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All right, welcome everyone to Rojas
Report. I am Alejandro Rojas, the

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host of the show, and of
course the interviews with my special guests that

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I do through the Rojas Report part
of the podcast. So if you're a

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podcast subscriber on on Patreon, you'll
get these audios. If you on Podbean,

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you have to do the subscription to
get the interviews. Otherwise you just

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get the Fridays updates and of quoting
us on YouTube. You can watch these

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interviews live and I keep them up
for a few days before I put them

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archive on YouTube and you can join
click Sutton down there to be able to

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watch all these videos with a lot
of the main people that are involved with

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all of this, Chris Melon,
Luel Azando and all these people. But

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there's somebody who recently got more interviews
and better inns with more of these people

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in this amazing documentary, and that
is James Fox. I talked to him

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now out his documentary The Phenomenon.
Welcome mister Fox. Hey, great to

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be here. Wonderful. I can
see you've got the UFO lift. Oh

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you can see it? Yeah,
let mean the screen. Yeah, I

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like that. I fell victim to
that. I love my UFO lamp,

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but shot a video with the theme
music of uh X fox right, let's

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had some fun with it, and
I posted it on Facebook and somehow the

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owners of that lamp, you know, the manufacturers, they were like,

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hey, we really liked this video
you shot of our lip. Can we

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use it as a promo? I
said, yeah, we're out there.

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There's a promo of that lift you
know that I shot, just having some

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public a. Yeah, there are
several these makers claiming to be the original

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of the lamp, but who knows. But yeah, it's a super fun

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lamp. And it's funny because I
don't have shot. Where's the limp,

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where's the lip? Where's the UFO
lamp? They just love the UFO lamp.

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In fact, I haven't had a
comment on the UFO lamp yet,

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but thanks for bringing up glad you
like it fun. But so for years

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now, which is typical of you, you're always working on something, But

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for years now, you've been working
on this amazing film, you know the

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phenomenon. We didn't even know the
title of the film for a long time

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and it's finally out and I think, you know, it was well worth

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it. In my opinion, loved
it, and we were just talking about

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this that you know, there could
be some buzz out there. And I

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think most of my listeners, because
I've been talking about it for so long

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and plus you've been on We've done
some interviews during this time, that people

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get this idea that it's stuff that
I've seen before and it's not. I

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mean, and I guess that's my
first question, is that even though maybe

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they've heard of some of these cases, maybe even let's say they've heard of

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all these cases, you've got a
ton of original footage, and I'm guessing

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most of that's never been seen before. I knew that ultimately where we were

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going with this film, and that
is the Rua Zimbabwe landing case nineteen ninety

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four. When I first heard about
it in the nineties, not only did

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I not believe it, but I
dismissed it so quickly. I didn't look

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into it again until for ten years. Wow. And I know, right

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because my whole philosophy at the time
was, and I was making the documentary

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on UFOs, there's no way a
broad light a broad daylight sighting could take

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place. It could take place with
you know, over close to one hundred

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witnesses that proximity to the landed craft
and have face to face contact allegedly with

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beings potentially from another world, and
the whole world don't know about it.

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It's just you know. And so
I've learned to suspend judgment and listen to

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the evidence and listen to the eyewitness
testimony before drawing any conclusions. And so

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I knew that if I was skeptical
of that case, and that's where we

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were going, I knew how the
general public was going to be. So

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I had and obviously if we translated
the UFO community and got a much broader

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audience, mainstream audience, there was
no way they were going to believe that

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case occurred, the likeliness of that
case having occurred without doing a snapshot historical

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preview of the phenomenon. And I
didn't want to bore my UFO community audience

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to death. So I decided if
I was going to do that, I

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had I had to sprinkle a new
angles, new archival material, new interviews

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in with that. For instance,
Kenneth Arnold, well, we have an

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on camera interview with his daughter Kim
Arnold. She releases reveals stuff that most

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people never knew photographs, correspondence with
the Air Force, just little things behind

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the scenes. Nash in Fortenberry.
Everybody's heard of that case, right,

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How many people have actually seen an
interview with William Nash. It's rare as

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hens teeth and thanks to Tom Tullian
and my sister Kelly going after this archive

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material. Al chop I witnessed testimony
in the radar room the night the night

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of nineteen fifty two in July when
the Capitol Building and the White House was

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buzzed. Hearing his testimony of in
the radar room, listening to the pilot's

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voice as he's rocketing at five to
six hundred miles an hour in the pitch

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black and gets rounded by unknowns.
Hearing that first hand testimony, that was

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it's unbelievable. You know. So
I did sprinkle the nineteen seventy eight United

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Nations footage, you know, the
very man Lee Spiegel. By the way,

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thank you Lee for all you've done
for this film. He put that

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event on. He'd never seen footage
of that event. We have, We

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found that footage. So there's tons
of stuff. I don't care what anybody

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says. If I've seen it all
you haven't seen it all. You know,

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that un footage too, and a
lot of these and I mentioned this

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I think in my last like Friday
newscast, which was you know, over

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the years luckily because I got to
help a little and you know, being

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friends with you guys and keeping in
the loop. There were so many exciting

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and tense, crazy moments. Well
you guys are trying to gather information,

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helping where I could, but just
you know, different things that were super

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exciting. And the un thing was
this whole drama about getting those videos and

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how to obtain those videos. Your
your sister then came through hooked it up.

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And it's just funny because there's all
these behind the scenes drama that happens

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and then it all culminates, which
is exciting and great in just a few

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minutes if not seconds, you know, in the final movie, but that

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that footage was able to be obtained
and the scene goes for all of these

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pieces of footage that you just mentioned, they are all these major accomplishments,

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and the effort that goes into each
of these has just been extraordinary. So

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it's just funny. It's been this, you know, especially for those of

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us behind scenes this dramatic roller coaster
that now, now that all of this

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footage is obtained, this piece is
out. But I would imagine that you

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know, there's more to do with
all of this great footage that you've you've

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captured, right, you know,
it takes thee And I've said this before

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and I'll say it again. This
film is the culmination of the entire UFO

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community's diligent work. Decade after decade
after decade. There were people like yourself

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and George Knapp, Jacques Vallet,
Lee Spiegel, Mark Bearrish, Lancemungia.

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I mean, the list goes on
and on and on that we're working behind

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tiresly, behind the scenes, you
know, people that had gathered. I

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mean I dedicated the film to Stanton
Friedman, Don Schmidt, Kevin Randall.

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I mean, it took a village
to put this film together. And it

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was not just the work itself with
this particular film, but it's the result

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of the research of the whole UFO
community over the last seventy five years that

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allowed David Marler, that allowed this
film to become what it is. So

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I thank each and every one of
you in the UFO community for all that

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you've done to help make this film
a reality because it I'm grateful to eat

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and every one of you and I
and this film's success is all of our

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success. Now you sound like Loue
Alisondo, He's always saying this, Really

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I feel that way. I really
do. Yeah, I could have if

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I if I had enough time to
thank each and every person that were involved

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in making this film a reality,
we'd be here for the next six hours.

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But I just you know, I
didn't need people to hear that,

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because it's important for people to know
that this film is a result of all

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of us. So I want to
revisit just for a second, just because

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you know, not all of my
audience. I get a lot of new

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people that come in because you know, I'm I'm one of the podcasts.

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I think that is more easier to
get involved with if you haven't been involved

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with UFOs, not just because I
try to describe it with everybody the background

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of the things we're talking about,
but you know, I try to stick

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to more credible information like you do
with the film and and so I.

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But the reason I'm kind of prefacing
this is that getting back to what we

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were talking about earlier, for those
people who say, you know, I've

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been involved with this stuff for a
long time. I'm aware of you know,

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this sort of topic and your films. Your films have all been similar

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in that they present very good,
credible information on this topic. What would

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you say is different and unique about
the phenomenon I've learned from each film that

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I've been involved with the last twenty
six years. Fifty Years of Denial,

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which I started and completed in the
nineties, then we started with Out of

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the Blue. Then I did a
second version of Out of the Blue,

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just trying to outdo myself and learning
from my mistakes and trying to do better.

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I know what I saw came remarkably
close to getting a distribution deal with

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with Lionsgate. I was devastated when
it fell through, and ultimately it fell

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through because they said that the production
quality and the narrative was sub par I

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think was the word they used.
Well, in some respects they were right,

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and so when I set out to
do this film, I said,

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well, I'm not going to make
the same mistakes, and if I can't

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afford to do it right, I'll
wait until I can. And you know,

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doing interviews and hiring national geographic photographers
like David West, lighting guys,

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professional audio guys, getting the top
grade equipment. You know, see three

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hundred cameras that are really high end
that could withstand, you know, being

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in theaters, hiring a sound engineer, having help with editors, having a

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strong narrative. I mean, I
got this wonderful writer, Mark Parrish,

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who was invaluable helped really stitch stitch
these these cases together into a very powerful

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narrative, you know. Having Jacques
Fallet, I mean thanks to Lease Biegel,

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Jacques Vallet in the interim, and
he was going through marathon edit sessions

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with us, helping us put the
pieces of the puzzle together accurately, not

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just from cases that he read about, but cases that he was intimately involved

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with. Jacques, wasn't it an
easy get right? I mean, he's

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been trying to keep some distance and
he had to be coaxed, and luckily

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he had a passion for what you
guys are doing. Of course, he's

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great friends with Lee also. You
know, he initially was like, well,

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maybe i'll get involved that after I
made the introductor to Lease Biegel made

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the introduction, we had lunch.
Number of times. I'm giving you the

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trunketed version because we'd be here all
night otherwise. But eventually we got him

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to the studio. And it was
funny actually because I if you guys saw

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the conditions in which we edited this
movie. It was literally in a shock

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at the end of a dirt road
in a garden with no electricity, no

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running water, no internet, and
no oilet and I had to run an

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extension court from the main house of
this woman. And it was supposed to

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be a temporary situation because I couldn't
find an affordable spot to rent the movie,

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and I couldn't do it in my
house because my son was interrupting.

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You know, I had people over
at all nights, on all hours of

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the night, like coming and going. It's too disruptive. I was like,

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this place doesn't even have a bathroom. He is freaking out. Yeah,

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no, he was like, you
know, attack by killer dogs trying

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to go to the I'm not kidding
you. I mean we could go all

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all night, but but Jacques would
come out. And when he first did,

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I said, well, Jacques,
make sure you do all your business

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before you come out. Make sure
you bring water, bring bring your compass,

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Do you have any bear spray.
You have pepper spray. We were

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joking, but he'd say, Okay, I'm coming out. I got my

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compass, I got my night light, I got my knife. And he

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would come and he would sit in
with us on these marathon edits and and

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help us make sure that everything was
put together accurately. And we got to

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Roswell because I generally avoid Roswell.
It's a bit of a hot topic,

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you know, hot potato issue.
But we were covering the Rockefeller initiative,

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and the Rockefeller Initiative was about Roswell. I mean, ultimately that was the

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case that Lawrence Rockefeller told the Clintons
to go after the Clinton administration. So

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we thought, well, we're going
to have to go into to the Roswell

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case very succinct, succinctly, and
thank to you know, Kevin Randall and

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Don Schmidt and a handful of others, Stanton Freeman, we very precisely and

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accurately, with a laser beam focused, we did Roswell. And Jacques would

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sit in the back and he would
say, just the facts, ma'am,

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Just the facts, ma'am. Which
is one of the great things of having

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Jacques there is that you know,
he's a scientist, he's also a venture

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capitalist. And you guys were out
there in the Silic Kung Valley kind of

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area where the where he's from.
So, I mean, that's the beauty

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of having Jacques helping out, reminding
you stick to the facts. Jacques was

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invaluable. Jacques was, uh,
you know, he's my idol. I

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mean, he's my I mean,
I just you know, to Jacques.

