319 --> 00:26:12.279
we say important for journals about books, for example, it seems to me

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that nowadays reading, promoting reading,
reviewing what is read is in the hands

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of readers. For the love of
reading. So we don' t have,

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00:26:29.279 --> 00:26:37.599
because great literary critics, or not
at least in commercial publications, but

313
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we do have a lot of readers
who have put instagram accounts, on Twitter

314
00:26:44.640 --> 00:26:48.960
and do so with so much love. Yeah, there' s a lot

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00:26:48.160 --> 00:26:52.759
of love that you get a lot
of times from reading what they' re

316
00:26:52.759 --> 00:26:56.920
promoting. I had a rich conversation
a few months ago with writer Carolina Sannin

317
00:26:57.000 --> 00:27:02.920
last year, and since then I' ve been digging about what she told

318
00:27:02.920 --> 00:27:07.960
me. She said I don'
t write prose again when I have to

319
00:27:08.000 --> 00:27:12.039
make a comment and I do it
rather the spoken language And if I'

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00:27:14.039 --> 00:27:17.920
m going to write, I'
m going to write what really needs the

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attention of writing, which is poetry, that is, the already decanted language

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00:27:22.200 --> 00:27:26.440
brought to that essence. If I
am going to write about some comment,

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some element of our political reality,
we might say I am not going to

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00:27:30.440 --> 00:27:34.000
dedicate it. What the written language
requires, that cho, is attention to

325
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the phrase, to every point,
to every objective, put because perhaps it

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00:27:38.000 --> 00:27:41.519
will be too ephemeral that comment and
there will be a contradiction between substance and

327
00:27:41.559 --> 00:27:45.319
form, because it is very interesting. I find it interesting that I think

328
00:27:45.319 --> 00:27:52.319
he' s right at heart and
we' re doing this podcast yes,

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because we' re seeing that there
are certain things that better talk about them,

330
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not write them down. Yeah,
that' s right. I don

331
00:27:56.200 --> 00:28:02.559
' t know what happened to me, but I started writing poems. It

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00:28:02.599 --> 00:28:07.480
really seemed very clear to me that
and I still think that the most literary

333
00:28:07.559 --> 00:28:11.200
thing in literature, if you can
say something like that, is poetry.

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It is what is truly literary,
It is what contains literary language, in

335
00:28:18.920 --> 00:28:27.079
the sense that literary language is a
variation from everyday language to findings, from

336
00:28:27.119 --> 00:28:34.359
proseic to findings. The poem manages, with the words of every day,

337
00:28:34.720 --> 00:28:41.920
to bring to one something that I
had not considered or articulate to one a

338
00:28:41.000 --> 00:28:45.559
suspicion of life as why they did
not teach me to cry in the shower.

339
00:28:47.599 --> 00:28:52.920
It was so good, not memories, but that' s a fantastic

340
00:28:52.920 --> 00:28:56.079
idea. You understand a lot of
things and an emotion, an emotion,

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00:28:56.440 --> 00:29:00.519
but you look in the shower is
everyday. But the combination of those words

342
00:29:00.960 --> 00:29:08.880
explains one' s world at a
stroke and then it would be wise to

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00:29:08.880 --> 00:29:14.720
devote oneself to poetry. But I
don' t know if life or the

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00:29:14.839 --> 00:29:19.319
accumulation of years. That' s
what the theory says, one even pushes

345
00:29:21.440 --> 00:29:23.680
one into the story, to review, to document, to put on record.

346
00:29:25.680 --> 00:29:29.799
I believe that we all have a
story to tell that of our own

347
00:29:29.960 --> 00:29:34.359
life and we do not want to
reduce it a single sentence. Then I

348
00:29:34.400 --> 00:29:40.359
think I do, I' m
back. I also like to tell anecdotes.

349
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We still use it, as it
is useful. I' m going

350
00:29:45.759 --> 00:29:49.400
back to the first statistic. Ricardo
de Cha is five, four, six,

351
00:29:49.559 --> 00:29:52.359
nine, five, four or six
and I' m going to be

352
00:29:52.440 --> 00:30:03.640
frank, it doesn' t necessarily
seem like good news to me, because

353
00:30:03.079 --> 00:30:07.119
I have had this conviction that,
deep down, almost all of the rewrite

354
00:30:07.279 --> 00:30:14.319
writing yes, this Borgian idea,
that a single book almost contains them all

355
00:30:14.400 --> 00:30:18.519
and that if one reads one or
two well- read books, that'

356
00:30:18.519 --> 00:30:22.720
s enough. Yes, I mean, it' s not necessarily good to

357
00:30:22.720 --> 00:30:27.599
read more. Yes and what one
would say in Humero, in Cervantes,

358
00:30:27.720 --> 00:30:33.000
in check- ups is the whole
human experience. If I agree and if

359
00:30:33.200 --> 00:30:41.839
I do not necessarily read more,
it will not deepen that wonderful reading experience.

