Welcome to this week's Sunday Encore. This week we'll be featuring a classic story
starring Edgar Allen Poe's famous detective August Dupon, as well as a bonus story.
If you want to hear the rest of our Dupon stories, they are
on our Old Time Radio Mystery Specials feed and also included as part of our
Volume two feed from season four at Volume two dot Great Actives dot net.
And as a reminder, any offers and websites mentioned in the podcast may not
be valid, please refer to our current website. And now we bring you
today's Encore. Welcome to the Great Detectives of Old Time Radio from Boise,
Idaho. This is your host, Adam Graham. If you have a common
email it to us Box thirteen at Great Detectives dot net, follow us on
Twitter at Radio Detectives, and become one of our friends on Facebook, Facebook
dot com slash Radio Detectives. Today's episodes brought to you by the financial support
of our listeners, including Jason, Aaron, Arnett and Todd will be sending
along access to our premium site, which we do with all donations of seven
dollars or more and We're going to go ahead and begin today's program. I'm
actually excited about this particular series of programs. We're going to take a look
at the earliest fictional detective stories written by Edgar Allan Poe from eighteen forty one
to eighteen forty four and featuring August Dupon. Hour before we get started,
I came across a radio program kind of interesting. It's an episode of can
You Imagine That? Can You Imagine That? Was a nineteen forty radio program
syndicated and this was from its thirty fifth episode, and host Lindsey McCarey included
a segment on what he considered the earliest detective story. So let's go ahead
and we will take a listen to can You Imagine That's adaptation of Bell and
the Dragon. Then think, what would be your guest as to the oldest
detective story in the world. Well, I think I've found it. At
least I'll challenge anyone to find an older detective story. One of the books
of the Apocryphae in the original King James version of the Bible is entitled The
History of the Destruction of Bell and the Dragon. And in this book,
I believe you'll find the oldest detective story in the world. We're going to
dramatize it for you, and here it is now. The Babylonians had an
idol called Bell. They were spent upon him every day twelve great measures of
fine flour, and forty sheep, and six vessels of wine. The king
worshiped it, but Daniel worshiped his own God, and said, unto the
King, O King, be not, for this is but play within and
brass without, and did never eat or drink anything. What sayest thou,
o, my priest, Come, hilly priests of Babilon. If ye tell
me not who this is that devoureth these expenses, ye shall die. But
if ye can certify me that bel devoureth them, then Daniel shall die,
for he hath spoken blasphemy against Bell. What sayest thou Daniel, can it
be according to thy word? Come then to the temple of Bell, Then
said the high priest of Bell. We go out, But thou King,
set on the meat, and make ready the wine, and shut the dwarf
fest and seal it with thine own signet. And tomorrow when thou comest him,
if thou findest not that Bell has eaten a fall, we will suffer
death or else, Daniel, that speaketh palsely against us. So when they
were gone forth the King set meats before bell. Now Daniel had commanded his
servants to bring ashes, and those they strewed throughout all the temple in the
presence of the king alone. Then they went out and shut the door and
sealed it with the king's signet, and so departed in the morning. Betime,
oh seest thou Daniel, the meets in the wine are gone. Great
art thou, o Bell, and with THEE is no dee seat at all.
Ha ha, Hold, o King, and turn up the temple.
Hearest thou up on the floor where my servants have strewed the ashes. Behold
now the pavement, and mark well whose footsteps are these? I see the
footsteps of men, women and children? E priests? What mean these footsteps?
O? King? Forgive us, for we have sinned against thee.
What meanest thou priests see we have made under the table a secret staw through
this store we have made in three by night we our wives and children.
We have eaten of the meats and drunk of the wine. Now has set
before bed. Then you post she'll die. Thus, by spreading ashes on
the floor of the temple, Daniel proved the hoax perpetrated by the priests of
Bell and saved his own life. And ladies and gentlemen, I maintained this
is the oldest detective story in the world, for it happened sixth centuries before
the birth of Christ. Welcome back. Well, definitely quite a few elements
present there and a pretty interesting program. Our main event today is the episode
of The Weird Circle. This was a wartime NBC transsyndicated series with mostly focused
on stories with an element of wour, but this one plays mostly strongly in
the original detective genre, in which in which basically Edgar Allen Poe created,
and we'll see here a lot of things are quite familiar in this adaptation of
the first of the Dupon stories. We don't have cancel lists, unfortunately,
but we do know that according to the Digital Deli, this episode aired November
twentieth of nineteen forty three, and the title is the Murders in the Room
Morgue The Weird Circle in this case with the Restless Sea, we are meant
to call from out of the pastest stories, strange and weird baller. Keeper
toll the bell so that all may know we are gathered again in the weird
circle. W boy, we go again, the immortial tail, the more
gentlemen, gentlemen, Please, may I have your attention to anyway? I
didn't ask you to come to my humble apartment tonight to endeavor to stun you
with my superior knowledge of crime and criminals. I've asked your here only to
prove to you that the murders in the room all present no great insoluble mystery.
