1 00:00:01,000 --> 00:00:09,119 Wmnh rip the normals see sun Old legends never die, They just lose weight. 2 00:00:09,759 --> 00:00:12,400 It's like a legend and an out of wood bum of a lot of 3 00:00:12,599 --> 00:00:23,920 like Daddy bend it. Me and my son are here. Oh I love 4 00:00:24,000 --> 00:00:27,679 your suits. It must be at the size sixty eight, extra fat and 5 00:00:27,760 --> 00:00:31,800 a twelve dwarf. I came to make a deal. What's he get if 6 00:00:31,839 --> 00:00:37,840 he wins this truck road dale thing death? Five thousand dollars daddy chicken money? 7 00:00:38,640 --> 00:00:42,200 That's what the hell You want you to get out of this dumb ass 8 00:00:42,320 --> 00:00:51,799 rodeo and accept a real challenge. Now I'll get into Texas, Cana and 9 00:00:51,960 --> 00:00:56,359 back in twenty eight hours. That's no problem. It ain't never been done 10 00:00:56,399 --> 00:01:00,320 before. Watch the language of the lady. The problem. He said, 11 00:01:00,399 --> 00:01:04,000 poor's beer. You take that east of Texas and that's uh. That's good 12 00:01:04,040 --> 00:01:08,959 legging. I believe you're just a little bit scared. That's great psychology. 13 00:01:10,000 --> 00:01:11,879 Why don't you just say something bad about my mother? You mamma? You 14 00:01:12,079 --> 00:01:15,680 so if you make this run for me? Now, these Peterbilts here are 15 00:01:15,680 --> 00:01:19,719 worth eighty thousand dollars. That comes to about three grand an hour. If 16 00:01:19,719 --> 00:01:25,799 you make it twenty eight hours. I bought that for a challenge. You 17 00:01:25,840 --> 00:01:27,640 want to dad, I don't believe that that's list. Wait a minute, 18 00:01:27,640 --> 00:01:32,159 Wait a minute. Why do you want that beer so bad? Because he's 19 00:01:32,159 --> 00:01:36,519 thirsty? Dummy? See, I got a boy running tomorrow in the Southern 20 00:01:36,560 --> 00:01:41,359 Classic, and when he wins, I want to celebrate in style. Oh 21 00:01:41,439 --> 00:01:46,319 my style. Well I got a few friends and me four hundred cases. 22 00:01:48,560 --> 00:01:55,280 Well, well, let me see your cash bag. Enus's word is gold, 23 00:01:56,840 --> 00:02:00,680 all right, showing my cash. Go ahead. Well let's see there's 24 00:02:00,000 --> 00:02:04,200 four hundred cases of fear. I need to cast for that. No problem, 25 00:02:04,239 --> 00:02:07,959 go ahead, boy, new car. I gotta have a new car 26 00:02:07,039 --> 00:02:09,840 to block for the truck you know? Okay, go ahead? Boy? 27 00:02:10,840 --> 00:02:20,840 Like to kick kids? Mask? Just one speedy car speedier than that? 28 00:02:22,879 --> 00:02:30,000 Go ahead. Stunt Men have long been the unsung heroes of action films. 29 00:02:30,639 --> 00:02:38,159 They do the risky moves in dangerous jumps your favorite actor or actresses might not 30 00:02:38,560 --> 00:02:43,560 be keen to do. Well. There are some exceptions. They often perform 31 00:02:43,800 --> 00:02:50,560 in anonymity. One of those exceptions is legendary stuntman How need Them? And 32 00:02:50,719 --> 00:02:59,000 this week is this famed stuntman's first foray into directing released in nineteen seventy seven, 33 00:02:59,520 --> 00:03:05,280 Smoke He and the Bandit introduces us to bow Bandit Darvel played by Burt 34 00:03:05,319 --> 00:03:10,039 Reynolds. Bandit is hired by well to do Texans big Enus in his son 35 00:03:10,199 --> 00:03:17,439 Little Enus to transport illegally four hundred cases of Coor's beer. This was our 36 00:03:17,479 --> 00:03:25,759 introductory clip from Texarcana, Texas to Atlanta, Georgia with his partner Cleatus Snowman 37 00:03:27,039 --> 00:03:31,120 Snow played by Jerry Reid, who also performed the theme song to this FIP. 38 00:03:32,159 --> 00:03:38,199 Along the way, they encounter runaway bride Carrie played by Sally Field, 39 00:03:38,520 --> 00:03:43,719 who is running away from marrying the son of Sheriff Buford t Justice, who 40 00:03:43,800 --> 00:03:51,319 chases Bandit in company on their journey. It is quite remarkable that this film 41 00:03:51,400 --> 00:03:57,879 became so beloved despite being done by a first time director. In our next 42 00:03:57,919 --> 00:04:02,240 clip, hol Needum explains how we decided to direct this film, and then 43 00:04:02,400 --> 00:04:09,639 Burt Reynolds tells us about the scariest moment he performed. Most of his own 44 00:04:09,800 --> 00:04:15,399 stunts in this film. He encountered while making this movie. First of all, 45 00:04:16,560 --> 00:04:20,600 I directed a lot of second unit, so I knew camera angles and 46 00:04:20,680 --> 00:04:25,639 things, and see the good thing about a stuntman. Being a second unit 47 00:04:25,680 --> 00:04:29,759 director, you know what angles make things look quicker, faster, and so 48 00:04:29,839 --> 00:04:32,439 on and so forth. Up high makes it look slow, down low running 49 00:04:32,480 --> 00:04:36,759 right by his fast, and so on and so forth. So I knew 50 00:04:36,879 --> 00:04:40,759 the angles, I knew the cameras and so on and so forth. I 51 00:04:40,759 --> 00:04:46,600 had a good camera and so really there was nothing to be scared of. 52 00:04:46,120 --> 00:04:49,680 I mean what I told everybody, and when I started got the job, 53 00:04:49,759 --> 00:04:53,800 I said, I'm not gonna throw away my stunt bag where you carry your 54 00:04:53,800 --> 00:04:59,160 pads and things I say in cases don't work, I'll go back doing stunts. 55 00:04:59,360 --> 00:05:02,399 But I had no qualms about going down there. As a matter of 56 00:05:02,439 --> 00:05:06,279 fact, when I did the second unit not a little big Man, I 57 00:05:06,360 --> 00:05:14,360 had a scene where a customer cavalry is going across the canyon floor and they're 58 00:05:14,399 --> 00:05:17,560 playing the Garry Owens song or whatever, you know, the cavalry song, 59 00:05:17,920 --> 00:05:23,720 and Dustin Hoffman is on this rock about ready to commit suicide, and he, 60 00:05:24,439 --> 00:05:27,920 the director, sent dust the itpper. So the first second unit I 61 00:05:27,959 --> 00:05:30,439 ever did, I got one of the highest speed actors in the world up 62 00:05:30,480 --> 00:05:33,560 and tell him about active This is kind of ridiculous. So I wasn't worried 63 00:05:33,560 --> 00:05:39,519 about Smoky. The only thing, and I really wasn't this worried about it. 64 00:05:39,560 --> 00:05:42,000 But the only thing I wanted to make sure of was that I had 65 00:05:42,120 --> 00:05:46,439 all the coverage that I needed because I'm not I wasn't a customer going and 66 00:05:46,480 --> 00:05:50,399 getting a two shot or a close up or the eyes or something. So 67 00:05:50,480 --> 00:05:55,800 I had to think about that a little bit, but I had no qualms 68 00:05:55,839 --> 00:06:03,240 about going to narn Say an action. Next up, Burt Reynolds. I'll 69 00:06:03,240 --> 00:06:08,480 never forget. There was a scene where the girl at Doubles, Sally. 