1 00:00:00,160 --> 00:00:06,879 Well, I was always called when I was young as the self styled genius. 2 00:00:07,360 --> 00:00:11,640 All I heard about was the self styled genius. So that's what I 3 00:00:11,679 --> 00:00:16,519 took seriously, that I was styling myself a genius. And you know, 4 00:00:16,879 --> 00:00:21,320 anybody can do that. Toast Jedediah to love on my terms? Was it 5 00:00:21,359 --> 00:00:24,920 the only terms anybody ever knows? You know, my first picture would never 6 00:00:25,000 --> 00:00:28,719 have been made, never in a million years, if the producer had lived 7 00:00:28,760 --> 00:00:33,679 in Hollywood, had any knowledge of Hollywood. It was a total accident, 8 00:00:33,920 --> 00:00:38,840 total piece of luck, like winning six hundred thousand dollars from a quarter in 9 00:00:38,880 --> 00:00:44,079 a jackpot. And it couldn't go on. And I knew that because they 10 00:00:45,280 --> 00:00:49,119 took my next picture away from me and butchered the end of it. I 11 00:00:49,240 --> 00:00:53,039 was going to show them that they were wrong. And I have spent the 12 00:00:53,039 --> 00:00:58,439 rest of my life showing people trying to prove that what is said is wrong. 13 00:00:58,880 --> 00:01:03,119 And that's been an enormous waste of spirit and of energy. That's a 14 00:01:03,159 --> 00:01:06,040 mistake that will be corrected one of these dates. Well, I've always hated 15 00:01:06,079 --> 00:01:10,920 Hollywood, but I hate almost everything in the modern world, and Hollywood is 16 00:01:10,959 --> 00:01:14,719 simply the most pleasant place to live in left. I don't know how to 17 00:01:14,760 --> 00:01:17,359 run a newspaper, mister Thatcher. I just try everything I can think of 18 00:01:17,400 --> 00:01:19,799 it. You know, I am a romantic, and I was a romantic 19 00:01:19,840 --> 00:01:25,359 in the early nineteenth century way. I wanted every experience, every kind of 20 00:01:25,400 --> 00:01:27,239 thing, and so I went to Hollywood in that spirit, and I should 21 00:01:27,239 --> 00:01:30,480 have left in that spirit. There's only one person in the world to decide 22 00:01:30,480 --> 00:01:34,200 what I'm going to do, and that's me. I don't believe there is 23 00:01:34,280 --> 00:01:40,879 any wisdom and compromise unless you're a politician. And to the extent that movies 24 00:01:40,920 --> 00:01:45,959 are politics, I don't belong in movies. My pictures don't work at all 25 00:01:46,799 --> 00:01:49,480 unless they work my way. It's not because I think they're better that way. 26 00:01:49,519 --> 00:01:56,000 They simply fall apart unless they're done my way. So it isn't nobility, 27 00:01:56,319 --> 00:01:59,400 it's a self protection. You're right, mister Thatcher. I did lose 28 00:01:59,439 --> 00:02:01,079 a million dollars last year. I expect to lose a million dollars this year. 29 00:02:01,400 --> 00:02:05,319 I expect to lose a million dollars next year. You know, mister 30 00:02:05,359 --> 00:02:07,599 Thatcher. At the rate of a million dollars a year, I have to 31 00:02:07,599 --> 00:02:13,439 close this place in sixty years. Ask anybody of my age what they feel 32 00:02:13,479 --> 00:02:16,639 about themselves when they're young, I think you'll get a very waffly answer. 33 00:02:17,000 --> 00:02:22,400 I think of myself of having been an awfully nice fellow then, and I 34 00:02:22,479 --> 00:02:28,080 may have blacked out, you know, whole sections of dreadful behavior, but 35 00:02:28,159 --> 00:02:30,759 I've genuinely blocked them out. I don't remember them. I just see myself 36 00:02:31,360 --> 00:02:37,360 as an angelically movie from one show. I think I did pretty well under 37 00:02:37,360 --> 00:02:42,520 the circumstances. I am going to make King Lear and a picture called The 38 00:02:42,599 --> 00:02:46,599 Dreamers, and I'll go on saying that until I don't. But it looks 39 00:02:46,639 --> 00:02:49,759 as though it's going to happen. But you know, I've had a wonderful, 40 00:02:49,879 --> 00:02:53,840 fascinating life. I can't complain. I'm the luckiest person I know, 41 00:02:53,159 --> 00:02:58,080 and I'd rather be remembered as a good guy than as a difficult genius. 42 00:02:58,919 --> 00:03:06,439 Those words you just heard were from legendary actor, director, and personal all 43 00:03:06,479 --> 00:03:12,800 time favorite of this host Orson Wells. That clip was filmed by Entertainment Tonight, 44 00:03:12,960 --> 00:03:17,439 one week prior to the death of Wells. It's reflective and we can 45 00:03:17,479 --> 00:03:24,199 hear subtle regrets he has, most particularly with his first film, Citizen Kane. 46 00:03:25,599 --> 00:03:32,520 Our story begins in nineteen thirty eight when orson wells radio telling of War 47 00:03:32,680 --> 00:03:39,159 of the World's caused NASS hysteria. Because of this, RKO Picture studiohead George 48 00:03:39,159 --> 00:03:47,120 Schaeffer wanted to work with Wells because he commanded attention. Wells was facing monumental 49 00:03:47,159 --> 00:03:53,000 debt due to the failure of his most two recent plays, so he took 50 00:03:53,199 --> 00:04:00,120 the Landmark deal for one hundred thousand dollars for two pictures in full creative control. 51 00:04:00,960 --> 00:04:05,639 In July of nineteen thirty nine, he began work on his first feature 52 00:04:05,680 --> 00:04:11,080 film that would look at a man that had wealth and power, but his 53 00:04:11,319 --> 00:04:17,720 inability to love, care, and be open to emotion shelters him and limits 54 00:04:17,839 --> 00:04:25,079 his happiness. That film would be Citizen Kane, and to this day there 55 00:04:25,160 --> 00:04:30,439 is controversy surrounding it. It is still unknown if Wells made this film as 56 00:04:30,480 --> 00:04:34,879 an attack against then media mogul William Randolph Hurst. To make the film, 57 00:04:35,279 --> 00:04:41,839 Wells borrought on Hermann Mankowitz to help write the script, and Greg Toland, 58 00:04:41,959 --> 00:04:46,600 a cinematographer. In our next clip from a nineteen seventy interview on The Dick 59 00:04:46,680 --> 00:04:54,600 Cabot Show, Wells discusses making his first film, the issues with Hurst in 60 00:04:54,680 --> 00:05:00,959 the studio and other aspects of note though here how charming Wells can be in 61 00:05:01,120 --> 00:05:06,360 self depreciating. That is one of the things that allowed Wells to get away 62 00:05:06,439 --> 00:05:13,120 with so much and keep some people in the studio behind him during the filming 63 00:05:13,160 --> 00:05:16,839 of this film twenty six years old, and you made Citizen Kane and they 64 00:05:16,879 --> 00:05:20,160 said, you can't do these things. You can't have the background in focus 65 00:05:20,279 --> 00:05:23,839 or whatever it was, or you can't shoot a scene that way, mister 66 00:05:23,879 --> 00:05:27,560 Wells or young mister Wells or orson or whatever they call you then and you 67 00:05:27,680 --> 00:05:30,279 knew that you could. And how did you know this? Because I didn't 68 00:05:30,279 --> 00:05:32,879 know any better. And it's very much in the line with what Jack was 69 00:05:32,920 --> 00:05:36,439 saying earlier in the show. It's comes from from just, you know, 70 00:05:38,040 --> 00:05:42,439 sheer dumbness. You're sure it's got to be your good and your gratia's ignorance. 