WEBVTT

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How you doing out there? It's
me Tiggert. I am Duc Wayne Duck.

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It's me Bunkers Deep Bobcat. All
right, y'all? Did is it

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rate your favorite fire fly you desire? Hold the old knock gud. My

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name is Jim Cummings and welcome to
tuned In. All right, welcome back

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to another episode of Tuned In with
Jim Cummings. Today, our guest is

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Kevin McNally. Thank you very much
for joining us. It's my pleasure,

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did well, thank you for being
here. This is wonderful. Yeah,

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you were just in the neighborhood and
uh, I know it's one of it

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and we've you know, we've met
a few times recently at comic cons and

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so thank you for inviting me.
It's really nice. Well, I'm glad

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you can make it. Yeah,
it's a beautiful thing. Nothing else to

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do, that's right, that's right. Well you you kind of like me.

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We're con men these days, aren't
we? As in conventions and con

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men bye and the other and the
other and all the applications apply. But

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yeah, but it's it's it's fun
stuff. It's a fascinating world. And

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you know, I've I've got to
meet some amazing people. But you of

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course, I remember once sitting an
opposite me were a tinker Belt, Thumper

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and Bambi from the original movie,
and I thought, who else gets to

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meet these people? You know?
And I have to say the very young

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incarnations of tinker Bell, Bambian and
Thumb nowadays. But yes, yes,

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I've met some people. And you
know that it's a nice group of people

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that you keep on re meeting,
and you meet in different places, and

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the travels great and the friendship's great, and I love it. Yeah,

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I do too. There's a there's
a certain camaraderie there is. Camaraderie is

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a very good word, I feel, and it's you know, you if

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someone has too many people, like
if William Shatner shows up and eats the

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show, You're going, well,
he's a really nice guy, that bastard.

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I know. I fortunately never managed
to have my blood sucked by William

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Shatner. So but I'm sure having
said that, I've opened up a whole

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bag of worms. Yes, well, I hope so. And you heard

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it here first. Well, of
course, the thing that often happens to

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me that really blows me out is
that you know, I've been in a

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couple of episodes of Doctor Who,
both the classic back in the eighties and

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Flux last year. Of course I
get invited along to a lot of those,

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but if there's a recent Doctor Who
there, I've sort of had it.

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Yeah, I'm sitting there twiddling my
thumbs while they have lines around the

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block, you know, right,
quite rightly so, but yeah, little

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things like that can happen. Yeah, that's that franchise has been going sixties

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sixty years. Yeah it is.
I remember because I was just turned seven

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when I accidentally saw the first episode
of it accidentally, like yeah, well

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I tell you what happened, because
it was on the radio, so that

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was no TV black and white.
Yes, my mum used to take me

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out shopping on a Saturday afternoon.
We get back in time for me to

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see my favorite show, the Telegoons
at six fifteen, and we got back,

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and of course I was seven years
old, so I didn't pay much

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attention each week, and he said, and now a new new program,

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Doctor Who, And according to my
mum, I went running crying into the

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kitchen saying the Telegoons, stupid doctor. She said, well go doctor,

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go and watch it and see if
you like. You never know, it

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could be a near franchise, it
could be good, and you know,

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and then I was hooked for the
next thirty years. You know, wow,

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until today in a minute. Now, it's extraordinary. I can't believe

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you were never one of the Doctor
Who's Well, I share your disbelief.

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Jim and I have slightly more acrimony
in my I would mix. But it's

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a funny thing actually about those parts, because I would love to have been

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Doctor Who. But I remember once
there's a very famous TV procedural that's quite

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popular over here on Acorn and brit
Box and stuff, and I've been in

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it a couple of times. And
the leading sort of the leading detective decided

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to retire. So I got a
phone call from my agent saying John's going

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and I'd like you to know Kevin
is on the short list as his replacement.

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Well, I really don't enjoy procedurals
very much, so I said,

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to imagine, can you phone him
back and in the same term of voice,

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ask them kindly to take my name
off that list because I couldn't.

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I couldn't imagine spending six years going
around saying so where were you on the

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night of the fourteenth, And in
what position did you find the body?

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You know, I mean, I
just I mean lovely. People enjoy it,

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but I wouldn't enjoy being it,
right, Yeah, a little too

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cookie cutter? Yeah yeah, yeah, got a particularly good phrase. Well,

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you probably enjoyed the challenge of the
stretch the list of that. I

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do enjoy that, and so I'm
much more interested in playing more colorful characters.

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Yes, I think, yes,
And I'm sure that's the case for

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you as well, with your extraordinary
range of voices. I must tell you

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something about the voices, actually,
because I'm quite recent, quite recent to

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voice acting. The way it happened
was quite extraordinary. Just before lockdown,

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Oh, I thought to myself,
why is nobody taking full advantage of this

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beautiful, mallifluous voice that I have? So I went out and I spent

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I was just gonna ask that I
spent a lot of money on recording equipment.

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Then lockdown happened and all of the
agents were being phoned up. Can

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anybody record from home? And my
smug little hand went up in the air.

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Oh and I became a voice actor, which i'd never really, I

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mean, i'd done bits and pieces. Sure, but I just did my

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first cartoon. I'm on the second
series of that, so really really interesting

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development to have happened later in life. I know that is wonderful. And

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and if I'm not mistaken, Let's
see, what is the name of this

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famous cartoon, the wing Feather Saga, This Wing Feather Saga. It hasn't

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got huge distribution, but the people
who like it love it. I'm just

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hoping one day I get to replace
somebody in an iconic character. I'd love

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to play one of those iconic characters. Oh yeah, I agree. Do

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you have a specific one in mind. Well, I'm very very keen on

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all of the Looney tunes, so
you know that's good. I'm not many

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of them, so have had it. Well you're you're Taz the Tasmanian Devil.

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Yeah, and oh yeah yeah,
see see that you have to practice,

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Yes, I can see that.
Yeah, a lot of memorization.

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Yeah, of course, the go
first No, no, you got it,

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that's not even the right sound.
Okay, don't ever do that again,

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thank you. All right, Well
that's about it. Yeah. Yeah,

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oh that's good. That's good stuff. Hopefully, Well we'll see.

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I'm interested what recording you purchased.
Oh yeah, I oh god. It's

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called a pro Max. It's a
little into midiory box and you can either

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record on a onto a USB or
you can direct it through one of those

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applications on your computer. But it
just stops you using crap stuff like your

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phone, your phone, yeah,
and putting your head under pillows and stuff.

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I got a nice wrap around,
right right. I mean the amount

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of times I've crouched in the airing
cupboard of hotel rooms, yes, surrounded

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by cushions to do an audition.
It's really quite undignified. The bath towels

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are yeah, the bank exactly.
Yeah, well I know those towels and

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cushions, yeah yeah. But it's
it's a lot of fun. Well.

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The good thing about voiceover is you
don't have to be on set. You

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don't have to look good. I
just to say that I did it.

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This is a long time ago I
used to do. Boy, should I

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tell this? Sure? Why not? Go on? I did for TBS.

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I was the guy Turner Broadcasting System
and I was coming up next on

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TBS. I was one of those
guys, you know, and I just

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treated it like another character because nobody
really talks like this, that's true.

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So I just did that, and
I said, okay, I'm gonna do

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it. I got naked, went
into the thing and recorded a slew of

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promos or whatever. I don't even
remember the show, but I remember hearing

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it on to mes and I go, do I sound naked? You know?

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And apparently I snuck one by.
Nobody knows, really, no one

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knows you were naked. Well you
did that, No nobody knows. It's

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funny about that voice, because one
of the first voice gigs I ever got

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in America was announcing I can't remember
what the network was, maybe c W

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Donner, was it, TBS,
No, it was Once upon a Time?

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Oh and I so I was like, and now on CBS, it's

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once upon a Time. And I
listened to loads of people and that was

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a very American delivery. Well,
no, I want to I always try

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to play American here, oh,
because I don't want to just play Romans

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and Nazis. So you know,
I try to be American if I possibly

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can. And most of the TV
work I've done here, I've played Americans.

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So that's good. That's good.
I enjoy it as well, because

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you know, you're adopting a whole
new nationality, a whole new personality,

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whole new voice. I love it. Oh that's great. Yeah, that's

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really good. Well I've been pigeonholed. It's in any number of cartoons and

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movie Princess and the Frog. I
was a Cajun because when I was a

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kid, I was a deckhand.
I'm born in Yarxtann, Ohio, but

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I moved to New Orleans at an
early age, right out of high school.

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And the only job I could get
that I could eat that day.

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I think I've said this before a
few times, but was when you get

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a deckhand on the river broak because
they have a galley there, there's a

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kitchen. You can eat food all
day. So I said, well,

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I'm out there, and then I
discovered that I was. Even though everybody

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was born in America, most of
them were from Louisiana. And they dogged

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like this, that's the way that
they target you know it. I'm too

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boy. You go there, you
get that boundary bread tea and get on

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back here. And I said,
what the hell did you just say?

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Yeah, so I picked that up, and you know, you picked those

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things up and put them in the
bank. And you never know, you

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never know. So that guys,
I must say, being in Tupelo,

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Mississippi recently, which i'd never been
to, I it was the first time

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in my life in America and I've
been coming here and working here for twenty

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five years now that there were people
who speaking to me. I didn't understand

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what they were saying to me.
It's such a strong accent. But I

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was trying to get it in there
and think, well, one day somebody

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might ask me to be from Missisis
you know, so I've got a little

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voice print now. Yeah, that
accident one of my favorite things. And

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it was Tennessee Williams wrote it.
Oh gosh, which one was it?

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It was Orson Wells was in it? Michael Kine and it was my favorite

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thing. Oh what is the name
of it? It's very famous movie.

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Anyway he was was it Orson Wells
or anyway? It was Michael Kaine?

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And he said, well, I
don't know about yowl, but look at

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here, yoell oh, I got
it down and offhead. Enough of this

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yowl. And it was it was
just major mad enough to smack your grandma.

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I know. I wanted to see
that you've got to remember that for

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the end of that. Well it
was a Tennessee Williams. I have never

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ever seen Michael Kine attempt any accents
other than his ingrained Cockney accent, which

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is fantastic. Yeah, but the
idea of Michael kind of going, you

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know what they say down there,
yo, not a lot of people know

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that. It might be quite interesting
to watch. Yes, it is,

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it is. I wonder if Orson
was trying to do a Southern accent too,

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I know, was he just trying
to sell my wine? Yes?

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Probably, So it was either Orson
or or oh gosh, I can't think

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of that. He weren't on air. I would be looking it up now.

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Yeah, we're in a bar.
I'd be like this. Yeah,

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well shit, yeah, I can
actually watch it on Aline. It's great.

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Ye. Well we'll be in a
bar soon, so yeah, exactly.