70 00:06:10,120 --> 00:06:15,079 She was the sweetheart of one of the stunt guys, and she was very 71 00:06:15,079 --> 00:06:18,800 capable of you know, you could throw her off a building and to fight 72 00:06:18,920 --> 00:06:23,480 stuff with her, and she was very handy, but hand on the cars 73 00:06:24,600 --> 00:06:28,560 that's a whole other thing. And she got in the car and if you 74 00:06:28,600 --> 00:06:33,079 watch the movie, it's petrifying when you think about it. And then we 75 00:06:33,879 --> 00:06:42,920 go over the wall and we land in a little league baseball game and every 76 00:06:43,000 --> 00:06:46,759 kid's mother was there, of course some of them's fathers. The old grandstands 77 00:06:46,759 --> 00:06:54,800 full of people. She's driving and she just panicked. I've never seen it. 78 00:06:54,879 --> 00:06:58,920 I've never seen this happen before with stunt people, but she didn't happen 79 00:06:58,959 --> 00:07:01,399 with acts. So you're in the car. I'm riding with her so we 80 00:07:01,439 --> 00:07:04,839 could get a camera up close on the on the right side, so we 81 00:07:04,879 --> 00:07:13,879 didn't know it wasn't Sally. Sally was watching and and she just ramped it. 82 00:07:14,800 --> 00:07:17,680 I mean, we were full out flying right, and I saw kids 83 00:07:18,040 --> 00:07:23,879 in front of the car disappear right, and I was waiting for that, 84 00:07:25,680 --> 00:07:29,399 and then went we went right over'em and it were just falling, and 85 00:07:29,560 --> 00:07:34,040 mother's two mothers fainted and I don't blame'em. And then we went through 86 00:07:34,040 --> 00:07:36,480 it all. We got out the other side, and we went through a 87 00:07:36,560 --> 00:07:42,720 h up like a half wall at the head of it, and the girl 88 00:07:42,879 --> 00:07:46,279 was, you know, she was. I didn't need to yell at her 89 00:07:46,279 --> 00:07:50,240 anything. She was. She was beating herself up pretty good when they got 90 00:07:50,279 --> 00:07:51,959 her out of the car. And I got out of the car, and 91 00:07:53,000 --> 00:07:57,920 then I ran back and I spent the afternoon with mothers, you know, 92 00:07:58,560 --> 00:08:03,399 apologizing, and and we all went to dinner, and you know again, 93 00:08:03,519 --> 00:08:09,600 that's that's those Georgia people. They just said, well, it all came 94 00:08:09,639 --> 00:08:13,160 out all right, and the kids said can we do that again? You 95 00:08:13,160 --> 00:08:16,839 know, kids are kids just loved it and we ducked down. The car 96 00:08:16,879 --> 00:08:22,199 went right over soon. I mean, if you think about it, that 97 00:08:22,199 --> 00:08:26,800 would have been the in the Blackerer for sure. I mean, you can't. 98 00:08:26,920 --> 00:08:30,879 You can't do things like that. I mean, and we should have 99 00:08:30,920 --> 00:08:33,480 had some kind of control. But we were just supposed to jump over. 100 00:08:35,200 --> 00:08:37,639 Kids have the game. He would go around the game and go through the 101 00:08:37,639 --> 00:08:43,559 wall. We went right through the middle of the game, and they wasn't 102 00:08:43,600 --> 00:08:48,840 supposed to be that way. What makes band It such a beloved character, 103 00:08:50,000 --> 00:08:56,080 in my estimation, is the fact that Burt Reynolds didn't even have to try 104 00:08:56,200 --> 00:09:01,240 for this performance. He is naturally one of those epitome of cool performers. 105 00:09:01,840 --> 00:09:09,120 There are very few actors that are just naturally cool. Steve McQueen, James 106 00:09:09,159 --> 00:09:13,919 Dean, and of course Marlon Brando come to mind. While the acting ability 107 00:09:13,960 --> 00:09:20,840 can ultimately be argued, what cannot is the qualities Reynolds carries into this film. 108 00:09:22,240 --> 00:09:26,960 He is charming, smooth, and calm in any situation. Our next 109 00:09:26,000 --> 00:09:31,639 two clips are examples of this. First, Bandit has to use his charm 110 00:09:31,639 --> 00:09:35,600 and wit to get Snowman to join him on this job. And then when 111 00:09:35,720 --> 00:09:41,200 bandit It first encounters Carrie in a wedding gown on the side of the road, 112 00:09:41,679 --> 00:09:48,480 his charm goes up another level while remaining cool under pressure. Please, 113 00:09:50,200 --> 00:09:56,559 no, I know in the past I may have done you wrong, right 114 00:09:56,639 --> 00:10:03,039 right, However, greetest, I will never ever do you wrong again? 115 00:10:03,840 --> 00:10:11,000 Right right? We have a big chance, a big chance to make a 116 00:10:11,159 --> 00:10:18,240 run for some big bucks, eighty thousand of them. Oh really, what 117 00:10:18,279 --> 00:10:20,399 are we gonna do? Can have to pot with some how'd you guess? 118 00:10:20,879 --> 00:10:24,679 No, We're just gonna run over to Texas Canna and pick up four hundred 119 00:10:24,759 --> 00:10:30,159 cases, of course, and bring it back in twenty eight hours. Oh, 120 00:10:31,279 --> 00:10:33,679 I got plans for you. That's called bootlegging, and that's against the 121 00:10:33,759 --> 00:10:37,440 law. Who gives the turkey? When the Snowman and the bandit are run 122 00:10:37,480 --> 00:10:41,399 in the booze, no ote can stop it? How old it? Right 123 00:10:41,440 --> 00:10:43,240 there? They ain't gonna be no more snowman a bandit. You just stay 124 00:10:43,240 --> 00:10:46,480 and ain't Why Well, because I've got to go in the morning to Conyers, 125 00:10:48,519 --> 00:10:50,080 I pick up a lover on an or can ask your question, su 126 00:10:50,399 --> 00:10:54,960 ask me what the hell we want to do to Texas Fearm Hall beer back 127 00:10:54,000 --> 00:10:58,200 here? What is that? For the good old American life? For the 128 00:10:58,240 --> 00:11:01,399 money here, for the glory and for the fun. Mostly for the money. 129 00:11:01,559 --> 00:11:05,559 Now, you know we're gonna do we get the money, but we're 130 00:11:05,559 --> 00:11:07,840 gonna buy a new rig. You're crazy, you know that? Yeah? 131 00:11:07,960 --> 00:11:11,000 You know that? Yes? Okay, how much mon? Does you say? 132 00:11:11,000 --> 00:11:18,399 It was? Eighty followed them dollars? Eighty thousand dollars? And now 133 00:11:18,679 --> 00:11:30,120 this bandit meets carried. Where are we going now? Don't tell me? 134 00:11:30,159 --> 00:11:35,559 Let me guess we are a bride in search of a wedding. No, 135 00:11:35,960 --> 00:11:39,559 there is a wedding in search of a bride. Let me put it am 136 00:11:39,679 --> 00:11:43,559 a way. Think of it as a wedding posse in search of a bride. 137 00:11:45,240 --> 00:11:50,519 Do you understand that? Have? Yeah? What are you doing? 138 00:11:54,759 --> 00:11:58,639 These are my shoes? Oh yeah? And these are my legs? Yeah? 139 00:11:58,679 --> 00:12:01,639 What do you want to do with it? For the shoes? For 140 00:12:01,799 --> 00:12:05,799 the legs? Last time I saw legs like that, Dad, a message 141 00:12:05,799 --> 00:12:11,159 started doing. What do you mean? These are great little legs? I'm 142 00:12:11,159 --> 00:12:18,320 a professional all that. Jason. You shouldn't be dressed in white dancer. 143 00:12:18,799 --> 00:12:31,240 Oh oh, cowboys look fat cabs they're not fat. It's bigger than mine. 144 00:12:31,840 --> 00:12:35,679 Do we really want to talk about legs up the stads? Otherwisies? 145 00:12:37,759 --> 00:12:41,320 What are we doing now? Well? I am getting my clothes, you 146 00:12:41,399 --> 00:12:46,440 fool. That's a good idea. Why don't you slip into something comfort? 147 00:12:50,240 --> 00:12:54,039 Are we really going one hundred and ten? Following one hundred and ten? 148 00:12:54,879 --> 00:12:56,840 Why do you wear that cowboy hat? I know because you think it looks 149 00:12:56,879 --> 00:13:03,440 dazzling on? You have no idea what I bought this wedding? What would 150 00:13:03,799 --> 00:13:09,919 an action comedy film be without a villain? This film portrays some members of 151 00:13:11,039 --> 00:13:16,039 law enforcement as the villain, but the chief villain is one Beauford T. 152 00:13:16,679 --> 00:13:24,080 Justice, played by comedy legend Jackie Gleeson. Justice wields his power with an 153 00:13:24,120 --> 00:13:30,440 iron fist, but he is bumbling and comedically incompetent. This is evident in 154 00:13:30,559 --> 00:13:35,600 our final clip when Justice is at a roadside diner. He needs Bandit and 155 00:13:35,799 --> 00:13:41,919 doesn't even realize it. Here the difference between Bandit and Justice. Bandit is 156 00:13:43,039 --> 00:13:48,799 calm and cool, and Justice is exasperated and rushing to catch the prey that 157 00:13:48,000 --> 00:13:58,240 is right in front. I'm gonna tell you, man, dollar and a 158 00:13:58,279 --> 00:14:09,679 half right, keep checking let me have a day. I blow signwich, 159 00:14:09,960 --> 00:14:15,120 doctor back, I make it fast. I'm on the murray you are outside's 160 00:14:16,080 --> 00:14:24,759 you ain't got no time day blow and dog stocking my slack. He must 161 00:14:24,799 --> 00:14:28,000 be in a hell of a hurry, I say, I bet you're gonna 162 00:14:28,000 --> 00:14:31,639 ask on that boy? Oh yeah, tell necessary, I me rum, 163 00:14:31,759 --> 00:14:33,519 Let me help you out here. Get that offer there, that's a way 164 00:14:33,519 --> 00:14:39,879 to an offer. Moneys flying? Who you chasing money? Somebody chasing you? 165 00:14:39,879 --> 00:14:45,720 Nobody chasing me? Boy, i'mpa chase my comenium all away from doctor. 