1
00:00:28,320 --> 00:00:35,880
Welcome to the Great Detectives of Old
Time Radio from Boise, Idaho. This

2
00:00:36,159 --> 00:00:39,880
is your host, Adam Graham.
If you have a comment, email it

3
00:00:39,920 --> 00:00:45,960
to me Box thirteen at Great Detectives
dot net, Follow us on Twitter at

4
00:00:46,079 --> 00:00:52,039
Radio Detectives, and check us out
on Instagram, Instagram, dot com slash

5
00:00:52,079 --> 00:00:56,880
Great Detectives. Today's program is brought
you in part by the financial support of

6
00:00:56,920 --> 00:01:00,479
our listeners. You can support the
show on a one time basis by melian

7
00:01:00,520 --> 00:01:07,879
and donation to Adam Graham pilbox one
five nine one three. That's one five

8
00:01:07,079 --> 00:01:12,599
nine thirteen, Boise, Idaho eight
three seven one five. You can also

9
00:01:12,719 --> 00:01:19,159
become one of our ongoing Patreon supporters
for as little as two dollars per month,

10
00:01:19,680 --> 00:01:23,760
and I want to go ahead and
thank Christine for becoming our latest Patreon

11
00:01:23,799 --> 00:01:27,359
supporter at the shawmus level of four
dollars or more per month. Thank you

12
00:01:27,519 --> 00:01:33,879
so much for your support, Christine. Now it is time for this week's

13
00:01:33,879 --> 00:01:38,799
episode of Dragnet. The original aired
eight September tenth, nineteen forty nine,

14
00:01:40,079 --> 00:01:48,040
and the title is The Sullivan Kidnapping. Here's another NBC's Great pread of new

15
00:01:48,120 --> 00:01:59,920
shows, Ladies and Gentlemen, The
story you are about to hear is true,

16
00:02:00,599 --> 00:02:05,640
only the names have been changed to
protect the innocent. NBC brings you

17
00:02:06,319 --> 00:02:22,280
Dragnet. You're a detective sergeant.
You're assigned a homicide detail. A twenty

18
00:02:22,319 --> 00:02:28,280
two year old girl has disappeared.
A letter has been received. It demands

19
00:02:28,319 --> 00:02:34,960
thirty thousand dollars for the girl's return. A letter assigned the wolf. Your

20
00:02:35,080 --> 00:02:43,919
job get him. Dragnet the documented
drama of an actual crime, investigated and

21
00:02:44,000 --> 00:02:47,199
solved by the men who unrelentingly stand
watch on the security of your home,

22
00:02:47,599 --> 00:02:53,000
your family, and your life.
For the next thirty minutes, in cooperation

23
00:02:53,080 --> 00:02:57,080
with the Los Angeles Police Department,
you will travel step by step on the

24
00:02:57,120 --> 00:03:00,199
side of the law through an actual
case transcribed from a official police finance,

25
00:03:00,919 --> 00:03:06,840
from beginning to end, from prime
to punishment, Dragnet is the story of

26
00:03:06,879 --> 00:03:15,520
your police force in action. It
was Tuesday, October eighteenth. It was

27
00:03:15,560 --> 00:03:20,479
cloudy in Los Angeles. We're working
the night watch out a homicide. My

28
00:03:20,479 --> 00:03:23,199
partner's Ben Ramero. The boss is
at backstrand Chief of Detectives. My name

29
00:03:23,280 --> 00:03:25,960
is Friday. I was on the
way back from the Stat's office and it

30
00:03:27,039 --> 00:03:30,800
was three twenty six am. When
I got to room forty two homicide.

31
00:03:31,479 --> 00:03:36,159
Got those monthsassports here they are cranks. Serris backstan I Levia In a minute.

32
00:03:36,199 --> 00:03:38,599
I'm going out with him. What's
your address out there? The Sullivan

33
00:03:38,680 --> 00:03:40,439
play eight fourteen Castro Boulevard. You
go straight out Santa mon. I can

34
00:03:40,479 --> 00:03:44,879
take a left of Castro. I
remember you ready? Chief? Yeah?

35
00:03:45,039 --> 00:03:46,960
Friday, you call ramerily in right
now, get on it. There's when

36
00:03:47,039 --> 00:03:59,400
we don't fool with. Yeah,
come on Herris. Hello, sorry to

37
00:03:59,479 --> 00:04:00,479
wake you, Ben. This is
Joe. How are you feeling? Oh

38
00:04:00,639 --> 00:04:03,159
hi, Joe? What time is
it? Three thirty am? How do

39
00:04:03,159 --> 00:04:06,120
you feel? Oh a lot?
Better be back to work tomorrow. You'll

40
00:04:06,120 --> 00:04:10,360
be ready in twenty minutes. I'll
pick you up twenty minutes. Okay,

41
00:04:10,439 --> 00:04:13,639
what's up? You remember Martin Sullivan, vice president of the third National Bank

42
00:04:13,840 --> 00:04:15,399
Soliv. Yeah, yeah, what
about it. He's got a twenty two

43
00:04:15,480 --> 00:04:38,879
year old daughter, already had one. She's gone good. We made good

44
00:04:38,959 --> 00:04:44,000
times, Joe. Where are we
headed? Sullivan home out on Castro Boulevard.

45
00:04:44,000 --> 00:04:46,439
Head's out there now with Harris and
he leads to work on. Oh,

46
00:04:46,519 --> 00:04:50,199
nothing's so far. The girl disappeared
a little before one o'clock yesterday afternoon.

47
00:04:50,319 --> 00:04:54,439
At eleven last night, he got
a letter. They want thirty thousand

48
00:04:54,480 --> 00:04:57,399
dollars. Sullivan hasn't got that kind
of money. Yeah, I know it.

49
00:04:57,879 --> 00:05:00,439
Poor guys almost out of his mind
in how'd it happened? Now?

50
00:05:00,480 --> 00:05:03,199
The guy took the girl out of
business school. He had her call out

51
00:05:03,199 --> 00:05:05,759
a class, told her her father
was sick, said he was a friend

52
00:05:05,800 --> 00:05:09,720
of the families. How about the
teachers? What was their story? Said?

53
00:05:09,759 --> 00:05:11,439
The girl didn't want to go with
a man at first, but he

54
00:05:11,480 --> 00:05:15,120
finally talked her into it, kept
telling her her father was dying. That's

55
00:05:15,160 --> 00:05:17,319
about as low as it come.
Yeah. Did he use a car?

56
00:05:17,720 --> 00:05:20,680
Witnesses said it was a blue Sedan. They didn't get the license number of

57
00:05:20,720 --> 00:05:25,279
the make. Did they remember what
the guy looked like? About five nine

58
00:05:25,360 --> 00:05:29,079
one sixty, brown suit, dark
hair. Mm, nothn't that. No,

59
00:05:29,759 --> 00:05:32,720
he's a copy of the letter he
was usual read it. Yeah,

60
00:05:33,560 --> 00:05:39,879
yeah, I have your daughter,
Judy. Get uh what's that thirty thousand,

61
00:05:40,120 --> 00:05:44,279
thirty thousand dollars quick? If you
want her back alive, don't call

62
00:05:44,439 --> 00:05:49,040
police or I'll kill her. Contact
you later, signed h What was it?

