WEBVTT

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How well you are looking to remain
simultary today we are going to talk about

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dunes two and popular color, among
other things. And so, thanks to

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all those who are joining, to
all who are going to join. Thank

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you very much and we begin.
You' re hearing involuntary permanence with Fausto

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ponce. Thank you for being here, thank you for joining us, thank

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you very much to the people who
are watching us on YouTube, on Facebook.

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I tried Instagram, but I didn' t make it. If you

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want to support the program. On
Facebook we have the star system and on

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YouTube we have the sticker system and
you already know them guys. Well,

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a couple of days ago, the
whole cast of about two came in.

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You were there, Carlos Andrés Mendiola. You were in D about two with

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all the cast is correct. You
know how one is. Then I went

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there with Shalamert' s good kime, with Zendaya, with Auskin Butler,

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who was also out there Florence Buke, Josh Broling and director Dannid Lennet.

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This premiere was in the National Auditorium. It was a premiere and a fan

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event that was, because the truth
is that quite well organized by Warner'

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s people, to whom I very
much thank the invitation. And well,

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we were there for a while in
the beginning, because waiting for the talent

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to arrive, they arranged very nice
so that they could do like this tour

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for the people who were waiting for
them. Outside the national auditorium. They

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were, you know, answering some
questions there, as part of the carpet

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they were signing autographs taking pictures.
The truth is that all very friendly,

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very accessible doing all this tour which, then, also takes a little while

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so that later, then, we
could see the film in the national auditorium,

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which then looks. The truth is, there wasn' t everything I

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could see before a movie in the
national auditorium. And then there' s

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not something we can compare in terms
of having, because that pantalota there in

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the national auditorium, with that sound
and everything else, and besides they were

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passed to us by the complete film. I had my doubts. I said

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to see if we don' t
play like Barbie and we got the first

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act. And so it was.
Thank you very much. They already have

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the approach. Go home go home, make a video and bring us exact,

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exact, exact people because, besides, I say the bar that was

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very nice too, but it was
in a square. It was in bullfighting

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square and that kind of made it
a lot more difficult to have this closeness

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with the actors. No and here
yes, you could really have them a

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little closer They, besides, because
they came as the best plan to be

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accessible, to live together. And, well, elsewhere, then it was

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very much enjoyed the event and then
we got the movie. So Jan the

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Billfause, as you asked me to, Fause, I followed your directions.

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Yeah, well, how' s
it looking is better, because Dennis Denni

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villen nev said it gives you the
best, that the best that if you

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see you liked the one uff You' re going to love. Yeah,

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well, he has to say that, because it' s his movie.

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Of course it' s good.
I liked it. I liked the first

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part. This part I like is
also very vilenet tennis, that is,

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if you know your previous cinema.
Well, they have these characteristics that we

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already know him, that we saw
him in dune where, because he presents

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us this great epic. Let us
remember that he is making this adaptation of

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the science fiction novel, of this
classic by Frank Herbert, which we already

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had a version before, with Sting, with Stink, exactly, which is

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a version as well as a bit
controversial that I remember seeing many years ago.

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Well, not so many, because
here we are very young, but

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some and in this good version,
we divided the film into two parts.

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Then they will agree that in part
one, because it is only in this

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approach of the central character, who
is Paula Travis, whose father they murder.

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And well, now he' s
fallen a bit of fortune and will

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be seeking revenge from those who killed
his father. So, in part one

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we stay only basically in that approach
and we know a little bit about these

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political issues in this story, because
now it does conclude. It does not

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conclude what they put forward lasts two
hours, with forty- six minutes.