166 00:14:45,759 --> 00:14:52,279 I cannot teach you. Ay see a bank robber the bottom all right? 167 00:14:52,600 --> 00:14:56,399 Bank problem is, baby, Get alongside of what this dude is doing. 168 00:14:56,799 --> 00:15:03,679 H killed upon of last, dropping to people, backyard, knocking down 169 00:15:03,759 --> 00:15:07,759 mail boxer, got broad in the car, took of course the state line, 170 00:15:09,399 --> 00:15:13,600 got the mayor. I don't think you've got a permission and that's good? 171 00:15:13,720 --> 00:15:20,679 Nothing how done behind it? What? Oh? Let me pay for 172 00:15:20,720 --> 00:15:22,759 it? Let me no, no, no, you're an officer though, 173 00:15:22,840 --> 00:15:26,320 I'll be honest, I might apply. Where's the can? I gotta get 174 00:15:26,360 --> 00:15:35,759 the squad all right back there? Just wonderful? What the hey? You 175 00:15:35,879 --> 00:15:43,480 know you're going wrong? Right? Hold on what the you're doing? Ye 176 00:15:43,919 --> 00:15:50,159 just sitting there? I know, I know. Upon release Smoky in the 177 00:15:50,320 --> 00:15:56,320 bandit became an unexpected hit despite a poor premiere in New York. It then 178 00:15:56,519 --> 00:16:03,200 debuted in Southern States over Memorial Day, wend engross nearly three million dollars. 179 00:16:03,879 --> 00:16:08,120 A month later, it had a nationwide release in overall grossed over one hundred 180 00:16:08,159 --> 00:16:15,960 and twenty six million dollars, making it the second highest grossing film of nineteen 181 00:16:15,240 --> 00:16:21,720 seventy seven, after a little space opera you may have heard of called Star 182 00:16:21,879 --> 00:16:26,919 Wars. The film has had two sequels, only one of them featuring Reynolds. 183 00:16:26,440 --> 00:16:32,399 Alfred Hitchcock has called it one of his favorite films. While the language 184 00:16:32,679 --> 00:16:37,080 is a little terse for a PG film and some of the jokes fall outside 185 00:16:37,159 --> 00:16:41,919 of the politically correct spectrum in today's society, this film is landmark in its 186 00:16:42,039 --> 00:16:48,960 use of car chases and performances. It's a simpler film for a simpler time 187 00:16:48,440 --> 00:16:53,879 that has stood the test of time. I hope you join me next week 188 00:16:53,960 --> 00:17:02,559 when we look at Steven Spielberg's powerful and heart wrenching film Schindler's List for W 189 00:17:02,879 --> 00:17:07,200 M N H in Matt Connerton Unleash. This has been a classic film review 190 00:17:07,319 --> 00:17:14,799 with Eric Pilcher. He's founded, are we going to do what they say 191 00:17:14,920 --> 00:17:19,079 can't be done? We got a dollar days ago and ain't short time to 192 00:17:19,160 --> 00:17:26,200 get down. He's kind of man, keep the pot ball on the pedal, 193 00:17:26,359 --> 00:17:30,680 mind him breaking the it all thing out called we got a round to 194 00:17:30,720 --> 00:17:34,920 me. The boys author stick in Atlanta and that's here in Teksak canup. 195 00:17:36,279 --> 00:17:41,279 We'll bring it back. Don't matter what it you are listening to. Wum 196 00:17:41,319 --> 00:17:51,400 and H three you come in. God, don't get supremely died mads. 197 00:18:25,920 --> 00:18:30,119 Welcome back everybody as we enter our number two New Marrow dose of Matt Connorton 198 00:18:30,240 --> 00:18:34,039 Unleashed. Today is Saturday March sixteen, twenty twenty four, and we are 199 00:18:34,160 --> 00:18:40,440 live from the studios of wm n H ninety five point three FM and Glorious 200 00:18:40,480 --> 00:18:42,279 Downtown Manchester, New Hampshire. Of course, you can also stream the show 201 00:18:42,480 --> 00:18:45,680 if you go to Matt connorton dot com slash live. All your live streaming 202 00:18:45,720 --> 00:18:48,960 options are their social media links et cetera, et cetera, and of course 203 00:18:49,000 --> 00:18:53,079 we are on the Facebook on the Matt Conorton Unleashed Facebook page. Hello to 204 00:18:53,359 --> 00:18:59,160 Carol's of Warwitz who joins us in there, as well as Isaac Banks and 205 00:18:59,279 --> 00:19:00,960 some other folks who we said hello to in the first hour. And by 206 00:19:02,000 --> 00:19:03,599 the way, thank you again to the Pop Farmers for coming in for the 207 00:19:03,640 --> 00:19:07,079 first hour, and thank you to our friend Eric Pilcher for his classic film 208 00:19:07,119 --> 00:19:12,880 review and returning to the studio. Let me get those we get that mic 209 00:19:12,960 --> 00:19:17,519 up there. And he was referred to in the first hour as a tall 210 00:19:17,960 --> 00:19:22,400 leprechaun. We'll let him explain that. But Jesse Coffee is here. Hello, 211 00:19:22,920 --> 00:19:26,240 Hello, and you've brought your guitar and I think, I think so 212 00:19:26,480 --> 00:19:30,200 we've got we've got more equipment this time so we can get a better, 213 00:19:30,480 --> 00:19:33,559 better recording of everything. So yeah, the Pop Farmers were talking about the 214 00:19:33,640 --> 00:19:40,680 event at Great North and actually it's funny they were saying off air during the 215 00:19:40,960 --> 00:19:44,759 changeover that they wished that you had gotten up and played with them. I 216 00:19:45,720 --> 00:19:48,039 we were, honestly, if you were there last Sunday, we were absolutely 217 00:19:48,079 --> 00:19:51,599 busy. Yeah. Yeah, it's been a lot of it, running around, 218 00:19:52,200 --> 00:19:56,680 both bringing beer, collecting beer glasses and of course being a mischievous being 219 00:19:56,759 --> 00:19:57,799 of a leprechaun, which, yeah, the title of the name. I 220 00:19:57,839 --> 00:20:02,880 think I'm gonna go with what was the title, mischievous Bean. It's like 221 00:20:02,920 --> 00:20:07,960 an alter ego at this point. Neutral Yeah, yeah, yeah, if 222 00:20:08,000 --> 00:20:14,200 I think, I think chaotic. Neutral is a good term. Very good, 223 00:20:14,400 --> 00:20:17,359 very good. And this must be a busy weekend there. Huh, 224 00:20:17,519 --> 00:20:21,519 yeah it was. I haven't seen what it's like, uh, at least 225 00:20:21,640 --> 00:20:25,720 because it's it's coming full circles almost being my first full year there since May. 226 00:20:26,039 --> 00:20:29,039 Yeah, I'll be excited to see how actual Saint Patrick's Day is. 227 00:20:29,279 --> 00:20:32,680 We don't die our beer green, so I think for a lot of people 228 00:20:32,720 --> 00:20:37,119 that might excite you to come get some beer, which is something I'm very 229 00:20:37,160 --> 00:20:40,759 happy with. You don't like drinking green things? No, not really. 230 00:20:41,319 --> 00:20:44,880 I don't like green eggs, and I don't like green ham either. I 231 00:20:44,920 --> 00:20:48,920 don't like well, no, you like some green foods. Yeah, vegetables. 