63
00:05:49,160 --> 00:05:55,439
The wolf? Wolf? I could
think of a better name. Come

64
00:05:55,480 --> 00:06:01,439
on here we are, he's got
to reginal note Joe Lee Jones down at

65
00:06:01,480 --> 00:06:04,240
the crime I be checking it for
Prince in handwriting. Well, let's do

66
00:06:04,319 --> 00:06:08,800
it. Oh, Hi, David, right on the house ports she's waiting

67
00:06:08,800 --> 00:06:17,240
for him. Thanks Dave, Hi, Joe Ben in the living room.

68
00:06:18,079 --> 00:06:21,120
Thank you. That's the way I
see it, mister Sullivan. Now you

69
00:06:21,240 --> 00:06:26,879
understand exactly what you have to do. Yes, I'll do as you say.

70
00:06:26,959 --> 00:06:30,399
And here are the two men who
will help you, Sergeant Friday and

71
00:06:30,439 --> 00:06:36,879
Sergeant Romelo homicide. Yes, how
do you do mister Bestrand? Are you

72
00:06:38,000 --> 00:06:43,800
sure about all this? He might
get frightened, he might do something to

73
00:06:43,920 --> 00:06:47,639
Judy. Believe me, mister Sullivan. It's the only way I know how

74
00:06:47,680 --> 00:06:53,600
you must feel. But we can't
do anything else. All right, I

75
00:06:53,600 --> 00:06:57,000
I want to see missus Sullivan first. I'll be ready in a moment.

76
00:06:59,279 --> 00:07:06,759
Any development, Yeah, come on
back in the dining room. There it

77
00:07:06,839 --> 00:07:12,680
is on the table. Take a
note from the guy tailegram when this come

78
00:07:13,199 --> 00:07:15,720
about half an hour ago? Guy
phoned it into Western Union from a public

79
00:07:15,720 --> 00:07:19,920
booth. Couldn't trace it, I
say, Joe, Yeah, be at

80
00:07:19,959 --> 00:07:28,160
Alesion Park five o'clock this morning near
balk And Drive. Come alone, bring

81
00:07:28,199 --> 00:07:32,879
thirty thousand. We'll return. Girl. Don't tell cops kill her if you

82
00:07:33,000 --> 00:07:36,839
do the wolf four. I am
nows giver not much time. I know.

83
00:07:36,839 --> 00:07:40,560
It's we have to do as he
says. No other way. Then

84
00:07:40,600 --> 00:07:43,480
Sullivan's going out there alone. You're
going with him, you and Romero.

85
00:07:43,959 --> 00:07:46,279
He'll be hitting out in the trunk
of the car. Any plan get him,

86
00:07:46,439 --> 00:07:55,160
that's all. Ben and I went
out the back door and into the

87
00:07:55,160 --> 00:07:59,279
Sullivan garage. We jammed ourselves into
the trunk apartment and Harris closed the door

88
00:07:59,279 --> 00:08:01,399
on us the lights respect so that
the door could be pushed open from the

89
00:08:01,439 --> 00:08:05,160
inside. A few minutes later,
mister Sullivan came out, got in the

90
00:08:05,160 --> 00:08:09,920
car, and we drove off.
At three minutes to five, we pulled

91
00:08:09,959 --> 00:08:18,439
up at the meeting place in the
Lesion Park. We waited. Nothing happened.

92
00:08:18,360 --> 00:08:24,360
At five minutes past five, it
started to thunder. That's all we

93
00:08:24,399 --> 00:08:39,120
need now, thunderstorm stopping here in
this trunking nowhere. Then listen, something

94
00:08:41,120 --> 00:08:48,159
must be What have you seen anything? It sounds like he's pacing up and

95
00:08:48,200 --> 00:08:56,279
down alongside the cartener he listen,
Can you hear anything else? Can you

96
00:08:56,279 --> 00:09:05,000
no better stay undercover? I have
rains? Dark man? When what happened

97
00:09:05,039 --> 00:09:20,000
to the war coold feet? Maybe
let's waited out it, Joe, you

98
00:09:20,080 --> 00:09:26,000
know what time you got now?
Meet my watch him? Yeah, a

99
00:09:26,000 --> 00:09:33,320
little past five thirty, Solgian sergiant, mister Sullivan. Yes, do you

100
00:09:33,360 --> 00:09:37,639
think he's coming and sleep? He's
getting daylight. We better wait it out,

101
00:09:37,639 --> 00:09:39,840
mister Sullivan. Now look, don't
come back here again. If he's

102
00:09:39,879 --> 00:09:43,399
watching, you might tip him off. Oh all right, all right,

103
00:09:45,320 --> 00:09:54,600
you're a guy. Thank you here
coming up the road, Towardoise it's stopping,

104
00:09:56,960 --> 00:10:01,039
Yeah, coming over to our car? Are you ready? Right?

105
00:10:03,960 --> 00:10:07,159
Talk? Heou son of it?
And I'm coming back here and I'll watch

106
00:10:07,240 --> 00:10:16,360
it. Randy Romero at you en? Yeah? The meeting? All right?

107
00:10:20,639 --> 00:10:24,799
Got cramp my leg. I'm cramped
all over, mister Sullivan. Drive

108
00:10:24,879 --> 00:10:31,600
back home. We'll contact you then, all right, chee Ben Joe went

109
00:10:31,679 --> 00:10:37,120
over the car. What's the story
of the guy had no intention of following

110
00:10:37,200 --> 00:10:41,039
through this meeting to then? Well, how come he told us going at

111
00:10:41,080 --> 00:10:43,399
five o'clock? Try to trace the
call. He wouldn't stay on the line

112
00:10:43,399 --> 00:10:46,120
long enough. What do you have
to say? He wanted more money,

113
00:10:46,600 --> 00:10:50,600
bragged about how smart he was,
how we'd never get him when he knows

114
00:10:50,639 --> 00:10:54,480
Sullivan's called in the police. Sure
said he didn't care. We'd never get

115
00:10:54,559 --> 00:10:58,879
him anyway. Yeah, pretty cock, pretty smart. Take my word for

116
00:10:58,000 --> 00:11:03,720
it. He's no dummy. Joel. Eighty K, I'll get us K

117
00:11:03,759 --> 00:11:07,919
eighty K to control one. Eight
OK, to control one. Go ahead,

118
00:11:07,440 --> 00:11:11,600
eighty K, go to your office
code three. Go to your office

119
00:11:11,679 --> 00:11:15,279
code three. K. All right, run my own, let's roll.