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Well yeah, well the mystery will
be closed for too long. So

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this is one of my favorite things. We were talking about it earlier when

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Chris Farley from Saturday Night I met
Paul McCartney. He said, I can't

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remember the exact intes, so he
goes, so, anyway, you're Paul

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McCartney and everything right, Paul goes, yeah, that that's that's what they're

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telling me. He goes, you
are a beetle. Oh yeah, yeah

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it was, it was that was
a beetle. What was that like?

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He goes, that was good and
that was it. He goes, Wow,

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so brilliant. It's very good.
Paul McCartney by the way, Oh

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yeah, we don't know. I
like Paul's was this great? Oh yeah

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yeah yeah, well every every American
has. That was our first introduction to

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to the end. Yeah yeah,
not to England or Cockney or any Cockney

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everybody. I mean, I've been
doing Coartney since I was a month old.

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Really, but Liverpool, I hear. I've never seen it because it's

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probably white. Now. The first
time the Beatles appeared in the America,

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they were introducers and now Cockney rock
band the Beatles. Oh really, John

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was furious, I would think,
because it's the exact opposite of that.

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There's a great story about the rivalry
between the Beatles and the Kinks. Actually

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they did it. They did it. The Kinks supported the Beatles in the

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sixties and they got Ray Davis got
on the lift and John Lennon was there

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and they're all messed with John No, and John said are you Ray Davis

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from the Kinks? And he said, yeah, yeah, I am,

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and he went a word that we
don't use here and got out years later

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rhymes with runt. Yeah yeah.
Years later, Ray Davis is going to

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rent an apartment in the Dakota Building
and he gets in the lift and John

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Lennon gets in and John looks at
him and says, are you Ray Davis?

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And he goes yeah, and John
says sorry about the other night,

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the other nights like forty years.
Yeah, that's a good one. Yeah,

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Cracker, that is a good one. Is there any Have you ever

205
00:14:50.360 --> 00:14:56.919
met any of those four lads?
No, sadly not. And what happened

206
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to me, it's a personal te
is when we did the fourth Pirates of

207
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the Caribbean film, Paul McCartney was
in it, and they didn't tell anybody,

208
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and so I just found out the
next I was talking to Johnny Depp

209
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and he said, guess who I
was working with yesterday? I said who?

210
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I said, Paul McCartney. I
said, didn't you tell me come

211
00:15:22.759 --> 00:15:26.080
down and send a note to Paul
McCartney. Yes, I know. No,

212
00:15:26.240 --> 00:15:28.879
I never got a chance to meet
anything maybe this time for Paul and

213
00:15:28.960 --> 00:15:33.000
Ringo. Yeah, yeah, oh
god, well, you know, I

214
00:15:33.039 --> 00:15:37.440
do have while we're on the subject, I do have a little story.

215
00:15:37.759 --> 00:15:41.879
I used to be a musician still
there, I guess in New Orleans,

216
00:15:41.919 --> 00:15:46.399
and uh, we we were fairly
popular. Band name was Fusion. Nobody

217
00:15:46.440 --> 00:15:50.360
cares. But we would go on
Saturday mornings or Friday mornings whatever and hang

218
00:15:50.399 --> 00:15:54.879
around at the local rock and roll
music store where they sold the guitars and

219
00:15:54.000 --> 00:15:58.879
drums, symbols and everything, because
we're waiting for people to recognize us and

220
00:16:00.120 --> 00:16:03.440
know, you never know. And
so we're hanging around the office of the

221
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fella there and uh, and he's
sitting there fiddling with the bass, you

222
00:16:11.799 --> 00:16:15.440
know, and he's and I noticed
that he's playing it upside down because he

223
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was right handed. And I said, uh, and that's that's a left

224
00:16:19.360 --> 00:16:23.240
handed bass that you're playing is Oh, yeah, well, Paul's left handed.

225
00:16:23.840 --> 00:16:30.399
And there was a fellow that worked
there named Paul Williams and I said,

226
00:16:30.679 --> 00:16:33.759
no, he's not. And he
plays a rickenbacker. And he was

227
00:16:33.799 --> 00:16:37.720
in this horrible show band called the
New South or something, and they all

228
00:16:37.720 --> 00:16:41.919
wore vests and had big wide mutton
chops and you know, very dated.

229
00:16:42.279 --> 00:16:45.320
And I said, no, no, he doesn't. He goes, oh,

230
00:16:45.360 --> 00:16:48.679
he's been playing playing bass all his
life. He's you know, he's

231
00:16:49.399 --> 00:16:55.159
and he's recording. Actually, what
do you mean he's recording what tia yellow

232
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ribbon around the old oak tree.
I think it's been done And he said,

233
00:16:59.399 --> 00:17:02.240
no, no, no, over
at Saints Studios. He's recording a

234
00:17:02.279 --> 00:17:06.759
new album, a new album.
Oh so he's recording a new album.

235
00:17:06.960 --> 00:17:10.599
How about his first album? No, no, he's had many, many

236
00:17:10.640 --> 00:17:14.920
albums. And I go, okay, well that's ridiculous. I gotta go.

237
00:17:15.039 --> 00:17:18.160
You're you're on crack or whatever,
you know. And he picks up

238
00:17:18.200 --> 00:17:23.519
this this case and boom puts it
down. And it's got LaGuardia insured insured,

239
00:17:23.799 --> 00:17:27.759
New Orleans International Insured insured and he's
putting it. I said, what

240
00:17:27.839 --> 00:17:33.039
the hell? Why did he buy
this overseas? He said, oh,

241
00:17:33.640 --> 00:17:38.200
I'm sorry, this is Paul McCartney's
base. We're fixing, fixing the intonation,

242
00:17:38.319 --> 00:17:42.519
I said, And I grabbed it
from it, and I swear to

243
00:17:42.519 --> 00:17:47.559
you, I turned it around like
this and rubbed my head on the forehead

244
00:17:47.920 --> 00:17:52.200
from top to bottom on the strings, just because I said, I'm going

245
00:17:52.240 --> 00:17:56.279
to steal some magic. Yeah,
it didn't work. Didn't do a damn

246
00:17:56.359 --> 00:18:03.039
thing. To choose another comper except
defaced pause. Yeah, pauls probably watching.

247
00:18:03.519 --> 00:18:07.079
Yeah, of course he is a
great fan of mine. And yeah,

248
00:18:07.680 --> 00:18:12.160
yeah, so sorry Paul wherever you
are. Sorry, Okay, I'm

249
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done. That's spent. That's once
I got my Yeah, and that that

250
00:18:18.599 --> 00:18:22.720
will be that. Ye lovely,
So what's the The next thing? Is

251
00:18:22.880 --> 00:18:26.279
you're on the road again? No, I finished being on the road now,

252
00:18:26.359 --> 00:18:33.319
And what I'm hoping to do is
I made a wonderful feature film with

253
00:18:33.400 --> 00:18:41.279
the brilliant Diane West and she played
my wife, and it's a prequel to

254
00:18:41.400 --> 00:18:45.759
Rosemary's Baby, and we're gonna I'm
gonna go back to England and launch it

255
00:18:45.960 --> 00:18:49.839
there. It's really you know,
I get to play the old Satanist from

256
00:18:49.839 --> 00:18:55.079
the film and it's really really enjoyable. Apart from that, I don't know

257
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what the next project is, but
it will be my favorite. I'm sure

258
00:18:57.319 --> 00:19:00.200
yes it will. Yeah, well, this one's going to be my favorite.

259
00:19:00.200 --> 00:19:04.000
Are you going to know? All
I can remember is it was the

260
00:19:04.000 --> 00:19:08.519
first time that I ever saw a
man with a pierced ear on film.

261
00:19:10.359 --> 00:19:15.039
And is that the fellow, you're
playing that you have a yeah, and

262
00:19:15.039 --> 00:19:18.319
and somebody noticed it. And during
Rosemary's Baby, because it was so very

263
00:19:18.319 --> 00:19:22.359
long ago, that was a rarity. You never saw that. Yeah,

264
00:19:22.640 --> 00:19:27.160
and I forget it was a mea
faroh summity, John, I don't think

265
00:19:27.160 --> 00:19:30.680
it was my character. I hopefully
we would have picked up on that.

266
00:19:32.039 --> 00:19:33.440
But if we have, I'm going
back and saying, you go to c

267
00:19:33.599 --> 00:19:37.519
G I PSD. Yeah, I
should investigate that. What else I'm on

268
00:19:37.599 --> 00:19:41.359
to looking up? Oh yeah,
Michael Kaine doing a Southern accident. Michael

269
00:19:41.440 --> 00:19:44.839
Kaite. Yeah, your cat on
a Hutton roof. Oh well there you

270
00:19:44.920 --> 00:19:47.440
go there. Yeah, i'd had
to come to me. Thank you for

271
00:19:47.519 --> 00:19:51.880
the jar. Yeah, the smack
to the back of my head. Never

272
00:19:51.960 --> 00:19:55.720
know that works every time. Yeah, exactly right, Brandon, exactly.

273
00:19:56.000 --> 00:19:57.400
You know, Kevin, I'd love
to hear your story. You told me

274
00:19:57.440 --> 00:20:00.359
four about you should tell you our
listeners, the An Eastwood story, the

275
00:20:00.359 --> 00:20:04.240
one that's not for kids. Oh
yes, yeah. I was working with

276
00:20:04.279 --> 00:20:11.119
a very dear friend of mine,
Toby Toby Stevens, who is Dave Maggie

277
00:20:11.160 --> 00:20:15.400
Smith's son, really nice chap,
known him for years and I was doing

278
00:20:15.440 --> 00:20:19.480
a job with him, and I'd
just seen him in a film called Space

279
00:20:19.559 --> 00:20:26.240
Cowboys playing a young Clint Eastwood because
he physically looked quite like him, but

280
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they chose him even though he was
British. So I said, oh great.