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I didn' t feel that long, because, besides, let me tell

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you about the Rock carpet event,
it started around 6: 00. The

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actors came to us around ten o' clock or about seven o' clock,

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and the film started around eight and
a half forty o' clock,

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that is, we went out almost
like a semicient in the auditorium. The

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truth, yes, imagine, the
truth is that I was not weighed,

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because, then, to be such
a long movie already at night, it

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could be a bit complicated. But
it doesn' t have all these Dandy

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Lenneb virtues if it' s not
movies with the fastest pace, maybe as

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we' re used to in other
movies. But it seems to me that

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quickly the film takes you doesn'
t do in a couple of minutes a

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quick recount of what had happened,
in case we already forgot a little bit

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or in case someone hasn' t
seen the film. And in the exact

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chapter above, he almost had a
voice- over that we already discovered.

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What' s the character that'
s telling us this story. And so

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he puts us back in the action
and we go looking at the character of

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Kimo, of Shalamet, for how, as it goes this is a journey

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of the herr, how it is
prepared, how it is demonstrating its value.

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Besides, all these elements around the
character, whether it' s the

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one chosen, whether it' s
going to fulfill a legend, or that

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there' s all around it.
And they are also raising these political aspects

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that have to do with these different
realms that are in a certain way fighting

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for power, and they are introducing
us also to the new characters, because

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these characters, for example, of
Florence Spoke, because he is a character

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that we did not know before,
is a princess, also the character of

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Bustin Butler, this actor whom we
saw in elvis just that he was nominated

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for the Oscar Prize for him,
for her, for this film and that

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here he is the antagonist. Let' s just say he' s a

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character, because he' s a
bit psychotic and he looks really good on

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Austin Butler. And well, until
obviously there will be this confrontation. It

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' s a very beautiful movie,
watching or. We know therefore the aesthetic

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proposal that Danny Villenet constantly makes his
films Blade Ronner two thousand forty- nine,

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for example, the arrival of Duna
herself these very beautiful films to see

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well, because all that is present
here. It has a beautiful photograph,

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very good sound design. The truth
is, if I have to criticize him

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in the movie. It probably has
to do a little bit with this duration

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that I' m saying isn'
t that it' s getting in my

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way, but I do think we
could have cut it a little bit at

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some point. We could have cut
a little bit. Well, that'

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s fine. What a number you
give him of womel record ay Mira.

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I think I' d give him
a nine. I really liked the movie.

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Hey, I say one thing and
better than the one before. I

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would say yes, because besides,
the previous one, because it stays half

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and is. We could, yeah, it looks like a movie. It

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' s part of this story,
obviously, but it feels more like a

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complete story. We don' t
really see the character coming from one point

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to another and no longer leave us
with any doubt. Also something that I

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think I don' t know how
much it has to do with the novel,

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because I owe you the reading of
that novel Crisis is not expert on

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that subject. Suddenly, there are
some facts that seem to me to feel

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a little bit more like they are
really predestined and not as much as the

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characters are making them happen you know
then, no, no, no,

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I think that also takes a little
while, but Wow is a very good

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movie. I would venture to say
that, as already, we have the

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first failure of the year, which
is Argil, probably part two. It

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' s going to be the first
one, because it' s a whiff

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of the year. Let' s
see, let' s see. No,

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I' m not a monsieur,
but I' d think so.

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Okay, well, let' s
see what he' s like, because

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I don' t know what to
see, I have to see the first

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one. I think, but you
haven' t even seen the first fausa.

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I didn' t feel like it. The truth ay faus What'

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s going on with you. You
owe us the moon killers already. Now

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you owe us a share. It' s not like I' m waiting,

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it' s possible, but I
can jump at that one. The

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moon s u s s ns moon
by this what it is called by rigor.

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Let' s say, no,
but this one does. No.

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Or I' d think so.
Pauz, I would think that I already

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know that I recommended you Orion and
the darkness so that you can see her

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with Gabriel is hard, that hard
hour and a half, but yes.

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I don' t think if you
liked other Danny villenet Blade Rone movies,

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I didn' t like it,
but I don' t remember someone else

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having to watch it safe and another
one right now. I' m not

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remembering. But the arrival with Danny
Adams. That one I don' t

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remember. Ricardo Reyes says I really
like his films, but for me,

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if Cario is his best movie,
no, I' m another good movie

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of him, because I don'
t know, right now. I'

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ll remember something, something else about
the but Bonobledro. I didn' t

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like it. It' s not
that bad. It' s pretty good.

