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You're listening to Later with Moe Kelly
on demand from KFI AM six forty six

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forty. It's Later with mo Kelly
Tuesday Night. We're live everywhere on the

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iHeartRadio app. And joining us in
studio is Chris Woolsey Chicken Soup for the

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Soul Entertainment. Chris, my brother. It's always good to see you.

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How you been. I've been well. How about you. I've been doing

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all right. I follow you on
Instagram and you're always gallivanting around the world.

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I like to see the travels of
you, your family and all the

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things that you do. We've had
a busy couple of weeks. Yes,

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yes, yep. We had a
wedding and then my wonderful nephew got married

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up in Sacramento, and a few
days before my mom decided to take a

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flying leap and unfortunately broke her hip. Oh I'm running for hip surgery.

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So we were juggling Mom in the
hospital and a wedding that was getting put

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on. So it was a busy
week, event filled, yes, that

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it is. But Mom pulled through
like a champ outstanding. Everything's great,

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all right, all right. Outside
of that, you also probably try to

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take in some movies every now and
then, be it streaming or in the

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theaters, But what do you find. Put it this way, my desires

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usually change with the seasons as we
get closer to summer. Definitely in spring,

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I want more action, more adventure, things of that nature. Yes,

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blockbusters definitely are on my summer dance
card for sure, yep. But

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it doesn't seem like there are a
lot of summer blockbusters on the horizon and

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definitely not big movies in theaters.
I mean, there's Fall Guy, but

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I don't know how big that is
given its lackluster first weekend. Yeah,

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I guess it brought in less than
they were hoping. It didn't a lot

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less, like yeah, like twenty
eight million something like that. It brought

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in twenty eight millions. And what
was projected Mark, do you remember what

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Fall Guy was projected to get in
its first week? Around forty forty Okay,

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that's significant, Yeah, yeah,
yeah, and yeah, you and

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I were talking about that, Like, I like Ryan Gosling as an actor,

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but I don't know, like it
it seems really actorly to have him

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as a big action star. Ryan
Gosling, I don't mind him. I'm

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just not sure. I buy him
in certain roles. I don't buy him

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as the action guy, like,
for example, I liked The Gray Man,

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which was on Netflix. I probably
would have liked it a lot better

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if someone else was cast in Gosling's
role. Is that right? Yeah?

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And I'm not against Ryan Gosling.
It's just how you perceive actors. He's

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fine in what he does. I
didn't see Blade Runner twenty forty nine.

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Mark, was he good at that? It's good and he's good in it?

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Really? Okay? Yeah? I
liked him, and that probably one

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of my favorite roles of his.
All right, all right, but you

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know it fit for me seeing him
in movies like Barbie. Sure, yeah,

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yeah, I think when he's slightly
comedic, he fits what I think

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he does. He thrives at yep, less so than action. I agree.

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But Mark had seen The fall Guy
and you were generally okay with it.

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No, I thought it was terrible. Okay, It's got a weirdly

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high rating on Rotten Tomatoes. Last
I checked, it was something about like

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eighty three percent. But I found
it just to be nearly unbearable, and

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it outstated's welcome by maybe a half
hour. Okay, all right, Well,

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if anything, it kind of reminds
us what we're looking for in an

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action movie. The fall Guy is
an idea. I wasn't even biging to

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the TV show. I don't even
know if the show was even considered a

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hit in its day. Well it
left it I think around five seasons.

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That many seasons. Yeah, Ok, that's not small. No, it's

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not small, But it wouldn't have
been my first pick for something to turn

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into a movie. Boot Yeah,
yeah, yeah, agreed. But I'm

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quite sure it inspires you as far
as well. I should say we all

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like action movies. They think the
general moviegoer appreciates action movies. What are

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some of the elements that you require
in an action movie? Well, so

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I've often talked my son is in
a film program, and so he likes

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to talk like film theory. Why
does this movie work? This movie doesn't?