232 00:20:49,359 --> 00:20:53,039 That's where they should be. Vegetables are supposed to be green. How 233 00:20:53,039 --> 00:20:56,240 would you know this is not something that you like to eat? Pizza has 234 00:20:56,319 --> 00:21:02,240 vegetables on it of the food. Yeah, and you make salads all the 235 00:21:02,319 --> 00:21:07,200 time and I enjoy them very much. Those aren't veggies. You don't eat 236 00:21:07,240 --> 00:21:11,480 green beans. I had green beans. I just you know, my thing 237 00:21:11,519 --> 00:21:14,039 with vegetables is I just don't like them cooked. I like them raw. 238 00:21:14,559 --> 00:21:17,160 There's no reason to cook vegetables, in my opinion, there's just no reason 239 00:21:17,240 --> 00:21:22,799 to especially carrots. What's the point of cooking carrots? They're good. I 240 00:21:22,839 --> 00:21:30,799 don't like stew. I like my vegetable incredible raw as nature intended. That's 241 00:21:30,920 --> 00:21:34,400 right, that's right. Well, Uh, Jesse, you want to play 242 00:21:34,480 --> 00:21:37,880 something for us. You got your guitar and I'm going to bring up that 243 00:21:38,039 --> 00:21:41,680 other mike, and I think we're I think we'll get a nice sound with 244 00:21:41,759 --> 00:21:47,039 this. Yeah, everything sounding all right for you to go and go ahead 245 00:21:47,039 --> 00:21:52,640 and keep strumming for a Yeah, okay, Yeah, that's yeah. This 246 00:21:52,759 --> 00:21:55,759 is gonna this is gonna work. Uh, this is gonna work a lot 247 00:21:55,839 --> 00:21:57,599 better than last time. I'll go ahead and pull back the curtain a little 248 00:21:57,599 --> 00:22:00,880 bit. Part of part of why we wanted to get Jesse back in here 249 00:22:00,920 --> 00:22:03,640 so soon as I wanted to get a better recording. Uh so, uh, 250 00:22:04,240 --> 00:22:08,279 because you know last obviously we've only been here in the Canal Street location 251 00:22:08,519 --> 00:22:11,880 for for a relatively short time and still getting used to the new setup and 252 00:22:11,920 --> 00:22:15,039 everything. But but I'm confident today we can get a really good recording. 253 00:22:15,079 --> 00:22:18,400 So if you are just joining us, Jesse Coffee is here with us, 254 00:22:18,559 --> 00:22:22,279 live in studio and uh yeah, whenever you're ready. All right. This 255 00:22:22,440 --> 00:22:26,240 one's a song that so my friends showed me. It's called Runaway to Mars. 256 00:22:26,279 --> 00:22:30,319 It's by Uh I think. I think the whole band is just called 257 00:22:30,359 --> 00:22:32,799 talk. Oh okay, I'm learning a little bit more about it, but 258 00:22:32,880 --> 00:22:57,960 this one's probably a personal favorite. All right, color see okay, you 259 00:22:59,200 --> 00:23:10,240 wait. It's a wild wild world and you're a wild wild girl. My 260 00:23:10,480 --> 00:23:17,039 stun's still shining, but it seems half the size, and it's a wild 261 00:23:17,640 --> 00:23:33,759 wild world for my time, run going a fire, run away a mile? 262 00:23:38,839 --> 00:23:51,400 Would you find me in the silen? Would you miss me in the 263 00:23:51,759 --> 00:23:57,960 end? If I run out of oxygen? When I run away a mine, 264 00:24:06,079 --> 00:24:11,920 I can't tell which ways home. I've been gone for soul, losing 265 00:24:12,200 --> 00:24:29,000 ampty world, I skipped stones and wonder along till I'm discovered. It's a 266 00:24:29,200 --> 00:24:48,319 quiet life here before my time runs sound forty five on away the mins. 267 00:24:52,400 --> 00:25:03,559 Would you find me in the side? Would you miss me in the end? 268 00:25:04,279 --> 00:25:18,839 If I run out of oxygen? When not run away a mine three 269 00:25:18,079 --> 00:25:29,720 to one. I miss you. I'm sorry, I've got his shoes. 270 00:25:32,680 --> 00:25:44,000 What if I'm run away a mine? Would you find me in the side? 271 00:25:48,839 --> 00:25:56,759 Would you miss me in the end if I run out of voxygen? 272 00:25:56,319 --> 00:26:10,319 When not run away in a mile? Very nice, Jesse Coffee is here 273 00:26:10,359 --> 00:26:15,000 with us live in studio on this Saturday morning. That was awesome. Thank 274 00:26:15,039 --> 00:26:15,880 you. Yeah, I don't think you played that one last time. That 275 00:26:15,960 --> 00:26:19,079 was really good. I'm gonna try and not repeat. Oh, okay, 276 00:26:19,759 --> 00:26:22,559 can other than the one request you had for later, but that that one's 277 00:26:22,720 --> 00:26:26,319 a different story. Yes, yes, yeah, very good, very good. 278 00:26:26,480 --> 00:26:27,960 Are you so? Have you been playing a lot? I've been trying 279 00:26:29,000 --> 00:26:32,039 to play. I kind of play out two or three times every week at 280 00:26:32,079 --> 00:26:34,680 like open mics. Yeah, sometimes to try and scale back because it is 281 00:26:36,440 --> 00:26:40,000 harder on the voice, especially getting up in the morning. I can commend 282 00:26:40,079 --> 00:26:41,519 people that wake right up and they can just hang right out of the gate. 283 00:26:41,599 --> 00:26:45,880 I need time to warm up. I even chugged a whole coffee cup 284 00:26:45,960 --> 00:26:51,200 load of hot water. Honey. Oh really yeah, the honey and teething 285 00:26:51,680 --> 00:26:56,160 no whiskey too early, and I have working Yeah, but I've been just 286 00:26:56,200 --> 00:26:57,440 trying to keep up with that. But I did do a gig at the 287 00:26:57,440 --> 00:27:03,559 ShaSS King uh see. It was last Tuesday, which went really well. 288 00:27:03,599 --> 00:27:07,960 It was awesome. I heard for another date April thirtieth. It's another Tuesday, 289 00:27:07,160 --> 00:27:11,359 excellent from eight to eleven. So it gives me a whole month to 290 00:27:11,839 --> 00:27:14,599 add some other songs. And I actually for the setlist that I had, 291 00:27:15,279 --> 00:27:17,880 I didn't end up doing every single song. I ended up skipping around and 292 00:27:17,920 --> 00:27:21,240 doing other stuff that ended up coming up in conversation, which was super fun. 293 00:27:22,039 --> 00:27:25,680 It was a very fun time. Everyone at the Shaskins this wick of 294 00:27:25,720 --> 00:27:27,400 sweet. Yeah, the fact they gave me a shot was great. So 295 00:27:27,480 --> 00:27:30,640 I'm hoping to kind of keep that as like a main spot that I can 296 00:27:30,720 --> 00:27:32,960 just keep being at. I mean, I love going there in general. 297 00:27:33,000 --> 00:27:34,880 They always have great events going on. The open mic is it was the 298 00:27:34,960 --> 00:27:41,039 main draw that brought me in there every week because it's every Monday there from 299 00:27:41,160 --> 00:27:45,640 like nine thirty till midnight ish, and that was kind of what helped me, 300 00:27:45,920 --> 00:27:48,279 Hey, get the go and energy to go back out there, but 301 00:27:48,359 --> 00:27:52,319 also build a setlist again. So yeah, every time I play that open 302 00:27:52,400 --> 00:27:55,480 mic, specifically other open mics will kind of play whatever I feel, but 303 00:27:55,680 --> 00:27:59,000 that one specifically, I make it a point, even if I just learned 304 00:27:59,039 --> 00:28:02,160 the song the day of, I will make that the song will play. 305 00:28:02,359 --> 00:28:04,039 Yeah, just to kind of add more songs to the list, because if 306 00:28:04,079 --> 00:28:07,119 I can have a huge list, then I can kind of pick the ones 307 00:28:07,160 --> 00:28:11,119 that I think are fun, or the ones that just like to sing in 308 00:28:11,200 --> 00:28:12,400 general, or the ones I can tell that the crowd likes too, because 309 00:28:12,440 --> 00:28:15,920 like like one that'll I might play a little later as a blank. Within 310 00:28:15,960 --> 00:28:18,559 eighty two songs, I'm actually and I'm gonna get a lot of flack for 311 00:28:18,599 --> 00:28:22,160 this. I don't like them either, not not my genre, Like I 312 00:28:22,200 --> 00:28:25,039 mean, I shouldn't say not my genre. I like a lot of pop 313 00:28:25,079 --> 00:28:26,599 punk, I like punk in general. Just them I'm just not really into. 314 00:28:26,680 --> 00:28:29,599 But there's one song I found I'm like, I actually