WEBVTT 1 00:00:05.000 --> 00:00:12.320 It's the Lapsed Fan Wrestling Podcast with Jack encron Seo and JP Sorrow. Oh 2 00:00:12.359 --> 00:00:16.760 ho ho, We're back in the saddle, boss m hm. It's the 3 00:00:16.760 --> 00:00:21.559 twenty twenty three TLF Christmas Show. We continue the extension of our spectacular beyond 4 00:00:21.679 --> 00:00:25.239 just gifts given by the Solar System. We've now reached the point and we're 5 00:00:25.239 --> 00:00:29.640 giving back to you in the form of bite sized podcasts, stocking stuffers if 6 00:00:29.640 --> 00:00:34.280 you will. It's Lapsed GPT. We're your co chairman. Belly up to 7 00:00:34.320 --> 00:00:38.719 the Chat GPT prompt armed of course yes, with the deep ten year corpus 8 00:00:38.759 --> 00:00:42.399 of TLF memory making and character building, and see what it comes up with. 9 00:00:42.439 --> 00:00:46.719 See what happens when the immovable force meets the immovable object in cyberspace. 10 00:00:47.920 --> 00:00:50.359 It's been a wild ride so far, as we've played around with the idea 11 00:00:50.359 --> 00:00:58.719 of Hulk Hogan discovering plots in both the classroom and his neighbor's garbage can oh, 12 00:00:59.119 --> 00:01:03.960 oh God, game is this? Brother? This? And a pinchon 13 00:01:03.079 --> 00:01:08.560 asque concluding scenes. The last time we were with you now, I was 14 00:01:08.599 --> 00:01:12.599 thrilled when the boss Man told me that this was something he wanted to do 15 00:01:14.040 --> 00:01:17.560 for the Solar system this Christmas season because I had, I think, as 16 00:01:17.560 --> 00:01:21.519 we all probably have by this point, played around a little bit myself with 17 00:01:21.719 --> 00:01:26.319 GPT and in lapsed characters and seeing how they interface, if you will. 18 00:01:26.760 --> 00:01:30.200 And so I'm about to send you boss a little a little something I decided 19 00:01:30.799 --> 00:01:37.120 to do, not because I was bored or anything. Very very important things 20 00:01:37.120 --> 00:01:40.719 to do. That's always the problem, So please don't get that. Yeah, 21 00:01:40.719 --> 00:01:42.680 you're right, it does kind of screw up the formatting. Huh. 22 00:01:42.760 --> 00:01:44.599 Let's see what did you do it? In words? I did a word? 23 00:01:44.680 --> 00:01:49.000 Yeah, yeah, trying to share this with the boss Man, but 24 00:01:49.359 --> 00:01:57.280 it's uh. I love to see sort of like how we can best describe 25 00:01:57.400 --> 00:02:02.599 in a brief prompt what a character in the Solar system is? Like, 26 00:02:02.680 --> 00:02:07.560 yes, how good? Like I like doing multiple versions too, because it's 27 00:02:07.599 --> 00:02:09.680 like, yep, you know, ooh that they didn't. I see where 28 00:02:09.680 --> 00:02:15.800 the model went because I gave it reason to believe that this was the part 29 00:02:15.800 --> 00:02:17.080 of the character based on my word choice. But that's really not what I 30 00:02:17.080 --> 00:02:21.439 meant. Let me change this word and see if it gets it a bit 31 00:02:21.479 --> 00:02:23.199 back on the rails to where conceptually I think the character should be. And 32 00:02:23.800 --> 00:02:27.919 that's that's half the fun of it. It's just like tweaking it until it 33 00:02:27.919 --> 00:02:31.800 gets it right, till it's speaking your language. Have you had that experience 34 00:02:31.800 --> 00:02:37.080 where you're like telling you to go somewhere and it's like going in a different 35 00:02:37.080 --> 00:02:38.879 path. You have to get it back on the rails. Yep, yep, 36 00:02:39.479 --> 00:02:43.080 all's that's well, as you know. No, I haven't done that, 37 00:02:43.159 --> 00:02:45.159 But usually it's something like, well, I'm like, oh wait, 38 00:02:45.319 --> 00:02:47.639 I need to add this to it. It's always like that. I've never 39 00:02:47.680 --> 00:02:52.360 had to really go off the rails in a way that that you know, 40 00:02:52.400 --> 00:02:55.400 makes me nervous. So I do mine in kind of a different style than 41 00:02:55.439 --> 00:03:00.319 JP does, where the boss man will prompt it to write natual script and 42 00:03:00.319 --> 00:03:05.240 so we'll have dialogue and sort of like descriptions of the looks on people's faces 43 00:03:05.280 --> 00:03:07.240 and things like that, and there's like a scene and with me, I 44 00:03:07.400 --> 00:03:09.560 just like say this, say this, all right, I'll say this. 45 00:03:09.639 --> 00:03:15.080 I'll say this like talk like deliver your piece of shit. Like I treat 46 00:03:15.120 --> 00:03:17.800 it much more like a jukebox or a soundboard, And so my prompts are 47 00:03:17.840 --> 00:03:22.719 sprinkled within the dialogue. It's not like one prompt and then a full script. 