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It' s been two and a
half years recording with a Caster pro rice

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in my studio and more specifically six
months since I was traded this Caster Pro

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rode for a Caster pro Dos rice. I want to comment on my impressions.

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Using this beautiful podcast recording interface we
welcome you to the other side of

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the microphone. On the other side
of the microphone, a project by Jorge

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Marín Nieto in which you will find
your daily ration of metapodcastings with news,

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events, tools or episodes of opinion
in just ten minutes. Ten minutes,

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ten minutes. Hello to all and
all the passionate and passionate podcasting to discover

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how each podcast is recorded, how
it is produced, how events are created,

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what are the new features of the
tools or podcast platforms. What are

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the recommendations I bring you in this
daily metapodcast. Anyway, all those who

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are and all those who are on
the other side of the microft every day

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where for ten fifteen minutes I take
your headphones to bring you everything related to

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the meta podcasting that surrounds me.
I am Jorge Marin, from ob producer

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and today I want to talk to
you about my experience recording podcast with a

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Caster pro do two arrode in the
last six months, a caster pro arro

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in the last two and a half
years or so. And what' s

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this about? You' ll say," But, Jorge, if you

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' ve had it for six months
and two years now, you' ve

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already told us on some occasion that
you have a Caster spout and how wonderful

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and kind it is to record with
a Caster chute prod two why? Why?

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You bring this chapter? Perois,
about a week ago he saw an

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offer on Amazon. By the way, I' ll see if it'

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s still active, because it'
s pretty juicy. Let me keep recording,

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I' ll open the link a
pretty juicy offer, in which they

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offered in Amazon a rodecaster pro two
for just six hundred euros. You know

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if it' s still active,
because I' d like to pass it

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to you because I already say it' s pretty juicy. And we started

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talking in the technical part of the
telegram channel, podcast car forum. Yeah,

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oh, no. It has already
been raised to seven hundred euros.

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What a pity seven hundred euros fixed
that was less than six hundred when I

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saw her. It seems to me
that there were five hundred and ninety euros.

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Now it' s in seven hundred. It usually costs eight hundred,

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but, well, it' s
always worth keeping an eye on, because

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it' s a device that,
despite being quite expensive eye, I don

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' t say that it' s
cheap, let alone all the dility that

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it offers you, because in the
end it saves you money and saves you

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worries. If any of you tell
us man, but I make at a

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table of 100 euros, I manage, man, I with this one that

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I have here of eighty euros,
I manage, yes, I do not

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say that you can not do things
even without mixing table with your computer and

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a virtual mixing table you can also
do it. But if you' re

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thinking about buying a podcast recording device, an audio interface, where to launch

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your sounds, where to connect different
microphones, connect a mobile via bluetooth,

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monitor it, or do some event
with live podcast. Caster' s roo,

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both the one and the two and
the two duo are magnificent tools that

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you can make birigeries with and trust
me that I know what I' m

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talking about because we' re going. It has been I believe that of

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my best tools to record podcasts,
to broadcast podcasts in recent years or directly

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in the entire trajectory that I have
been recording podcasts for eleven years now,

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almost twelve years. Why do I
say this and what difference does this of

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Rodecaster Pro one, which was the
one I had for two and a half

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years ago and six months ago changed
it for me that, by the way,

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I also want to take advantage of
its predisposition, because I have been

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spoiled by two Rodecaster Pro and the
second of them for lack of a month

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simply to be spoiled for forgiveness,
so that I could be cancelled the guarantee.

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They decided to change it again,
and not only change it for me,

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but send me the new version,
the Rody Caster pro Dos, with

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which I am recording right now and
hear, because it is a pleasure to

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make a brand take care of you
like this and not only that you are

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already waiting if you have any problems, but also that it offers you the

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latest version of the device that has
been damaged in question. Well, because

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I say that the Caster pro Dos
rodeo I liked even more than the rodeo

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castelpro one. Well, logically,
because he has more things, he has

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more options and I' ve been
discovering over these six months. If you

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remember the Caster pro one rode,
if I' m not mistaken, it

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has eight different channels, eight manual
channels and the Caster pro Dos rode has

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only six, of which three forgives. The last two manuals are virtual.

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What this means that you can configure
well, sorry, you can configure all,

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not just the last two, but
well you have six manual channels,

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but you actually have nine virtuals.
In these nine virtuals you can configure each

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of these channels and alternate. You
actually have the four microphone inputs the USB

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output to throw sounds through the computer. You have the sound channel of the

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table itself, with which you can
throw pats. Sorry you throw the sounds

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of the Pats like the music I' m playing and right now that I

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take it off, I throw it
back into the doors these that I have

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recorded carmen on the other side of
the microphone, like coffee bar that I

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can turn up and turn down the
volume to this channel. In particular,

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it also has an option for USB
chat, which is, let' s

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say, a secondary track within the
sounds, which you can launch by computer.