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And Jacques got getting so involved in
the film and so excited about it that

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it just kept expanding and expanding,
and we've got dinners all the time,

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and I'd meet him in San Francisco, he'd come out for weekends where I

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live. It's out in the country
and I consider him a dear, dear

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friend now and we communicate a couple
of times a week, and then ultimately

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he invites us out to uh Silicon
Valley where we got to go to the

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lab with Gary Nolan and that was
like, wow, that was you know,

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just that. And you know,
this is a good point for because

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it's interesting your perspective about what's different
with this film has a lot to do

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with the production, the back end
stuff as opposed to content. But even

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with content getting to Valet and like
your visit to this lab. What's I

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think great about the film is that
even if you like me, who is

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on top of this stuff day by
day, you may know a lot about

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some of this stuff that's going on. But if people watch films, they

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can go from zero to kind of
having really all the most pertinent information for

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this topic right now in one sitting
by watching your film. Uh. I

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think that's one of the beauties for
one of the beautiful things about your films

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all the time, but especially with
this one, because not everybody is aware

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of the work that Jacques and Gary
are doing at that lab, a lab

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in Stanford, trying to analyze anomalist
material. Yeah, well they're not trying,

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they are, you know. And
Jacques is very cautious, as a

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scientist should be, not to jump
to any conclusions, you know what He

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was willing to confirm on cameras that
preliminary examination is startling. But he's like,

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look, I got to send it
to a scientific journal for peer review,

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and there's a number of steps that
we need to take in order to

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make any definitive, you know,
conclusions. And but you know, it

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was it was a tease as to
what's going on right now and that that's

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real science. I mean, that's
that's stuff that could be you know,

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duplicated in a lab. And is
on this website Academia for those of you

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who aren't aware. And he provides
a lot of his papers on various topics

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science papers, but one of the
topics is this. He posted up there

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a power point on the analysis of
these metals so you can get more information

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about them. It was the presentation
he did in France, I think last

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year. It was like a PowerPoint, wasn't it Or yeah, yeah,

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PowerPoint, so along those lines as
well. You know, there's so much

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in there that's great. One of
the things that I really like that you,

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first of all, you got interviews
with all the people you need to

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get interviews with, or we would
all love to get interviews with Chris Mellan,

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Harry Reid, for goodness sakes,
John Podesta. Chris Mellan though said

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when you took him somewhere interesting,
and I would love your thoughts on this

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because this is a topic that I've
really been exploring, is this idea,

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because right now we're in a place
where people are considering the UAP topic,

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so the question is even the Senate
Intelligence Committee is looking into this, are

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there how deep do the secrets go? Of course, the UFO can unity

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feels there's you know, aliens and
a hangar and all of this sort of

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thing, whereas you know, the
military is certainly saying that's not the case.

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In the Senate's looking into this,
where do the secrets go? So

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one of the topics that comes up
for mainstream journalists and for policy people looking

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at policy is is it possible that
there are projects out there that even Chris

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Mellon, who was essentially in charge
of and had an oversight position over all

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of the SAPs, the black projects
essentially, could it be that there are

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projects out there he's not aware of? And you went there first of all,

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how did the conversation get to that
topic? And what did you think

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of his answer? You know,
this topic is rampant with disinformation and misinformation,

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speculation, conjecture. The only thing
that I feel comfortable concluding the people

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who likes are in a position to
know is that the government knows a lot

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more and are sitting on a lot
more evidence than what's been released. And

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I actually brought this up as well
with Senator Reid, and I wasn't sure

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if I was pushing his level of
comfort. I left some of that stuff

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towards the end of the interview,
just in case. But he dropped a

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couple of bombshells during that time,
in one of which which you know,

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I'll never forget, and that is
I had And I'll get to your your

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other point in a minute about technology
and whether we've successfully reversed engineered and all

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that nonsense in a moment. But
to have the level of confirmation from someone

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in his position was ground shake,
brick shaking, I guess I could say,

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and you mean, like his comment
that when you asked him what's been

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released, only the tip of the
altburg is what they are actually sitting on.

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And I even went this fall recounting
an interview I did with Gordon Cooper

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which made it into the movie,
regarding that that infamous Circle nineteen fifty seven

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footage of a landed flying saucer on
the dry lake bed. And I'd interviewed

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Cooper in the nineties about that,
and in fact I took my father to

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that interview. That was my father
was, you know, Gordon Cooper was

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an iconic figure of my dad's generation, and that made a pretty big impact

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on my dad's you know, overall
feelings on what I was doing. But

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any case, I brought that up
with Senator Reid and I was literally describing

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how he said that, you know, this camera crew had filmed this object.

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You know, they brought the film
footage to to to Cooper. Cooper

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had the film footage developed. I
asked him, if you watch it,

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He's like, I held it up, I saw it. It was all

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perfectly good developed film of a disc
on the dry blake bed and it flew

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off. Meanwhile, I was getting
hired and higher up with people in Washington,

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and then eventually occurred. Jet comes
in and he hands the footage over

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and Senator re finishes my sentence and
he says, and the footage was never

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seen or heard him Again, I
went, yeah, exactly do we have?

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Did you un tocover stuff like that
there? You know? And I

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just I just couldn't believe it.
It's like, yeah, it's there,

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that stuff's all there. So I
said, wait, you're telling me that

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there's evidence that hasn't seen the light
of day. And you know, it

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was almost like time stopped there that
at that time you know, roating these

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kind of moments. It's like it's
like time freezes over. And I could

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have see around the room like everyone
was kind to engage, everyone was fully

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engaged. What's he gonna say?
You know? And I could see as

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he had security detail, this big
buff guy with a little earpiece and he's

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looking. Then he had an assisted
old people. They're looking. The cameraman

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is all focused on all that.
The audio guy stops when he's doing it.

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He's looking, and he's and he
takes the cap off his water.

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It takes a set, puts the
cap on, it goes. I'm saying

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that most said the evidence hasn't seemed
to light a day that level of confirmation

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for me, For me as someone
who's been on this journey for for quite

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some time, uh, that was
a bombshell moment for me because, uh,

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he has a lot of things.
It says, you know, here

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we got this Pentagon UFO program.
You know, I guess it was about

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ten years in duration, sitting in
all this additional evidence, and what curtain

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did they pull back and what did
they uncover? And who's in charge of

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that other stuff that they're talking talking
about? Who's in charge of the other

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evidence and potentially physical evidence beyond photographs
and video and film, you know,

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and learning that you know from John
Podessa that they weren't happy with the answers

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that they were getting. And Ford
and Carter. Uh. You know what's

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interesting too about that comment because I
think it's really important and I would ask

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Christopher Mellonis and Senator Reid, like
if you know that this stuff is there

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and the intelligence agencies are I mean, now, I don't know if enough

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of that came in the cross in
the movie, but he said that the

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intelligence agencies were digging their heels in. They wanted no part of this coming

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out. So who's got the authority
to release this? That's what I want

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to know. M H. Well, and that's I guess the process that

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we're under, uh with the Senate
Intelligence Committee. But what and what's interesting

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is that, uh, well,
getting back I guess to the original thing.

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But I do want to talk about
read is that with Melon your interview,

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I think is the first time where
he's at least I've seen where he

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suggested that it is possible there were
programs that don't follow the regular process and

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our secret are beyond his control because
Previously he had been skeptical that that was

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the case. So it's interesting to
know that his thinking has evolved to where

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he told you, yeah, well
as he feels like that. And in

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fact, I know the exact shot
when he's saying that, you're looking at

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an aerial shot of the Pentagon,
and I think what the implication there is

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that it's gone into the private sector
and it's out of reach to elected officials.

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Yeah, and that's something I'm never
looking at more. But I think

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people don't realize that that's really important, that a lot of people are looking

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at this issue. Is that possible? And if there is, is there

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a breakdown in our oversight? Is
our breakdown in? I mean it's it's

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our financial governance. I mean,
these are really bedrock issues to our democracy

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that if that sort of thing is
going on, it's a really big deal.

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That's what I thought was significant about
that. But getting to the redcomment,

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what was interesting, Like you said, everybody's kind of weighted on bating

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breath. What's he going to say? And you're worried am I pushing him

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too far? And I can tell
that you asked the question that way,

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But what was interesting about his answer
is that, And what made the moment

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tense is that you can almost see
a little frustration on his face. But

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the frustration, it turns out,
wasn't with you asking the question and pushing

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pushing him too far. It seemed
like by his answer, his frustration was

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I want everybody to get it.
I am screaming from the rooftops. There's

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way more evidence of UFO that the
world has not seen that the government sitting

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on. I mean, he seemed
very passionate that to get that point across

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that. Yes, of course there's
a lot more evidence. There's a lot

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more to this that you guys haven't
seen yet. You know, I honestly

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got the impression that he had no
intention going into this interview of dropping those

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bombshells, because that's the impression I
got, Yeah, because we were well

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into the interview at the time,
and I know that he by the way

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George Knapp was. We owe so
much to George Knapp for all the work

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that he's been doing to make this
film happen. To make that interview with

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Harry Reid. In reality, George
worked behind the scenes for months and months

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and months, and I cannot thank
him enough. And I cannot praise him

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enough. And the other thing that
he said whild shocked me was we were

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this went. This added a year
to production of the movie because towards the

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end of the interview and he was
very like, you know, on time.

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I mean, he's like, I'm
gonna show up at this time and

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I got to leave it this time, and that's my window, and that's

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what you're gonna get. So I
made, you know, two and a

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half hours prior to him his arrival. We made sure everything was turn the

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cameras on a roll. All he
had to do was sit down in that

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chair and everything was perfect. Well, what's with his aid was like sitting

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right in the center there. I
know it is, but it's kind of

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fun though. I liked it because
it was like a gorilla, let's get

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this done. Oh yeah, no, it was like, you know,

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sit down and I can tell you
some funny behind the scenes about how it

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We almost lost that old interview about
ten minutes prior. It was so stressful.

359
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But anyway, I said it to
read because I know he has to

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leave in a couple of minutes.
I said, would you mind terribly if

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we could get a little b roll
of us walking and talking just to have

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just in case we need it.
And I said, yeah, that'll be

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fine. I only have I only
have a couple of minutes here, so

364
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we've got to make it quick.
I said, great. So we left

365
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the audio stuff, we left lighting
just forget about it. We're gonna hit

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that hallway over there and up and
down a couple of times. It was

367
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at the University of Las Vegas library, and we walk and talk, and

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I figured, well, I might
as well take advantage of the fact that

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I'm, you know, standing here
with Senator, you know, former senat

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Majority of Theater, Harry Reid,
and so I said, hey, you

371
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know, what was one of the
more astonishing aspects of the phenomenon that you

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learned during this A tip program?
And that's when he revealed them the UFOs,

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the UAPs shutting off are incredibly sensitive, well not just in the intrusions

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you know, into super sensitive nuclear
weapons facilities, but that they were actually

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shutting some of these wet weapons off, deactivating them and going as far as

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saying, look at the president had
called to launch. And by the way,

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I think that comment on Fox News
kind of got under Donald Trump's skin

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because when Harry Reid said, if
the president wanted the lawns, he couldn't

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have. It's like kind of like
the military is not strong enough to go

380
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against whatever these things are. It's
kind of funny the way he reacted to

381
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that. But I realized then and
there that I wasn't covering that angle in

382
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the film, and so ultimately I
reached out to Robert Hastings, and Robert

383
00:30:26.839 --> 00:30:36.200
made his basically his lifetime research,
including interviews at everything, completely available to

384
00:30:36.279 --> 00:30:41.079
us. So we had a huge
gratitude to Robert Hastings for all his work

385
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and dedication and making that segment of
the film. But we had to do

386
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it because we had to put what
Senator ree was saying in context. So

387
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the military officers testify at the National
Prep Club, you know, one after

388
00:30:53.960 --> 00:30:56.519
the other, after the other after
the other. Couple with documentation and the

389
00:30:56.599 --> 00:31:03.839
photographs of them in the military,
it create it's a much stronger case for

390
00:31:04.279 --> 00:31:11.720
a christ for what Senator Reid says, an incredible job covering that topic.