71 00:05:42,439 --> 00:05:46,519 There's no authority in the world like it. But there's there's got to 72 00:05:46,519 --> 00:05:47,319 be something more than that. Technically, I mean, how did you know 73 00:05:47,399 --> 00:05:51,240 that? You know technically that the whole bag of movies can be learned in 74 00:05:51,279 --> 00:05:57,879 about a day and a half. Hey, kids, you not now how 75 00:05:57,920 --> 00:05:59,839 does it work? How do you do it? You get a guy who 76 00:05:59,839 --> 00:06:02,000 knows and then ask him and that's the end of it. It isn't much 77 00:06:02,040 --> 00:06:06,920 harder than taking home movies. It's just about three points finder. And all 78 00:06:06,959 --> 00:06:10,560 these guys who do it try to make a big mystery of it because that's 79 00:06:10,759 --> 00:06:14,519 they're living. And I have the right to say it because I had in 80 00:06:14,600 --> 00:06:16,959 my first picture in Kane, the greatest cameraman who ever lived was Greg Toland, 81 00:06:17,600 --> 00:06:20,079 and he came to my office and said, I want to work in 82 00:06:20,120 --> 00:06:23,800 your picture. My name is Toland. I said, why do you, 83 00:06:23,839 --> 00:06:29,040 mister Toland? He said, because you've never made a picture and you don't 84 00:06:29,079 --> 00:06:32,920 know what cannot be done. And so I said, but I really don't. 85 00:06:32,959 --> 00:06:34,800 Can you tell me? Says, there's nothing to it. He gave 86 00:06:34,800 --> 00:06:39,720 me the day and a half lessons and he was right, camera, that's 87 00:06:39,800 --> 00:06:42,560 right, it has nothing to do. And so we had the day and 88 00:06:42,560 --> 00:06:45,399 a half and there it was. But the only thing was I've been directing 89 00:06:45,439 --> 00:06:48,319 in the theater for years and I nowadays they have lighting people. We did 90 00:06:48,360 --> 00:06:51,240 them, and I had some of the greatest lighting people in fact, I 91 00:06:51,240 --> 00:06:55,319 think, but many of the shows I lit myself, and I was supervised 92 00:06:55,319 --> 00:06:58,759 at and I thought a director did that in a movie. So for the 93 00:06:58,759 --> 00:07:01,480 first ten days I was more moving the lights around, you see, and 94 00:07:02,160 --> 00:07:05,839 Toland was behind me, fixing it up and changing the readings and saying, 95 00:07:05,839 --> 00:07:08,720 shut up, let him go on. I want to see what he's up 96 00:07:08,800 --> 00:07:12,600 to, which was very chic of him, I think. And then somebody, 97 00:07:12,800 --> 00:07:14,959 somebody told me, and then I went and got on my knees and 98 00:07:15,000 --> 00:07:17,199 apologized and everything. I thought, that's what the directors did. Because if 99 00:07:17,199 --> 00:07:19,959 you see a picture by Ford, for example, you were speaking of Jack 100 00:07:20,040 --> 00:07:26,160 Ford earlier, he said must be in a hundred cameraman in his long career, 101 00:07:26,439 --> 00:07:30,199 and almost every forward picture you can tell from the look of it that 102 00:07:30,240 --> 00:07:33,360 it's a forward picture, just from the physical look of it. His his 103 00:07:33,480 --> 00:07:38,279 signature is on it, you know. And when every every list of great 104 00:07:38,319 --> 00:07:41,560 films, of course that many of them lead with Citizen Kane and say it's 105 00:07:41,720 --> 00:07:46,120 it's the finest film made, do you agree? No, certainly not My 106 00:07:46,199 --> 00:07:51,439 next one is that's no, not the not the one after that, the 107 00:07:51,439 --> 00:07:55,759 one I'm preparing at this moment, or the next one that's going to make 108 00:07:55,839 --> 00:07:58,600 history. Could you give us the title of that. I have decided what 109 00:07:58,680 --> 00:08:03,720 it is yet. Oh now, could I just check one other thing with 110 00:08:03,759 --> 00:08:07,160 you? Is it true that the Hearsts tried to actually have the film destroyed 111 00:08:07,199 --> 00:08:09,720 before it was They tried to have it destroyed. They even tried to frame 112 00:08:09,800 --> 00:08:13,199 me one well, in one town, I was doing some kind of date 113 00:08:13,240 --> 00:08:16,519 I don't know what, bond tour, lecture, some kind of a gig, 114 00:08:16,560 --> 00:08:22,000 and I was in a nightclub afterwards, waiting to go back to my 115 00:08:22,040 --> 00:08:26,639 hotel. I will supper and waiter count says, as a police officer wants 116 00:08:26,680 --> 00:08:30,240 to see you. Well, I tried to hide because if that ever happens, 117 00:08:30,600 --> 00:08:31,600 I'm sure I'm guilty. I don't know how you are about it, 118 00:08:31,600 --> 00:08:33,679 but you know. And then I see a cop. I know I did 119 00:08:33,720 --> 00:08:39,320 it. There was no way out of it. I had to go see 120 00:08:39,360 --> 00:08:43,159 him. And he took me aside and he said, Austin, I don't 121 00:08:43,159 --> 00:08:48,120 know why they almost call me. He says, don't go back to your 122 00:08:48,159 --> 00:08:52,519 hotel room. I said why. He says, they've got a minor staked 123 00:08:52,559 --> 00:08:58,279 out there and a photographer, a lady. Luckily a lady. I think 124 00:08:58,000 --> 00:09:01,679 I prefer to tell it that way, but I mean as opposed to r 125 00:09:03,559 --> 00:09:07,559 and they were going to frame me. I would have been in jail if 126 00:09:07,600 --> 00:09:11,039 the you know, with the cops waiting to jump in and arrest me. 127 00:09:11,200 --> 00:09:15,000 That was not mister Hurst itself. It was somebody in that town who thought 128 00:09:15,039 --> 00:09:18,080 he'd get in good with the boss by doing by doing a favorite. I 129 00:09:18,080 --> 00:09:20,720 don't think Hurst would have stooped to that, would you change? Oh. 130 00:09:20,759 --> 00:09:26,159 I did have a conversation with him about about the picture, which was in 131 00:09:26,200 --> 00:09:28,960 an elevator in San Francisco the night had opened. We found ourselves going up 132 00:09:30,000 --> 00:09:33,559 together, and he'd known my father. I never met him, you know, 133 00:09:33,120 --> 00:09:37,039 And I introduced myself things you'll do when you're young, you know, 134 00:09:39,440 --> 00:09:45,120 And I said, would you like to come to the opening tonight? And 135 00:09:45,159 --> 00:09:46,720 he didn't answer, and I said, well, mister Kane would have come. 136 00:09:48,879 --> 00:09:50,720 And that's the difference between the two people, because the character of Charles 137 00:09:50,720 --> 00:09:56,320 Foster k had enough class to have gone to the opening, but he just 138 00:09:56,840 --> 00:09:58,559 very uptight. That was the end of that. It wasn't really about him. 139 00:09:58,600 --> 00:10:01,320 It was made up with a lot of people. That's the truth. 