like this, 315 00:28:29,720 --> 00:28:32,519 Yeah, so in this off there or newer album, so that that one 316 00:28:32,599 --> 00:28:37,319 might be one I'll play a little later. But I've found that I'm learning 317 00:28:37,440 --> 00:28:41,000 a lot more. Yeah, I do this, so it's been been fun. 318 00:28:41,000 --> 00:28:44,000 I even learned more about my equipment. Where I thought I took a 319 00:28:44,039 --> 00:28:47,799 DeVault battery which I had the backup of it did not takes these weird you 320 00:28:47,839 --> 00:28:51,839 know, little circular disc twenty thirty fives. Yeah, so we ended up 321 00:28:51,880 --> 00:28:53,559 taking apart one of my key fobs to let me play out the last twenty 322 00:28:53,559 --> 00:28:57,920 minutes on my set, and we did it quick enough for Neil was like 323 00:28:59,279 --> 00:29:03,279 notice. It was like per oh, wow, that's good. Then played 324 00:29:03,279 --> 00:29:04,960 an extra five minutes just to make up for lost time. But it was 325 00:29:06,200 --> 00:29:08,759 a fun little learning curve. So now I have like a giant pack living 326 00:29:08,799 --> 00:29:11,799 in my guitar case that should last me at least twenty years. What was 327 00:29:11,839 --> 00:29:17,680 the battery for? So with the acoustic guitars, it won't actually play through 328 00:29:17,759 --> 00:29:21,000 to my amp unless it actually has battery to do that because it has its 329 00:29:21,039 --> 00:29:22,559 own little like trouble and base and all that other. Yeah, yeah, 330 00:29:23,359 --> 00:29:27,279 that was the learning experience? Was that that a little fun? Gotcha? 331 00:29:27,440 --> 00:29:30,440 Gotcha? How many songs do you know? Do you have any idea? 332 00:29:30,119 --> 00:29:34,599 Probably sixty plush at least. I mean, I'm sure there's more buried deep 333 00:29:34,640 --> 00:29:38,400 within that weird head of mine, but i'd have to like be asked like, 334 00:29:38,480 --> 00:29:40,960 hey, do you remember this? I'm like, oh yeah, and 335 00:29:41,000 --> 00:29:42,880 then I'll try and figure it out. Right, right, I know that 336 00:29:42,960 --> 00:29:48,440 there was like a request last radio show, so I don't want to give 337 00:29:48,440 --> 00:29:51,759 it away because if people are just now listening, we can roll with it 338 00:29:51,880 --> 00:29:55,079 later. That I did figure out that one chord that was missing, and 339 00:29:55,119 --> 00:29:56,680 I've never played it or sing it like that, so we could just have 340 00:29:56,799 --> 00:30:00,599 fun. Yeah yeah, all right, well you want to you want to 341 00:30:00,640 --> 00:30:06,440 play another one? Sure, if you're just joining us. We have Jesse 342 00:30:06,519 --> 00:30:11,960 Coffee here with us in the studio playing some tunes live on this Saturday morning 343 00:30:11,000 --> 00:30:15,920 here on Matt Connorton Unleashed. Since since we did at least talk about it 344 00:30:15,000 --> 00:30:18,359 all, we can probably do that. So I'm just gonna scandle the lyrics 345 00:30:18,480 --> 00:30:26,039 real quick, just to make sure. Okay, what the blink? Yeah, 346 00:30:26,599 --> 00:30:29,079 this one's just sad, So that's okay, Okay, that works. 347 00:30:29,160 --> 00:30:45,319 Yeah, yeah, all right, it's one more time, okay, Strangers, 348 00:30:47,240 --> 00:30:53,880 the strangers and some brothers, brothers and strangers. Once again, he 349 00:30:55,039 --> 00:31:03,319 saw the whole world see me, I couldn't need to recognize the friends, 350 00:31:18,119 --> 00:31:27,319 older with nothing standing different right now feels the same. I wonder why I 351 00:31:27,480 --> 00:31:37,279 wish they told us it shouldn't take a sickness. The airplanes falling out the 352 00:31:37,400 --> 00:31:45,680 sky do I have to die to here you miss me? Do I have 353 00:31:45,839 --> 00:31:51,759 to die too? Here? You seeking bye? I don't want to act, 354 00:31:52,039 --> 00:31:59,759 but there's toomorrow. I don't want to wait to do this one more 355 00:32:00,400 --> 00:32:09,920 time, one more time, one more, one more time, one more 356 00:32:10,119 --> 00:32:20,160 time. I miss you. Took time, but I admit it still hurts 357 00:32:20,319 --> 00:32:28,960 even after all these years. And know the next time it ain't always gonna 358 00:32:29,119 --> 00:32:35,920 happen. I gotta say I love you while you're here. Do I have 359 00:32:36,079 --> 00:32:43,079 to die to hear you miss me? Do I have to die to hear 360 00:32:43,400 --> 00:32:49,880 you? Sinkobye? I don't want to act. Let the sue marrow. 361 00:32:52,279 --> 00:32:58,799 I don't want to wait to do this one more time, one more time, 362 00:33:00,559 --> 00:33:08,920 one more one more time, one more time, one more time, 363 00:33:10,759 --> 00:33:21,240 one more, one more time, one more time. I'll miss you. 364 00:33:32,359 --> 00:33:37,039 Oh I like that nice. I don't think i've ever heard that song before. 365 00:33:37,160 --> 00:33:38,640 That once off their newest album, actually, and I was like, 366 00:33:38,759 --> 00:33:42,519 huh. As they got older, I think I grew to appreciate it. 367 00:33:42,759 --> 00:33:45,000 Yeah, yeah, yeah I didn't. I didn't like their early stuff either, 368 00:33:45,200 --> 00:33:49,119 like all the small things and stuff like that. It's like it was 369 00:33:49,200 --> 00:33:52,160 just never quite my jam like I love, like I love punk. I 370 00:33:52,519 --> 00:33:53,559 like a lot of the pop punks and stuff like that, like Green Days. 371 00:33:53,680 --> 00:33:57,480 You know, I've always I really enjoyed Green Day's newest album as like 372 00:33:57,519 --> 00:34:00,880 a later one, you know, like Rancid. Yeah, yeah, yeah, 373 00:34:00,000 --> 00:34:04,599 a lot of that kind of generation stuff. I just grew up loving 374 00:34:04,680 --> 00:34:08,199 that. But the simple plans when he couldn't get into yeah good Charlotte loved 375 00:34:08,280 --> 00:34:13,639 so Like, there's definitely ones in the mix that I enjoyed as it kind 376 00:34:13,639 --> 00:34:16,159 of went on. Kyle Clayton is in the Facebook lave chat says, a 377 00:34:16,159 --> 00:34:21,239 great way to start sad Boy Saturdays. We celebrate every week at the back 378 00:34:21,360 --> 00:34:24,440 room, So you know the reference apparently I don't. I don't know the 379 00:34:24,519 --> 00:34:30,280 reference sad Boy Saturday. It's just it's kind of like a meme. Okay, 380 00:34:30,639 --> 00:34:32,199 it's just one of those things like just you know, the emo on 381 00:34:32,239 --> 00:34:38,320 your on your weekend. Gotcha, gotcha. I appreciate it. Kyle Clayton, 382 00:34:38,360 --> 00:34:43,159 of course from the Morning Show with Peter White, so very nice. 383 00:34:43,400 --> 00:34:46,039 Did you did you want to play that the the original that you have there 384 00:34:46,480 --> 00:34:52,039 Cowdy Days? I really like that a lot honestly means a lot. Yeah, 385 00:34:52,400 --> 00:34:54,760 it's we'll have more on the way. I just haven't had time to 386 00:34:54,840 --> 00:34:59,199 really sit down and focus on, like getting it all ironed out. I 387 00:34:59,280 --> 00:35:00,639 have one that's to being ready, but I don't know if that one's radio 388 00:35:00,679 --> 00:35:06,760 friendly. Okay, little little, little too many? You know. Oh 389 00:35:06,840 --> 00:35:08,920 I thought you said he couldn't do any original, No, I can. 390 00:35:09,039 --> 00:35:13,679 I can do one. That's the one that I like. That one though, 391 00:35:13,960 --> 00:35:16,960 I want to hear that. Yeah, yeah, so quick swig of 392 00:35:17,039 --> 00:35:21,239 water here, yes, yes, we have Jesse coffee here with us in 393 00:35:21,320 --> 00:35:25,920 studio on this Saturday morning, this sad boy Saturday. I try to I 394 00:35:27,039 --> 00:35:29,480 try to stay up on the memes, but I that one got by