120
00:11:20,360 --> 00:11:22,720
More than twelve hours had passed since
word of Judy Sullivan's disappearance had been pooned

121
00:11:22,759 --> 00:11:26,440
in a homicide during that time,
and all points bullet containing the descriptions of

122
00:11:26,480 --> 00:11:28,919
the suspect, his car, and
the girl had been sent out on the

123
00:11:28,960 --> 00:11:33,200
teletype to law enforcement agencies throughout the
area. The same descriptions were broadcast over

124
00:11:33,240 --> 00:11:37,080
the police radio every hour. The
Sullivan home had been placed under strict surveillance,

125
00:11:37,120 --> 00:11:41,559
and mister Sullivan instructed not to contact
the suspect without knowledge of the police.

126
00:11:41,279 --> 00:11:45,759
He'd raised almost ten thousand dollars in
cash to buy him off. The

127
00:11:45,840 --> 00:11:48,840
serial number on each one of the
bills had been copied by a police stenographer

128
00:11:48,159 --> 00:11:52,799
and then re checked by a homicide
officer. So far, the wolf as

129
00:11:52,840 --> 00:11:56,240
he called himself, had made three
separate contacts, but he'd covered his tracks

130
00:11:56,279 --> 00:11:58,960
well. We knew that he was
somewhere in the city five hundred square mind,

131
00:12:00,600 --> 00:12:03,519
and we know we had to find
him fast. It was eighteen minutes

132
00:12:03,559 --> 00:12:05,799
past six when we got back to
homicide. Hikes. You hell, listen,

133
00:12:05,879 --> 00:12:09,799
you gouts something for us. Make
here there's letter special delivery came in

134
00:12:09,840 --> 00:12:13,519
about twenty five minutes and I see
that man. Yeah, that's him.

135
00:12:13,879 --> 00:12:16,639
According to the postmark, he mister
Mail did run after he grabbed the girl.

136
00:12:16,120 --> 00:12:20,080
Listen to this. Stay away from
Sullivan. If the kids found dead,

137
00:12:20,080 --> 00:12:22,519
it's your fault. Stay away the
wool, all right, Mike,

138
00:12:22,720 --> 00:12:24,799
get it over to the crime lab
and have a lead check it for princes.

139
00:12:24,840 --> 00:12:26,320
Write you will you find any prints
on the second note? Mike too,

140
00:12:26,559 --> 00:12:30,320
running through r and I now,
Fridy room, my room. Get

141
00:12:30,360 --> 00:12:31,879
down there and see if they got
to make I'll call out to Sullivan's and

142
00:12:31,960 --> 00:12:35,679
check with Harris. Right ed,
Let's go a bit. Who's watching the

143
00:12:35,759 --> 00:12:39,600
Sullivan house beside her? Carpenter and
Davis, Max trans afraid the girl's father

144
00:12:39,720 --> 00:12:41,639
trying to make a deal with the
guy. Has he tried it yet?

145
00:12:41,759 --> 00:12:43,720
No, he hasn't yet. You
couldn't blame him if he did. Worried

146
00:12:43,840 --> 00:12:50,200
single Yeah, sure we are,
hi fellas, just coming down to see

147
00:12:50,240 --> 00:12:52,399
you got something. Larry, those
two Prince Lee Jones lifted off that letter

148
00:12:52,399 --> 00:12:54,360
I got to make on him from
the single print file. Its good,

149
00:12:54,440 --> 00:12:56,679
Larry. Let's see, h there
it is, pull the whole bankage on

150
00:12:56,799 --> 00:13:05,679
him. Donald Alfred Keefer looks like
a old badwin, doesn't he. Donald

151
00:13:05,759 --> 00:13:09,360
Alfred Keefer male, Caucasian, age, twenty nine, five feet eight inches,

152
00:13:09,399 --> 00:13:11,919
one hundred and seventy pounds, brown
eyes dark brown here. He had

153
00:13:11,960 --> 00:13:16,679
one previous arrest for forgery in Los
Angeles, ten months before Keeper's occupation.

154
00:13:16,759 --> 00:13:20,480
At the time his arrest was listed
as a bank clerk at the Third National

155
00:13:20,600 --> 00:13:24,279
Bank. Ben went back into the
files and pulled the crime report. Then

156
00:13:24,320 --> 00:13:28,799
we called it backstramp. There's an
answer, Skipper. At the time Keeper

157
00:13:28,879 --> 00:13:31,240
pulled that forgery job at the bank, mister Sullivan was won the vice president

158
00:13:31,759 --> 00:13:35,519
go in. Sullivan was the one
who preferred charges against Keeper and Sulid.

159
00:13:35,559 --> 00:13:39,480
He was prosecuted. Where's this keeping
down? Let me see is placed on

160
00:13:39,559 --> 00:13:43,080
probation, and on May sixteenth this
year, he returned to his home in

161
00:13:43,240 --> 00:13:46,960
Omaha, Nebraska. That's thirteen eighty
mckinna Avenue, all right from my own.

162
00:13:48,240 --> 00:13:50,720
Get Omaha on the phone and have
him check out keeping right Friday,

163
00:13:52,120 --> 00:13:54,200
take keep his package in this note
down to Don myz have him check the

164
00:13:54,279 --> 00:13:58,519
handwriting and get over to the crime
lab and see what Jones lifted off for

165
00:13:58,559 --> 00:14:00,679
that last letter. We got all
right ed. The faster we work,

166
00:14:00,720 --> 00:14:09,480
the faster We'll put this guy behind
buys. Now move. How's the writing

167
00:14:09,519 --> 00:14:13,480
compared Don? What'd you find?
He looks good? See here slaps his

168
00:14:13,559 --> 00:14:20,720
crosses, w oops his l's openes
breshare on the downstroke Donald Keefer Wolf same

169
00:14:20,840 --> 00:14:30,600
handwriting. Lift the tree prints off
this last note. Joe brought him out

170
00:14:30,600 --> 00:14:33,519
to the I don fume gun.
They match with the first. Thanks Ley,

171
00:14:33,639 --> 00:14:35,879
Do you find anything else? I
don't know it will help you much.

172
00:14:35,000 --> 00:14:39,639
We examined the paper for watermarks and
texture. Both notes are written on

173
00:14:39,679 --> 00:14:41,879
the same kind of paper. Impressions
show both pieces of paper from the same

174
00:14:43,000 --> 00:14:46,240
tablet checked the density of the carbon
and the pencil he used. Both specimens

175
00:14:46,320 --> 00:14:58,679
match same pencil by mid afternoon,
Donald Keeper's description had been broadcast throughout the

176
00:14:58,759 --> 00:15:01,320
area. Bullet was where his to
all departments, and an APB was teletyped

177
00:15:01,320 --> 00:15:05,600
to the entire state. Men were
stationed at every post office in the city

178
00:15:05,679 --> 00:15:07,879
to watch for notes that might come
through the mail. The bus depots,

179
00:15:09,039 --> 00:15:11,919
railroad terminals, the airports, and
all the main roads leading out of the

180
00:15:11,960 --> 00:15:15,799
city were under strict surveillance. The
entire Los Angeles area was broken down into

181
00:15:15,840 --> 00:15:18,519
single square mile districts, and the
house to house canvas was started. The

182
00:15:18,600 --> 00:15:22,480
squad of men were assigned to cover
each square mile. Outlying towns and cities

183
00:15:22,519 --> 00:15:26,039
were requested to do the same.
By five o'clock that afternoon, the greatest

184
00:15:26,120 --> 00:15:30,960
dragnet operation in the history of the
city was underway. We were sure Donald

185
00:15:31,000 --> 00:15:35,320
Keeper was somewhere inside. At twelve
minutes past five, Ben got the callback

186
00:15:35,360 --> 00:15:39,080
from the Omaha police. Yeah,
yeah, I got it. Six x

187
00:15:39,240 --> 00:15:43,039
ray four to one nine Nebraska Place
right. Well, thank you a lot,

188
00:15:43,559 --> 00:15:46,320
yea bye. They had a make
on the car lots more. The

189
00:15:46,360 --> 00:15:50,879
Omaha cops looking for keyper two went
in for a Robbie there two months ago.