281
00:20:30.920 --> 00:20:33.200
You know, did you get any
tips from Clint about how to be

282
00:20:33.200 --> 00:20:37.160
a young Clint Eastwood? He said. I braved it up and I went

283
00:20:37.240 --> 00:20:41.119
at the reads and I said,
Clint, can you give me any tips

284
00:20:41.119 --> 00:20:45.079
on how to play the young you? And Clint said, yeah, sure

285
00:20:45.160 --> 00:20:49.599
kid, He said, whatever you
say, whatever you do, just be

286
00:20:49.720 --> 00:20:56.000
thinking fuck you. That's how you
play me. And you look at him

287
00:20:56.000 --> 00:20:59.440
and you go, that's absolutely right. Yeah, because he can say,

288
00:20:59.720 --> 00:21:06.880
Hi there, how are you doings
across? Oh good, Yeah, it's

289
00:21:06.920 --> 00:21:11.559
a lovely story. Yeah, that'd
make a good tattoo. Yeah, whatever

290
00:21:11.599 --> 00:21:14.599
you do and whatever you think,
whatever you do and whatever you say,

291
00:21:15.039 --> 00:21:19.079
just think fuck you. Yeah.
You developed the US accent? Was it

292
00:21:19.079 --> 00:21:22.640
an easy one to pick out?
What is the most challenging accent to try

293
00:21:22.680 --> 00:21:27.720
and pick up? The interesting thing
is I started out in theater doing New

294
00:21:27.759 --> 00:21:33.599
American plays and it was at one
point that a friend, an American friend

295
00:21:33.599 --> 00:21:36.079
of mine, came up to me
and said he said, listen, Kevin,

296
00:21:36.079 --> 00:21:37.960
you're doing these plays from all over
America, and you always use a

297
00:21:38.000 --> 00:21:41.720
New York accent. He said,
You've got to You've got to find another

298
00:21:41.759 --> 00:21:45.440
accent. So it was that point
that I was then about to do Glengarry

299
00:21:45.480 --> 00:21:48.839
Glenn Ross playing Ricky Roma in the
West End. So I purposely tried to

300
00:21:48.920 --> 00:21:52.799
learn a Chicago accent. And I
found out that learning a Midwest accent is

301
00:21:52.839 --> 00:21:59.559
a great starting place. But the
advantage we as English actors had was that

302
00:21:59.599 --> 00:22:04.759
we grew up totally immersed in American
movies, which isn't the case the opposite

303
00:22:04.799 --> 00:22:10.400
way around. So I grew up
just with the movies. Those are the

304
00:22:10.440 --> 00:22:14.319
accents I heard, and when we
played in the playground, we played in

305
00:22:14.519 --> 00:22:18.920
you know, varying degrees of competent
American accents. But so it's been with

306
00:22:18.920 --> 00:22:25.359
me all my life, really,
and I certainly I tell you what I

307
00:22:25.359 --> 00:22:30.000
did find challenging. I played a
role a few years back of a guy

308
00:22:30.039 --> 00:22:33.920
from Boston, and I had to
work really hard on that because I found

309
00:22:33.960 --> 00:22:41.160
it immensely difficult to earn a Northeast
Coast accent that wasn't New York yet.

310
00:22:41.599 --> 00:22:44.359
Yeah, you're right, about that. That's a it's a mish marsh.

311
00:22:44.440 --> 00:22:48.880
It's really tricky. Yeah, I
agree, there's very strange ours in it

312
00:22:48.920 --> 00:22:52.799
as well. Yeah yeah, yeah, yeah, trying to conjure it ver

313
00:22:52.039 --> 00:22:56.480
well. I'm fascinated by ac since. In fact, I was appalled by

314
00:22:56.759 --> 00:23:00.599
our Prime Minister in England the other
day, who is, as you probably

315
00:23:00.599 --> 00:23:06.200
know, a very wealthy, posh
millionaire. He's always claiming that he came

316
00:23:06.240 --> 00:23:08.680
from a sort of a poor background, and so somebody said to him,

317
00:23:08.720 --> 00:23:11.880
so, why do you talk so
partial? He said, well, my

318
00:23:11.000 --> 00:23:15.359
parents told me if I wanted to
get along, I shouldn't have an accent.

319
00:23:15.119 --> 00:23:19.759
And I thought the very idea that
you think you don't have an accent

320
00:23:21.240 --> 00:23:27.480
when you talk like this is just
ludicrous and shows a real ignorance about culture.

321
00:23:27.640 --> 00:23:30.480
You know, Yeah, it sure
does, really does. He thinks

322
00:23:30.720 --> 00:23:37.960
he is the neutral start for all
cultures. Arrogant to say the very least.

323
00:23:38.839 --> 00:23:41.920
He should have went straight to Cartney. He should have done and then

324
00:23:42.000 --> 00:23:48.759
said you're all at the end.
Hello, I'm governing you all, and

325
00:23:48.799 --> 00:23:53.160
I'm doing it very badly. Jim, what's your favorite British accent? My

326
00:23:53.240 --> 00:23:59.559
favorite British as probably Liverpool Yeah,
who's that little old man? Then?

327
00:24:00.079 --> 00:24:02.839
Yeah, they're very clean, isn't
he? Yeah, it's very clean,

328
00:24:02.960 --> 00:24:07.319
very clean. Yeah, And I
always tried to figure around why are they

329
00:24:07.319 --> 00:24:11.759
saying then when? Because you know, who's that little old man? Then

330
00:24:11.160 --> 00:24:15.839
when? Then? You know,
I mean what does that mean? Yeah,

331
00:24:15.920 --> 00:24:17.920
no, it's a weird one.
It's weird. You get a lot

332
00:24:17.920 --> 00:24:22.799
of that though in the Liverpool accent. I grew up in a place called

333
00:24:22.839 --> 00:24:26.839
Birmingham, so I do a perfect
Birmingham accent as well. And my family

334
00:24:26.880 --> 00:24:30.119
is Irish, so my Irish is
pretty perfect. In fact, the greatest

335
00:24:30.279 --> 00:24:34.759
compliment I ever gone was I went
over to Ireland to play an irishman.

336
00:24:36.759 --> 00:24:38.440
I was very glad that they cast
me as that that happens less and less,

337
00:24:38.440 --> 00:24:44.119
but the lighting cameraman I thought,
well, I'll keep the accent the

338
00:24:44.119 --> 00:24:48.160
whole time because I really I've got
to be perfect. I'm with a lot

339
00:24:48.160 --> 00:24:51.599
of Irish actors and I know them
very well and I don't want to,

340
00:24:51.880 --> 00:24:53.279
you know, pop out and they're
thinking, why is this brick playing an

341
00:24:53.279 --> 00:24:57.880
Irishman. So about a year later, I'm back in England doing a British

342
00:24:57.880 --> 00:25:04.039
film and I lighting cameraman comes over
and is watching me, and he comes

343
00:25:04.119 --> 00:25:07.559
up to me at one point and
says, Kevin, I've got to tell

344
00:25:07.640 --> 00:25:12.759
you, your English accent is fucking
terrible. That's better than a compliment.

345
00:25:12.799 --> 00:25:18.640
It's better than a compliment, isn't
it. That really is Yeah, fucking

346
00:25:18.720 --> 00:25:21.920
terrible English accent. Well I got
it from my parents. Yeah, blame

347
00:25:22.000 --> 00:25:25.759
them and where I grew up.
Yeah, that's good stuff. It's good

348
00:25:25.759 --> 00:25:29.359
stuff. Yeah, you can't beat
that. You can't. Wow, Well,

349
00:25:29.359 --> 00:25:33.240
your parents are responsible for your Gibbs
voice, right, yes, absolutely,

350
00:25:33.440 --> 00:25:37.359
because I mixed well, there are
four people responsible for my Gibbs voice.

351
00:25:37.400 --> 00:25:41.759
My dad's Irish accents, my mother's
Bristol accent, and Dublin and Bristol

352
00:25:41.759 --> 00:25:45.720
were the two major pirate ports in
the eighteenth century. But also my favorite

353
00:25:45.720 --> 00:25:49.880
comedian is a guy called Tony Hancock, and he used to do an impression

354
00:25:51.359 --> 00:25:56.119
of Robert Newton in Treasure Island,
and he would do it really over the

355
00:25:56.160 --> 00:25:59.640
top like that. So I sort
of mixed all four together and came up

356
00:25:59.680 --> 00:26:03.160
with and slap me thrice and hand
me to me, Mama, it's Jack.

357
00:26:03.759 --> 00:26:07.720
That's what I came up with.
Wow, I almost knew what you

358
00:26:07.759 --> 00:26:14.599
said. That's really good. You've
done this before, oh man. I

359
00:26:14.640 --> 00:26:19.200
remember the first time I was ever
over to Great Britain, did a tour

360
00:26:19.240 --> 00:26:22.799
of all the countries and you know, and you sit there and from America

361
00:26:22.839 --> 00:26:26.079
you know everything. I mean,
you go to Texas and it takes you

362
00:26:26.440 --> 00:26:30.400
three days to just drive across the
damn thing. And I remember hearing that

363
00:26:30.519 --> 00:26:34.880
David Niven say, well, you
know, it's impossible to get two hundred

364
00:26:34.920 --> 00:26:41.680
miles away from the ocean when you're
in England. Wow, that's because England

365
00:26:41.720 --> 00:26:47.160
has such a Britain has such a
giant footprint on the earth, and I

366
00:26:47.200 --> 00:26:51.279
suspect it's because of their location.
If you had to go anywhere, I

367
00:26:51.319 --> 00:26:53.359
mean, it's the gateway to Europe, and you used to do it by

368
00:26:53.440 --> 00:26:59.039
water. So if you own that
gateway, you own everything. And here

369
00:26:59.039 --> 00:27:02.839
they are, and there's four countries
there, there's Whales or Scotland, there's

370
00:27:03.039 --> 00:27:06.519
you know, and I've got wait
a minute, yeah, and I'm going

371
00:27:06.599 --> 00:27:10.960
in Ireland obviously. Yeah. And
it's just but it's very funny because growing

372
00:27:11.039 --> 00:27:15.119
up, you know, since I've
lived here a lot, and particularly at

373
00:27:15.160 --> 00:27:18.279
the conventions, people say I just
drove six hours to get down here just

374
00:27:18.319 --> 00:27:19.759
to get your autograph. And I
think that's really nice if you think you

375
00:27:19.880 --> 00:27:22.200
very much. But the idea that
you're hop in your car and drive for

376
00:27:22.240 --> 00:27:25.839
six hours. When I was a
kid we used to go on a holiday.

377
00:27:25.880 --> 00:27:29.480
It took about one hour and forty
five minutes. My dad either would

378
00:27:29.480 --> 00:27:32.759
be food in the car, there
would be water, he would he would

379
00:27:32.799 --> 00:27:34.759
have he'd been under the hood for
an hour. Yeah, you know,

380
00:27:36.079 --> 00:27:40.000
no stopping. It was like that
was a major journey. It was to

381
00:27:40.039 --> 00:27:42.240
get to the coast. Sure,
sure, yeah, wow, that's so

382
00:27:42.400 --> 00:27:45.440
true. Now did you go down
where? Was it not? Not?

383
00:27:47.480 --> 00:27:49.599
Where'd everybody go at the south of
England for the for the ocean? It

384
00:27:49.720 --> 00:27:55.039
was, well, it depends Brighton. Brighton, that's right, is the

385
00:27:55.079 --> 00:28:02.880
major go to coastal town for London. Certainly. I started my career filming

386
00:28:03.200 --> 00:28:07.680
a TV show called Poldoc in the
seventies and we filmed that in Cornwall that

387
00:28:07.680 --> 00:28:11.160
I've never been to. And that's
a beautiful place to go. Well,

388
00:28:11.160 --> 00:28:15.480
it's a beautiful place. It's described
as a very boring picture in a beautiful

389
00:28:15.519 --> 00:28:21.920
frame. That's because it's fantastic coast
and then it's just more Michael York was

390
00:28:22.200 --> 00:28:25.160
from there, I believe, right, I think he was. Yeah.