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Actually, I really liked it.
Well, all right, then.

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Then again forgiveness, the rating of
about two which we gave him a nine.

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It' s still pretty good.
Okay, yeah, I' m

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doing fine. Paco, let'
s stay here at once, but to

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talk about the next, that purple
color with paco marín. How are you,

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Paco, Paco, you' re
there, Paco, you hear us,

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you don' t feel, no, no, no soy, Paco,

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what' s going on? Paco, no, you hear us no,

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no, I' m not Paco. Your Internet is very bad.

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I' m writing on the plating. I see it as if he wants

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to talk to us, like he
wants to cheer himself up. You can

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' t hear anything. If we
don' t listen to him, give

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us a hand to Paco to cheer
him up, because let us tell him

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that Le Chiflen Fermito is a little
chipi, but sure, Ahorita is encouraged

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to his Internet and also straw,
because they say that when the cast comes

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the film is not going to be
there already, they say, but they

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say, because Mira happened to Barbey
and yes it did, well, yes,

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that' s true. You'
re right, Paco, you'

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re already here, you hear us, no, Paco, you' re

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really hot. Your Internet isn'
t gonna make it. How are you,

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gres Broa, how are you Greetings
Andrés Broa, vivita Thank you a

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greeting we have an honor, a
greeting says the first one is good.

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Faus Thank you, thank you,
Davia, very well, no, Paco,

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he' s not coming. Paco, he' s not here,

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Paco, he' s gone,
but there he is, he' s

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back. I saw it I heard
a little sound Paco' s back.

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How you' re going to see
Paco already you hear us, yes,

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you hear them now it' s
going very well, all right, how

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you' re hearing we' re
going to talk about the purple color.

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It' s already back there,
paco, paco, terme, your Internet

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is already here What do we do? You' re going to have to

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reconnect or turn off your compa and
turn it on again. It' s

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not your Internet, it paid,
it' s the Internet of Paco I

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want you to tell us about this
musical version of the purple color. Faust

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Yes, hey, but good south, the pop Internet is very bad going

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and coming to the truth. Let
him write it down, I' ll

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write it down, and let'
s go check it out. Wait for

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me to restart my Internet. It
paid very well, little, very well

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for Paco, as Andrés Andrew Broa
Oya Talentium says, but we hope that

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He will reboot it just as Crisis
eighty- five is recommending us, since

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he can already enter and tell us
of the color purpurate this musical version.

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Hey and the lola how about you
saw her in Bigs with Barbara rule,

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yeah, I saw Faus, because
I know you had that debt to Pouse,

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then I had fun with Faus.
I have to say it' s

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not. It' s not the
big barbarian series. Don' t clan

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me, please, this one I
know you' re defending your show and

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you' re doing great on it. Notice that I learned in principle that

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this series is an adaptation of an
Argentine soap opera of two thousand seventeen.

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Okay And here well, now the
approach, we already practiced it a little

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bit last week. Lalo is a
boy, who is a womanizer to whom

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a woman who is, then,
very upset because she was playing with him.

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With it forgiveness comes to a witch
called Circe, which is interpreted by

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simple click that is very nice,
like yes, and because they make there

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a haunt to the halo in such
a way that the next day wakes up

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and now is in the body of
a woman and is parrot. And then,

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then, let' s go see
in these we have nine episodes Ahorita,

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where, then, the lola has
to learn to meet in this woman

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' s body. In fact,
that' s the whole point. Let

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' s say of this spell because
it just breaks, it feels completely outraged

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that it does not understand women and
does not value them. No. The

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truth is that Barbara is, she' s funny, that' s what

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she was telling you and what I' ve seen she' s mentioning in

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the interviews, because it' s
very true. I think the series works