48 00:03:22.800 --> 00:03:25.199 It's line by line by line as I kind of realized what the model's 49 00:03:25.240 --> 00:03:30.080 doing with my with my fact pattern and then try to make it do something 50 00:03:30.080 --> 00:03:35.879 different or more fun. So uh. And another thing Chat GPT does is 51 00:03:35.879 --> 00:03:39.400 they sort of like they read through what you told it and title it. 52 00:03:40.199 --> 00:03:44.400 You know, they title chat without you having to title it yourself. Right, 53 00:03:44.439 --> 00:03:46.520 And they decided boss, and I'm going to turn it over to them 54 00:03:46.520 --> 00:03:49.960 on this one that the best title for the following is Baggy Sweatshirts and Rebel 55 00:03:50.039 --> 00:03:55.280 Style. So you need to warm up your laps Nash this Christmas season, 56 00:03:55.759 --> 00:04:00.280 put that Nash Santa had on and here we go. Fuck it. So 57 00:04:00.280 --> 00:04:03.960 I'm going to read the proms. You read the voice, Assume Kevin Nash 58 00:04:04.879 --> 00:04:12.080 lapsed GPT is someone who always makes old movie references, so that you know 59 00:04:12.520 --> 00:04:15.720 he appreciates classic films and has good taste. Assume that, by the way, 60 00:04:15.800 --> 00:04:20.879 that's not the case, of course, that how would he explain why 61 00:04:20.959 --> 00:04:31.279 baggy sweatshirts are so popular with young kids? Well, you see, it's 62 00:04:31.360 --> 00:04:35.240 like a scene straight out of an old Hollywood classic. Kid, you know, 63 00:04:35.399 --> 00:04:41.680 baggy sweatshirts. They're the modern day embodiment of rebellion, not to the 64 00:04:41.720 --> 00:04:46.079 anti establishment spirit of the past. It's like those cool cats from the fifties 65 00:04:46.120 --> 00:04:50.959 and sixties. You know. Young folks today want to stand out, break 66 00:04:51.040 --> 00:04:57.160 the mold and make their own fashion statements. Plus they offer comfort and the 67 00:04:57.279 --> 00:05:03.639 laid back style reminiscent the the timeless legends. It's all about blending the comfort 68 00:05:03.680 --> 00:05:10.439 of today with the swagger of yesteryear's baby. I don't know if I'm chat 69 00:05:10.480 --> 00:05:15.560 gpt here, if I'm Sean Oliver, but we'll keep telling. I then 70 00:05:15.600 --> 00:05:20.000 tell it include a reference to three films from the nineteen fifties in this well, 71 00:05:21.399 --> 00:05:27.600 you see, it's like a scene straight out of an old Hollywood classic 72 00:05:27.680 --> 00:05:33.040 kid baggy sweatshirts. They're the modern day embodiment of rebellion, not the anti 73 00:05:33.199 --> 00:05:39.120 establishment spirit of the past. You know, just like these those cool cats 74 00:05:39.160 --> 00:05:44.240 from the fifties and sixties. Young folks today want to stand out, break 75 00:05:44.279 --> 00:05:50.079 the mold and make their own fashion statements. It's like James Dean's iconic style 76 00:05:50.120 --> 00:05:57.519 and rebel without a cause, or he defied convention. Or think about the 77 00:05:57.600 --> 00:06:01.160 charm of Audrey Heppert and Roman Holiday. You know where she brought to say 78 00:06:01.240 --> 00:06:08.040 that, totally say that where she brought a touch of elegance in the streets 79 00:06:08.040 --> 00:06:13.319 of Rome. Yeah, don't forget on the waterfront, where Marlon Brando's effortless 80 00:06:13.319 --> 00:06:16.879 coolness at a new standard. Now, these baggy sweatshirts, they're the canvas 81 00:06:16.920 --> 00:06:21.720 for today's rebels to paint their own stories. I mean, come on, 82 00:06:23.560 --> 00:06:27.680 planning the comfort of today with a swagger of Yesteryear's