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Life isn't fair, justice is blind
and dysfunctional, and some cops aren't smart

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and dedicated, like on television This
is Who Killed Teresa. There's an interesting

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article in The New York Review of
Books on true crime writer Sarah Wineman.

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If you don't know Wineman, she's
had a newsletter for years called The Crime

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Lady. In twenty eighteen, she
published her first book, The Real Lolita,

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The Kidnapping of Sally Horner and the
Novel that scandalized the world. In

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his review Peddling Darkness, John Jay
Lennon writes about Wineman's latest book, Scoundrel,

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how a convicted murderer persuaded the women
who loved him, the conservative establishment,

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and the courts to set him free. Note to myself, stay away

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from the wordy titles. Scoundrel tells
the tale of Edgar Smith, who in

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nineteen fifty seven abducted and bludgeoned to
death of fifteen year old girl. Smith

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confessed to the killing and was sitting
on death row when a conservative angel appeared

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in the form of William F.
Buckley. Despite his confession, Smith convinced

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himself that it was sort of a
false memory. The National Review founder became

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convinced of Smith's innocence and eventually finangled
in early release after Smith had served a

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fourteen plus year sentence. And you
know the end of this story. It's

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a Norman Mailer, Jack Henry Abbott, fully ad Smith went on to murder

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again. In its review, John
J. Lennon is critical of Wineman,

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arguing there's almost a perverse voyeurism to
her writing. Her interest in crime and

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all its grisly details is not unself
aware. In her editor's note for an

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anthology called Unspeakable Acts True Tales of
Crime, Murder, deceit and Obsession,

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she acknowledges the problems inherent to what
I think of as the true crime industrial

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complex, which turns crime and murder
into entertainment for the masses. With scoundrel

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she spins this yarn of human darkness. Nonetheless, where have I heard this

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before? In the summer twenty twenty, Wyman wrote a piece for BuzzFeed,

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The Future of True Crime will have
to be Different, where she went through

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the laundry list of the then recently
unspeakable acts of injustice, George Floyd,

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Brionna Taylor, Raychard Brooks, and
Maud Aubrey instructing us all to do better,

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and this is from the BuzzFeed article. Changing the very nature of the

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stories that are published, produced and
marketed is paramount. Rethinking the concept of

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entertainment and what narrative structure is supposed
to accomplish is critical. Only then can

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the myths that underpin the true crime
genre, where murder and sexiness are permanently

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decoupled, where the Wikipedia browns aren't
parroting the police party line, where serial

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killers aren't transformed into boogeyman, and
where catharsis doesn't come at the expense of

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black bodies be banished for good.
At the time, I thought of calling

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her out on this BuzzFeed piece,
but I had my own true crime book

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coming out that fall. The last
thing I wanted to do was pick a

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fight with one of the biggest guerrillas
perched upon the crime writing fence. Now

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it appears that in twenty twenty three, Wyman is doing no better. Did

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this standard not apply to her?
And Lennon picks up on this in his

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review of Scoundrel Missus Lennon again.
Yet, as the book proceeds, this

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attempt to bring her story in line
with the language of anti racist, criminal

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justice reform begins to feel forced,
as though Wineman is pandering or trying to

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check an obligatory ethical box before telling
a conventional true crime story. Lennon argues

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that Wineman always positions herself as an
advocate, but her body of work has

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yet to tackle an in depth investigation
of injustice of the legal system, and

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he seems to suggest that Wyman must
tackle some essential piece of social justice writing

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to stay relevant, to which I
say, God forbid it for me.

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Winman needs to do just the opposite, stop moralizing and focus on what she

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does best, research investigation and consistent
crime writing. I need to pause here

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and add that John Jay Lennon is
a convicted murderer. When I went to

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zip off an email to Lennon,
thanking him for calling out what I believe

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is an emerging problem and true crime, I found that I couldn't contact him

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so easily. As a federal inmate
at the Sullivan Correctional Facility in Fallsburg,

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New York, the only way to
reach shoot Lennon is to send him a

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letter. In two thousand and one, at twenty four, John Jay Lennon

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was convicted of shooting and killing a
man on a Brooklyn Street. He is

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inmate zero four A zero eight two
three serving a twenty eight year sentence for

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the sale of drugs, unlicensed operation
of a motor vehicle, criminal possession of

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a weapon, and second degree Lennon
is scheduled for release in twenty twenty eight.

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I understand Lennon's desire to position himself
as an advocate on the other side

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of the justice equation, But isn't
that just another way of saying you're trying

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to make yourself stand out from an
already very crowded field. Lennon is himself

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a crime writer, with a new
book coming out next year called The Tragedy

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of True Crime. We're all jockeying
for position. Do the hustle. I

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believe Lennon goes a little too far
in criticizing Wineman for writing Smith during his

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second term in prison and appearing to
bait and belittle him, that you should

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talk to me, you want to
get your side of the story. Right

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card is a weapon every good investigative
reporter holds in their arsenal. It's naive

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to think we don't resort to such
psychological tricks. So Wineman was a little

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sneaky. I like sneaky. The
only reason I haven't played that card myself

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is that I haven't been forced to
do so. But I play the game

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of manipulation as well as anyone.
You have to if you want to produce

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a semblance of truth, because people
don't follow simple logic, especially criminals.

