How well you are looking to remain simultary today we are going to talk about
dunes two and popular color, among other things. And so, thanks to
all those who are joining, to all who are going to join. Thank
you very much and we begin. You' re hearing involuntary permanence with Fausto
ponce. Thank you for being here, thank you for joining us, thank
you very much to the people who are watching us on YouTube, on Facebook.
I tried Instagram, but I didn' t make it. If you
want to support the program. On Facebook we have the star system and on
YouTube we have the sticker system and you already know them guys. Well,
a couple of days ago, the whole cast of about two came in.
You were there, Carlos Andrés Mendiola. You were in D about two with
all the cast is correct. You know how one is. Then I went
there with Shalamert' s good kime, with Zendaya, with Auskin Butler,
who was also out there Florence Buke, Josh Broling and director Dannid Lennet.
This premiere was in the National Auditorium. It was a premiere and a fan
event that was, because the truth is that quite well organized by Warner'
s people, to whom I very much thank the invitation. And well,
we were there for a while in the beginning, because waiting for the talent
to arrive, they arranged very nice so that they could do like this tour
for the people who were waiting for them. Outside the national auditorium. They
were, you know, answering some questions there, as part of the carpet
they were signing autographs taking pictures. The truth is that all very friendly,
very accessible doing all this tour which, then, also takes a little while
so that later, then, we could see the film in the national auditorium,
which then looks. The truth is, there wasn' t everything I
could see before a movie in the national auditorium. And then there' s
not something we can compare in terms of having, because that pantalota there in
the national auditorium, with that sound and everything else, and besides they were
passed to us by the complete film. I had my doubts. I said
to see if we don' t play like Barbie and we got the first
act. And so it was. Thank you very much. They already have
the approach. Go home go home, make a video and bring us exact,
exact, exact people because, besides, I say the bar that was
very nice too, but it was in a square. It was in bullfighting
square and that kind of made it a lot more difficult to have this closeness
with the actors. No and here yes, you could really have them a
little closer They, besides, because they came as the best plan to be
accessible, to live together. And, well, elsewhere, then it was
very much enjoyed the event and then we got the movie. So Jan the
Billfause, as you asked me to, Fause, I followed your directions.
Yeah, well, how' s it looking is better, because Dennis Denni
villen nev said it gives you the best, that the best that if you
see you liked the one uff You' re going to love. Yeah,
well, he has to say that, because it' s his movie.
Of course it' s good. I liked it. I liked the first
part. This part I like is also very vilenet tennis, that is,
if you know your previous cinema. Well, they have these characteristics that we
already know him, that we saw him in dune where, because he presents
us this great epic. Let us remember that he is making this adaptation of
the science fiction novel, of this classic by Frank Herbert, which we already
had a version before, with Sting, with Stink, exactly, which is
a version as well as a bit controversial that I remember seeing many years ago.
Well, not so many, because here we are very young, but
some and in this good version, we divided the film into two parts.
Then they will agree that in part one, because it is only in this
approach of the central character, who is Paula Travis, whose father they murder.
And well, now he' s fallen a bit of fortune and will
be seeking revenge from those who killed his father. So, in part one
we stay only basically in that approach and we know a little bit about these
political issues in this story, because now it does conclude. It does not
conclude what they put forward lasts two hours, with forty- six minutes.
I didn' t feel that long, because, besides, let me tell
you about the Rock carpet event, it started around 6: 00. The
actors came to us around ten o' clock or about seven o' clock,
and the film started around eight and a half forty o' clock,
that is, we went out almost like a semicient in the auditorium. The
truth, yes, imagine, the truth is that I was not weighed,
because, then, to be such a long movie already at night, it
could be a bit complicated. But it doesn' t have all these Dandy
Lenneb virtues if it' s not movies with the fastest pace, maybe as
we' re used to in other movies. But it seems to me that
quickly the film takes you doesn' t do in a couple of minutes a
quick recount of what had happened, in case we already forgot a little bit
or in case someone hasn' t seen the film. And in the exact
chapter above, he almost had a voice- over that we already discovered.