baby. And it's at 83 00:06:27.680 --> 00:06:31.800 this point I get incredibly annoyed that it's ended both statements with swagger of Yesteryear's 84 00:06:31.839 --> 00:06:38.240 baby. Of course, Kevin Nash would never we never sent a sentence in 85 00:06:38.279 --> 00:06:42.560 baby exclamation point. So I told it this, but he thinks he's too 86 00:06:42.560 --> 00:06:46.199 cool to say anything with an exclamation unless it's the phrase, motherfucker, this 87 00:06:46.240 --> 00:06:51.279 isn't about you. Well, you see, it's like a scene straight out 88 00:06:51.279 --> 00:06:59.240 of an old Hollywood classic kid baggy sweatshirts. They're the modern day embodiment of 89 00:06:59.279 --> 00:07:02.879 rebellion, a nod to the anti establishment spirit of the past. Just like 90 00:07:02.959 --> 00:07:09.279 those cool cats from the fifties and sixties, young folks today want to stand 91 00:07:09.319 --> 00:07:15.000 out, break the mold and make their own fashion statements. It's like James 92 00:07:15.040 --> 00:07:20.319 Dean's iconic style and rebel without a cause, where he defied convention. I 93 00:07:20.399 --> 00:07:26.759 think about the charm of Audrey Heppard and Roman Holiday, where she brought a 94 00:07:26.800 --> 00:07:30.319 touch of elegance to the streets of Rome. And don't forget It where Marlon 95 00:07:30.360 --> 00:07:34.759 br you know, don't forget on the Waterfront, where Marlon Brando's effortless coolness 96 00:07:35.199 --> 00:07:47.519 set a new standard. But motherfucker, this isn't about you. It's about 97 00:07:47.920 --> 00:07:55.600 kids finding their groove and blending the comfort of today with the swagger of yesteryear's. 98 00:07:56.839 --> 00:08:01.120 Oh Lex. So what would Kevin Nash say if I told him that 99 00:08:01.240 --> 00:08:05.680 I just don't understand the kid's style these days? Would he say, but, 100 00:08:05.800 --> 00:08:13.759 motherfucker, this isn't about you. Oh God? And finally this but 101 00:08:13.879 --> 00:08:20.240 have him say it's like anything else as a prelude to every other statement he 102 00:08:20.360 --> 00:08:26.839 makes. It's like anything else. You see, it's a scene straight out 103 00:08:26.879 --> 00:08:31.920 of an old Hollywood classic. Kid, you know, baggy sweatshirts. They're 104 00:08:31.959 --> 00:08:35.000 the modern damn bodiment of rebellion, you know, a nod to the anti 105 00:08:35.120 --> 00:08:41.759 establishment of spirit of the past. It's like James Dean's iconic style and rebel 106 00:08:41.799 --> 00:08:48.440 without a cause, where he defies confor defied convention. They go right there. 107 00:08:48.240 --> 00:08:54.720 But motherfucker, this isn't about you. It's about the kids finding their 108 00:08:54.799 --> 00:09:00.159 groove. I'm blending the comfort of today with the swagger of yesteryear's. It's 109 00:09:00.159 --> 00:09:03.039 like Audrey Hepburn's charm and Roman Holiday, you know, bringing elegance to the 110 00:09:03.039 --> 00:09:09.519 streets of Rome. Or think think about on the Waterfront where Brando's effortless coolness 111 00:09:09.559 --> 00:09:18.360 set of new standards. So you see, so you see, it's like 112 00:09:18.440 --> 00:09:22.879 anything else, a fusion of past and present in those baggy sweatshirts. A 113 00:09:22.960 --> 00:09:26.799 fusion of past in the present and those baggy sweatshirts. I do hope as 114 00:09:26.840 --> 00:09:30.679 well, if you have any teenagers in your life and they open a double 115 00:09:30.879 --> 00:09:37.600 XL sweatshirt and mauve this Christmas, that you do think about Kevin Nash's very 116 00:09:37.639 --> 00:09:43.320 thoughtful interpolation of how it recalls the classic Hollywood spirit of rebellion of the past. 117 00:09:43.360 --> 00:09:46.639 And we hope this is one of many Christmas gifts we can share with 118 00:09:46.679 --> 00:09:50.679 you the solar system. As we head in to Christmas twenty twenty three and 119 00:09:50.720 --> 00:09:54.320 into Lapsed X twenty twenty four, we'll see you next time. On Lapsed 120 00:09:54.480 --> 00:10:03.600 GPTs of production of the Lapsed Entertainment Group. Its content is intended for private 121 00:10:03.720 --> 00:10:05.840 use only.