391
00:28:25.279 --> 00:28:27.640
I worked with him once. He
went on and on about it, and

392
00:28:27.720 --> 00:28:33.480
I just had my first trip to
England. So he was very, very

393
00:28:33.480 --> 00:28:37.319
excited and did you go to store
on the Wall And I said, yes,

394
00:28:37.359 --> 00:28:38.400
I did, and he goes,
okay, then you were there.

395
00:28:38.640 --> 00:28:42.359
Yeah, so I got credit.
Well, the other way around for me

396
00:28:42.480 --> 00:28:48.680
is that English people are very ignorant
about the United States, and you know,

397
00:28:48.720 --> 00:28:51.839
they'll say, oh, what's weird
because Americans are too well, well

398
00:28:52.480 --> 00:28:55.240
there is some truth in that,
but they you know, they'll say,

399
00:28:55.559 --> 00:28:57.319
they'll say, so, what's America
like? And I said, well,

400
00:28:57.359 --> 00:29:00.599
it's like asking what Europe's like.
So you know, yeah, many different

401
00:29:00.599 --> 00:29:04.200
places I've been to America and I
always go, let me guess Orlando.

402
00:29:04.640 --> 00:29:10.160
Yeah, that's where I went.
Yeah. Yeah, so it's the main

403
00:29:10.240 --> 00:29:14.000
place people go. Yeah. Yeah, so it sounds like cartoon characters,

404
00:29:14.319 --> 00:29:17.519
Yeah, very much. Yeah.
Well I have a question for you,

405
00:29:17.640 --> 00:29:19.440
Kevin. Yeah, going back to
mister Gibbs, I heard a story that

406
00:29:19.680 --> 00:29:22.400
you initially weren't even going to go
to the audition for that role. Is

407
00:29:22.519 --> 00:29:26.079
true, that's absolutely right? Yeah, can you tell that story? I

408
00:29:26.119 --> 00:29:32.400
had been going up for roles in
America movies for ten years and I never

409
00:29:32.559 --> 00:29:33.359
got them, and I just it
was a waste of time. And it

410
00:29:33.400 --> 00:29:38.119
was my birthday and I was sitting
in the back garden sunny day with some

411
00:29:38.240 --> 00:29:42.319
friends, getting drunk basically, and
one of them said, aren't you supposed

412
00:29:42.319 --> 00:29:45.559
to be going to an audition for
a film today? And I said,

413
00:29:45.599 --> 00:29:47.519
yeah, but it's an American film. I'll never get it. You know,

414
00:29:47.599 --> 00:29:49.200
it's no good. They said,
well you should try. You know,

415
00:29:49.200 --> 00:29:51.839
it's a ticket in the lottery.
And I said, well, it

416
00:29:51.839 --> 00:29:53.839
doesn't mean I'm drunk now, and
the other friend said, as far as

417
00:29:53.839 --> 00:29:56.480
I remember, it wasn't it for
a pirate? I said yes. He

418
00:29:56.480 --> 00:30:00.599
said, what, it doesn't matter
how bloody drunk you are, drive you

419
00:30:00.640 --> 00:30:02.839
come on, I'll drive you.
So I went along and got off of

420
00:30:02.920 --> 00:30:04.519
the park the next day. So, wow, I'm really glad that they

421
00:30:04.559 --> 00:30:08.119
made me that they made me go, that's not bad now. The thing

422
00:30:08.160 --> 00:30:14.319
that had really pissed me off before
was that I was on a bus going

423
00:30:14.359 --> 00:30:22.680
to an audition for Spider Man to
play the Green Goblin, right, And

424
00:30:22.759 --> 00:30:26.440
I actually got off the bus and
came home because I thought this is adiiculous.

425
00:30:26.440 --> 00:30:30.480
And I actually said to a friend, whoever the guy who played it

426
00:30:30.519 --> 00:30:32.359
was, I said, I bet
they get that guy to do it,

427
00:30:32.440 --> 00:30:36.400
And sure enough, a week later
it was Willem Dafoe gone role. You

428
00:30:36.400 --> 00:30:37.519
know, I mean, I I
know that, you know I'm going to

429
00:30:37.599 --> 00:30:41.799
choose William Dafoe to play the Green
Goblin over me, But they weren't going

430
00:30:41.839 --> 00:30:45.480
to choose William Dafoe to play mister
Gibbs over me. So that's right,

431
00:30:45.799 --> 00:30:49.119
glad, I went, Yeah,
that was a career, right, Oh

432
00:30:49.119 --> 00:30:55.559
completely. I mean I had I
had done what young actors should do about

433
00:30:55.559 --> 00:30:59.000
three times in my life, which
is a reset. And I was in

434
00:30:59.039 --> 00:31:04.480
the theater in about ninety seven and
I was looking in the mirror playing my

435
00:31:04.519 --> 00:31:07.759
makeup, and I thought, I
guess I'll never be on the back lot

436
00:31:07.839 --> 00:31:11.839
of Hollywood Studio now. And I
got to me all night, and I

437
00:31:11.920 --> 00:31:12.960
phoned my agent the next morning.
He said, I haven't done a film

438
00:31:12.960 --> 00:31:17.920
in eight years. I'm not accepting
any roles, but I'll do anything in

439
00:31:17.920 --> 00:31:21.319
the film. And it got round
and some friends. Guy put me in

440
00:31:21.400 --> 00:31:25.640
Spice World, and a guy put
me in a film called Entrapman, and

441
00:31:25.720 --> 00:31:30.079
another guy put me in a small
role in mister Bean film that he was

442
00:31:30.119 --> 00:31:34.640
doing, so I was back on
the list. Yeah, and that's when.

443
00:31:36.440 --> 00:31:38.519
And that's when I did the Irish
film with Joan Allen, so I

444
00:31:38.559 --> 00:31:41.799
was working with more international people and
so I started to get better parts,

445
00:31:41.839 --> 00:31:45.599
and then I was on the list
when mister Gibbs came up. So you

446
00:31:45.680 --> 00:31:48.359
have to help yourself as well.
I think you can't just drift on and

447
00:31:48.400 --> 00:31:52.000
I hope things will happen. You
have to see where the little holes are

448
00:31:52.119 --> 00:31:55.160
or where the floors are, and
how can you make that better? You

449
00:31:55.200 --> 00:31:57.319
know, how can you make yourself
more employable? Yeah, well that's good

450
00:31:57.319 --> 00:32:00.599
advice for Yeah the folks come up. Yeah, no, absolutely, And

451
00:32:01.559 --> 00:32:05.759
I liked that because more and more
as I've got older over the last ten

452
00:32:05.839 --> 00:32:09.160
years, I teach a lot more
now. And I work with a particularly

453
00:32:09.160 --> 00:32:13.960
good company called Real Scene, where
I direct their final films because they come

454
00:32:14.000 --> 00:32:17.680
out of it with a show,
real professional photographs and a short film that

455
00:32:17.720 --> 00:32:22.920
they're staring. So it's a really
nice little package that they get and I

456
00:32:22.000 --> 00:32:25.400
love that. They just give me
a crew and a cast and a script

457
00:32:25.400 --> 00:32:29.200
and they say, oh wow,
shoot that, and I have absolutely comp's

458
00:32:29.240 --> 00:32:34.240
lovely. It's really good time.
Yeah, and last year it was great

459
00:32:34.279 --> 00:32:37.079
because it was quite a big group. So we did four related sci fi

460
00:32:37.240 --> 00:32:43.759
shorts, and sci fi is my
genre love so much. In fact,

461
00:32:43.799 --> 00:32:47.680
if I mentioned my book yet,
I know tell us more. I have

462
00:32:47.720 --> 00:32:51.759
written a sci fi book called Sons
of Soul. Get it on Amazon,

463
00:32:51.799 --> 00:32:58.799
that's all, No, Sol sol
Son. Oh okay, so getting on

464
00:32:58.799 --> 00:33:00.920
Amazon very cheap, very cheap.
If you ever bring it to a convention,

465
00:33:01.200 --> 00:33:05.079
I'll sign it for you. That
won't be very cheap. But yeah,

466
00:33:05.160 --> 00:33:07.039
right, I'd love to see you
all. Let me see y'all.

467
00:33:07.799 --> 00:33:10.480
That's right, that's right, boy. That was weird. It was as

468
00:33:10.519 --> 00:33:15.559
if Michael Kaine was in the room. I have one more question for you

469
00:33:15.759 --> 00:33:20.480
about Pirates of the Caribbean. Okay. I heard that during the filming of

470
00:33:20.480 --> 00:33:22.920
the last Pirates of the Caribbean,
the fifth one, that Johnny Depp was

471
00:33:23.000 --> 00:33:27.400
kind of out of his element and
had to be fed his lines through an

472
00:33:27.400 --> 00:33:30.119
ear piece under his wig. Can
you verify of that's true? It isn't

473
00:33:30.160 --> 00:33:37.160
true. Johnny always has an earpiece
under his wig because he has a man

474
00:33:37.200 --> 00:33:44.359
in his trailer feeding him music all
the time in between takes and the it's

475
00:33:44.400 --> 00:33:47.599
really interest because if you if you
go up and talk to Johnny, he'll

476
00:33:47.640 --> 00:33:50.759
give a little tap, says.
You get the guy to turn the music

477
00:33:50.799 --> 00:33:52.400
down and talk to you, and
then he's back on it again listening to

478
00:33:52.440 --> 00:33:57.599
the music because he's an absolute he's
an absolute whale for music. He just

479
00:33:57.680 --> 00:34:00.359
eats it like fucking Plankton. You
know, he's a hell of a guitar

480
00:34:00.400 --> 00:34:02.119
player. Oh, he's wonderful.
Yeah, he's amazing. I was very

481
00:34:02.119 --> 00:34:07.440
disappointed. I got tickets to go
and see him at the Hollywood the Hollywood

482
00:34:07.519 --> 00:34:12.920
Vampires at the O two Arena,
and I was filming and we ran over

483
00:34:13.079 --> 00:34:15.760
like I couldn't get there. So
I missed seeing him. But I will

484
00:34:15.800 --> 00:34:19.679
get to see those people one day. I did. I did meet Alice

485
00:34:19.719 --> 00:34:22.960
Cooper at a convention. He was
a heck of a nice guy. I

486
00:34:22.000 --> 00:34:24.719
golfed with him once, did you
really? Yeah? Yeah, he golfs

487
00:34:24.719 --> 00:34:28.800
out in more Park. Yeah.
And he was talking a lot about golfing,

488
00:34:29.800 --> 00:34:32.880
big golfing. Yeah, I know
he's I remember I met him a

489
00:34:32.920 --> 00:34:36.599
few times and he goes, well, people think I'm you know, and

490
00:34:36.639 --> 00:34:42.119
of course he's saying this with the
vampire eyes on the makeup and he goes.