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a lot because she dares and then
we see her, walking like more like

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a man, scratching parts she didn' t drink from the body. All

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00:15:39.240 --> 00:15:45.799
this, then, if not having
like all this, this use of nonverbal

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language, which is like more masculine, and that is nice, the truth

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is that, because it is not
like the great series. I don'

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t mean yes, it has this
agenda, but it' s very light

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00:16:00.440 --> 00:16:06.440
in terms of the proposal they want
to make about talking about women, how

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they don' t necessarily get their
place. It is understood by everything that

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happens, by everything that happens.
We see, for example, this question

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of how to Lola, because now
she is a woman, because she puts

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00:16:18.320 --> 00:16:21.600
her on the ground in half.
That' s not just why I'

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00:16:21.600 --> 00:16:25.559
m gacho. Yeah, he'
s so far- fetched, but good.

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00:16:25.679 --> 00:16:29.679
Obviously, they want to make all
these things visible that I think is

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00:16:29.679 --> 00:16:33.559
father. The series, in fact, doesn' t go that far.

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I mean, in the end,
it' s a comedy It' s

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00:16:37.840 --> 00:16:42.120
got an interesting cast. Alexis Ayala
is around, Gonzalo García Vivanco is there.

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00:16:42.360 --> 00:16:51.759
I already mentioned Cynthia Clitbo. Alejandro
de la Madrid is also out there

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00:16:51.840 --> 00:16:55.240
and Mira. I mean, it' s not the big show. Don

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00:16:55.279 --> 00:16:59.159
' t claim me, Barbara.
Please, Barbara' s doing well,

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00:16:59.480 --> 00:17:06.119
but I also have to say that
she looks angry careful. That' s

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how he' s gonna get mad, but don' t get mad This

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00:17:07.200 --> 00:17:10.319
is advice. It' s for
your own good. I recognize that you

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' ve done your job and that
you' re a committed actress, that

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00:17:14.839 --> 00:17:21.079
you make differences in your characters as
a silent pact, but a few acting

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00:17:21.200 --> 00:17:25.319
classes wouldn' t hurt because they
would help your work look better. Barda

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00:17:25.599 --> 00:17:32.759
is for your sake, Barbara,
we value you, you do it like

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00:17:32.799 --> 00:17:34.240
that she doesn' t care anymore. After already if you don' t

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00:17:34.279 --> 00:17:38.000
see your radar I don' t
care about you I mean, if as

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long as they don' t see
us, I won' t say anything,

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but if not later you see that
I already saw Barbara doesn' t

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stay quiet at all. Claim.
Okay, Barbara, and by the way,

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I have a claim. It'
s not for Barbara, it'

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00:17:52.960 --> 00:17:56.359
s for Vixplos, the very bad
that you never tell us that this is

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00:17:56.359 --> 00:18:00.079
a season one, that is to
say Vixplost It throws the episodes as you

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00:18:00.079 --> 00:18:06.680
remember the golden rooster. Oh yes, and then such was season one.

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00:18:07.400 --> 00:18:12.799
Horror, very bad, that'
s seen how weird mix plus well,

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00:18:12.799 --> 00:18:15.079
he' s already with us,
Paco Marín, how you' re doing.

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00:18:15.119 --> 00:18:18.519
If I' m not that,
yes, it was now. Thank

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00:18:18.599 --> 00:18:22.400
you all very much. Well,
perfect, perfect, the purple color,

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00:18:22.480 --> 00:18:26.519
I pay just like another remake out
there how you saw it, how you

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felt, you liked how cool it
was. Yes, well, this one

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is, that is, after the
film that is Spieelberg, which, because

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it is really a classic as such, because it was made a musical adaptation

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on Broadway, which is the one
that brought Ahorita to the big screen that

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00:18:42.200 --> 00:18:48.920
produces it opra and because it has
a great production behind the story, because

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they already know it or if not, because I tell them quickly that it

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is precisely of this woman Celli,
who, since in Chica is with her