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They're cunning and deceptive. Behavior is
complex more than anything. That probably explains

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the thirst for true crime. I
do side with Lennon in his writing about

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exploitation in the true crime engine by
the media, he describes a suspicious moment

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when he was asked to participate in
a television program called Inside, hosted by

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Chris Cuomo. Levin thought the show
was about inmates coping with incarceration, only

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to discover when the camera was re
rolling that the full title was inside Evil.

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Immediately came the stock questions asking him
to retrace his steps the night of

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the murder. The resulting episode included
all the lured tropes, close ups of

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mugshots, shadowy slow motion reenactments of
the shooting, scary background music. It's

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what drove me to say last time
that I doubt I will ever work with

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Polizon on her on the case true
crime program that's infotainment. I know their

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paint box, shaky cameras, scary
music, things that go bump in the

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night. Above all, a host
that will try to disempower victims of crime

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by trying to coax them into an
emotional breakdown, and a robust at a

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boy endorsement of law enforcement without scrutiny. I have no time for that nonsense.

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Sarah Wiseman doesn't need to say separate
herself from the Wikipedia Browns. She's

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a gifted writer who should stop apologizing
for the lured dominion that interests her and

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embrace it with relentless consistency. I
like her writing a lot better when she's

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just the crying lady own it Sarah. I suspect some of this comes from

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egging on from the book industry.
Publishers loved push writers into making their historical

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stories relevant to today's issues. I
once made a pitch for a project about

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my father, who was involved in
Canada's nuclear industry for his entire forty year

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career. It was going to be
a simple tale of how he touched all

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the Canadian nuclear flashpoints, Pickering ge
and Peterborough, Chalk River and eventually the

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construction of Point Laprox in New Brunswick. But then suddenly it couldn't just be

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that. I was asked to join
the current nuclear debate and talk about everything

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from Chernobyl nuclear as clean energy,
the environmental crisis, the restarting of mothballed

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plants, and all sorts of current
event crap about which I have no interest

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in writing. I have no desire
to be a windy wonking parrot Readers are

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smart. They will recognize a moral
message without you having to write it.

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Tim Tyson doesn't need to tell us
that Blood Dun Sign My Name is more

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than just a book about a lynching
in Oxford, North Carolina. Jessica McDiarmid's

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Highway of Tears is powerful because she
doesn't extend her credit by telling us the

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plight of murdered and missing Indigenous women
and girls is bad. She documents,

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I am prone to playing the moral
card as much as anyone, and anytime

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I pull it, I think twice
because it feels dishonest and opportunistic. I

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don't need to add that baggage.
I prefer to employ a soft advocacy.

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If you create an awareness of the
justice problem, that should be enough,

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No need to bray about it.
I'm the brother of a murder victim.

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That's my calling card. I recently
sat down and interviewed one of Quebec's most

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venerated crime journalists. No, it
wasn't Andrea Sadilu. I'm going to paraphrase

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what he told me because it's the
opening quote from the book I'm working on.

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I don't want to steal my own
fire. You don't have to make

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a big moralizing speech, just tell
the truth. That story was suggested to

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me by a Jack Todd. If
you don't know Jack, he's one of

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the last men standing at the Montreal
Gazette cover sports, particularly the hockey team,

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the Montreal Canadians, in a long
prestigious line from from Red Fisher to

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Mike Boone the very recently retired Pat
Hickey. I think he and Stukekalarn standalone

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now as the last two at at
that great paper which is struggling. In

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addition to writing a sports callumn Jack, Jack has written for the Gazette about

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all kinds of things, particularly as
an advocate for women's rights, for for

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decades I think, I think since
since the early nineteen nineties and He's an

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author in his own right. He
writes fantastic fiction. You might know Jack

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if you're from the United States.
He's featured in Ken Burns documentary on the

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Vietnam War, in the episode about
America and who refused to fight and chose

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to cross the border into Canada.
I forget what it's one of the later

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episodes where Jack comes up. So
he's in that, and I'm kind of

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astonished that we even became like social
media friends. My dad would flip out

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if you knew the guy that he
regularly read this sports calumn that were kind

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of brothers in trouble, good trouble. Anyway, he sent me a message

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pointing out this this piece in the
New York Review of Books, saying,

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you know, I think that's this
thing is in your your wheelhouse. You

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might want to take a look at
it, which was very kind. Today

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is a quick stop in I wanted
to show my face, then not show

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my face. Hear my voice not
here or my voice, which is good

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for you. You get an extra
because otherwise there was I was either going

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to accelerate a project to where I
didn't want to accelerate it, or or

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and ind sewing making it extend far
longer than it need to extend. And

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now I'm kind of able to let
it breathe and let it have its its

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own, its own space. We're
gonna coming up revisit the cases of dancybo