Monsieur du Pare you think the case is so obvious? Tell me who
is the murderer? He will be here shortly, Monsieur the Prefect the police.
Who is it murderer here? Gentlemen, I give you my word,
as a man of honor, that he will be here in my apartment at
precisely ten o'clock this evening. How can you be so sure I have asked
him to come? It is exactly nine o'clock now, gentlemen, and in
the hour remaining to us before we meet the murderer, I shall explain to
you as simply as I can how I managed to arrive at my conclusion.
Yes, do Monsieur Dupins, I'm always interested in guess work. Guess work,
my dear fellow, this is not guesswork. No, now, gentlemen,
let us retrace the case. The story begins if I'm not mistaken with
Madame less Bone and her daughter Camille on the afternoon of December sixteenth, eighteen
forty one. Well, of course you're correct so far. Anyway, Dupin,
I vow monsieurle Prefect. Madame us Pone and her daughter Camille entered the
Bank of France at precisely two forty five in the afternoon to transact important business.
Oh, Madame Lessbonnet, I've been waiting for you, so good of
you, Monsieur Lebon. Have you met my daughter Camille? I don't think
I've had the pleasure. How do you do, mademoiselle, How do you
do, Monsieur Lebon. Are you quite sure, Madame Lesprenet, that you
wish to withdraw all this money at this time? Quite positive? But four
thousand francs is a great deal to keep about one's household, Madame. I'm
quite aware of the danger involved, Monsieur Lebon. But if the bank keeps
this withdrawal, quiet, nobody else need know that I have a sum of
money in the house. Well, thanks, do get about, Madame.
There's no use inviting unnecessary danger. The danger is my problems you, lebon.
I think we'd better let the matter drop with that. Have you any
protection against possible thievery at home? Madame, no, monsieur, but my
man I have protection enough. We both knock our doors. It's absolutely impossible
for anybody to enter the house unless he should break the door down. W
does any male protector live in the house. My husband died many years ago.
No doubt misunderstands me. I'm only asking these questions for your own good.
Two unprotected women living alone in a large house can invite troubled That is
our problem. If Madame insists, and I do insist very well, Madame,
I have the money here. I myself will see you both home to
ensure safe delivery. But let me warn you now, the minute you arrive
in your home on the room Morgue, the Bank of France resigns all future
responsibility. We understand, monsieur Lebon. We understand perfectly. So, gentlemen,
the first step in this little tragedy was completed. Madamespanny and her daughter
insisted on taking the money home from the bank. Monsieur Lebon drove them in
his carriage to their house, the large, bleak house number twelve Rumor.
When they arrived there, Monsieur Lebon looked about to the gendarmes who was in
charge of that particular block. May I help you out, mademoiselle commune,
Oh, thank you, Monsieur Leban, Madame, thank you, thank you?
Is that the gendarme on the corner of the gendarme usually on this block?
Not having had any reason to talk to the gendarme Monsieur Lebon, I
wouldn't know. Yes, I think it is, Monsieur Jona. Y're not
all the fuss over a little money. Really, you'd think we were incapable
of taking care of ourselves. Well, I think mosie lea Ball is very
thoughtful. Mammo GenAm, Monsieur coming, Do you live on the first floor,
Madame less on the fourth floor? In the back of the house.
I own this house and I've shut up all the other rooms. You mean
this entire house is unoccupied? It call me micheur, yes, I did.
I want you to keep a special watch on this house for the next
week. Or so, Madame less Pinet and her daughter will have a considerable
amount of money in the house. I will watch the house like a watchdog.
You would be better off if you did it like a man. Then
you'd use your head instead of your feet. Monsieur, what is your name?