391
00:31:11.839 --> 00:31:15.759
Of course, Robert Hastings, he's
written the book UFOs and Nukes, he

392
00:31:15.799 --> 00:31:18.640
did a documentary on it and in
which he let you use some of that

393
00:31:18.680 --> 00:31:22.839
footage. I noticed some of his
interviews, which is great because that made

394
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that section really strong. Now,
skeptics are saying that you took Harry Reid's

395
00:31:29.880 --> 00:31:33.920
comments out of context. I'm not
sure in what manner they feel that's the

396
00:31:34.079 --> 00:31:38.200
case. But to clear up,
I mean, that's not the case at

397
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all. Right. He brought up
that its that UFOs are affecting news.

398
00:31:44.519 --> 00:31:49.559
I have an email confirmation of Senator
Harry Reid as of three or four days

399
00:31:49.599 --> 00:31:55.559
ago to confirm that everything presented in
the film is one hundred per accurate.

400
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And that's what he said. And
I had to have that for the likes

401
00:32:00.079 --> 00:32:05.319
of Politico, the Guardian, Fox, which are all writing articles now.

402
00:32:05.640 --> 00:32:08.640
Oh well, they needed that confirmation
and they got that confirmation. Awesome.

403
00:32:09.599 --> 00:32:15.319
Oh so Politico is working on something
some of these other We've seen a couple

404
00:32:15.359 --> 00:32:21.759
of stories on this already, but
I know somebody who wants there on this

405
00:32:21.839 --> 00:32:25.720
topic very well. Well, I'm
sure a lot of others are, which

406
00:32:25.759 --> 00:32:31.000
is great because well, and that's
what's important about you presenting that information and

407
00:32:31.079 --> 00:32:36.839
doing it I think in a manner
that is better than perhaps I've ever seen

408
00:32:36.920 --> 00:32:43.160
before to lay out the case that
to support Harry Reid's claim that you know,

409
00:32:43.240 --> 00:32:45.799
there are a lot of people around
the world, it's not just an

410
00:32:45.839 --> 00:32:54.480
American phenomena that nuclear silos, nuclear
missiles have been affected during UAP encounters at

411
00:32:54.519 --> 00:33:07.720
these launch locations. All we did
was take the amazing decades long research of

412
00:33:07.839 --> 00:33:13.640
Robert Hastings, the testimony of the
military officers that he's tracked down, and

413
00:33:13.680 --> 00:33:21.359
we put that segment together. And
I remember my partner co producer, writer

414
00:33:22.119 --> 00:33:28.079
Mark Barrish, I mean, we
must have ripped that apart and put it

415
00:33:28.119 --> 00:33:31.559
back together one hundred and fifty times. Wow. At one point I was

416
00:33:31.599 --> 00:33:36.559
in a fetal position, just going, oh my god, I'm never going

417
00:33:36.640 --> 00:33:43.960
to get this, dude. No, but it shows and I think it's

418
00:33:44.000 --> 00:33:47.079
really I think it's really even though
it's only a few minutes long, I

419
00:33:47.119 --> 00:33:52.319
think it's really impactful. And the
other thing that kind of blows that argument

420
00:33:52.400 --> 00:33:58.000
out of the water that Reid was
taken out of context is that I think

421
00:33:58.200 --> 00:34:02.279
assumes that Harry Reid is not very
well versed on this topic. And one

422
00:34:02.319 --> 00:34:08.199
of the things that you're demonstrating here
is that Harry Reid is very well versed

423
00:34:08.239 --> 00:34:12.000
on this topic. And one of
the things. George Knapp has told me

424
00:34:12.719 --> 00:34:17.239
that Harry Reid was going to nid's
meetings, so Bigelow Aerospace before they even

425
00:34:17.280 --> 00:34:23.440
got involved with the government investigating UFOs. Bigelow was doing his own investigations and

426
00:34:23.480 --> 00:34:29.599
Harry Reid was involved, So he's
been keeping tabs on this topic for decades.

427
00:34:29.679 --> 00:34:34.800
Jacques vl A debriefed Harry Reid at
least once, if not more,

428
00:34:36.079 --> 00:34:43.000
top secret clearance, and Jacques was
involved with NIDS and ut AW SAP.

429
00:34:43.039 --> 00:34:45.000
I think it's called eight what is
that awsapp? Oh, and I did

430
00:34:45.079 --> 00:34:49.360
want to get into that, but
yeah, yeah, and I know that

431
00:34:49.400 --> 00:34:53.960
Harry Reid since the eighties, according
to George Knapp and in actuality, Harry

432
00:34:54.000 --> 00:35:02.760
Reid had talked about his relationship with
Bigelow and and NID and even bigger exciting

433
00:35:02.800 --> 00:35:07.880
of a UFO when he was a
kid. So yeah, his interest and

434
00:35:08.280 --> 00:35:14.159
research goes back decades, right,
So I mean, yeah, this is

435
00:35:14.199 --> 00:35:20.119
nothing new for him, which is
also I mean really exciting in that you

436
00:35:20.159 --> 00:35:23.199
know, we have this advocate of
Unfortunately he's in his eighties, his health

437
00:35:23.280 --> 00:35:25.960
is kind of not the best.
You can tell that in the film,

438
00:35:27.320 --> 00:35:31.760
and in fact, I would imagine
that when you had your walk. You

439
00:35:31.800 --> 00:35:37.119
know that he he's showing his age, I guess is what I'm getting at.

440
00:35:37.440 --> 00:35:40.320
He's unfortunately older, so hopefully people
other people will kind of pick up

441
00:35:40.360 --> 00:35:46.400
the mantle to run honest. But
well, I I'm so grateful for his

442
00:35:46.559 --> 00:35:52.840
courage and coming forward and staking his
reputation. Uh, you know, everything

443
00:35:52.880 --> 00:35:57.639
to lose, nothing to gain.
So I commend him. In fact,

444
00:35:57.679 --> 00:36:01.039
I commend all of the people that
have come for the household names. I

445
00:36:01.079 --> 00:36:06.960
mean, you know, uh,
Governor Bill richardson which Don Schmid was influential

446
00:36:07.079 --> 00:36:13.400
making that happen. Podesta, Christopher
Mellen, you know, these these these

447
00:36:13.480 --> 00:36:20.480
people are doing so much, louel
Azondo behind the scenes to help bring attention

448
00:36:20.599 --> 00:36:24.800
to a topic that I feel is
that most I would agree is very very

449
00:36:24.840 --> 00:36:30.639
important and people have a right to
know about mm hmm. You know,

450
00:36:30.400 --> 00:36:35.199
there's kind of this debate going on
now about a lot of different aspects,

451
00:36:35.199 --> 00:36:37.840
and of course politics is a hot
issue, so some people are bringing that

452
00:36:38.079 --> 00:36:45.239
in into this. Although you know, this effort a lot of people.

453
00:36:45.280 --> 00:36:47.880
In fact, lou Alessandro did a
Q and a type of thing on Twitter

454
00:36:47.920 --> 00:36:52.280
today and he makes a point that
this has been a bipartisan thing. And

455
00:36:52.440 --> 00:36:59.719
uh, you know, lou Alessando
Chris Mellen are not partisan at all.

456
00:37:00.039 --> 00:37:02.400
I mean they they were part of
their jobs. They try to remove themselves

457
00:37:02.400 --> 00:37:07.280
from that. But have you gotten
a lot of that, A lot of

458
00:37:07.320 --> 00:37:15.159
feedback as far as you know,
politics and accusing you, you know,

459
00:37:15.320 --> 00:37:20.320
being involved with some kind of I'm
sure you get a lot of weird theories

460
00:37:20.360 --> 00:37:23.039
about your film. I you know, I try not to engage, and

461
00:37:23.079 --> 00:37:27.000
I see people every now and again, you know, oh, this film

462
00:37:27.039 --> 00:37:28.960
is part of the deep state.
I'm like, oh my god, it

463
00:37:29.360 --> 00:37:35.039
really is. But I do get
those comments. I mean, I'm I'm

464
00:37:35.159 --> 00:37:37.360
Joe public. I'm as independent as
you could get. You know, I'm

465
00:37:37.559 --> 00:37:40.199
I'm you guys, you know what
I mean. I'm Joe citizen. And

466
00:37:43.400 --> 00:37:45.599
I've just wanted to make a difference
and try to get some of the more

467
00:37:45.599 --> 00:37:51.400
credible aspects of the phenomenon out to
the general public. And I felt necessarily

468
00:37:51.440 --> 00:37:55.519
rely on our government to do that. I can say to the Stars and

469
00:37:55.800 --> 00:38:02.239
Big Group ND and you and the
a Tip and ASEPT that the private citizens

470
00:38:02.239 --> 00:38:08.440
involved run the gamut when it comes
to political perspectives. I worked with people

471
00:38:08.440 --> 00:38:13.800
from both in both parties and and
it's just a non partisan issue and as

472
00:38:13.800 --> 00:38:16.239
it should remain to be non partisan. And even the other night when,

473
00:38:17.079 --> 00:38:22.519
uh, you know, when I
was on Fox News with Tucker Carlson,

474
00:38:22.719 --> 00:38:27.119
Tucker even said, look, this
is a non partisan issue, and he

475
00:38:27.280 --> 00:38:30.880
kind of jokingly said, you know, and Senator Harry Reid is about as

476
00:38:30.519 --> 00:38:35.360
a Democrat a Democrat as he's ever
seen one or something I can't remember,

477
00:38:35.559 --> 00:38:37.199
but then he said, again,
this is a non partisan issue, and

478
00:38:37.599 --> 00:38:42.960
then completely had respect for what,
you know what what Senator Reid was saying,

479
00:38:43.000 --> 00:38:47.400
and and back and and publicized it
far and wide. So I'm very

480
00:38:47.480 --> 00:38:52.840
encouraged by that. And I think
this is a wonderful opportunity to unify the

481
00:38:52.880 --> 00:38:57.639
country and potentially even much much more
than that. It's it's one of those

482
00:38:57.679 --> 00:39:05.280
topics that that transcends religion and borders
and politics, and whether you believe these

483
00:39:05.280 --> 00:39:07.440
things are going on or not.
I think everyone is curious, are we

484
00:39:07.519 --> 00:39:12.639
alone in the universe? Is there
evidence being withheld from the general public that

485
00:39:12.679 --> 00:39:15.960
would support the fact that we are
not alone in the universe? And how

486
00:39:15.000 --> 00:39:19.440
significant of discovery would you give that. I mean, these are questions that

487
00:39:19.480 --> 00:39:24.039
I think everybody wants answers to and
I'm convinced because people ask me all the

488
00:39:24.079 --> 00:39:28.000
time why do I do what I
do? And well, I'm convinced that

489
00:39:28.000 --> 00:39:30.480
there is evidence out there that's that
every man, woman and child has a

490
00:39:30.559 --> 00:39:35.440
right to know. So, you
know, I have another on your hairy

