If you remember, a few months ago I told you about a podcast or
audio editing course that I was going to acquire thanks to your contributions at Coffi.
Specifically they are the courses that there is today record com and today I
want to again brag about them, because I have had to rescue them for
some other job and let me tell you about a surprise that I have found
myself. We welcome you across the microphone. On the other side of the
microphone, a project by Jorge Marín Nieto in which you will find your daily
ration of metapodcasting Stin, with news, events, tools or episodes of opinion.
In barely ten minutes. Ten minutes, ten minutes, we start one
more day on the other side of the microphone with a new episode uncovering another
aspect of the podcasting that surrounds me. I am Jorge Marín, from b
producer and today I want to talk to you about the courses today I record
with which I have been able to enjoy thanks to your contributions in Coffcy.
As the intro commented, specifically, the Adobe Audition course two two thousand twenty
- three. It' s the one I bought then, almost a year
ago, because I remember doing it in summer, so I' d buy
it like this at the end of last spring, beginning of last summer,
and I got there an intensive summer course while I was taking vacations across the
microphone, I did the lessons Dani offers us there. The point is that
I had to rescue an option that I had forgotten for a job that I
came up with making a series of captures of an audio that had passed me
and process them all at once in a batch process and that all those little
cuts will apply the same editing options to them. And, well, there
' s a job that I said this is you I gave this to him
in the course of today I record. Sounds to me like this whole thing
that I went back to that particular course lesson. And indeed, because this
was taught there by Dani, this is how it is done and it served
me very well to return to the doubts that I had about how to carry
out that process, since in a much more efficient way. And the point
is, I didn' t remember how it was done. This is silly,
but listen you don' t remember something, because just like you can
consult a textbook or something that you have bought yourself, because in this case,
a course, since man, it is always good that you have access
to that course, that it is also well ordered, that it is clear.
And if he also offers it to you in video, as is the
case with Dani and shows it to you, I also show it to you
so easily, because what better. What better is not that I can only
have good words to the way he teaches and conveys that he has in his
courses, because he was a squawk. Today I' m going to tell
you about a little thing I wanted to bring you, something I learned in
this course. Well, I hope Dani forgives me, because I' m
gonna spoil a little bit of his Adobe Podcast editing course. But I think
it' s something that, although we might be interested in everything, because
it' s something very very very, very concrete, very very very very
very pejotero. It may help you so that it doesn' t happen to
you when you edit your podcasts. These are zero intersections. What' s
this about zero intersections. Well in case we' re going to see it
with a very clear example. But the same applies to audio cuts, music
vocals. In the case of music, for example, if you take a
song, you will see that they look perfectly to the bars. And there
are times when I' ve played some song so that the beat of a
small block matches another and that way form a small loop and don' t
notice that I' ve taken a small piece of the song here and there.
And don' t notice this, because this is what we' re
going to hear. With an example of a tone that I' m going
to give you next. We listened well, in this case I have put
several times, I have put four times the same tone so that you see
that nothing is noticed. I haven' t hit him here four times the
same little piece and he hears it all the time. However, now I
' m going to make a little cut at this tune, at this beep
so you see how badly one of these intersections is made. Zero you have
noticed there is a little jump. And since this little tortecito that may sound
silly, but that I' m going to let you set the tone again,
it may sound silly. And indeed, that is if it is in
a one- hour podcast, because maybe no one notices this. But when
you' re editing audio, because I' m fired that things look good
and, especially, when there are customers behind, because you have to leave
the fine work fine this, why this happens exactly if you know a little
bit about the audio editing or the sound itself. In general, when we
graphically see an audio recording, we see that it' s waves. They
are waves that go up and down, up and down, up and down
and through a zero point in our different frequencies. What happens that these beeps
are constant. They are something, these frequencies, better said, are constants
always rise and fall at the same height so that it always sounds the same
as that pi and that I have repeated now, are always the same.
And if we make a little cut maybe, the start cut and the end
cut. When you pull it out, when you cut it, it causes
the little cut to start at the top on the wave, which is the
top, but when you re- cut it back to match it, I
leave it back at the top, so that it' s not constant that
noise, it' s not fixed. There' s a little jump.
That' s what you' ve heard next with these intersections. Zero we
can tell programs like Audition to adjust well the beginning and end of the cut
that we are going to perform so that the wave is not affected. Let
' s say it perfectly matches the beginning of our court and the end of
our court so that, if we extract it, nothing will be noticed.
What I was telling you about a song. I sometimes catch one of the
chords or the bars of a song and see that the hype matches at a
certain point in the song. Oh, well, look if I catch here
the hype of this little piece and the hype of this other one and just
sort of pick up the chords, you don' t notice And there are
times that I' ve made it for some client so that his intros or
better said, the tuning of his intros, lasts a little bit longer than
normal. I used to do it a lot earlier because podcast will last a
little longer than usual and give them time to introduce, because it' s
a little bit of the song. Before we say break the chorus or the
tune in general, we need a few more seconds of tune. Then we
copy and cut and make this lace of balls, because this is what we
can do thanks to the intersections. Zero, and this is just one more
example of everything I' ve learned in the course of today. I record
point com and this is believe me, which is something that I have allowed
myself the luxury of spoiling this course because there are so many more classes and
so many more lessons and believe me that you learn, you will learn,
come on. It' s a course I recommend. I won' t
get tired, I won' t get tired of recommending it. In fact,
Alan does very little chichiatric ablan. I was wondering, hey, Jorge,
you know some kind of speech course. I mean, look, I
don' t know if he' s gonna have a speech or not,
but before you tell him another go to oy record com and take a look,
because if he' s got a hold of it, don' t
look. In fact, what I usually leave with is that you take a
look at their YouTube channel, today' s YouTube channel and I record and
if you are interested, how you explain it, if you are interested in
their way of working, that you already take a look at the course,
let' s say that the YouTube channel is the Freemium part and that if
you want to go a little further, buy some of today' s courses
record com and precisely this I wanted to talk to you too, since I
want to thank you that some of you have acquired some of their courses,
because I took the pleasant surprise when I recently returned to this lesson about the
batch process that I needed for a client' s work. I entered my
affiliate link and said uy mira If someone has bought several of today' s
courses I record thanks to me in the EC affiliate. And today, because
I took a joy, no longer because of the part that corresponds to me
as an affiliate, but because you have listened to me, you have trusted
in my judgment and you have done with four courses, one of qualification for
voice, one of Adobe Audition, one of podcasting and another of garash Ban
for mac The equalization for voice, I think it will be the next one
that I will buy, because I really liked the one of Adoby Audition and
let' s just say that yes, that I can' t tell you
anything else that I know I will like, because the ado Bodich has really
liked him. And the call for voice, man, not everyone uses it,
but I think it' s going to work for me personally. Anyway.
If you have any questions, any details, do not hesitate to write
to me or directly to Dani. He has here his home studio speech production
course, for example, which he is now promoting so that we leave the
email. You can write directly to him. He' s super- majete.
I don' t know if you' ll ever hear this, Dani,
but it' s been a pleasure promoting your courses. Besides, we
had a little problem there and this happens, something else happens. Don'
t worry Yeah, Jorge, no, Dani, super cool. I didn
' t know him at all, just watching his YouTube videos and he hears
it was getting in touch to acquire one of his courses, a ten deal.
The truth is that Dani fell out and there were more courses like yours
and more people like you. I' m really saying, uh, look,
I don' t usually say this about a lot of people, but
it' s been a real taste Dani have you and now I say goodbye
and like every day I go back to that place where you are right now
on the other side of the microphone.