140 00:10:01,360 --> 00:10:05,360 What's the last time you saw it? I saw it that opening in San 141 00:10:05,399 --> 00:10:07,200 Francisco, and I snuck out right after it started. I've never seen a 142 00:10:07,200 --> 00:10:11,240 picture of mine after I finished it. You haven't seen Citizen Knan all these 143 00:10:11,279 --> 00:10:13,000 years, no picture I've ever made except as an active I've never seen a 144 00:10:13,000 --> 00:10:18,960 picture I've directed. Only words. Yeah, well a thousand times in the 145 00:10:18,960 --> 00:10:20,559 cutting room. But why wouldn't you want to say it now? Because I'd 146 00:10:20,600 --> 00:10:24,519 like to sit here and think how good it must have been? You know, 147 00:10:31,519 --> 00:10:33,840 is there, ever, is there any chance that you would change any 148 00:10:33,840 --> 00:10:37,240 of it or do any of it again? Of course everything you'd want to 149 00:10:37,320 --> 00:10:41,159 change everything. I think, you know, don't you want to change things 150 00:10:41,159 --> 00:10:43,559 after you've done them? And a movie cat because no, that was the 151 00:10:43,559 --> 00:10:46,200 whole thing. I just and I like to think, oh, yes, 152 00:10:46,279 --> 00:10:48,440 and all those great pictures and I know if I saw them. Oh. 153 00:10:50,360 --> 00:10:56,360 The battle with Hurst is the key controversy with this film. Hurst owned newspapers, 154 00:10:56,679 --> 00:11:01,879 magazines, and radio stations across the United States, and with that came 155 00:11:01,080 --> 00:11:09,399 major influence. If anyone dared cross him or at the slightest perceived disrespect, 156 00:11:09,919 --> 00:11:13,720 Hurst, with his power and influence, could take down anyone or anything. 157 00:11:15,840 --> 00:11:22,639 Wells in this film used several illusions to Hurst, from the large incomplete mansion 158 00:11:22,720 --> 00:11:28,720 named Xanadu, to King's second wive's obsession with puzzles. Even the word Rosebud, 159 00:11:30,320 --> 00:11:35,200 a Hollywood legend that Hurst gave this pet name to his mistress's genitalia, 160 00:11:35,440 --> 00:11:41,480 were all fell by many to be shots at Hurst. To keep this in 161 00:11:41,559 --> 00:11:48,519 other activities secret, Wells had to employ some secretive techniques, as explained in 162 00:11:48,600 --> 00:11:56,039 this clip from the documentary The Battle Over Citizen King. When Mekowitz proposed the 163 00:11:56,080 --> 00:12:01,120 story of Hurst, Wells seized on this as his last best chance. It 164 00:12:01,240 --> 00:12:07,440 was perfect, an American saga, a giant who brings ruin to all and 165 00:12:07,519 --> 00:12:13,120 to himself. Housman was dispatched to babysit Mank in a little desert town called 166 00:12:13,200 --> 00:12:18,200 Victorville. You know bank which was a drug he jake Rosy keep him off 167 00:12:18,200 --> 00:12:20,960 the booze. Well, he wrote this thing, and Housman and myself sort 168 00:12:22,000 --> 00:12:24,679 of the go between. We would drive up to Victorville, get part of 169 00:12:24,679 --> 00:12:28,840 the script, could bring it back to Worshipton, back and forth. Mank 170 00:12:28,960 --> 00:12:33,679 called his script American, which was the title Hurst always claimed for himself. 171 00:12:33,360 --> 00:12:37,879 But as Housman remembered, we were also creating a vehicle suited to a man 172 00:12:37,960 --> 00:12:43,879 who, at twenty four was only slightly less fabulous than the hero he would 173 00:12:43,919 --> 00:12:48,320 be portraying. And the deeper we penetrated into the heart of Charles Foster Kane, 174 00:12:48,879 --> 00:12:54,360 the closer we seemed to come to the identity of Orson Wells. As 175 00:12:54,399 --> 00:12:58,200 well as got the pages from Victorville. He attacked the script with all of 176 00:12:58,200 --> 00:13:03,840 his craft and with all of his life to that point. The boy's loss 177 00:13:03,840 --> 00:13:07,919 of his mother that never happened to Hurst, it happened to Wells. He 178 00:13:09,080 --> 00:13:13,840 visualized himself as that character. See once he could see himself playing that character. 179 00:13:13,600 --> 00:13:18,360 I mean that was it, you know. I think they thought that 180 00:13:18,519 --> 00:13:22,799 they could get away with it. I don't think they really realized how touchy 181 00:13:22,799 --> 00:13:26,799 the old man was, and that this was Hollywood. Then it would be 182 00:13:28,000 --> 00:13:31,240 hell to pay. They knew enough to run it by the lawyers. From 183 00:13:31,240 --> 00:13:35,120 that point of view, they weren't at risk anyway. If Hurst sued, 184 00:13:35,159 --> 00:13:39,240 that would be great. The film would be news everywhere. They'd write in 185 00:13:39,320 --> 00:13:45,279 some lines about Marion's drinking and those horrid puzzles. No one in Hollywood could 186 00:13:45,279 --> 00:13:50,519 miss the joke. They'd even put in Rosebud the secret word, which they 187 00:13:50,559 --> 00:13:56,360 claimed was Hurst's pet name for Marion's private parts. They'd drive the old man 188 00:13:56,440 --> 00:14:00,960 crazy, turned the town on its eart called it on Monday morning by Jim 189 00:14:01,000 --> 00:14:03,919 Wilkinson, the head of the editing department. My boss was saying this, 190 00:14:03,080 --> 00:14:07,120 and you know that fellow Orson Wells has come to the studio. I said, 191 00:14:07,159 --> 00:14:09,360 yeah, I know, I've seen him as well. He's pulled a 192 00:14:09,399 --> 00:14:11,799 fast food on the studio. I said, what do you mean. He 193 00:14:11,799 --> 00:14:15,679 said, well, he's got this new picture and he asked him for okay 194 00:14:15,720 --> 00:14:18,120 to make three what he called test for this picture. And they gave me 195 00:14:18,120 --> 00:14:22,080 the okay and he shot the tests, so called test, and he said 196 00:14:22,120 --> 00:14:24,039 they looked at the scenes and realized their scenes for the picture, but not 197 00:14:24,120 --> 00:14:26,480 just tests. So they've given him a green light to go ahead and make 198 00:14:26,480 --> 00:14:39,879 the picture. I never saw anybody more focused. He knew exactly what he 199 00:14:39,960 --> 00:14:45,200 wanted, and he and Greg Tolan were on a completely single wavelength. I 200 00:14:45,320 --> 00:14:48,639 never forget the day I came in and that they had sawed a hole out 201 00:14:48,679 --> 00:14:50,559 of the board floor, which you could do, and they were both in 202 00:14:50,600 --> 00:14:54,159 their hands and knees drawing out the dirt like children. In a sandbox. 