491
00:39:35.800 --> 00:39:38.559
interview, and you brought up as
APP was it, which was the Advanced

492
00:39:38.559 --> 00:39:45.119
Aerospace Weapons System Application Program, which
was the kind of precursor to a TIP,

493
00:39:45.199 --> 00:39:49.039
which is really where the money went
at first, And in your interview,

494
00:39:49.800 --> 00:39:52.280
because this is kind of ASAP is
mysterious, and it kind of seems

495
00:39:52.320 --> 00:39:55.639
like there is kind of a cover
up in a way over ASAP in the

496
00:39:55.719 --> 00:40:00.360
UFO community, I think in that
they don't want to taint the UFO waters,

497
00:40:00.400 --> 00:40:05.239
which I can understand. But I
was wondering if that kick came up

498
00:40:05.280 --> 00:40:10.599
in your interview because the original thing
that Harry Reid tried to sponsor was an

499
00:40:10.599 --> 00:40:16.920
investigation into a lot of different paranormal
phenomena, not just UFOs. And in

500
00:40:17.000 --> 00:40:22.119
one of the answers he gave you, he used the he said the term

501
00:40:22.159 --> 00:40:27.119
I think all these phenomena. So
did that come up? You know,

502
00:40:27.199 --> 00:40:34.320
did you get a sense of him
having a really large interest and other topics

503
00:40:35.039 --> 00:40:39.440
you know that are considered paranormal.
Yeah, he talked about the ranch skin

504
00:40:39.519 --> 00:40:44.239
work a ranch, Uh talk about
I think putting sensors at the ranch and

505
00:40:44.400 --> 00:40:49.679
some very unusual things happening there.
I think there was a visit by some

506
00:40:49.800 --> 00:40:54.599
guy in the CIA. He might
have mentioned, but we primarily focused more

507
00:40:54.719 --> 00:41:01.440
on UAPs. But yeah, you
mentioned other paranormal stuff. I guess you'd

508
00:41:01.519 --> 00:41:07.960
call on that now. Someone else, one of the conspiracy guys is saying,

509
00:41:07.000 --> 00:41:10.519
well, why now for you in
this film? For me, it

510
00:41:10.519 --> 00:41:14.440
would be like, it's always now. You've been as you know, you've

511
00:41:14.480 --> 00:41:17.079
been doing films on this topic for
decades, and you're always working on films

512
00:41:17.079 --> 00:41:22.239
on this topic. So why now. It's because because this is what you

513
00:41:22.280 --> 00:41:25.400
do. I've got got footage.
Yeah, I've got footage of me in

514
00:41:25.440 --> 00:41:31.079
my twenties, thirties, forties,
and fifties doing this stuff, you know.

515
00:41:31.199 --> 00:41:37.280
So I've been doing it since the
mid nineties and this project though,

516
00:41:37.480 --> 00:41:45.079
started really before all of these major
disclosures we've had in the four years.

517
00:41:45.280 --> 00:41:51.719
So that's the other thing I wanted
to ask the Evolution project because you know,

518
00:41:52.079 --> 00:41:57.400
I'm sure didn't. Could you speak
to that? How much did this

519
00:41:57.599 --> 00:42:00.119
change and how much did this grow? And kind of a life of its

520
00:42:00.119 --> 00:42:07.559
own as revelations are being made while
you're creating this thing. So there's been

521
00:42:07.599 --> 00:42:14.639
a pattern with every film I've made. When I started on my first UFO

522
00:42:14.760 --> 00:42:20.519
documentary, which is called fifty Years
of Denial UFOs, the fiftieth anniversary of

523
00:42:20.519 --> 00:42:24.039
the Roswell event broke and that guy, Colonel Corso, I know, he's

524
00:42:24.079 --> 00:42:30.039
highly controversial, whether you believe his
accounts or not. That made headlines and

525
00:42:31.320 --> 00:42:36.480
you know that was kind of a
boon for us at the time of production.

526
00:42:37.159 --> 00:42:42.639
When I did Out of the Blue, we made that major revelation of

527
00:42:43.400 --> 00:42:50.840
will Governor five Senten of Arizona coming
forward. That made major headlines, and

528
00:42:50.880 --> 00:42:55.639
cod catapulted the UFO matter back into
the headlines, which is one hundred percent.

529
00:42:55.719 --> 00:42:59.880
You one of your you know,
interview when you were making one year

530
00:43:00.039 --> 00:43:04.519
films, not everybody knows that you're
the one who got Simonton t Yeah,

531
00:43:04.920 --> 00:43:07.519
so I'm out with that. Then
when we were doing I Know what,

532
00:43:07.559 --> 00:43:10.199
I saw Leslie and I did that
event at the National Press Club, which

533
00:43:10.199 --> 00:43:15.519
we made a film about, and
all of a sudden in two thousand and

534
00:43:15.719 --> 00:43:21.880
eight, two thousand and sevento and
nine, all these countries, France and

535
00:43:22.000 --> 00:43:25.719
England started to release previously classified UFO
files. So that was making headlines.

536
00:43:28.079 --> 00:43:32.519
You had the two thousand and six
UFO sighting over Ohair Airport that made major

537
00:43:32.559 --> 00:43:37.519
headlines. You know. So I
jokingly said, you know, because I

538
00:43:37.519 --> 00:43:39.800
didn't know really exactly how I was
going to end this movie. And I

539
00:43:39.880 --> 00:43:44.360
jokingly said, well, you know, something generally happens. You got piazzon

540
00:43:44.440 --> 00:43:50.000
valleys during the something generally happens.
And I'm sure you know, because every

541
00:43:50.079 --> 00:43:53.639
film I ever do is at least
five years inevitably, something's gonna break.

542
00:43:53.639 --> 00:43:57.840
There'll be a sighting or something,
and and well we'll cover it. And

543
00:43:58.880 --> 00:44:04.199
but I had no idea that that
story was brewing, it was going to

544
00:44:04.239 --> 00:44:06.559
wind up on the front page of
the New York Times. That was like

545
00:44:07.880 --> 00:44:12.719
wow, that caught me off guard
in a major way, and that sent

546
00:44:12.840 --> 00:44:15.159
us, you know, additional couple
of years of production. But hey,

547
00:44:15.440 --> 00:44:19.880
I mean, what a wonderful place
to be, What a wonderful place to

548
00:44:19.920 --> 00:44:23.159
be four years into production and that
story to break. I mean, we

549
00:44:23.159 --> 00:44:25.480
were right there in the middle of
it. I mean, it's kind of

550
00:44:25.519 --> 00:44:31.119
like when I went to when I
was doing some pickup it was actually ended

551
00:44:31.199 --> 00:44:34.599
up to being I know what I
saw, But I was actually doing a

552
00:44:34.639 --> 00:44:37.599
revisiting my film Out of the Blue, because I've got two versions of an

553
00:44:37.639 --> 00:44:40.159
earlier version, of older version,
of the newer version, and the newer

554
00:44:40.239 --> 00:44:44.760
version. I was doing some pickup
shots in Phoenix, Arizona, when that

555
00:44:44.880 --> 00:44:50.599
case in Stevenville, Texas broke,
Remember that massive sight in se Texas that

556
00:44:50.719 --> 00:44:53.639
was all over the place, And
so I happened to have a camera crew

557
00:44:54.159 --> 00:45:00.079
all like already in Phoenix. We
literally jumped on an airplane. We landed

558
00:45:00.119 --> 00:45:05.480
that night in Stephenville, Texas,
and we were at the town hall meeting

559
00:45:05.519 --> 00:45:08.360
the next morning, all with our
cameras. So that it just happened to

560
00:45:08.400 --> 00:45:13.760
be right place, right time,
and this incident on the front page of

561
00:45:13.760 --> 00:45:16.880
the New York Times, a revelation
of the secret UFO Pentagon program. We

562
00:45:16.880 --> 00:45:20.599
were in the right place at the
right time, and I think it was

563
00:45:20.639 --> 00:45:24.440
around that time of that film.
I guess that you did did the Larry

564
00:45:24.519 --> 00:45:31.519
King episode with Tom DeLong, and
this was before Tom Delong's to the Stars

565
00:45:31.599 --> 00:45:36.800
Academy, which is kind of interesting
too. That was a little bit later.

566
00:45:36.880 --> 00:45:42.440
Tom DeLong and I met for the
first time in two thousand and nine

567
00:45:42.639 --> 00:45:49.960
and he let very generously let me
record the narration for I know what I

568
00:45:49.960 --> 00:45:53.800
saw in his studio. Oh wow, I did not know that. Yeah.

569
00:45:54.079 --> 00:45:55.960
Yeah, so that was two thousand
and nine. Ten, I think

570
00:45:57.320 --> 00:46:00.840
in two thousand, late two thousand
and nine. Yeah, so I've answered

571
00:46:00.880 --> 00:46:04.199
that's the first time I met him. I heard about him a little bit

572
00:46:04.199 --> 00:46:07.000
in the past, but actually met
him and you know, kind of came

573
00:46:07.159 --> 00:46:13.000
acquaintances during that time. So speaking
of the end of the film, it

574
00:46:13.039 --> 00:46:17.400
is kind of interesting. And there
has been comment made about how the film

575
00:46:17.519 --> 00:46:25.360
is mostly the UFO phenomena. I
think a deep examination and what's great about

576
00:46:25.400 --> 00:46:30.800
it is that when you watch this
film, even though some of this is

577
00:46:30.840 --> 00:46:36.280
stuff you know, I think or
is covered by others, I mean,

578
00:46:36.320 --> 00:46:38.400
you do a deep dive. You
have I think you have more Blue Book

579
00:46:38.440 --> 00:46:44.719
people in your film than any film
that's been done since maybe when Blue Book

580
00:46:44.840 --> 00:46:50.599
was running. So you really get
an intimate look on how the military has

581
00:46:50.639 --> 00:46:55.239
been dealing with this issue over the
years, and given this coming into the

582
00:46:55.360 --> 00:47:00.000
current time, then getting these interviews
with the people who are making the news

583
00:47:00.159 --> 00:47:04.639
right now, but getting information about
this that isn't out there that they haven't

584
00:47:04.679 --> 00:47:08.599
talked about before. So but then
all of a sudden, Aliens, of

585
00:47:08.599 --> 00:47:13.599
course one of the most incredible cases. But the Ruwaine counter, like you

586
00:47:13.679 --> 00:47:17.920
said, what was kind of the
idea behind that? It was kind of

587
00:47:17.960 --> 00:47:21.159
like, you know, you've got
all this stuff and then all of a

588
00:47:21.199 --> 00:47:23.880
sudden, here come the Aliens.
A great case, and I love it,

589
00:47:24.199 --> 00:47:30.920
but what were you thinking? What
was kind of the the thought process

590
00:47:30.000 --> 00:47:36.840
behind that shift. Well, if
you look at the previous three films I've

591
00:47:36.880 --> 00:47:39.360
done, I've only covered close encounters
of the first kind and second kind.