What' s the character that' s telling us this story. And so
he puts us back in the action and we go looking at the character of
Kimo, of Shalamet, for how, as it goes this is a journey
of the herr, how it is prepared, how it is demonstrating its value.
Besides, all these elements around the character, whether it' s the
one chosen, whether it' s going to fulfill a legend, or that
there' s all around it. And they are also raising these political aspects
that have to do with these different realms that are in a certain way fighting
for power, and they are introducing us also to the new characters, because
these characters, for example, of Florence Spoke, because he is a character
that we did not know before, is a princess, also the character of
Bustin Butler, this actor whom we saw in elvis just that he was nominated
for the Oscar Prize for him, for her, for this film and that
here he is the antagonist. Let' s just say he' s a
character, because he' s a bit psychotic and he looks really good on
Austin Butler. And well, until obviously there will be this confrontation. It
' s a very beautiful movie, watching or. We know therefore the aesthetic
proposal that Danny Villenet constantly makes his films Blade Ronner two thousand forty- nine,
for example, the arrival of Duna herself these very beautiful films to see
well, because all that is present here. It has a beautiful photograph,
very good sound design. The truth is, if I have to criticize him
in the movie. It probably has to do a little bit with this duration
that I' m saying isn' t that it' s getting in my
way, but I do think we could have cut it a little bit at
some point. We could have cut a little bit. Well, that'
s fine. What a number you give him of womel record ay Mira.
I think I' d give him a nine. I really liked the movie.
Hey, I say one thing and better than the one before. I
would say yes, because besides, the previous one, because it stays half
and is. We could, yeah, it looks like a movie. It
' s part of this story, obviously, but it feels more like a
complete story. We don' t really see the character coming from one point
to another and no longer leave us with any doubt. Also something that I
think I don' t know how much it has to do with the novel,
because I owe you the reading of that novel Crisis is not expert on
that subject. Suddenly, there are some facts that seem to me to feel
a little bit more like they are really predestined and not as much as the
characters are making them happen you know then, no, no, no,
I think that also takes a little while, but Wow is a very good
movie. I would venture to say that, as already, we have the
first failure of the year, which is Argil, probably part two. It
' s going to be the first one, because it' s a whiff
of the year. Let' s see, let' s see. No,
I' m not a monsieur, but I' d think so.
Okay, well, let' s see what he' s like, because
I don' t know what to see, I have to see the first
one. I think, but you haven' t even seen the first fausa.
I didn' t feel like it. The truth ay faus What'
s going on with you. You owe us the moon killers already. Now
you owe us a share. It' s not like I' m waiting,
it' s possible, but I can jump at that one. The
moon s u s s ns moon by this what it is called by rigor.
Let' s say, no, but this one does. No.
Or I' d think so. Pauz, I would think that I already
know that I recommended you Orion and the darkness so that you can see her
with Gabriel is hard, that hard hour and a half, but yes.
I don' t think if you liked other Danny villenet Blade Rone movies,
I didn' t like it, but I don' t remember someone else
having to watch it safe and another one right now. I' m not
remembering. But the arrival with Danny Adams. That one I don' t
remember. Ricardo Reyes says I really like his films, but for me,
if Cario is his best movie, no, I' m another good movie
of him, because I don' t know, right now. I'
ll remember something, something else about the but Bonobledro. I didn' t
like it. It' s not that bad. It' s pretty good.
Actually, I really liked it. Well, all right, then.
Then again forgiveness, the rating of about two which we gave him a nine.
It' s still pretty good. Okay, yeah, I' m
doing fine. Paco, let' s stay here at once, but to
talk about the next, that purple color with paco marín. How are you,
Paco, Paco, you' re there, Paco, you hear us,
you don' t feel, no, no, no soy, Paco,
what' s going on? Paco, no, you hear us no,
no, I' m not Paco. Your Internet is very bad.
