It' s been two and a half years recording with a Caster pro rice
in my studio and more specifically six months since I was traded this Caster Pro
rode for a Caster pro Dos rice. I want to comment on my impressions.
Using this beautiful podcast recording interface we welcome you to the other side of
the microphone. On the other side of the microphone, a project by Jorge
Marín Nieto in which you will find your daily ration of metapodcastings with news,
events, tools or episodes of opinion in just ten minutes. Ten minutes,
ten minutes. Hello to all and all the passionate and passionate podcasting to discover
how each podcast is recorded, how it is produced, how events are created,
what are the new features of the tools or podcast platforms. What are
the recommendations I bring you in this daily metapodcast. Anyway, all those who
are and all those who are on the other side of the microft every day
where for ten fifteen minutes I take your headphones to bring you everything related to
the meta podcasting that surrounds me. I am Jorge Marin, from ob producer
and today I want to talk to you about my experience recording podcast with a
Caster pro do two arrode in the last six months, a caster pro arro
in the last two and a half years or so. And what' s
this about? You' ll say," But, Jorge, if you
' ve had it for six months and two years now, you' ve
already told us on some occasion that you have a Caster spout and how wonderful
and kind it is to record with a Caster chute prod two why? Why?
You bring this chapter? Perois, about a week ago he saw an
offer on Amazon. By the way, I' ll see if it'
s still active, because it' s pretty juicy. Let me keep recording,
I' ll open the link a pretty juicy offer, in which they
offered in Amazon a rodecaster pro two for just six hundred euros. You know
if it' s still active, because I' d like to pass it
to you because I already say it' s pretty juicy. And we started
talking in the technical part of the telegram channel, podcast car forum. Yeah,
oh, no. It has already been raised to seven hundred euros.
What a pity seven hundred euros fixed that was less than six hundred when I
saw her. It seems to me that there were five hundred and ninety euros.
Now it' s in seven hundred. It usually costs eight hundred,
but, well, it' s always worth keeping an eye on, because
it' s a device that, despite being quite expensive eye, I don
' t say that it' s cheap, let alone all the dility that
it offers you, because in the end it saves you money and saves you
worries. If any of you tell us man, but I make at a
table of 100 euros, I manage, man, I with this one that
I have here of eighty euros, I manage, yes, I do not
say that you can not do things even without mixing table with your computer and
a virtual mixing table you can also do it. But if you' re
thinking about buying a podcast recording device, an audio interface, where to launch
your sounds, where to connect different microphones, connect a mobile via bluetooth,
monitor it, or do some event with live podcast. Caster' s roo,
both the one and the two and the two duo are magnificent tools that
you can make birigeries with and trust me that I know what I' m
talking about because we' re going. It has been I believe that of
my best tools to record podcasts, to broadcast podcasts in recent years or directly
in the entire trajectory that I have been recording podcasts for eleven years now,
almost twelve years. Why do I say this and what difference does this of
Rodecaster Pro one, which was the one I had for two and a half
years ago and six months ago changed it for me that, by the way,
I also want to take advantage of its predisposition, because I have been
spoiled by two Rodecaster Pro and the second of them for lack of a month
simply to be spoiled for forgiveness, so that I could be cancelled the guarantee.
They decided to change it again, and not only change it for me,
but send me the new version, the Rody Caster pro Dos, with
which I am recording right now and hear, because it is a pleasure to
make a brand take care of you like this and not only that you are
already waiting if you have any problems, but also that it offers you the
latest version of the device that has been damaged in question. Well, because
I say that the Caster pro Dos rodeo I liked even more than the rodeo
castelpro one. Well, logically, because he has more things, he has
more options and I' ve been discovering over these six months. If you
remember the Caster pro one rode, if I' m not mistaken, it
has eight different channels, eight manual channels and the Caster pro Dos rode has
only six, of which three forgives. The last two manuals are virtual.
What this means that you can configure well, sorry, you can configure all,
not just the last two, but well you have six manual channels,
but you actually have nine virtuals. In these nine virtuals you can configure each
of these channels and alternate. You actually have the four microphone inputs the USB
output to throw sounds through the computer. You have the sound channel of the
table itself, with which you can throw pats. Sorry you throw the sounds
of the Pats like the music I' m playing and right now that I
take it off, I throw it back into the doors these that I have
recorded carmen on the other side of the microphone, like coffee bar that I
can turn up and turn down the volume to this channel. In particular,
it also has an option for USB chat, which is, let' s
say, a secondary track within the sounds, which you can launch by computer.