190
00:15:50,039 --> 00:15:54,600
Yeah, Matt Robbery used a stolen
nineteen thirty nine, blue sed Dan

191
00:15:54,919 --> 00:15:58,679
Nebraska license plate six X ray four
one nine. How about his family and

192
00:15:58,679 --> 00:16:00,000
his friends back there? They all
been checked. Yeah, they said keeper

193
00:16:00,080 --> 00:16:03,759
left Omaha about six weeks ago.
Didn't know where it was, Hayding.

194
00:16:03,919 --> 00:16:07,879
We'll get that car description the communications
huh APB teletypan broadcast. I'll tell you

195
00:16:07,039 --> 00:16:11,080
all right, Joe Friday, Yeah, what are you tied up with?

196
00:16:11,440 --> 00:16:12,720
Well, just got a call from
Omaha. Make on Keifer in the car,

197
00:16:12,879 --> 00:16:15,440
give it to me. You do, get out of the Sullivant ho

198
00:16:15,480 --> 00:16:18,279
as fast as you can. What's
happened to given man? And Sullivan's disappeared?

199
00:16:26,320 --> 00:16:29,879
All right, Harris? How did
it happened? About three to seventh

200
00:16:29,919 --> 00:16:32,559
tonoon? Mister Sullivan got a phone
call, said he had to go down

201
00:16:32,559 --> 00:16:34,639
to the bank and went with him. He had me wait in the reception

202
00:16:34,759 --> 00:16:37,679
room and he went in his office
to waiting. Ten minutes. I got

203
00:16:37,720 --> 00:16:41,039
suspicious and went in. He was
gone. I said, did he get

204
00:16:41,039 --> 00:16:45,559
any more money this morning? Five
thousand dollars? Should get the serial numbers

205
00:16:45,559 --> 00:16:48,799
off the bills? Yeah. I
shouldn't let him get out of my sight.

206
00:16:48,960 --> 00:16:51,480
Forget it right now, We've got
to find out where he's going to

207
00:16:51,519 --> 00:16:53,399
meet Keifer. You talked to missus
Sullivan about it, Harris, She says

208
00:16:53,399 --> 00:16:56,919
she doesn't know anything about it.
Let's try her again. Come on,

209
00:16:56,080 --> 00:17:00,039
let's go inside, all right,
fellas, Hi, where's miss Sullivan?

210
00:17:00,120 --> 00:17:03,279
Dave back in the sitting room,
lying down, Doctor Swite, come on

211
00:17:04,200 --> 00:17:11,680
a time? He got bet six
thirty five. I'll get it. Hello.

212
00:17:12,200 --> 00:17:19,440
Where are you? Where are you
now? Where are you now?

213
00:17:22,000 --> 00:17:29,440
We'll be right out. That was
Martin Sullivan. He met with Keefer of

214
00:17:29,640 --> 00:17:33,400
Laurel Canyon. Did he get his
daughter back? Yeah? Wrapped in newspapers,

215
00:17:40,799 --> 00:17:42,680
all cars in the area were notified
that a contact had been made with

216
00:17:42,799 --> 00:17:47,559
keeper. We got in the car
and drove out to Laurel Canyon. The

217
00:17:47,759 --> 00:17:51,880
entire area had been blocked off.
We found Martin Sullivan standing in the middle

218
00:17:51,880 --> 00:17:55,519
of the road at the end of
East Winding Way. Five hundred feet down

219
00:17:55,559 --> 00:17:59,359
the hill was a private residence where
Sullivan had telephoned. His was the only

220
00:17:59,440 --> 00:18:03,279
building in the immediate vicinity. A
few yards beyond the point where he's winding

221
00:18:03,319 --> 00:18:07,200
away ended back in a clump of
tall grass, we found the body of

222
00:18:07,279 --> 00:18:12,160
Martin Sullivan's daughter. We notified the
crime lab. She back strand in the

223
00:18:12,240 --> 00:18:18,000
corner. Despite a severe state of
emotional shock, Martin Sullivan tried to tell

224
00:18:18,079 --> 00:18:22,720
us a story. He said,
Juju was all right. I believed him.

225
00:18:22,759 --> 00:18:32,400
I wanted to beg jud. I
tricked the officer that when watching he

226
00:18:33,000 --> 00:18:37,039
said, come along, no police. Did you see his calm as she

227
00:18:37,039 --> 00:18:47,039
said, I wanted to beg I
wanted you to bey I. I did

228
00:18:47,119 --> 00:18:52,279
as he said. I drove here
at six o'clock. I waited. I

229
00:18:52,680 --> 00:18:56,440
put the money in the front seat, like you said. Did he get

230
00:18:56,440 --> 00:19:03,720
the money, mister Sullivan, I
got out of it, left parking nights

231
00:19:03,759 --> 00:19:11,200
on. I stood up there by
the end of the road waiting, mister

232
00:19:11,319 --> 00:19:21,759
solid and he drove up me.
It took her money. Then he came

233
00:19:21,880 --> 00:19:29,240
up to me. He had a
gun. I wanted to shoot it back.

234
00:19:30,640 --> 00:19:34,559
Yeah, the gun. Did you
see his car? He said,

235
00:19:34,799 --> 00:19:45,440
she was up there beyond the road
to a tree. Mister Sullivan, did

236
00:19:45,480 --> 00:19:56,359
you see his car? I went
to look for he drove away. She

237
00:19:56,599 --> 00:20:37,519
wasn't there. I couldn't find it. I know we've got it. Before

238
00:20:37,559 --> 00:20:40,559
he went into a state of complete
collapse, we showed Martin Sullivan a picture

239
00:20:40,559 --> 00:20:45,440
of Donald Alfred Kiefer. He definitely
identified him. The information was immediately relayed

240
00:20:45,440 --> 00:20:48,920
back to Central Division, rebroadcast to
the entire police radio system. A teletype

241
00:20:49,000 --> 00:20:53,480
was dispatched to sheriff's offices and communications
were sent to police stations throughout the country.