592
00:47:39.840 --> 00:47:45.559
I've never gone into close encounters of
the third kind. Because when you've got,

593
00:47:46.719 --> 00:47:52.000
you know, allegedly reports of beings, that's very different than you know,

594
00:47:52.119 --> 00:47:55.599
just seeing something that's unidentified in the
sky, or chasing something or maybe

595
00:47:55.639 --> 00:48:00.599
even as far as the landing.
But when you actually report on what could

596
00:48:00.639 --> 00:48:07.800
be alien beans to another world,
boy, that's a that's a slippery slope,

597
00:48:07.159 --> 00:48:14.840
and I feel like I'm My biggest
concern was that the people like Harry

598
00:48:14.880 --> 00:48:19.960
Reid, who clearly wanted to see
the final version of the film. Prior

599
00:48:20.079 --> 00:48:25.880
to I was terrified, quite honestly
that here I was, for the first

600
00:48:25.880 --> 00:48:30.320
time, imagine delving into close and
kinds of the third kind, Like like

601
00:48:30.360 --> 00:48:34.800
if I walk down the street right
now and tapped on the shoulder of you

602
00:48:34.800 --> 00:48:37.159
know, with my mask on,
tapped on the shoulder of an average you

603
00:48:37.159 --> 00:48:40.280
know, Joe public and said,
hey, have you heard about you know,

604
00:48:40.280 --> 00:48:45.159
a UFO landing in Africa at a
school? And the occupents got out

605
00:48:45.199 --> 00:48:49.880
and interacted telepathody with like sixty six
or a hundred children, you know,

606
00:48:50.039 --> 00:48:53.360
talked about, you know, this
image of doom, of environmental destruction,

607
00:48:55.000 --> 00:49:00.199
like Pi, what pie are you
with? Smoking? Buddy it? So

608
00:49:00.760 --> 00:49:04.159
I knew what I was up against. I knew what my reaction was to

609
00:49:04.239 --> 00:49:09.639
that case, right, and so
I very carefully And you know, I

610
00:49:09.679 --> 00:49:14.760
have to tip my hat to Randall
Nickerson, who's got a film coming out,

611
00:49:15.119 --> 00:49:20.840
Aerial Phenomenon, and the new producer
who's Dan Farrah, who we're very

612
00:49:20.840 --> 00:49:25.920
fortunate to have on board with this
production. Dan is a very mainstream producer.

613
00:49:27.039 --> 00:49:30.119
He did a Ready Player one with
Steven Spielberg, and he's pulled out

614
00:49:30.119 --> 00:49:36.519
his rolodex and he's gone all in
on his contacts and really helped, you

615
00:49:36.559 --> 00:49:40.599
know, quarterback all the pr that's
been happening, and he's incredibly talented.

616
00:49:40.679 --> 00:49:44.360
But in any case, Randall Nickerson, I got to tip my hat to

617
00:49:44.440 --> 00:49:50.920
him. He was very helpful in
tracking down the witnesses and really doing that

618
00:49:51.320 --> 00:49:58.639
case justice because you know, not
only licensing the John Mack footage from nineteen

619
00:49:58.719 --> 00:50:02.840
ninety four, those interviews with the
children are priceless, but also hearing from

620
00:50:02.840 --> 00:50:07.920
them twenty years later and it's like
the incident had occurred yesterday. I mean,

621
00:50:07.960 --> 00:50:13.559
they remember every detail that is.
You can say, like, boy,

622
00:50:13.800 --> 00:50:15.320
you almost got me with the children. But my god, when I

623
00:50:15.360 --> 00:50:19.559
met with them when they were was
adults and they're still saying the same thing.

624
00:50:20.360 --> 00:50:27.800
That was really impressive. So I
felt like the sheer volume of eyewitness

625
00:50:27.920 --> 00:50:34.880
testimony in broad daylight, the Harvard
psychiatrist interviewing the children at the time right

626
00:50:34.920 --> 00:50:38.639
afterwards on camera isn't incredibly compelling.
Hearing from them later and the fact that

627
00:50:38.719 --> 00:50:44.639
we don't draw any conclusions. You
hear a little comment from Judy Bates,

628
00:50:44.639 --> 00:50:49.280
who is a teacher who's now the
head mistress at the end in Africa,

629
00:50:50.719 --> 00:50:58.440
I was comfortable enough leaving that in
and to my I wouldn't say total surprise,

630
00:50:58.599 --> 00:51:07.159
but surprised that not only did Podesta
and Read and Melon and all these

631
00:51:07.199 --> 00:51:13.119
other people sign off, but they're
also willing to publicly endorse this film,

632
00:51:13.159 --> 00:51:17.599
which I it's amazing. I've never
that is great a level of endorsements for

633
00:51:17.639 --> 00:51:22.440
a UFO film that's happening right now, and that's that's remarkable. That's got

634
00:51:22.440 --> 00:51:29.440
to be indicative of of of this
field post New York Times, and of

635
00:51:29.440 --> 00:51:34.320
course I guess, well, maybe
you can confirm this, but I'm convinced

636
00:51:34.400 --> 00:51:39.079
knowing well, having talked with most
of well some of those people that but

637
00:51:39.239 --> 00:51:45.800
still following interviews and these guys and
what they do, in my mind,

638
00:51:45.800 --> 00:51:51.239
there's no doubt that all of those
people, Podesta, Malan Reid were already

639
00:51:51.280 --> 00:51:55.519
aware of the RUA case. Maybe
I would imagine they were. I mean,

640
00:51:55.559 --> 00:52:00.199
they're very They're more well versed than
people realize, I think. But

641
00:52:00.239 --> 00:52:02.039
it's one thing to be aware of
it. It's another thing to be associated

642
00:52:02.039 --> 00:52:07.960
to a film that alleges contact with
alien beings and telepathic messages. I mean,

643
00:52:08.000 --> 00:52:13.920
think about that. I know that's
what's incredible, and because you're already

644
00:52:13.960 --> 00:52:17.800
pushing the envelope with people and then
you really kind of push it a little,

645
00:52:19.400 --> 00:52:23.559
push it even further. Some people
have argued, and I knew there

646
00:52:23.559 --> 00:52:28.599
would be some of this, Some
people have argued that that kind of illegitimizes

647
00:52:28.639 --> 00:52:32.760
the entire rest of the project and
undermines the credibility of it. And I

648
00:52:32.840 --> 00:52:37.320
knew some people would say that because
there's a lot of what Stan Freedoman would

649
00:52:37.320 --> 00:52:45.800
called negative what negative negativists or something, I forget what is a funny term

650
00:52:45.199 --> 00:52:51.000
that he had. But regardless,
it's been a lot. I've heard a

651
00:52:51.000 --> 00:52:53.320
lot less than that than I've expected. There's been very little of that,

652
00:52:53.639 --> 00:52:59.199
And the mainstream coverage I don't think
is really gone there, not at all.

653
00:52:59.360 --> 00:53:04.360
You know, Look, you're gonna
get and I've been told this time

654
00:53:04.400 --> 00:53:08.119
and time again, you're gonna get
lots of you know, Look, we

655
00:53:08.199 --> 00:53:13.239
have a ton of very positive reviews, very positive mainstream reviews. I mean,

656
00:53:13.239 --> 00:53:15.840
I've never seen anything like it.
Obviously, you're gonna get, you

657
00:53:15.840 --> 00:53:20.519
know, the negative stuff or you
know, too far. Look, i've

658
00:53:20.519 --> 00:53:25.320
heard not games didn't go far enough, that's right, Yeah, noisy negativists

659
00:53:27.840 --> 00:53:32.639
you're never gonna please everybody, obviously, And look, our goal was simply

660
00:53:35.320 --> 00:53:42.280
to create a body of evidence that
could be presented to mainstream and I would

661
00:53:42.320 --> 00:53:45.039
say, where are we During the
production of the film, we had a

662
00:53:45.119 --> 00:53:46.920
mantra in the studio We're on the
road to RUA. And what I meant

663
00:53:47.400 --> 00:53:53.360
by that is that we're building our
case so that when the audience watches this

664
00:53:53.480 --> 00:54:00.960
film and that incident occurs at the
end, people can walk away way thinking

665
00:54:00.000 --> 00:54:06.400
to themselves, Wow, maybe that
case actually did happen. And honestly,

666
00:54:06.480 --> 00:54:09.480
I think that we have succeeded in
that. And some people say we haven't

667
00:54:09.480 --> 00:54:15.159
gone far enough. Some people say
we want too far. I don't know.

668
00:54:15.239 --> 00:54:17.920
I think we got it just right. I think, you know,

669
00:54:19.639 --> 00:54:22.159
you've got a great point there.
And the other thing that I would justify

670
00:54:22.239 --> 00:54:28.800
that is you're asking the big question, and this is the big question we

671
00:54:28.880 --> 00:54:35.199
have to face. And to kind
of justify it even further, it's the

672
00:54:35.239 --> 00:54:37.760
same question. It's the same thing
SETI does. Seti's not saying there are

673
00:54:37.880 --> 00:54:43.920
extraterrestrial civilizations are out there. They're
saying that the numbers show that it's got

674
00:54:43.920 --> 00:54:47.000
to be the statistic. The odds
are that they're out there somewhere, but

675
00:54:47.239 --> 00:54:51.960
we think that it's an important question
and that's why we need to do this

676
00:54:52.079 --> 00:54:55.000
research to try to figure it out. That's exactly what you're doing. You're

677
00:54:55.119 --> 00:55:00.519
showing the potential where we could lead
to if if we seriously investigate it,

678
00:55:00.599 --> 00:55:05.280
and why we need to look,
which is the argument that everybody who feels

679
00:55:05.280 --> 00:55:08.960
the same way needs to argue right
now with the Senate that hey, you

680
00:55:08.960 --> 00:55:14.119
guys are reviewing this UAP stuff.
We as a public are very interested and

681
00:55:14.159 --> 00:55:19.519
we want more information because it could
be it's even if it's a long shot,

682
00:55:19.639 --> 00:55:23.800
we could be being visited. There
could be an interaction with some force

683
00:55:23.880 --> 00:55:30.480
greater than this, which justifies the
entire effort. Senator Harry Reid puts it

684
00:55:30.519 --> 00:55:37.960
so beautifully. He says, just
because you don't understand something, it doesn't

685
00:55:37.039 --> 00:55:42.400
mean you should run away from it. We should embrace it, and we

686
00:55:42.440 --> 00:55:50.119
should study it. It's funny everybody's
now noisy negative, noisy negative in the

687
00:55:50.480 --> 00:55:54.519
chat. Yeah, now they're all
saying, yep, that's what it is.

688
00:55:54.559 --> 00:55:59.719
That's what we have. Propagation that
used to say, you know that

689
00:55:59.760 --> 00:56:02.679
we've we dedicated the film to Stanton
Yeah, which is awesome, Which is

690
00:56:02.719 --> 00:56:08.719
so incredible because really, you know, the public probably wouldn't really Roswell wouldn't

691
00:56:08.760 --> 00:56:13.760
be a household name without Stanton Friedman. I want to say one thing while

692
00:56:13.760 --> 00:56:17.159
I'm talking about Stanton Freedman, if
I may for a moment. By the

693
00:56:17.199 --> 00:56:22.760
way, I was devastated when he
passed. When I found out he passed,

694
00:56:22.760 --> 00:56:30.800
it if those of you out there
have a good sound system. Because

695
00:56:30.840 --> 00:56:37.880
this film was going to be in
theaters, I at the last two months

696
00:56:37.880 --> 00:56:45.880
of production, I had two options. One because I didn't have enough money

697
00:56:46.039 --> 00:56:53.400
to do both. One was clean
up the graphics and hire some more high

698
00:56:53.519 --> 00:57:01.519
end graphics people. Or two was
to focus on sound engineer. And because

699
00:57:01.559 --> 00:57:07.159
it was going to be in theaters, people in the industry kept saying,

700
00:57:07.159 --> 00:57:13.760
look, you don't understand. You
need to understand the importance of good,

701
00:57:14.679 --> 00:57:21.920
properly mixed, properly filtered sound.
And people are going to be in the

702
00:57:22.639 --> 00:57:28.880
auditorium or the theater and they're going
to be irritated and distracted and thennoid and

703
00:57:28.880 --> 00:57:31.159
they're not going to know what it
is. It's bothering them. It's the

704
00:57:31.280 --> 00:57:37.840
sound. And so we did a
Dolbe five point one surround sound mix with

705
00:57:37.159 --> 00:57:42.599
a three time Emmy Award winning sound
engineer in Los Angeles. So if you

706
00:57:42.639 --> 00:57:49.760
guys have good quality speakers, please
use them because the sound is phenomenal.