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And we talk about leading men in
action films and why someone like Harrison

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Ford is very successful in action franchises. And I think it's because he's a

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relatable action star. He's often off
his pins and like me, I'm off

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my pins going to the grocery store, you know, let alone, you

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know, jumping off the roof.
I mean that's why Fallible, Yeah,

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that's why Diehard is such a great
film. He doesn't have a shoes for

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like right two thirds of the movie. That makes him like a really vulnerable

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hero. And I love that in
action films. If there's some sort of

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fatal flaw in the hero that keeps
him from being impregnable, that is engaging

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to me. All Right, is
there anything on your list that you know

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that you want to see as we
start moving towards the summer season? You

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know what I have not seen we
want to go see. I think we

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talked about this one to go see
Monkey Man a couple of weeks ago,

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and there were like ten trailers.
I think one or two of the movies

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actually looked like I was excited about
it. And I don't know, There's

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just doesn't seem to be a ton
in the pipeline right now. The only

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things that I can think of that
I know I want to see absolutely need

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to see our Furiosa and Wolverine and
Deadpool. That's it. I can't There

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may be something which will come along
the way. The reason I mentioned that

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it's already been a very soft box
office season. We talk about how theater

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chains are struggling. It's one thing
to have a movie in which does relatively

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well on a given weekend, but
what about the other four or five days

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of the week sure in which they're
supposed to be open. You need to

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have movies which not only have staying
power, but also encourage the casual movie

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fan, the movie goer to really
come and make the effort and go to

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a movie theater. Because I'm not
and I would like to think of myself

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as someone who really loves movies and
pre pandemic thoroughly enjoyed the theater experience.

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Now, I know that movie's not
going to hang around in theaters long,

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whether I want to see it or
not. If I'm patient or even somewhat

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impatient, it'll be on streaming in
about two to three weeks. And now,

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if I'm willing to pay nineteen ninety
nine for that first release, you

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know on demand, I watch the
movie have that pretty good home theater setup.

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Pretty good yep, yep, me
too. And so you know we've

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talked about this before, but I
love to go to the movies. I

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love the theatrical experience. I think
there is something to that that even in

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a nice home environment. I would
prefer if as long as the movie is

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engaging and it gets me to the
theater, I would prefer to see it

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in the theater than I would in
my home. There's just something magical about

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going to a movie theater and I
love that. But that being said,

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it's way more expensive to take my
family to the movie theater, and so

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there has to be some sort of
a draw. There has to be a

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level of quality that I'm going to
lay down that much money rather than set

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on my couch and pay like you
said nineteen ninety nine and pop my own

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popcorn and drink my own soda.
That's interesting. The cost doesn't bother me.

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It's yeah, it's more cost prohibitive
for some folks. Not that I'm

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richer at that, but if I
want to see a movie, I want

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to see a movie. The cost
is on things. For me, it's

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the time commitment. I know that
it's going to take about four hours of

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my day, be it driving to
the theater, the ten trailers that I

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have to watch before I even get
to the movie, and then driving back.

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It's much more of a commitment as
opposed to being home. I may

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watch two thirds of a movie and
I'll pause it or you know, come

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back to it later. It afore
it fits more my lifestyle, not being

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in the theater. Sure see,
I'm Scottish, so everything comes down in

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dollars. See it's a variable for
me, but it's not the variable.

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Sure, sure, I wanted to
see Oppenheimer. I went to the theater.

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I saw Oppenheimer. Yep, it
was great, but it also took

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an extra hour out of my day
of a three hour movie. You know,

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it was a commitment that I'm not
going to make for all of them,

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for sure. So with all that
said, when we come back,

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let's get into Crackle and Redbox and
how this action conversation possibly figures into your

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selection. And so for the week, it's later with Mo Kelly, Chris

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Woolsey Chicken Soup for the Soul Entertainment
joins me in the studio and he he's

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here with gifts. Oh yes,
we have some folks who are cat lovers,

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and you've brought cat food and cat
literature. I did both. Gonna

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tell us about it when we come
back. Sure love to all right?

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Can if I am six forty live
everywhere in the iHeartRadio app you're listening to

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Later with Mo Kelly on demand from
KFI AM six forty can'f I am six

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forties Later with Mo Kelly and Chris
Wolsey from Chicken Soup for the Soul Entertainment.

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We're live everywhere on the iHeartRadio app. Chris, you have cat food

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in the studio. Why is that
because we have a new cat book that

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is on the shelves. So Chicken
Soup for the Soul comes out with you

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know, feel good literature to bring
a smile to your face and a pepping

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your step. And this most recent
book is Me and My Cat. And

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these are stories about how cats have
changed people's lives, how their relationship with

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their cat has impacted them in a
positive way. Mark, you had two

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cats, unfortunately no longer with us. Did they change your life? Absolutely?