me. 395 00:35:29,639 --> 00:35:30,840 Honestly, I think this kind of blends right into it. It's another 396 00:35:30,880 --> 00:35:34,639 another s I mean, if if you're gonna play a song called cloudy Days 397 00:35:34,639 --> 00:35:37,400 and expected to be happy there, you think it's a little weird, fair 398 00:35:37,519 --> 00:36:07,199 enough? Oh yeah, one of my own was that to mean to you, 399 00:36:07,519 --> 00:36:15,639 my dear, I hear you right now, loud and clear. My 400 00:36:15,920 --> 00:36:27,760 anger still like goest and sign. It took me too long to realize I'm 401 00:36:27,880 --> 00:36:35,719 trying my best, please to believe, to keep a good path free from 402 00:36:35,840 --> 00:36:45,960 me porage. It's still like cost and sign best believe I'm trying to get. 403 00:36:46,119 --> 00:36:54,760 Bye, give me a sign high that this is enough. Nor. 404 00:36:58,239 --> 00:37:08,039 I can't keep this up. I won't give this up. No. Oh 405 00:37:12,960 --> 00:37:37,159 m hmm. I'm starting to see myself for real. I've been for the 406 00:37:37,239 --> 00:37:49,599 blind so long. I can't feel people around me screaming sigh because my actions 407 00:37:49,760 --> 00:37:59,320 I ever sighed. Give me a sign that this is enough. No, 408 00:38:00,079 --> 00:38:08,719 oh, I won't give it up. I can't keep this up. No, 409 00:38:12,320 --> 00:38:43,400 no, give me a side that this is enough. No, I 410 00:38:43,559 --> 00:39:08,320 can't keep this up. I won't give it up. No. Oh m 411 00:39:08,920 --> 00:39:13,280 love it. Cloudy days, Jess, I love that. For sad Boys 412 00:39:13,280 --> 00:39:16,239 Saturdays. Yes, for sad Boys Saturdays. Here very nice, very nice. 413 00:39:19,880 --> 00:39:22,360 This is Matt connorton unleash. If you're just joining us, we have 414 00:39:22,440 --> 00:39:27,639 Jesse coffee with us live in studio and uh now what is your next When 415 00:39:27,719 --> 00:39:30,480 is your next show? So currently right now the nearest one is out is 416 00:39:30,480 --> 00:39:35,360 actually a little bit away. It's April thirtieth at the Shasking. It's a 417 00:39:35,440 --> 00:39:38,079 Tuesday eight to eleven. Tuesdays are great for me because it is my day 418 00:39:38,079 --> 00:39:40,639 off. So if you want to come out for a little bit, that'd 419 00:39:40,639 --> 00:39:43,760 be cool. I know it's gonna be hard for people with the normal work 420 00:39:43,760 --> 00:39:46,280 week, but that's the next gig as of right now, hopefully more along 421 00:39:46,320 --> 00:39:49,960 the way. I'm trying trying to get myself out there. There's a couple 422 00:39:50,000 --> 00:39:52,880 of spots that are peauking interest, so I'm hoping to hear back from them 423 00:39:52,920 --> 00:39:54,719 soon and yeah, you know, can reach out on that at some point. 424 00:39:55,360 --> 00:39:59,840 The kind of update now, is your long term trajectory to keep doing 425 00:39:59,880 --> 00:40:02,280 this solo or do you have any interest in starting a band or so? 426 00:40:02,440 --> 00:40:06,199 Bands are tricky? I mean there there's there's so much talent out there there, 427 00:40:06,280 --> 00:40:08,199 there really is, Like every open mic I play out there's so many 428 00:40:08,400 --> 00:40:12,079 like brilliant musicians and artists that kind of come out of the woodworks. And 429 00:40:12,599 --> 00:40:15,199 as much as I would love to do a band, it's hard to Yeah 430 00:40:15,320 --> 00:40:17,519 it's scheduling, oh it really is. And I definitely would have an interest 431 00:40:17,559 --> 00:40:22,440 in doing that, but I think like long term and ease of long term 432 00:40:22,119 --> 00:40:25,480 probably just keep it for me, Like, you know, eventually I want 433 00:40:25,519 --> 00:40:29,639 to work my way up to having like an actual PA system and learn the 434 00:40:29,679 --> 00:40:32,400 mixes and doing the fun stuff there that those are all things slow work in 435 00:40:32,440 --> 00:40:37,320 progress right now, I'm working on a sticker that my friend Kyle Wiley actually 436 00:40:37,320 --> 00:40:40,159 made me a little play on my name. Of course, if you have 437 00:40:40,199 --> 00:40:43,760 a last name of coffee, you have to do that. So that's the 438 00:40:44,000 --> 00:40:46,079 next biggest thing is to have stickers. I feel like you need one, 439 00:40:46,559 --> 00:40:50,519 right And I've also been bugged to like why don't you have one yet? 440 00:40:50,599 --> 00:40:52,440 So I have one that's ready. I just had to buy it. Yeah, 441 00:40:54,159 --> 00:40:58,760 all right, well fair enough, you want to play another I want 442 00:40:58,760 --> 00:41:01,760 to play another song for us? Well you know what we can, and 443 00:41:02,199 --> 00:41:06,320 let me look this up real quick. I found figured out this one chord. 444 00:41:07,159 --> 00:41:12,320 It was from a Rick Astley request. I've never actually played this other 445 00:41:12,440 --> 00:41:15,119 than jokingly car singing because well, you know, you know how the song 446 00:41:15,199 --> 00:41:20,079 goes. But I thought that would be kind of fun to do. Yeah, 447 00:41:21,039 --> 00:41:24,079 and also because I keep my word. It's only fair if I kind 448 00:41:24,119 --> 00:41:27,320 of keep my word and make it up to the person. So I hope 449 00:41:27,360 --> 00:41:31,559 that person that did ask is actually listening, either live or on the podcast. 450 00:41:31,599 --> 00:41:38,079 I'm sure they'll hear it one way or now hopefully hopefully so if I 451 00:41:38,119 --> 00:41:42,079 guess we got to keep with the meme with sad boys Saturdays to rickroll the 452 00:41:42,119 --> 00:41:47,800 people all at the same time. Well, that's a meme that endures. 453 00:41:49,159 --> 00:41:54,320 It never, it never goes away. I'm actually Saturday. You sa to 454 00:41:54,320 --> 00:41:59,519 have a QR code shirt, which my biggest fear was that somebody online would 455 00:41:59,599 --> 00:42:01,039 change it. I wouldn't have control over it. But it ended up getting 456 00:42:01,039 --> 00:42:04,880 too many bleach stains. But the best thing about it was it would ricole 457 00:42:04,920 --> 00:42:07,960 people. Yeah, it only worked really well if you had like YouTube Premium, 458 00:42:07,039 --> 00:42:09,719 because if you don't get at you have the ad at least seeing the 459 00:42:09,800 --> 00:42:14,480 words enough to be like you got me. It was great if you were 460 00:42:14,559 --> 00:42:17,920 at either protests or concerts because people thought you were giving away information and if 461 00:42:17,960 --> 00:42:20,760 people ask like, well, what's on your shirt and I was like, 462 00:42:20,800 --> 00:42:22,719 well, you gotta scan it to find out and they're like, oh, 463 00:42:22,760 --> 00:42:23,719 I'm not going to do that, and then you're like okay, yeah, 464 00:42:23,760 --> 00:42:27,519 suspense will kill them. Yeah. Y percent of the time they were like 465 00:42:27,599 --> 00:42:29,880 I need to know what's on your shirt, and so they'll scan it. 466 00:42:29,960 --> 00:42:32,119 It just led to disappointment for them, but last for me, so it 467 00:42:32,199 --> 00:42:35,920 was always worth it. Yeah, I really need to reget that shirt. 468 00:42:36,000 --> 00:42:37,519 It's just one of my favorite things I ever had. It's a great it's 469 00:42:37,559 --> 00:42:42,079 a great, great idea. Did it to me? And it did? 470 00:42:42,440 --> 00:42:45,320 He did. I thought it was like menu or something and scanning it and 471 00:42:45,519 --> 00:42:49,159 like he got me. Yeah, I'll give this a go, all right, 472 00:43:07,480 --> 00:43:13,360 where no strangers to the are. You know the rules, and so 473 00:43:13,840 --> 00:43:21,039 do I. He full commitments what I'm thinking of. You wouldn't get this 474 00:43:21,280 --> 00:43:27,519 from any other guy. I just want to tell you how I'm feeling. 