707
00:57:50.079 --> 00:57:52.960
And at the end, oh yeah, and at the end it's five point

708
00:57:53.039 --> 00:57:57.679
one Dolby surround mix. If you
have a five point one Dolby surrounding stereo,

709
00:57:58.079 --> 00:58:00.559
you're going to hear voices all around
the room. I mean, it's

710
00:58:00.599 --> 00:58:07.360
like amazing. And at the end, watch all the credits. I trust

711
00:58:07.400 --> 00:58:13.679
me on when I tell you,
guys, watch the credits. Stanton Friedan's

712
00:58:13.719 --> 00:58:19.599
name appears. And I wanted the
chairs to rumble, and I kept saying,

713
00:58:20.199 --> 00:58:24.320
deeper, more thunder, like there's
a super deep bass there, super

714
00:58:24.360 --> 00:58:28.920
deep bass. I hit it and
we went over and the guy kept looking

715
00:58:28.920 --> 00:58:30.840
at me. Is this enough?
And I said no, I want more.

716
00:58:30.400 --> 00:58:36.960
And it's more, you know,
how about this? Like the yeah,

717
00:58:37.039 --> 00:58:44.719
I was like, and your chair
rumbles. You can feel, you

718
00:58:44.760 --> 00:58:47.639
can feel in your bones. I
can't wait to rewatch that part. But

719
00:58:47.679 --> 00:58:52.920
you gotta have good speakers. Please
watch the movie with good speakers. Uh.

720
00:58:53.079 --> 00:58:59.199
Getting back to rua real quick.
I've interviewed and I've spent time with

721
00:58:59.800 --> 00:59:05.400
and only Trim and sel Acidic,
two of the witnesses who are now adults.

722
00:59:05.760 --> 00:59:07.960
And there's something I found and I
would look your feedback on this because

723
00:59:07.960 --> 00:59:15.239
I recognize this. I think in
your your show all there is something odd

724
00:59:15.280 --> 00:59:20.239
about them they are. I don't
know if it's the education system or whatever.

725
00:59:20.280 --> 00:59:23.079
I know it's a rural area that
they went to school and out there,

726
00:59:23.639 --> 00:59:35.400
but they all they intelligent and eyes
and articulate, I mean both of

727
00:59:35.840 --> 00:59:39.239
Every time I talk to either of
them, especially on this topic, I

728
00:59:39.320 --> 00:59:43.360
feel like, you know, it's
kind of incredible. They feel like they're

729
00:59:43.400 --> 00:59:47.119
wise beyond their their years. It's
almost like they came face to face with

730
00:59:47.159 --> 00:59:52.000
an alien from other world, you
know, like they had telepathic communication face

731
00:59:52.079 --> 00:59:55.039
to face. It's weird. It's
almost like that. Well, and and

732
00:59:55.519 --> 01:00:01.280
it lends to that in a way
in that you know these of course,

733
01:00:01.480 --> 01:00:06.519
the ideas were advanced for them to
share at the time as children, but

734
01:00:06.679 --> 01:00:12.239
even now to reflect upon them,
certainly you can tell the impact. But

735
01:00:12.320 --> 01:00:16.519
the impact overall, even though it
created some curiosity and sometimes some conflict with

736
01:00:16.760 --> 01:00:29.360
people, overall it seems to have
had a positive fit in that they it's

737
01:00:29.400 --> 01:00:32.000
almost like interviewing astronauts. I always
say this when I interview astronauts, there's

738
01:00:32.000 --> 01:00:37.559
a wisdom that they have from going
out to space and being out there.

739
01:00:37.599 --> 01:00:40.760
It changes them and then when they
reflect upon it, you know. It's

740
01:00:40.760 --> 01:00:45.440
some of my favorite moments is to
talk to astronauts about these sort of things.

741
01:00:45.639 --> 01:00:47.760
And I almost get that same sense
when I'm talking to these reu WA

742
01:00:49.159 --> 01:00:57.320
witnesses. It's it's weird, it's
but they had definitive proof that we're not

743
01:00:57.400 --> 01:01:01.880
alone. We're part of a much
bigger universe. You know. One of

744
01:01:01.880 --> 01:01:09.719
the most poignant moments of my career
was sitting down with astronaut Edgar Mitchell six

745
01:01:09.800 --> 01:01:15.400
man to walk on the Moon,
and we are in the middle of this

746
01:01:15.480 --> 01:01:22.760
interview about UFOs and I said,
Mitchell, I'm so sorry, doctor Mitchell

747
01:01:22.800 --> 01:01:28.400
to ask this of you, because
I'm sure you've been through this. Could

748
01:01:28.440 --> 01:01:30.920
you tell me what it was like
to go to the Moon. And He's

749
01:01:30.960 --> 01:01:35.320
like, okay, you know,
I understand. Jam Yeah, I said,

750
01:01:36.159 --> 01:01:38.159
if you don't mind, I'd really
like to hear it. No,

751
01:01:38.280 --> 01:01:42.800
I'm glad to ask everyone who meets
an astronaut, even if they get annoyed

752
01:01:42.840 --> 01:01:46.880
you got to ask because it's changing. It's just to listen to them,

753
01:01:46.920 --> 01:01:52.119
right, Caudless story. What I
do when I really want to absorb a

754
01:01:52.199 --> 01:01:59.679
witness's encounter or any kind of story, like I did the same thing when

755
01:01:59.719 --> 01:02:07.280
I met with firing this guy Travis
Walton, is what I do is I

756
01:02:07.400 --> 01:02:15.079
closed my eyes and I have their
words create the imagery. So I see

757
01:02:15.159 --> 01:02:20.320
the story and I live it with
them, and I asked them to create

758
01:02:20.320 --> 01:02:22.920
it in vivid detail. So I
really feel like. I went to the

759
01:02:22.960 --> 01:02:31.599
Moon with edgar Mitchell, and the
part that struck me the most, he

760
01:02:31.719 --> 01:02:37.119
said that he was so caught up
in the task at hand of landing this

761
01:02:37.800 --> 01:02:42.599
module down on the lunar surface that
he might as well have been in a

762
01:02:42.599 --> 01:02:45.000
simulator because he was just so focused
on all the instruments and everything else.

763
01:02:45.559 --> 01:02:51.599
But then one system shut off and
everything was silent, and they'd been up

764
01:02:51.840 --> 01:02:55.360
essentially for three days, traveling to
the to the to the moon. He

765
01:02:55.400 --> 01:03:01.400
said that it was a silence unlike
anything he experienced. And then he could

766
01:03:01.400 --> 01:03:07.199
hear these macro meteorites helting the skin
of the craft. And they got there.

767
01:03:07.320 --> 01:03:09.559
They were supposed to sleep, but
they were like we're not sleeping,

768
01:03:09.559 --> 01:03:13.960
and they got their suits on against
the will of NASA. They're like,

769
01:03:14.000 --> 01:03:15.880
look, we're going we're going out
on the loot of surface. Sorry,

770
01:03:15.920 --> 01:03:19.840
but we're not. We can't sleep. So they got their suits on,

771
01:03:19.880 --> 01:03:22.199
and I went on the on the
moon, and he talked about an Earth

772
01:03:22.320 --> 01:03:30.239
rise and he said that he looked
at this beautiful blue marble suspended in a

773
01:03:30.320 --> 01:03:37.599
vacuum of space, this darkness that
you've never seen, and rise and he

774
01:03:37.639 --> 01:03:43.480
put his hand up and he blocked
out the entire Earth, everything that you'd

775
01:03:43.559 --> 01:03:46.840
known, all the cultures, all
the invisible lines you need to about,

776
01:03:46.880 --> 01:03:51.280
all the wars that were going on, and all the different cultures and just

777
01:03:51.400 --> 01:03:57.679
all of these things. And there
were no there were no lines of territory.

778
01:03:58.000 --> 01:04:04.199
It was just all one. We
had this profound epiphany of this this

779
01:04:04.199 --> 01:04:12.320
this interconnectedness, uh and the one
race and one people. And I know

780
01:04:12.400 --> 01:04:16.960
it sounds like, you know,
Kumbaya moment, you know, but but

781
01:04:17.039 --> 01:04:19.960
it's true, you know, and
it really I think about it all the

782
01:04:20.000 --> 01:04:23.760
time. In fact, when I
look at the Moon, I think about

783
01:04:24.440 --> 01:04:27.880
him describing what it was like to
stand on the lunar surface and look back

784
01:04:27.920 --> 01:04:30.639
at Earth. And the time that
to process that all that stuff. And

785
01:04:30.679 --> 01:04:35.800
I wish, quite honestly, more
politicians would have those epiphanies and see ourselves

786
01:04:35.840 --> 01:04:40.239
for who we really are. I
mean, really we were one race.

787
01:04:40.599 --> 01:04:45.519
We're one people and one planet,
and that's the reality, you know.

788
01:04:45.760 --> 01:04:56.000
And I think the unifying effect of
this phenomenon reality that would have on the

789
01:04:56.039 --> 01:05:05.239
world could be a beautiful thing because
forced us to have a similar epiphany because

790
01:05:06.320 --> 01:05:12.400
that's the reality. I think Scott
Kelly told me it. He realized that

791
01:05:12.400 --> 01:05:15.719
that's our when you look back on
the Earth, that's our spaceship. That

792
01:05:15.800 --> 01:05:18.440
we're all on this spaceship together.
And of course, for Nasi, your

793
01:05:18.480 --> 01:05:21.599
crew members are your life, you
know, almost like the military. You

794
01:05:21.679 --> 01:05:27.199
rely on each other. And he
thought, you know, that's our spaceship

795
01:05:27.239 --> 01:05:31.679
and all of the rest of the
humanity are are our crew members? Yeah,

796
01:05:31.800 --> 01:05:38.360
that a great example of what I'm
talking about with the real wine encounter.

797
01:05:38.519 --> 01:05:43.320
Somebody asked, and I'm pretty sure
I know the answer. But and

798
01:05:43.400 --> 01:05:47.880
I know that at least testimony was
not from regression. That's something they remembered,

799
01:05:48.360 --> 01:05:54.079
and I don't think they any of
them were hypnotically regressed. No,

800
01:05:54.280 --> 01:05:56.599
didn't hear any of those. None
of that. I didn't hear any of

801
01:05:56.639 --> 01:05:59.400
it. No, none of it. It's a legit question because it was

802
01:06:00.199 --> 01:06:05.119
you know, John mack a psychologists
who kind of went out and participated and

803
01:06:05.280 --> 01:06:10.760
helped bring this case to light.
But no, yeah, not regression.