242
00:20:55,079 --> 00:20:59,039
The house to house searched throughout the
entire city, intensifying the dragnet in

243
00:20:59,079 --> 00:21:02,640
which we hope to trap Donald.
Keeper was drawing slowly inward. It was

244
00:21:02,720 --> 00:21:07,480
twelve midnight as free Slim and girl
murdered. Xtree read all about it,

245
00:21:07,720 --> 00:21:11,119
Citizens joints, Sir for Caro ranny. Did the papers get a list of

246
00:21:11,119 --> 00:21:12,839
the numbers on that ransom money?
Yeah? Got them in the final that

247
00:21:14,039 --> 00:21:15,640
edition, two and a half pages
of serial numbers. Gave it a big

248
00:21:15,640 --> 00:21:18,880
spread. Look at these pictures,
a Keeper here all over the front play

249
00:21:19,039 --> 00:21:22,960
I'm more of the better on my
own. I hope this town never forgets

250
00:21:22,000 --> 00:21:27,240
that face. Good reminder you don't
make deals with killers. Alright, fellas,

251
00:21:27,799 --> 00:21:32,519
come on over, find anything here? Ly just checking over these towels

252
00:21:32,559 --> 00:21:36,799
here fallum wrapped around the girl's body. Inside the papers. The only thing

253
00:21:36,880 --> 00:21:41,079
about those papers, sadly, they're
all Yesterday's every story about the girl's disappearance

254
00:21:41,119 --> 00:21:45,359
has been clipped off. Maybe the
guy's making that for scrap. How about

255
00:21:45,359 --> 00:21:47,839
the towels, Jones? Any laundry
monks? Not on one so far,

256
00:21:48,119 --> 00:21:52,359
ed, every one of them was
clipped off. Pretty smart. The marg

257
00:21:52,440 --> 00:21:56,960
posts the body in and doing it
now, nasty one. Yeah. Do

258
00:21:56,039 --> 00:22:00,240
you get any footprints or tire marks
out where they found the body of them?

259
00:22:00,240 --> 00:22:03,559
All? Cast Bars and Taylor are
checking them. One sink? What

260
00:22:03,799 --> 00:22:07,279
is it? Jones? I don't
know? Under the scene here this tale?

261
00:22:07,440 --> 00:22:11,039
Wait a minute, Joe, that
pair of snipper is it? Yeah?

262
00:22:11,240 --> 00:22:15,839
There you are, thanks, just
back under the sea. There that's

263
00:22:15,960 --> 00:22:30,559
one tag he missed. Yeah.
Greenway Apartments, Los Angeles. One look

264
00:22:30,559 --> 00:22:33,720
at the apartment was enough. In
an adjoining garage we found the car,

265
00:22:33,799 --> 00:22:37,240
which keeper had used, a blue
Sedan Nebraska license plate six x ray four

266
00:22:37,319 --> 00:22:41,400
one nine. When we got back
to the office, Chief Backstrand immediately issued

267
00:22:41,440 --> 00:22:45,519
a cancelation of the want order for
the blue sedan, and then he ordered

268
00:22:45,519 --> 00:22:48,559
a detail amen to stake out the
car and the event keeper decided to come

269
00:22:48,640 --> 00:22:52,039
back for it. Here's the Corners
report. Joe, let's see it.

270
00:22:52,920 --> 00:23:00,680
Because of death strangulation time of death
Monday, October eighteenth, approximately two pm,

271
00:23:00,440 --> 00:23:06,440
one hour after he grabbler, I
can't be right skipper in his office.

272
00:23:06,960 --> 00:23:08,119
O, he's out for a minute. Hey, Joe, Ben,

273
00:23:08,279 --> 00:23:11,799
take the call up two five oh
three, will you? Thanks? Mines

274
00:23:11,880 --> 00:23:18,519
Dride Would you give me the call
on two five oh three please? Thanks?

275
00:23:19,599 --> 00:23:26,720
Hello? Yeah, yeah, when
we'll be right over some of the

276
00:23:26,799 --> 00:23:34,480
ransom money. Ben just showed up
Beverly and Highland. Come on, the

277
00:23:34,599 --> 00:23:38,400
man's name was Ralph Donahue. He
operated a used car lot on the corner

278
00:23:38,400 --> 00:23:41,599
of Beverly and Highland. He told
us that early that morning he sold a

279
00:23:41,680 --> 00:23:45,279
dark blue late model coup to a
man who gave his name as Fred Simms.

280
00:23:45,839 --> 00:23:48,759
The man paid for the car in
cash. Donahue told us that he

281
00:23:48,880 --> 00:23:52,319
checked the serial numbers on the bills
after the man had driven away. Sarah

282
00:23:52,400 --> 00:23:56,359
Lemers, check out. You know, everyone, if I only thought to

283
00:23:56,480 --> 00:23:59,720
look, officer, and you know
I generally do, I'm the suspicious kind

284
00:23:59,720 --> 00:24:03,039
any but oh, this morning I
must have been asleep. We got the

285
00:24:03,079 --> 00:24:04,079
full description on the car, Ben, Yeah, yeah, all right,

286
00:24:04,160 --> 00:24:07,359
let's get it in the air right
away. I saw I was mugg in

287
00:24:07,400 --> 00:24:11,400
the paper while I was waiting for
you too late. Sorry, yeah,

288
00:24:11,839 --> 00:24:21,559
thanks. At ten minutes past three
that afternoon, another piece of the ransom

289
00:24:21,559 --> 00:24:25,039
money turned up at a busy downtown
department store. The clerk was unable to

290
00:24:25,079 --> 00:24:29,000
remember who gave her the bill.
The detail throughout the general downtown area was

291
00:24:29,039 --> 00:24:33,000
strengthened. The house to house search
of the entire city for Judy Sullivan's murderer

292
00:24:33,039 --> 00:24:37,880
went on the afternoon dragged into the
early evening. At twenty minutes to seven,

293
00:24:37,960 --> 00:24:40,240
Ben and I had a hamburger and
a cup of coffee in the drug

294
00:24:40,319 --> 00:24:42,480
store at East Broadway in the third
and then we got back in the car,

295
00:24:42,720 --> 00:24:48,000
checked with communications, and started cruising
the neighborhood again. At nine minutes

296
00:24:48,039 --> 00:24:51,720
to eight, a man answering the
description of Donald Keeper was seen crossing Sunset

297
00:24:51,799 --> 00:24:56,160
Boulevard just below Highland. Seven minutes
later, the same man was reported near

298
00:24:56,200 --> 00:25:00,680
the intersection of Hollywood Boulevard and Lost
Palmus. Communications really the information. At

299
00:25:00,720 --> 00:25:04,680
twenty one minutes past eight, our
car EIGHTYK, along with a dozen others,

300
00:25:04,720 --> 00:25:10,599
were concentrated in the Hollywood Boulevard area
from Gower Street to Librea Franklin Avenue

301
00:25:10,640 --> 00:25:14,640
to Santa Monica Boulevard. At twenty
four minutes past eight, another piece of

302
00:25:14,680 --> 00:25:18,000
the ransom money was passed at a
cigar store in the corner of Hollywood Boulevard

303
00:25:18,000 --> 00:25:21,880
and Hawthorne Street. The number of
men and radio cars in the area was

304
00:25:21,960 --> 00:25:26,119
redoubled. Wain clothes officers were stationed
at every intersection to keep an eye on

305
00:25:26,160 --> 00:25:30,880
pedestrian traffic. At eighteen minutes to
nine, the dark blue coop which Keifer

306
00:25:30,880 --> 00:25:33,160
had bought that morning, was spotted
parked in an alley just below Hollywood Boulevard

307
00:25:33,200 --> 00:25:38,519
and Conga. We called it Backstrand
City Hall to five oh three two five

308
00:25:38,559 --> 00:25:44,480
oh three, Chief of Detectives always
Hannah is Friday, Mike the chief there.