I' m writing on the plating. I see it as if he wants
to talk to us, like he wants to cheer himself up. You can
' t hear anything. If we don' t listen to him, give
us a hand to Paco to cheer him up, because let us tell him
that Le Chiflen Fermito is a little chipi, but sure, Ahorita is encouraged
to his Internet and also straw, because they say that when the cast comes
the film is not going to be there already, they say, but they
say, because Mira happened to Barbey and yes it did, well, yes,
that' s true. You' re right, Paco, you'
re already here, you hear us, no, Paco, you' re
really hot. Your Internet isn' t gonna make it. How are you,
gres Broa, how are you Greetings Andrés Broa, vivita Thank you a
greeting we have an honor, a greeting says the first one is good.
Faus Thank you, thank you, Davia, very well, no, Paco,
he' s not coming. Paco, he' s not here,
Paco, he' s gone, but there he is, he' s
back. I saw it I heard a little sound Paco' s back.
How you' re going to see Paco already you hear us, yes,
you hear them now it' s going very well, all right, how
you' re hearing we' re going to talk about the purple color.
It' s already back there, paco, paco, terme, your Internet
is already here What do we do? You' re going to have to
reconnect or turn off your compa and turn it on again. It' s
not your Internet, it paid, it' s the Internet of Paco I
want you to tell us about this musical version of the purple color. Faust
Yes, hey, but good south, the pop Internet is very bad going
and coming to the truth. Let him write it down, I' ll
write it down, and let' s go check it out. Wait for
me to restart my Internet. It paid very well, little, very well
for Paco, as Andrés Andrew Broa Oya Talentium says, but we hope that
He will reboot it just as Crisis eighty- five is recommending us, since
he can already enter and tell us of the color purpurate this musical version.
Hey and the lola how about you saw her in Bigs with Barbara rule,
yeah, I saw Faus, because I know you had that debt to Pouse,
then I had fun with Faus. I have to say it' s
not. It' s not the big barbarian series. Don' t clan
me, please, this one I know you' re defending your show and
you' re doing great on it. Notice that I learned in principle that
this series is an adaptation of an Argentine soap opera of two thousand seventeen.
Okay And here well, now the approach, we already practiced it a little
bit last week. Lalo is a boy, who is a womanizer to whom
a woman who is, then, very upset because she was playing with him.
With it forgiveness comes to a witch called Circe, which is interpreted by
simple click that is very nice, like yes, and because they make there
a haunt to the halo in such a way that the next day wakes up
and now is in the body of a woman and is parrot. And then,
then, let' s go see in these we have nine episodes Ahorita,
where, then, the lola has to learn to meet in this woman
' s body. In fact, that' s the whole point. Let
' s say of this spell because it just breaks, it feels completely outraged
that it does not understand women and does not value them. No. The
truth is that Barbara is, she' s funny, that' s what
she was telling you and what I' ve seen she' s mentioning in
the interviews, because it' s very true. I think the series works
a lot because she dares and then we see her, walking like more like
a man, scratching parts she didn' t drink from the body. All
this, then, if not having like all this, this use of nonverbal
language, which is like more masculine, and that is nice, the truth
is that, because it is not like the great series. I don'
t mean yes, it has this agenda, but it' s very light
in terms of the proposal they want to make about talking about women, how
they don' t necessarily get their place. It is understood by everything that
happens, by everything that happens. We see, for example, this question
of how to Lola, because now she is a woman, because she puts
her on the ground in half. That' s not just why I'
m gacho. Yeah, he' s so far- fetched, but good.
Obviously, they want to make all these things visible that I think is
father. The series, in fact, doesn' t go that far.
I mean, in the end, it' s a comedy It' s
got an interesting cast. Alexis Ayala is around, Gonzalo García Vivanco is there.