491
00:34:42.599 --> 00:34:45.559
People think I'm you know, Vincent
Price, but I'm really more like

492
00:34:45.679 --> 00:34:52.280
Fred McMurray. Oh yeah, yeah, yeah. I'm so fascinated by this

493
00:34:52.360 --> 00:34:55.039
concept though, that he listens to
music between takes. Is that for his

494
00:34:55.199 --> 00:35:00.000
enjoyment or does he somehow use that
to get into characters? I think probably

495
00:35:00.039 --> 00:35:05.760
not so much getting to character,
but I think he doesn't necessarily want You

496
00:35:05.840 --> 00:35:12.280
can on set very often be distracted
by small talk and chats, and you

497
00:35:12.360 --> 00:35:16.079
will notice I notice it that when
I'm on set, being an older man

498
00:35:16.119 --> 00:35:20.239
now, I tend to keep to
myself and I've got my iPad and I've

499
00:35:20.280 --> 00:35:22.559
got stuff and I can carry them
through the day. And a lot of

500
00:35:22.559 --> 00:35:24.880
the younger people are busy telling stories
and having a great time, and they're

501
00:35:24.920 --> 00:35:28.920
exhausted by the end of the day. They don't have the energy for that

502
00:35:29.000 --> 00:35:31.840
final scene. And so I think
that's part of his reasoning too, that

503
00:35:31.880 --> 00:35:36.039
he doesn't want to get too much
involved in chit chatting, you know,

504
00:35:36.320 --> 00:35:42.079
so he keeps concentrated as he keeps
keeps himself distracted by the music and not

505
00:35:42.239 --> 00:35:45.239
by you know, a myriad of
things that people are throwing at him.

506
00:35:45.360 --> 00:35:49.519
That's fascinating to me. Wow.
I heard the George C. Scott was

507
00:35:50.840 --> 00:35:55.760
speaking to that angle. He he
would sit around smoking cigars with the crew,

508
00:35:57.119 --> 00:36:00.679
playing cards non stop, nod stop
right up or two and action.

509
00:36:00.760 --> 00:36:04.599
Then he would take a star out
and then walk on and then just be

510
00:36:04.840 --> 00:36:07.360
absolutely in the scene, you know. And I was like, wow,

511
00:36:07.559 --> 00:36:12.840
I mean it's like turns off a
on and off a light switch. Which,

512
00:36:12.920 --> 00:36:16.559
yeah, well, I remember once
having the great honor of working with

513
00:36:16.639 --> 00:36:22.119
Robert Duval and we had this little
singing in a corridor together and it was

514
00:36:22.199 --> 00:36:25.039
quite intense. And I said to
it and said, I hope you don't

515
00:36:25.079 --> 00:36:28.840
mind me saying, but I really
thought you might be a bit more method

516
00:36:28.880 --> 00:36:30.719
than this might be a more difficult
day. But you seem to turn it

517
00:36:30.760 --> 00:36:34.639
on and off like many other actors. And he said, tell you one

518
00:36:34.639 --> 00:36:36.800
thing, kid, if you haven't
got in your pocket, you can't pull

519
00:36:36.840 --> 00:36:39.039
it out. And I thought,
what a great piece of advice for an

520
00:36:39.039 --> 00:36:43.639
actor. It's got to be there
ready, yeah, you know, so

521
00:36:43.679 --> 00:36:45.719
that you can just haven't got it
in your pocket, you can't pull it

522
00:36:45.760 --> 00:36:51.000
out. Wow. Really good,
really good advice. It's very much like

523
00:36:51.079 --> 00:36:52.199
a voice acting, isn't it,
Jim. You can just snap into the

524
00:36:52.239 --> 00:36:54.559
voices whenever you feel like it.
You don't need a method, really,

525
00:36:54.559 --> 00:37:00.199
do you. Yeah. Yeah,
Well we're schizophrenic and we are too,

526
00:37:00.800 --> 00:37:04.000
so it's it helps, you know. I've never even thought about it.

527
00:37:04.159 --> 00:37:07.360
People have told me that before,
and I don't. Yeah, I think

528
00:37:07.400 --> 00:37:13.159
it's I think it comes from my
childhood, you know. I thought mel

529
00:37:13.199 --> 00:37:16.880
Blank was amazing and all these different
things, and I did impressions of my

530
00:37:16.960 --> 00:37:21.880
family. And one of the first
things I did when I came to LA

531
00:37:22.480 --> 00:37:25.199
was to go to see Meil Blank's
tombstone. Oh yeah, how about that?

532
00:37:25.920 --> 00:37:31.639
But talking about yeah, that's all
folks, But talking to that thing

533
00:37:31.679 --> 00:37:37.000
about you know, preparational being ready. I was talking to a fellow actor

534
00:37:37.000 --> 00:37:42.360
about this, who works on an
American show with a rather methody American actor,

535
00:37:43.400 --> 00:37:45.000
and he said something very insightful to
me. He said, the problem

536
00:37:45.159 --> 00:37:51.079
is because his preparation is the same
and very intense. His performance is completely

537
00:37:51.079 --> 00:37:55.400
the same all the time. There's
no variety. Can't surprise himself because he's

538
00:37:55.480 --> 00:38:00.880
he's stuck there in this method.
I mean, just whatever his method is.

539
00:38:00.920 --> 00:38:04.760
I don't know whether it's method,
but you know he's he's stuck there

540
00:38:04.760 --> 00:38:07.719
and he can't do it unless he
does that. So I think you should

541
00:38:07.719 --> 00:38:12.039
be able to surprise yourself. That's
a good way to put it. It's

542
00:38:12.079 --> 00:38:14.039
a really good way to put it. Yeah, I think so. Have

543
00:38:14.199 --> 00:38:20.239
you ever surprised yourself with a voice. It's not so much surprising yourself with

544
00:38:20.239 --> 00:38:23.960
a voice which you look prepared,
but surprise yourself with the journey through the

545
00:38:24.000 --> 00:38:29.119
scene. You know that you might
not have guessed that something that the other

546
00:38:29.159 --> 00:38:32.039
person says makes you angry, and
so you do the rest of the scene

547
00:38:32.920 --> 00:38:36.559
angry with him. You might not
have even thought of that until it happens.

548
00:38:36.599 --> 00:38:39.000
Because what people who often get a
mussed in a method do is that

549
00:38:39.039 --> 00:38:43.119
it doesn't take any account into what
the other people are doing, because they're

550
00:38:43.159 --> 00:38:46.360
just deciding on what they're going to
do in advance that they come in and

551
00:38:46.400 --> 00:38:49.440
you go, well, that's true, I might as well not be here.

552
00:38:49.519 --> 00:38:52.760
You know, you've just got your
ship worked down. Yeah, well,

553
00:38:52.880 --> 00:38:55.159
acting is a lot. A lot
of acting is reacting. I think

554
00:38:55.199 --> 00:39:00.480
most of me is reacting. Yeah, absolutely, yeah. Yeah. You

555
00:39:00.519 --> 00:39:05.079
got to stay nimble. You gotta
stay nimble. You gotta stay trim well.

556
00:39:05.119 --> 00:39:09.519
I think that's what it's impact because
you can't react to people in the

557
00:39:09.519 --> 00:39:13.599
same room, you know. That's
I think that's what's But that's where your

558
00:39:13.599 --> 00:39:16.159
imagination comes in, I imagine.
I think a lot of what you're saying

559
00:39:16.199 --> 00:39:22.239
comes from your hit your background in
theater, because you've done a performance on

560
00:39:22.320 --> 00:39:23.800
stage so many times. It's kind
of I don't know, at least to

561
00:39:23.840 --> 00:39:28.039
me. It's the fun part where
you get to play those little games within

562
00:39:28.079 --> 00:39:30.360
the performance, you know, but
also what the theater teaches you is to

563
00:39:30.400 --> 00:39:34.760
turn up really, really well prepared. Yeah. So I always say to

564
00:39:34.800 --> 00:39:39.079
my students, be well prepared and
then flexible on the day. But because

565
00:39:39.119 --> 00:39:43.039
those foundation that foundation work you've done, even the director doesn't like it,

566
00:39:43.079 --> 00:39:45.639
once you do something totally different,
that foundation work still is there for you.

567
00:39:45.639 --> 00:39:50.280
You'll just go off it another way, that's all. So it's it's

568
00:39:50.480 --> 00:39:53.519
yeah, that's definitely the two months
awards I have for my students. Yeah,

569
00:39:53.559 --> 00:39:58.639
that's that's great. And how often
do you do classes? As often

570
00:39:58.639 --> 00:40:01.519
as I can? I have a
friend I teach it will see maybe I

571
00:40:01.559 --> 00:40:07.239
direct three times a year there and
in between whenever i'm free this guy who

572
00:40:07.239 --> 00:40:13.360
does these classes for anybody who wants
to come, very inexpensively. He'll just

573
00:40:13.400 --> 00:40:15.320
phone me up and say can you
do one on Tuesday, and I say,

574
00:40:15.360 --> 00:40:17.320
yeah, i'll be They just tell
me the venue and it's really nice.

575
00:40:17.360 --> 00:40:21.960
I've got very friendly with those bunch
of people, and all of them

576
00:40:22.000 --> 00:40:25.360
are very much for people who work
and make a living and have to try

577
00:40:25.400 --> 00:40:30.239
to fit the classes in around that. So the real scene for instances only

578
00:40:30.280 --> 00:40:35.079
at the weekends, and Paul will
do his things at nighttime. So it's

579
00:40:35.079 --> 00:40:37.480
for people who are you know,
are out there. They're grown ups,

580
00:40:37.519 --> 00:40:40.360
they're in the world and they want
to or in some cases people who may

581
00:40:40.360 --> 00:40:44.239
be retired ten years ago and think, hit, I want to go back

582
00:40:44.239 --> 00:40:45.800
into it again. I'll go and
take some refreshers, you know. Yeah.

583
00:40:45.920 --> 00:40:51.519
Yeah, oh absolutely, well you're
never You're never too old, No

584
00:40:51.679 --> 00:40:57.199
exactly, Yeah, why why resire? I'll take the money. Yeah yeah,

585
00:40:57.280 --> 00:41:00.960
yeah, I mean I'm not stupid, yeah, but but yeah,

586
00:41:01.079 --> 00:41:06.159
no, you know, I'm still
in granddads. I'm fully prepared to go

587
00:41:06.199 --> 00:41:08.400
to great great granddads. I don't
mind. If I live long enough,

588
00:41:08.440 --> 00:41:13.320
it'll be great, no kidding.
Wow, did you learn anything from Johnny

589
00:41:13.320 --> 00:41:19.559
Depp working with him over across the
various films. Yeah, I did both.

