WEBVTT

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Hello, folks, I'm very,
very excited today to share with you a

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preview to our new show called Sword
and Scale Nightmares. We've been working on

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this show behind the scenes since last
year, and we think you're really gonna

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like it. One of the wonderful
things about Sword and Scale that really set

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us apart early on was the use
of audio clips such as interrogation audio and

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trial testimony, which adds a level
of immersion to the story that feels like

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you're watching a well produced TV documentary. But not every story lends itself well

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to this format, and sometimes the
clips simply don't exist. Not to mention,

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we've heard directly from you over the
years. We've heard what you like

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and what you don't like, and
that you all don't like the same things

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necessarily, So we've gone back to
the drawing board and reimagined how to tell

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these stories in a refreshing new way
for this new series. That means no

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clips, no jump scares, no
loud techno music, and no unsolicited,

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unnecessary opinions from that over opinionated narrator
What an ass that guy is. The

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result is what we're calling true crime
for bedtime, i e. Bedtime Stories.

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For adults. Now, we've tried
something like this before. You might

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remember Monstro, but let's face it, the feeling, the vibe wasn't quite

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right. But I think we've finally
nailed it though. And if you like

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Sword and Scale, you'll most likely
enjoy Sword and Scale Nightmares. You might

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even like it more. By the
same token, if you don't like Sword

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and Scale for all the reasons I
just stated, then maybe you'll still enjoy

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then you show. Now, in
order for this show to be a success,

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we need your help, so I'm
going to ask you for a favor.

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If you're listening to this right now, please take a moment and head

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on over to Apple Podcasts, Spotify, or your preferred podcast listening platform and

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subscribe to Sword and Scale Nightmares right
now. It really is going to make

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a world of difference if you do. And just so you know, Nightmares

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will eventually be part of Sword and
Scale Plus, but for now, we're

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only going to be releasing it as
a freely distributed podcast on all major podcast

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platforms. The response we get will
allow us to see if you guys like

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it or not and whether it's worth
continuing. So thank you in advance and

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without further ado. Here's a preview
to Sword and Scale Nightmares Sweet Dreams.

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Saint John's, Arizona is a tiny
little town in Apache County with just over

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three thousand residents. It's a little
blip on the map north of the Apache

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National Forest. The town's motto is
the Town of Friendly Neighbors and quite literally,

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everyone knows everyone. On November fifth, two thousand and eight, Debbie

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Nickel was celebrating she'd just been promoted
to detective at the Saint John's Police Department

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the day prior. This was her
second year in the department, which in

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the line of police work, is
not very long at all. Given that

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her new title was so fresh,
Debbie was understandably nervous about the responsibilities it

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entailed. Before her promotion, Debbie
worked as a school resource officer, so

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the types of situations she dealt with
involved scuffles between kids. Now her job

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would be to respond to real crime
scenes. She knew she had entered the

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big leagues, and she was about
to get a taste of how gruesome reality

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can get. On this particular Wednesday, a little after five pm, someone

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called the police department to report hearing
shots fired and then seeing something strange on

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someone's front porch. It looked like
a dead body. Now, this was

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only a few days after Halloween,
so Debbie and her partner, Sergeant Lucas

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Rodriguez, weren't totally convinced this call
would even amount to anything. But they

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strapped up their bulletproof vests and jumped
in their cruiser, Debbie in the passenger

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seat and Sergeant Rodriguez driving. So
as they're driving, their lights flashing through

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the streets of this quiet town,
Debbie's looking out the window waiting for the

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house to emerge. She's a little
nervous, but you know, how bad

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could it be. This was probably
just a leftover scarecrow that had gotten blown

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over by the harsh winds that they'd
had over the last few days. Nothing

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to worry about. On the corner
of fifteenth Place West and seventh North,

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they see the house. It's a
blue, two story single family home sitting

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close to the street. It's got
a little front yard and a truck parked

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partially up onto a small gravel driveway. As the police cruiser pulls closer,

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Debbie sees what the caller was referring
to. Even from that distance, she

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could tell This was not a piece
of decor. This looks real. She

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squints her eyes and realizes that the
lump on the porch is in fact,

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a dark complexed male wearing a heavy
Carhart jacket, lying face down. They

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see someone else, too, a
frightened little boy standing outside the home,

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waiting for law enforcement to arrive and
help him. Debbie quickly realizes that she

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recognizes this child living in the neighborhood
herself. She knew him as the happy

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child who jumped on the trampoline with
his cousins and always yelled have a good

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day, missus Nickle when she left
for work. This kid was Vincent Romero's

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son. He's standing alongside an adult
man and a teenage boy. They seem

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to be hovering over him in kind
of a protective way. Debbie looks at

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Rodriguez as they're sitting on the street
in front of the house. They're both

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wide eyed because they're realizing this might
not be such an easy call after all.