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I love them. I cried more
when they died than when my mother

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died. And I'm not making that
up. I don't know what to think

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about that, but I will take
you at your word. Well, I

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wasn't that close with my mother,
but rhenomenal cat Okay. But as you

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were saying, Chris, I'm sorry, no, no, yeah, And

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so this book is filled with heartwarming
stories that that cat lovers are really going

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to enjoy. I am a dog
person. We've talked about ye and every

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time people tell me stories about when
they got their cat, I always smile

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and then you're absolutely But in my
head I'm thinking, were they out of

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dogs when you were there? What
exactly happened? How did you wind up

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with a cat? But these stories
are really really beautiful, and uh,

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they're all submitted by fans of Chicken
Soup and The Soul, like all of

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our books are, and so it's
neat. It's kind of like a compilation

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of people who love whatever that subject
is. And this is me and my

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cat and it just came out a
couple of weeks ago, but they are

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on the shelves in your favorite bookstore. Now. Appreciate to be a part

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of our giveaways. We do appreciate
you and your giveaways. And so we

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brought the Chicken Soup for the Soul
cat food as well, so feel free

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to give those away. We're definitely
going to give one bag to Amy King

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because we know that she is a
cat owner, and so we'll do something

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very cool with the other bed.
Tell Amy King that these this is the

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the gold bar of of cat food. I mean this is everything in This

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is top shelf, top of the
line, no grain fillers or anything like

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that. And so it's a really
good product to feed your cat salmon and

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brown rice recipe. They're probably eating
better than I am. My god.

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This is like the neighborhood dealer getting
you hooked on the good stuff. This

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isn't kibble. Okay, first,
one's always free. Let's get into these

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movies crackle Hollywood action documentaries. Yes, so we have. We were talking

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about The Fall Guy being in theaters
now and we have got one of the

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best. I love documentaries in general, but I love documentaries about Hollywood history

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in particular, and I've got to
say this is one of the best documentaries

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on a very little known niche of
Hollywood history, and that is not only

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stunt men, but in the early
to late sixties, early seventies and on,

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it was British stunt men. In
particular. There was this group of

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Banish ex soldiers that decided that they
were going to become stuntmen, and they

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came to the US and really revolutionized
the stunt industry, mostly because they would

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do things that American stuntmen wouldn't necessarily
do, and so they were the stuntmen

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in Star Wars, Raiders of the
Lost Ark, all the Bond movies,

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Alien, Rambo, Superman. If
somebody jumped off the roof of a high

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rise on fire, it was quite
possibly one of the guys from this documentary.

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And they interview them in the documentary
and you cannot believe the stories that

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these guys tell. It's a miracle
any of them survived. Interesting memory,

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the origins of Alien. That's a
good segue. Yes. So this is

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written and directed by Alexander Philippe,
really really good. It's got interviews with

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a bunch of the original cast,
Tom Scarett, Veronica Cartwright. Oh,

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I want to take check this out. There's some footage in there from Dan

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O'Bannon, who was co writer of
the script. They talked to Roger Corman

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about his thoughts on it, and
it basically goes through the archtypal journey of

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how the writers came up with this
terrifying scenario because it was very different before

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you had horror films and you had
science fiction films, and Alien was the

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first one of those really to blur
those lines. And it's really a horror

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movie in space, but why was
it so terrifying? And this documentary goes

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into all the arc types that Dan
O'Bannon mined in order to make this one

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of the most horrific theatrical experience.
And I know, I know why it

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worked. They hid the alien,
the monster for at the xenomorph as they

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call it, for a lot of
the movie, which helped yep for sure,

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like Jaws. Yeah, yep,
very quickly, red Box. What

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do you got for us? For
red Box? We've got a ton of

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action films. We've got a great
one Hammer of the Gods. This is

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starring Charlie Beuley from Nashville on the
series Nashville, Alexander Dowling from Game Thrones,

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and it's about a young Nordic prince
who arrives in England in eight seventy

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one to fight off a Saxon uprising. But he has to go find his

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brother, who's named Hokin the Ferocious, in order to band the family together

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against the Saxons. And it's all
based loosely on real history. So that's

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a hard name to live up to, right, I'm saying expectations exactly what's

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your name? Just call me the
ferocious. That's all you need to know.

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That's right, yep, yeap,
give me one more hobo with a

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shotgun. W yes, yes,
yes, yes, I'm telling you.

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This is Ricker Hower. That's it. The classic Rutgerhower. This is one

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of those movies that the title pretty
much tells you everything you need to know

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about the movie. Rutgerhower plays a
hobo. He stumbles onto a shotgun.