I already mentioned Cynthia Clitbo. Alejandro de la Madrid is also out there
and Mira. I mean, it' s not the big show. Don
' t claim me, Barbara. Please, Barbara' s doing well,
but I also have to say that she looks angry careful. That' s
how he' s gonna get mad, but don' t get mad This
is advice. It' s for your own good. I recognize that you
' ve done your job and that you' re a committed actress, that
you make differences in your characters as a silent pact, but a few acting
classes wouldn' t hurt because they would help your work look better. Barda
is for your sake, Barbara, we value you, you do it like
that she doesn' t care anymore. After already if you don' t
see your radar I don' t care about you I mean, if as
long as they don' t see us, I won' t say anything,
but if not later you see that I already saw Barbara doesn' t
stay quiet at all. Claim. Okay, Barbara, and by the way,
I have a claim. It' s not for Barbara, it'
s for Vixplos, the very bad that you never tell us that this is
a season one, that is to say Vixplost It throws the episodes as you
remember the golden rooster. Oh yes, and then such was season one.
Horror, very bad, that' s seen how weird mix plus well,
he' s already with us, Paco Marín, how you' re doing.
If I' m not that, yes, it was now. Thank
you all very much. Well, perfect, perfect, the purple color,
I pay just like another remake out there how you saw it, how you
felt, you liked how cool it was. Yes, well, this one
is, that is, after the film that is Spieelberg, which, because
it is really a classic as such, because it was made a musical adaptation
on Broadway, which is the one that brought Ahorita to the big screen that
produces it opra and because it has a great production behind the story, because
they already know it or if not, because I tell them quickly that it
is precisely of this woman Celli, who, since in Chica is with her
sister and lives an atmosphere, because it is full of many abuses in all
sense and are separated afterwards because, because the father of them sells it to
cell so to say, so to say and commands it with a man who,
too, obviously, is going to abuse it at all times. And
so, let' s see how, after other racial problems in the United
States, because, obviously, it is a film, because, with African
- American protagonists in the whole sense of the word, as it is a
question, a story, because from a perspective, yes, African- American
in every sense, and of that it will go a little bit that we
will see Seli' s life, because for decades and in this search for
her sister and to meet also her as a woman and as a human being.
Here the film, because it has original musical numbers on the part of
the film and also that it' s taking the musical and I think it
' s really not a movie that looks pretty. It' s a film
that meets, but it does not meet because it really does well, it
' s a story that we already know serves, it' s a very
good story. So it' s hard to ruin a good story. Whatever
you do not if you already have as your basis a story that is good
and remarkable, because you are really going to be easy, it is going
to be difficult to ruin it. And here, you really don' t
do a bad job. But since a musical is short as a dramatic film
it also falls short as it never finds the tone, neither the film nor
the actors in general. I think almost none of them are in tune,
except for Daniel Brous, who is wonderful. She really does very well.
I really liked it. It' s not a surprise, because since Rongis
of New Black is the enchanted woman and I think she' s an actress
who has a lot of potential and here not only as a character who has
comic relief, but she' s also a character who has a very strong
emotional potential and who is the one who really takes, as the palms and
tears. I think of the film, unlike the fantasy that it would have
to be her who took the baton because, since she is Seli the protagonist.
But I think that, although he sings very well and that we have
seen him have some good roles as an actress, here, because he does
not give the width of the role or simply did not connect with him and
feels very, very without emotion his participation, in fact, his musical number,
because only that it already arrives for the end part, that it would
have to be like the one that just impactes the spectator, because it does
not sell us. The movie. It stays very, very, very,
very, very hollow. The song is amazing, it sounds great, because
she sings very well, but there is no emotion. I mean, it
' s not like we compare it to different musicals in which, because the
emotion we know they print on the song is what really gives the meaning and
the emotion here is not really achieved from there on out. It' s
a movie that, because it does look nice Sometimes they don' t really
know how to fit in. Music numbers have many shortcomings in how to film
a musical, because it has its joke. It' s not just cut.
Cut cut as they usually think and record. Suddenly a lot of musicals.