590
00:41:19.599 --> 00:41:25.079
He and Tom Cruise I worked with
in the early two thousands, and

591
00:41:25.119 --> 00:41:30.039
I had always been the sort of
English actor who if I made a mistake,

592
00:41:30.079 --> 00:41:34.559
I stopped and started again, and
I learned keep going, keep going.

593
00:41:34.639 --> 00:41:37.320
There is such a thing as editing, you know, just keep going,

594
00:41:37.360 --> 00:41:38.360
pick it up, pick it up
a sentence back, go with it,

595
00:41:38.400 --> 00:41:40.840
go with it, don't lose the
energy, don't start again, and

596
00:41:40.840 --> 00:41:43.960
then don't stop building up going.
Oh I'm going to fuck up. I'm

597
00:41:43.960 --> 00:41:46.880
going to fuck up. Just keep
it flowing and going and keep reacting to

598
00:41:46.920 --> 00:41:50.639
the people because the camera's picking it
all up and it's all going to be

599
00:41:50.679 --> 00:41:52.920
useful in the edit. Hm.
That's good. I look from those two,

600
00:41:53.000 --> 00:41:57.519
that's good advice right there. Yeah, yeah, well he would know.

601
00:41:57.880 --> 00:42:01.880
Tom Cruisers. I think he's underrated
actor. Actually, yeah, well

602
00:42:02.400 --> 00:42:07.519
he's a judged actor, isn't he. Yeah he's a pigeonhole. Yeah,

603
00:42:07.719 --> 00:42:12.800
he's a little he's a little too
successful for people to think he's good.

604
00:42:12.960 --> 00:42:15.880
Yeah, yeah, yeah, it's
just no. He was a pleasure to

605
00:42:15.880 --> 00:42:20.679
work with, absolute pleasure. What
did you work with him on a film

606
00:42:20.719 --> 00:42:24.920
called Valkyrie. Okay, yeah about
the attempt to Yes, yeah, nice

607
00:42:24.960 --> 00:42:28.960
film, Yeah, yeah, I
thought so. Yeah. We were just

608
00:42:29.000 --> 00:42:31.880
talking about his performance in Tropic Thunder. Oh yeah, yeah, brilliant.

609
00:42:32.039 --> 00:42:36.039
Yeah, he's not a character actor. We don't get any more character than

610
00:42:36.079 --> 00:42:38.920
that, No, that is for
sure. Yeah, brilliant. Another underrated

611
00:42:38.960 --> 00:42:43.039
movie. Just on a little tangent
about tom Cruise that I thought he was

612
00:42:43.039 --> 00:42:45.920
so underrated and was the Edge of
Tomorrow. Did you ever see that movie?

613
00:42:45.960 --> 00:42:47.760
Sci fi movie? It's one of
my favorite movies all time. I

614
00:42:47.760 --> 00:42:52.199
know Angela Riseberg very well. She
played my daughter on stage a couple of

615
00:42:52.199 --> 00:42:53.800
times, I think, and I
thought that was a great film, and

616
00:42:54.119 --> 00:42:57.039
you know, just a two hander. I mean it was just amazing,

617
00:42:57.400 --> 00:43:00.000
absolutely amazing. Yeah. Yeah,
well it's my genre sci fi as well.

618
00:43:00.039 --> 00:43:04.599
So yeah, I was told you
about my book. You can pick

619
00:43:04.639 --> 00:43:07.239
up very cheap on Amazon. Now, what's the name of it again,

620
00:43:07.320 --> 00:43:09.400
Sons of Soul. Oh, well, there you have it. Yeah,

621
00:43:09.639 --> 00:43:13.360
it's almost like as a link for
in the description of this podcast. Yes,

622
00:43:13.679 --> 00:43:19.719
they might be. They better,
Ben, Oh, that's good stuff.

623
00:43:19.920 --> 00:43:22.400
What are some of his favorite sci
fi films growing up? Well,

624
00:43:22.599 --> 00:43:25.360
the greatest one two thousand and one
of Space Odyssey, of course, A

625
00:43:25.519 --> 00:43:29.280
Planet of the Apes. I'm really
into hard science fiction, you know,

626
00:43:29.800 --> 00:43:34.360
and my book is very much an
homage to the to the golden age of

627
00:43:34.519 --> 00:43:38.280
science fiction, Robert Heinlein, Isaac
Asimov, Arthur C. Clark, you

628
00:43:38.320 --> 00:43:45.920
know, good world building, proper
science, no fantasy. So those those

629
00:43:45.960 --> 00:43:49.079
are the films that I love.
But I even love going back. I

630
00:43:49.079 --> 00:43:53.159
suppose I got suckered into it when
they were repeating all those fifties George Powell

631
00:43:53.159 --> 00:43:58.119
films on un British television in the
sixties, so you know, Destination Moon

632
00:43:58.159 --> 00:44:01.159
and things like that was wonderfu well
people. It's been put forth that Isaac

633
00:44:01.239 --> 00:44:07.199
Asimov basically designed the lunar landing module
when they did land on the Moon.

634
00:44:07.480 --> 00:44:13.559
Yeah, in I don't remember the
book, but they said, well,

635
00:44:14.000 --> 00:44:16.199
you know, they had to make
it as a tripod and it had to

636
00:44:16.239 --> 00:44:22.679
have shock absorbing to it, just
because I mean, and then people with

637
00:44:22.840 --> 00:44:27.039
I don't know, twenty years later, twenty years later there was a tripod.

638
00:44:27.239 --> 00:44:30.599
There was one. You know,
it's landing and it's going like that

639
00:44:30.679 --> 00:44:32.480
because uneven terrain, uneven terrain,
you don't know what the trend is going

640
00:44:32.559 --> 00:44:37.000
to be like, well, they
say that science fiction always precedes science fact.

641
00:44:37.360 --> 00:44:42.599
Yeah, absolutely so. I think
the other great thing about science fiction

642
00:44:42.800 --> 00:44:45.320
wasn't And Stephen Fry, if you
know who he is, was very kind

643
00:44:45.400 --> 00:44:49.280
enough to write a little bit of
blurb on my book and he said,

644
00:44:49.320 --> 00:44:55.880
like all great science fiction futuristic stories
tell us more about today, about heroism,

645
00:44:55.960 --> 00:45:00.239
love, adventure, and the world
we live in today, but it

646
00:45:00.239 --> 00:45:04.440
does it in a very ornate way. I think that's a really nice description

647
00:45:04.480 --> 00:45:07.320
of what science fiction is. Yes, well, I'm a sci fi guy.

648
00:45:08.880 --> 00:45:13.199
That was one of my Yeah.
Do you know the most wonderful thing

649
00:45:13.239 --> 00:45:17.199
happened when I finally got my book
published and I sent it this guy and

650
00:45:17.280 --> 00:45:21.000
he was a designer, And the
designer came back to me and said,

651
00:45:21.519 --> 00:45:27.440
I've just found out that the image
of the spaceman running on the front of

652
00:45:27.480 --> 00:45:32.639
the original Have Spacesuit Will Travel has
just come into the public domain. Would

653
00:45:32.679 --> 00:45:36.320
you like it on the front of
your book? And I said, damn

654
00:45:36.480 --> 00:45:39.760
straight, I would like it on
the book. So that's like a link

655
00:45:39.880 --> 00:45:44.480
right back to the Golden age,
you know, having that image, and

656
00:45:44.480 --> 00:45:47.159
it's an image you'll instantly recognize if
you yes, with the rounded helmet,

657
00:45:47.280 --> 00:45:52.000
Yeah, that's right, and the
tanks and he's running like that, he's

658
00:45:52.079 --> 00:45:55.079
running. Yes, Oh wow,
that's awesome. Yeah. I don't even

659
00:45:55.159 --> 00:46:00.119
use that word awesome, so yeah, because it's everyone uses it, so

660
00:46:00.199 --> 00:46:05.880
I don't. Well, it's it's
it's gone into the background with placement words.

661
00:46:05.920 --> 00:46:08.920
Nowadays, if I sit in another
restaurant with somebody saying, like every

662
00:46:08.920 --> 00:46:14.719
four seconds, I'm going to thump
somebody out, yeah, thank you,

663
00:46:15.440 --> 00:46:19.440
I like don't like that either.
I like don't like it, like like

664
00:46:19.519 --> 00:46:22.119
you know, when you don't like
something. Yeah, I'm like that.

665
00:46:22.679 --> 00:46:27.480
Oh that's one of my pet peeves
too. I can't tell you how get

666
00:46:27.519 --> 00:46:30.800
a lot of that out here?
Oh yeah you do. Yeah, unbelievable.

667
00:46:30.800 --> 00:46:34.920
West Coast, I think is thinking
yeah, exactly and your choice and

668
00:46:35.000 --> 00:46:37.840
thoughts and yeah, I also am
a little bit annoyed, annoyed by the

669
00:46:37.840 --> 00:46:43.519
output inflection and everything. Doesn't that
drive you crazy? I don't know what

670
00:46:43.599 --> 00:46:45.880
you're talking about? No, do
you know what I'm saying? Though not

671
00:46:45.920 --> 00:46:50.960
really really, Like I'm seeing that
people go up at the end of everything,

672
00:46:51.000 --> 00:46:52.199
as if they're not quite sure it's
a statement, but think they want

673
00:46:52.199 --> 00:46:57.599
to make it a question like you
know, oh yeah, somebody is going

674
00:46:57.639 --> 00:47:00.920
to get their face filled. Oh
yeah, god, one of my pet

675
00:47:00.920 --> 00:47:05.000
peeks. That's like the Valley accent, rightly pretty much value. It is

676
00:47:05.039 --> 00:47:07.480
the value, I guess, and
it just drives. It's meaningless. It's

677
00:47:07.519 --> 00:47:14.440
just it might as well be like
saying that I'm stupid. Yeah, because

678
00:47:14.760 --> 00:47:19.960
you sounded I like how whenever anybody
does that accent too, you always have

679
00:47:19.960 --> 00:47:23.079
to put on a female voice.
You always just slightly shift into a field.

680
00:47:23.159 --> 00:47:30.440
Yeah that's true, that's true.
But have you ever been interviewed by

681
00:47:30.440 --> 00:47:32.360
somebody who was using or speaking that
way and it just distracts you to the

682
00:47:32.400 --> 00:47:35.840
point where you don't even realize what
they've been saying anymore if you get diferent

683
00:47:35.840 --> 00:47:37.880
answered the question, have you ever
had interviewers that it is so distracting with

684
00:47:37.920 --> 00:47:45.199
the way they speak. Yes,
yeah, I got interviewed by one guy

685
00:47:45.320 --> 00:47:47.199
who, after everything I said,
he'd go, oh, fair enough,

686
00:47:47.280 --> 00:47:52.119
fair enough anything. Can you think
of another thing to say when I've given

687
00:47:52.159 --> 00:47:55.239
you answer to your question? Yes, yeah, I know it's sort of

688
00:47:55.239 --> 00:48:00.360
a begrudging yeah, well that'll do
sort of yeah, yeah, fair enough

689
00:48:00.400 --> 00:48:05.360
boy, Yeah, that's what It's
really downputting, isn't it. Yeah?