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How do I not know this one? It is? And so it's actually

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I looked it up. It's based
on a fake trailer that Robert Rodriguez did

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for Grindhouse, and filmmakers saw that
and was like, no, that should

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be a real movie. And so
he it's you know, it's a vigilante.

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Uh, it's falling down. It's
a guy who's pushed over the edge.

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He sees all the evil almost a
taxi driver feel. He sees all

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the evils of the city, and
of course, of course, and he

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was perfect. He wants to do
something about it, and the shotgun is

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his weapon of choice. But it
is. It is an exploitation film to

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the eleventh degree. My favorite Rutger
Howard movie this that I know what it

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is. Yeah, split second.
Oh oh, I thought you were gonna

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say black The second was so bad
it was good. Is this like this

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this I don't want to say time
time traveling monster, but this monster that

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he's gonna goin that's the one where
all heat is. He's got a refrigerator

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filled with chocolate. Yes, and
Samantha from Sex and the City is Yes,

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that's another way. Yeah. Yeah, yeah, yeah. Terrible,

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terrible movie, wasn't it. It's
so good. The Blind Fury, on

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the other hand, is just good. Yes, I'm sorry. But hobo

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with a gun, hobo shotgun yep. Yeah. So if you're looking for

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a gore fest, over the top
exploitation film, uh, Quentin Tarantino loves

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this movie, it's uh, it's
definitely one to check out. Okay,

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definitely. You have some great suggestions, you have some great gifts that you've

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dropped by, and I am monitoring
my diet. Thank you for not bringing

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any chocolate chip cookies. I was
concerned because you said you're bearing gifts tonight

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and I said, please, don't
have them bringing those chocolate chips. But

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they're coming at least are not coming
tonight. That's all that matters. I'm

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00:17:48.720 --> 00:17:52.640
trying to be good tonight, Chris
is always great to see you, and

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I hope to see you again soon, but not too soon, because you're

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00:17:55.160 --> 00:17:57.680
gonna bring chocolate chip cookies. That's
right, awesome. Always great to be

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00:17:57.759 --> 00:18:03.440
here, great to be among the
beautiful people. You're listening to later with

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00:18:03.599 --> 00:18:10.160
Moe Kelly on demand from KFI AM
six forty And unfortunately, it seems that

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Marvel slash Disney has found its way
into a larger debate about politics and woke

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castings and weather people in a general
sense, has super hero fatigue. I've

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long argued that it's not super hero
fatigue. I think it's an unwillingness to

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keep spending money on subpar movies.
If you go back and look at the

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earlier Marvel movies, going back to
as early as two thousand and eight with

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the first Iron Man, those are
superior movies, superior storytelling. Then maybe

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some of the more recent movies.
Not that The Eternals was bad, it

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just wasn't very good. Not that
Sean She wasn't that bad. It just

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wasn't very good. And I think
the more recent Marvel we did a poor

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job of connecting to the larger universe
which was the point of the whole Marvel

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cinematic universe. That was a lot
of the appeal. Would you disagree with

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Mark? I think I may have
a somewhat harsher opinion of the Bo cause

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you mentioned that than you do it, including the Marvels Boy that was a

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Code Brown. Well, the Marvels
I did not like it all, but

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I didn't mind Captain Marvel. I
think we take for granted just the overt

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and window of these movies. I
mean, the first ones, the first

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phase were so good going right up
through Avengers Endgame. Yes, that the

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ones that maybe we would have just
thought were sort of mediocre look terrible in

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comparison to those m h And there
was a discussion about whether Marvel had lost

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its way, Disney had lost its
way. Was it connected to Bob Chpek,

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the guy who they hired for a
short amount of time, and then

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Bob Iiger came back in to replace
and I guess reset everything Disney was doing

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in a cinematic sense. To that
end, the news now is Disney CEO

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Bob Iger said the company Disney will
limit its output of Marvel movies to,

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as he describes it, two good
films a year three maximum, Marvel at

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their height had at least four.
It's weird to fix a specific number on

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it instead of just saying, well, green light it when it's good.