804
01:06:10.760 --> 01:06:15.599
These were their exact memories of what
happened to them, which is so strange

805
01:06:15.599 --> 01:06:18.119
and like for people who don't know, well, just in the hand,

806
01:06:18.400 --> 01:06:21.559
you know, real quick, you
know that it was all these kids see

807
01:06:21.559 --> 01:06:27.639
this craft land an entity comes out
and I'll just leave it at that because

808
01:06:27.800 --> 01:06:30.840
your film puts it together perfectly.
I mean, it's beautiful the way it's

809
01:06:30.880 --> 01:06:35.280
put together and shot. So people
film to get more. I'm gonna share

810
01:06:35.320 --> 01:06:40.639
one little thing with you. Uh. The end of the movie was a

811
01:06:40.719 --> 01:06:56.039
complete accident because maybe I shouldn't give
it away, but do like but the

812
01:06:56.199 --> 01:07:01.559
children is all I could say.
Because a lot of people have criticized me

813
01:07:01.639 --> 01:07:05.800
for a long time about what I
do. Oh yeah, oh my god,

814
01:07:05.880 --> 01:07:14.760
yeah, topic, Oh god,
Jesus I they're not laughing so much

815
01:07:14.840 --> 01:07:16.920
these days, but they believe me. I got decades of people laughing at

816
01:07:16.920 --> 01:07:19.679
me, and you know, you
just get tired of defending it. I

817
01:07:19.679 --> 01:07:24.639
would go to cocktail parties and I
would tell people, please don't say anything

818
01:07:24.679 --> 01:07:28.039
about what I do, because I
know what's going to happen. It's going

819
01:07:28.079 --> 01:07:30.719
to be this debate and I'm going
to spend the rest of the night defending

820
01:07:30.760 --> 01:07:33.440
myself and I don't want to hear
about it. And I don't care whether

821
01:07:33.440 --> 01:07:36.760
they believe it or not. It's
like sort of question of belief. You

822
01:07:36.800 --> 01:07:41.440
either know what's going on or you
don't. And no one's screaming from the

823
01:07:41.519 --> 01:07:45.840
hilltops et is here. We're just
saying there's something truly inexplicable taking place.

824
01:07:46.320 --> 01:07:50.239
It seems to be technological, it's
it's it's psychic, it's you know,

825
01:07:50.440 --> 01:07:57.119
there's there's an intelligence behind it.
But but in any case, the ending

826
01:07:57.159 --> 01:08:00.840
of the film was a bit of
an accident, and I'll leave it at

827
01:08:00.840 --> 01:08:02.360
that. Yeah, it was a
bit of an accident because I've done this

828
01:08:02.440 --> 01:08:09.559
whole montage of things with sound and
adult voices on the children's under them as

829
01:08:09.639 --> 01:08:14.119
children and reflecting on what had happened, and having twenty years to think about

830
01:08:14.119 --> 01:08:17.880
it and process all that, and
obviously being an adult and being able to

831
01:08:18.000 --> 01:08:26.680
articulate better, and then I screwed
up and I deleted all this audio that

832
01:08:26.800 --> 01:08:30.840
was underneath it by accident. But
then I realized, like, wow,

833
01:08:30.880 --> 01:08:36.119
that's that's pretty powerful on its own. And so that's the end. At

834
01:08:36.399 --> 01:08:43.800
the end is sort of created itself. I wanted we've kind of running We're

835
01:08:43.880 --> 01:08:45.520
pretty much running law on time,
but if you've got a little more time,

836
01:08:45.720 --> 01:08:48.520
I would like to talk about the
bonus materials. And some people have

837
01:08:48.600 --> 01:08:53.880
made some good points, and they've
been telling each other, you do need

838
01:08:53.960 --> 01:09:00.920
to get the movie on ituned or
vimeo and ordered that bonus material. But

839
01:09:00.960 --> 01:09:02.840
the great thing is is that you
were able to provide some bonus material.

840
01:09:02.880 --> 01:09:06.239
I don't think they have to pay
more for iTunes or vimeo to get that

841
01:09:06.359 --> 01:09:10.880
VI too. No, no,
don't. So that was the whole thing

842
01:09:11.159 --> 01:09:14.279
was people were like, oh,
this price point is so high, Well,

843
01:09:14.279 --> 01:09:15.960
there will be an option to rent
at one point. Put with renting,

844
01:09:16.800 --> 01:09:19.279
you just get to watch the film
a few times. With buying it,

845
01:09:19.439 --> 01:09:21.680
you not only get the movie you
can watch it over and over and

846
01:09:21.720 --> 01:09:25.840
over, but you also get about
three hours of bonus material. And we

847
01:09:25.880 --> 01:09:28.800
got to interview some of the stuff
that didn't make it into the film.

848
01:09:28.920 --> 01:09:31.800
Some of the older archival footage.
I mean, I've got the the it

849
01:09:31.960 --> 01:09:38.640
did at the National Press Club with
Leslie Kane. That's fantastic behind the scenes

850
01:09:38.680 --> 01:09:43.520
stuff there, old interviews with doctor
heinik Ufo, signings over Colorado, a

851
01:09:44.079 --> 01:09:50.199
killer interview with Story Musgrave talks about
piloting the space Shuttle over Earth, the

852
01:09:50.239 --> 01:09:55.000
epiphanes that he had looking back at
the planet. I mean, it's just

853
01:09:55.359 --> 01:09:59.960
fascinating stuff, priceless stuff as part
of the bonus material. So definitely get

854
01:10:00.119 --> 01:10:02.800
film. If you're got to buy
it and not rent it, you get

855
01:10:02.840 --> 01:10:06.880
it from iTunes or vimeo. Oh, and the website has the links on

856
01:10:06.920 --> 01:10:16.479
it. The website is the Phenomenon
www dot the Phenomenon film dot com.

857
01:10:16.800 --> 01:10:20.600
Excuse me, so, I mean, where do you think we're headed with

858
01:10:21.039 --> 01:10:25.279
all of this? What is your
sense having talked to all of these guys,

859
01:10:25.319 --> 01:10:30.199
Because no doubt, you know,
of course the film, the footage

860
01:10:30.720 --> 01:10:33.960
and the time you spent talking with
all of these guys, It's only a

861
01:10:34.000 --> 01:10:39.439
fraction of that is represented in the
film, So you had time to talk

862
01:10:39.479 --> 01:10:43.319
with all of these guys and putting
this all together, do you get a

863
01:10:43.399 --> 01:10:54.600
sense of where we're heading with this? We edited the film up until a

864
01:10:54.600 --> 01:10:58.760
couple of months ago, month and
a half something like that. I mean

865
01:10:58.840 --> 01:11:06.920
talk about last minute, and one
of the co producers, Dan Farrah,

866
01:11:08.399 --> 01:11:11.239
was like, you know, James, you should really put a call to

867
01:11:11.279 --> 01:11:15.159
action in the film. And I
thought, you know, Dan, that's

868
01:11:15.199 --> 01:11:21.039
a really good idea, and so
he had recommended. We had a That's

869
01:11:21.079 --> 01:11:25.000
why I asked you if you've seen
the newer version, because the newer version

870
01:11:25.000 --> 01:11:30.199
has got the latest stuff dating as
recent as April twenty twenty with the acknowledgment

871
01:11:30.520 --> 01:11:34.039
and the official release of those cockpit
recordings from the Navy. But at the

872
01:11:34.159 --> 01:11:38.039
end, we have a call to
action. Contact your representative, let him

873
01:11:38.079 --> 01:11:42.000
know that we want government transparency.
We know there's more stuff to be released.

874
01:11:42.680 --> 01:11:45.520
You know, people want to complain
about anecdotal evidance. First of all,

875
01:11:45.520 --> 01:11:50.319
there's not just anecdotal evidance. But
we know we've had confirmation from people

876
01:11:50.319 --> 01:11:57.880
that know that the government's sitting on
a treasure trove of solid evidence and we

877
01:11:58.159 --> 01:12:02.239
like that to be released. So
I'd like to see more pressure on our

878
01:12:02.720 --> 01:12:06.920
representatives. And remember, our representatives
need to hear from their constituents. They're

879
01:12:06.960 --> 01:12:10.640
not going to take action loan.
They need to know, Hey, this

880
01:12:10.760 --> 01:12:13.840
is okay. If I put my
neck out here, wouldn't it be amazing

881
01:12:13.880 --> 01:12:16.520
If we can get congressional errands.
Wouldn't it be amazing if we could have

882
01:12:16.880 --> 01:12:23.199
an assessment of the phenomenon made public. I mean, think about the implications.

883
01:12:23.840 --> 01:12:27.159
So I'm very excited as to where
it's headed right now. I think

884
01:12:27.159 --> 01:12:30.000
that we might have reached that tipping
point, but we can't take it for

885
01:12:30.039 --> 01:12:32.960
granted. We need to keep the
pressure on. Look, you know,

886
01:12:35.920 --> 01:12:42.279
we've been getting a pretty good amount
of publicity, and this film is getting

887
01:12:42.279 --> 01:12:45.000
out there, and you never know
when it's gonna plateau. You know,

888
01:12:45.039 --> 01:12:48.039
it could plateau tomorrow. I don't
think it's going to I think it's we're

889
01:12:48.079 --> 01:12:54.680
going to keep the pressure on.
I heard Politico might be even covering it

890
01:12:55.359 --> 01:12:59.239
or deny. Now, there's lots
of things brillied behind the scenes for lots

891
01:12:59.279 --> 01:13:01.920
of and then will continue to do
so. Remember this is not just going

892
01:13:02.000 --> 01:13:05.159
to be a week long push,
a two week push. This is going

893
01:13:05.199 --> 01:13:10.920
to be a seven month push so
and maybe even a year. So there's

894
01:13:10.960 --> 01:13:14.520
going to be a lot of very
exciting things. There's talk of once the

895
01:13:14.560 --> 01:13:19.479
pandemic passes and there can be a
safe reopening the theaters. There's talk of

896
01:13:20.119 --> 01:13:25.880
doing a limited theatrical run. That'd
be amazing, you know, conferences,

897
01:13:26.359 --> 01:13:30.279
you know, using this film as
a tool, and that's that's what we

898
01:13:30.319 --> 01:13:32.119
want. We want to educate the
public as much as we can. We're

899
01:13:32.159 --> 01:13:35.520
not trying to force anybody into joining
our cult, you know. But it's

900
01:13:35.520 --> 01:13:42.279
like we feel that there's enough credible
uh information that people should be entitled to

901
01:13:42.279 --> 01:13:46.880
have that that we put together mm
hmm. And I'm sorry that interrupted you

902
01:13:46.920 --> 01:13:50.640
too from where you think this is
going, which I love the point that

903
01:13:50.680 --> 01:13:55.920
you made, which has been my
big point that right now we've got a

904
01:13:55.960 --> 01:14:00.560
bigger opportunity than we've ever had to
actually make some changes. Right now,

905
01:14:01.000 --> 01:14:06.159
the Senate Intelligence Committee, this hasn't
happened except for maybe before nineteen sixty nine.

906
01:14:06.680 --> 01:14:13.680
The Senate Intelligence Committee is deciding what
to do with this topic. They've

907
01:14:13.720 --> 01:14:16.840
asked for information, they're going to
be reviewing information. They've already seen more

908
01:14:16.840 --> 01:14:23.119
information than we've ever seen. So
right now is the time to let them

909
01:14:23.159 --> 01:14:28.000
know how we feel about it as
a public. Yeah, And I've also

910
01:14:28.079 --> 01:14:31.039
gotten calls from people that in a
position to know that said that this film

911
01:14:31.119 --> 01:14:35.880
is making the rounds at the Pentagon
ah members of the House and Senate,

912
01:14:36.039 --> 01:14:40.600
which is kind of cool. You
know they're going to know because a lot

913
01:14:40.640 --> 01:14:43.720
of them don't really know, like, well, yeah do here. This

914
01:14:43.840 --> 01:14:47.800
film kind of lets you know.
Yeah, And Chris Mellan and Louise Elizondo

915
01:14:47.960 --> 01:14:55.199
have expressed their you know, how
much they like the film more so than

916
01:14:55.239 --> 01:14:59.079
I think they've they've done with any
other third party thing. I mean,

917
01:14:59.119 --> 01:15:01.359
they're pushing your film as much as
they pushed their own TV show Unidentifying,

918
01:15:01.720 --> 01:15:08.680
so they lee leve it. That
moment for me when I saw that tweet

919
01:15:09.199 --> 01:15:15.119
from lou Alizondo, I had a
moment when I saw that because I was

920
01:15:15.159 --> 01:15:18.359
like, wow, man, we
did it like we did it. This

921
01:15:18.520 --> 01:15:29.039
is this is a level of validation
that I've never felt before. And that

922
01:15:29.239 --> 01:15:32.960
was so cool for me, you
know, as the director, to see

923
01:15:32.960 --> 01:15:38.239
that, you know, an insider
say, hey, this film says things

924
01:15:38.279 --> 01:15:43.279
I can't This film is is totally
accurate. I was at the Pentagon for

925
01:15:43.319 --> 01:15:47.640
ten years. That for me was
Wow, that was my wow moment.