690
00:48:05.480 --> 00:48:08.039
Fair enough? Are you sure?
Yeah? You know what. I'm gonna

691
00:48:08.039 --> 00:48:10.239
give you a minute, think about
it. Yeah, get back to me.

692
00:48:10.599 --> 00:48:19.800
Yeah, and then we can see, yeah, where people are just

693
00:48:20.000 --> 00:48:23.400
giving us the finger on mass or
what about my mother tox? Exactly like

694
00:48:23.480 --> 00:48:28.199
that. Yeah, and yeah,
we just last about a half our audience.

695
00:48:28.920 --> 00:48:30.159
Well, you know what. Fair
enough, fair enough, fair dudes,

696
00:48:30.159 --> 00:48:34.880
I don't want him anywhere. You
mentioned thumping people in a bar earlier,

697
00:48:34.880 --> 00:48:37.480
if they speak that way. If
you found any good pubs in the

698
00:48:37.519 --> 00:48:44.920
in the US, well no,
is the simple answer that because I don't

699
00:48:44.960 --> 00:48:50.519
particularly like pubs anyway. I like
a really classy bar. And whenever I

700
00:48:50.599 --> 00:48:53.519
go past the bar and there's no
seats at the bar, I always say

701
00:48:54.000 --> 00:48:57.519
what I put my head in and
I say, what a waste of a

702
00:48:57.559 --> 00:49:00.679
bar, and then I straight off
before they can get me. So I

703
00:49:00.760 --> 00:49:07.239
really like a classy lowlit joint,
but preferably playing you know, some Sinatra

704
00:49:07.840 --> 00:49:12.360
piano, nice wine and then and
that's the way I like to Chidren,

705
00:49:12.920 --> 00:49:16.760
that's I like that. I like
that. I can't There is a British

706
00:49:16.800 --> 00:49:22.760
pub in Santa Monica and there's one
thousand oaks, and it's one of thousand

707
00:49:22.800 --> 00:49:28.719
oaks. The one what I like
is next door to the British pub in

708
00:49:28.760 --> 00:49:35.280
Santa Monica, and it's on Santa
Monica Piano. No, not here the

709
00:49:35.320 --> 00:49:39.559
main Broadway boulevards, thank you.
The boulevard is not that and bad.

710
00:49:42.079 --> 00:49:45.719
They've they've got a shop to it
next all that sells English products that you

711
00:49:45.760 --> 00:49:49.519
can't get. But of course,
the one English product you can't get here

712
00:49:49.760 --> 00:49:52.440
is a beef extract called bovrel.
And even they're not allowed to import it

713
00:49:52.760 --> 00:49:57.639
because you can import beef products between
England and America. I don't know,

714
00:49:57.679 --> 00:50:01.000
but we did not know that.
It's true. Wow, So you're not

715
00:50:01.079 --> 00:50:06.960
even allowed to import a beef extract
spread. Oh wow, I didn't know

716
00:50:07.000 --> 00:50:12.679
that. Learned something new that mad. I think it was probably inspired by

717
00:50:12.840 --> 00:50:15.800
Yeah, when we had the mad
cow disease, what twenty eight years ago,

718
00:50:15.840 --> 00:50:17.960
whatever it was. It's what my
wife, she's British, she still

719
00:50:17.960 --> 00:50:21.280
not allowed to donate blood and a
strya because she was in the country at

720
00:50:21.280 --> 00:50:22.719
that point in time. Is that
right? Yeah? Yeah, I've heard

721
00:50:22.800 --> 00:50:29.000
that. Wow, it's extraordinary.
That's not fair. Getting back to Pirates

722
00:50:29.039 --> 00:50:31.719
though, Yes, has Jeffrey Rush
ever forgiven you for stealing his voice?

723
00:50:32.760 --> 00:50:37.360
I started it. I was first. I was first, and he turned

724
00:50:37.400 --> 00:50:39.599
to me and he said, God, damn it, that's the voice I

725
00:50:39.639 --> 00:50:45.840
was going to use. And so
we decided. I said to him,

726
00:50:45.480 --> 00:50:49.480
well, look, if anybody notices, we'll try not to speak next to

727
00:50:49.519 --> 00:50:51.800
each other. And I think there
was a time when we spoke and then

728
00:50:51.800 --> 00:50:53.079
they gave up and just said,
yeah, i've scenes together for fakes.

729
00:50:53.920 --> 00:50:57.800
But I said, I always say
my accent comes from the fact that my

730
00:50:57.880 --> 00:51:00.360
dad's Irish and mother from Bristol,
So you just say your dad's from Bristol

731
00:51:00.400 --> 00:51:04.440
and your mother from Ireland, and
it's a completely different accident, and that's

732
00:51:04.480 --> 00:51:09.079
what he tells people. You got
a down pat Yeah, very good.

733
00:51:09.360 --> 00:51:12.719
Well you also played Gibbs in the
games. Did you have to take a

734
00:51:12.719 --> 00:51:15.519
different approach to the character when you're
doing for video games because you didn't have

735
00:51:15.519 --> 00:51:16.840
actors that had sort of bounce off
or no. I'll tell you a funny

736
00:51:16.840 --> 00:51:21.519
story about that though, because the
first game came out and I had nothing

737
00:51:21.559 --> 00:51:23.719
to do with it, and I
thought even asked me to do the voice,

738
00:51:24.000 --> 00:51:27.159
and I was speaking to a friend
of mine who's a voice actor,

739
00:51:27.159 --> 00:51:29.679
And I said, do you know
do you know the name of the voice

740
00:51:29.679 --> 00:51:32.119
actor who's done mister Gibbs in the
game. He said, yeah, yeah,

741
00:51:32.519 --> 00:51:35.719
he's a friend of mine. I
said, have you got his number?

742
00:51:35.960 --> 00:51:37.320
I said yeah. I said,
will you dial it for me?

743
00:51:38.599 --> 00:51:42.639
And he died it. I got
the phone and I said, in my

744
00:51:42.719 --> 00:51:45.800
best Liam Nissen, I said,
if you do mister Gibbs again, I

745
00:51:45.920 --> 00:51:52.599
will find you and your family and
I will kill you all. Anyway,

746
00:51:52.800 --> 00:51:54.760
the next game. The next game, they've phoned me and asked me to

747
00:51:54.760 --> 00:52:01.159
do the voice. Oh that's good
stuff. Oh man, okay, so

748
00:52:01.199 --> 00:52:06.199
that's the key. Yeah. Violence
is always the key. Yes, yeah,

749
00:52:06.559 --> 00:52:09.679
violence and threats. They were threatening
to replace me eons ago for Winnie

750
00:52:09.719 --> 00:52:19.079
the Pooh and I said, no, I wish you would try, Thank

751
00:52:19.119 --> 00:52:20.599
you. I was, I was
going to ask you to do that.

752
00:52:20.760 --> 00:52:27.920
It's not going to be pretty if
you've never been bounced like you're getting ready

753
00:52:27.960 --> 00:52:32.280
to be bounced. Don't make me
light my butt. Wait, that's Ray

754
00:52:32.320 --> 00:52:40.119
from Princess and yeah, right,
fantastic. Well something that used to get

755
00:52:40.119 --> 00:52:45.400
me kicked out of class? Was
it crazy? Crazy? Crazy? Yeah?

756
00:52:45.480 --> 00:52:49.760
I mean, just for the record, I had a teacher throw me

757
00:52:49.800 --> 00:52:53.360
up against the locker and because I
was in speech tournaments and I would do

758
00:52:53.480 --> 00:52:59.519
pretty well. Yeah, you know
and uh a teacher who used to date

759
00:52:59.519 --> 00:53:02.519
a cousin. Mind so they lived
across the streets, so she you know,

760
00:53:02.760 --> 00:53:07.599
I knew him from his relationship with
her. And I'm sure I was

761
00:53:07.639 --> 00:53:10.239
annoying as a seven year old,
and there I was as a fifteen year

762
00:53:10.239 --> 00:53:14.320
old, and he goes, let
me tell you something. Comings you're going

763
00:53:14.400 --> 00:53:17.000
to work in the steel mail for
sixty five years, then you're going to

764
00:53:17.079 --> 00:53:22.239
retire and lose money on the Cleveland
Browns and the Pittsburgh Steelers. Okay,

765
00:53:22.480 --> 00:53:25.360
so I got you, you and
your little voices. He can get out

766
00:53:25.360 --> 00:53:30.480
of here. So I sort of
ended up giving him the finger in a

767
00:53:30.559 --> 00:53:36.360
spiritual and mental way. They said
so similar amount. I had this digit

768
00:53:36.440 --> 00:53:40.400
biology teacher. Yeah, and don't
you find that that people down playing you

769
00:53:40.480 --> 00:53:44.280
telling you to shut up and sit
in the corner. Oh, you're going

770
00:53:44.360 --> 00:53:46.639
to pay for that. We're going
to brag. You know me, I'm

771
00:53:46.639 --> 00:53:51.480
a bit of a chatterboo because you
may notice us check And I remember once

772
00:53:51.519 --> 00:53:57.079
you said to me McNally. McNally, you're never going to amount to anything,

773
00:53:57.480 --> 00:54:02.440
now, shut up. And I
remember thinking, yeah, yeah,

774
00:54:02.599 --> 00:54:07.599
see that that amounts to inspiration.
Absolutely, I didn't respond to you know

775
00:54:07.679 --> 00:54:14.840
what if you put your head into
it, if you put your shoulder to

776
00:54:15.000 --> 00:54:20.400
the wheel, your nostril on the
grindstone or whatever, all those cliches,

777
00:54:20.599 --> 00:54:23.280
and like, no, I'll just
have a sore nose. Yeah that's all.

778
00:54:23.559 --> 00:54:29.920
Yeah. Yeah's blood everywhere? Yeah, the blood exactly right. Yeah,

779
00:54:30.039 --> 00:54:32.599
so yeah, yeah, well you
know, revenge is supposedly the best.

780
00:54:32.960 --> 00:54:37.719
Yeah, it's the best. Best
revenge is the best success of the

781
00:54:37.719 --> 00:54:42.199
best revenge? Yeah? Absolutely?
Is that what happened to you? Brenda

782
00:54:42.280 --> 00:54:45.639
always? But I'm actually sitting here, you poob be follen, I'm thinking,

783
00:54:45.679 --> 00:54:47.480
what would a conversation between Gibbs and
Pooh sound like? That's I was

784
00:54:47.519 --> 00:54:52.159
trying to vision in my head.
Right now, we can find out.