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in nineteen seventy five Montreal murder of
d'antibo, followed by the seventy nine murder

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of Nicole Gudreaux, and then finally
a look in once once more into the

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nineteen eighty five IF Montreal murder of
Francine de Silva, which I think you

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will enjoy. It will be u
timely release, I'm hoping, and that

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will kind of round things out.
Before I moved to new content. I'll

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do one more piece. I think
the forty eighth anniversary of Sharon Pryor's murder

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in Long Day's coming up. I'm
going to say some words about that,

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and then I'm going to move to
new content. Oh boy, three cheers

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at a tiger for you. Did
you take some? Because I got some

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time today. The interesting background on
the you know, the evolution of the

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Tibou case. Recall I think that's
one of the first podcasts I did on

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Dian Tibou. Like maybe in the
second year. We're in year seven now

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or I discussed it. If you
don't remember, She's a woman who frequented

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the main in say Laurent Boulevard,
the main area in Montreal Brothels if you

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will, UM, by all appearances
a sex trade worker. UM. When

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when she was murdered by a fellow, namend Edmund Turcott, who confessed to

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the murder, but then in court
the confession was thrown out and and that

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was it. UM. After I
did that podcast, Christian Gravener from Kolopolis

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contacted me and said, there's a
there's a writer with Lapress who's very interested

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in this and would like to do
a follow up article on it. Would

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you speak to him? UM?
And I said yes, and that that

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writer was Nicholas Berubi UM. And
so began a series of cooperative articles in

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Lapress by Nick stories that I had
developed and then he expanded upon and this

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was one of them. And his
follow up piece obviously took this story much

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further. He managed to interview some
of the original cops who worked to the

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s boat case. He managed to
interview Edmund Turcott's lawyer, Rayal Chateauneuf.

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I believe his name is Um and
he even tried to track down Edmund Turcott

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to no success. So it was
really it was really Christian Gravener who acted

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as a conduit who brought me together
with Nick Berube, which is has been

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very very it has been very very
good. When I'm in Montreal and I

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have time, there's a coffee shop
and from where we meet and kind of

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sit together and exchange information and mostly
I think I've talked about this. You

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got to talk about our kids.
He's got a young family. I have

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a nut so young family anymore.
So that's that's how that came about.

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And so you know, beginning next
time, we'll start with the anti bow

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and in turn, what I have
to say builds upon what Nick wrote,

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takes it even takes it even further. So I think I think you'll find

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that well provocative. I know you
will. I've already written it. It's

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all um, because because I have
to be very planned here with the editing

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and finishing of that case is not
here, I've kind of split the week

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into doing this and then and then
editing, which is which is funny.

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I came up with that writing schedule
from Courtney Mom, who wrote a book

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years ago called You Know What to
Expect in the What to Expect when You're

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Expecting your first book. That came
that writing approach and a lot of recommendations

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on how to be a writer came
from Courtney Mom. And the recommendation to

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read Courtney and really understand her came
from Sarah Wineman. Sarah's a Canadian,

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she graduated from McGill, lives in
New York. Now. But I wrote

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Sarah and explained to her that I
had a book coming out and I really

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kind of didn't know what I was
doing and what should I do. And

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she recommended to me Courtney's book.
So there's these twin tower parallels passing information.

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Christian Gravener to Nick Berube, Sarah
Wineman, Courtney Mom. She's kind

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of interesting. I'm clearly filling time
here. Play some more music. If

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you like the podcast, you can
follow us on social media. The best

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place to go is the website tree
sell Or dot com, t h e

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R E s A A L l
o R E, plant gam And if

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you go there to the right,
there's all those social media links where you

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can find us on Facebook, Twitter, Instagram, TikTok now Occasionally uh,

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and most importantly the Substack paid.
I'm John Allre dot substack dot com where

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you can get the newsletter, subscribe
to that, etc. Um. But

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go to the website. That's the
best place to find me. And certainly

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with all of those things avenues.
You can comment on the web page.

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You can comment on sub Stack.
You can if you go to the Facebook

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page Tersall or the podcast, you
can comment there. If I see it,

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I'll try to write back. I
LEAs try to write back, but

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it's appreciated, and share this story. Share today's post. I greatly appreciate

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it. It passed around. See
what people think. People may not like

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it, they may like it,
who knows. But I thought it was

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worthy of things we've themes we've been
discussing, and other subjects that we touch

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upon. That's it. That's it
for today. That's all I have to

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say. Quick in and out,
but just dropped in to say, hello,

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this has been Who killed Teresa?
I'm your host, John Allre.

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Have yourself a great great days trying
to be bewhere emotional. She's a mentat

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in the Gaga stand by the Gaga
Bay in the Gargaga that bomployed Chip chipping

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the boy who invented the chipping book, Girl who's biping dog? There's another

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marketing comploy. Chipping is that chipping
the boy chipping boy? The chipping a

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girl? Chipping the dog is chipping
the boy chipping a boy? Is that

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chipping a girl? Chipping a girl? Is the chimpering All emotion