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That's what I think they should do. This year, Marvel only has one

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movie. When I say Marvel,
I'm talking about the Marvel production company run

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by Kevin Faige, not any movie
which has a Marvel character in it,

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which could be inclusive of Sony pictures
like that horrible Madam Web's. Oh yeah,

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that's not a Disney movie. That's
not even what they say is a

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Marvel movie. That's a movie which
has Marvel characters in it, and they

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intentionally try to confuse you to make
you believe that that's part of the Marvel

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cinematic universe that everyone loves and adores. It's less a movie than a war

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crime. Well, they prosecute people
for war crimes. Usually somebody needs to

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go to the hay for this one. And also, Bob Iger said he

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was going to decrease the number of
series that Disney would do from in a

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Marvel sense, from four down to
two, which would mean if you know,

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they had a series called Hawkeye,
they had a series called miss Marvel.

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They I don't know if this impacts
the Star Wars portion of the Disney

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Company, but in terms of just
Marvel series, there will not be more

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than two in a given year.
We know Daredevil's coming out and that every

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indication is that that's going to be
outstanding. I hope and I expected to.

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I have no reason not to.
When they get back to the Bread

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and Butter, I think Marvel will
be just fine. The problem with Phase

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four and Phase five, if you
follow the phases, they were mostly new

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characters, untethered to any story beforehand, and they didn't pay them off to

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link them back to the heritage characters
that we loved. Leading up to Avengers

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Endgame, which was the end of
Phase three, they abandoned all the things

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which they were successful doing. Okay, be honest with me. When Captain

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America threw and caught Thor's hammer,
did you shout in the theater? The

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00:22:27.039 --> 00:22:33.960
whole theater erupted, erupted. But
also we were more emotionally invested in those

293
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characters because we spent the better part
of twelve thirteen years with a lot of

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them. Going back to that was
like twenty nineteen of Ironman first Iron Man

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00:22:45.000 --> 00:22:48.920
was two thousand and eight. Avengers
in Game was twenty nineteen, so you

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00:22:48.960 --> 00:22:55.359
had a good eleven years with those
characters all total. Yeah, they built

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00:22:55.359 --> 00:22:59.559
it up just expertly, and they
didn't do that in Phase four and Phase

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five. The movies they had in
Phase four, we've not seen them appear

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anywhere else other than like an end
credit shot where you think it's supposed to

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00:23:07.279 --> 00:23:11.839
lead to something and they exist in
the same universe, but they're not actually

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interacting in a movie sense. On
screen, Where's Blade? Where's Black Knight?

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00:23:17.880 --> 00:23:21.880
Blade keeps getting pushed back for some
sort of reasons, you know,

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00:23:22.240 --> 00:23:26.480
off screen issues as far as writers
and direction issues, And that's weird.

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00:23:26.519 --> 00:23:32.920
That's weird because that should be a
gimme because those Wesley Snipe Blade movie Snipe's

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00:23:32.920 --> 00:23:38.319
Blade movies were before the MCU started, and they've really kickstarted comic book superhero

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movie. Yes, really good.
It's saved what we know of as Marvel

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today. Even the third one is
watchable, no matter what anybody tells you.

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With Drake. Yeah, well,
okay, it's watchable, but it's

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not horrible. It's it's a pretty
solid evening. If you watch all three

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of them. It is, and
it also kickstarted a lot of people careers.

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People forget that Ryan Reynolds was in
the second one. He was in

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00:24:03.519 --> 00:24:06.400
the third one. Wasn't it was
the third one. Was in one of

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00:24:06.440 --> 00:24:08.559
them, yeah, the third one
he was Hannibal something or other. Yeah.

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And also Jessica Biele and others.
Yeah. So there are quality movies.

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They age pretty well, they hold
up over the years. But Marvel

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00:24:18.640 --> 00:24:22.279
just kind of got away from the
stuff which made them successful, and Bob

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00:24:22.319 --> 00:24:27.400
Iger saying, let's just put out
quality as opposed to quantity. It's a

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00:24:27.440 --> 00:24:33.480
simple answer, but it's the best
answer. And I can't wait for Deadpool

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00:24:33.480 --> 00:24:40.759
of Wolverine. The trailers for that
are so funny and they're so transgressive based

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00:24:40.759 --> 00:24:45.359
on how controlling we know Disney is. It's it's putting a joke on display

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00:24:45.440 --> 00:24:48.920
for every It's very self aware,
very self aware. And part of the

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00:24:48.920 --> 00:24:52.880
reason why I think that movie's going
to be a hit is because they're allowing

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00:24:53.000 --> 00:24:59.480
Deadpool to be Deadpool. It's not
a PG water down version of them.