309
00:25:44,559 --> 00:25:45,640
Yeah, wait a minute, just
going out the door, and it's

310
00:25:45,680 --> 00:25:49,839
for you, Magstrand Friday ed just
spotted Keeper's car the when he bought this

311
00:25:49,920 --> 00:25:52,119
morning, parked in an alley off
Conga. Harris and I are and I

312
00:25:52,279 --> 00:25:56,200
went then now we'll take care of
the car. You'll take care of this

313
00:25:56,319 --> 00:25:59,079
call just came in. What do
you got the theater on the corner of

314
00:25:59,079 --> 00:26:02,039
Hollywood Boulevard and Fairview. A girl
in the box office just took it.

315
00:26:02,119 --> 00:26:03,519
A ten dollar ransom bill. Yeah, you got a good look at the

316
00:26:03,559 --> 00:26:17,759
man who passed the bill, She
says, it's Keeper. All right,

317
00:26:17,839 --> 00:26:22,079
Ben, come on, Yeah,
you've got a list of serial numbers right

318
00:26:22,160 --> 00:26:26,160
here. Let's check out the window. Yes, sir, how many please

319
00:26:26,240 --> 00:26:29,720
please? Office Sergeant Romeo, Sergeant
Friday, Oh yes, sir, mister

320
00:26:29,839 --> 00:26:32,519
Raeburn, please are here. Would
you step around to the side door,

321
00:26:32,599 --> 00:26:36,119
Sergeant Yes, ma'am Margie relieve Francis
for a minute. Francis come in,

322
00:26:36,400 --> 00:26:40,599
bring that ten dollar bill with you, sharp girl, Officer that francis sharp?

323
00:26:40,960 --> 00:26:44,720
Here is all right, Sergeant.
There you are ten dollar bill and

324
00:26:44,799 --> 00:26:47,720
the list of serial numbers. Check
out, all right, Ben, that's

325
00:26:47,759 --> 00:26:48,920
it, Joe, good work man. The report of the man came in

326
00:26:49,000 --> 00:26:52,319
about a half hour ago. You're
sure it was Keeper, Yes, sir,

327
00:26:52,400 --> 00:26:55,000
I have his picture in the box
office, just behind the change machine.

328
00:26:55,039 --> 00:26:56,400
I recognized him right away. As
far as you know, he hasn't

329
00:26:56,440 --> 00:26:59,680
left the theater. That's right,
all right, mister raeburnd I'm sorry,

330
00:26:59,759 --> 00:27:02,279
Fred, I have to interrupt the
show. Anything you say, Sergeant,

331
00:27:02,480 --> 00:27:03,359
anything, Ben, You keep an
eye on the front. Ects that I'll

332
00:27:03,400 --> 00:27:14,480
call communications. Frid Joe EIGHTYK to
control four eight OK to control four eighty

333
00:27:14,559 --> 00:27:18,559
K go ahead control for clear all
frequencies. The Sullivan murder suspect Donald Keeper

334
00:27:18,599 --> 00:27:22,640
has been located in the theater on
the southeast corner of Hollywood Boulevarden Fairview.

335
00:27:23,079 --> 00:27:30,720
Have all units around the area ADK
Roger contention all units attention all units eighty

336
00:27:30,799 --> 00:27:34,920
K in the theater on the southeast
corner of Hollywood Boulevard, Fairview. Sullivan

337
00:27:36,039 --> 00:27:40,599
murder suspects has been located in the
theater. Go ahead eighty K control for

338
00:27:41,160 --> 00:27:45,640
have all units converge in the general
area Hollywood Boulevarden Fairview. Unit sixty two

339
00:27:45,680 --> 00:27:48,640
are to block off the intersection in
Hollywood Bullivard in North Cherokee Stop all pedestrian

340
00:27:48,680 --> 00:27:52,319
and vehicular traffic. Unit sixty one
eight to block the intersection in Hollywood Bull

341
00:27:52,359 --> 00:27:56,839
Ofvarden Hudson Street Stop all pedestrian and
vehicular traffic. Unit seventy one and seventy

342
00:27:56,880 --> 00:28:00,359
two are to block the alley behind
the theater at sixty six and sixty seven

343
00:28:00,400 --> 00:28:07,880
IR who assistant main entrance to the
theater. Within a few minutes, the

344
00:28:07,960 --> 00:28:11,880
one half mile area around the theater
was completely blockaded. Every exit and entrance

345
00:28:11,920 --> 00:28:15,799
to the theater was covered. At
nine twenty three, we met Harris and

346
00:28:15,960 --> 00:28:18,920
ed Backstrand in the theater manager's office. Backstrand outlined our plan of operation.

347
00:28:19,400 --> 00:28:22,480
At nine twenty eight, a detail
of fourteen men walked down the side aisles

348
00:28:22,519 --> 00:28:25,839
on the main floor of the theater
and took up their posts on either side

349
00:28:25,880 --> 00:28:27,960
of the orchestra pit. The picture
was stopped and every light in the theater

350
00:28:29,079 --> 00:28:32,079
was turned on. At Backstrand,
Harris, Ben and I went down the

351
00:28:32,119 --> 00:28:34,880
island up onto the stage. Backstrand
made the announcement, Ladies and gentlemen,

352
00:28:36,240 --> 00:28:40,519
we're sides to interrupt the picture,
but this is important. We're police officers.

353
00:28:41,240 --> 00:28:45,200
We've traced the murderer of Judy Sullivan
to this theater. He's in this

354
00:28:45,359 --> 00:28:48,960
theater now, and we're going to
search the theater row by row, and

355
00:28:48,000 --> 00:28:52,079
we'd like to ask your cooperation.
There's no need to be panicky or afraid.

356
00:28:53,000 --> 00:28:56,720
Those who wish to leave now may
do so. Lead by the main

357
00:28:56,920 --> 00:28:59,920
entrance. Each one of you will
be checked as you go out the door,

358
00:29:00,799 --> 00:29:03,440
and for the benefit of the man
we're looking for, don't try to

359
00:29:03,640 --> 00:29:10,160
escape. Every exod is covered in
the entire area is blockaded. Don't place

360
00:29:10,240 --> 00:29:21,839
any more lives in jeopardy. Come
on, Ben, backstage show. We

361
00:29:21,880 --> 00:29:23,279
can make it from there. All
right, let's go, come on,

362
00:29:23,400 --> 00:29:27,000
hustle it, Ben, Yeah,
the next building you'll probably try to jump

363
00:29:27,039 --> 00:29:29,759
for all right, watch it.
I think this stor leads out to the

364
00:29:29,839 --> 00:29:34,920
roof. Here he goes, all
right, keep her hauling. Shoot,

365
00:29:34,960 --> 00:29:40,240
I get up. Throw your gun
down over here, don't huot. No,

366
00:29:40,480 --> 00:29:42,960
let's get him, all right,
coppers, I got it. Figured

367
00:29:44,000 --> 00:29:45,440
they won't top me for this.
Didn't know what I was doing with the

368
00:29:45,480 --> 00:29:48,839
cuffs on him, Ben, get
away from me. Your crump shouldn't have

369
00:29:48,880 --> 00:30:00,279
hit him. Keep her all right, Ben, try the cuffs now.

