1 00:00:00,320 --> 00:00:03,960 If you remember, a few months ago I told you about a podcast or 2 00:00:04,040 --> 00:00:07,679 audio editing course that I was going to acquire thanks to your contributions at Coffi. 3 00:00:08,000 --> 00:00:12,679 Specifically they are the courses that there is today record com and today I 4 00:00:12,720 --> 00:00:17,079 want to again brag about them, because I have had to rescue them for 5 00:00:17,320 --> 00:00:20,559 some other job and let me tell you about a surprise that I have found 6 00:00:20,559 --> 00:00:25,120 myself. We welcome you across the microphone. On the other side of the 7 00:00:25,199 --> 00:00:29,640 microphone, a project by Jorge Marín Nieto in which you will find your daily 8 00:00:29,800 --> 00:00:33,119 ration of metapodcasting Stin, with news, events, tools or episodes of opinion. 9 00:00:33,280 --> 00:00:41,320 In barely ten minutes. Ten minutes, ten minutes, we start one 10 00:00:41,399 --> 00:00:45,719 more day on the other side of the microphone with a new episode uncovering another 11 00:00:45,799 --> 00:00:48,719 aspect of the podcasting that surrounds me. I am Jorge Marín, from b 12 00:00:48,840 --> 00:00:53,520 producer and today I want to talk to you about the courses today I record 13 00:00:53,560 --> 00:00:55,880 with which I have been able to enjoy thanks to your contributions in Coffcy. 14 00:00:55,920 --> 00:01:00,159 As the intro commented, specifically, the Adobe Audition course two two thousand twenty 15 00:01:00,320 --> 00:01:03,519 - three. It' s the one I bought then, almost a year 16 00:01:03,640 --> 00:01:07,760 ago, because I remember doing it in summer, so I' d buy 17 00:01:07,799 --> 00:01:12,480 it like this at the end of last spring, beginning of last summer, 18 00:01:12,879 --> 00:01:17,959 and I got there an intensive summer course while I was taking vacations across the 19 00:01:18,879 --> 00:01:22,640 microphone, I did the lessons Dani offers us there. The point is that 20 00:01:22,719 --> 00:01:27,400 I had to rescue an option that I had forgotten for a job that I 21 00:01:27,439 --> 00:01:32,879 came up with making a series of captures of an audio that had passed me 22 00:01:33,000 --> 00:01:37,959 and process them all at once in a batch process and that all those little 23 00:01:38,040 --> 00:01:41,280 cuts will apply the same editing options to them. And, well, there 24 00:01:41,359 --> 00:01:45,560 ' s a job that I said this is you I gave this to him 25 00:01:45,680 --> 00:01:48,560 in the course of today I record. Sounds to me like this whole thing 26 00:01:48,719 --> 00:01:53,599 that I went back to that particular course lesson. And indeed, because this 27 00:01:53,840 --> 00:01:59,239 was taught there by Dani, this is how it is done and it served 28 00:02:00,079 --> 00:02:04,000 me very well to return to the doubts that I had about how to carry 29 00:02:04,079 --> 00:02:06,519 out that process, since in a much more efficient way. And the point 30 00:02:06,519 --> 00:02:07,199 is, I didn' t remember how it was done. This is silly, 31 00:02:08,759 --> 00:02:14,960 but listen you don' t remember something, because just like you can 32 00:02:15,000 --> 00:02:17,319 consult a textbook or something that you have bought yourself, because in this case, 33 00:02:17,560 --> 00:02:22,360 a course, since man, it is always good that you have access 34 00:02:22,360 --> 00:02:25,080 to that course, that it is also well ordered, that it is clear. 