Jeaname Gendarmes a door, muse? Very well, Giendarme, is it
or muse? I leave these ladies in your care. You needn't worry about
a thing, Mademoiselle, and Madam I'm sure we won't. That is,
as long as you don't spread the news around the neighborhood that we've got four
thousand francs hidden here in the house. Oh me, Madame, I am
the law, and your secret is safe with me. Come along, Mamma
getting hungry, yest, thank you so much for all you've done, Monsieur
lebon. It is nothing, mademoiselle, nothing at all, just a courtesy
extended by the Bank of France. I'll keep good watch. Be assured of
that. I'll keep very good watch. Well, gentlemen, gentlemen, let
us proceed to the next event. Young d Arme isidore, muse kept a
very good watch and number twelve um at eleven o'clock, the evening of the
tragedy, he strolled into the shop two doors away from Number twelve to buy
a pouch of tobacco and to chat with his very good friend Pierre Moreau,
a tiny man known as the neighborhood goussin. Good evening, a good evening,
good evening, friend, is it? Or good evening? Day evening.
I've been waiting for you. Yes, I've been waiting for you.
You usually dropped in at nine o'clock. And I said to myself, as
I sat here waiting for you, I said, deck, where's my good
friend? Is a door? It's been a busy evening this evening, That's
what I said to myself. If is a door doesn't drop in to buy
his usual box of tobacco, he's busy. There must be big news abroad.
But then how could there be big news abroad on this blot. That's
what I said. You were wrong here, very wrong, wrong, Eh,
there is big news? Severing? Nod No, Well, then I
give up. It's a secret secret. What could be a secret. Somebody
got married, that's no secret. Somebody died, that's no secret. Either.
A child is ill, a contagious disease, an epidemic, or Paris
will be infected. No, but I can't guess if you promise not to
tell a soul, not a soul. Well, Madame Lesbiger and her daughter
Camille have withdrawn four thousand francs from the bank today and have it hidden in
the house somewhere. No, and I must stand on God naturally, naturally,
but don't tell a soul. No, not a soul on honor,
not a single soul. Is it my word, honor? I swear it
now. And so by midnight, gentlemen, the entire neighborhood in the room
Orgue was buzzing four thousand francs in the lesban A household. I hear it
with ten thousand two women, all of all. Imagine twenty thousand francs.
I wonder where all that jewelry must be, a velitable fortune hidden away?
Do you know what they say? She's got money hidden in every corner of
the house. Imagine almost a million francs in that house. I always knew
there was something strange about those two women living all alone in a house like
that, and in the rear fourth floor, Yes, sitting in the bedroom
to the fourth floor rear. But while the neighborhood was busy gossiping and chattering,
Mademoiselle Camille and her mother were completely unaware of the commotion they had caused.
It was almost three in the morning, Camille had just finished undressing,
and her mother was sitting in front of the mirror, brushing her hair so
that they didn't notice the window opening in back of them. Oh, I'm
so tired, mamma, Poor Camille. It's been a very busy day.
You know, I thought that Monsieur lebar was very nice. He seems fairly
affable. Oh, mamma, fairly affable. I thought he was perfectly charming.
No concerned over us. No man ever gets that concerned over me.
Must have been you, darling. All men sick? Look in the mirror,
may calm, camell do't the night got a raise in his feet?
Oh, move, came that's hid. He's coming closer. Way, Kennan,
Where should we go into the closet? Memo, mind to the cot
close the door? How terrible, terrible, how awful? Quite right,
gentlemen, simply ghastly. We fully realized that this is a horrible atrocity.
But we must remain factual. While all this was going on on the fourth
floor of number twelve, Loo morg the gendarme as a dorm you say,
a little Tobacconi pire morole you c Lebon, who strangely enough, was in
the neighborhood at that very moment, and the passer by a sailor. All
four were attracted by the screams of the two women and immediately trying to break
into number twelve. I'll stand back, everybody while I break the door down.
Stand back. This is a gendarme's job to break it down, his
door, break it down. Follow me, everybody, I'll these stairs with
the ball floor right behind you, start right behind you. Coun this keep
gone. Yeah, wait, wait, wait, listen, listen. He's
leaking Italian. No, it's less than this. No Italian, Pierre.
I think it's Polish. You know, police Lebon. You have heard Polish
woman. No, No, but I think it's Italian, Russian and a
lot of you know what you're talking about. It he stopped speaking, hasn't
he? Yes? Probably escaped hares Probably. I wonder try the door.