Let' s just say you have two ways to do it. If
you have any problems with calls, for example, that are heard late,
they hear themselves, you can not only cancel this with the mix minus,
but you have two years, actually, two outputs per us and you can
alternate with your computer and tell him listen, because these sounds, you take
it out here. These sounds, you pull it out over there. You
can even talk with a sorry way out, with a way out with a
person who' s not yet on the air, so to speak, not
on full recording. You set up the recording, for example, that you
are performing in Zoom via the normal USB channel, the usual USB channel,
but then you want to enter another person via Skype, as that person via
Skype configures the output of the input via USB chat and you have a connection
there. Let' s say intimate so that only that person listens to you
before passing on to the sound we' re making in full recording or even
that you' re streaming. One thing I thought I was going to miss
in this second model of the Rodcaster pro dos is the TRRS output, which
is a Mini Jack output that had the roy castel pro one and to which
we could connect any mobile phone or device that had Mini Jack, no,
but I really didn' t need it, because I, with the Castelpro
one rode, have only connected him on some occasion to the mobile phone,
but having Bluetooth connection as they both have, because it' s a little
silly. And more recently, when phones don' t even bring in headphones
anymore. Well, if you really need it because you' re going to
connect some other device, you can connect it through the Jack connection, which
now supports the four microphone channels not only support XLR, but also Jack connection,
so you can not only plug in some electronic device, like a mobile
phone through Mini Jack to Jack, but even some musical instrument. I could
connect, for example, an electric guitar. I can connect it on one
of the channels to record a concert. I am not to record music,
but well, if necessary, I could connect four musical instruments in monkey with
this cronexion and broadcast it on streaming or alternate live music with podcast. I
don' t know I can think of it that way in plain sight.
Another thing I would like to highlight is the versatility it has in the configuration.
Let' s say from the touch screen, the table configuration itself,
in the table software itself, for example, the possibilities that TE offers for
microphones are light years of what the Caster one' s roz offered you,
not only because it brings configured the own features of the road microphones with the
road caster, what it is called the pot mic or all those who have
the brand itself, but that they have many more things than the consador microphones
my dynamic crophones. You can even go into the details of each of these
microphones and set up. Not only does it have three characteristics, as it
had the rodcasters pro one, but it has many more. You can include
effects through the pats, for example, to see if this kind works well
for me. Just type a button, which I couldn' t do before
and that' s why I don' t want to touch the buttons,
but I can put effects on each of the different channels simply with the buttons
and it has lots of different configurations. Also the output for the own monitors
or speakers that can be configured in three different ways to prevent you from being
plugged in the microphones so that it is always a regular sound, for well,
many, many more features that include the software itself, that the first
version was quite more, I will not say layered, but rather was a
little bit, a version, a very first version. Sure, let'
s remember that this version has, this version has, if I' m
not mistaken, six years, already, six or seven years, and it
' s seven years in the world of sound recording and in the world of
hardware in general, because of course, the thing has gone a long way.
If it' s the caster prod two rode and it' s already
gonna be a couple of years old, I guess when I get the third
one, then I' ll be looking forward to buying it for me.
But well, at least with this Caster pro two rode I get the same
thing as with the one. I thought I had enough, but once you
have it and you start to squeeze it, you start to see all the
potential that has the simple fact of having a button to go past all the
pages of pats configured for me, for example, because I have one configured
for this podcast, another for another podcast of some client, another for when
I do the pont Da and Madrid, another one that I have here for
the podcast that I do with my daughter. Let' s talk about Peggi
and just compulsate a little button I' m going through and through and through,
and that before I had to do it through the touch screen of the
rode Caster pro one itself. It' s not that it' s a
great disgrace either, but if you have to do something very fast, very
volatile, you don' t take anything and it' s very comfortable to
go past these pages of Pats. Well, the fact of listening. I
thought you couldn' t, but I can watch the previous recordings and go
set them up here. I don' t want to touch much either because
I' m recording, but well, I could even broadcast you some recording
to see if you' ll let me not. If I start broadcasting,
look at this I just found out now. If I start to play the
recordings I have made through the road Caster itself. While I' m recording
with him, the MAC cuts off the microphone input and well, things you
' re learning. But I can here, because it is to see all
the recordings that I have been making over the last few months, that are
saved on the SD card And so, another delight, the truth that recording
with this interface is delicious. I want to say once again, to thank
Road for changing Mega for the version, the second version, the rodcaste pro
Dos, and to thank again all those patrons who supported me to get both
Rodecaster pro one or two. I don' t want to repeat myself again,
but well help me You are in your day to get the first version.
You helped me get the microphone. It helps me to get almost all
the recording equipment with which I do all the productions right now from ob producer
and record with a computer like this. It' s a delight to record
with a team like this that has also supported you to get your own listeners,
because you can' t ask for more. That' s why I
can' t be more than grateful and keep recording episodes and episodes every day
on this side of the microphone, continue to enjoy podcasting, as I'
ve been doing for ten years and every day a little better, especially thanks
to everyone on the other side of the microphone. And now I say goodbye
and as every day I go back to that place where you are on the
other side of the microphone, the world