370
00:30:00,920 --> 00:30:06,640
Yeah, come on, let's get
him in out of the rain. What's

371
00:30:06,680 --> 00:30:18,799
a hurry? Why spoil a good
rain. The story you have just heard

372
00:30:19,000 --> 00:30:26,039
is true, only the names were
changed to protect the innocent. Donald Alfred

373
00:30:26,160 --> 00:30:30,759
Keeper was tried and convicted of murder
in the first degree. He was executed

374
00:30:30,799 --> 00:30:40,279
in the lethal gas chamber at the
State Penitentiary. You have just heard the

375
00:30:40,359 --> 00:30:45,160
fifteenth in a new series of authentic
cases transcribed from official Fireous Technical advice for

376
00:30:45,400 --> 00:30:49,240
Dragnet comes from the Office of Acting
Chief of Police W. A. Wharton,

377
00:30:49,640 --> 00:30:56,680
Los Angeles Police Department. Tonight's program
is dedicated to Deputy United States Marshall

378
00:30:57,000 --> 00:31:03,160
John B. Glenn Boise Item on
the morning of July thirty first, nineteen

379
00:31:03,279 --> 00:31:22,319
forty gave his life so that yours
might be more secure. Drag Net came

380
00:31:22,400 --> 00:31:30,960
to you from Los Angeles Dealer Guild
on the air. Returns tomorrow night on

381
00:31:30,240 --> 00:31:44,799
MBC. Welcome Back. A well
done story of a kidnapping investigation with some

382
00:31:45,000 --> 00:31:51,079
really gutriching scenes, particularly when Martin
Sullivan was talking about his daughter when he

383
00:31:52,240 --> 00:31:56,799
tried to pay off the ransom.
I think that's a very raw and realistic

384
00:31:56,920 --> 00:32:00,039
reaction, while at the same time
not being sensation all about it. At

385
00:32:00,079 --> 00:32:04,839
the same time, I also think
that there were some really nice touches with

386
00:32:05,000 --> 00:32:12,119
the sound effects them of them in
the trunk of the car and the thunderstorm

387
00:32:12,279 --> 00:32:16,599
in particular standout Dragon that, particularly
in these early days, had this dedication

388
00:32:16,839 --> 00:32:22,960
to high quality production and in making
listeners feel like they were there with the

389
00:32:23,039 --> 00:32:29,839
police wherever they were. They wanted
to really make the full situation feel real,

390
00:32:30,039 --> 00:32:36,359
which was why Jack Webb used far
more sound effects men than other programs.

391
00:32:36,440 --> 00:32:40,480
Did well. Now we turn to
listener comments and feedback, and we

392
00:32:40,640 --> 00:32:47,359
start on the site called x where
Tina says great episode regarding Mara the Redhead.

393
00:32:47,720 --> 00:32:53,319
Over on YouTube regarding fourteen Jewel Thefts, Ruth rites, it's strange to

394
00:32:53,400 --> 00:32:58,799
think of Harry Morgan as a criminal. Well, if you think sixteen Jewel

395
00:32:58,880 --> 00:33:04,759
Thefts was stress, then what you
would really find strange is the movie Appointment

396
00:33:04,920 --> 00:33:12,759
with Danger, where Jack Web and
Harry Morgan both play criminals. In fact,

397
00:33:13,119 --> 00:33:17,559
the character Jack Web plays is named
Joe. It's like the Dragnet version

398
00:33:17,880 --> 00:33:23,319
of the Mere Universe. Then we
have an interesting question on YouTube from THEO

399
00:33:23,640 --> 00:33:29,839
who writes, I love it when
we find missing or lost episodes. Recently,

400
00:33:30,160 --> 00:33:35,319
Doctor Who used AI to clean up
some of their degraded episodes. What

401
00:33:35,480 --> 00:33:40,920
do you think of using AI to
recreate lost episodes from scripts that remain Thanks

402
00:33:42,000 --> 00:33:45,319
so much, THEO. AI is
a really hot topic right now. I've

403
00:33:45,440 --> 00:33:50,920
got, I guess, an interesting
perspective on it, or at least I've

404
00:33:51,039 --> 00:33:58,279
got some interesting background in it,
given that one of my books was pirated

405
00:33:58,640 --> 00:34:05,400
and used by Meta and Bloomberg to
train their AIS. Now I was one

406
00:34:05,480 --> 00:34:09,679
of like one hundred thousand authors,
so it wasn't like I was especially singled

407
00:34:09,760 --> 00:34:15,880
out, but that definitely colors my
opinion a little bit on this topic.

408
00:34:15,159 --> 00:34:22,880
That said, I think that AI
can be used as a legitimate tool by

409
00:34:22,039 --> 00:34:30,760
writers and artists to aid human creative
efforts. I think we've seen humans taking

410
00:34:30,000 --> 00:34:37,840
advantage of new tools as computers have
come along. For instance, there's no

411
00:34:37,039 --> 00:34:45,920
denying that there's some fantastic art in
the two D animated films, mostly from

412
00:34:45,039 --> 00:34:52,119
the past that is just gorgeous,
But there have also been some great films

413
00:34:52,360 --> 00:34:59,480
made using computer animation. I can't
say that something like up or in Conto

414
00:35:00,280 --> 00:35:05,679
isn't art because there was computer animation
involved. Now at the same time,

415
00:35:06,159 --> 00:35:14,199
computer animation has also enabled a lot
of very lazily done film, and I

416
00:35:14,320 --> 00:35:17,079
think that's part of the reason why
you have so many people who will,

417
00:35:17,639 --> 00:35:22,559
for example, complain about all the
CGI and movies. It's just kind of

418
00:35:23,280 --> 00:35:29,239
becomes this thing where at first it
might have been spectacular, but now it's

419
00:35:29,320 --> 00:35:35,280
just kind of become bog standard,
And many people will marvel at watching older

420
00:35:35,360 --> 00:35:40,559
films before computers came along and be
like, wow, they use practical effects

421
00:35:40,599 --> 00:35:45,280
to make this happen. I've also
seen when you take a look at films

422
00:35:45,440 --> 00:35:52,239
that are just terribly made. So
many of them are just you know,

423
00:35:52,440 --> 00:35:59,840
poorly produced by people who didn't even
fully understand the software or didn't really want

424
00:35:59,880 --> 00:36:04,840
to put in the time to use
the software to get a great result.