926
01:15:49.000 --> 01:15:54.279
Hopefully I have a lot more Yeah, and you know, I oh,

927
01:15:54.319 --> 01:15:58.319
I just lost my train of thought
because there's a guy who felix sunsets,

928
01:15:58.439 --> 01:16:04.760
right, I like sunrises or sunsets
long strolls on the beach. No,

929
01:16:05.880 --> 01:16:13.159
hu train a thought back on track. That's all. Oh, I see

930
01:16:13.159 --> 01:16:15.720
what you're saying. Uh No,
I wasn't. I was going to talk

931
01:16:15.760 --> 01:16:17.960
about seeing if you want to take
a walk on the beach, but that

932
01:16:18.119 --> 01:16:23.199
was after the interview. But there
are just people, And I guess my

933
01:16:23.279 --> 01:16:27.359
point is there's people who are bringing
out a lot of more of the fringe

934
01:16:27.439 --> 01:16:31.520
ideas. But even if you do
believe in some really wild kind of more

935
01:16:31.560 --> 01:16:39.840
bigger conspiracy, it's still I think
behooves you to let your congress people know,

936
01:16:39.960 --> 01:16:44.960
especially in Senate, your interest in
this, because the doors cracked open,

937
01:16:45.239 --> 01:16:48.439
and we want to keep that crack
crack open, and so we need

938
01:16:48.479 --> 01:16:54.359
to let them know that we really
want that, which can then continue to

939
01:16:54.439 --> 01:17:00.840
help lead to more discoveries and disclosures
that may bring us to what, you

940
01:17:00.880 --> 01:17:06.079
know, more some of the wilder
ideas could be the case. Now he's

941
01:17:06.079 --> 01:17:11.560
talking about walking on the beach.
Look, it's good. I think it's

942
01:17:11.600 --> 01:17:25.399
gonna be much harder for those in
power to dismiss this phenomenon as unidentified or

943
01:17:25.399 --> 01:17:30.720
misidentified aircraft, swamp gas, weather
balloons to an informed public. Once you

944
01:17:30.920 --> 01:17:38.159
know that there's a lot more to
this than swamp gas, it's a lot

945
01:17:38.199 --> 01:17:42.199
more difficult for them to pull the
wool over our eyes. And I'm also

946
01:17:42.319 --> 01:17:45.319
kind of happy, to be honest
with you, I I was, I

947
01:17:45.359 --> 01:17:49.560
was unsure of it. I'm I'm
really happy that we addressed Roswell and I'm

948
01:17:49.600 --> 01:17:55.079
and I'm glad that the people that
are in the film, Jacques jacque Rolet

949
01:17:55.199 --> 01:17:59.720
being one of them as well,
haven't shied away from associated them with a

950
01:17:59.720 --> 01:18:04.079
film that that that touches on Roswell, Because you know, it's one thing

951
01:18:04.119 --> 01:18:10.199
to talk about little things whizzing around
in our airspace. It's another thing to

952
01:18:10.239 --> 01:18:15.880
talk about beings on the ground and
alleged crashes. So you know, it's

953
01:18:16.800 --> 01:18:23.520
that's the big deal. Right.
Yeah, So my my last I guess

954
01:18:23.520 --> 01:18:28.279
what will make kind of my my
last question here is the other criticism that

955
01:18:28.359 --> 01:18:30.920
we saw, and I think it
might have been in the CNN piece or

956
01:18:31.119 --> 01:18:39.000
one of the mainstream media and huh
graphics. Yeah, And I get the

957
01:18:39.039 --> 01:18:43.279
point, and in a way,
I I'm on your side, and that

958
01:18:43.279 --> 01:18:46.560
that's not the kind of documentary you
were doing what they're talking about. However,

959
01:18:46.680 --> 01:18:51.560
I get their point, and I
really appreciate the question because because they're

960
01:18:51.640 --> 01:18:58.760
questioning that aspect, it means they're
taking the content and the material very very

961
01:18:58.800 --> 01:19:03.960
seriously. Remember I said to you, I had two decisions whether it was

962
01:19:04.000 --> 01:19:09.159
going to be sound or those graphics
and recreations. I could only afford to

963
01:19:09.199 --> 01:19:13.239
do one at the time. Well, I chose sound, and I knew

964
01:19:13.279 --> 01:19:16.880
that some of those recreations that were
part of UFOs and Nukes, which is

965
01:19:16.880 --> 01:19:25.159
an amazing product, amazing research and
amazing doc well, amazing graphics. I

966
01:19:25.239 --> 01:19:29.920
think I think they're really good.
Yeah, but to do things like at

967
01:19:29.920 --> 01:19:33.079
the level of like Steven Spielberg,
which is what we would like, is

968
01:19:33.119 --> 01:19:38.000
getting a huge budget, Man,
it's out of reach for people like myself

969
01:19:38.039 --> 01:19:43.039
and Robert Hasing's. But I think
their point was something different, which I

970
01:19:43.239 --> 01:19:45.920
love the idea of personally, and
in fact, you know, we kind

971
01:19:45.960 --> 01:19:50.239
of tried to do this with open
mindset times. I think they're like thinking

972
01:19:50.640 --> 01:19:57.600
this topic needs like the sixty minutes
treatment. Yeah, it means that really

973
01:19:58.199 --> 01:20:03.039
serious document enery style where it is
lots of talking heads, but it's all

974
01:20:03.159 --> 01:20:08.039
centered around the content. Yeah,
no, no, no, I look,

975
01:20:08.439 --> 01:20:12.279
I set out I used that very
analogy. This is going to be

976
01:20:12.279 --> 01:20:16.560
the sixty minutes of UFOs Frontline sixty
minutes. Those were the types of productions

977
01:20:16.560 --> 01:20:24.840
that I wanted to see, seriousness, high production, value style production,

978
01:20:25.479 --> 01:20:31.039
and for the most part we did
it. There were some graphics and things

979
01:20:31.079 --> 01:20:34.439
of that nature that we just kind
of ran out of resources and that were

980
01:20:34.479 --> 01:20:38.720
good enough. I mean, you
know, I kind of feel like you

981
01:20:38.760 --> 01:20:45.720
made the right decision though personally,
because what you created is more palatable,

982
01:20:46.920 --> 01:20:54.520
more interesting to the general population.
If you did something more wonky like they

983
01:20:54.520 --> 01:20:59.560
would like, it would only be
interesting to a smaller segment, the people

984
01:20:59.560 --> 01:21:03.000
who like news and you know,
like that nerdy, you know, real

985
01:21:03.119 --> 01:21:06.880
detailed pundit type of stuff, which
there's a place for that, and it

986
01:21:06.880 --> 01:21:12.279
would be great for something like that
to be created, but we're kind of

987
01:21:12.319 --> 01:21:16.079
at the point where, you know, the wider population needs this information and

988
01:21:16.119 --> 01:21:21.840
what you created is I think,
more more entertaining, more app to get

989
01:21:21.880 --> 01:21:26.800
more eyes on it, which I
think right now is more important. We

990
01:21:26.920 --> 01:21:30.800
focused on credibility, credibility, credibility, because you don't need to sensationalize a

991
01:21:30.920 --> 01:21:39.319
UFO lady if you can, that's
that's what you need. Well, great

992
01:21:39.439 --> 01:21:44.359
job with the film. Thank you
so much for being here to talk once

993
01:21:44.439 --> 01:21:47.800
again. And we'll definitely do this
and not too distant future. But I

994
01:21:47.880 --> 01:21:51.920
know right now you're swamped. In
fact, you probably have more interviews today,

995
01:21:53.039 --> 01:21:56.760
tomorrow, all week long. I
do, and I'm trying to space

996
01:21:56.840 --> 01:22:00.520
things out. I mean, I'm
just super excited that people are giving us

997
01:22:00.560 --> 01:22:04.560
the time of day, yourself included, and all the work that's gone on

998
01:22:04.640 --> 01:22:10.119
behind the scenes. I'm so grateful
to everybody in the UFO community to have

999
01:22:10.239 --> 01:22:14.800
made this project a reality, and
I'm really really excited to see where this

1000
01:22:14.880 --> 01:22:19.880
is all heading. I'm very optimistic
that it's moving where it needs to move.

1001
01:22:20.640 --> 01:22:27.079
We're getting enough highly influential people.
You know, we have a mini

1002
01:22:27.159 --> 01:22:30.319
army marching behind us. And this
is remember this film success is all of

1003
01:22:30.359 --> 01:22:35.439
our success. This is a culmination
of everybody's hard work and dedication and it

1004
01:22:35.479 --> 01:22:40.239
takes a village. Well, thank
you so much, and we'll be talking

1005
01:22:40.239 --> 01:22:43.279
again. In fact, I'm going
to interview you for Den of Geek,

1006
01:22:44.159 --> 01:22:46.279
an outlet I write for that has
a big following more of a sci fi

1007
01:22:46.359 --> 01:22:49.359
type of thing, but we've gotten
a lot of great responses on these sort

1008
01:22:49.399 --> 01:22:54.920
of interviews. And then I know
Phoenix Move has asked me to help them

1009
01:22:55.279 --> 01:23:00.199
do an interview for them with you, so we'll be talking a lot as

1010
01:23:00.199 --> 01:23:03.199
we usually do, except for when
you're hunkered down in your little shack editing.

1011
01:23:03.960 --> 01:23:06.600
Yeah, well yeah, I got
a lot. Just sorry, I'm

1012
01:23:06.720 --> 01:23:12.960
editing. Sorry I'm editing, and
when that was going on. But yeah,

1013
01:23:13.159 --> 01:23:15.359
always great to talk to you,
and we'll talk to you again soon.

1014
01:23:15.960 --> 01:23:18.399
Thank you, Alejandro. I had
a lot of fun. Oh and

1015
01:23:18.439 --> 01:23:21.520
I should say for those of you
watching normally, we have a What's doug

1016
01:23:21.560 --> 01:23:26.760
Reading live stream that we do today, but now actually I'm gonna get in

1017
01:23:26.840 --> 01:23:29.399
my car and head back to Arizona, so we won't have one of those,

1018
01:23:29.840 --> 01:23:35.520
but I will have the Open Minds
News regular show tomorrow as well,

1019
01:23:35.600 --> 01:23:41.760
and in fact, for the Scientific
Coalition for a Ufology or for UAP Research,

1020
01:23:41.840 --> 01:23:46.760
the SCU, I'll be hosting an
interview with doctor Michael Masters tomorrow also,

1021
01:23:46.880 --> 01:23:50.640
so keep an eye out for all
of that great stuff. So until

1022
01:23:50.720 --> 01:23:56.039
next time, James audience, We'll
see you later, and thank you so

1023
01:23:56.119 --> 01:23:58.239
much. Have a wonderful day.
Bye.