475 00:43:29,239 --> 00:43:34,960 Gotta make you understand. They're gonna give you all. They're gonna let you 476 00:43:35,320 --> 00:43:40,320 down, never go wrong around and just search you, never gonna make you 477 00:43:40,679 --> 00:43:46,599 cry, never gonna say goodbye, and never gonna tell a lie to hurt 478 00:43:46,760 --> 00:43:54,039 you. We've known each other or so on a home your hearts and aching 479 00:43:54,199 --> 00:44:01,519 bod you just shot to say it inside we bothly doing going on because then 480 00:44:01,559 --> 00:44:08,960 then you ask me better gonna pay And if you ask me out a feeling, 481 00:44:10,559 --> 00:44:15,559 tell me that you're like to see they were gonna give you the We're 482 00:44:15,599 --> 00:44:22,239 gonna let you down, never gonna wrong round and surt you. I'm gonna 483 00:44:22,320 --> 00:44:28,599 make you cry, there gonna sing goodbye, and I'm gonna tell a lie 484 00:44:29,280 --> 00:44:34,039 gonna hurt you. They we're gonna give you up, and we're gonna let 485 00:44:34,199 --> 00:44:39,400 you down, never gonna roll round and just sert you. You're gonna make 486 00:44:39,559 --> 00:44:45,920 you cry. Then we're gonna sing goodbye and I'm gonna tell a lie hurt 487 00:44:46,039 --> 00:45:07,360 you, give you, give you up. We've known each other, bustle 488 00:45:07,519 --> 00:45:15,280 along. You're often nicking, but you're just shy to see inside with Bud 489 00:45:15,599 --> 00:45:22,679 Watson is going on. We know the game and where gonna play. And 490 00:45:22,840 --> 00:45:29,400 if you ask me, im a feeling, tell whom. Thank you glad 491 00:45:29,440 --> 00:45:34,239 to see they've We're gonna keep you up. They're we're gonna let you down. 492 00:45:34,639 --> 00:45:39,559 They're gonna roll around and to search you. They're gonna make you cry. 493 00:45:39,960 --> 00:45:50,719 I'm gonna say goodbye and I'm gonna tell a lie hurt you. Excellent, 494 00:45:50,920 --> 00:45:57,559 excellent. Uh weld on this that made me laugh out loud. Melody 495 00:45:57,639 --> 00:46:01,079 of the chat rooms set. So no offense, Jenny, but your kid 496 00:46:01,199 --> 00:46:15,760 is setting some unrealistic relationship expectations. That's pretty good. Stick around Jesse Coffee 497 00:46:15,840 --> 00:46:19,760 is with us live in studio. Jay Fed says he's the one who uh 498 00:46:20,400 --> 00:46:23,719 he says, Hey, I asked you to play this and I made it 499 00:46:23,800 --> 00:46:27,119 up for you. I hope that's okay. There you go, There you 500 00:46:27,199 --> 00:46:30,280 go. And by the way, Kyle Clayton clarified something. He said, 501 00:46:30,760 --> 00:46:34,920 maybe I made it up as a coping referring to the Sad Boy Saturdays. 502 00:46:35,119 --> 00:46:37,360 Maybe I made it up as a coping mechanism for my parents' divorce or something. 503 00:46:37,639 --> 00:46:42,519 But I dig what's happening. And it was absolutely a compliment. Very 504 00:46:42,599 --> 00:46:44,679 nice, Kyle, Yeah, I mean, you know, I think we 505 00:46:44,760 --> 00:46:47,199 assumed as much. You know that it was a compliment, but very nice, 506 00:46:47,360 --> 00:46:55,800 very nice. Yeah, you broke him. Isaac Banks, we haven't 507 00:46:55,800 --> 00:47:00,679 read a comment from our friend Isaac Banks. Greensboro checking in said in the 508 00:47:00,760 --> 00:47:05,800 chat room the Pop Farmers, I'm Isaac Banks, a k A Iikman Breezy, 509 00:47:06,320 --> 00:47:08,920 and I sing dance and I do karaoke and I did videos of cover 510 00:47:09,079 --> 00:47:15,280 songs and you'll see it on YouTube of Ikman Breezy videos. So very nice. 511 00:47:15,400 --> 00:47:19,519 Alright, Well, I think we're all big fans of Ikeman Breezy. 512 00:47:21,199 --> 00:47:29,639 Yes, what uh? What goes into learning uh? Cover? Like, 513 00:47:30,119 --> 00:47:31,760 how do you how do you choose what song? Do you just choose songs 514 00:47:31,800 --> 00:47:34,639 that you like or is there any kind of a method to it? Do 515 00:47:34,679 --> 00:47:37,320 you choose Do you try to choose songs you think people want to hear, 516 00:47:37,400 --> 00:47:40,599 because sometimes people pick up scure songs, sometimes people pick up a bit of 517 00:47:40,679 --> 00:47:45,960 both. Like it it kind of it definitely. Sometimes it's just the lyrics, 518 00:47:46,239 --> 00:47:50,960 Like there are songs that I really like, some that are honestly very 519 00:47:51,039 --> 00:47:52,679 challenging vocally, which is also another reason I like to pick those songs. 520 00:47:52,880 --> 00:47:55,800 Yeah, it's a challenge and it kind of forces me out of that box. 521 00:47:57,079 --> 00:47:59,119 Yeah, so to speak. So I think a lot of it, 522 00:47:59,239 --> 00:48:01,480 just a lot of I know is definitely almost all stuff I grew up with, 523 00:48:01,719 --> 00:48:05,000 including never going to give You Up, I Run because age of the 524 00:48:05,039 --> 00:48:08,360 internet, like it was everywhere, But just all all the stuff that I 525 00:48:08,519 --> 00:48:12,239 know, other than the newer modern stuff, like a lot of that stuff 526 00:48:12,440 --> 00:48:15,159 like the song by Talk, And there's a couple other songs that I've learned 527 00:48:15,199 --> 00:48:17,400 from other like more I guess like indie type artists. I would say, 528 00:48:17,440 --> 00:48:22,599 I'm not sure if he's considered indie or not, but like relatively new Sometimes 529 00:48:22,719 --> 00:48:24,119 just my friends like hey you should learn this, you would sound good doing 530 00:48:24,199 --> 00:48:28,360 this, or like and sort of shying away from it. Now I'm like, 531 00:48:28,519 --> 00:48:30,440 okay, why not, And then I try and learn it, and 532 00:48:30,599 --> 00:48:32,679 I think it's it's become a lot more fun. It's why I even like 533 00:48:32,719 --> 00:48:36,599 I've been diving into the country world, even though I'm not like a big 534 00:48:36,639 --> 00:48:40,239 country fan. I've been finding songs that kind of work in my range and 535 00:48:40,639 --> 00:48:44,599 with what I like to do. And I don't mind catering a little bit 536 00:48:44,599 --> 00:48:46,000 to the crowd because that's also part of it. It's it's the showmanship, 537 00:48:46,039 --> 00:48:52,199 it's the it's the fun doing it. I'm sure my my mom actually would 538 00:48:52,199 --> 00:48:57,000 recall here where there was a Chris Isaac request for a Wicked game and from 539 00:48:57,039 --> 00:49:00,639 one of the bouncers that works to shasking and you know, he jokes saying 540 00:49:00,639 --> 00:49:02,719 I should look lovingly in his eyes, oh singing it. So I took 541 00:49:02,800 --> 00:49:06,880 that to the very extreme degree and I didn't look away. I sang it 542 00:49:06,960 --> 00:49:10,519 and looked around the very intensely. Yeah, it was a very special moment 543 00:49:10,679 --> 00:49:14,760 and it will always be in my heart. It was. It was just 544 00:49:14,920 --> 00:49:16,639 very fun. So it's just it's doing stuff like that and just having fun 545 00:49:16,679 --> 00:49:22,039 with the crowd and seeing everybody just laugh and have a good time as ninety 546 00:49:22,039 --> 00:49:23,920 percent of why I do it, Like even if it's not even if I 547 00:49:23,960 --> 00:49:27,599 screwed up or make a mistake or anything, as long as somebody's getting a 548 00:49:27,679 --> 00:49:29,920 kick out of it and a good time, like I'm having a good time. 549 00:49:30,000 --> 00:49:31,159 Yeah, that's that's really where it all comes down to. Even no 550 00:49:31,239 --> 00:49:36,119 matter what cover I pick, it's just it's one excellent. Miriam Bannis shines 551 00:49:36,239 --> 00:49:40,039 in the chatroum, Hello, Miriam. Kyle Clayton says so diverse. Yeah, 552 00:49:40,400 --> 00:49:45,079 he appreciates your song list. Oh and j Fed