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It's Deadpool, with the exception of
the cocaine jokes that he's not allowed to

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00:25:03.559 --> 00:25:07.200
do right. Right. Have you
seen the very latest one where they have

326
00:25:07.519 --> 00:25:10.759
a Paul Rudd joke that made me
laugh out loud by myself. No,

327
00:25:10.960 --> 00:25:12.480
I refuse to watch. I don't
want to be exposed to anymore. I

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00:25:12.480 --> 00:25:18.200
don't want any more hints or things
to look forward to in the movie.

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00:25:18.200 --> 00:25:19.680
I don't want to see anything else. So you don't want you to ruin

330
00:25:19.720 --> 00:25:22.640
it for you? Is that what
you're saying? You ruin everything? Just

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00:25:22.680 --> 00:25:25.759
your beer presence ruins everything. Well, I was having accomplish, I was

332
00:25:25.799 --> 00:25:29.119
having a good day that all of
a sudden here comes Mark just gonna rain

333
00:25:29.200 --> 00:25:32.559
on my parade. That's why I
love coming to work. I love you

334
00:25:32.599 --> 00:25:38.240
too. Later with Mo Kelly k
if I AM six forty live everywhere on

335
00:25:38.279 --> 00:25:45.200
the iHeartRadio app. You're listening to
Later with Moe Kelly on demand from KFI

336
00:25:45.440 --> 00:25:49.720
AM six forty. Sam Ash Music
is where you can get it all.

337
00:25:51.200 --> 00:25:56.279
The right instrument at the right price, the sound system and recording equipment to

338
00:25:56.359 --> 00:26:00.079
get you heard. Visit sam Ash
to learn about their band support program,

339
00:26:00.440 --> 00:26:07.519
clinics and the new backstage club charge
card. Sam Ash eighty one years of

340
00:26:07.680 --> 00:26:11.599
making it Happen. Sam Ash in
Springdale is located at one one eighth five

341
00:26:11.680 --> 00:26:17.599
Commons drive right next to David Busters. KFI six forty is later with mo

342
00:26:17.720 --> 00:26:22.799
Kelly. Wait a minute, they
use their own commercial to promote David Busters

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00:26:23.759 --> 00:26:27.839
right next to David Busters. That
that seems weird. I know that worked

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00:26:27.880 --> 00:26:32.559
out great for David Busters. Like, hey, sam Ash is using us

345
00:26:32.599 --> 00:26:36.240
in their commercial. It just seemed
like it would have been a bad idea

346
00:26:36.920 --> 00:26:40.720
to say, yeah, we're right
next to Dave and Busters, right next

347
00:26:40.720 --> 00:26:45.000
to David Busters. But as you
can tell that ad is nineteen years old.

348
00:26:45.039 --> 00:26:49.160
They said eighty one years. Well, sam Ash barely made it to

349
00:26:49.319 --> 00:26:55.400
one hundred years and they're closing all
forty two of their stores, seven of

350
00:26:55.440 --> 00:27:02.079
them here in southern California. And
whereas the easy responses, well the economy's

351
00:27:02.119 --> 00:27:04.559
going to hell, here's another example. No slow down, slow down.

352
00:27:06.160 --> 00:27:12.960
It's sam Ash. It's selling guitars, it's selling electronics equipment that people like

353
00:27:14.039 --> 00:27:21.039
me we buy online. Now I'll
give you a correlation. I loved Guitar

354
00:27:21.119 --> 00:27:26.519
Center. Loved guitar Center. Most
people are familiar with Guitar Center. If

355
00:27:26.559 --> 00:27:29.200
you're not familiar with sam Ash,
get the same types of things. You

356
00:27:29.279 --> 00:27:34.359
get music instruments, you get all
sorts of electronics, even guitar Center.