785
00:54:52.400 --> 00:54:57.199
Do you have a smackle of honey
about you? We don't tend to keep

786
00:54:57.239 --> 00:55:00.440
honey on the ship, mister Pooh, But if you behave of yourself,

787
00:55:00.480 --> 00:55:04.239
I might let you have a mackerel. Later, a smackerel, you'll get

788
00:55:04.239 --> 00:55:06.679
a smack. Get rude to me? Again, mister pooh, now get

789
00:55:06.719 --> 00:55:13.039
back to scrubbing that deck. Ay, ay, sir, he's a good

790
00:55:13.119 --> 00:55:20.440
lad Winnie. We could really take
that down into a terrible, terrible place.

791
00:55:20.760 --> 00:55:22.840
We really could. Yeah. I
was about to go there, but

792
00:55:22.000 --> 00:55:28.800
yeah, no terrible to you later
in me? Can yeah? All right?

793
00:55:29.039 --> 00:55:32.440
Can everybody right? That's it?
All right? Oh? Good stuff?

794
00:55:34.639 --> 00:55:37.000
Sort of. We on this podcast
we usually do a voice swap since

795
00:55:37.039 --> 00:55:40.639
we kind of just just did it
here, And how it works is Jim

796
00:55:40.639 --> 00:55:45.000
will do a voice or a line
of one of his characters, and then

797
00:55:45.000 --> 00:55:47.639
would you mind doing that same line
as mister Gibbs of course, and then

798
00:55:47.679 --> 00:55:51.519
we can do vice versa. Yes, I think we should start with dark

799
00:55:51.519 --> 00:55:53.360
Wing. What do you think about
that? Okay, sure, dark Wing

800
00:55:53.480 --> 00:55:57.880
duck You might know him, you
might not, but he is yeah,

801
00:55:57.920 --> 00:56:00.159
he's uh, he's coming back.
So I hope I didn't let the cat

802
00:56:00.159 --> 00:56:06.199
out of the bag too late.
Anyway. I am the terror that flaps

803
00:56:06.239 --> 00:56:10.039
in the night. I am the
terror that flaps in the night. Wow.

804
00:56:10.559 --> 00:56:14.199
Yes, okay, So I will
do one now for you, and

805
00:56:14.199 --> 00:56:16.119
you've got to do it as a
duck wing. Yeah, dark Wing or

806
00:56:16.360 --> 00:56:21.079
dark Wing Okay, dark Wing.
It is. It's my favorite line.

807
00:56:21.360 --> 00:56:25.079
Slap me thrice and hand me to
me mama. It's jack. Slap me

808
00:56:25.239 --> 00:56:30.920
thrice and hand me to my mama. It's quack jack. Sorry, sorry,

809
00:56:32.239 --> 00:56:37.519
excellence. That's good stuff. Yeah
great, oh man, who has

810
00:56:37.559 --> 00:56:38.840
more fun than us? Yeah?
And we get paid for this, by

811
00:56:38.840 --> 00:56:45.440
the way, Yeah no we don't
really, but but man, this is

812
00:56:45.440 --> 00:56:46.760
the stuff that used to get you
kick out of class too, right Oh

813
00:56:46.840 --> 00:56:52.119
yeah, yeah, absolutely, absolutely, to make people laugh. Yeah,

814
00:56:52.239 --> 00:56:55.880
life is good. Yeah, the
pearls of my jacket were always the first

815
00:56:55.880 --> 00:57:00.719
to go get out there. Now. Oh yeah, that's true. Now

816
00:57:00.760 --> 00:57:04.559
you you had uniforms and all that. Yeah, yeah, yeah. I

817
00:57:04.639 --> 00:57:07.480
went to what we call a grammar
school, so it was old boys and

818
00:57:07.519 --> 00:57:13.079
we were all in uniform and it
was pretty rotten place to be really yeah

819
00:57:13.159 --> 00:57:16.440
yeah yeah, especially without girls,
especially without girls. Yeah that didn't help.

820
00:57:16.800 --> 00:57:20.800
Yeah. Oh man, I went
to one of those in fifth and

821
00:57:20.840 --> 00:57:22.360
sixth grade, and I actually really
liked the fact that there were no girls.

822
00:57:22.400 --> 00:57:25.320
So really it was like, you're
young, you know, it's like

823
00:57:25.360 --> 00:57:28.880
a distraction. Yeah, you know, we could all rough house with each

824
00:57:28.920 --> 00:57:31.199
other. It's just later on you
think, actually we were all the girls

825
00:57:31.239 --> 00:57:35.239
you know, yeah later on,
Yeah, by eighth grade, you go,

826
00:57:35.360 --> 00:57:38.400
you know, yeah, exactly,
we could do with a girl or

827
00:57:38.440 --> 00:57:42.719
too in this class. I didn't
mean that to sound like Christopher Walker.

828
00:57:42.880 --> 00:57:47.199
You know, you have got to
understand what I'm saying to you, and

829
00:57:47.280 --> 00:57:55.639
it's not misogynistic. Oh so,
so what do we think are we?

830
00:57:55.880 --> 00:58:01.639
What's happening in Brandon? I think
I think we're pretty good Supernatural just later,

831
00:58:01.800 --> 00:58:05.320
yeah, but a bit bit bit
supernatural. Yeah. I was thinking,

832
00:58:05.440 --> 00:58:09.119
well, I'd heard that the boys
were big pranksters, and so I

833
00:58:09.159 --> 00:58:13.639
thought i'd get in first. And
I had a scene early on where one

834
00:58:13.639 --> 00:58:16.880
of the boys was up in this
you know crane off the top of a

835
00:58:17.320 --> 00:58:20.480
off the top of a van,
quite a small van, quite a big

836
00:58:20.920 --> 00:58:22.599
crane, and he was up there
and he's not very good with heights,

837
00:58:22.800 --> 00:58:27.440
so I just took to booting the
side of the car so he would wobble

838
00:58:27.519 --> 00:58:30.360
up there and he'd be going,
please stop. I'm saying, okay,

839
00:58:30.400 --> 00:58:34.400
but no pranks from you guys,
or this is going over. So I

840
00:58:34.400 --> 00:58:37.880
thought i'd get in there first with
them. But lovely guys, lovely guys.

841
00:58:37.920 --> 00:58:39.039
That was on Supernatural. Yeah,
yeah, And that was shot in

842
00:58:39.119 --> 00:58:44.079
Vancouver, right, Yes, it
was in Vancouver. Yeah, yeah,

843
00:58:44.239 --> 00:58:46.480
Yeah, It's got a lot of
terrain around that can be any part of

844
00:58:46.480 --> 00:58:51.159
the States, so it's a really
good place. Yeah, tons up there.

845
00:58:51.400 --> 00:58:54.280
I actually heard a story. I
worked on the crew of Arrow actually

846
00:58:54.840 --> 00:58:58.920
shot up in Vancouver, and I
heard a story that for pirates of the

847
00:58:58.960 --> 00:59:01.360
Caribbean, they have the BC Ferries, Right, are you familiar with those,

848
00:59:01.400 --> 00:59:05.840
the big fairies that shuttle you between
all the islands and the Pacific Northwest,

849
00:59:06.440 --> 00:59:09.440
And they had one that was out
of commission. So the production bought

850
00:59:09.519 --> 00:59:13.679
that ship and then they were converting
it and they spent something like five or

851
00:59:13.760 --> 00:59:17.000
six million dollars converting into a pirate
ship up there in Horseshoe Bay, And

852
00:59:17.039 --> 00:59:21.199
then they were going to do some
reshoots on it, decided to not even

853
00:59:21.280 --> 00:59:24.679
use it and just scrapped it was
And then it was really weird because on

854
00:59:24.760 --> 00:59:30.280
those reshoots they then just built the
deck on land and we did it that

855
00:59:30.320 --> 00:59:34.800
way. Interesting. Yeah, interesting, I'd heard that story before. But

856
00:59:35.719 --> 00:59:37.679
what a waste. I mean,
it blew my mind that you could go

857
00:59:37.760 --> 00:59:42.679
through with that much time and effort. And yeah, it was built,

858
00:59:42.760 --> 00:59:46.360
sat for two weeks and struck all
within five weeks. They just incredible.

859
00:59:46.440 --> 00:59:51.239
But you know, probably for a
good reason. I don't know, safety,

860
00:59:51.239 --> 00:59:54.519
maybe even I don't know. Yeah, it wasn't for money, No,

861
00:59:55.920 --> 00:59:58.719
who knows. It could have been
a tax right off. You see

862
00:59:58.719 --> 01:00:02.760
how these days they're little writing off
the entire movies. Entire moviesdays, you

863
01:00:04.159 --> 01:00:07.159
know. Yeah, speaking of Looney
Tunes, they just scrapped the Wiley Coyote.

864
01:00:07.199 --> 01:00:14.000
There was a Wily Coyote live live
action movie that guy in the works,

865
01:00:14.000 --> 01:00:15.920
and they just completely scrapped the entire
movie. Oh no, I'm sorry

866
01:00:15.960 --> 01:00:19.400
to hear that. I know.
It's wild to me. I was looking

867
01:00:19.400 --> 01:00:22.519
forward to that. Yeah, me
too. I would have been had I

868
01:00:22.559 --> 01:00:25.880
heard of it. Yeah, now
I miss it. Yeah. Oh well

869
01:00:27.320 --> 01:00:30.280
yeah, do we get to shake
hands on camera at the end. I

870
01:00:30.320 --> 01:00:34.000
think we do. Well. Thank
you so much, God speed and thank

871
01:00:34.039 --> 01:00:37.280
you, Jim. Thanks so it's
amazing. Kevin McNally, everybody, thanks

872
01:00:37.280 --> 01:00:43.480
guys, you love guys. Thank
you very much. Do y'all give him

873
01:00:43.519 --> 01:00:47.639
the clap. It's been done,
all right, Thank you everybody for watching.

874
01:00:47.679 --> 01:00:51.159
That was another episode of Tuned In
with Jim Cummings. Today we had

875
01:00:51.239 --> 01:00:53.679
Kevin McNally Thank you so much for
joining us. Please don't forget to follow

876
01:00:53.719 --> 01:00:59.280
us on all social media and you
can get bonus content by twosome and you

877
01:00:59.320 --> 01:01:02.519
can get bonus content by subscribing to
us on Patreon. Please drop a like

878
01:01:02.599 --> 01:01:05.920
and a subscribe and we'll see you
in the next one. Thank you very

879
01:01:06.000 --> 01:01:10.599
much. Excellent work, excellent work. Notice how he didn't stop and go

880
01:01:10.639 --> 01:01:14.559
back to the start. He just
kept powering through because I know I took

881
01:01:14.599 --> 01:01:17.000
that advice right there, he's lessens. Yeah, yeah, that's right.