35 00:02:25,599 --> 00:02:28,800 And if he also offers it to you in video, as is the 36 00:02:28,919 --> 00:02:32,000 case with Dani and shows it to you, I also show it to you 37 00:02:32,439 --> 00:02:37,199 so easily, because what better. What better is not that I can only 38 00:02:37,280 --> 00:02:40,319 have good words to the way he teaches and conveys that he has in his 39 00:02:40,360 --> 00:02:45,439 courses, because he was a squawk. Today I' m going to tell 40 00:02:45,479 --> 00:02:50,199 you about a little thing I wanted to bring you, something I learned in 41 00:02:50,199 --> 00:02:53,639 this course. Well, I hope Dani forgives me, because I' m 42 00:02:53,759 --> 00:02:57,560 gonna spoil a little bit of his Adobe Podcast editing course. But I think 43 00:02:57,599 --> 00:03:01,319 it' s something that, although we might be interested in everything, because 44 00:03:01,360 --> 00:03:06,000 it' s something very very very, very concrete, very very very very 45 00:03:06,000 --> 00:03:08,560 very pejotero. It may help you so that it doesn' t happen to 46 00:03:08,599 --> 00:03:15,520 you when you edit your podcasts. These are zero intersections. What' s 47 00:03:15,599 --> 00:03:17,680 this about zero intersections. Well in case we' re going to see it 48 00:03:17,719 --> 00:03:22,840 with a very clear example. But the same applies to audio cuts, music 49 00:03:22,840 --> 00:03:28,120 vocals. In the case of music, for example, if you take a 50 00:03:28,159 --> 00:03:30,879 song, you will see that they look perfectly to the bars. And there 51 00:03:30,919 --> 00:03:39,240 are times when I' ve played some song so that the beat of a 52 00:03:39,319 --> 00:03:44,240 small block matches another and that way form a small loop and don' t 53 00:03:44,280 --> 00:03:46,439 notice that I' ve taken a small piece of the song here and there. 54 00:03:46,560 --> 00:03:50,199 And don' t notice this, because this is what we' re 55 00:03:50,240 --> 00:03:52,439 going to hear. With an example of a tone that I' m going 56 00:03:52,439 --> 00:04:08,520 to give you next. We listened well, in this case I have put 57 00:04:08,520 --> 00:04:13,120 several times, I have put four times the same tone so that you see 58 00:04:13,240 --> 00:04:15,840 that nothing is noticed. I haven' t hit him here four times the 59 00:04:15,160 --> 00:04:17,560 same little piece and he hears it all the time. However, now I 60 00:04:17,839 --> 00:04:24,279 ' m going to make a little cut at this tune, at this beep 61 00:04:24,360 --> 00:04:40,519 so you see how badly one of these intersections is made. Zero you have 62 00:04:40,560 --> 00:04:46,240 noticed there is a little jump. And since this little tortecito that may sound 63 00:04:46,240 --> 00:04:49,759 silly, but that I' m going to let you set the tone again, 64 00:04:50,120 --> 00:04:53,800 it may sound silly. And indeed, that is if it is in 65 00:04:54,160 --> 00:04:57,600 a one- hour podcast, because maybe no one notices this. But when 66 00:04:57,639 --> 00:05:00,079 you' re editing audio, because I' m fired that things look good 67 00:05:00,120 --> 00:05:02,560 and, especially, when there are customers behind, because you have to leave 68 00:05:02,600 --> 00:05:10,160 the fine work fine this, why this happens exactly if you know a little 69 00:05:10,680 --> 00:05:14,399 bit about the audio editing or the sound itself. In general, when we 70 00:05:14,519 --> 00:05:17,279 graphically see an audio recording, we see that it' s waves. They 71 00:05:17,360 --> 00:05:21,360 are waves that go up and down, up and down, up and down 72 00:05:21,399 --> 00:05:27,639 and through a zero point in our different frequencies. What happens that these beeps 73 00:05:27,759 --> 00:05:31,040 are constant. They are something, these frequencies, better said, are constants 74 