203 00:15:00,960 --> 00:15:03,039 He was totally absorbed in himself in the picture of what he was doing. 204 00:15:03,399 --> 00:15:07,120 But you couldn't look at those rushes coming in every day. Those films shot 205 00:15:07,120 --> 00:15:11,600 the day before he got realizing, you we're getting something quite extraordin the photography 206 00:15:11,639 --> 00:15:15,320 and the angles and the shooting. It was more of us. It was 207 00:15:15,360 --> 00:15:22,200 just mar of us. He was okay with his cart blosh deals, and 208 00:15:22,279 --> 00:15:26,960 he would not let the executives with that studio come anywhere near the set. 209 00:15:26,279 --> 00:15:31,879 They came in and Urson said, who's gotta baseball, Let's play some catch. 210 00:15:31,200 --> 00:15:35,120 So so everybody started to playing catch. But of course it jove to 211 00:15:35,200 --> 00:15:43,799 the breast, absolutely loony. With his sound stage closed, with control over 212 00:15:43,879 --> 00:15:48,759 everything on his set, Wells thought, at last he had his project in 213 00:15:48,879 --> 00:15:52,759 hand. Nothing stopped him. After one fall down a flight of steps. 214 00:15:54,120 --> 00:16:00,240 He acted in steel ankle braces and directed from a wheelchair. He's still said 215 00:16:00,279 --> 00:16:03,279 he hated Hollywood, but at the studio he'd found the biggest magic kid on 216 00:16:03,320 --> 00:16:11,000 Earth. Then, much like today, nothing stay secret in Hollywood. Eventually 217 00:16:11,080 --> 00:16:15,759 the word got out in Hurst immediately went on the attack. He refused to 218 00:16:15,840 --> 00:16:22,720 allow his newspapers and radio stations to advertise the film. He sicked his gossip 219 00:16:22,799 --> 00:16:30,759 columnists from many newspapers on RKO Pictures and Wells, and he threatened to blackmail 220 00:16:30,840 --> 00:16:37,200 studio heads with photos and evidence of them committing sexually deviant behavior. This led 221 00:16:37,240 --> 00:16:42,720 to other studios trying to buy the film from RKO Pictures to destroy it. 222 00:16:44,639 --> 00:16:48,519 In our final clip for Today, from the HBO film RKO two eighty one, 223 00:16:49,039 --> 00:16:55,360 which is a biopic about the making of Citizen Kane Wells played by liv 224 00:16:55,399 --> 00:17:00,879 Schreiber, makes an impassioned plea to the heads of the major studios to let 225 00:17:00,000 --> 00:17:15,640 his film be released as he made it good Afternoon today, man from Germany 226 00:17:17,200 --> 00:17:26,880 invaded Greece. He's already swallowed Poland, Denmark, Norway and Belgium is bombing 227 00:17:26,920 --> 00:17:33,799 London as I speak. Everywhere this man goes he crushes the life and the 228 00:17:33,799 --> 00:17:38,480 freedom of his subjects. He shows yellow stars and their lapels, He takes 229 00:17:38,480 --> 00:17:45,839 their voices. In this country, we still have our voices. We can 230 00:17:45,920 --> 00:17:49,200 argue with them, and we can sing, and we can be heard, 231 00:17:49,240 --> 00:17:59,440 because we are for the moment free. No one can tell us what to 232 00:17:59,519 --> 00:18:07,640 say or how to say it, can they? Gentlemen? I am one 233 00:18:07,720 --> 00:18:12,000 voice. That is all. My picture is one voice, one view, 234 00:18:12,359 --> 00:18:19,079 one opinion, nothing more. Men are dying in Europe now and Americans soon 235 00:18:19,160 --> 00:18:26,279 will be, so that we can surmount the tyrants and the dictators. Will 236 00:18:26,319 --> 00:18:32,559 you send a message across America that one man can take away our voices? 237 00:18:34,720 --> 00:18:44,960 So who is mister Hurst and who is mister Wells? Well? Mister Hurst 238 00:18:45,200 --> 00:18:49,960 built a palace of brick and mortar and little wars and corpses piled high. 239 00:18:52,680 --> 00:19:00,720 Mister Wells built a palace of illusion. Sir? What we call that painting 240 00:19:00,759 --> 00:19:14,759 camera trick? It's nothing, nothing but a dream. Today you have the 241 00:19:14,880 --> 00:19:34,200 chance to let the dream triumph. Thank you? Was it successful or did 242 00:19:34,240 --> 00:19:41,200 Hurst win in his battle to destroy it? And what is the everlasting legacy 243 00:19:41,279 --> 00:19:45,400 of this picture? I hope you will join me next week when we will 244 00:19:45,440 --> 00:19:52,400 answer those questions and kickstart our month long tribute to Orson Wells with the review 245 00:19:52,720 --> 00:19:57,279 of, in my opinion, in the opinion of many others, the greatest 246 00:19:57,440 --> 00:20:04,759 film of all time, Citizen Kane for WMNH and Matt Connorton Unleashed. This 247 00:20:04,799 --> 00:20:10,440 has been a classic film review with Eric Pilcher. Come on down to the 248 00:20:10,480 --> 00:20:15,359 hop Knot at one thousand Elm Street, Manchester's premiere Kraft Beer and gourmet pretzel 249 00:20:15,400 --> 00:20:18,680 bar. Tell Us more Trudy. We make our dough fresh every day. 250 00:20:18,759 --> 00:20:23,680 We make a variety of styles of pretzels and serve draft beer, cocktails and 251 00:20:23,720 --> 00:20:27,720 a few bottles of wine. We do the traditional pretzel and we have multiple 252 00:20:27,720 --> 00:20:32,960 flavors for that. 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Mazel 278 00:23:26,559 --> 00:23:30,519 hey, everybody, here we go Matt Connorton Unleashed. We are in our 279 00:23:30,599 --> 00:23:37,119 number two New Marrow Dose on this Saturday morning here March thirtieth, twenty twenty 280 00:23:37,119 --> 00:23:41,400 four, live from the studios of wm NH ninety five point three FM in 281 00:23:41,519 --> 00:23:45,759 Glorious Manchester, New Hampshire. And of course you can also stream the show 282 00:23:45,799 --> 00:23:48,559 online. Go to my website Matt Connorton dot com for all your live streaming 283 00:23:48,599 --> 00:23:52,079 options, social media links, contact and folks show archives, et cetera, 284 00:23:52,319 --> 00:23:56,799 et cetera. Jenny is here as well, President account it for and we 285 00:23:56,839 --> 00:24:02,920 have returning to the show LACYBB also known as who I Am? And I'm 286 00:24:02,920 --> 00:24:07,839 gonna turn that up and uh got the keyboard plugged in and everything. Let's 287 00:24:07,880 --> 00:24:11,599 see, let's see what we can hear. Oh, I hear something. 