Can you open this door? No, it's locked. I think we're too
late. I'm sure of it. Say that I warned you about the gendarme.
Oh, let's let's break the door down one two. Look look what
all the entire romans wrecked, just exactly as if a maniac had torn up
the place. The bed's torn a podcast, I say, ol the seven
seas. But I've never seen a face look like this in my entire life.
Levon were Mademoiselle Camille and her mother? I don't know. They're not
in here. Look where they're in the fireplace. This Mademoisellechemille, Yeah,
yes, dead dead poor girl. Here help me, somebody help me lift
her up. Look look how this window. The old woman is lying in
the courtyard below the same is right, absolutely right, She's lying in the
courtyard below. Dead is a dead fish, oh, probably twice as dead.
Somebody is guilly of this somebody, and as a member of the Paris
Police, I mean to find out who that guilty person is. Yes,
gentlemen, is a dorm usage and swore up and down that he would find
the murderer. Well, at four o'clock that morning, I was awakened from
a sound sleep and called to number twelve the More to examine the evidence.
Monsieur Gendarme was running around the room destroying the evidence, or at least what
the little evidence there was, as fast as he unearthed it. The three
gentlemen who had been there with him were still waiting around out of a combined
feeling of horror and curiosity. The sailor whose name escaped me was sitting on
what was left of a bed, staring blankly around the room. Monsieur Pierre
Morou, the tobacconist, was watching Isadorem museae the gendarmes play detective. He
played it badly, and Monsieur Lebon was a picture of dejection. I entered
the room and gazed about while Isadore supplied me with all the facts in the
case, at least from his point of view. And that is exactly what
happened, Monsieur Dublant. Very interesting, Monadore. Music. And now,
gentlemen, I wish to ask just a few questions. Now, all of
you seem to think you heard the voice of the murder. Yes, yes,
indeed, well we did definitely not about it. And you, monsieur,
you are positive that the murderer is an Italian? Positive, Monsieur Dupan,
absolutely positive. I could tell by his intonation. Do you speak Italian?
Oh? No, definitely not. Have you ever heard Italian spoken?
No, Monsieur never, But I imagine you imagine what I imagine it would
sound like that. I see. And you, Missie Lebon, you said
it was Polish. Definitely Polish, without a doubt, I judge you have
lived in Poland a long time at all all but I heard Polish spoken once
once. Yes, that makes you an excellent judge of the Polish language.
How about you, Monsieur Pierremore. What language did you say? It was
Russian? I thought that, but that's only a guess, since I admit,
and I admitted very freely, I'm not a man to hedge. I've
never heard a word of Russian in my light. I thought so. And
how about you, Sir? I thought it was Dutch. I don't speak
the Dutch language, but I have heard a considerable amount of Dutch spoken when
I was in Holland eight years ago, eight years ago. I don't mean
to make a suggestion, Monsieur de Pant, but Monsieur Levon was the only
man besides myself who knew about the money being kept in this house. What
are you insinuating Monsieur Muse, insinuating, I'm an officer of the law,
and I think it was very peculiar that you should just happen to be in
this neighborhood at three o'clock in the morning. Don't you live in this neighborhood,
Monsieur Levon, No, but I have good reason to be here.
Oh, so suppose you tell us, Well, I was worried about Mademoiselle
Camille. I was rather attracted to the young lady. And well, I
had a feeling that there would be trouble over the money. Well, I
was in the corner cafe having some tea until about ten minutes before the murder
occurred, strolled by the house on your way home. Correct, quite correct,
My tobacco store is open all night. All tobacco stores are open all
night, Monsieur Pierre Moro. I was just walking by. I didn't steal
the money. It was naturally nobody stole the money. It's in the safe
behind this wall. Are you positive, Monsieur Devan, perfectly obvious that the
money hasn't been touched. These murders were far too cruel to be instigated by
man's greedy desire for financial reward. Here, let me open the safe and
show you. I happen to know an interesting combination that will open any safe.
I should have been a thief. So there, I don't open it.