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Rodriguez opens his door first, telling
Debbie to stay behind while he assesses

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the victim and scopes the area.
Debbie stays in the passenger seat, looking

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out the window. She's getting progressively
more and more nervous. Now her partner

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is in this house with a real
dead body on the front porch, and

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now she's thinking about what else might
be inside. For all they knew,

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the murderer could still be hiding in
the closet. Pretty soon after that,

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Debbie hears shouts coming from the house. She opens her door and starts towards

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the porch, noticing blood droplets on
the sidewalk As she makes her way forward,

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Rodriguez pushes the screen door from the
front of the house, opening it

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from the inside, being careful to
avoid this dead man lying on the door's

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path. Debbie sees her partner's face
and knows it's bad. Rodriguez yells out

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to her, informing her of another
dead body on the stairway to the second

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floor. Both men had been shot
to death with a twenty two caliber weapon,

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one of which was a familiar neighbor, Vincent Romero, the little boy's

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father. Both bodies were still warm. While Rodriguez secured the area, Debbie

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went around the neighborhood asking if anyone
had seen or heard anything. At this

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point, more officers were arriving on
scene, so they split up across the

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neighborhood and started knocking on doors.
The people who lived in the house right

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across the street confirmed that they heard
several shots right around five pm. Throughout

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this long night of witness interviews,
police summarized that the two men were twenty

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nine year old Vincent Romero and his
friend, thirty nine year old Timothy Romans.

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They also learned that Vincent and tim
were not only friends, but co

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workers and part time roommates. The
two worked for SRP or Salt River Project,

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a power company in Arizona. Vincent
and his wife owned the house and

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allowed Timothy to rent a room so
that he could be closer to work during

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the week. The little boy who
was found standing in the front yard when

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Debbie and her partner arrived on was
eight year old Christian Romero. He had

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run to a neighbor for help and
they called nine one one and stayed to

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wait with him. So Debbie is
just shocked that such a crazy tragedy could

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strike her tiny little neighborhood. She
feels bad for this poor child, this

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kid who's just lost his father,
so she has to find out if he

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saw or heard anything. She sits
down next to the kid and says,

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okay, just tell us from the
beginning. Christian starts to explain that his

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step mom isn't home on Mondays and
Wednesdays. She works until five, and

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so he got off the school bus
and walked around the neighborhood for a while

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waiting for her to get home.
When five o'clock came and went, he

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figured he'd make his way back to
the house. He says that as he

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approached, he saw a truck parked
out front and started to call out,

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Tim, are you home. Then
Christian tells them about the car that went

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past him as he approached the home. He says it seemed it could have

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been leaving his family's house. He
describes the car. It's a white car

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with no hubcaps on the back.
So the police are like, we got

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to send out a blow immediately,
meaning be on the lookout for this vehicle.

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Christian goes on to tell them that
when he got to the front porch,

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he saw Tim lying face down.
There was a lot of blood and

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even bits of brain. The little
boy continues, explaining that once he saw

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Tim's body, he started to yell
for his father, Vincent, but got

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no response. He says he carefully
opened the front door and went inside,

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still calling for his dad, and
then he saw him lying motionless on the

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stairway. At this point, Debby's
thinking, Holy Moley, Thank goodness,

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this child didn't get home just a
few hours earlier. He could have been

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killed two. Debbie knew they'd have
to get Christian in for a forensic interview

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in the morning. First, they'd
have to deal with Tanya Romans, Tim's

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wife. Tanya lived far enough from
the power plant that it made more sense

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for Tim to stay with his friend
during the week. Tanya, though far

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away from the crime scene, had
some information about the previous day that Debbi

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hoped would shed light on why two
people had suddenly been murdered. Please head

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on over to Apple Podcasts, Spotify, or your favorite podcast platform and subscribe.

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Sword in Scale Nightmares will launch its
first three episodes on March second,

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at three twenty three Eastern daylight savings. Thank you, and goodnight.