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sister and lives an atmosphere, because
it is full of many abuses in all

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sense and are separated afterwards because,
because the father of them sells it to

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cell so to say, so to
say and commands it with a man who,

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too, obviously, is going to
abuse it at all times. And

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so, let' s see how, after other racial problems in the United

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States, because, obviously, it
is a film, because, with African

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- American protagonists in the whole sense
of the word, as it is a

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question, a story, because from
a perspective, yes, African- American

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in every sense, and of that
it will go a little bit that we

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will see Seli' s life,
because for decades and in this search for

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her sister and to meet also her
as a woman and as a human being.

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Here the film, because it has
original musical numbers on the part of

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the film and also that it'
s taking the musical and I think it

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' s really not a movie that
looks pretty. It' s a film

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that meets, but it does not
meet because it really does well, it

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' s a story that we already
know serves, it' s a very

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00:20:18.240 --> 00:20:22.599
good story. So it' s
hard to ruin a good story. Whatever

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00:20:22.720 --> 00:20:26.440
you do not if you already have
as your basis a story that is good

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and remarkable, because you are really
going to be easy, it is going

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00:20:30.519 --> 00:20:33.720
to be difficult to ruin it.
And here, you really don' t

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00:20:33.799 --> 00:20:36.799
do a bad job. But since
a musical is short as a dramatic film

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it also falls short as it never
finds the tone, neither the film nor

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the actors in general. I think
almost none of them are in tune,

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00:20:48.359 --> 00:20:52.319
except for Daniel Brous, who is
wonderful. She really does very well.

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I really liked it. It'
s not a surprise, because since Rongis

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00:20:57.799 --> 00:21:03.039
of New Black is the enchanted woman
and I think she' s an actress

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00:21:03.480 --> 00:21:07.480
who has a lot of potential and
here not only as a character who has

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00:21:07.519 --> 00:21:11.559
comic relief, but she' s
also a character who has a very strong

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00:21:11.599 --> 00:21:18.240
emotional potential and who is the one
who really takes, as the palms and

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00:21:18.240 --> 00:21:22.240
tears. I think of the film, unlike the fantasy that it would have

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00:21:22.279 --> 00:21:26.240
to be her who took the baton
because, since she is Seli the protagonist.

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00:21:29.559 --> 00:21:32.640
But I think that, although he
sings very well and that we have

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00:21:32.720 --> 00:21:37.480
seen him have some good roles as
an actress, here, because he does

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00:21:37.559 --> 00:21:42.839
not give the width of the role
or simply did not connect with him and

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00:21:45.839 --> 00:21:48.720
feels very, very without emotion his
participation, in fact, his musical number,

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00:21:51.839 --> 00:21:56.039
because only that it already arrives for
the end part, that it would

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00:21:56.119 --> 00:21:59.799
have to be like the one that
just impactes the spectator, because it does

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00:21:59.799 --> 00:22:03.359
not sell us. The movie.
It stays very, very, very,

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00:22:03.519 --> 00:22:07.279
very, very hollow. The song
is amazing, it sounds great, because

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00:22:07.319 --> 00:22:11.160
she sings very well, but there
is no emotion. I mean, it

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00:22:11.240 --> 00:22:18.440
' s not like we compare it
to different musicals in which, because the

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00:22:18.039 --> 00:22:23.720
emotion we know they print on the
song is what really gives the meaning and

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00:22:23.759 --> 00:22:30.079
the emotion here is not really achieved
from there on out. It' s

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00:22:30.160 --> 00:22:36.400
a movie that, because it does
look nice Sometimes they don' t really

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00:22:36.480 --> 00:22:41.240
know how to fit in. Music
numbers have many shortcomings in how to film

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00:22:41.319 --> 00:22:45.160
a musical, because it has its
joke. It' s not just cut.

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00:22:45.240 --> 00:22:48.519
Cut cut as they usually think and
record. Suddenly a lot of musicals.