288 00:24:12,000 --> 00:24:18,000 I gotta I gotta jack the game here this student studio. It's quiet. 289 00:24:18,039 --> 00:24:22,720 Are you able to turn up on your end? It's coming through quiet, 290 00:24:22,720 --> 00:24:27,720 but it is coming through which is half the battle there. Let me see 291 00:24:27,720 --> 00:24:33,039 if I can turn this up more. We're getting there, getting there. 292 00:24:33,960 --> 00:24:37,079 That's pretty good. Yeah, yeah, we got you, We got you. 293 00:24:37,799 --> 00:24:41,000 All right. So so, uh, Lacey was on the show a 294 00:24:41,039 --> 00:24:47,359 couple months ago, I think, but uh, but unfortunately so wasn't It 295 00:24:47,720 --> 00:24:52,000 wasn't able to play live and we had an an audio we had an issue 296 00:24:52,000 --> 00:24:56,839 with the audio file anyway, so quite the show. So Lacey is back, 297 00:24:57,359 --> 00:25:00,680 uh, and it's gonna do a bunch of songs live for us. 298 00:25:00,720 --> 00:25:03,960 So really looking forward to this. And we've got the got the keyboard plugged 299 00:25:04,000 --> 00:25:07,480 in and you've got your headphone, Mike, and uh, I'm I'm ready 300 00:25:07,480 --> 00:25:11,519 to hear you live. We did play a bunch of studio tracks. Yeah, 301 00:25:11,559 --> 00:25:14,440 of course last time you were here, but but this will be this 302 00:25:14,480 --> 00:25:17,039 will be our first time getting to see you live, hear you live. 303 00:25:17,119 --> 00:25:19,640 Of course you're if you're watching on Facebook, you can see you can see 304 00:25:19,720 --> 00:25:23,440 Lacey performed live. But yeah, this is uh, we're excited, me 305 00:25:23,559 --> 00:25:26,799 too, very excited and thank you for having me back. I appreciate it 306 00:25:26,839 --> 00:25:33,240 absolutely. So yeah, definitely we'll do some songs. Can't wait. All 307 00:25:33,319 --> 00:25:36,880 right, all right, let's hear something. Okay, here we go this 308 00:25:37,079 --> 00:25:41,680 uh, this first song I just wrote like ten days ago actually, oh 309 00:25:42,440 --> 00:25:48,839 and yep, so this is how it goes. You know, stuff's always 310 00:25:49,000 --> 00:25:53,359 popping out of me. And so this one, this one came out and 311 00:25:55,720 --> 00:26:02,440 put some words to it and it started on it as electronics. So here 312 00:26:02,480 --> 00:26:27,440 we go. All right, we'll mix here here. Okay, everything I 313 00:26:27,599 --> 00:26:41,240 know has come true. I can see anythings I do, my I see 314 00:26:41,519 --> 00:26:53,039 something new. What I do is what I'm into. Going to the show, 315 00:26:53,200 --> 00:26:57,599 shutting all the names. I don't even know when I'm gonna sleep, 316 00:26:59,079 --> 00:27:02,960 never gonna start. Oh God, let's get low. Love it in my 317 00:27:03,119 --> 00:27:23,160 heart ruby love, is it gets through? There's enoughing new. Just remember 318 00:27:23,279 --> 00:27:42,160 believe something true, Yes, something true, pick it up the bugget and 319 00:27:42,480 --> 00:28:00,559 by period and let's take a ride. Oh you doing all you have nothing? 320 00:28:00,680 --> 00:28:10,720 Live life like real life, real life, fast nights, real life 321 00:28:11,160 --> 00:28:21,119 nights, find time in line, real life, fast night, real nice, 322 00:28:21,519 --> 00:28:32,400 you nice? Going to the show shown to get go find it by 323 00:28:32,480 --> 00:28:37,480 the bapside, don't know, never gonna stop. Let's get load. Love 324 00:28:37,519 --> 00:28:55,400 it in my heart will be flow is it gonna go? There's nothing new? 325 00:28:59,519 --> 00:29:21,759 Just remember son song true song, sing true sound sang true. There 326 00:29:21,799 --> 00:29:26,039 you go, all right, it's my song called something True. I like 327 00:29:26,160 --> 00:29:29,440 that a lot. It was fun. Thanks so much much, Lacey BB 328 00:29:29,680 --> 00:29:33,640 of Who I Am is here with us live in studio. Now what it 329 00:29:33,079 --> 00:29:37,559 So? That's uh, that's new right, you said that's from you wrote 330 00:29:37,559 --> 00:29:42,240 that ten days ago. I did. Let me finally, Oh I did. 331 00:29:42,519 --> 00:29:47,880 Yeah, I wrote that. Yeah, just I came up, I 332 00:29:47,960 --> 00:29:52,720 kind of found created that sound, and then I said, I really love 333 00:29:52,839 --> 00:29:56,799 that sound, and so I started thinking, well, what could I put 334 00:29:56,839 --> 00:29:59,200 to that? You know, what words could I put to that? Right? 335 00:29:59,400 --> 00:30:04,440 So I yeah, I sat there and just start thinking about something true, 336 00:30:04,559 --> 00:30:11,519 being true to yourself. And next thing, you know, the words 337 00:30:11,559 --> 00:30:15,759 came out, and you know, once since I go back to the keyboards, 338 00:30:15,759 --> 00:30:18,359 I have to play it and see if the words that I write actually 339 00:30:18,400 --> 00:30:23,200 fit. Oh yeah, that's not always the case. So I had to 340 00:30:23,319 --> 00:30:27,000 change it up a little bit. You know, I send it to my 341 00:30:27,039 --> 00:30:30,240 friend, I'm like, oh, listen to this, and so like, 342 00:30:30,319 --> 00:30:33,279 since I sent it to them, I've already changed some of it. So 343 00:30:33,359 --> 00:30:37,759 it's like that's the process of you know, getting it to a tried and 344 00:30:37,839 --> 00:30:41,720 true song. Yeah, yeah, Jay Fad says in the chat room, 345 00:30:41,759 --> 00:30:45,759 I could dance to that nice. Appreciate appreciate now? Is that usually how 346 00:30:45,759 --> 00:30:48,079 it happens? As the music come to you first, typically and then the 347 00:30:48,160 --> 00:30:59,920 lyrics are it. It goes both ways. Actually, sometimes I'm just mess 348 00:31:00,119 --> 00:31:04,720 around on the keyboards and I say that sound. I got to incorporate that 349 00:31:04,759 --> 00:31:08,599 sound into a song somehow. Yeah. And then sometimes I'm messing around on 350 00:31:08,640 --> 00:31:15,519 my acoustic piano part and I'm like, I just come up with a chord 351 00:31:15,799 --> 00:31:19,440 like sound, and like, what if I did this with the chords and 352 00:31:21,400 --> 00:31:26,359 if I arrange them like this? And you know, usually it starts with 353 00:31:26,519 --> 00:31:30,720 like two or three chords that match each other and the next thing, you 354 00:31:30,759 --> 00:31:34,880 know, start writing stuff around it. A chorus, a break, a 355 00:31:34,960 --> 00:31:40,119 bridge, boom. Now you got a song? Very cool? Do you 356 00:31:40,160 --> 00:31:41,200 want to you want to play another one for us? Yeah? In fact, 357 00:31:41,240 --> 00:31:48,079 I'll do a song that I did that with. I'll do let me 358 00:31:48,160 --> 00:31:49,440 know when it's time to rock. Oh yeah, I like this one. 359 00:31:49,519 --> 00:31:52,440 Yeah. We played the studio version of this lame You're Here? Yeah. 360 00:31:52,480 --> 00:32:00,039 Yeah. Studio version has Tanya Venom on it playing lead guitar. So what 361 00:32:00,039 --> 00:32:02,240 what band is she? From Again. She's from storm Stress band storm Stressress. 