425
00:36:05,000 --> 00:36:09,519
And we've already seen that with AI, that there is a kind of lazy

426
00:36:09,760 --> 00:36:15,320
use of it that often leads to
the same sort of mediocrity we've seen with

427
00:36:15,760 --> 00:36:22,920
poor or bog standard CG. So
my general stand on AI is that in

428
00:36:22,119 --> 00:36:29,960
principle it can be used to aid
artistic efforts and other efforts, but there's

429
00:36:30,079 --> 00:36:35,280
going to be a lot of lazy
garbage that comes from people who are able

430
00:36:35,360 --> 00:36:38,960
to access it but don't actually understand
how it works. Now, when it

431
00:36:39,039 --> 00:36:43,960
comes to this, I have two
thoughts. First of all, the big

432
00:36:44,159 --> 00:36:51,199
difference between Doctor Who and Old Time
Radio is that Doctor Who is very much

433
00:36:51,360 --> 00:36:59,039
commercially viable. There are millions made
on Doctor Who every year and spin off

434
00:36:59,719 --> 00:37:07,599
meeting in DVD sales that gives it
a level of interest that most other franchises

435
00:37:07,679 --> 00:37:10,719
would not have. Old Time Radio, on the other hand, is not

436
00:37:12,000 --> 00:37:16,480
commercially viable. The vast majority of
it isn't. And even that which is

437
00:37:16,760 --> 00:37:22,000
like episodes of the Shadow or something
like that, it's not Doctor Who not

438
00:37:22,400 --> 00:37:28,320
in the same league financially at all. So you would need the price of

439
00:37:28,400 --> 00:37:32,400
this technology to come down to such
a level that you could essentially have volunteers

440
00:37:32,559 --> 00:37:36,559
doing it. But you might be
able to do it, should you.

441
00:37:37,199 --> 00:37:39,519
No, not really, at least
not in my opinion, I feel like

442
00:37:39,840 --> 00:37:46,119
that is really too far. Now, there are some really poor quality old

443
00:37:46,239 --> 00:37:52,679
time radio recordings. If you had
an AI tool that could clean that up

444
00:37:52,079 --> 00:38:00,239
and make the voices clear, that's
fine. I think creating a performance using

445
00:38:00,559 --> 00:38:04,599
the voices of actors who are not
with us, this is a lot more

446
00:38:04,760 --> 00:38:09,639
problems. I mean, I think
that there are legal issues obviously, because

447
00:38:10,159 --> 00:38:19,360
even with old time radio not being
under copyright, a new performance using the

448
00:38:19,519 --> 00:38:24,039
voices of those actors that would raise
all sorts of questions. Because you know,

449
00:38:24,199 --> 00:38:29,239
books can enter the public domain.
Is there some point where an actor

450
00:38:29,440 --> 00:38:34,960
enters the public domain? But I
really feel like with the best of programs

451
00:38:35,559 --> 00:38:40,639
that what makes them great. Makes
Bob Bailey's Johnny doll Or great are those

452
00:38:40,920 --> 00:38:47,440
choices that he makes as an actor, those bits of humanity that he puts

453
00:38:47,480 --> 00:38:54,000
into his role and trying to create
that from whole cloth feels a bit disrespectful.

454
00:38:54,239 --> 00:39:00,159
That's beyond you know, cleaning up
audio and cleaning up video, which

455
00:39:00,639 --> 00:39:05,519
is what the BBC did. Honestly, if you're going to do anything with

456
00:39:06,079 --> 00:39:13,239
fissing radio scripts, have human actors
recreate them. There are several different efforts

457
00:39:13,679 --> 00:39:20,320
towards a recreation, and these are
not going to be the same as if

458
00:39:20,360 --> 00:39:27,079
you're hearing the radio plays, because
they're different people, different talents, and

459
00:39:27,199 --> 00:39:30,440
in many cases you know, they
can't use the same music and cues.

460
00:39:30,760 --> 00:39:37,920
But what you're hearing in that case
is you're hearing the actual actors interpreting a

461
00:39:38,119 --> 00:39:44,119
script, giving a performance. And
the quality, will you know, vary

462
00:39:44,320 --> 00:39:49,679
from recreation to recreation. There are
some excellent groups out there, the Gotham

463
00:39:49,840 --> 00:39:53,920
Radio Players. A few years back
they did their own performance of one of

464
00:39:54,000 --> 00:40:00,719
the Missing Dragnet episodes, the Big
Cop, and they did a very good

465
00:40:00,920 --> 00:40:06,159
job. It wasn't the same as
the original, but it was a valid

466
00:40:06,360 --> 00:40:13,119
interpretation. I particularly what stood out
to me was the captain in that episode

467
00:40:13,400 --> 00:40:21,719
gave a really well deserved SmackDown to
a crooked cop and it really came forth

468
00:40:22,280 --> 00:40:28,719
that the captain actor was from New
York in a very obvious way. You

469
00:40:28,760 --> 00:40:31,360
know, it wasn't over the top, but you wouldn't have heard that in

470
00:40:32,119 --> 00:40:39,440
the nineteen fifties on Dragnet. But
it was a perfectly valid and really good

471
00:40:39,519 --> 00:40:45,639
interpretation of the script. And then
you've got things like Hot Copy Radio Theater

472
00:40:45,880 --> 00:40:52,000
or the American Radio Theater, and
these groups have done US radio scripts,

473
00:40:52,039 --> 00:40:55,480
and I think that's the best approach
to them trying to program an AI to

474
00:40:57,159 --> 00:41:02,719
do Jack Web or Bob Bailey or
Virginia Gregg's voice. Maybe someday somebody will

475
00:41:02,760 --> 00:41:07,159
do it, but I won't be
listening it as always. Thanks for the

476
00:41:07,280 --> 00:41:09,679
question, really to appreciate it.
Well, now it's time to thank our

477
00:41:09,800 --> 00:41:14,199
Patreon supporter of the day, and
I want to go ahead and thank Tom.

478
00:41:14,679 --> 00:41:21,840
Tom has been one of our Patreon
supporters since December twenty nineteen, currently

479
00:41:21,880 --> 00:41:25,320
supporting the podcast at the shamous level
of four dollars or more per month.

480
00:41:25,599 --> 00:41:30,599
Thank you so much for your support, and that will do it for today.

481
00:41:30,960 --> 00:41:35,519
We'll be back next Saturday with another
episode of Dragnat, but join us

482
00:41:35,639 --> 00:41:40,719
back here on Monday as we begin
a new series the adventures of the Falcon.

483
00:41:42,199 --> 00:41:46,119
In the meantime, do send your
comments to Box thirteen at Great Detectives

484
00:41:46,199 --> 00:41:51,519
dot net, follow us on Twitter
at Radio Detectives, and check us out

485
00:41:51,559 --> 00:41:57,800
on Instagram, Instagram, dot com
slash Great Detectives from Boise, Idaho.

486
00:41:58,199 --> 00:42:00,039
This is your host, Adam.
I am signing off.