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00:22:48.799 --> 00:22:52.839
It' s all about how actions
are followed and who we' re

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00:22:52.839 --> 00:22:56.279
being executed to. And, well, there' s not much sense here

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00:22:56.279 --> 00:23:00.480
about that. And that also,
of course, makes musical numbers here feel

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00:23:00.480 --> 00:23:07.359
very, very run over. As
for the story, not because we'

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00:23:07.359 --> 00:23:15.440
re going to see how they leave
the story as very disconnected I say if

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00:23:15.480 --> 00:23:21.480
you' ve already seen the film
or read the book or so, because

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00:23:21.480 --> 00:23:25.720
you know what it' s about
not, but if you don' t

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00:23:25.720 --> 00:23:30.240
know anything previous, they' re
going to be, like suddenly, very

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00:23:30.240 --> 00:23:32.519
intense cuts of information that feel very
biased. Then I think there' s

307
00:23:32.519 --> 00:23:37.359
the movie. He did miss his
setup. He missed a bit finding out

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00:23:37.440 --> 00:23:42.319
how they were going to tell and
adapt this musical version to the cinema,

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00:23:42.640 --> 00:23:47.000
but well, he has his successes. The truth is, you don'

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00:23:47.079 --> 00:23:49.160
t have a hard time like I
said. It' s a story that

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00:23:49.240 --> 00:23:53.599
' s already drawn, so it' s somehow guaranteed so long as this

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00:23:53.599 --> 00:23:56.759
isn' t going to fail.
And well, not Daniel Mook is worth

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00:23:56.839 --> 00:24:03.359
the time she leaves. I also
brought Pijan pie Henson. He' s

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00:24:03.480 --> 00:24:06.839
doing pretty good. She' s
doing great. I like her role as

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00:24:06.880 --> 00:24:11.279
an actress I didn' t get
used to the great actress, but I

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00:24:11.279 --> 00:24:12.880
have to admit that in this role
she does very well. I feel like

317
00:24:12.960 --> 00:24:17.000
I' m gonna be better off
with the old version, not Spielberg'

318
00:24:17.000 --> 00:24:18.440
s. Yes, of course I
do. I think that, I mean,

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00:24:18.880 --> 00:24:25.799
there' s no way that I
don' t even like comparing it,

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00:24:26.319 --> 00:24:33.200
but I really do think this film
will be a musical that, well,

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00:24:33.599 --> 00:24:37.559
it only looked like it benefited because
it' s a known story,

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00:24:37.880 --> 00:24:41.400
because, because it has opra behind
it in another way, I think it

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00:24:41.519 --> 00:24:47.160
wouldn' t have lifted so much
flight or I' ve given so much

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00:24:47.200 --> 00:24:47.480
of what to give, because it
really doesn' t lend itself to the

325
00:24:47.480 --> 00:24:52.119
same thing. Okay, well,
I don' t know. All right,

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00:24:52.640 --> 00:24:55.039
I thought so. Spielberg' s
is a very good movie. It

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00:24:55.079 --> 00:24:59.160
hurts me to watch the Speelberg movie
and I kind of don' t know

328
00:24:59.160 --> 00:25:00.039
yes, it' s yes,
you. I think it' s a

329
00:25:00.079 --> 00:25:03.680
very strong story, I mean,
it' s really a very painful story

330
00:25:03.759 --> 00:25:07.680
and very very very much just me. But it' s also like a

331
00:25:07.680 --> 00:25:11.480
very empowering story and, in other
words, it has a lot of moments,

332
00:25:11.880 --> 00:25:15.200
no, but, at the end
of the day, it' s

333
00:25:15.200 --> 00:25:17.319
a pretty intense, very intense story. Well, there it is in purple

334
00:25:17.359 --> 00:25:22.279
and about two boys. I'
m gonna say goodbye to you guys,

335
00:25:22.559 --> 00:25:23.640
well, we' re all gonna
say goodbye to you a little bit.