Oh it did naturally. Now look there's the four thousand francs safe and
snug is a four thousand franc group of notes? Should be well, Perhaps
Monsieur Lebaugh was interrupted in the midst of his severery. Perhaps he didn't have
time to finish well runs in Monsieur Levaon was with you when you walked up
the stairs? Well? Oh, an accomplice perhaps? No? No,
no, it's a door. Muse. Let me show you something. Look
at the fingerprints on this girl's neck. Very strong, heavy prints and very
large too. Why. Yes, the murderer must have been a giant.
His head must have been twice as large as mine, and I have a
large hand his hands. Yes, yes, the murderer was a giant,
a giant with extraordinary strength. Gentlemen, I think now I have sufficient clues.
Look at this window. It's just just a window, yes, just
a window with a cord on it, A broken piece of cord. Clue
number one. Clue number two. Look, look at the dead girl's hand.
Ah, she has some hair clutched in her hand. Quite correct.
And with this cord and this hair, I can find the murderer. Gentlemen,
go home, get a good night's sleep, and I'll hand the murderer
over to the prefect of police very soon. Monsieur, don't forget to mention
that I helped you. I'm due for promotion soon. And so, monsieur,
that is the story. And you have the fact a piece of cord
and some hair. The condition of the room, the strength of the murderer,
the passion of the deed, the lack of motivation, should all suggest
to you the very same thing it suggested to me. Monsieur dupin. You
are talking in circles. Circles You mean to say you still don't know who
the murderer is. No, of course I don't know, and frankly,
Monsieur duper, I don't think you know either. Really, gentlemen, really,
gentlemen, you amaze me. Here here, monsieur prefected, examine this
piece of cord if you will. What do you make out of it?
Lord? Yes, well let me see, well appreciate well, nothing except
that well, it's it's been tour it's been torn. Yes, try to
tear it yourself? Well, try to? Well, I couldn't. It's
a very very strong cord. Ah notice anything else? Yes, now that
I look at it's got a very unusual knot in it. But what does
an unusual not prove? You will see what I mean. Presently it's the
first stroke of ten o'clock. Any minute now, gentlemen, the murderer will
enter this room. Uh, may I please ask you to extinguish all the
candles in the room, all except one. Why if Monsieur dupar will all
be murdered, which would be no great tragedy. But I wouldn't worry if
I were cool, as you say, Monsieur dupint h. Extinguish the candles,
gentlemen. Yes, now we are in some darkness. That is fine.
Listen, gentlemen. Downstairs, door to my ponce has opened and closed.
The murderer is now downstairs. He is walking up the stairs. Now
listen, listen to the head. Quiet, quiet, he's coming closer.
Gentlemen, are you ready to grab him when he enters? Yes? That
is good. Good. He is standing outside my door now, mister Leo
perfected ready, gentlemen, Yes, I mean seven, Let me go,
Let me go. So it is you, sailor. Help the sailor just
sit down. But this sailor doesn't strong enough to commit these murders. Let
me call. Please, please, please, don't study you see, sailor,
Monsieur the Prefect cannot arrest you for the murder, because although you are
responsible for the crimes, you are not guilty. I'm not guilty. I'm
not I couldn't help. Of course you couldn't. Gentlemen, it must be
obvious to you now that no man murdered these two women. The only creature
able to do it would be a borniese orangutangitan. I matched these hairs I
found in the dead woman's hand, and of course they belonged to just such
a creature. Yeah, yes, Monsieur Dupin is right. But tell me
how is this sailor involved. I own the animal. You can put an
ad on the paper saying my orangutang was captured. Oh that's why I'm here
to claim it. What didn't you realize that, Monsieur Dupin knew that the
murder was an orangutang. No, no, I didn't think anyone could solve
the murders. But I did know that whoever put the ad in the paper
knew that I was the owner of the animal, and that he was keeping
what he thought was a perfectly innocent animal. You see, I addressed my
ad personally to this sailor. This piece of cord told me a sailor wounded.
There was a sailor's not in the cord, and the knot was peculiar
to those tied down Maltese vessels. Therefore, when I put the ad in
the paper, I asked the sailor from the Maltese vessel I checked in the
name of the vessel from the sailing data in the paper to come and get
the beast or. Naturally I came to pick him up. Ah, Now
I see one question I must ask sailor. How did the orangutan get hold
of a razor? And how did he manage to escape? I had the
animal locked in my quarters. I captured him in Morton, brought him to
this country to sell to the zoo. They're very smart, you know.