362 00:32:04,960 --> 00:32:07,440 Let's see. Okay, here we go. Let me know when it's 363 00:32:07,480 --> 00:32:15,480 time to right, all right, Lacey Lacy bb of who I Am live 364 00:32:15,519 --> 00:32:37,599 in studio with us. Okay, when is time to rock? Me? 365 00:32:37,880 --> 00:32:45,440 No? When is time to rock? When the mic is on? When 366 00:32:47,880 --> 00:33:04,839 Way and I can shop? There's nothing but have you heard than when that 367 00:33:05,279 --> 00:33:15,200 Scott is calling? That the is called do want your do? That's where 368 00:33:15,200 --> 00:33:27,279 I'll get you there. Let me know when it's time to buck. Let 369 00:33:25,880 --> 00:33:34,400 me know when it's time to fall. Let me know when the mic is 370 00:33:34,480 --> 00:33:46,279 hot. Let me know when I can shop. They may not before mist 371 00:33:50,119 --> 00:34:57,719 That's where my d that's where my soul only that's right mac connishon at least 372 00:35:00,679 --> 00:35:07,119 when's time to rock? Let me know when's time to roll. Let me 373 00:35:07,480 --> 00:35:21,719 know when the mic is on. Let me know when I could chop my 374 00:35:21,920 --> 00:35:31,159 heart's all. He's on thet. It's happened a cat in again my great 375 00:35:31,840 --> 00:35:39,400 and my think to stay. But it only means when you're shure too. 376 00:35:47,119 --> 00:35:54,480 A hell? Where's time to rock? My fall? When it's time to 377 00:35:54,639 --> 00:36:19,719 roll? I am when my show when we can Yes, that's my song. 378 00:36:21,440 --> 00:36:24,079 Very nice lacy baby of who I am is here with this live and 379 00:36:24,159 --> 00:36:28,519 studio. Who I am is is how people should find you online? Correct, 380 00:36:30,440 --> 00:36:34,280 And it's and it's uh and it's and it's who dot I Am. 381 00:36:34,480 --> 00:36:37,679 Yeah, it's who I am. You can not all the places will let 382 00:36:37,760 --> 00:36:42,159 me do who dot I am? Yeah? Yeah, so you know who 383 00:36:42,239 --> 00:36:47,280 dot I am is like technically what I call myself. It's it's patterned after 384 00:36:49,199 --> 00:36:53,079 Will I Am. I don't know. I didn't even I didn't even think 385 00:36:53,119 --> 00:36:59,800 of that I am because he has huge influence on just everything I oh, 386 00:36:59,840 --> 00:37:02,159 my whole beginning. So yeah, where the name comes from? So yeah, 387 00:37:02,159 --> 00:37:06,760 who died I am? Or who I am Live? Or who I 388 00:37:06,840 --> 00:37:08,960 am? If there's not a lot of who I am is out there right, 389 00:37:09,159 --> 00:37:12,960 if you actually search it, you'll find me on YouTube. I got 390 00:37:13,000 --> 00:37:16,800 a huge YouTube thing with all my videos, and I'm on you know, 391 00:37:16,960 --> 00:37:22,239 Instagram. I do my radio show live stuff on there and my music stuff, 392 00:37:22,400 --> 00:37:28,239 and then also on Facebook you can see my radio page and you can 393 00:37:28,280 --> 00:37:31,320 also see my my live stuff, my who I am stuff and performances and 394 00:37:31,360 --> 00:37:35,480 stuff. By the way, regarding that song, our friend Mariam banished in 395 00:37:35,519 --> 00:37:37,079 the chat room says, and I didn't even think of this until she said 396 00:37:37,079 --> 00:37:40,599 it. She said, getting a Jackson five feeling with some of that. 397 00:37:42,280 --> 00:37:45,400 Yeah, that's it didn't occur to me until she said that, But yeah 398 00:37:45,440 --> 00:37:51,840 that's true. Yeah, sure, absolutely, I know all about the Jackson 399 00:37:52,000 --> 00:37:53,400 vive. Yeah, pretty awesome. There you go, there you go. 400 00:37:54,000 --> 00:37:58,480 You also you mentioned the radio show. We should mention that too so people 401 00:37:58,519 --> 00:38:00,480 can check that out. Yeah, I'm I have a radio show on Wave 402 00:38:00,599 --> 00:38:06,480 Radio Boston WRB rocks dot com. You can stream it live Thursdays five to 403 00:38:06,559 --> 00:38:13,000 six pm. And the the hook on my show is it's always only local 404 00:38:13,079 --> 00:38:16,079 music. So I'm not gonna be playing Aerosmith, not gonna be playing led 405 00:38:16,119 --> 00:38:19,960 Zeppelin, even though I love all those bands, or you know whatever, 406 00:38:20,599 --> 00:38:28,280 but just always searching for that local flavor and it's something. It's like the 407 00:38:28,400 --> 00:38:31,719 songs I pick or are like, you know, songs that like who I 408 00:38:31,800 --> 00:38:36,639 Am style, you know, things that who I Am will like And it's 409 00:38:36,719 --> 00:38:40,119 not like, you know, just one style. You know. I like 410 00:38:40,199 --> 00:38:45,280 all kinds of rock stations, So I do rock music, be heavy or 411 00:38:45,320 --> 00:38:47,840 it could be just a ballad, you know, so whatever you would hear 412 00:38:47,920 --> 00:38:53,880 on FM rock station but always local artists. And the thing is you listen 413 00:38:53,960 --> 00:38:58,039 to it and you're like, did I just listen to a show full of 414 00:38:58,119 --> 00:39:01,639 national artists? Because it's sounds like a show full of national artists? Yeah. 415 00:39:01,719 --> 00:39:06,760 Yeah, So that's how that goes. And when you say local in 416 00:39:06,800 --> 00:39:08,679 your case because you're in Boston, do you mean do you mean Boston or 417 00:39:08,719 --> 00:39:13,320 do you mean Massachusetts? New England? New England? And I will admit 418 00:39:13,440 --> 00:39:17,400 some people have reached out from further places. Sometimes I'll play people that I'm 419 00:39:17,440 --> 00:39:22,159 on a bill with and so like one time I ended up doing a radio 420 00:39:22,199 --> 00:39:28,480 interview with Your Best Nightmare, who lives in New Jersey. So your Best 421 00:39:28,559 --> 00:39:32,360 Nightmare Report or what up? Girls? She just released an album. Yeah 422 00:39:32,440 --> 00:39:37,039 Your Best Nightmare is so good, and so you know she's from Jersey, 423 00:39:37,159 --> 00:39:42,039 but she was still on the show. Yeh. She's total local indie. 