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Hello and good morning. How are
you doing, arrows? I'm well,

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how are you? Oh? Absolutely, sir, you're up there in Bozeman,

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Montana. I grew up in Billings. Oh you did. Oh great?

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Great? Where are you right now? I'm in North Carolina? Okay?

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Great? Have you ever gone over
there to the Bozeman Tunnel and walked

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around that area? Because you're a
man that likes to get into the wild

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areas of the world. And my
grandfather helped create that tunnel, and I've

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always wondered, has anybody ever walked
through that tunnel? No, No,

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where is it? I don't know
about it. It's in between Livingston and

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Bozeman, and it's it's right there. You know. In the old days,

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when it was only a two lane
highway, you could see that tunnel

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perfectly. But nowadays, with that
four lane road, you've got to know

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that it's there. Oh no,
I didn't know about it, and I've

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lived here a long time. The
things that you do, where do you

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find the confidence to go into areas
that are off the path? Because I

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always fear of getting lost? How
do you find yourself in those places of

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being lost? He had the GPS, he had the maps. He had

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a point man with a machete who
was cutting a hole through the forest for

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us. He would speak to that
point man in Lingala, the local language,

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and say too kendiboy token da,
and that meant this way. He

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would point this way, that way, that's what his compass told him,

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and we would crouch down and hike
through that hole that had been cut through

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the forest. Speaking of tunneling,
it was like tunneling through wherever he went.

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Do you find yourself being this modern
day Ansel Adams? H No,

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because I don't take it the photographs. I am strictly a writer for National

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Geographic and I have had the world
photographers National Geographic Photographers Nick Nichols, who

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I work with on my very first
assignment, this this epic hike across the

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Congo with Mike Fay and a number
of others. So I'm not the Ansel

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Adams. I'm, if anything,
maybe the James ag that's working with the

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Ansel, the guy that supplies the
words. How about the wildness of this

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nation. I live in a forest
here in Charlotte that we created with seventeen

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hundred trees, and it's like,
I love the edge of being right there

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in that you know that moment of
you never know what's expected. It's got

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to be fascinating to your imagination to
be able to capture it and then share

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it. Oh yeah, absolutely.
I mean you're walking through the congo forest

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and suddenly come across a forest elephant
with a calf, and she gets agitated,

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and she's deciding whether she's going to
charge you or not. What are

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you going to do there? Do
you run from a forest elephant or do

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you stand your ground? You go
on a little farther. Next day,

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there's a gaboon viper curled up right
in the spot that you're going to put

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your foot. You give that respectful
distance and keep hiking. A little farther

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there's a column of army ants.
I want to tell you one thing,

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arrow, One thing you do not
want to do when you're walking through the

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Congo forest in a pair of river
sandals and shorts, is step on a

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column of army ants. I learned
that the hard way. So you stay

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alert, and you you enjoy these
crazy wild creatures and and try not to

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impinge on them or let them impinge
on you, and and keep going and

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scribble it all if you're me,
scribble it all in your notebook and tuck

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your notebook into your ziplock bag.
When you when you swim across the rivers

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and keep going, get the story
and bring it home. When you speak

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of these army answer, are we
talking about the same ones that the that

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the locals will use as a spiritual
journey by putting their hands into the into

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the into the holes and and and
it really is part of becoming a man.

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Well, I'm sure I haven't heard
about that particular practice, but in

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one of the cultures, and one
of the indigenous cultures of Central Africa,

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I can well imagine that that would
be a trial because I'll tell you what

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these these ants, some of them
I can't remember remember the species name.

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But there's a particular kind of ant
that is so painful when it stings you

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or bites you, some of them
staying, some of them bite, and

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some of them bite to hang on
and sting you repeatedly. And this ant

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is so formidable that it would occupy
a particular tree, and you would find

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this tree in a little clearing,
and the ants would be living on the

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tree, and if you touch that
tree, they would swarm onto you,

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and I was told that it was
even I don't know, for it was

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a spiritual journey or a form of
torture that was used in some cultures.

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I think that there were at least
stories that they would tie a person to

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that tree if they had captured an
enemy and they wanted to torture him.

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So we were very careful when we
came to those particular kinds of tree.

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David, do not touch the limb, Do not step any closer than you're

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standing right now. Give this tree
a wide birth and lots of respect,

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because you do not want to experience
the ants that are living on that tree.

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Oh my god. The name of
the book is the Heartbeat of the

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Wild, And in studying this book, it's almost like you are the closest

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to the heartbeat and you're taking us
there. But it's almost like returning to

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the womb that you're listening to the
origin of that heartbeat of the wild.

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Well, and the wild is hard
to define. The heartbeat is hard to

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define. But when I pulled these
pieces together and to make them a coherent

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book with updated reporting and connective tissue
describing how the stories came about and how

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one story led to another. During
my twenty years with National Geographic I wanted

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to think, what's the essence of
the wild What do we mean when we

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talk about preserving the wild or the
last wild places? And so in the

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forward I try and define it.
I say, the wildness is a name

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that we give to the living nature
on this particular plant at its most robust,

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it's most complex, it's most diverse, it's most undiminished. And what

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does that mean? Well, it
means more than wild creatures. It means

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more than wild places. It means
also the processes that interconnect creatures in wild

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places, processes like predation and herbivory
and photosynthesis and parasitism and decomposition. All

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of that is wrapped up into this
concept of wildness and you can't have it

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in a zoo. Zoo's perform important
services. But when you've got a tiger

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in a cage in a zoo,
is that wildness? Well no, that's

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it's a dangerous animal. But to
have real wildness, you need that tiger

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to be still in its ecosystem,
with the cheatle gear that it eats and

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the creatures that it competes with,
the Asian elephants that might occasionally give it

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a run for its money. All
of the other animal, fungi, bacterial

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forms of life in that ecosystem.
That's what I mean by wild. Is

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it because we're from Montana that you
and I love these journeys in nature because

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I know, the seed becomes the
tree, becomes the giver to the FoST

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floor. It also gives to the
writer, so that we have something to

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document our paths on. I mean, there's such a continuation in everything,

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and I'm fascinated by that. I
think that Montana has something to do with

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it. I mean, you were
born in Montana. I moved here in

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nineteen seventy three, right after I
finished graduate school. I had always been

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interested in the natural world and always
interested in writing, and I had some

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great teachers who developed my interest,
helped me become a writer, and I

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left the natural world behind, and
then in seventy three, I wanted to

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get back to wild places, so
I came to Montana and I sort of

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rediscovered that interest. And I had
started my writing career as a novel list

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by but I eventually abandoned fiction,
writing in terms of nonfiction so that I

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could write about biological sciences, ecology, evolutionary biology, the scientists who practice

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those sciences, the field biologists like
Jane Goodall and Edward O. Wilson,

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and a lot of unknown but brilliant
people who work in these wild places.

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So I turned to that. But
it was coming to Montana, a place

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where when you walk in the forest, you're aware that grizzly bears and moose

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and other amazing creatures are out there. It gives you a certain respect and

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humility. It was being here in
Montana that reawakened my interest in the wild

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and led to led to this long
career of writing about such places, not

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just in Montana, Yellowstone places like
that, but around the world. Wow,

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David, you've got to come back
to this show anytime in the future.

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The door is always going to be
open for you. Thank you very

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much. Ero, I'd love to
do that. Please talk about it.

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You'd be brilliant today. Okay,
sir, you two arrow have a great day.