357
00:27:34.400 --> 00:27:38.839
Even though there's some locations which are
still open, they file for bankruptcy in

358
00:27:38.920 --> 00:27:47.640
twenty twenty. It's very difficult for
these places to survive in this online economy

359
00:27:48.079 --> 00:27:52.640
world. I used to love radio
Shack. If you work in radio,

360
00:27:52.240 --> 00:27:56.160
you probably loved radio Shack at some
time. If he needed some headphones or

361
00:27:56.160 --> 00:28:00.359
an adapter, radio Shack was the
place to get it. You know what,

362
00:28:02.440 --> 00:28:07.039
I can find everything I want not
inside of a radio shack. And

363
00:28:07.119 --> 00:28:11.240
that's not to disrespect radio shack.
It's just our economy has changed. If

364
00:28:11.279 --> 00:28:18.119
I need an adapter or something,
I probably can get it off Amazon and

365
00:28:18.160 --> 00:28:22.319
it'lbeit at my house if not that
day, the next day. And the

366
00:28:22.359 --> 00:28:26.000
further upside is I don't have to
take time out of my day to drive

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00:28:26.079 --> 00:28:33.240
to some physical location to see if
they have something. Sometimes they don't,

368
00:28:33.799 --> 00:28:37.160
and then have to drive back or
keep running around town. I just get

369
00:28:37.200 --> 00:28:41.160
it off Amazon, or if I
can wait, eBay. There's some things

370
00:28:41.160 --> 00:28:45.559
I still get from eBay. I
know, Mark, you probably have some

371
00:28:45.079 --> 00:28:48.920
guitar Center stories. Now. I
miss going into radio Shack just to get

372
00:28:48.920 --> 00:28:55.519
a chord and then having one having
to give the cashier all my personal information,

373
00:28:56.160 --> 00:29:00.440
all of it. It was amazing
how I would spend some much time

374
00:29:00.480 --> 00:29:03.559
and money at radio shack for that
one of it's usually a Y adapter.

375
00:29:03.680 --> 00:29:12.680
It could have been like a female
double female quarter inch going to an eighth

376
00:29:12.759 --> 00:29:15.960
inch male or something like that.
And it all sounds filthy, by the

377
00:29:15.960 --> 00:29:18.400
way, Well that's how they referred
to all of it. That's how you

378
00:29:18.599 --> 00:29:22.599
knew if it was male or female, or what type of cord you want

379
00:29:22.640 --> 00:29:26.400
to you just look, I'm old
school, all right, so am I

380
00:29:26.480 --> 00:29:30.319
listen. I like a guy in
a white short sleeve shirt and a clip

381
00:29:30.359 --> 00:29:34.920
on tie telling me what plug I
need for something. It's not the same

382
00:29:34.960 --> 00:29:40.119
going on Amazon. I didn't like
it how that guy in that short sleeve

383
00:29:40.160 --> 00:29:44.880
button down shirt and clip on tie
wanted to tell me when I walked in

384
00:29:44.960 --> 00:29:48.720
and I said, I know I
need this, this is what I do.

385
00:29:48.799 --> 00:29:51.880
Just give me what I asked for. Aren't you sure you don't want

386
00:29:52.200 --> 00:29:56.400
Just give me what I asked for. I need the Y connector to the

387
00:29:56.519 --> 00:30:03.039
eighth inch TRRS core. Okay,
just give me that the adapter. Just

388
00:30:03.039 --> 00:30:04.720
give it to who's wearing the name
tag him or you come on now.

389
00:30:04.920 --> 00:30:08.400
Look, Okay, I didn't tell
the whole truth. There's nothing about the

390
00:30:08.400 --> 00:30:15.079
truth. Okay. Before I worked
here at KFI and I was doing karaoke,

391
00:30:15.440 --> 00:30:19.039
trying to keep my you know,
radio career, get it off the

392
00:30:19.039 --> 00:30:29.400
ground, going through foreclosure. I
interviewed at a radio shack and Sam Pedro

393
00:30:30.720 --> 00:30:32.839
we've all had side gigs. Mo, no, no, no, no

394
00:30:32.839 --> 00:30:36.920
no. I didn't get the job. We've all failed to get side gigs.

395
00:30:37.839 --> 00:30:42.839
There's a promo and I remember I
sat down in the interview and he

396
00:30:42.880 --> 00:30:45.240
looked at me. It's like,
dude, you're way too old to be

397
00:30:45.319 --> 00:30:48.880
wanted to work here at radio shack. Oh that's agism. I hope you

398
00:30:48.960 --> 00:30:52.599
sued the pants off. He didn't
say it, but I could tell the

399
00:30:52.640 --> 00:30:56.440
look in his eye he was an
agist. I was so angry that I

400
00:30:56.519 --> 00:31:02.160
never even got a call back.
I could not even get a callback to

401
00:31:02.200 --> 00:31:07.079
a freaking job at radio shack.
And I swore then I would never shop

402
00:31:07.119 --> 00:31:11.039
at radio shack again. It looks
like you got your revenge, and I