360
00:30:42.440 --> 00:30:45.480
So what I' m saying is
maybe it' s a common place,

361
00:30:45.920 --> 00:30:49.279
you don' t have to read
any more, but I think it

362
00:30:51.720 --> 00:30:53.720
' s liberating too and it'
s that in a well- read book

363
00:30:53.720 --> 00:30:56.599
it exempts us from reading other books. Perhaps it is liberating and I think

364
00:30:57.880 --> 00:31:02.440
it has more to do with what
literary lie, that thought, than the

365
00:31:02.519 --> 00:31:08.440
thought of accumulation and of competing with
and winning over other readers. I,

366
00:31:08.440 --> 00:31:14.400
when I read the Count of Montecristo, felt that it was enough and left

367
00:31:14.440 --> 00:31:18.200
over yes, that was there.
It was absolutely all behaviors and even a

368
00:31:18.279 --> 00:31:22.599
brilliant plot, better impossible. I
think García Márquez said that it was the

369
00:31:22.720 --> 00:31:29.960
perfect novel and the perfect plot all
of a sudden to read it again and

370
00:31:30.279 --> 00:31:33.680
rediscover his prsen chacuer almost enough,
we almost said, but it is true

371
00:31:33.720 --> 00:31:41.319
that one, because it is changing
from readings as for the illusion that or

372
00:31:41.319 --> 00:31:45.039
we also inhabit the precedent. We
want to read about this world. That

373
00:31:45.039 --> 00:31:47.759
' s where I like non-
fiction, too. I like to learn

374
00:31:47.759 --> 00:31:52.559
different things. Yeah, so I
want to learn about genetics. That'

375
00:31:52.599 --> 00:32:00.559
s what I like to get into
a book, read it, illusoryly believe

376
00:32:00.559 --> 00:32:01.920
that he learns something, because the
Jaymeses have already forgotten everything. I liked

377
00:32:01.920 --> 00:32:07.240
to read Oliver Sacs at one point. It' s a delight. They

378
00:32:07.319 --> 00:32:13.200
' re all well written. Interesting. I learned a lot of things that

379
00:32:13.240 --> 00:32:17.720
later forgot, but it' s
a fascination and I was remembering that thirty

380
00:32:19.880 --> 00:32:24.000
years ago it was a common place
and it was very popular, the book

381
00:32:24.279 --> 00:32:28.000
by Daniel Penach, which is called
a very good novel. I gave it

382
00:32:28.039 --> 00:32:31.200
to myself It was a great thing
to be released, because it was exactly

383
00:32:31.200 --> 00:32:34.279
the most popular thing. I think
it' s no longer a common place,

384
00:32:34.519 --> 00:32:38.000
because it' s been thirty years
and I remember that you have those

385
00:32:38.039 --> 00:32:45.400
ten rights of the reader that I
found here that between that they are the

386
00:32:45.400 --> 00:32:47.559
first, the right not to read, the second, the right to skip

387
00:32:47.559 --> 00:32:52.279
pages. The third the right not
to finish a book, the fourth the

388
00:32:52.319 --> 00:32:54.559
right to reread, which is what
we are talking about. The fifth is

389
00:32:54.559 --> 00:32:59.440
the right to read anything, which
is our defense of self- help,

390
00:32:59.640 --> 00:33:04.680
for example. The sixth the right
to read what I like. The seventh

391
00:33:04.680 --> 00:33:07.599
the right to read anywhere, the
eighth the right to peck, which we

392
00:33:07.640 --> 00:33:13.519
have also said, read a few
pages, the ninth the right to read

393
00:33:13.599 --> 00:33:17.599
aloud and the tenth the right to
remain silent which is the wise reader.

394
00:33:20.559 --> 00:33:25.000
The wise reader who accumulates wisdom for
himself and realizes that perhaps telling the read

395
00:33:25.279 --> 00:33:31.079
to the world is not worth it. No, the penalty is for him

396
00:33:31.559 --> 00:33:38.880
is his religiosity. Sometimes in this
kind of literary magic that invites us so

397
00:33:38.960 --> 00:33:44.640
much to enrich the excerpts of the
book and others ask us things. I

398
00:33:44.720 --> 00:33:50.000
like to say that I have a
question, something that is tormenting me and

399
00:33:51.079 --> 00:33:52.960
I catch a book in library art
and it accomplishes on any page. But

400
00:33:53.039 --> 00:33:55.480
it' s an answer Sometimes I
find the answer. Yeah, not that

401
00:33:55.480 --> 00:33:58.839
it' s in the book.
It' s just good for you,

402
00:33:59.279 --> 00:34:01.000
yes, but it' s good
for you. And that power of books,

403
00:34:01.480 --> 00:34:05.960
that chido magic believing in it.
I also believe that this is the

404
00:34:06.039 --> 00:34:08.039
power of fiction and I believe that
it is what connects, for example,

405
00:34:08.079 --> 00:34:12.000
that they give one to the tarot
with reading the Count of Monte Cristo,

406
00:34:12.679 --> 00:34:15.000
which is that there one will understand
things and will accommodate them and articulate them.

407
00:34:16.679 --> 00:34:22.159
And it' s a very useful
crutch and in any case, it

408
00:34:23.360 --> 00:34:29.559
' s people, human beings who
have thought and put it there, who

409
00:34:29.559 --> 00:34:34.519
have made an effort to write this
thing that we don' t understand yet.

410
00:34:34.599 --> 00:34:39.280
No, yes, it' s
very wonderful, mysterious, which is

411
00:34:39.320 --> 00:34:44.400
human life. I like a phrase
from this unborscaed poet Whis Lowa, the

412
00:34:44.480 --> 00:34:49.480
Polish. Yes or that says human
life on the third planet of the Sun.

413
00:34:52.079 --> 00:34:55.840
Yeah, we' ll keep reading, we' ll continue what else

414
00:34:55.840 --> 00:35:00.639
we can do now. That Ricardo
of five four is going to be Manuel.

415
00:35:05.480 --> 00:35:10.199
Always pick a good time. Always
choose a good conversation. Third round

416
00:35:10.519 --> 00:35:17.280
the podcast subscribe now and listen to
it every week on your favorite platform a

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00:35:17.400 --> 00:35:22.239
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00:35:22.280 --> 00:35:27.119
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