Well last night when I entered my room, he was trying to shave with
my razor. When I tried to chain him up, he escaped. He
ran out into the streets, saw the light in number twelve, re Log
climbed up the lightning rod to the ladies apartments. Well, you know the
rest. Indeed we do well, gentlemen, If you have any other problems
you wish settled, call on me. Just call on Monsieur August Dupin.
Incidentally, if you'd like to see the oranguent thing, you'll find it safely
locked up in the zoom. From the time warns of the par we have
brought him in the marble. Tell oh, from the time worn pages of
the past. We have heard another immortal tale in the Weird Circle. Bout
keeper Toll the bell be here in this lonely cave by the restless sea once
again next time. Or another immortal tale in the Weird Circle, welcome back.
You can definitely see the The program's Weird Circle's general format was in that
horror genre, but just by the opening of the show, and I will
say that it can be kind of hard to wrap your mind around how pioneering
this story was because we've heard and read and seen it copied so many times
similar plots, But for eighteen forty one, this was groundbreaking stuff that would
really set the mode for a lot of characters to come, even Sherlock Holmes,
there were some elements. Even though Doyle had homes in a couple of
stories criticizing Toupon, there was still some elements there. And also Agatha Christie
had Poirot actually writing a book on Edgar Allan Poe, So there's some definite
influence here. And there's a reason why the Mystery Writers of America hand out
the Edgar Award. So that's something to keep in mind here with all we've
heard of Holmes and all we've heard of these other detectives, so much of
it really started right here in eighteen forty one, and it was a pleasure
to bring it to you. And we'll be back with another upon a mystery
entirely different actors, entirely different series. But he only had three cases chronicled
by Poe, and all were adapted at one time or another during the golden
age of radio. So it'll be a pleasure to bring them to you.
All right, Listener comments and the back, and we have this from Jason
and Arn Hi Adam, how are you or Aren and Jason, and we
just send you a little token of our appreciation for all the awesome work you
do at Great Detectors. My boyfriend Jason and I listen to your show a
lot. We used to listen to randomly the shows on archive dot org,
but it's much more fun to listen in a to a curated selection than it
is to try and find our own. Your affection and respect for old time
radio means that we can depend on you to find some real gems. Keep
up the great work well, thanks so much, and I hope to found
today's PROGRAMAGAM and appreciate your sport. We also have a comment from Steve,
who says, Hi, Adam, I've recently discovered your show here in the
UK. I would love to know how you find old episodes, what format
they're in, and the process you have to follow to get them to a
new electronic format. Well, Steve, I have to meant that my overall
process is some of boring because they're usually in electronic condition, actually always,
because I don't have any way to adapt them into from media like real to
reel tapes or transcription desks. There are people who do that, and if
you come across any transcription tapes or real to reels of old time radio,
get in touch with a qualified archivest or, you know, since these things
are kind of rare, email me and I'll find somebody, because these things
that need preserved. But most of this is things that have been turned into
have been and already taken by people who love old time radio and taken off
of the real triols or off of the transcription disc and put an m P
three format. And the vast majority of material we use, we use can
be found at archive dot org. Uh though it's a it's a bit overwhelming
to go through. There are a couple other sites I use for downloading the
shows and a few other sources, but nothing that we do here in terms
of playing the programs and the episodes is anything that couldn't be done with a
little bit of research in internet effort, you know, And so mostly off
archive dot org. A couple other science won't go into them all just mentioning
things on the air because bandwidth restrictions, some sides just can't afford to have,
you know, thousands of people just start downloading from them. Archive dot
or can for nearly every series you want to hear. You can just go
to Google put the name of the series Comma Old Time Radio MP three and
if they're out there, you can usually find some results. And I'll always
have intense respect for those people who have the machines and are able to take
them and digitize them. And that's definitely important because so much of the technology
that's out there for preserving these in hard copy really can deteriorate pretty rapidly.
So as much of this stuff as we can get digitized, the better,
and so I hope that people continue to do that work because it really is
vital. All Right, Well, that will do it for today. We
will be back tomorrow where we will wrap up Johnny Dollar Cereal and start out
with another Carter Brown mystery. In the meantime, send your comments to Box
thirteen at Great Detectives dot net, follow us on Twitter, Radio Detectives,
and become one of our friends on Facebook, Facebook dot com. Slash Radio
Detectives from Boise, Idaho. This is your host, Adam Grahamson and Off