403
00:31:11.079 --> 00:31:15.640
am so petty. I checked up
on that store and celebrated when it finally

404
00:31:15.720 --> 00:31:18.680
closed. You look up the guy
and do a doughnut on his front line,

405
00:31:19.279 --> 00:31:25.559
and I don't remember his name.
I just remember that the guy didn't

406
00:31:25.599 --> 00:31:27.839
really even pay any attention to me
in the interviews. He was distracted,

407
00:31:27.839 --> 00:31:32.359
as you can tell when the person
has already made the decision that you're not

408
00:31:32.440 --> 00:31:36.519
getting the job and you're just wasted
an extra fifteen minutes, maybe to just

409
00:31:36.519 --> 00:31:40.799
assuage your conscience and make you feel
like it was worth the drive when it

410
00:31:40.839 --> 00:31:44.960
really wasn't. Yeah, you're bringing
back some memories with that. I don't

411
00:31:45.119 --> 00:31:48.440
hope the guy's like homeless or anything
right now. I just wanted that radio

412
00:31:48.480 --> 00:31:52.200
shack to go out of business,
and it did you hope that he reached

413
00:31:52.240 --> 00:31:56.720
such a low point that he hanged
himself in his garage on one of his

414
00:31:56.839 --> 00:32:01.720
damn Radio Shack chords. Wow,
you're really more of the dark. I

415
00:32:01.799 --> 00:32:05.440
just wanted to store to close.
I don't want him to like lose his

416
00:32:05.519 --> 00:32:09.359
life or anything, if you say
so. But you've got a real vindictive

417
00:32:09.400 --> 00:32:14.920
streak. I'm petty. I'm petty
Crocker. Yes, I'm petty Pentograss.

418
00:32:15.000 --> 00:32:19.440
I am petty as they can be. If you turn me down when I

419
00:32:19.480 --> 00:32:22.440
asked you out on a date,
back in sixth grade. I still remember

420
00:32:22.519 --> 00:32:25.440
to this day, and I hold
it against you. I mount all of

421
00:32:25.480 --> 00:32:30.720
my grievances. I bronze them.
I put him on the mantle and I

422
00:32:30.079 --> 00:32:36.240
look. I was that guy who
actually took every letter of rejection from a

423
00:32:36.319 --> 00:32:38.440
job that I would get, and
I would post him on the wall as

424
00:32:38.519 --> 00:32:43.960
constant reminders. That's just how I
am every single job. I don't do

425
00:32:44.000 --> 00:32:50.000
it anymore, but I always remember
rejection as motivation, kind of like the

426
00:32:50.119 --> 00:32:53.440
Travis Bickle of AM talk radio.
Aren't you can you give me just a

427
00:32:53.440 --> 00:32:57.640
little bit better than Travis, just
a little bit better? See he's even

428
00:32:57.640 --> 00:33:02.359
complaining about that. You can't please
the guy. No you can't. I'm

429
00:33:02.519 --> 00:33:08.599
always unsatisfied and dissatisfied. Radio Shack. We were supposed to talk about sam

430
00:33:08.640 --> 00:33:13.440
Ash. The bottom line is the
clothes. They've gone out of business.

431
00:33:13.480 --> 00:33:16.119
I forgot. I was like,
wait, we got drifted out there.

432
00:33:16.720 --> 00:33:22.119
All I know is when you are
marketing your store right next to Dave and

433
00:33:22.200 --> 00:33:25.599
Busters, you're doing something wrong.
Right next to David Busters. Right next

434
00:33:25.640 --> 00:33:31.279
to David Busters, David Busters is
getting free advertisement because you're right next to

435
00:33:31.319 --> 00:33:37.079
them. You're not even consequential enough
to just say we're there, come see

436
00:33:37.119 --> 00:33:38.759
us. Do you have to say
no, We're that little building that you

437
00:33:38.839 --> 00:33:43.599
never go into. Buster. We
were in close proximity to the place you

438
00:33:43.640 --> 00:33:47.279
really want to go, right next
to David Busters. Not anymore. Kf

439
00:33:47.319 --> 00:33:51.039
I am six forty Life Everywhere in
the i heeartradio app. We're not here

440
00:33:51.039 --> 00:33:53.920
to tell you what, We're here
to give you the latest. Kf I

441
00:33:54.480 --> 00:34:00.359
kost HD two Los Angeles County Loves
Everywhere on the Echart radio app.