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Let' s just say you have
two ways to do it. If

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you have any problems with calls,
for example, that are heard late,

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they hear themselves, you can not
only cancel this with the mix minus,

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but you have two years, actually, two outputs per us and you can

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alternate with your computer and tell him
listen, because these sounds, you take

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it out here. These sounds,
you pull it out over there. You

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can even talk with a sorry way
out, with a way out with a

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person who' s not yet on
the air, so to speak, not

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on full recording. You set up
the recording, for example, that you

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are performing in Zoom via the normal
USB channel, the usual USB channel,

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but then you want to enter another
person via Skype, as that person via

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Skype configures the output of the input
via USB chat and you have a connection

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there. Let' s say intimate
so that only that person listens to you

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before passing on to the sound we' re making in full recording or even

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that you' re streaming. One
thing I thought I was going to miss

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in this second model of the Rodcaster
pro dos is the TRRS output, which

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is a Mini Jack output that had
the roy castel pro one and to which

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we could connect any mobile phone or
device that had Mini Jack, no,

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but I really didn' t need
it, because I, with the Castelpro

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one rode, have only connected him
on some occasion to the mobile phone,

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but having Bluetooth connection as they both
have, because it' s a little

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silly. And more recently, when
phones don' t even bring in headphones

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anymore. Well, if you really
need it because you' re going to

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connect some other device, you can
connect it through the Jack connection, which

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now supports the four microphone channels not
only support XLR, but also Jack connection,

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so you can not only plug in
some electronic device, like a mobile

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phone through Mini Jack to Jack,
but even some musical instrument. I could

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connect, for example, an electric
guitar. I can connect it on one

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of the channels to record a concert. I am not to record music,

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but well, if necessary, I
could connect four musical instruments in monkey with

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this cronexion and broadcast it on streaming
or alternate live music with podcast. I

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don' t know I can think
of it that way in plain sight.

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Another thing I would like to highlight
is the versatility it has in the configuration.

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Let' s say from the touch
screen, the table configuration itself,

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in the table software itself, for
example, the possibilities that TE offers for

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microphones are light years of what the
Caster one' s roz offered you,

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not only because it brings configured the
own features of the road microphones with the

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road caster, what it is called
the pot mic or all those who have

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the brand itself, but that they
have many more things than the consador microphones

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my dynamic crophones. You can even
go into the details of each of these

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microphones and set up. Not only
does it have three characteristics, as it

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had the rodcasters pro one, but
it has many more. You can include

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effects through the pats, for example, to see if this kind works well

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for me. Just type a button, which I couldn' t do before

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and that' s why I don' t want to touch the buttons,

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but I can put effects on each
of the different channels simply with the buttons

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and it has lots of different configurations. Also the output for the own monitors

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or speakers that can be configured in
three different ways to prevent you from being

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plugged in the microphones so that it
is always a regular sound, for well,

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many, many more features that include
the software itself, that the first

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version was quite more, I will
not say layered, but rather was a

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little bit, a version, a
very first version. Sure, let'

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s remember that this version has,
this version has, if I' m

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not mistaken, six years, already, six or seven years, and it

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' s seven years in the world
of sound recording and in the world of

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hardware in general, because of course, the thing has gone a long way.

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If it' s the caster prod
two rode and it' s already

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gonna be a couple of years old, I guess when I get the third

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one, then I' ll be
looking forward to buying it for me.

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But well, at least with this
Caster pro two rode I get the same

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thing as with the one. I
thought I had enough, but once you

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have it and you start to squeeze
it, you start to see all the

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potential that has the simple fact of
having a button to go past all the

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pages of pats configured for me,
for example, because I have one configured

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for this podcast, another for another
podcast of some client, another for when

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I do the pont Da and Madrid, another one that I have here for

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the podcast that I do with my
daughter. Let' s talk about Peggi

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and just compulsate a little button I' m going through and through and through,

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and that before I had to do
it through the touch screen of the

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rode Caster pro one itself. It' s not that it' s a

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great disgrace either, but if you
have to do something very fast, very

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volatile, you don' t take
anything and it' s very comfortable to

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go past these pages of Pats.
Well, the fact of listening. I

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thought you couldn' t, but
I can watch the previous recordings and go

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set them up here. I don' t want to touch much either because

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I' m recording, but well, I could even broadcast you some recording

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to see if you' ll let
me not. If I start broadcasting,

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look at this I just found out
now. If I start to play the

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recordings I have made through the road
Caster itself. While I' m recording

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with him, the MAC cuts off
the microphone input and well, things you

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' re learning. But I can
here, because it is to see all

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the recordings that I have been making
over the last few months, that are

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saved on the SD card And so, another delight, the truth that recording

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with this interface is delicious. I
want to say once again, to thank

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Road for changing Mega for the version, the second version, the rodcaste pro

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Dos, and to thank again all
those patrons who supported me to get both

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Rodecaster pro one or two. I
don' t want to repeat myself again,

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but well help me You are in
your day to get the first version.

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You helped me get the microphone.
It helps me to get almost all

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the recording equipment with which I do
all the productions right now from ob producer

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and record with a computer like this. It' s a delight to record

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with a team like this that has
also supported you to get your own listeners,

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because you can' t ask for
more. That' s why I

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can' t be more than grateful
and keep recording episodes and episodes every day

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on this side of the microphone,
continue to enjoy podcasting, as I'

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ve been doing for ten years and
every day a little better, especially thanks

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to everyone on the other side of
the microphone. And now I say goodbye

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and as every day I go back
to that place where you are on the

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other side of the microphone, the
world