336
00:25:23.839 --> 00:25:26.400
I know, but we' ll
get over it the next time. I

337
00:25:26.440 --> 00:25:29.279
' m promoting it. So,
little by little we continue to recover.

338
00:25:29.319 --> 00:25:32.960
I promise you girl hears from the
front door. Well, follow Carlos Andrés

339
00:25:33.000 --> 00:25:38.079
Mendiola on Carlos a Mendiola on Instagram
and on Tiktok and Carlos Andrés Mendiola on

340
00:25:38.079 --> 00:25:42.960
Facebook. There you can follow Carlos
Andés Mendiola, already Paco can follow him

341
00:25:44.039 --> 00:25:49.200
on Twitter as a paco script under
ml opaque ml seven. Let' s

342
00:25:49.279 --> 00:25:52.319
see I' m looking for the
super you Here' s your super fire.

343
00:25:52.440 --> 00:26:00.160
Then you can follow the script under
ml on Instagram and in forgiveness pa

344
00:26:00.200 --> 00:26:04.319
bajo emel on Twitter and Instagram.
Paco ml seven. Guys, thank you

345
00:26:04.319 --> 00:26:08.680
so much, Carlos Andés mendel a
ti faus Thank you very much. Thank

346
00:26:08.680 --> 00:26:12.359
you, Paco Mani, thank you
very much. Thank you. We'

347
00:26:12.519 --> 00:26:15.559
ll get back to where they'
re coming from I promise you. I

348
00:26:15.640 --> 00:26:19.039
already owe them a lot. They
don' t believe me in this paco

349
00:26:19.119 --> 00:26:25.160
anymore and Carlos doesn' t believe
me anymore, but well, I always

350
00:26:25.160 --> 00:26:26.440
promise them one day. Yeah,
not anymore. Carlos, this is what

351
00:26:26.480 --> 00:26:27.880
you' re telling me I'
ve stopped. Carlos couldn' t do

352
00:26:27.880 --> 00:26:30.839
it anymore, I couldn' t
get into the broadcast like that on a

353
00:26:30.880 --> 00:26:33.920
Saturday and poor Carlos there already and
his parents from this one and my son

354
00:26:33.960 --> 00:26:37.880
already pays the light and Carlos there
because states in Cuanavaca. If Paco already

355
00:26:37.200 --> 00:26:40.759
says Carlos, go to sleep,
Carlos and no, Ahorita fau is going

356
00:26:40.759 --> 00:26:45.839
to connect twelve at night. So
it' s dawning here, but I

357
00:26:45.920 --> 00:26:51.359
' d expect exactly. Oh.
Thank you all so much. Many thanks

358
00:26:51.440 --> 00:26:53.519
to Paco, obviously, and Carlos
Andrés mendi Hello, to all those who

359
00:26:53.519 --> 00:26:59.640
were here in crisis eighty- five, to André Broa, to Ricardo Rey

360
00:26:59.759 --> 00:27:02.160
and is a whiner. It'
s from a strong, strong hug.

361
00:27:02.599 --> 00:27:07.559
Andrew Brown sent us a face that
without a mouth goodbye to what a pervert.

362
00:27:07.279 --> 00:27:11.000
What pervert? Sticker I see how
mysterious it is that I can'

363
00:27:11.079 --> 00:27:11.799
t see it in the software I
have. I can' t see it

364
00:27:11.799 --> 00:27:17.599
before. No more description comes to
me. Who else is out there living

365
00:27:18.279 --> 00:27:22.079
elvia. Thank you so much for
being here on the show and well,

366
00:27:22.799 --> 00:27:25.480
I send you a super hug and
we' ll see you and we'

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00:27:25.519 --> 00:27:33.440
ll hear the next episode of involuntary
stay until later Wow. The audio editing

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00:27:33.519 --> 00:27:38.079
is done by outs creak ides Sounds. If you want to make a podcast

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00:27:38.200 --> 00:27:44.119
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