00:05:31,160 --> 00:05:38,319 always rise and fall at the same height so that it always sounds the same 75 00:05:38,480 --> 00:05:41,120 as that pi and that I have repeated now, are always the same. 76 00:05:41,160 --> 00:05:45,240 And if we make a little cut maybe, the start cut and the end 77 00:05:45,279 --> 00:05:50,639 cut. When you pull it out, when you cut it, it causes 78 00:05:50,720 --> 00:05:55,120 the little cut to start at the top on the wave, which is the 79 00:05:55,480 --> 00:05:58,879 top, but when you re- cut it back to match it, I 80 00:05:58,920 --> 00:06:01,040 leave it back at the top, so that it' s not constant that 81 00:06:01,120 --> 00:06:05,240 noise, it' s not fixed. There' s a little jump. 82 00:06:05,279 --> 00:06:10,560 That' s what you' ve heard next with these intersections. Zero we 83 00:06:10,600 --> 00:06:15,720 can tell programs like Audition to adjust well the beginning and end of the cut 84 00:06:15,759 --> 00:06:18,680 that we are going to perform so that the wave is not affected. Let 85 00:06:18,720 --> 00:06:24,920 ' s say it perfectly matches the beginning of our court and the end of 86 00:06:24,959 --> 00:06:27,519 our court so that, if we extract it, nothing will be noticed. 87 00:06:27,959 --> 00:06:30,519 What I was telling you about a song. I sometimes catch one of the 88 00:06:30,560 --> 00:06:35,480 chords or the bars of a song and see that the hype matches at a 89 00:06:34,639 --> 00:06:40,160 certain point in the song. Oh, well, look if I catch here 90 00:06:40,240 --> 00:06:43,720 the hype of this little piece and the hype of this other one and just 91 00:06:43,759 --> 00:06:46,600 sort of pick up the chords, you don' t notice And there are 92 00:06:46,600 --> 00:06:50,199 times that I' ve made it for some client so that his intros or 93 00:06:50,240 --> 00:06:53,439 better said, the tuning of his intros, lasts a little bit longer than 94 00:06:53,439 --> 00:06:56,560 normal. I used to do it a lot earlier because podcast will last a 95 00:06:56,560 --> 00:06:59,560 little longer than usual and give them time to introduce, because it' s 96 00:06:59,600 --> 00:07:02,920 a little bit of the song. Before we say break the chorus or the 97 00:07:02,920 --> 00:07:10,959 tune in general, we need a few more seconds of tune. Then we 98 00:07:11,000 --> 00:07:14,759 copy and cut and make this lace of balls, because this is what we 99 00:07:14,839 --> 00:07:18,160 can do thanks to the intersections. Zero, and this is just one more 100 00:07:18,240 --> 00:07:21,839 example of everything I' ve learned in the course of today. I record 101 00:07:21,920 --> 00:07:26,199 point com and this is believe me, which is something that I have allowed 102 00:07:26,240 --> 00:07:32,079 myself the luxury of spoiling this course because there are so many more classes and 103 00:07:32,160 --> 00:07:35,959 so many more lessons and believe me that you learn, you will learn, 104 00:07:35,959 --> 00:07:41,439 come on. It' s a course I recommend. I won' t 105 00:07:41,480 --> 00:07:42,920 get tired, I won' t get tired of recommending it. In fact, 106 00:07:43,199 --> 00:07:47,240 Alan does very little chichiatric ablan. I was wondering, hey, Jorge, 107 00:07:47,519 --> 00:07:49,759 you know some kind of speech course. I mean, look, I 108 00:07:49,920 --> 00:07:54,519 don' t know if he' s gonna have a speech or not, 109 00:07:55,160 --> 00:07:58,319 but before you tell him another go to oy record com and take a look, 110 00:07:58,319 --> 00:07:58,319 because if he' s got a hold of it, don' t 111 00:07:58,319 --> 00:08:01,839 look. In fact, what I usually leave with is that you take a 112 