says you did great 553 00:49:45,599 --> 00:49:50,639 on the Rick Astley song. Yeah, absolutely, absolutely, no, it 554 00:49:50,679 --> 00:49:53,920 sounded sounded really good. I think we I think we have time for one 555 00:49:53,960 --> 00:49:57,000 more. You want to do? You want to do one more? Sure, 556 00:49:58,199 --> 00:50:00,800 we'll get a little screaming. You know what the get with the sad 557 00:50:00,840 --> 00:50:06,199 boys Saturday. I gotta keep it in theme. Okay, I'll do well. 558 00:50:06,239 --> 00:50:15,679 You know you're right. That's a little different, okay, okay, 559 00:50:39,599 --> 00:50:46,639 mm hmm. I will never bother you. I will never promise you. 560 00:50:47,679 --> 00:50:54,760 I will never follow you. I will never bother you, never speaking word 561 00:50:54,960 --> 00:51:00,719 again. I will crawl away for good. I will move away from here. 562 00:51:01,639 --> 00:51:07,400 You won't be afraid of bear. If I was put into this, 563 00:51:07,400 --> 00:51:14,199 always it would come to this. Things have never been so swell. I 564 00:51:14,400 --> 00:51:38,519 have never failed to fail. You know your ride, you know your ride, 565 00:51:39,599 --> 00:51:46,639 you know your ride. I'm so warm and common side. I no 566 00:51:47,039 --> 00:51:54,280 longer have to hide. There's talk about someone else sterling silver against the melt. 567 00:51:54,920 --> 00:52:01,159 Nothing really bothers her. She just wants to love herself. I won't 568 00:52:01,440 --> 00:52:07,360 move away from here. You won't be afraid of fear. No thought was 569 00:52:07,480 --> 00:52:14,480 put into this. Always knew it come to this. Thinks had never been 570 00:52:14,639 --> 00:52:39,679 so well. I have never felt too fail. Then then then then then 571 00:52:44,719 --> 00:52:51,880 you know your ride, you know your ride, you know your ride, 572 00:52:52,800 --> 00:52:59,760 you know your ride, you know your ride, you know your ride, 573 00:53:00,880 --> 00:53:07,920 you know you all right, you know YOURRRIE, you know your ride, 574 00:53:07,880 --> 00:53:15,800 you know your horrid, you know you all right, you know your ride, 575 00:53:15,800 --> 00:53:22,239 you know your all right, you know YOURRRID, you know your all 576 00:53:22,480 --> 00:53:50,679 right, you know YOURRRID all right. Very nice, Jesse, coffee with 577 00:53:50,840 --> 00:53:55,679 us live in studio this morning. Sounded great and you got better, absolutely 578 00:53:55,719 --> 00:53:59,960 absolutely sounding great. Remind us one more time, when's your next show? 579 00:54:00,079 --> 00:54:02,000 The next show that I have currently right now in the books is going to 580 00:54:02,000 --> 00:54:06,320 be April thirtieth. It's on a Tuesday. It's at shas Keene, the 581 00:54:06,519 --> 00:54:08,599 Irish Pub, one of the best spots ever. It's from eight to eleven, 582 00:54:09,119 --> 00:54:14,079 very good at night. Yes, yes, that night, right, 583 00:54:14,199 --> 00:54:16,519 yeah right, because it's not you know, Saint Patrick say weekend. It 584 00:54:16,599 --> 00:54:20,119 might be in the morning. But and I do kind of have to drop 585 00:54:20,199 --> 00:54:23,360 one last thing too. I host the game night and next month extra special 586 00:54:23,719 --> 00:54:27,480 because we have a Tied Eye event happening at the exact same time from four 587 00:54:27,599 --> 00:54:30,599 thirty to seven thirty, which you can pre order your Tied Eye shirts on 588 00:54:30,679 --> 00:54:34,079 the website of Great North Airwarks dot com. Oh and it's going to be 589 00:54:34,159 --> 00:54:37,840 on a Thursday evening which is going to coincide with my Mario Kart game night. 590 00:54:37,440 --> 00:54:40,800 So if you're if you don't care about any of what I just played, 591 00:54:40,840 --> 00:54:45,960 but you love being nerdy, come down and play at the brewery, 592 00:54:45,000 --> 00:54:49,320 which would be amazing and make a tide Ie shirt. Just kind of had 593 00:54:49,360 --> 00:54:51,800 to throw that out there. New England. Tied Eye does it. And 594 00:54:52,320 --> 00:54:54,760 that person that runs that, her name's Jennifer. She does a fantastic job, 595 00:54:54,840 --> 00:54:59,000 does the whole thing. Or you can give you instructions all that stuff 596 00:54:59,039 --> 00:55:00,719 and can help you figureure out what you're doing if you want the spiral or 597 00:55:01,559 --> 00:55:06,639 that's awesome, it's a blast, very good, very good. And then 598 00:55:06,679 --> 00:55:13,039 of course people can find you on Instagram at coffee, Underscore Acoustics c O 599 00:55:13,199 --> 00:55:15,679 F F E Y. I was gonna say, ye, you should score 600 00:55:15,000 --> 00:55:19,800 acoustics. You should definitely smell that for people. Yes, yes, or 601 00:55:20,039 --> 00:55:22,800 and you can also feel free to just add me as is on Facebook. 602 00:55:22,920 --> 00:55:24,159 I don't have a separate page. I don't know if I'll make one. 603 00:55:24,239 --> 00:55:27,639 My page isn't popular as it is, so we'll just keep the one. 604 00:55:27,679 --> 00:55:30,239 I guess throw it. It's not I don't. I just remade it. 605 00:55:30,280 --> 00:55:35,000 I haven't had Facebook in years. It's a it's a new thing for you. 606 00:55:35,159 --> 00:55:38,840 Then I know Mark Zuckerberg missed me. I bet he sent you a 607 00:55:38,920 --> 00:55:44,679 personal card. Le Kyle is a just a quick question, he says. 608 00:55:44,760 --> 00:55:47,840 May I ask which Mario Kart. It is going to be on the Nintendo 609 00:55:47,960 --> 00:55:51,880 Switch, so it will be the newer one. I am currently looking at 610 00:55:51,920 --> 00:55:54,159 devices to get some of the classic ones back, but since we play it 611 00:55:54,199 --> 00:55:59,599 on a projector, if he understands the lingo of latency lag, the switch 612 00:55:59,679 --> 00:56:01,639 is best right now until we can get that little device. All right, 613 00:56:02,280 --> 00:56:05,880 very good, Jesse, thank you again, No, thank you for having 614 00:56:05,920 --> 00:56:08,480 me. It's and coming up in the third hour, we have Nancy Manette. 615 00:56:08,480 --> 00:56:10,320 I'm not sure I'm saying her last name correctly. Is it? I 616 00:56:10,400 --> 00:56:14,880 believe you are an e T It's is it Manette? I believe? So 617 00:56:15,079 --> 00:56:17,679 Okay, I'm going to actually play one of her songs as we transition into 618 00:56:17,719 --> 00:56:21,599 the third hour now, and we'll play some more studio tracks later. But 619 00:56:21,639 --> 00:56:23,400 I'm looking forward to talking to her. She's got a very interesting story and 620 00:56:23,480 --> 00:56:27,599 she's going to be skiping in from Texas. But this is called to Love 621 00:56:27,679 --> 00:56:30,400 You and Me. Nancy Manette will play. This, will show some love 622 00:56:30,440 --> 00:56:31,679 to our amazing sponsors, and then we're going to talk to her. Vius 623 00:56:31,719 --> 00:56:36,719 Skype, don't go away. Plenty more to come to share the best. 624 00:56:37,039 --> 00:56:45,000 I have to go and hope to someday live what are there seemed to have? 625 00:56:47,360 --> 00:56:53,840 I can't I sleep and lover her wake, so my heart will cease 626 00:56:53,960 --> 00:57:02,159 to wake. I will not say goodbye. I just want want to die. 627 00:57:15,039 --> 00:57:37,599 I want to all the hardy very cat did my son, I jes 628 00:57:37,760 --> 00:58:07,199 want to be read to up man in this world alone. No to call 629 00:58:07,360 --> 00:58:17,079 hot It was and meant to be dream. There is a bounder, claims 630 00:58:19,320 --> 00:58:45,480 everyone is escape from Hay had Big Tree and Old Big Tree A bought on 631 00:58:45,679 --> 00:59:01,880 a hearty bottom, carrying out round where is our son? Her host see 632 00:59:02,800 --> 00:59:09,679 Jo wants to free love