424 00:39:42,360 --> 00:39:46,079 She played here, so you know, yeah, what's what's local? But 425 00:39:46,199 --> 00:39:51,119 I try to keep it mainly local. Yeah, Boston, Southern New Hampshire, 426 00:39:52,119 --> 00:39:55,280 New Hampshire, all these areas very cool. You want to play another 427 00:39:55,320 --> 00:40:01,440 one for sure? Sure? All Okay, let's do Uh, I think 428 00:40:01,519 --> 00:40:07,079 I'll do I think I'll do New Love Okay, if you're just joining us, 429 00:40:07,119 --> 00:40:19,760 we have Lacey bb here Who I am? And uh? If you're 430 00:40:19,760 --> 00:40:23,039 looking online, it's who dot I am is uh how you say it? 431 00:40:23,440 --> 00:40:28,000 Yeah? And Lacey is uh. Lacey is performing live for us. Oh. 432 00:40:28,039 --> 00:40:30,039 I like the glasses, thank you, there you go. This song 433 00:40:30,119 --> 00:40:37,320 always gets these glasses reminds me of Bootsy Collins. Yeah. Did you see 434 00:40:37,360 --> 00:40:42,960 the Did you see the the commercial with the bass players? No, I 435 00:40:43,000 --> 00:40:45,599 haven't seen that. You have to check it out. They got boots, 436 00:40:45,840 --> 00:40:49,880 they got and they go. He's like, I'm a love child from space 437 00:40:49,960 --> 00:40:54,760 and he's like, okay, yeah, okay, here we go new love. 438 00:40:55,119 --> 00:41:17,880 All right. So I looking for you. Love. My mind is 439 00:41:19,679 --> 00:41:35,840 food what your life. This is a rise to the love. My mind 440 00:41:36,039 --> 00:41:42,480 is resenting a ready go. I'm gonna do all the things that I know. 441 00:41:44,039 --> 00:41:50,039 Sometimes it's true, is a take, but it's all equal to the 442 00:41:50,280 --> 00:41:59,000 love you make. So I take my time and I stay in love. 443 00:42:00,239 --> 00:42:16,480 Uly Today you are my because I'm looking for you. Love my mind is 444 00:42:19,920 --> 00:42:35,239 wr This is the world to the Lord. This time is mine. I 445 00:42:35,480 --> 00:42:43,840 bl waste. I'm living proof. I'm testing you have the fight of you. 446 00:42:44,119 --> 00:42:50,960 Believe it. The love no one can stop you FB. So I 447 00:42:51,599 --> 00:43:05,920 take my dom in, I stay in line today. You are my because 448 00:43:06,079 --> 00:43:22,559 I'm looking for you love, O MI with children. This is the world 449 00:43:27,000 --> 00:43:37,000 till you love. Tell me what you're taking up right now? I believe 450 00:43:37,000 --> 00:44:01,320 in all your bass. So I take my time in my stay a today. 451 00:44:02,000 --> 00:44:19,400 You are no good ye looking for you love. My mind is fill 452 00:44:21,079 --> 00:44:52,360 which this is a world to do you loved? Very nice, very nice. 453 00:44:53,039 --> 00:45:00,440 Lacy bb is here of who I am? And what was I? 454 00:45:00,880 --> 00:45:05,760 Oh there was something? Oh yeah, yeah the shirt Mother of Dragons. 455 00:45:05,760 --> 00:45:07,519 I have to ask is that a band? Or is that? What is 456 00:45:07,599 --> 00:45:12,320 that? No? So it's a game of Thrones. Oh okay, I 457 00:45:12,400 --> 00:45:17,559 never got into that. Yeah, and the Mother of Dragons is uh is 458 00:45:17,599 --> 00:45:22,079 a reference to one of the characters, and she's a dragon queen. Yeah, 459 00:45:22,159 --> 00:45:30,280 and I'm the mother my my and like she was a dragon queen but 460 00:45:30,559 --> 00:45:34,880 like the dragons loved her like they were her her little babies. Yeah okay, 461 00:45:35,039 --> 00:45:37,599 so okay, so the dragons are my songs. Oh I got you 462 00:45:37,960 --> 00:45:42,079 the Mother of Dragons? Oh okay, cool, cool, pretty cool? 463 00:45:42,159 --> 00:45:45,719 Pretty cool? You want to play another one? Yeah, yeah, Sue, 464 00:45:46,559 --> 00:45:54,920 I got here. Let us do we'll do glow all right. A 465 00:45:55,000 --> 00:46:00,199 couple of these songs I don't have released or recorded just yet. Oh okay, 466 00:46:00,400 --> 00:46:04,800 so but they are ones that I played live. Yeah, yeah, 467 00:46:04,920 --> 00:46:09,119 all the time. Oh very cool. Okay, so this will be uh 468 00:46:10,119 --> 00:46:15,719 yeah, so this is not sorry, what world radio for me? Yeah? 469 00:46:15,760 --> 00:46:16,880 So this has not been heard on the radio. This has only been 470 00:46:16,920 --> 00:46:22,480 played live. Yeah, this has not been heard on the radio. All 471 00:46:22,559 --> 00:46:27,280 right, we like that. We like that if you're just joining us, 472 00:46:27,360 --> 00:46:30,280 Lacey BB is here with us live in studio with the keyboard and the whole 473 00:46:30,320 --> 00:46:36,519 setup, and it is this your your standard set up live or this is 474 00:46:36,679 --> 00:46:40,440 yeah? Yeah, and usually just into the house. Yeah. It must 475 00:46:40,519 --> 00:46:44,599 be nice to have the autonomy that comes with, you know, just you're 476 00:46:44,639 --> 00:46:46,800 not dependent on a band. It's just you've got everything right there that you 477 00:46:46,880 --> 00:46:58,920 need. Yes, Yeah, it's a good when voice that I don't have 478 00:46:59,039 --> 00:47:06,440 echo on. Yeah. It's it's nice to write have everything kind of on 479 00:47:06,639 --> 00:47:09,440 the same page as you. Yeah, exactly exactly. You know. I've 480 00:47:09,519 --> 00:47:16,159 tried, you know, working with other musicians to try to get a thing 481 00:47:16,480 --> 00:47:24,400 going, and it's very difficult to for one to have other people like that 482 00:47:24,559 --> 00:47:30,519 weren't involved with creating your songs. You know, start like doing your songs, 483 00:47:31,320 --> 00:47:36,800 and then it's just like you said, it's it's the difference of having 484 00:47:36,960 --> 00:47:40,519 basically everything at my command, and you just can't do that with people. 485 00:47:42,639 --> 00:47:46,159 So so I do with my keyboards. Keyboard is very happy to be told 486 00:47:46,199 --> 00:47:51,800 what to do right, exactly, exactly, all right, So okay, 487 00:47:52,039 --> 00:48:15,840 yeah, this song is Glow lac BB live in studio. Who Blow Blow? 488 00:48:16,119 --> 00:48:27,840 I see the universe right show show show me all your love it this 489 00:48:28,119 --> 00:48:43,360 guy friends, let's go. Let's go all engine night. I'm so excited. 