00:08:01,920 --> 00:08:05,079 look at their YouTube channel, today' s YouTube channel and I record and 113 00:08:05,439 --> 00:08:07,319 if you are interested, how you explain it, if you are interested in 114 00:08:07,439 --> 00:08:13,160 their way of working, that you already take a look at the course, 115 00:08:13,279 --> 00:08:16,319 let' s say that the YouTube channel is the Freemium part and that if 116 00:08:16,040 --> 00:08:20,399 you want to go a little further, buy some of today' s courses 117 00:08:20,439 --> 00:08:26,079 record com and precisely this I wanted to talk to you too, since I 118 00:08:26,079 --> 00:08:30,399 want to thank you that some of you have acquired some of their courses, 119 00:08:31,000 --> 00:08:33,279 because I took the pleasant surprise when I recently returned to this lesson about the 120 00:08:33,279 --> 00:08:35,960 batch process that I needed for a client' s work. I entered my 121 00:08:35,000 --> 00:08:39,799 affiliate link and said uy mira If someone has bought several of today' s 122 00:08:39,840 --> 00:08:41,919 courses I record thanks to me in the EC affiliate. And today, because 123 00:08:43,000 --> 00:08:46,480 I took a joy, no longer because of the part that corresponds to me 124 00:08:46,480 --> 00:08:50,840 as an affiliate, but because you have listened to me, you have trusted 125 00:08:50,879 --> 00:08:54,240 in my judgment and you have done with four courses, one of qualification for 126 00:08:54,240 --> 00:09:00,240 voice, one of Adobe Audition, one of podcasting and another of garash Ban 127 00:09:00,320 --> 00:09:01,759 for mac The equalization for voice, I think it will be the next one 128 00:09:01,759 --> 00:09:09,120 that I will buy, because I really liked the one of Adoby Audition and 129 00:09:09,120 --> 00:09:11,320 let' s just say that yes, that I can' t tell you 130 00:09:11,399 --> 00:09:13,360 anything else that I know I will like, because the ado Bodich has really 131 00:09:13,360 --> 00:09:16,360 liked him. And the call for voice, man, not everyone uses it, 132 00:09:16,679 --> 00:09:20,759 but I think it' s going to work for me personally. Anyway. 133 00:09:22,440 --> 00:09:26,240 If you have any questions, any details, do not hesitate to write 134 00:09:26,639 --> 00:09:31,679 to me or directly to Dani. He has here his home studio speech production 135 00:09:31,720 --> 00:09:35,039 course, for example, which he is now promoting so that we leave the 136 00:09:35,080 --> 00:09:39,600 email. You can write directly to him. He' s super- majete. 137 00:09:39,600 --> 00:09:41,879 I don' t know if you' ll ever hear this, Dani, 138 00:09:43,120 --> 00:09:46,039 but it' s been a pleasure promoting your courses. Besides, we 139 00:09:46,039 --> 00:09:48,080 had a little problem there and this happens, something else happens. Don' 140 00:09:48,120 --> 00:09:52,960 t worry Yeah, Jorge, no, Dani, super cool. I didn 141 00:09:52,039 --> 00:09:56,320 ' t know him at all, just watching his YouTube videos and he hears 142 00:09:56,399 --> 00:10:01,279 it was getting in touch to acquire one of his courses, a ten deal. 143 00:10:01,399 --> 00:10:05,279 The truth is that Dani fell out and there were more courses like yours 144 00:10:05,360 --> 00:10:07,559 and more people like you. I' m really saying, uh, look, 145 00:10:07,720 --> 00:10:11,039 I don' t usually say this about a lot of people, but 146 00:10:13,440 --> 00:10:20,320 it' s been a real taste Dani have you and now I say goodbye 147 00:10:20,360 --> 00:10:30,000 and like every day I go back to that place where you are right now 148 00:10:22,679 --> 00:10:30,000 on the other side of the microphone.