It' s all about how actions are followed and who we' re
being executed to. And, well, there' s not much sense here
about that. And that also, of course, makes musical numbers here feel
very, very run over. As for the story, not because we'
re going to see how they leave the story as very disconnected I say if
you' ve already seen the film or read the book or so, because
you know what it' s about not, but if you don' t
know anything previous, they' re going to be, like suddenly, very
intense cuts of information that feel very biased. Then I think there' s
the movie. He did miss his setup. He missed a bit finding out
how they were going to tell and adapt this musical version to the cinema,
but well, he has his successes. The truth is, you don'
t have a hard time like I said. It' s a story that
' s already drawn, so it' s somehow guaranteed so long as this
isn' t going to fail. And well, not Daniel Mook is worth
the time she leaves. I also brought Pijan pie Henson. He' s
doing pretty good. She' s doing great. I like her role as
an actress I didn' t get used to the great actress, but I
have to admit that in this role she does very well. I feel like
I' m gonna be better off with the old version, not Spielberg'
s. Yes, of course I do. I think that, I mean,
there' s no way that I don' t even like comparing it,
but I really do think this film will be a musical that, well,
it only looked like it benefited because it' s a known story,
because, because it has opra behind it in another way, I think it
wouldn' t have lifted so much flight or I' ve given so much
of what to give, because it really doesn' t lend itself to the
same thing. Okay, well, I don' t know. All right,
I thought so. Spielberg' s is a very good movie. It
hurts me to watch the Speelberg movie and I kind of don' t know
yes, it' s yes, you. I think it' s a
very strong story, I mean, it' s really a very painful story
and very very very much just me. But it' s also like a
very empowering story and, in other words, it has a lot of moments,
no, but, at the end of the day, it' s
a pretty intense, very intense story. Well, there it is in purple
and about two boys. I' m gonna say goodbye to you guys,
well, we' re all gonna say goodbye to you a little bit.
I know, but we' ll get over it the next time. I
' m promoting it. So, little by little we continue to recover.
I promise you girl hears from the front door. Well, follow Carlos Andrés
Mendiola on Carlos a Mendiola on Instagram and on Tiktok and Carlos Andrés Mendiola on
Facebook. There you can follow Carlos Andés Mendiola, already Paco can follow him
on Twitter as a paco script under ml opaque ml seven. Let' s
see I' m looking for the super you Here' s your super fire.
Then you can follow the script under ml on Instagram and in forgiveness pa
bajo emel on Twitter and Instagram. Paco ml seven. Guys, thank you
so much, Carlos Andés mendel a ti faus Thank you very much. Thank
you, Paco Mani, thank you very much. Thank you. We'
ll get back to where they' re coming from I promise you. I
already owe them a lot. They don' t believe me in this paco
anymore and Carlos doesn' t believe me anymore, but well, I always
promise them one day. Yeah, not anymore. Carlos, this is what
you' re telling me I' ve stopped. Carlos couldn' t do
it anymore, I couldn' t get into the broadcast like that on a
Saturday and poor Carlos there already and his parents from this one and my son
already pays the light and Carlos there because states in Cuanavaca. If Paco already
says Carlos, go to sleep, Carlos and no, Ahorita fau is going
to connect twelve at night. So it' s dawning here, but I
' d expect exactly. Oh. Thank you all so much. Many thanks
to Paco, obviously, and Carlos Andrés mendi Hello, to all those who
were here in crisis eighty- five, to André Broa, to Ricardo Rey
and is a whiner. It' s from a strong, strong hug.
Andrew Brown sent us a face that without a mouth goodbye to what a pervert.
What pervert? Sticker I see how mysterious it is that I can'
t see it in the software I have. I can' t see it
before. No more description comes to me. Who else is out there living
elvia. Thank you so much for being here on the show and well,
I send you a super hug and we' ll see you and we'
ll hear the next episode of involuntary stay until later Wow. The audio editing
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