490 00:48:44,519 --> 00:48:52,480 I don't know how wag I see you you see me that fat. 491 00:48:53,639 --> 00:49:04,960 I'm sort of that we're gonna fight Goda cry over mine, gonna go to 492 00:49:05,760 --> 00:49:21,840 time, Blow blow blow. I see the universe rise show show show me 493 00:49:22,079 --> 00:49:31,840 all you're loving this guy's friends. Let's go. Let's go all inn. 494 00:49:36,480 --> 00:49:45,440 My gang is badass because they see the stars in the skuy. They're gonna 495 00:49:45,559 --> 00:49:54,800 make it in their hearts, gonna fly. Everything is welcome to spread the 496 00:49:55,039 --> 00:50:09,599 love. Tag it in. It's not the kiddy or Ez Blow blow blow. 497 00:50:10,840 --> 00:50:20,920 I see the un over senor ride show, show show me how you're 498 00:50:21,559 --> 00:50:30,480 love it? This guy friend best go. Let's go all in night. 499 00:50:31,920 --> 00:50:38,079 That's right, I'm gonna go all in this morning. Yeah, Connorton at 500 00:50:38,199 --> 00:50:52,679 least, Jim, thanks so much. No, you know how to plow 501 00:50:53,800 --> 00:51:50,039 friends and shows up bo bo b see the univer Ry show show show let 502 00:51:50,079 --> 00:52:00,000 me how you're love it this guy friend, let's go, let's go June. 503 00:52:01,679 --> 00:52:19,400 That's right, everybody have a good show today. And will yes, 504 00:52:20,239 --> 00:52:24,000 that is Lacy Bbe. The song is Glow. That was awesome, very 505 00:52:24,039 --> 00:52:29,119 cool, very cool. Jay Fed's on the chat room going right on, 506 00:52:29,480 --> 00:52:37,639 go on in oh so true, so true. The time goes quickly, 507 00:52:37,800 --> 00:52:40,920 but I want to make sure I definitely we want to hear one more. 508 00:52:42,000 --> 00:52:45,079 But also yeah, yeah, but I also want to make sure people know 509 00:52:45,119 --> 00:52:47,880 where to find you online. Yeah. Also you can come see me at 510 00:52:47,920 --> 00:52:52,280 the Jungle tomorrow. Okay, yep, be at the Jungle in Boston, 511 00:52:52,360 --> 00:52:54,920 Summerville, five to eight, free show, Come on in, have some 512 00:52:55,360 --> 00:53:00,920 food, have some drink, gotta be unheard. Is gonna be the uh 513 00:53:00,119 --> 00:53:08,559 Nicole uh shoot, can't remember her name, Nicole wonderpuol and and fish Max 514 00:53:08,639 --> 00:53:12,679 two. We'll all be on that built with who I am and it's gonna 515 00:53:12,679 --> 00:53:16,679 be an awesome show at the Jungle. Everybody, come on down, yes, 516 00:53:16,800 --> 00:53:21,599 yes, so. And then if you want to go online find my 517 00:53:21,679 --> 00:53:25,639 stuff, go to Facebook, go to who I Am on Facebook. It's 518 00:53:25,719 --> 00:53:30,239 right there. And if you go to I have a Facebook page, that's 519 00:53:30,320 --> 00:53:37,360 the TWRS that's my radio show. You can also go to band camp and 520 00:53:37,639 --> 00:53:40,079 resource my songs if you want. They're all all my releases. I have 521 00:53:40,159 --> 00:53:45,480 five releases okay that we played some last time that was fun. Yeah, 522 00:53:46,400 --> 00:53:52,159 so yeah, those are the and then YouTube too, basically everywhere TikTok, 523 00:53:52,800 --> 00:53:54,159 I'm on all of them. Yeah, and I'm putting stuff out too, 524 00:53:54,280 --> 00:53:57,559 fun stuff, just who I Am stuff. You just want to see who 525 00:53:57,559 --> 00:54:06,400 I Am performing and you know, doing her musical journey. Yeah, it's 526 00:54:06,440 --> 00:54:09,239 almost like, you know, if you want to see one part of the 527 00:54:09,360 --> 00:54:12,719 journey, you go to TikTok. You want to see another part of the 528 00:54:12,800 --> 00:54:15,880 journey, you go to YouTube if you want to see different and so all 529 00:54:15,920 --> 00:54:20,039 these are different parts of the Who I Am journey. Okay, okay, 530 00:54:20,320 --> 00:54:22,320 And remind us about the radio show too that you do. Radio show is 531 00:54:22,400 --> 00:54:28,519 Thursdays from five to six Thursdays from five to six on WRB Rocks Dot com 532 00:54:28,719 --> 00:54:36,480 that's Wave Radio Boston and I do I do. It's a live show from 533 00:54:36,519 --> 00:54:42,519 five to six yep. And I will either play all local songs on like 534 00:54:42,599 --> 00:54:45,039 a song playlist situation, and a lot of them are my friends and people 535 00:54:45,039 --> 00:54:50,239 I've seen out in town, so I talk about that. And then a 536 00:54:50,280 --> 00:54:52,639 lot of times I have guests in, like next week, I have the 537 00:54:52,719 --> 00:54:55,360 Fantastic Trees coming into my show. Cool, and they're gonna do some live 538 00:54:55,519 --> 00:55:00,199 music and stuff. So that's always fun. So yeah, yeah, local 539 00:55:00,320 --> 00:55:05,239 music, local live. Who I Am Radio show outstanding, outstanding? All 540 00:55:05,320 --> 00:55:19,199 right, uh Lacy, let's hear one more. Okay, uh okay, 541 00:55:19,400 --> 00:55:22,559 we'll do. Let's go, let's go. All right, this is let's 542 00:55:22,599 --> 00:55:57,599 go, Lacey bbe who I Am? Everybody come by the time. Everybody 543 00:56:05,239 --> 00:56:15,800 get this hor You just have to stay well, they must be that time 544 00:56:19,679 --> 00:56:31,320 when the lights go down. The means radle time place stay go everybody out 545 00:56:31,440 --> 00:56:42,800 yo. See now let's come to the place, you know, Let's go, 546 00:56:43,079 --> 00:56:54,440 let's come be born to the farm. Don't let it go God, 547 00:56:54,559 --> 00:57:00,199 let it grow, go, let it grow. Step been to the Live 548 00:57:00,519 --> 00:57:09,599 hundred to find your way way. Yeah, you just happened to the moment, 549 00:57:12,239 --> 00:57:22,480 So make it today? Would it must be that time? The Let's 550 00:57:22,559 --> 00:57:32,559 go down there the beach right on time. Only want place to go. 551 00:57:34,679 --> 00:57:40,519 Everybody up and you'll see you. Now, let's go to the place you 552 00:57:40,679 --> 00:57:55,400 know, right, you contend at least let's go beep cross the fo live 553 00:57:55,480 --> 00:58:00,960 in the trees. It's not what it seems. That what it seems. 554 00:58:01,920 --> 00:58:09,400 You'll love the tree. Oh yeah, you'll love the tree. You'll love 555 00:58:09,559 --> 00:58:23,920 the tree. Yeah. Everybody wants their face your bother time, Taylor, 556 00:58:27,400 --> 00:58:37,880 it's too late. One more time. Let's go be born of the moon. 557 00:58:40,400 --> 00:58:52,320 Let's go, let's go be part of the show one more too, 558 00:58:55,519 --> 00:59:07,800 everybody, very nice, very nice, Lacey BB who I am, great 559 00:59:07,840 --> 00:59:09,840 stuff, And all right, we gotta go, Lacy, thank you again 560 00:59:09,920 --> 00:59:15,880 so much. Absolutely absolutely, And if you're listening live stick around. Coming 561 00:59:15,960 --> 00:59:20,679 up in the third hour, lou Antonucci is here, so don't go anywhere. 562 00:59:20,800 --> 00:59:23,440 And I think as we uh finish out this hour, I'm gonna play 563 00:59:23,440 --> 00:59:25,079 a little a little edge wise for you.